Nooks and Corners of English Life, Past and Present
Part 25
The Lady Elizabeth kept her state at Hatfield with no small cost and splendour. At a subsequent period, after her imprisonment at Woodstock, her Highness obtained permission to reside once more at Hatfield, under the guardianship of Sir Thomas Pope, who not only extended to her the kindest care and most respectful attention, but devised, at his own cost, sports and pastimes for her amusement. "The fetters in which he held her," says Agnes Strickland, "were more like flowery wreaths flung lightly around her, to attract her to a bower of royal pleasaunce, than aught which might remind her of the stern restraint by which she was surrounded during her incarceration in the Tower, and subsequent sojourn at Woodstock." Thus, we read of maskings in the Great Hall at Hatfield, banquets, and "the play of Holophernes," which Queen Mary misliked.
When Queen Mary visited her sister at Hatfield, Elizabeth adorned her great state chamber for Her Majesty's reception, with a sumptuous suite of tapestry, representing the Siege of Antioch, and had a play performed after supper, by the choir-boys of St. Paul's; at the conclusion of which one of the children sang, and was accompanied on the virginals by the Princess herself.
Hatfield, during Elizabeth's reign, remained vested in the crown. At her decease, however, her successor, King James, exchanged it with Sir Robert Cecil for the palace of Theobalds, and thenceforward Hatfield has continued uninterruptedly in the possession of the noble family of Salisbury. Sir Robert Cecil was styled by his royal mistress, Elizabeth, "the staff of her declining age," and was so highly esteemed by King James, that his Majesty created him successively Baron Cecil, Viscount Cranbourne, and Earl of Salisbury; conferred on him the blue riband of the Garter, and finally appointed him Lord High Treasurer of England. About this period, his lordship laid the foundations of the present mansion of Hatfield, which he finished in 1611, in a style of equal splendour with that of Burghley, which his father had erected in the preceding reign. The year after the completion of Hatfield, worn out by the cares of state the Earl of Salisbury died at Marlborough, in Wiltshire, on his way to London: he was interred in Hatfield Church, under a stately monument. How striking an example does the closing year of his life present! In his last illness, he was heard to say to Sir William Cope: "Ease and pleasure quake to hear of death; but my life, full of care and miseries, desireth to be dissolved."
He had some years previously (1603) addressed a letter to Sir James Harrington, the poet, in nearly the same querulous tone: "Good Knight," saith the minister, "rest content, and give heed to one that hath sorrowed in the bright lustre of a court, and gone heavily on even the best seeming fair ground. 'Tis a great task to prove one's honesty, and yet not mar one's fortune: you have tasted a little thereof in our blessed Queen's time, who was more than a woman, and, in truth, sometimes less than a woman. I wish I waited now in your presence-chamber, with ease at my food, and rest in my bed. I am pushed from the share of comfort, and know not where the winds and waves of a court will bear me. I know it bringeth little comfort on earth; and he is, I reckon, no wise man that looketh this way to heaven."
Hatfield is a very interesting seat, not only for its association with the past, but for its presenting, at this moment, a picture of the baronial life of two centuries and a half since. The Hall of the ancient Palace remains; the historic Oak is preserved; the vineyard was in existence when Charles I. was conveyed here a prisoner to the army, and its famous yew walk is left; and the deer are still numerous. The mansion has been restored to its pristine magnificence; the landscape gardening is fine. The noble owner of Hatfield has devoted a portion of his domains to the pastimes of the people; and on every occasion, whether it be the reception of royalty, or the entertainment of the toilers of the country, it is carried out in the generous spirit of olden English hospitality. And this princely place lies within a score of miles of the metropolis and its three million of people, who are brought almost to the park gates within an hour's railway journey.
FOOTNOTES:
[77] See _ante_, pp. 116, 124.
[78] "Hatfield House and its Contents," _Builder_, 1859.
THE GRAND REMONSTRANCE.
The most memorable sitting in Parliament, in the fourth year of King Charles the First, was that of the House of Commons, on March 2d, 1629, which was pronounced by Sir Simonds D'Ewes as "_the most gloomy, sad, and dismal day for England that had happened for five hundred years_."
The incidents of this day will be recollected by every one. Sir John Eliot is said, according to all accounts, to have made an indignant attack upon Lord Weston, the new Treasurer, and to have concluded by moving the adoption of a Remonstrance. The Speaker, Sir John Finch, declined to put the Remonstrance to the vote, and announced that he had received the King's command to adjourn the House until the 10th of March. The House paid little attention to the royal message, contending, first, that it was not the office of the Speaker to deliver any such command; and, secondly, that the power of adjournment belonged to the House, and not to the Crown. Regardless of these arguments, the Speaker prepared to obey the royal mandate. He rose and quitted the chair, when two members, Denzil Holles, son of the Earl of Clare, on the one side, and Benjamin Valentine, on the other side, stepped forward, and forced him back into his official seat. He appealed to the House with abundance of tears. Selden argued and remonstrated with him. Sir Peter Hayman disavowed him, we are told, "as a kinsman," and denounced him as a disgrace to a noble family. Again he endeavoured to quit the chair. Sir Thomas Edmondes, who was old enough to have been ambassador from Queen Elizabeth to Henry IV. of France--a man of small stature, but of great courage--with other privy councillors, pressed forward to the Speaker's help; but Holles violently held him in his chair, and swore, by what is termed Queen Elizabeth's oath, "God's wounds!" that he should sit still until it should please the House to rise.
In the midst of this uproar, Coriton and Winterton, two of the members, are said to have fallen to blows, numbers of the more timid fled out of the House, and the King, hearing of the tumult, sent to Edward Grimstone, the Serjeant-at-Arms, who was then within the House in attendance upon the Speaker, to bring away the mace, without which it was supposed that no legal meeting could be held. To defeat this object, the key of the door was taken from the Serjeant-at-Arms, and delivered to Sir Miles Hobart. Sir Miles stopped the egress of the Serjeant-at-Arms, and having taken from him the mace, quietly put him out of the House and locked the door. The mace was then replaced upon the table, and Holles, standing by the side of the Speaker, put to the House three resolutions, which were deemed to be voted by acclamation. The King is said to have sent, in the meantime, Mr. Maxwell, the Usher of the Black Rod, to summon the House to attend in the House of Lords, but Maxwell could gain neither hearing nor admission. Grown now, as is stated in Lord Verulam's manuscript, "into much rage and passion," the King sent for "the Captain of the Pensioners and Guard to force the door." Ere this officer could muster his stately band, the House had done its work. The resolutions had been passed, the Speaker had been released from the strong grasp of Denzil Holles, Sir Miles Hobart had unlocked the door, the excited members had been set free; and, _for a period of eleven years, parliamentary discussion in England had come to an end_.
Such is the narrative which was read by Mr. Bruce to the Society of Antiquaries, in 1859, upon his reading also a "True Relation" of the scene, in the handwriting of Lord Verulam, now in the manuscript collection at Gorhambury. Other MSS. of the proceedings of this Session are not uncommon, and many variations occur. Mr. Bruce has, in his paper, printed that portion of Lord Verulam's MS. which relates to the sitting of the 2d of March. Mr. Bruce, who has narrated the leading points according to Lord Verulam's MS., instead of Hayman's word, "kinsman," gives these words: "he was sorry he was a Kentish man, and that he was a disgrace to his country, and a blot to a noble family." Lord Verulam, too, gives Mr. Stroud's speech, not in other MSS.: he "tould the Speaker that he was the instrument to cutt off the libertie of the subject by the roote, and that if he would not be perswaded to put the same to question, they must all retorne as scattered sheepe, and a scorne put upon them as it was last session." This is important, since it explains more precisely than had hitherto been known, why he (Stroud) was prosecuted for his share in that day's transactions. On the other hand, Lord Verulam's MS. does not mention the Resolutions that were put to the House by Holles standing by the Speaker's chair. The concurrent testimony of a variety of authorities, however, forbids us to doubt that those Resolutions were really passed in the way described, and that in this respect Lord Verulam's MS. is defective.
CAVALIERS AND ROUNDHEADS.
The word _Cavalier_ was not at first necessarily a term of reproach. Shakspeare does not so employ it when he speaks of the gay and gallant English eager for French invasion--
"For who is he ... that will not follow These cull'd and choice-drawn Cavaliers to France?"
But it was most unquestionably used in a reproachful sense on the occasion of the tumult in the reign of Charles I., probably to connect its French origin with the un-English character of the defenders of the Queen and her French papist adherents, to whom it was chiefly applied; it was likewise bandied about in declarations alternately issued on the eve of the war by the Parliament and the King, the latter speaking of it more than once as a word much in disfavour. Charles, when the battle of Edgehill had been fought, elaborately accuses his antagonists--"pretenders to peace and charity"--of a hateful attempt "to render all persons of honour, courage, and reputation, odious to the common people under the style of _Cavaliers_, insomuch as the highways and villages have not been safe for gentlemen to pass through without violence or affront." Even in the very earliest popular songs on the King's side, the word has not the place it afterwards assumed, and one meets with Royalist poets of a comparatively sober vein,--
"Who neither love for fashion nor for fear, As far from Roundhead as from Cavalier."
D'Ewes's earliest uses of the word, in his MS. journal, occur under 10th January, and March 4th, 1641-2, and 3d June, 1642. In the first he is speaking of parties who had been suspiciously entering the Tower; in the second, of the Cavaliers at Whitehall who wounded the citizens; and in the last of the King's party in Yorkshire.
Of the word _Roundhead_, on the other hand, and the mixed fear and hatred it represented and provoked, decidedly the most characteristic example is furnished by the ever quaint and entertaining Bishop Hacket, who tells a story of a certain worthy and honest Vicar of Hampshire who always (in such a manner as to evade the notice of one section of his hearers while he secretly pleased the other) changed one verse in the last verse of the Te Deum--"O Lord, in thee have I trusted, _let me never be a Roundhead_!" William Lilly, however (_Monarchy or no Monarchy in England_, edit. 1651), referring to tumults of which he was an eye-witness, describes Puritans to have received the nickname as follows: "In the general, they were very honest men and well-meaning: some particular fools, or others, perhaps, now and then got in amongst them, greatly to the disadvantage of the more sober. They were modest in their apparel, but not in their language; they had the hair of their heads very few of them longer than their ears; whereupon, it came to pass that those who usually with their cries attended at Westminster (Whitehall), were by a nickname called _Roundheads_. The Courtiers again, having long hair and locks, and always swordes, at last were called by these men _Cavaliers_: and so, so few of the vulgar knowing the sense of the word Cavalier."--Notes to Forster's _Arrest of the Five Members_.
Swift, regarding Cavalier in the reproachful sense, says: "Each party grows proud of that appellation which their adversaries at first intended as a reproach: of this sort were the Guelfs, and Ghibelines, Huguenots, and Cavaliers."
Nevertheless, Cavalier was formerly an ordinary English term for a horse-soldier. Kersey gives it as "a Sword-gentleman, a brave Warrior."
Nares gives it: "Cavalero, or Cavalier. Literally a Knight; but, as the persons of chief fashion and gaiety were knights, any gallant was so distinguished. Hence it became a term for the officers of the Court party, in Charles I.'s wars, the gaiety of whose appearance was strikingly opposed to the austerity and sourness of the opposite order." _Glossary_, New Edit. 1859.
In the Roundhead accounts of the period are details of the contests and assaults that were continually made between the years 1648 and 1658 upon the Roundheads _abroad_, for _at home_ the Cavaliers were too weak to indulge frequently in such manifestations of party feelings.
THE EVELYNS AT WOTTON.
It has been well observed of the Evelyn family, that "rarely do we read of people who so admirably combined a love of rural life with literature." Studious retirement, not isolation, was what John Evelyn sought; and nowhere did he so delightfully enjoy his tastes as at Wotton House or Place in Surrey. This "great Virtuoso," as Aubrey called him, has left us the following account of his family, and of their first settlement at Wotton:--"We have not been at Wotton (purchased of one Owen, a great rich man) above 160 years. My great grandfather came from Long Ditton (the seat now of Sir Edward Eveylin), where we had been long before; and to Long Ditton from Harrow-on-the-Hill; and many years before that, from Evelyn, near Tower Castle, Shropshire. There are of our name in France and Italy, written _Ivelyn_, _Avelin_: and in old deeds I find _Avelyn_, alias _Evelyn_. One of our name was taken prisoner at the battle of Agincourt. When the Duchess of Orleans came to Dover to see the King [Charles II.], one of our name (whose family derives itself from Lusignan, king of Cyprus) claimed relation to us. We have in our family a tradition of a great sum of money, that had been given for the ransom of a French lord, with which a great estate was purchased; but these things are all mystical."
Wotton House, placed in a valley south-west of Dorking, though really upon a part of Leith Hill, was first erected in the reign of Queen Elizabeth. Here, on October 31, 1620, was born John Evelyn, "_Sylva_ Evelyn," as he was called from the title of his valuable work on Forest-trees. When four years old, he was taught at the porch of Wotton Church. He then learnt Latin in a school at Lewes; whence his father proposed to send him to Eton, but he was terrified at the reported severity of the discipline there, and he was again sent to Lewes, which he "afterwards a thousand times deplored." In 1636 he was admitted to the Middle Temple; whence he removed to Balliol College, Oxford. He returned to London in 1640; but on the death of his father he relinquished all thoughts of legal practice.
Mr. Evelyn, thus become his own master, purposed a life of studious seclusion, and actually commenced making a kind of hermitage at Wotton, at that period the seat of his eldest brother. The park is watered by a winding stream, and is backed by a magnificent range of beech-woods: the goodly oaks were cut down by John Evelyn's grandfather, and birch has taken the place of beech in many cases; but we trace to this day Evelyn's hollies, "a _viretum_ all the year round;" and the noble planting of the author of _Sylva_, who describes the house as "large and ancient, suitable to those hospitable times, and so sweetly environed with delicious streams and venerable woods. It has rising grounds, meadows, woods, and water in abundance.... I should speak much of the gardens, fountains, and groves that adorne it, were they not generally known to be amongst the most natural (until this later and universal luxury of the whole nation, since abounding in such expenses), the most magnificent that England afforded, and which, indeed, gave one of the first examples of that elegancy since so much in vogue, and followed in the managing of their waters, and other ornaments of that nature."
Evelyn, by whom, in his brother's lifetime, the chief improvements in these grounds were directed, thus speaks of their origin in his _Diary_, under the date 1643, after the disastrous contest had commenced between the King and the Parliament:--"Resolving to possess myself in some quiet, if it might be, in a time of so great jealousy, I built, by my brother's permission, a _study_, made a _fish-pond_, and an _island_, and some other solitudes and retirements at Wotton; which gave the first occasion to those water-works and gardens which afterwards succeeded them."
Further alterations were made in 1652, and are thus described:--"I went with my brother Evelyn to Wotton to give him what directions I was able about his garden, which he was now desirous to put into some forme; but for which he was to remove a mountaine overgrowne with huge trees and thicket, with a moate within ten yards of the house. This my brother immediately attempted, and that without greate coste; for more than a hundred yards south, by digging down the mountaine, and flinging it into a rapid streame, it not only carried away the sand, &c., but filled up the moate, and levelled that noble area, where now the garden and fountaine is."
In 1641, Evelyn, tired of this seclusion, made a tour in France and the Netherlands, in which he appears to have gathered from observation such knowledge of Gardening as led him into its systematic study. He describes the Tuileries as rarely contrived for privacy, shade, or company; and he specially describes a labyrinth of cypress, with an artificial echo, "redoubling the words distinctly, and never without some fair nymph singing to it." "Standing at one of the focuses, which is under a tree, or little cabinet of hedges, the voice seems to descend from the clouds; at another, as if it was underground." He tells us, too, of the curious garden of the Archbishop of Paris, at St. Cloud, with a Mount Parnassus, and a grotto, or "shell-house," on the top of the hill, the walls painted with the Muses, many statues placed about it, and within, "divers water-works, and contrivances to wet the spectators," reminding one of the famous copper-tube willow-tree at Chatsworth. Evelyn speaks of the Luxembourg Gardens as a paradise, where the Duke of Orleans kept tortoises in great numbers. The young traveller was charmed with the gardens of Italy; and at Padua he bought, for winter provision, three thousand weight of grapes, and pressed his own wine, which proved excellent.
Faithful to the Crown, Mr. Evelyn (who had become a volunteer in an English regiment serving in Flanders) joined the King's army at Brentford; but that he had not the temperament of a hero we may judge from the fact that, on the day before the battle of Edgehill was fought, after seeing Portsmouth delivered up to Sir William Waller, "he was able to make a careful archæological survey of the city of Winchester, calmly noting its castle, church, school, and King Arthur's Round Table." Knowing this characteristic trait, we are not surprised that he left his distracted country for the pleasures of foreign travel. On returning from Italy he visited Paris, and at the English Embassy met his future wife, the daughter of the Ambassador, Sir Richard Browne. He married her when she was little more than fourteen, and some months afterwards left her, as he admits, "still very young," under the appropriate care of her mother, whilst he transacted business in England. The Prince de Condé besieged Paris, and a year and a half elapsed before Evelyn rejoined his wife.
Upon their return to England, they took up their abode at Sayes Court, the property of Sir Richard Browne, whose estate had been considerably curtailed during the Commonwealth. It was wholly unadorned. Here, from a field of one hundred acres in pasture, Evelyn formed a garden, which was an exemplar of his _Sylva_, with a hedge of holly, 400 feet long, 9 feet high, and 5 feet thick. He began immediately to set out an oval garden, which was "the beginning of all the succeeding gardens, walks, groves, enclosures, and plantations there;" and he planted an orchard, "new moon, wind west." Evelyn next planned a royal garden to comprehend "knots, trayle-work, parterres, compartments, borders, banks, and embossments, labyrinths, dedals, cabinets, cradles, close-walks, galleries, pavilions, porticoes, lanterns, and other relievos of topiary and hortular architecture; fountains, cascades, piscines, rocks, grotts, cryptæ, mounts, precipices, and ventiducts; gazon-theatres, artificial echoes, automate and hydraulic music."
When Evelyn left Sayes to pass the remainder of his days at Wotton, he let the former estate, first to Admiral Benbow, and next to the Czar Peter, to be near the King's dockyard, (through the wall of which a doorway was broken), that he might learn shipbuilding, but the Czar and his retinue damaged the house and gardens to the extent of 150_l_. in three weeks. A portion of the Victualling-yard now occupies the place of Evelyn's shady walks and trim hedges; on the site of the manor-house stands the parish workhouse of Dieptford and Stroud; and an adjoining thoroughfare is named Evelyn-street.
Evelyn may have been misled in ornamental gardening by the taste of his age, but there was nothing to mislead him in that useful branch of the art which supplies the table with its luxuries, and which in his time received considerable improvement. Here we may mention that in 1664 Evelyn published the first Gardeners' Almanack, containing directions for the employment of each month. This was dedicated to Cowley, and drew from him, in acknowledgment, one of his best pieces, entitled _The Garden_; in the prefix to which he says:--"I never had any other desire so strong, and so like to covetousness, as that one which I have had always, that I might be master at last of a small house and large garden, with very moderate conveniences joined to them, and there dedicate the remainder of my life only to the culture of them, and the study of nature."
In 1694, Mr. Evelyn went to Wotton, with his brother George. In 1696-7, he says:--"I am planting an evergreen grove here to an old house ready to drop." In the great storm of 1703, above 2,000 goodly oaks were blown down. The woods of Wotton have since suffered greatly from high winds, particularly in November 1837, when many hundred trees were laid low during a violent storm.