Chapter 4

You were so kind, so sweet, none could withhold To adore, but that you were so strange, so cold; For that you loved me.

Like to a box of spikenard did you break Your heart about my feet. What words you spake! For that you loved me.

Life fell to dust without me; so you tried All carefullest ways to drive me from your side, For that you loved me.

You gave yourself as children give, that weep And snatch back, with—‘I meant you not to keep!’ For that you loved me.

I am no woman, girl, nor ever knew That love could teach all ways that hate could do To her that loved me.

Have less of love, or less of woman in Your love, or loss may even from this begin— That you so love me.

For, wild Penelope, the web you wove You still unweave, unloving all your love; Is this to love me,

Or what rights have I that scorn could deny? Even of your love, alas, poor Love must die, If so you love me!

THE END OF IT

SHE did not love to love; but hated him For making her to love, and so her whim From passion taught misprision to begin; And all this sin Was because love to cast out had no skill Self, which was regent still. Her own self-will made void her own self’s will

EPILOGUE

IF I have studied here in part A tale as old as maiden’s heart, ’Tis that I do see herein Shadow of more piteous sin.

She, that but giving part, not whole, Took even the part back, is the Soul: And that so disdainèd Lover— Best unthought, since Love is over.

Love to invite, desire, and fear, And Love’s exactions cost too dear Count for Love’s possession,—ah, Thy way, misera Anima!

To give the pledge, and yet be pined That a pledge should have force to bind, This, O Soul, too often still Is the recreance of thy will!

Out of Love’s arms to make fond chain, And, because struggle bringeth pain, Hate Love for Love’s sweet constraint, Is the way of Souls that faint.

Such a Soul, for saddest end, Finds Love the foe in Love the friend; And—ah, grief incredible!— Treads the way of Heaven, to Hell.

MISCELLANEOUS ODES

ODE TO THE SETTING SUN

PRELUDE.

THE wailful sweetness of the violin Floats down the hushèd waters of the wind, The heart-strings of the throbbing harp begin To long in aching music. Spirit-pined,

In wafts that poignant sweetness drifts, until The wounded soul ooze sadness. The red sun, A bubble of fire, drops slowly toward the hill, While one bird prattles that the day is done.

O setting Sun, that as in reverent days Sinkest in music to thy smoothèd sleep, Discrowned of homage, though yet crowned with rays, Hymned not at harvest more, though reapers reap:

For thee this music wakes not. O deceived, If thou hear in these thoughtless harmonies A pious phantom of adorings reaved, And echo of fair ancient flatteries!

Yet, in this field where the Cross planted reigns, I know not what strange passion bows my head To thee, whose great command upon my veins Proves thee a god for me not dead, not dead!

For worship it is too incredulous, For doubt—oh, too believing-passionate! What wild divinity makes my heart thus A fount of most baptismal tears?—Thy straight

Long beam lies steady on the Cross. Ah me! What secret would thy radiant finger show? Of thy bright mastership is this the key? Is _this_ thy secret, then? And is it woe?

Fling from thine ear the burning curls, and hark A song thou hast not heard in Northern day; For Rome too daring, and for Greece too dark, Sweet with wild wings that pass, that pass away!

ODE.

Alpha and Omega, sadness and mirth, The springing music, and its wasting breath— The fairest things in life are Death and Birth, And of these two the fairer thing is Death. Mystical twins of Time inseparable, The younger hath the holier array, And hath the awfuller sway: It is the falling star that trails the light, It is the breaking wave that hath the might, The passing shower that rainbows maniple. Is it not so, O thou down-stricken Day, That draw’st thy splendours round thee in thy fall? High was thine Eastern pomp inaugural; But thou dost set in statelier pageantry, Lauded with tumults of a firmament: Thy visible music-blasts make deaf the sky, Thy cymbals clang to fire the Occident, Thou dost thy dying so triumphally: I _see_ the crimson blaring of thy shawms! Why do those lucent palms Strew thy feet’s failing thicklier than their might, Who dost but hood thy glorious eyes with night, And vex the heels of all the yesterdays? Lo! this loud, lackeying praise Will stay behind to greet the usurping moon, When they have cloud-barred over thee the West. Oh, shake the bright dust from thy parting shoon! The earth not pæans thee, nor serves thy hest, Be godded not by Heaven! avert thy face, And leave to blank disgrace The oblivious world! unsceptre thee of state and place!

Ha! but bethink thee what thou gazedst on, Ere yet the snake Decay had venomed tooth; The name thou bar’st in those vast seasons gone— Candid Hyperion, Clad in the light of thine immortal youth! Ere Dionysus bled thy vines, Or Artemis drave her clamours through the wood, Thou saw’st how once against Olympus’ height The brawny Titans stood, And shook the gods’ world ’bout their ears, and how Enceladus (whom Etna cumbers now) Shouldered me Pelion with its swinging pines, The river unrecked, that did its broken flood Spurt on his back: before the mountainous shock The rankèd gods dislock, Scared to their skies; wide o’er rout-trampled night Flew spurned the pebbled stars: those splendours then Had tempested on earth, star upon star Mounded in ruin, if a longer war Had quaked Olympus and cold-fearing men. Then did the ample marge And circuit of thy targe Sullenly redden all the vaward fight, Above the blusterous clash Wheeled thy swung falchion’s flash And hewed their forces into splintered flight.

Yet ere Olympus thou wast, and a god! Though we deny thy nod, We cannot spoil thee of thy divinity. What know we elder than thee? When thou didst, bursting from the great void’s husk, Leap like a lion on the throat o’ the dusk; When the angels rose-chapleted Sang each to other, The vaulted blaze overhead Of their vast pinions spread, Hailing thee brother; How chaos rolled back from the wonder, And the First Morn knelt down to thy visage of thunder! Thou didst draw to thy side Thy young Auroral bride, And lift her veil of night and mystery; Tellus with baby hands Shook off her swaddling-bands, And from the unswathèd vapours laughed to thee.

Thou twi-form deity, nurse at once and sire! Thou genitor that all things nourishest! The earth was suckled at thy shining breast, And in her veins is quick thy milky fire. Who scarfed her with the morning? and who set Upon her brow the day-fall’s carcanet? Who queened her front with the enrondured moon? Who dug night’s jewels from their vaulty mine To dower her, past an eastern wizard’s dreams, When hovering on him through his haschish-swoon, All the rained gems of the old Tartarian line Shiver in lustrous throbbings of tinged flame? Whereof a moiety in the Paolis’ seams Statelily builded their Venetian name. Thou hast enwoofèd her An empress of the air, And all her births are propertied by thee: Her teeming centuries Drew being from thine eyes: Thou fatt’st the marrow of all quality.

Who lit the furnace of the mammoth’s heart? Who shagged him like Pilatus’ ribbèd flanks? Who raised the columned ranks Of that old pre-diluvian forestry, Which like a continent torn oppressed the sea, When the ancient heavens did in rains depart, While the high-dancèd whirls Of the tossed scud made hiss thy drenchèd curls? Thou rear’dst the enormous brood; Who hast with life imbued The lion maned in tawny majesty, The tiger velvet-barred, The stealthy-stepping pard, And the lithe panther’s flexuous symmetry.

How came the entombèd tree a light-bearer, Though sunk in lightless lair? Friend of the forgers of earth, Mate of the earthquake and thunders volcanic, Clasped in the arms of the forces Titanic Which rock like a cradle the girth Of the ether-hung world; Swart son of the swarthy mine, When flame on the breath of his nostrils feeds How is his countenance half-divine, Like thee in thy sanguine weeds? Thou gavest him his light, Though sepultured in night Beneath the dead bones of a perished world; Over his prostrate form Though cold, and heat, and storm, The mountainous wrack of a creation hurled. Who made the splendid rose Saturate with purple glows; Cupped to the marge with beauty; a perfume-press Whence the wind vintages Gushes of warmèd fragrance richer far Than all the flavorous ooze of Cyprus’ vats? Lo, in yon gale which waves her green cymar, With dusky cheeks burnt red She sways her heavy head, Drunk with the must of her own odorousness; While in a moted trouble the vexed gnats Maze, and vibrate, and tease the noontide hush. Who girt dissolvèd lightnings in the grape? Summered the opal with an Irised flush? Is it not thou that dost the tulip drape, And huest the daffodilly, Yet who hast snowed the lily, And her frail sister, whom the waters name, Dost vestal-vesture ’mid the blaze of June, Cold as the new-sprung girlhood of the moon Ere Autumn’s kiss sultry her cheek with flame? Thou sway’st thy sceptred beam O’er all delight and dream, Beauty is beautiful but in thy glance: And like a jocund maid In garland-flowers arrayed, Before thy ark Earth keeps her sacred dance.

And now, O shaken from thine antique throne, And sunken from thy coerule empery, Now that the red glare of thy fall is blown In smoke and flame about the windy sky, Where are the wailing voices that should meet From hill, stream, grove, and all of mortal shape Who tread thy gifts, in vineyards as stray feet Pulp the globed weight of juiced Iberia’s grape? Where is the threne o’ the sea? And why not dirges thee The wind, that sings to himself as he makes stride Lonely and terrible on the Andean height? Where is the Naiad ’mid her sworded sedge? The Nymph wan-glimmering by her wan fount’s verge? The Dryad at timid gaze by the wood-side? The Oread jutting light On one up-strainèd sole from the rock-ledge? The Nereid tip-toe on the scud o’ the surge, With whistling tresses dank athwart her face, And all her figure poised in lithe Circean grace? Why withers their lament? Their tresses tear-besprent, Have they sighed hence with trailing garment-gem? O sweet, O sad, O fair! I catch your flying hair, Draw your eyes down to me, and dream on them!

A space, and they fleet from me. Must ye fade— O old, essential candours, ye who made The earth a living and a radiant thing— And leave her corpse in our strained, cheated arms? Lo ever thus, when Song with chorded charms Draws from dull death his lost Eurydice, Lo ever thus, even at consummating, Even in the swooning minute that claims her his, Even as he trembles to the impassioned kiss Of reincarnate Beauty, his control Clasps the cold body, and foregoes the soul! Whatso looks lovelily Is but the rainbow on life’s weeping rain. Why have we longings of immortal pain, And all we long for mortal? Woe is me, And all our chants but chaplet some decay, As mine this vanishing—nay, vanished Day. The low sky-line dusks to a leaden hue, No rift disturbs the heavy shade and chill, Save one, where the charred firmament lets through The scorching dazzle of Heaven; ’gainst which the hill, Out-flattened sombrely, Stands black as life against eternity. Against eternity? A rifting light in me Burns through the leaden broodings of the mind: O blessèd Sun, thy state Uprisen or derogate Dafts me no more with doubt; I seek and find.

If with exultant tread Thou foot the Eastern sea, Or like a golden bee Sting the West to angry red, Thou dost image, thou dost follow That King-Maker of Creation, Who, ere Hellas hailed Apollo, Gave thee, angel-god, thy station; Thou art of Him a type memorial. Like Him thou hang’st in dreadful pomp of blood Upon thy Western rood; And His stained brow did veil like thine to night, Yet lift once more Its light, And, risen, again departed from our ball, But when It set on earth arose in Heaven. Thus hath He unto death His beauty given: And so of all which form inheriteth The fall doth pass the rise in worth; For birth hath in itself the germ of death, But death hath in itself the germ of birth. It is the falling acorn buds the tree, The falling rain that bears the greenery, The fern-plants moulder when the ferns arise. For there is nothing lives but something dies, And there is nothing dies but something lives. Till skies be fugitives, Till Time, the hidden root of change, updries, Are Birth and Death inseparable on earth; For they are twain yet one, and Death is Birth.

AFTER-STRAIN.

Now with wan ray that other sun of Song Sets in the bleakening waters of my soul: One step, and lo! the Cross stands gaunt and long ’Twixt me and yet bright skies, a presaged dole.

Even so, O Cross! thine is the victory. Thy roots are fast within our fairest fields; Brightness may emanate in Heaven from thee, Here thy dread symbol only shadow yields.

Of reapèd joys thou art the heavy sheaf Which must be lifted, though the reaper groan; Yea, we may cry till Heaven’s great ear be deaf, But we must bear thee, and must bear alone.

Vain were a Simon; of the Antipodes Our night not borrows the superfluous day. Yet woe to him that from his burden flees! Crushed in the fall of what he cast away.

Therefore, O tender Lady, Queen Mary, Thou gentleness that dost enmoss and drape The Cross’s rigorous austerity, Wipe thou the blood from wounds that needs must gape.

‘Lo, though suns rise and set, but crosses stay, I leave thee ever,’ saith she, ‘light of cheer.’ ’Tis so: yon sky still thinks upon the Day, And showers aërial blossoms on his bier.

Yon cloud with wrinkled fire is edgèd sharp; And once more welling through the air, ah me! How the sweet viol plains him to the harp, Whose pangèd sobbings throng tumultuously.

Oh, this Medusa-pleasure with her stings! This essence of all suffering, which is joy! I am not thankless for the spell it brings, Though tears must be told down for the charmed toy.

No; while soul, sky, and music bleed together, Let me give thanks even for those griefs in me, The restless windward stirrings of whose feather Prove them the brood of immortality.

My soul is quitted of death-neighbouring swoon, Who shall not slake her immitigable scars Until she hear ‘My sister!’ from the moon, And take the kindred kisses of the stars.

A CAPTAIN OF SONG

(ON A PORTRAIT OF COVENTRY PATMORE BY J. S. SARGENT, R.A.)

LOOK on him. This is he whose works ye know; Ye have adored, thanked, loved him,—no, not him! But that of him which proud portentous woe To its own grim Presentment was not potent to subdue, Nor all the reek of Erebus to dim. This, and not him, ye knew. Look on him now. Love, worship if ye can, The very man. Ye may not. He has trod the ways afar, The fatal ways of parting and farewell, Where all the paths of painèd greatness are; Where round and always round The abhorrèd words resound, The words accursed of comfortable men,— ‘For ever’; and infinite glooms intolerable With spacious replication give again, And hollow jar, The words abhorred of comfortable men. You the stern pities of the gods debar To drink where he has drunk The moonless mere of sighs, And pace the places infamous to tell, Where God wipes not the tears from any eyes, Where-through the ways of dreadful greatness are He knows the perilous rout That all those ways about Sink into doom, and sinking, still are sunk. And if his sole and solemn term thereout He has attained, to love ye shall not dare One who has journeyed there; Ye shall mark well The mighty cruelties which arm and mar That countenance of control, With minatory warnings of a soul That hath to its own selfhood been most fell, And is not weak to spare: And lo, that hair Is blanchèd with the travel-heats of hell.

If any be That shall with rites of reverent piety Approach this strong Sad soul of sovereign Song, Nor fail and falter with the intimidate throng; If such there be, These, these are only they Have trod the self-same way; The never-twice-revolving portals heard Behind them clang infernal, and that word Abhorrèd sighed of kind mortality, As he— Ah, even as he!

AGAINST URANIA

LO I, Song’s most true lover, plain me sore That worse than other women she can deceive, For she being goddess, I have given her more Than mortal ladies from their loves receive; And first of her embrace She was not coy, and gracious were her ways, That I forgot all virgins to adore; Nor did I greatly grieve To bear through arid days The pretty foil of her divine delays; And one by one to cast Life, love, and health, Content, and wealth, Before her, thinking ever on her praise, Until at last Nought had I left she would be gracious for. Now of her cozening I complain me sore, Seeing her uses, That still, more constantly she is pursued, And straitlier wooed, Her only-adorèd favour more refuses, And leaves me to implore Remembered boon in bitterness of blood.

From mortal woman thou may’st know full well, O poet, that dost deem the fair and tall Urania of her ways not mutable, When things shall thee befall What thou art toilèd in her sweet, wild spell. Do they strow for thy feet A little tender favour and deceit Over the sudden mouth of hidden hell?— As more intolerable Her pit, as her first kiss is heavenlier-sweet. Are they, the more thou sigh, Still the more watchful-cruel to deny?— Know this, that in her service thou shalt learn How harder than the heart of woman is The immortal cruelty Of the high goddesses. True is his witness who doth witness this, Whose gaze too early fell— Nor thence shall turn, Nor in those fires shall cease to weep and burn— Upon her ruinous eyes and ineludible.

AN ANTHEM OF EARTH

PRŒMION

IMMEASURABLE Earth! Through the loud vast and populacy of Heaven, Tempested with gold schools of ponderous orbs, That cleav’st with deep-revolting harmonies Passage perpetual, and behind thee draw’st A furrow sweet, a cometary wake Of trailing music! What large effluence, Not sole the cloudy sighing of thy seas, Nor thy blue-coifing air, encases thee From prying of the stars, and the broad shafts Of thrusting sunlight tempers? For, dropped near From my removèd tour in the serene Of utmost contemplation, I scent lives. This is the efflux of thy rocks and fields, And wind-cuffed forestage, and the souls of men, And aura of all treaders over thee; A sentient exhalation, wherein close The odorous lives of many-throated flowers, And each thing’s mettle effused; that so thou wear’st, Even like a breather on a frosty morn, Thy proper suspiration. For I know, Albeit, with custom-dulled perceivingness, Nestled against thy breast, my sense not take The breathings of thy nostrils, there’s no tree, No grain of dust, nor no cold-seeming stone, But wears a fume of its circumfluous self. Thine own life and the lives of all that live, The issue of thy loins, Is this thy gaberdine, Wherein thou walkest through thy large demesne And sphery pleasances,— Amazing the unstalèd eyes of Heaven, And us that still a precious seeing have Behind this dim and mortal jelly. Ah! If not in all too late and frozen a day I come in rearward of the throats of song, Unto the deaf sense of the agèd year Singing with doom upon me; yet give heed! One poet with sick pinion, that still feels Breath through the Orient gateways closing fast, Fast closing t’ward the undelighted night!

ANTHEM

In nescientness, in nescientness, Mother, we put these fleshly lendings on Thou yield’st to thy poor children; took thy gift Of life, which must, in all the after-days, Be craved again with tears,— With fresh and still-petitionary tears. Being once bound thine almsmen for that gift, We are bound to beggary, nor our own can call The journal dole of customary life, But after suit obsequious for’t to thee. Indeed this flesh, O Mother, A beggar’s gown, a client’s badging, We find, which from thy hands we simply took, Nought dreaming of the after penury, In nescientness.