Part 4

Sidelights of this royal progress are obtained from the diarist Evelyn and Lord Dartmouth. Among the attractions provided for the king's amusement at Euston was the future Duchess of Portsmouth. The Duchess of Richmond (La belle Stuart), in the queen's train, must have been reminded how difficult had been her position before she eloped with her husband four years previously. For the duke's sake let us hope he was as overcome as his Majesty when the latter let his tongue wag with more than usual freedom during the feast at Raynham. "After her marriage," says Dartmouth, speaking of the duchess, "she had more complaisance than before, as King Charles could not forbear telling the Duke of Richmond, when he was drunk at Lord Townshend's in Norfolk." Evelyn did not think much of the queen's lodgings at Norwich, which he describes as "an old wretched building," partly rebuilt in brick, standing in the market-place, which in his opinion would have been better had it been demolished and erected somewhere else.

Not far from Blickling to the north-east is Mannington Hall, a mansion built in the reign of Henry VI., which possesses one of the best authenticated ghost stories of modern times. The story is the more interesting as it is recorded by that learned and delightful chronicler Dr. Jessop, chaplain to His Majesty the King. The strange experiences of his visit in October 1879 are duly recorded in the _Athenæeum_ of the following January. The rest of the household had retired to rest, and Dr. Jessop was sitting up making extracts from some rare books in an apartment adjoining the library. Absorbed in his study, time had slipped away and it was after one o'clock. "I was just beginning to think that my work was drawing to a close," says the doctor, "when, as I was actually writing, I saw a large white hand within a foot of my elbow. Turning my head, there sat a figure of a somewhat large man, with his back to the fire, bending slightly over the table, and apparently examining the pile of books that I had been at work upon. The man's face was turned away from me, but I saw his closely-cut, reddish brown hair, his ear and shaved cheek, the eyebrow, the corner of his right eye, the side of the forehead, and the large high cheekbone. He was dressed in what I can only describe as a kind of ecclesiastical habit of thick corded silk, or some such material, close up to the throat, and a narrow rim or edging of about an inch broad of satin or velvet serving as a stand-up collar and fitting close to the chin. The right hand, which had first attracted my attention, was clasping, without any great pressure, the left hand; both hands were in perfect repose, and the large blue veins of the right hand were conspicuous. I remember thinking that the hand was like the hand of Velasquez's magnificent 'Dead Knight' in the National Gallery. I looked at my visitor for some seconds, and was perfectly sure that he was a reality. A thousand thoughts came crowding upon me, but not the least feeling of alarm or even of uneasiness. Curiosity and a strong interest were uppermost. For an instant I felt eager to make a sketch of my friend, and I looked at a tray on my right for a pencil: then thought, 'Upstairs I have a sketch-book; shall I fetch it?' There he sat and I was fascinated, afraid not of his staying, but lest he should go. Stopping in my writing, I lifted my left hand from the paper, stretched it out to a pile of books and moved the top one. I cannot explain why I did this. My arm passed in front of the figure, and it vanished. Much astonished, I went on with my writing perhaps for another five minutes, and had actually got to the last few words of the extract when the figure appeared again, exactly in the same place and attitude as before. I saw the hand close to my own; I turned my head again to examine him more closely, and I was framing a sentence to address to him when I discovered that I did not dare to speak. I was afraid of the sound of my own voice! There he sat, and there sat I. I turned my head again to my work, and finished the two or three words still remaining to be written. The paper and my notes are at this moment before me, and exhibit not the slightest tremor or nervousness. I could point out the words I was writing when the phantom came, and when he disappeared. Having finished my task I shut the book and threw it on the table: it made a slight noise as it fell--the figure vanished." Not until now did the doctor feel nervous, but it was only for a second. He replaced the books in the adjoining room, blew out the candles on the table, and retired to his rooms marvelling at his calmness under such strange circumstances.

The old-fashioned town Wymondham, to the south-west of Norwich, contains an interesting church and market-cross, and one or two fine Gothic houses, all in good preservation. But stay, the quaint octagonal Jacobean timber structure in the market-place was holding forth a petition for contributions, as it was feeling somewhat decrepit. This was six or seven years ago, so probably by now it has entered upon a new lease of life. How much more picturesque are these old timbered structures than the jubilee clock-towers which have sprung up in many old-fashioned towns, putting everything out of harmony. But few towns are proud of their old buildings. They must be up to date with flaring red-brick, and electric tramways, and down comes everything with any claim to antiquity, without a thought of its past associations or picturesque value. But let us hope that Wymondham may be exempt from these terrible tramways for many years to come, as its population is, or was, decreasing.

The abbey and the church appear to have got rather mixed up; but having come to a satisfactory arrangement, present a most pleasing group, and, in the twilight, with two lofty towers and a ruined archway, it looks far more like a castle on the Rhine than a church in Norfolk. The effect doubtless would be heightened if we could see the rebel Kett dangling in chains from the tower as he did in the reign of Bloody Mary. The timber roof is exceptionally fine, with its long array of carved oak bosses and projecting angels.

Near Wymondham is the moated Hall of Stanfield, picturesque with its numerous pinnacles. Here the heroine of the delightful romance _Kenilworth_ was born in 1532; but poor Amy's marriage, far from being secret, was celebrated with great pomp at Sheen in Surrey in 1550, and is recorded in the _Diary of Edward VI._ now in the British Museum. "Lydcote," the old house in North Devon where she lived for some years, was pulled down not many years ago. Her bedstead from there we believe is still preserved at Great Torrington Rectory.

Somewhat similar to Stanfield, though now only a farmhouse, is the very pretty old Tudor house Hautboys Hall. It stands a few miles to the south-east of Oxnead.

Of all the moated mansions in Norfolk, Oxburgh Hall, near Stoke Ferry, is the most interesting, and is a splendid example of the fortified manor-house of the end of the fifteenth century, and it is one of the few houses in England that have always been occupied by one family. Sir Edmund Bedingfield built it in the reign of Richard III., and Sir Richard Bedingfield resides there at the present time. The octagonal towers which flank the entrance gate rise from the broad moat to a considerable height. There is a quaint projecting turret on the eastern side which adds considerably to the picturesque outline of stepped gables and quaint battlements. High above the ponderous oak gates the machicolation behind the arch that joins the towers shows ample provision for a liberal supply of molten lead, and in an old guard-room may be seen the ancient armour and weapons to which the retainers of the Hall were wont to have recourse in case of siege. The room recalls somehow the defence of the tower of Tillietudlem in _Old Mortality_, and one can picture the little household guard running the old culverins and sakers into position on the battlements.

The great mullioned window beneath the Tudor arch and over the entrance gate belongs to the "King's room," a fine old tapestried chamber containing the bed, with green and gold hangings, where Henry VII. slept; and it is no difficult matter to repeople it in the imagination with the inhabitants of that time in their picturesque costumes. There is a richness in the colouring of the faded tapestry and hangings in contrast with the red-brick Tudor fireplace far more striking than if the restorer had been allowed a liberal hand. It is like a bit of Haddon, and such rooms are as rarely met with nowadays as unrestored churches. The remarkable hiding-place at Oxburgh we have described in detail elsewhere.[14] It is situated in the little projecting turret of the eastern tower, and is so cleverly constructed beneath the solid brick floor, that no one would believe until they saw the solid masonry move upwards that there was sufficient space beneath to conceal a man. The Bedingfields are an old Roman Catholic family, and it is usually in the mansions of those of that faith that these ingenious contrivances are to be seen.

A priest's hole was discovered quite recently in Snowre Hall, a curious Tudor house some ten miles to the west of Oxburgh. It is entered through a shaft from the roof, and measures five feet by six feet and four feet high, and beneath it is an inner and smaller hiding-place. Mr. Pratt (in whose family the house has been for two centuries) when he made the discovery had to remove four barrow-loads of jackdaws' nests. The discovery of this secret room is an interesting sequel to the fact that on April 29, 1646, Charles I. slept at Snowre Hall. It will be remembered that before he delivered himself up to the Scots army, he spent some days wandering about the eastern counties in disguise, like his son did in the western counties five years later. The owner of the house in those days was a Mr. Ralph Skipwith, who, to put the spies that were lurking about the vicinity off the track, provided the king with his own grey riding-jacket in place of the clergyman's black coat he was wearing, for that disguise had been widely advertised by his enemies. Dr. Hudson, who was acting as scout, joined Charles and his companion, Mr. Ashburnham, at Downham Market, where the "King's Walk" by the town side, where they met, may still be seen. It is recorded by Dr. Stukeley that Charles scratched some motto or secret instructions to his friends on a pane of glass in the Swan Inn, where he put up awaiting Hudson's return from Southwell. The fugitives proceeded thence to the Cherry Inn at Mundford, some fourteen miles from Downham, and back to Crimplesham, where they halted at an inn to effect the disguise above referred to. The regicide Miles Corbet, who was on the track with Valentine Walton, gave information as follows:

"Since our coming to Lyn we have done what service we were able. We have taken some examinations, and it doth appeare to us that Mr. Hudson, the parson that came from Oxford with the king, was at Downham in Norfolk with two other gentlemen upon Thursday the last of April. We cannot yet learn where they were Friday night; but Saturday morning, the 2 of May they came to a blind alehouse at Crimplesham, about 8 miles from Lyn. From thence Mr. Hudson did ride on Saturday to Downham again, and there two soldiers met with him, and had private speech with him. Hudson was then in a scarlet coat. Ther he met with Mr. Ralf Skipwith of his former acquaintance, and with him he did exchange his horse; and Skipwith and the said Hudson did ride to Southrie ferrie a privat way to go towards Ely; and went by the way to Crimplesham, and ther were the other two--one in a parsons habit, which by all description was the king. Hudson procured the said Skipwith to get a gray coat for the Dr. (as he called the king), which he did. And ther the king put off his black coat and long cassock, and put on Mr. Skipwith his gray coat. The king bought a new hat at Downham, and on Saturday went into the Isle of Ely. Wherever they came they were very private and always writing. Hudson tore some papers when they came out of the house. Hudson did enquire for a ship to go to the north or Newcastel, but could get none. We hear at the same time there were 6 soldiers and officers as is thought at Oxborough at another blind alehouse."[15]

It is worthy of remark that Miles Corbet, whom Pepys saw on the morning of April 19, 1662, looking "very cheerful" upon his way to Tyburn, was a native of Norfolk, and his monument may be seen in Sprowston Church near Norwich.

The "Swan" at Downham still exists, but it was modernised some fifteen years ago. It would be interesting to know what became of the historical pane of glass.

FOOTNOTES:

[11] The Miss Hobart who figures in de Gramont's _Memoirs_ was Sir John's sister, one of the first baronet's sixteen children.

[12] There is an illustration of the room that Monmouth slept in at Raynham upon this occasion in _King Monmouth_.

[13] _A Narrative of the Visit of His Majesty King Charles the Second to Norwich, 1671_ (1846).

[14] See _Secret Chambers and Hiding-Places_.

[15] See _Memoirs of the Martyr King_.

NOOKS IN WARWICKSHIRE AND BORDERLAND

The outline of Warwickshire is something in the form of a turnip, and the stem of it, which, like an isthmus, projects into Gloucestershire and Oxfordshire, contains many old-world places.

Long Compton, the most southern village of all, is grey and straggling and picturesque, with orchards on all sides, and a fine old church, amid a group of thatched cottages, whose interior was restored or mangled at a period when these things were not done with much antiquarian taste. We have pleasant recollections of a sojourn at the "Old Red Lion," where mine host in 1880, a typical Warwickshire farmer, was the most hospitable and cheery to be found in this or any other county: an innkeeper of the old school that it did one's heart good to see.

But this welcome house of call is by no means the only Lion of the neighbourhood, for on the ridge of the high land which forms the boundary of Oxfordshire are the "Whispering Knights," the "King's Stone," and a weird Druidical circle. These are the famous Rollright Stones, about which there is a story that a Danish prince came over to invade England, and when at Dover he consulted the oracle as to the chances of success. He was told that

"When Long Compton you shall see, You shall King of England be."

Naturally he and his soldiers made a bee-line for Long Compton, and, arriving at the spot where the circle is now marked by huge boulders, he was so elated that he stepped in advance of his followers, who stood round him, saying, "It is not meet that I should remain among my subjects, I will go before." But for his conceit some unkind spirit turned the whole party into stone, which doesn't seem quite fair. "King's Stone" stands conspicuous from the rest on the other side of the road, and, being very erect, looks as if the prince still prided himself upon his folly. The diameter of the circle is over a hundred feet. In an adjoining field is a cluster of five great stones. These are the "Whispering Knights"; and the secret among themselves is that they will not consent to budge an inch, and woe to the farmer who attempts to remove them. The story goes that one of the five was once carted off to make a bridge; but the offender had such a warm time of it that he speedily repented his folly and reinstated it.

There is a delightful walk across the fields from Long Compton to Little Compton, with a glorious prospect of the Gloucestershire and Warwickshire hills. This village used to be in the former county, but now belongs to Warwickshire. Close to the quaint saddle-back towered church stands the gabled Elizabethan manor-house, with the Juxon arms carved over the entrance. Its exterior has been but little altered since the prelate lived here in retirement after the execution of Charles I. A gruesome relic was kept in one of the rooms, the block upon which the poor monarch's head was severed. This and King Charles' chair and some of the archbishop's treasured books disappeared from the manor-house after the death of his descendant Lady Fane. Internally the house has been much altered, but there are many nooks and corners to carry the memory back to the hunting bishop, for his pack of hounds was one of the best managed in the country. Upon one occasion a complaint was made to the Lord Protector that Juxon's hounds had followed the scent through Chipping Norton churchyard at the time of a puritanical assembly there. But Oliver would hear none of it, and only replied, "Let the bishop enjoy his hunting unmolested."

When Little Compton church had an Independent minister to hold forth to the congregation, the prelate held divine service every Sunday at Chastleton, the grand old home of the loyalist family of Jones. This stately Jacobean mansion is close to Little Compton, but is really in Oxfordshire. It has an old-world charm about it entirely its own; and few ancestral homes can take us back to the days of Cavalier and Roundhead with such realism, for the old furniture and pictures and relics have never been disturbed since the house was built by Walter Jones between the years 1603 and 1630. He purchased the estate from Robert Catesby, the projector of the Gunpowder Plot, who sold the manor to provide funds for carrying on that notorious conspiracy.

The great hall is a noble apartment, with raised dais and carved screen; and the Royalist Joneses looking down upon you on all sides, conspicuous among whom is Thomas Jones and valiant Captain Arthur Jones, whose sword beside him shows the good service he did at Worcester fight. When the day was lost, and Charles was journeying towards Boscobel, the captain managed to ride his tired horse back to Chastleton. But a party of Cromwellian soldiers were at his heels, and his wife had only just time to hurry him into an ingeniously contrived hiding-place when the enemy confronted her, and refused to budge from the very bedroom behind whose panelled walls the fugitive was secreted. But Mrs. Arthur Jones had her share of tact, and in preparing her unwelcome guests some refreshment, she added a narcotic to the wine, which in time had effect. Her husband was then released, and with a fresh horse he was soon beyond danger. The little oak wainscoted chamber and the adjoining bedroom may still be seen where this exciting episode took place. The drawing-room is very rich in oak carvings, and the lofty marble chimney-piece bears in the centre the Jones' arms. The ceiling with its massive pendants is a fine example of the period.[16] The bedrooms are all hung with the original tapestry and arras that was made for them. One of them contains the State bed from old Woodstock Palace; and there are everywhere antique dressing-tables, mirrors, and quaint embroidered coverlets, and old chests and cabinets innumerable containing queer old dresses and coats of the Georgian period, and, what is more remarkable, the identical Jacobean ruffs and frills which are depicted in the old portraits in the hall. Then there are cupboards full of delightful old china, and decanters and wine glasses which were often produced to drink a health to the "King over the water." But of more direct historic interest is Charles I.'s Bible, which was given by the widow of the last baronet of the Juxon family--a grand-nephew of the archbishop--to the then proprietor of Chastleton, John Jones. It is bound in gold stamped leather, and bears the Royal arms with the initials C. R. It is dated 1629, and is full of queer old maps and illustrations, and upon the fly-leaf is written--"Juxon, Compton, Gloucestershire."

Some of the ancient cabinets at Chastleton are full of secret drawers, and in one of them some years ago a very curious miniature of the martyr king was discovered. It is painted on copper, and represents Charles I. with the Order of St. George, and a set of designs drawn on talc, illustrating the life of the ill-fated monarch from his coronation to his execution. They are thus described by one of the past owners of Chastleton: "They consist of a face and bust in one miniature, in a case accompanied with a set of eight or nine pictures drawn on talc, being different scenes or dresses, which are to be laid on the miniature so that the face of the miniature appears through a hole left for that purpose: and thus the one miniature does duty in every one of the talc pictures. These were accidentally discovered some twenty years ago.[17] The miniature was well known, and was supposed to be complete in itself; but one day whilst being handled by one of the family, then quite a child, it fell to the ground, and being in that way forced open at the back, those talc pictures were brought to light. The careful manner in which they had been concealed, and the miniature thereby made to appear no more than an ordinary portrait, seems to warrant the suggestion that they were in the first instance the property of some affectionate adherent of Charles, whose prudence persuaded him to conceal what his loyalty no doubt taught him to value very highly. There is no direct evidence to show that they belonged to Bishop Juxon; nor is there any tradition that I ever heard connected with them. The two concluding pictures of the series represent the decapitated head in the hand of the executioner, and a hand placing the martyr's crown upon the brows."

There are two huge oak staircases running up to the top of the house, where is the old gallery or ballroom, with a coved ceiling of ornamented plaster-work, and above the mullioned windows grotesque monster heads devised in the pargeting.

The grounds and gardens are quite in character: not made to harmonise, as are so many gardens nowadays, but the original quaint cut box hedges and trim walks. The grand old house in the centre with its rusty roof of lichen, and hard by the little church nestling by its side with the picturesque entrance gateway and dovecot, form together a delightful group. Chastleton church contains some good brasses. The tower is oddly placed over the south porch.

A couple of miles to the north, and the same distance beyond, are two other interesting manor-houses, Barton-on-the-Heath and Little Woolford. The former, a gabled Jacobean house, was once the seat of the unfortunate Sir Thomas Overbury, who was done to death in the Tower by the machinations of that evil couple, Carr, Earl of Somerset, and his countess. Overbury, it will be remembered, had written the Court favourite's love letters and poems, and knew too much of that guilty courtship.

There are some good monuments to the Overburys in the church: a Norman one with saddle-back tower. Near here is the Four-Shire Stone, described by Leland as "a large bigge stone; a Three-Mile-Stone from Rollerich Stones, which is a very mark or line of Gloucestershire, Whichester (Worcestershire), Warwickshire, and Oxfordshire."