Part 8

Edward II., when he fell into the hands of his enemies, was, for a time, imprisoned here. In 1635, the castle and manor came into the possession of Sir John Bankes, Lord Chief Justice of England, and ancestor of the present owner. In the great Civil War, Corfe Castle was strongly defended for the king, by Lady Bankes, wife of the Lord Chief Justice, with the assistance of her friends and retainers, and of a governor sent from the king's army. The castle was one of the last places in England that held out for Charles I. In the year 1645, it was captured by the Parliamentary forces through treachery, and reduced to the shapeless but picturesque fragments that now remain. Lady Bankes's heroic defence is narrated in the _Story of Corfe Castle_, a volume of stirring interest; and the event is a favourite subject with our historical painters. The ruins of Corfe are extensive, and from their very high situation, form a very striking object. "The vast fragments of the King's Tower," says Hutchins, "the Round Tower, leaning, as if nearly to fall, the broken walls, and vast pieces of them tumbled into the vale below, form such a scene of havoc and desolation, as strikes every spectator with sorrow and concern. The abundance of stone in the neighbourhood, the excellence of the cement, harder to be broken than the stones themselves, have preserved these prodigious ruins from being embezzled and lessened."

In the age of Edward III. the castles differed from those of previous periods. The confined plan of the close fortress expanded into a mixture of the castle and the mansion; comprising spacious and magnificent apartments, the hall, the banqueting-room, the chapel, with galleries of communication, and sleeping chambers. The keep was entirely detached, and independent of these buildings. Such was the royal palace of Windsor, erected by Edward III.; and such were the splendid baronial castles of Warwick, Ludlow, Stafford, Harewood, Alnwick, Kenilworth, Raglan, and many others. The last-mentioned is one of the most perfect examples we are acquainted with, of the union of vast strength and security, with convenient accommodation and ornamental splendour. The keep is a perfect fortress in itself, and encircled by a range of minor towers and moat. Its masonry is unrivalled.[26]

Of one of these spacious castles we give a descriptive outline, chiefly from the paper read by Mr. J. H. Parker, on the visit of the Archæological Institute to Windsor, in July 1866. Amongst the royal and palatial edifices of Europe, that of Windsor holds a very high rank, and is, in a manner, to England what Versailles is to France and the Escurial to Spain; and while it is infinitely superior to both in point of situation, it far exceeds them, and indeed every other pile or building of its class, in antiquity. From having been the residence of so many of our kings, its history is, to a certain extent, identified with that of the kingdom itself from the time of the Conquest. The castle stands on an outlying promontory of chalk, commanding the winding shores of that part of the Thames, with a rich valley, which seems to have pointed it out as a natural position for a fortress in primitive times, when the natives wished to protect their country from invasion. The wide and deep entrenchments, and the high artificial mounds, indicate an early date. There are also roads at the bottom of the fosses, with a wide bank between them, on which several keeps were erected, first of wood and afterwards of stone. A subterranean passage leading from the bottom of the outer foss, at a depth of thirty feet, to the bottom of the inner foss, at a depth of fifteen feet (the present pantries), cut in a very rude manner through the solid chalk, has a vault of the time of Henry II. carried on chalk walls, built over a small part of it as far as the Norman buildings extended only: the doorways are of the same period, one of which is quite perfect, and opens into the inner foss. If Windsor Castle had been built in the fifth century by King Arthur, as was believed by Edward III. and the chronicler Froissart, the roads would have been on the level. They are more likely of the time of Caractacus or Julius Cæsar. Edward the Confessor is believed to have resided chiefly at Old Windsor, where some of the ancient earthworks certainly belong to a period before the Norman Conquest. William himself is said to have built a castle at Windsor, but there is no evidence of it. The Domesday Survey rather proves that there was one previously existing, which had been inhabited by Earl Harold in the time of the Confessor. Henry I. is said by Stow, writing in the fifteenth century, to have built New Windsor chiefly of wood; some of the fragments of stone carving found in the castle may be of his time.

Stephen built nothing here, but Windsor is mentioned in the treaty of Wallingford as a fortress of importance. The name "Norman Tower," as given to one part of the pile, is erroneous, as the Norman keep is nothing more than earthworks surmounted by a wooden structure. The earliest date which can be assigned to any stone masonry which has been discovered at Windsor is the reign of Henry II. In the time of Henry II. the first mention of the castle is made in the Pipe Rolls. The outer wall of the south front of the upper ward remains, with the lower part of the king's gate, its hinges, and portcullis groove; the upper part was destroyed, and the whole concealed in other buildings by Wyatville, in the restoration works under George IV. In the reigns of Richard I. and John only necessary repairs were made.

With Henry III. the history of the existing castle may be said to begin. The whole of the lower ward was then first built of stone, and many portions of the existing walls are found to be of that period. The Clewer Tower--now known as the Curfew Tower--remains almost unaltered, and exhibits in good condition a prison of the above period.

The King's Hall is now the Chapter library, but the chambers of the King and Queen have been destroyed. Plans and drawings of them have been preserved; and the measurements agree with the orders of the kings, as recorded in the public rolls.

Of the primitive chapel the north wall is still preserved; the galilee being now the east end (behind the altar) of St. George's Chapel. The doorways of the galilee are one of Henry III., the other of Edward III.; the west end of the chapel has been rebuilt several times. The arcade in the cloisters was protected by a wooden roof only. This chapel was completed by Edward III. and made into a lady-chapel, when the great St. George's Chapel was built. It was partly rebuilt by Henry VII. for the tomb of Lady Margaret, his mother, and afterwards was proposed for that of Henry VIII. It was much altered by James II. and partly restored by George IV. At the present time it is being made the object of devoted care, under the direction of Mr. Gilbert Scott. The roof has been vaulted in stone, the pattern of that of Henry VII. is being inlaid with mosaic work, and the windows filled with stained glass; and the edifice is to be a sepulchral chapel over the Royal vaults, in memory of the late Prince Consort. Mural paintings of kings' heads have been found of the date of Henry III. and Edward III., and are preserved in the cloister and galilee.

During the reign of Edward I. the accounts show that the great works begun by Henry III. were carried on and completed; but no new works appear to have been undertaken. In the reign of Edward II. there were considerable sums expended on repairs of the walls, towers, and bridges, chiefly for timber and carpenters' work.

The reign of Edward III. is one of the most important in respect to the history of Windsor, a large part of the existing castle having been built at that period, and its survey has been lately brought to light. Another equally important document is the builder's account for the Round Tower, which was entirely built from the ground in the eighteenth year of this reign, and still remains, though much altered in appearance, from the additional story superposed by Mr. Wyatville, under George IV.

This building is sometimes called the Round Tower, and sometimes the Round Table; and, from other peculiarities in the same accounts, it is evident that the tower was built to hold the table. The galleries on which this round table was placed are still remaining, and the general disposition of the apartment where the knights dined on St. George's day is well seen from the summit of the Round Tower. The tables of those days were seldom more than a few planks in width, and the guests sat round on one side, the other being open for the service of the attendants. The centre of this great round table, then, was designed for the latter purpose, and was open to the air, a passage communicating on a level from this central space to the kitchen on the top of the middle gate, which has thus acquired the title of the "Kitchen Tower." The tower and table were erected in ten months, the greatest haste being made in order that the new order of knights might dine here on St. George's day following.

Edward III. did not build a chapel at Windsor, but only completed the one which had been begun by Henry III.; adding to it or rebuilding a cloister, a vestry, and other adjuncts.

After the thirteenth year, when William of Wykeham was appointed clerk of the works, with a salary of one shilling a day, an entirely new hall, with a new suite of apartments and offices, was built in the upper bailey, where the royal apartments now are; and the fine series of vaults under these apartments, forming ceilings to the servants' hall and other rooms and offices, still remain in perfect preservation, as built by Wykeham, who remained in this appointment only six years. The summary of his accounts during that time shows an expenditure of 5,658_l_.--equivalent to 120,000_l_. (?) of our money.

From this period, comparatively little was done for a century, when Edward IV. began to re-erect St. George's Chapel, nearly as we now see it; thereby adding, if not immediately to the castle itself, to the buildings within its precincts, one of extraordinary beauty and interest, as being in some respects the very finest specimen of the Perpendicular style and of ecclesiastical architecture in the kingdom. What adds, in some degree, to the interest of this edifice is, that the architects' names are preserved to us, it being known to be the work, first of Richard Beauchamp, Bishop of Salisbury; and, after his death, in 1481, it was completed by Sir Reginald Bray, who was also architect of Henry VII.'s Chapel. This sovereign intended to erect a mausoleum for himself at Windsor, and had begun to do so on the site of the original chapel built by Henry III.; but he abandoned the idea in favour of that at Westminster. Henry VII., however, added to the castle that building which is still called after him, and which is situated at the western extremity of the north side of the great quadrangle. Fortunately, this has been preserved, owing, perhaps, partly to its situation; for, although a mere "bit," it is a singularly fine one, and a noble specimen of palatial architecture, in that particular style.[27]

The small tower at the south-west angle of the Royal apartments near the library, now called erroneously King John's Tower, is an octagonal building, and the two chambers in it have very good vaults, with the ribs meeting in a central boss, which is in both cases carved into the form of a rose. This enables this rose-tower and the rose-vaults to be identified in a very remarkable manner. The tower was very richly painted, and the quantity of paint and other materials charged on the roll misled the late Mr. Hudson Turner, who had only seen a portion of these accounts, and made him think they belonged to the great Round Tower, and that it was painted on the outside. The dates do not agree with this, and there is no evidence of external painting.

The works which had been carried on during a great part of the long reign of Edward III. were not completed at the time of his death, and were continued under Richard II.; but with the exception of necessary repairs, the accounts for this reign relate chiefly to the offices and dependencies of the cattle, especially the mews for the falcons, which was evidently a large and important establishment not within the walls.

Geoffrey Chaucer, "the father of English poetry," was appointed, in the fourteenth year of this reign, clerk of the works, but very little was done in his time. The old chapter house, the remains of Henry the VII.'s palace, and the Clewer Tower and prison, are objects of much interest. A flight of about twenty steps leads down into the dungeons, which had been constructed by Henry III. for the confinement of State prisoners: it is a large and finely-arched vault, surrounded by seven small cells, each dismally lighted through a loop-hole in the thick wall.

The reign of Elizabeth forms almost an epoch in the architectural history of the castle, because, though she did not do much to it in the way of building, except annexing the portion erected by Henry VII., that which is distinguished by the name of Queen Elizabeth's Gallery, she first caused the terraces to be formed, thereby adding to the royal abode of Windsor, these truly regal characteristics. Under the Stuarts nothing material was done until the Restoration, when the castle began to be modernised, but in insipid taste. The principal addition made by Charles II. was the Star Building (containing the State Apartments shown to the public). The rooms were spacious and lofty, with large arched windows, commanding enchanting prospects; their only embellishment was derived from the sprawling pencil of Verrio. The first two Georges did nothing for Windsor; George III. on the contrary, much, especially in restoring the interior of St. George's Chapel. In 1796, James Wyatt Gothicised the Star Building, and other portions. Meanwhile, the east and south sides, the portions actually inhabited, were so inconvenient that it was found indispensable, in 1778-82, to erect a separate building for the actual occupation of the royal family: this was the Queen's Lodge, a large, plain house on the south side of the castle, near the site of the present stables. About 1823, George IV., with a grant of 300,000_l_. from Parliament, began his grand improvements, with Jeffry Wyatt for his architect; commencing with George the Fourth's Gateway, the entrance into the quadrangle on the south side, in a direct line with the Long Walk. We shall not attempt to detail the improvements: among the most effective is the fine architectural vista quite through from the north terrace by George the Fourth's Gateway; the addition of the Waterloo Gallery, lighted from above, and brought into a group with the Throne-room and the Ball-room. St. George's Hall has been greatly improved, and at its western end has been constructed the Chapel. By renovation and remodelling the exterior, greater height has been given to most of the buildings; some of the towers have been carried up higher, and others added: amongst these last are the Lancaster and York, flanking George IV.'s Gateway; and the Brunswick Tower at the north-east angle. But the most striking improvement of the kind was that of carrying up the Round Tower thirty feet higher, exclusive of the Watch Tower on its summit, which makes the height in that part twenty-five feet more; thus rendering the castle much more conspicuous than formerly as a distant object.

The architect's work has been much animadverted on: the details and strange intermixture of the earliest and latest styles of Gothic are very objectionable; and, as to general effect, Canon Bowles objected that the renovated pile looked as if it had been washed with soap and water! Nevertheless, it is a stately pile; the venerable Canon, just named, says of it: "Windsor Castle loses a great deal of its architectural impression (if I may use that word) by the smooth neatness with which its old towers are now chiselled and mortared. It looks as if it was washed every morning with soap and water, instead of exhibiting here and there a straggling flower, or creeping weather-stains. I believe this circumstance strikes every beholder; but, most imposing indeed is its distant view, when the broad banner floats or sleeps in the sunshine, amidst the intense blue of the summer skies; and its picturesque and ancient architectural vastness harmonizes with the decaying and gnarled oaks, coeval with so many departed monarchs. The stately, long-extended avenue, and the wild sweep of devious forests, connected with the eventful circumstances of English history, and past regal grandeur, bring back the memories of Edwards and Henries, or the gallant and accomplished Surrey." In 1825, Canon Bowles, who had been chaplain to the Prince Regent, and writes himself down as not a Laureate, but "a poet of loyal, old Church of England feelings," sung as follows:--

"Not that thy name, illustrious dome, recalls The pomp of chivalry in banner'd halls, The blaze of beauty, and the gorgeous sights Of heralds, trophies, steeds, and crested knights; Not that young Surrey here beguiled the hour, With eyes upturn'd unto the maiden's tower.[28] Oh! not for these, and pageants pass'd away, I gaze upon your antique towers, and pray-- But that my SOVEREIGN here, from crowds withdrawn, May meet calm peace upon the twilight lawn; That here, among these grey, primeval trees, He may inhale health's animating breeze; And when from this proud terrace he surveys Slow Thames revolving his majestic maze, (Now lost on the horizon's verge, now seen Winding through lawns, and woods, and pastures green,) May he reflect upon the waves that roll, Bearing a nation's wealth from pole to pole, And feel (ambition's proudest boast above) A KING'S BEST GLORY IS HIS COUNTRY'S LOVE!"

"The range of cresting towers has a double interest, whilst we think of gorgeous dames and barons bold, of Lely and Vandyke's beauties; and gay, and gallant, accomplished cavaliers like Surrey. And who ever sat in the stalls of St. George's Chapel, without feeling the impression, on looking at the illustrious names, that here the royal and ennobled knights, through so many generations, sat each installed, whilst arms, and crests, and banners glittered over the same seat?"[29]

The interior of Windsor Castle, half a century since, mostly presented the decorative taste of the time of Charles the Second. To the seventeen State Apartments the public were admitted, until they were wearied with the mythological ceilings of Thornhill, Rigaud, and Matthew Wyatt; and the crowning genius of Verrio, in St. George's Hall. Throughout the apartments was placed the royal collection of pictures, then including the cartoons of Raphael; and the seven pictures of the glories of Edward III. painted by West for George III., remarkable for their historical accuracy, attributable to the friendly aid of Sir Isaac Heard, Garter King-at-arms, who was constantly at the elbow of the artist. And foremost among the decorative furniture were the State Bed of Queen Anne, silver chandeliers and glass-frames, and a "massive silver table from Hanover." Most of Gibbons's fine carvings appear to have been removed to Hampton Court. The Keep, or Round Tower, was the residence of the Constable or Governor of the castle, which he defended against all enemies, and he had the charge of all prisoners brought thither: the last was Major Belleisle, who lived in tapestried chambers, and beguiled his captivity with the loves of Hero and Leander and Cupid and Psyche. In the guard-chamber was a small magazine of arms. At the top of the stairs, within the wall, was planted a large piece of cannon, levelled, through an aperture, at the lower gate; there were also seventeen pieces of cannon mounted at the embrasures round the curtain of the towers, which was then the only battery in the castle, though formerly the whole place was strongly fortified with cannon on each of the several towers, besides those on the two platforms in the Lower Ward.

The remodelling of the private apartments of the castle has been effected with due regard to convenience and splendour. Among the more pleasurable memorials of royal visits, are the fittings of the apartments refurnished for the Emperor and Empress of the French, in which satin hangings, bordered with long-stitch needlework, in the natural colours of the flowers portrayed, are much admired, as are also the Brussels lace and white silk toilet-table, &c. There are in the state-rooms some fine Gobelin tapestries, inlaid cabinets, superb clocks, and a malachite vase and doors. In the plate room, among other superb works, is a tall vase of oxydized silver, produced for the Prince Consort, a short time previous to his death, at the cost of 1,000_l_.; besides rock crystal cups and beakers, the gold mounts studded with jewels, and the cups engraved and ornamented with flowers in silver filigree. Two of the most splendid receptions at the castle in the present reign, were the fêtes at the christening of the Prince of Wales in 1842, and the visits of Louis Philippe and some of his family in 1844: upon the latter occasion, the castle, seen from a distance, in the shades of an autumnal evening, with lights gleaming from nearly every window of the long-extended and stately pile, had a most enchanting effect.

Next to Windsor, deserves to be ranked Warwick Castle, in picturesqueness of site rivalling the royal palace; it is one of the finest specimens in the kingdom of the ancient residences of our feudal nobles. Not only for its architecture, but for its scenic accessories, and the sylvan character of the surrounding grounds, Warwick Castle is of almost matchless beauty. Of its archæology, on reference to the Pipe Rolls, we find it first mentioned in the 19th of Henry II., when it was furnished and garrisoned, at an expense of 10_l_. (equal to 200_l_. now), on behalf of the king against his son, and so it remained in the hands of Henry II. for three years. In the 20th and 21st of Henry II. are records of outlay for the soldiers, and in the latter year 50_l_. was spent in repairs. In the 7th year of King John, the castle, then belonging to the Crown (not the present castle, but a castle on the same site), was defended for 253 days; and in the days of Henry III. the walls were completely thrown down and destroyed. In the 9th of Edward II. (1315) it was returned, on an inquisition, as worth nothing except for the herbage in the courts and ditches, valued at 6_s_. 8_d_. a year. In the reign of Edward III. (1357) a new building was commenced by Thomas Beauchamp, Earl of Warwick, and finished about 1380. Guy's Tower was built in 1394. The next period in the architectural history of the castle is two or three hundred years later. The castle was then used as a gaol. The next work was the erection of the entrance-hall. Mr. Salvia, the architect, has been called in by the Earl of Warwick, and has made habitable a portion of the castle which before had been unused. The extreme beauty of the two towers is considered as unequalled in the world.