Part 20

Banbury Cheese, which Shakspeare mentions, is no longer made, but it was formerly so well known as to be referred to as a comparison. Bishop Williams, in 1664, describes the clipped and pared lands and glebes of the Church "as thin as Banbury cheese." Bardolf, in the _Merry Wives of Windsor_, compares Slender to Banbury cheese, which seems to have been remarkably thin, and all rind, as noticed by Heywood, in his Collection of Epigrams:--

"I never saw Banbury cheese thick enough, But I have often seen Essex cheese quick enough."

The same thought occurs in _Jack Drum's Entertainment_, 1601:--

"Put off your cloathes, and you are like a Banbury cheese--nothing but paring."

In the Birch and Sloane MSS., No. 1201, is a curious receipt for making Banbury cheese, from a MS. cookery book of the sixteenth century. A rich kind of cheese, about one inch in thickness, is still made in the neighbourhood of Banbury.

We have already traced the destruction of the Cross at Banbury to the leaven of fanaticism. The nursery rhyme,

"Ride a cock-horse To Banbury-cross,"

is by some referred to this act; and to signify being over-proud and imperious. Taylor, the Water-poet, has,--

"A knave that for his wealth doth worship get, Is like the divell that's a-cock-horse set."

The Banburians have rebuilt the Cross to commemorate the marriage of the Princess Royal with the Crown Prince of Prussia. They also exhibit, periodically, a pageant, in which a fine lady on a white horse, preceded by Robin Hood and Little John, Friar Tuck, a company of archers, bands of music, flags and banners, passes through the principal street to the Cross, where the lady (Maid Marian) scatters Banbury cakes among the people. How far this pageant may be associated with local tradition, time and the curious have hitherto failed to explain.[59]

Other towns, in addition to Banbury, have been celebrated for their cakes, from remote times. The ancient borough of Congleton, upon the Staffordshire border of Cheshire, have already been incidentally mentioned. The streets have an air of antiquity, many of the houses being constructed entirely of timber framework and plaster. The place has long been famed for its silk-mills, and tagged leather laces, called Congleton points. These, however, have been outlived by the sack and cakes, which have, for ages, figured in the festivities of Congleton; eclipsed for a while during the gloomy mayoralty of President Bradshaw, but happily retained to our time.

The Congleton cakes are of triangular form, with a raisin inserted at each corner. These have been used at the Grammar School breaking-up for three-quarters of a century. They have been the orthodox cakes at the quarterly account meetings of the Corporation for more than a century, and are hence called "count cakes." It is conjectured that the three raisins represent the mayor and two justices, who were the governing body under the charter of James I. The trio of raisins have also been deemed symbolical of the Trinity. Be this as it may, Congleton has been noted from time immemorial for these cakes, as well as for its gingerbread; and in the Corporation records we find such convivial items as the following:--"1618. Bestowed upon the Earl of Essex, being money paid for figs and sugar, 1_l_." "1614. Bestowed upon Sir John Byron, one gallon of sack and one gallon of claret, 5_s_. 8_d_." "1619. A banquet bestowed upon Sir John Savage, being a gallon of sack and a sugar-loaf, 5_s_." "1627. Bestowed upon my Lord Brereton, in wine and beer, 5_s_." "1633. Bestowed on the Earl of Bridgewater, in wine, sack, and sugar, 8_s_." "1632. Paid Randle Rode, of the Swan, for wine, cake, and beer, for a banquet which was bestowed upon the Lord Chief Baron of the Exchequer, 1_l_. 4_s_. 2_d_." "Paid Mr. Drakeford for a pottle of wine, bestowed on Sir B. Wilbraham, 2_s_." "1662. Paid for _sweetmeats_ bestowed upon Lord and Lady Brandon, 9_s_. 3_d_., because," as the book says, "he was our great friend." This must have been in reference to the influence exerted by that nobleman, in obtaining a re-grant of the borough charter, which Charles II., on his accession, had thought fit to call in, along with several others, that of London among the rest.

Among the recent celebrations, was the hospitable reception given by the Corporation of Congleton to the Lord Mayor of London, Sir Francis Graham Moon, Bart., in the year 1855, when the entertainment well represented the ancient festivity. On the chairman's table lay the gold and silver maces of the borough, and capacious china Corporation bowls full of sack, and flanked by large old two-handled silver flagons, by which the sack was gradually drawn off, and circulated amongst the company. On every plate was placed a _count cake_, and the centres of the tables were covered with delicate cakes and confectionery, among which was pre-eminent the famous Congleton gingerbread, and a profusion of choice fruit. The brewage of the sack was entrusted to Joseph Speratti, who boasts that he alone possesses the true receipt.

The famous old city of Shrewsbury has also long been celebrated for its brawn and cakes; the latter are made of much larger size than we are accustomed to see them in the metropolis, and are packed in round boxes made for the purpose.

Around London some of the villages boast of this celebrity. Islington was once as famous for its cheesecakes as Chelsea for its buns; and among its other notabilities were custards and stewed "pruans:" old Wither, in 1628, told us that Islington

"For cakes and cream had then no small resort;"

and to this day the place is noted for its cakes and confectionery. Lower Holloway was once noted for its cheesecakes, which, almost within memory, were regularly cried through the streets of London by a man on horseback.

FOOTNOTES:

[59] From a paper by the author of the present volume, in _Once a Week_; reprinted by permission of the proprietors.

HORSELYDOWN FAIR, IN THE REIGN OF QUEEN ELIZABETH.

Horselydown is situate near the bank of the river Thames, about half a mile eastward of London Bridge. "It is difficult," says Mr. Corner, the South wark antiquary, "to imagine that a neighbourhood now so crowded with wharves and warehouses, granaries and factories, mills, breweries, and places of business of all kinds, and where the busy hum of men at work, like bees in a hive, is incessant, can have been, not many centuries since, a region of pleasant fields and meadows, pastures for sheep and cattle; with gardens, houses, shady lanes, clear streams with stately swans, and cool walks by the river-side. Yet such was the case, and the way from London Bridge to Horselydown was occupied by the mansions of men of mark and consequence, dignitaries of the Church, men of military renown, and wealthy citizens."

Horselydown was part of the possessions of the Abbey of Bermondsey, and was, probably, the common of the manor. After the surrender to Henry VIII. it became the property of private individuals, and, in 1581, was conveyed to the Governors of St. Olave's Grammar School, to whom it still belongs; and it is one of the remarkable instances of the enormous increase in the value of property in the metropolis, that this piece of land, which was then let as pasturage for 6_l_. per annum, now produces to the governors for the use of the school an annual income exceeding 3,000_l_. Hereon were erected the parish butts for the exercise of archery, pursuant to the statute of 33 Henry VIII.

The Marquis of Salisbury possesses, at Hatfield, a very remarkable picture, which has been supposed to have been painted by the celebrated Holbein, but is really the work of George Hofnagle, a Flemish artist in Queen Elizabeth's time, as is shown by the costume of the figures: it bears the date of 1590, whereas Holbein died in 1554. The picture represents a Fair or Festival, which, from the position of the Tower of London in the background, appears to have been held at Horselydown. In the catalogue of the pictures at Hatfield, in the _Beauties of England and Wales_, the painting is said to represent King Henry VIII. and his Queen, Anne Boleyn, at a country wake or fair, at some place in Surrey, within sight of the Tower of London; but several circumstances, in addition to its situation with respect to the river Thames and the Tower of London, concur to show that the locality is Horselydown, or, as it was then called, Horseydown or Horsedown. This is proved by a curious picture-map, dated 1544. Its centre shows a large open space, now occupied by the diverging Queen Elizabeth Free School, and _Fair_ Street. It is not known whether Southwark Fair was ever held on Horselydown; but it is worthy of observation, that when the down came to be built on, about the middle of the seventeenth century, the principal street across it from east to west, and in the line of foreground represented in the picture, was, and is to the present day, called _Fair_ Street; and a street or lane of houses running from north to south is called Three Oak Lane, traditionally from three oaks formerly standing there. The tree-o'ershadowed hostelry, where the feast is being prepared, may indicate the spot. In Evelyn's time, however (_Diary_, 13th Sept. 1666), the fair appears to have been held at St. Margaret's Hill, in the Borough, for he calls it St. Margaret's Fair; and it continued to be held between St. Margaret's Hill and St. George's Church, until the fair was suppressed in 1762.

The portly figure in the centre foreground, with a red beard and a Spanish hat, must have occasioned the idea of its being a representation of King Henry VIII.; but the general costume of the figure is later than his reign, and the date on the picture shows the period of the scene to have been towards the end of Queen Elizabeth's reign.

The principal figures seem rather to represent some of the grave burgesses and young gallants of Southwark, with their wives and families, assembled on Horseydown on some festive occasion, on a bright day in summer. The principal figure is evidently a man of worship, for whom and his company a feast is preparing in the kitchen of the hostelry; while the table is laid in the adjoining apartment, which is decorated with boughs and gaily-coloured ribbons. The principal figure may be one of the Flemish brewers, who settled in the parish in great numbers; one of whom Vassal Webling, dwelt hard by Horseydown, having become possessed of the house of Sir John Fastolfe, called Fastolfe Place. Or, it may be Richard Hutton, armourer, and an alderman of London, an inhabitant of St. Olave's. Whoever it is, he is accompanied by a comely dame, probably his wife, and by two elderly women, and followed by a boy and girl with a greyhound, a servant carrying an infant, and a serving-man with sword and buckler. Near them is a yeoman of her Majesty's guard, with the Queen's arms on his breast. The citizen, in his long furred gown, accompanied by a smartly-dressed female, crossing behind the principal party, is worthy of notice. The gay trio behind them are also remarkable objects in the picture.

The minister accompanying a lady, is probably Thomas Marten, M.A., parson of the parish. The hawking party behind shows that the neighbourhood of Southwark was at that period sufficiently open for the enjoyment of the sport. The flag-staff, or May-pole, in the left background, is also noticeable, as well as the unfinished vessel at the river side, and the unfortunate transgressor in the stocks.

Two young women and two serving-men are bearing large brass dishes for the coming feast; while in the right foreground a party of five are dancing to the minstrelsy of three musicians seated under a tree. A party are approaching from the right, headed by another minister, who may be the celebrated Robert Browne, a Puritan minister, and founder of the sect of Brownists, who was schoolmaster of St. Olave's Grammar School, from 1586 till 1591. He was connected by family ties with Lord Burghley, which circumstance may account for this picture being preserved at Hatfield, which was built by Robert Cecil, Earl of Salisbury, second son of Lord Burghley.

Behind the musicians are two figures which deserve some attention. It has been suggested that the appearance of the foremost is much that of the portraits of Shakspeare, and the head behind him is not unlike that of Ben Jonson. Nor would there be any improbability in the idea of Shakspeare and Jonson being present at such a fête, as Shakspeare lived in St. Saviour's, and is very likely to have been invited to a festival in the adjoining parish; but the date of the picture is somewhat too early to be consistent with that notion.

The church-like building with a tower, at the right of the picture, may be "The Hermitage," marked on the plan: it was no uncommon thing for hermitages to have chapels attached to them, as at Highgate, where the hermit was authorized by a royal grant of Edward III. to take toll for repairing the road. The hermitage at Highgate, which had a tower, became a chapel for the devotions of the inhabitants.

Hermitages were generally founded by an individual upon the ground of some religious house, who, after the death of the first hermit, collated a successor; and as those persons devoted themselves to some act of charity, it does not appear so extraordinary that we find hermits living upon bridges, and by the sides of roads, and being toll-gatherers, as numerous records indubitably prove. (Tomlin's _Yseldon_.)

The Hermit of Horselydown, or Dock-head, perhaps, received a toll for keeping in repair the road across the Bermondsey Marshes from Southwark towards Rotherhithe and Deptford.[60]

FOOTNOTES:

[60] See Mr. Corner's paper "On the History of Horselydown," 1855.

WAKE FESTIVALS IN THE BLACK COUNTRY.

Wakes were originally established to commemorate the erection of the church in the parish where they were held. They were then celebrated on the Sunday, and the parson did not deem it "unworthy his high vocation" to enjoy a gambol on the village-green after the morning service. In the larger towns, most of the churches had weekly fairs or markets attached to them, these also being held on the Sabbath. As late as the commencement of the fourteenth century, Wolverhampton had a market every Sunday morning, the shingles being arranged round the old Collegiate Church; and when the voice of worship ceased, the Babel of the Fair began. During the fourteenth century, however, the custom of holding Sunday markets was abolished, but the village Wake continued to be celebrated on the sacred day, until the commencement of the present century. The leading diversions of Wake-time in this district were, as is pretty generally known, bull and badger baiting, cock-fighting, pigeon-flying, boxing, running, and wrestling. There is, we think, a very fair standard of comparison between past and present, presented to us in the subject of Wake festivals; and for this reason we have thought it worth while briefly to compare Wake-time in the Black Country half a century ago with the corresponding season now. We think it will be allowed that, after taking into consideration all educational and other advantages, there has been a progress towards social and moral excellence among our working men and women which is deserving of all praise.

The traditions of Bull-baiting, Cock-fighting, and other exhibitions of brutality which characterised Wakes in this district forty or fifty years ago, have in many cases been so distorted and magnified by frequent repetition that they can no longer be accepted as truthful pictures of the festivals which it was the humour of our ancestors to establish and be pleased with.

During the past half-century, there have been some brutal exhibitions of this class. In the _Staffordshire Advertiser_, November 23, 1833, we read of bulls being shockingly tortured in the neighbourhood of Dudley. At Rowley Regis, a two-year-old bull was worried most brutally, his horns being torn off, and his head and face mangled in the most appalling manner.

In the following year the _Wolverhampton Chronicle_ publishes this intelligence:--"At Wilhenhall Wakes, two bulls were baited in the streets of that town, and more than usual cruelty was displayed on the occasion, as one of the bulls died on the night after being baited." At Darlaston Wakes, about the same period, three bulls, three bears, and two badgers underwent baiting simultaneously; to say nothing of dog and cock fights.

These instances might, of course, be multiplied by records of each town in the district, but they will suffice to show the extent of the barbarity which distinguished the Wakes of our forefathers. The ludicrous was sometimes associated with the cruelties in these scenes. At Tipton on one occasion, the bull broke loose, and, dashing madly through the crowd, entered the open door of a house, at whose fire a huge piece of Wake beef was roasting. From the force of habit, the bull tossed the smoking joint to the ceiling, and disappeared, to the great joy of the affrighted inmate. On another occasion, at Bloxwich, some wag stole the bull at midnight, and when the excited crowd assembled on the morrow, from all parts of the district, they were doomed to disappointment. The circumstance gave rise to a local proverb still in use. When great expectations are baffled, the circumstance is instinctively likened to "the Bloxwich bull." The remembrance of this barbarous pastime is perpetuated in the topographical nomenclature of the district, where, following the example of Birmingham, almost every town and village has its Bull King.

The stronghold of Cock-fighting was at Wednesbury, where the "cookings" were resorted to by persons from all parts of the kingdom. In a _Directory of Walsall_, 1813, we read:--"The cockpit is situate on the left-hand side of the entrance into Park Street, from Digbeth, at the bottom of a yard belonging to Mr. Fox, known by the sign of the New Inn. It is spacious and much frequented at the Wakes, at which period only it is used."

The minor sports and pastimes were the interludes between the tragedies, and served to complete the day's programme of the Black Country Wake-time. Forty years ago it was dangerous to pass through a town during the Wakes. The inhabitants who took active part in these sports were so infuriated with drink and excitement, and their feelings were so hardened by scenes of torture, that they regarded neither the limb nor life of any who happened to offend them. There was no amusement provided either for young or old but the most vicious and degrading, and the Wakes seldom passed by without some other blood than that of bulls being spilt--the blood of comrades, and too frequently of wives and children, who dared to remonstrate with a furious husband and father in his orgies.

Happily, modern Wakes have been divested of nearly all the characteristics of the olden festivals. The only vestiges which distinguish them are the booths, clowns, and drinking bouts; and these amusements are only indulged in by children and the lowest class of the population. Among the features recently introduced in connexion with district Wakes may be enumerated out-door fêtes, flower-shows, bazaars, and excursions. Temperance Societies and Working Men's Institutes select Wake-time for their celebrations. Two of the most successful exhibitions ever held in the district were inaugurated at the Wakes of Willenhall, in 1857, and at those of Bilston a year or two later, both in connexion with the progress of popular education. The Right Hon. C. P. Villiers, M.P. who was present on both occasions, and who knew this district in its dark days, took occasion to compare the former Wake times with the present, as an evidence of the social advancement of the Black Country. The cultivation of cottage window-flowers, now happily so general throughout the same district, is another refining agency, which has helped in no small degree to root out the love for grosser sports among the people. But, perhaps, the most powerful agent in improving the character of modern Wakes is the influence of popular excursions. The district is fortunate in its situation in this respect. Within easy distance are the lawns and flowers of Enville, Hagley, Shugborough, and Teddesley, which it is the delight of their noble owners to place at the service of our working men and women; and the more recent facilities for locomotion have also placed the Malvern slopes and Southport sands within their reach. Wake-times are therefore now become seasons of excursions, when hard-working men quit the factory bench and the dark mine, to delight and refine their inner manhood with views of Nature's fairest works. This, we think, is one great step towards the development of a love for art among the artisans of our utilitarian district; and Wake-times so spent will assuredly exert an influence for good through the remainder of the year.[61]

Nevertheless, the Wakes are still disgraced by sad scenes of intoxication and other excesses: the agencies of education and religion are not working in vain in the district; let us hope that the progress, though slow, may be sure.

FOOTNOTES:

[61] We quote the above from a contribution to the _Birmingham Daily Post_. The details are of value, from their being furnished by an eye-witness.

KEEPING BIRDS IN THE MIDDLE AGES.

Alexander Neckam, from whose Treatise the following curious things are derived, was a learned man of the twelfth century: his work, which is written in Latin, has been translated by Mr. Thomas Wright, and published under the direction of the Master of the Polls. Of Neckam's birth we learn the date from a chronicle formerly existing among the MSS. of the Earl of Arundel, which inform us that "in the month of September, 1157, there was born to the King at Windsor a son named Richard; and the same night was born Alexander Neckam at St. Alban's, whose mother gave suck to Richard with her right breast, and to Alexander with her left breast." Thus was Alexander the foster-brother of the future Coeur de Lion, who was celebrated for his own love of literature and learning; and the position which the circumstance here related by the chronicler gave to Neckam in regard to such a Prince goes far to explain the honourable position he gained in after-life.

Neckam was born and passed his boyhood at St. Alban's: he received his earlier education in the Abbey School there; and such a rapid advance did he make in learning, that whilst still very young, the direction of the school at Dunstable, a dependency of the Abbey of St. Alban's, was entrusted to him. But he soon, of his own accord, sought a larger field for his mental activities, and proceeded to the then celebrated University of Paris, where he was a distinguished professor as early as the year 1180, when he can have been no more than twenty-three years of age.

He did not long adhere to the scholastic learning of the University, but in 1186 returned to England, and resumed his old post at Dunstable. He subsequently became one of the Augustinian monks of Cirencester, and in 1213 was elected Abbot of Cirencester. He died at Kempsey, near Worcester, in 1217, and was buried in Worcester Cathedral.

Neckam, in these early times, displayed a taste for experimental science. The Treatise from which we quote is a sort of manual of natural science, as it was then taught; and it derives a still greater value for us from the love of its author for illustrating his theme by the introduction of contemporary anecdotes and stories relating to the objects treated of; as well as the mention of popular facts and articles of belief which had come under his observation or knowledge, many of which offer singular illustrations of the condition and manners of the age.