Chapter 6
S. Quirico was keeping _festa_. The streets were crowded with healthy handsome men and women from the contado. This village lies on the edge of a great oasis in the Sienese desert--an oasis, formed by the waters of the Orcia and Asso sweeping down to join Ombrone, and stretching on to Montalcino. We put up at the sign of the "Two Hares," where a notable housewife gave us a dinner of all we could desire; _frittata di cervelle_, good fish, roast lamb stuffed with rosemary, salad and cheese, with excellent wine and black coffee, at the rate of three _lire_ a head.
The attraction of S. Quirico is its gem-like little collegiata, a Lombard church of the ninth century, with carved portals of the thirteenth. It is built of golden travertine; some details in brown sandstone. The western and southern portals have pillars resting on the backs of lions. On the western side these pillars are four slender columns, linked by snake-like ligatures. On the southern side they consist of two carved figures--possibly S. John and the Archangel Michael. There is great freedom and beauty in these statues, as also in the lions which support them, recalling the early French and German manner. In addition, one finds the usual Lombard grotesques--two sea-monsters, biting each other; harpy-birds; a dragon with a twisted tail; little men grinning and squatting in adaptation to coigns and angles of the windows. The toothed and chevron patterns of the north are quaintly blent with rude acanthus scrolls and classical egg-mouldings. Over the western porch is a Gothic rose window. Altogether this church must be reckoned one of the most curious specimens of that hybrid architecture, fusing and appropriating different manners, which perplexes the student in Central Italy. It seems strangely out of place in Tuscany. Yet, if what one reads of Toscanella, a village between Viterbo and Orbetello, be true, there exist examples of a similar fantastic Lombard style even lower down.
The interior was most disastrously gutted and "restored" in 1731: its open wooden roof masked by a false stucco vaulting. A few relics, spared by the eighteenth century Vandals, show that the church was once rich in antique curiosities. A marble knight in armour lies on his back, half hidden by the pulpit stairs. And in the choir are half a dozen rarely beautiful panels of tarsia, executed in a bold style and on a large scale. One design--a man throwing his face back, and singing, while he plays a mandoline; with long thick hair and fanciful berretta; behind him a fine line of cypresses and other trees--struck me as singularly lovely. In another I noticed a branch of peach, broad leaves and ripe fruit, not only drawn with remarkable grace and power, but so modelled as to stand out with the roundness of reality.
The whole drive of three hours back to Montepulciano was one long banquet of inimitable distant views. Next morning, having to take farewell of the place, we climbed to the Castello, or _arx_ of the old city! It is a ruined spot, outside the present walls, upon the southern slope, where there is now a farm, and a fair space of short sheep-cropped turf, very green and grassy, and gemmed with little pink geraniums as in England in such places. The walls of the old castle, overgrown with ivy, are broken down to their foundations. This may possibly have been done when Montepulciano was dismantled by the Sienese in 1232. At that date the Commune succumbed to its more powerful neighbours. The half of its inhabitants were murdered, and its fortifications were destroyed. Such episodes are common enough in the history of that internecine struggle for existence between the Italian municipalities, which preceded the more famous strife of Guelfs and Ghibellines. Stretched upon the smooth turf of the Castello, we bade adieu to the divine landscape bathed in light and mountain air--to Thrasymene and Chiusi and Cetona; to Amiata, Pienza, and S. Quirico; to Montalcino and the mountains of Volterra; to Siena and Cortona; and, closer to Monte Fallonica, Madonna di Biagio, the house-roofs and the Palazzo tower of Montepulciano.
FOOTNOTES:
[A] From Leigh Hunt's Translation.
SPRING WANDERINGS.
ANA-CAPRI.
The storm-clouds at this season, though it is the bloom of May, are daily piled in sulky or menacing masses over Vesuvius and the Abruzzi, frothing out their curls of moulded mist across the bay, and climbing the heavens with toppling castle towers and domes of alabaster.
We made the most of a tranquil afternoon, where there was an armistice of storm, to climb the bluff of Mount Solaro. A ruined fort caps that limestone bulwark; and there we lay together, drinking the influences of sea, sun, and wind. Immeasurably deep beneath us plunged the precipices, deep, deep descending to a bay where fisher boats were rocking, diminished to a scale that made the fishermen in them invisible. Low down above the waters wheeled white gulls, and higher up the hawks and ospreys of the cliff sailed out of sunlight into shadow. Immitigable strength is in the moulding of this limestone, and sharp, clear definiteness marks yon clothing of scant brushwood where the fearless goats are browsing. The sublime of sculpturesque in crag structure is here, refined and modulated by the sweetness of sea distances. For the air came pure and yielding to us over the unfooted sea; and at the basement of those fortress-cliffs the sea was dreaming in its caves; and far away, to east and south and west, soft light was blent with mist upon the surface of the shimmering waters.
The distinction between prospects viewed from a mountain overlooking a great plain, or viewed from heights that, like this, dominate the sea, principally lies in this: that while the former only offer cloud shadows cast upon the fields below our feet, in the latter these shadows are diversified with cloud reflections. This gives superiority in qualities of colour, variety of tone, and luminous effect to the sea, compensating in some measure for the lack of those associations which render the outlook over a wide extent of populated land so thrilling. The emergence of towered cities into sunlight at the skirts of moving shadows, the liquid lapse of rivers half disclosed by windings among woods, the upturned mirrors of unruffled lakes, are wanting to the sea. For such episodes the white sails of vessels, with all their wistfulness of going to and fro on the mysterious deep, are but a poor exchange. Yet the sea-lover may justify his preference by appealing to the beauty of empurpled shadows, toned by amethyst or opal or shining with violet light, reflected from the clouds that cross and find in those dark shields a mirror. There are suggestions, too, of immensity, of liberty, of action, presented by the boundless horizons and the changeful changeless tracts of ocean which no plain possesses.
It was nigh upon sunset when we descended to Ana-Capri. That evening the clouds assembled suddenly. The armistice of storm was broken. They were terribly blue, and the sea grew dark as steel beneath them, till the moment when the sun's lip reached the last edge of the waters. Then a courier of rosy flame sent forth from him passed swift across the gulf, touching, where it trod, the waves with accidental fire. The messenger reached Naples; and in a moment, as by some diabolical illumination, the sinful city kindled into light like glowing charcoal. From Posilippo on the left, along the palaces of the Chiaja, up to S. Elmo on the hill, past Santa Lucia, down on the Marinella, beyond Portici, beyond Torre del Greco, where Vesuvius towered up aloof, an angry mount of amethystine gloom, the conflagration spread and reached Pompeii, and dwelt on Torre dell'Annunziata. Stationary, lurid, it smouldered while the day died slowly. The long, densely populated sea-line from Pozzuoli to Castellammare burned and smoked with intensest incandescence, sending a glare of fiery mist against the threatening blue behind, and fringing with pomegranate-coloured blots the water where no light now lingered. It is difficult to bend words to the use required. The scene in spite of natural suavity and grace, had become like Dante's first glimpse of the City of Dis--like Sodom and Gomorrah when fire from heaven descended on their towers before they crumbled into dust.
FROM CAPRI TO ISCHIA.
After this, for several days, Libeccio blew harder. No boats could leave or come to Capri. From the piazza parapet we saw the wind scooping the surface of the waves, and flinging spray-fleeces in sheets upon the churning water. As they broke on Cape Campanella, the rollers climbed in foam--how many feet?--and blotted out the olive trees above the headland. The sky was always dark with hanging clouds and masses of low-lying vapour, very moist, but scarcely raining--lightning without thunder in the night.
Such weather is unexpected in the middle month of May, especially when the olives are blackened by December storms, and the orange-trees despoiled of foliage, and the tendrils of the vines yellow with cold. The walnut-trees have shown no sign of making leaves. Only the figs seem to have suffered little.
It had been settled that we should start upon the first seafaring dawn for Ischia or Sorrento, according as the wind might set; and I was glad when, early one morning, the captain of the _Serena_ announced a moderate sirocco. When we reached the little quay we found the surf of the libeccio still rolling heavily into the gulf. A gusty south-easter crossed it, tearing spray-crests from the swell as it went plunging onward. The sea was rough enough; but we made fast sailing, our captain steering with a skill which it was beautiful to watch, his five oarsmen picturesquely grouped beneath the straining sail. The sea slapped and broke from time to time on our windward quarter, drenching the boat with brine; and now and then her gunwale scooped into the shoulder of a wave as she shot sidling up it. Meanwhile enormous masses of leaden-coloured clouds formed above our heads and on the sea-line; but these were always shifting in the strife of winds, and the sun shone through them petulantly. As we climbed the rollers, or sank into their trough, the outline of the bay appeared in glimpses, shyly revealed, suddenly withdrawn from sight; the immobility and majesty of mountains contrasted with the weltering waste of water round us--now blue and garish where the sunlight fell, now shrouded in squally rain-storms, and then again sullen beneath a vaporous canopy. Each of these vignettes was photographed for one brief second on the brain, and swallowed by the hurling drift of billows. The painter's art could but ill have rendered that changeful colour in the sea, passing from tawny cloud-reflections and surfaces of glowing violet to bright blue or impenetrable purple flecked with boiling foam, according as a light-illuminated or a shadowed facet of the moving mass was turned to sight.
Half-way across the gulf the sirocco lulled; the sail was lowered, and we had to make the rest of the passage by rowing. Under the lee of Ischia we got into comparatively quiet water; though here the beautiful Italian sea was yellowish green with churned-up sand, like an unripe orange. We passed the castle on its rocky island, with the domed church which has been so often painted in _gouache_ pictures through the last two centuries, and soon after noon we came to Casamicciola.
LA PICCOLA SENTINELLA.
Casamicciola is a village on the north side of the island, in its centre, where the visitors to the mineral baths of Ischia chiefly congregate. One of its old-established inns is called La Piccola Sentinella. The first sight on entrance is an open gallery, with a pink wall on which bloom magnificent cactuses, sprays of thick-clustering scarlet and magenta flowers. This is a rambling house, built in successive stages against a hill, with terraces and verandahs opening on unexpected gardens to the back and front. Beneath its long irregular facade there spreads a wilderness of orange-trees and honeysuckles and roses, verbenas, geraniums and mignonette, snapdragons, gazenias and stocks, exceeding bright and fragrant, with the green slopes of Monte Epomeo for a background and Vesuvius for far distance. There are wonderful bits of detail in this garden. One dark, thick-foliaged olive, I remember, leaning from the tufa over a lizard-haunted wall, feathered waist-high in huge acanthus-leaves. The whole rich orchard ground of Casamicciola is dominated by Monte Epomeo, the extinct volcano which may be called the _raison d'etre_ of Ischia; for this island is nothing but a mountain lifted by the energy of fire from the sea-basement. Its fantastic peaks and ridges, sulphur-coloured, dusty grey, and tawny, with brushwood in young leaf upon the cloven flanks, form a singular pendant to the austere but more artistically modelled limestone crags of Capri. Not two islands that I know, within so short a space of sea, offer two pictures so different in style and quality of loveliness. The inhabitants are equally distinct in type. Here, in spite of what De Musset wrote somewhat affectedly about the peasant girls--
Ischia! c'est la qu'on a des yeux, C'est la qu'un corsage amoureux Serre la hanche. Sur un bas rouge bien tire Brille, sous le jupon dore, La mule blanche--
in spite of these lines I did not find the Ischia women eminent, as those of Capri are, for beauty. But the young men have fine, loose, faun-like figures, and faces that would be strikingly handsome but for too long and prominent noses. They are a singular race, graceful in movement.
Evening is divine in Ischia. From the topmost garden terrace of the inn one looks across the sea toward Terracina, Gaeta, and those descending mountain buttresses, the Phlegraean plains and the distant snows of the Abruzzi. Rain-washed and luminous, the sunset sky held Hesper trembling in a solid green of beryl. Fireflies flashed among the orange blossoms. Far away in the obscurity of eastern twilight glared the smouldering cone of Vesuvius--a crimson blot upon the darkness--a Cyclop's eye, bloodshot and menacing.
The company in the Piccola Sentinella, young and old, were decrepit, with an odd, rheumatic, shrivelled look upon them. The dining-room reminded me, as certain rooms are apt to do, of a ship's saloon. I felt as though I had got into the cabin of the _Flying Dutchman_, and that all these people had been sitting there at meat a hundred years, through storm and shine, for ever driving onward over immense waves in an enchanted calm.
ISCHIA AND FORIO.
One morning we drove along the shore, up hill, and down, by the Porto d'Ischia to the town and castle. This country curiously combines the qualities of Corfu and Catania. The near distance, so richly cultivated, with the large volcanic slopes of Monte Epomeo rising from the sea, is like Catania. Then, across the gulf, are the bold outlines and snowy peaks of the Abruzzi, recalling Albanian ranges. Here, as in Sicily, the old lava is overgrown with prickly pear and red valerian. Mesembrianthemums--I must be pardoned this word; for I cannot omit those fleshy-leaved creepers, with their wealth of gaudy blossoms, shaped like sea anemones, coloured like strawberry and pine-apple cream-ices--mesembrianthemums, then, tumble in torrents from the walls, and large-cupped white convolvuluses curl about the hedges. The Castle Rock, with Capri's refined sky-coloured outline relieving its hard profile on the horizon, is one of those exceedingly picturesque objects just too theatrical to be artistic. It seems ready-made for a back scene in _Masaniello_, and cries out to the chromo-lithographer, "Come and make the most of me!" Yet this morning all things, in sea, earth, and sky, were so delicately tinted and bathed in pearly light that it was difficult to be critical.
In the afternoon we took the other side of the island, driving through Lacca to Forio. One gets right round the bulk of Epomeo, and looks up into a weird region called Le Falange, where white lava streams have poured in two broad irregular torrents among broken precipices. Florio itself is placed at the end of a flat headland, boldly thrust into the sea; and its furthest promontory bears a pilgrimage church, intensely white and glaring.
There is something arbitrary in the memories we make of places casually visited, dependent as they are upon our mood at the moment, or on an accidental interweaving of impressions which the _genius loci_ blends for us. Of Forio two memories abide with me. The one is of a young woman, with very fair hair, in a light blue dress, standing beside an older woman in a garden. There was a flourishing pomegranate-tree above them. The whiteness and the dreamy smile of the young woman seemed strangely out of tune with her strong-toned southern surroundings. I could have fancied her a daughter of some moist north-western isle of Scandinavian seas. My other memory is of a lad, brown, handsome, powerfully-featured, thoughtful, lying curled up in the sun upon a sort of ladder in his house-court, profoundly meditating. He had a book in his hand, and his finger still marked the place where he had read. He looked as though a Columbus or a Campanella might emerge from his earnest, fervent, steadfast adolescence. Driving rapidly along, and leaving Forio in all probability for ever, I kept wondering whether these two lives, discerned as though in vision, would meet--whether she was destined to be his evil genius, whether posterity would hear of him and journey to his birthplace in this world-neglected Forio. Such reveries are futile. Yet who entirely resists them?
MONTE EPOMEO.
About three on the morning which divides the month of May into two equal parts I woke and saw the waning moon right opposite my window, stayed in her descent upon the slope of Epomeo. Soon afterwards Christian called me, and we settled to ascend the mountain. Three horses and a stout black donkey, with their inevitable grooms, were ordered; and we took for guide a lovely faun-like boy, goat-faced, goat-footed, with gentle manners and pliant limbs swaying beneath the breath of impulse. He was called Giuseppe.
The way leads past the mineral baths and then strikes uphill, at first through lanes cut deep in the black lava. The trees met almost overhead. It is like Devonshire, except that one half hopes to see tropical foxgloves with violet bells and downy leaves sprouting among the lush grasses and sweet-scented ferns upon those gloomy, damp, warm walls. After this we skirted a thicket of arbutus, and came upon the long volcanic ridge, with divinest outlook over Procida and Miseno toward Vesuvius. Then once more we had to dive into brown sandstone gullies, extremely steep, where the horses almost burst their girths in scrambling, and the grooms screamed, exasperating their confusion with encouragement and curses. Straight or bending like a willow wand, Giuseppe kept in front. I could have imagined he had stepped to life from one of Lionardo's fancy-sprighted studies.
After this fashion we gained the spine of mountain which composes Ischia--the smooth ascending ridge that grows up from those eastern waves to what was once the apex of fire-vomiting Inarime, and breaks in precipices westward, a ruin of gulfed lava, tortured by the violence of pent Typhoeus. Under a vast umbrella pine we dismounted, rested, and saw Capri. Now the road skirts slanting-wise along the further flank of Epomeo, rising by muddy earth-heaps and sandstone hollows to the quaint pinnacles which build the summit. There is no inconsiderable peril in riding over this broken ground; for the soil crumbles away, and the ravines open downward, treacherously masked with brushwood.
On Epomeo's topmost cone a chapel dedicated to S. Niccolo da Bari, the Italian patron of seamen, has been hollowed from the rock. Attached to it is the dwelling of two hermits, subterranean, with long dark corridors and windows opening on the western seas. Church and hermitage alike are scooped, with slight expenditure of mason's skill, from solid mountain. The windows are but loopholes, leaning from which the town of Forio is seen, 2500 feet below; and the jagged precipices of the menacing Falange toss their contorted horror forth to sea and sky. Through gallery and grotto we wound in twilight under a monk's guidance, and came at length upon the face of the crags above Casamicciola. A few steps upward, cut like a ladder in the stone, brought us to the topmost peak--a slender spire of soft, yellowish tufa. It reminded me (with differences) of the way one climbs the spire at Strasburg, and stands upon that temple's final crocket, with nothing but a lightning conductor to steady swimming senses. Different indeed are the views unrolled beneath the peak of Epomeo and the pinnacle of Strasburg! Vesuvius, with the broken lines of Procida, Miseno, and Lago Fusaro for foreground; the sculpturesque beauty of Capri, buttressed in everlasting calm upon the waves; the Phlegraean plains and champaign of Volturno, stretching between smooth seas and shadowy hills; the mighty sweep of Naples' bay; all merged in blue; aerial, translucent, exquisitely frail. In this ethereal fabric of azure the most real of realities, the most solid of substances, seem films upon a crystal sphere.
The hermit produced some flasks of amber-coloured wine from his stores in the grotto. These we drank, lying full-length upon the tufa in the morning sunlight. The panorama of sea, sky, and long-drawn lines of coast, breathless, without a ripple or a taint of cloud, spread far and wide around us. Our horses and donkey cropped what little grass, blent with bitter herbage, grew on that barren summit. Their grooms helped us out with the hermit's wine, and turned to sleep face downward. The whole scene was very quiet, islanded in immeasurable air. Then we asked the boy, Giuseppe, whether he could guide us on foot down the cliffs of Monte Epomeo to Casamicciola. This he was willing and able to do; for he told me that he had spent many months each year upon the hill-side, tending goats. When rough weather came, he wrapped himself in a blanket from the snow that falls and melts upon the ledges. In summer time he basked the whole day long, and slept the calm ambrosial nights away. Something of this free life was in the burning eyes, long clustering dark hair, and smooth brown bosom of the faun-like creature. His graceful body had the brusque, unerring movement of the goats he shepherded. Human thought and emotion seemed a-slumber in this youth who had grown one with nature. As I watched his careless incarnate loveliness I remembered lines from an old Italian poem of romance, describing a dweller of the forest, who
Haunteth the woodland aye 'neath verdurous shade, Eateth wild fruit, drinketh of running stream; And such-like is his nature, as 'tis said, That ever weepeth he when clear skies gleam, Seeing of storms and rain he then hath dread, And feareth lest the sun's heat fail for him; But when on high hurl winds and clouds together, Full glad is he and waiteth for fair weather.