i. 9; and the whole, therefore, should be understood as the statement

of a literal fact.

These considerations are sufficient to show, that the common opinion, that the visions were seen in the island of Patmos, has every probability in its favour, and should be received as correct. Whether the _record_ was actually made on that island, or was made afterwards, is a point on which no light can be observed, and which is of no importance. From such passages, however, as those in chap. x. 4; xiv. 13; xix. 9; and xxi. 5, it would seem probable {li} that the record was made as soon as the visions were seen, and that the book was actually _written_ in Patmos.

§ IV.――_The Nature and Design of the Book._

This must be learned from an examination of the book itself, and the views entertained on this point will be determined, in a great measure, by the principles which are adopted in interpreting it. From the examination which I have given of the book, and the methods of interpretation which I have adopted, it seems to me that the matter and design of the book may be expressed in the following specifications:――

1. It was composed in a time of persecution, and in view of the persecutions and hostilities, external and internal, to which the church was then, and would be exposed. Christianity was then in its infancy. It was comparatively feeble. It encountered the opposition of the world. The arm of the civil power was raised to crush it. It was also exposed to the attacks of internal foes, and persecutions would arise from its own bosom, and formidable enemies in future times would seem to endanger its very existence. Heresies, and divisions, and corruptions of doctrine and of practice, might be expected to exist in its own bosom; times of conflict and darkness would come; changes would occur in governments that would deeply affect the welfare of the church; and there might be periods when it would seem to be doubtful whether the true church would not become wholly extinct. The faith of Christians was, doubtless, sorely tried in the persecution which existed when the book was written, and would be in like manner often sorely tried in the corruptions and persecutions of future ages.

2. The Apocalypse is designed to meet this state of feeling by furnishing the assurance that the gospel would ultimately prevail; that all its enemies would be subdued, and the kingdom of the Messiah set up over all the world. It was intended to impart consolation to the people of God in all ages, and in all forms of persecution and trial, by the assurance that the true religion would be at last triumphant, thus furnishing an illustration of the truth of the declarations of the Saviour respecting the church, that the “gates of hell should not prevail against it,” Mat. xvi. 18. Hence everything in the book tends to the final triumph of the gospel; and hence at the close (chap. xx.), we have the assurance of its far-spread diffusion over the earth, for a period of a thousand years, and (chap. xxi., xxii.) a graphic view of the state of the redeemed when they shall be delivered from sin and woe, and when all tears shall be wiped away from their eyes.

3. The method of doing this is by giving a rapid glance at the great events of history, bearing on the church in all coming times, till it should be triumphant; or by sketching a bold _outline_ of the principal things that would serve to endanger the church, and the principal divine interpositions in behalf of the church, until its triumph should be secured upon the earth. This _might_ have been done by direct statement, or by plain and positive assertion, as it was by many of the prophets; but the end, in this case, would be better secured by a glance at future history, in such a way, that while the great fact of the final triumph of the gospel would be kept before the church, there might be furnished a clear demonstration, in the end, of the divine origin and inspiration of the book itself. This latter object, indeed, would have been _in fact_ accomplished by a plain declaration, but it would be _best_ {lii} accomplished by such _details_ as would show that the whole course of events was comprehended by the Holy Spirit――the real author of the whole. A general view of these details may be seen, according to the principles which I have adopted in the interpretation of the work, in the Analysis at the close of the Introduction, § V.

4. The method in which this is mainly done in this book is by _pictures_ or _symbols_; for, above all the other books in the Bible, the Apocalypse is characterized by this method of representation, and it may eminently be called a book of symbols. It is this which has made it appear to be so obscure; and this particularly which has given occasion for so great a variety in the methods of interpreting it――for there is no kind of representation that furnishes occasion for so much fanciful interpretation as that of symbolical writing. The true principle of interpreting symbolical language has been hitherto little understood, and consequently every writer has indulged his own fancy in affixing such a meaning to the symbol as he chose. The result has been, that there has been no generally admitted principle of interpretation respecting this book, and that the variety of conjectures indulged, and the wild and vain theories advanced, have produced the impression that the book is not susceptible of a plain and sensible exposition. A very common belief is, that symbolical language must, from the nature of the case, be obscure and unintelligible, and that a book, written in the manner of the Apocalypse, must always be liable to the wild vagaries of imagination which have been so commonly exhibited in the attempts to explain this book. These considerations make it proper to offer a few remarks here about the nature of symbolical language, and on the question whether a book written in that language is necessarily unintelligible, or incapable of a plausible interpretation.

A symbol is properly a representation of any moral thing by the images or properties of natural things. Thus a circle is a symbol of eternity, as having neither beginning nor end; an eye is a symbol of wisdom; a lion, of courage; a lamb, of meekness and gentleness. This general idea of symbols is found in types, enigmas, parables, fables, allegories, emblems, hieroglyphics, &c. The symbols mostly used in the book of Revelation are _pictures_, and could be painted――and, indeed, a great part of the book could be represented in a _panorama_, and would constitute a series of the most splendid drawings that the world can conceive. The following remarks may throw some light on the reason why this mode of representation was adopted, and on the question whether a book written in this manner is necessarily unintelligible.

(a) This method of representation is not uncommon in the ancient prophecies. A considerable portion of Daniel and Ezekiel is written in this way; and it is often resorted to by Isaiah and the other prophets. It was a method of representation which accorded well with the warm and glowing imagination of the Orientals, and with the character of mind in the early periods of the world. It was _supposed_ to be capable of conveying ideas of important events, although it was doubtless understood that there might be some degree of obscurity in the representation, and that study and ingenuity might be requisite in understanding it――as is always the case with parables and enigmas. We have frequent instances in the Bible of a certain kind of trial of skill in expounding dark sayings and riddles, when the sense was intentionally so conveyed as to demand acuteness of thought in the explanation. The {liii} utterance of truths in symbolic language accorded much with this prevailing bent of mind in the ancient and the oriental world――as we see in the symbolical representations in Egypt. If the use of symbols, therefore, in the Apocalypse be urged as an objection to the book, the objection would lie with equal force against no small part of the writings of the ancient Hebrew prophets, and against a method of writing which was actually in extensive use in the early ages of the world. To object to it, must be to object that our own methods and views were not the views and methods of all past ages; that the improved modes of communication in existence now were not in existence always.

(b) Such a method of representation may be, however, clear and intelligible. The purpose of prophecy does not require that there should be in all cases an explicit statement of what will occur, or a particular detail of names, dates, and circumstances――for if such a statement were made, it is plain that it would be possible, on the one hand, for an impostor so to shape his conduct as to seem to fulfil the prophecy, and, on the other, for wicked men, knowing exactly what was predicted, to prevent its fulfilment. All that is demanded in such predictions is, (1) such a statement as undoubtedly _refers_ to the future event; (2) such a statement as, when fairly interpreted, _describes_ such an event; and (3) such a statement as that, when the event occurs, it shall be clear that this was the event referred to, or that the prediction cannot properly be referred to any other event; that is, so that they shall compare with each other as the two parts of a tally do. Now, that symbolical language may have these characteristics, and may be in these respects sufficiently clear and plain, is evident from the following considerations:――

1. A picture may be a correct representation of an event. It was thus among the Mexicans, who, by means of pictures, were enabled to give a correct representation of the landing of the Spaniards, and to convey to their monarch a correct idea of the number and character of the Spanish forces.

The following extract from Dr. Robertson’s _History of America_,