Part 3

The senses report the new fact or change; the mind discovers some essential copula binding this fact or change to a class of facts or changes, and enjoys the discovery as if coming to its own again. A perception is always a generalization. It lifts the object, whether in material or moral nature, into a type. The animal, the low degrees of intellect, know only individuals. The philosopher knows only laws. That is, he considers a purely mental fact, part of the soul itself. We say with Kenelm Digby, “All things that she knoweth are herself, and she is all that she knoweth.” Insight assimilates the thing seen. Is it only another way of affirming and illustrating this to say that it sees nothing alone, but sees each particular object in just connections,—sees all in God? In all healthy souls is an inborn necessity of presupposing for each particular fact a prior Being which compels it to a harmony with all other natures. The game of Intellect is the perception that whatever befalls or can be stated is a universal proposition; and contrariwise, that every general statement is poetical again by being particularized or impersonated.

A single thought has no limit to its value; a thought, properly speaking,—that is a truth held not from any man’s saying so, or any accidental benefit or recommendation it has in our trade or circumstance, but because we have perceived it is a fact in the nature of things, and in all times and places will and must be the same thing,—is of inestimable value. Every new impression on the mind is not to be derided, but is to be accounted for, and, until accounted for, registered as an indisputable addition to our catalogue of natural facts.

The first fact is the fate in every mental perception,—that my seeing this or that, and that I see it so or so, is as much a fact in the natural history of the world as is the freezing of water at thirty-two degrees of Fahrenheit. My percipiency affirms the presence and perfection of law, as much as all the martyrs. A perception, it is of a necessity older than the sun and moon, and the Father of the Gods. It is there with all its destinies. It is its nature to rush to expression, to rush to embody itself. It is impatient to put on its sandals and be gone on its errand, which is to lead to a larger perception, and so to new action. For thought exists to be expressed. That which cannot externize itself is not thought.

Do not trifle with your perceptions, or hold them cheap. They are your door to the seven heavens, and if you pass it by you will miss your way. Say, what impresses me ought to impress me. I am bewildered by the immense variety of attractions and cannot take a step; but this one thread, fine as gossamer, is yet real; and I hear a whisper, which I dare trust, that it is the thread on which the earth and the heaven of heavens are strung.

The universe is traversed by paths or bridges or stepping-stones across the gulfs of space in every direction. To every soul that is created is its path, invisible to all but itself. Each soul, therefore, walking in its own path walks firmly; and to the astonishment of all other souls, who see not its path, it goes as softly and playfully on its way as if, instead of being a line, narrow as the edge of a sword, over terrific pits right and left, it were a wide prairie.

Genius is a delicate sensibility to the laws of the world, adding the power to express them again in some new form. The highest measure of poetic power is such insight and faculty to fuse the circumstances of to-day as shall make transparent the whole web of circumstance and opinion in which the man finds himself, so that he releases himself from the traditions in which he grew,—no longer looks back to Hebrew or Greek or English use or tradition in religion, laws, or life, but sees so truly the omnipresence of eternal cause that he can convert the daily and hourly event of New York, of Boston, into universal symbols. I owe to genius always the same debt, of lifting the curtain from the common and showing me that gods are sitting disguised in every company.

The conduct of Intellect must respect nothing so much as preserving the sensibility. My measure for all subjects of science as of events is their impression on the soul. That mind is best which is most impressionable. There are times when the cawing of a crow, a weed, a snow-flake, a boy’s willow whistle, or a farmer planting in his field is more suggestive to the mind than the Yosemite gorge or the Vatican would be in another hour. In like mood an old verse, or certain words, gleam with rare significance.

But sensibility does not exhaust our idea of it. That is only half. Genius is not a lazy angel contemplating itself and things. It is insatiable for expression. Thought must take the stupendous step of passing into realization. A master can formulate his thought. Our thoughts at first possess us. Later, if we have good heads, we come to possess them. We believe that certain persons add to the common vision a certain degree of control over these states of mind; that the true scholar is one who has the power to stand beside his thoughts or to hold off his thoughts at arm’s length and give them perspective.

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It is not to be concealed that the gods have guarded this privilege with costly penalty. This slight discontinuity which perception effects between the mind and the object paralyzes the will. If you cut or break in two a block or stone and press the two parts closely together, you can indeed bring the particles very near, but never again so near that they shall attract each other so that you can take up the block as one. That indescribably small interval is as good as a thousand miles, and has forever severed the practical unity. Such is the immense deduction from power by discontinuity.

The intellect that sees the interval partakes of it, and the fact of intellectual perception severs once for all the man from the things with which he converses. Affection blends, intellect disjoins subject and object. For weal or woe we clear ourselves from the thing we contemplate. We grieve but are not the grief; we love but are not love. If we converse with low things, with crimes, with mischances, we are not compromised. And if with high things, with heroic actions, with virtues, the interval becomes a gulf and we cannot enter into the highest good. Artist natures do not weep. Goethe, the surpassing intellect of modern times, apprehends the spiritual but is not spiritual.

There is indeed this vice about men of thought, that you cannot quite trust them; not as much as other men of the same natural probity, without intellect; because they have a hankering to play Providence and make a distinction in favor of themselves from the rules they apply to the human race.

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The primary rule for the conduct of Intellect is to have control of the thoughts without losing their natural attitudes and action. They are the oracle; we are not to poke and drill and force, but to follow them. Yet the spirits of the prophets are subject to the prophets. You must formulate your thought or ’tis all sky and no stars. There are men of great apprehension, discursive minds, who easily entertain ideas, but are not exact, severe with themselves, cannot connect or arrange their thoughts so as effectively to report them. A blending of these two—the intellectual perception of truth and the moral sentiment of right—is wisdom. All thought is practical. Wishing is one thing; will another. Wishing is castle-building; the dreaming about things agreeable to the senses, but to which we have no right. Will is the advance to that which rightly belongs to us, to which the inward magnet ever points, and which we dare to make ours. The revelation of thought takes us out of servitude into freedom. So does the sense of right.

Will is the measure of power. To a great genius there must be a great will. If the thought is not a lamp to the will, does not proceed to an act, the wise are imbecile. He alone is strong and happy who has a will. The rest are herds. He uses; they are used. He is of the Maker; they are of the Made.

Will is always miraculous, being the presence of God to men. When it appears in a man he is a hero, and all metaphysics are at fault. Heaven is the exercise of the faculties, the added sense of power.

All men know the truth, but what of that? It is rare to find one who knows how to speak it. A man tries to speak it and his voice is like the hiss of a snake, or rude and chiding. The truth is not spoken but injured. The same thing happens in power to do the right. His rectitude is ridiculous. His organs do not play him true.

There is a meter which determines the constructive power of man,—this, namely, the question whether the mind possesses the control of its thoughts, or they of it. The new sect stands for certain thoughts. We go to individual members for an exposition of them. Vain expectation. They are possessed by the ideas but do not possess them. One meets contemplative men who dwell in a certain feeling and delight which are intellectual but wholly above their expression. They cannot formulate. They impress those who know them by their loyalty to the truth they worship but cannot impart. Sometimes the patience and love are rewarded by the chamber of power being at last opened; but sometimes they pass away dumb, to find it where all obstruction is removed.

By and by comes a facility; some one that can move the mountain and build of it a causeway through the Dismal Swamp, as easily as he carries the hair on his head. Talent is habitual facility of execution. We like people who can do things. The various talents are organic, or each related to that part of nature it is to explore and utilize. Somewhat is to come to the light, and one was created to fetch it,—a vessel of honor or of dishonor. ’Tis of instant use in the economy of the Cosmos, and the more armed and biassed for the work the better.

Each of these talents is born to be unfolded and set at work for the use and delight of men, and, in the last result, the man with the talent is the need of mankind; the whole ponderous machinery of the state has really for its aim just to place this skill of each.

But idea and execution are not often entrusted to the same head. There is some incompatibility of good speculation and practice, for example, the failure of monasteries and Brook Farms. To hammer out phalanxes must be done by smiths; as soon as the scholar attempts it he is half a charlatan.

The grasp is the main thing. Most men’s minds do not grasp anything. All slips through their fingers, like the paltry brass grooves that in most country houses are used to raise or drop the curtain, but are made to sell, and will not hold any curtain but cobwebs. I have heard that idiot children are known from their birth by the circumstance that their hands do not close round anything. Webster naturally and always grasps, and therefore retains something from every company and circumstance.

As a talent Dante’s imagination is the nearest to hands and feet that we have seen. He clasps the thought as if it were a tree or a stone, and describes as mathematically. I once found Page the painter modelling his figures in clay, Ruth and Naomi, before he painted them on canvas. Dante, one would say, did the same thing before he wrote the verses.

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I have spoken of Intellect constructive. But it is in degrees. How it moves when its pace is accelerated! The pace of Nature is so slow. Why not from strength to strength, from miracle to miracle, and not as now with this retardation—as if Nature had sprained her foot—and plenteous stopping at little stations?

The difference is obvious enough in Talent between the speed of one man’s action above another’s. In debate, in legislature, not less in action; in war or in affairs, alike daring and effective. But I speak of it in quite another sense, namely, in the habitual speed of combination of thought.

The same functions which are perfect in our quadrupeds are seen slower performed in palæontology. Many races it cost them to achieve the completion that is now in the life of one. Life had not yet so fierce a glow.

Shakespeare astonishes by his equality in every play, act, scene or line. One would say he must have been a thousand years old when he wrote his first line, so thoroughly is his thought familiar to him, and has such scope and so solidly worded, as if it were already a proverb and not hereafter to become one. Well, that millennium in effect is really only a little acceleration in his process of thought.

But each power is commonly at the expense of some other. When pace is increased it will happen that the control is in a degree lost. Reason does not keep her firm seat. The Delphian prophetess, when the spirit possesses her, is herself a victim. The excess of individualism, when it is not corrected or subordinated to the Supreme Reason, makes that vice which we stigmatize as monotones, men of one idea, or, as the French say, _enfant perdu d’une conviction isolée_, which give such a comic tinge to all society. Every man has his theory, true, but ridiculously overstated. We are forced to treat a great part of mankind as if they were a little deranged. We detect their mania and humor it, so that conversation soon becomes a tiresome effort.

You laugh at the monotones, at the men of one idea, but if we look nearly at heroes we may find the same poverty; and perhaps it is not poverty, but power. The secret of power, intellectual or physical, is concentration, and all concentration involves of necessity a certain narrowness. It is a law of nature that he who looks at one thing must turn his eyes from every other thing in the universe. The horse goes better with blinders, and the man for dedication to his task. If you ask what compensation is made for the inevitable narrowness, why, this, that in learning one thing well you learn all things.

Immense is the patience of Nature. You say thought is a penurious rill. Well, we can wait. Nature is immortal, and can wait. Nature having for capital this rill, drop by drop, as it trickles from the rock of ages,—this rill and her patience,—she husbands and hives, she forms reservoirs, were it only a phial or a hair-tube that will hold as it were a drop of attar. Not having enough to support all the powers of a race, she thins her stock and raises a few individuals, or only a pair. Not sufficing to feed all the faculties synchronously, she feeds one faculty and starves all the rest. I am familiar with cases, we meet them daily, wherein the vital force being insufficient for the constitution, everything is neglected that can be spared; some one power fed, all the rest pine. ’Tis like a withered hand or leg on a Hercules. It makes inconvenience in society, for we presume symmetry, and because they know one thing we defer to them in another, and find them really contemptible. We can’t make half a bow and say, I honor and despise you. But Nature can; she whistles with all her winds, and does as she pleases.

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It is much to write sentences; it is more to add method and write out the spirit of your life symmetrically. But to arrange general reflections in their natural order, so that I shall have one homogeneous piece,—a Lycidas, an Allegro, a Hamlet, a Midsummer Night’s Dream,—this continuity is for the great. The wonderful men are wonderful hereby. Such concentration of experiences is in every great work, which, though successive in the mind of the master, were primarily combined in his piece.

But what we want is consecutiveness. ’Tis with us a flash of light, then a long darkness, then a flash again. Ah! could we turn these fugitive sparkles into an astronomy of Copernican worlds.

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I must think this keen sympathy, this thrill of awe with which we watch the performance of genius, a sign of our own readiness to exert the like power. I must think we are entitled to powers far transcending any that we possess; that we have in the race the sketch of a man which no individual comes up to.

Every sincere man is right, or, to make him right, only needs a little larger dose of his own personality. Excellent in his own way by means of not apprehending the gift of another. When he speaks out of another’s mind, we detect it. He can’t make any paint stick but his own. No man passes for that with another which he passes for with himself. The respect and the censure of his brother are alike injurious and irrelevant. We see ourselves; we lack organs to see others, and only squint at them.

Don’t fear to push these individualities to their farthest divergence. Characters and talents are complemental and suppletory. The world stands by balanced antagonisms. The more the peculiarities are pressed the better the result. The air would rot without lightning; and without the violence of direction that men have, without bigots, without men of fixed idea, no excitement, no efficiency.

The novelist should not make any character act absurdly, but only absurdly as seen by others. For it is so in life. Nonsense will not keep its unreason if you come into the humorist’s point of view, but unhappily we find it is fast becoming sense, and we must flee again into the distance if we would laugh.

What strength belongs to every plant and animal in nature. The tree or the brook has no duplicity, no pretentiousness, no show. It is, with all its might and main, what it is, and makes one and the same impression and effect at all times. All the thoughts of a turtle are turtles, and of a rabbit, rabbits. But a man is broken and dissipated by the giddiness of his will; he does not throw himself into his judgments; his genius leads him one way but ’tis likely his trade or politics in quite another. He rows with one hand and with the other backs water, and does not give to any manner of life the strength of his constitution. Hence the perpetual loss of power and waste of human life.

The natural remedy against this miscellany of knowledge and aim, this desultory universality of ours, this immense ground-juniper falling abroad and not gathered up into any columnar tree, is to substitute realism for sentimentalism; a certain recognition of the simple and terrible laws which, seen or unseen, pervade and govern.

You will say this is quite axiomatic and a little too true. I do not find it an agreed point. Literary men for the most part have a settled despair as to the realization of ideas in their own time. There is in all students a distrust of truth, a timidity about affirming it; a wish to patronize Providence.

We disown our debt to moral evil. To science there is no poison; to botany no weed; to chemistry no dirt. The curses of malignity and despair are important criticism, which must be heeded until he can explain and rightly silence them.

“_Croyez moi, l’erreur aussi a son mérite_,” said Voltaire. We see those who surmount by dint of egotism or infatuation obstacles from which the prudent recoil. The right partisan is a heady man, who, because he does not see many things, sees some one thing with heat and exaggeration; and if he falls among other narrow men, or objects which have a brief importance, prefers it to the universe, and seems inspired and a godsend to those who wish to magnify the matter and carry a point. ’Tis the difference between progress by railroad and by walking across the broken country. Immense speed, but only in one direction.

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There are two theories of life; one for the demonstration of our talent, the other for the education of the man. One is activity, the busy-body, the following of that practical talent which we have, in the belief that what is so natural, easy and pleasant to us and desirable to others will surely lead us out safely; in this direction lie usefulness, comfort, society, low power of all sorts. The other is trust, religion, consent to be nothing for eternity, entranced waiting, the worship of ideas. This is solitary, grand, secular. They are in perpetual balance and strife. One is talent, the other genius. One is skill, the other character.

We are continually tempted to sacrifice genius to talent, the hope and promise of insight to the lust of a freer demonstration of those gifts we have; and we buy this freedom to glitter by the loss of general health.

It is the levity of this country to forgive everything to talent. If a man show cleverness, rhetorical skill, bold front in the forum or the senate, people clap their hands without asking more. We have a juvenile love of smartness, of showy speech. We like faculty that can rapidly be coined into money, and society seems to be in conspiracy to utilize every gift prematurely, and pull down genius to lucrative talent. Every kind of meanness and mischief is forgiven to intellect. All is condoned if I can write a good song or novel.

Wide is the gulf between genius and talent. The men we know, poets, wits, writers, deal with their thoughts as jewellers with jewels, which they sell but must not wear. Like the carpenter, who gives up the key of the fine house he has built, and never enters it again.

There is a conflict between a man’s private dexterity or talent and his access to the free air and light which wisdom is; between wisdom and the habit and necessity of repeating itself which belongs to every mind. Peter is the mould into which everything is poured like warm wax, and be it astronomy or railroads or French revolution or theology or botany, it comes out Peter. But there are quick limits to our interest in the personality of people. They are as much alike as their barns and pantries, and are as soon musty and dreary. They entertain us for a time, but at the second or third encounter we have nothing more to learn.

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The daily history of the Intellect is this alternating of expansions and concentrations. The expansions are the invitations from heaven to try a larger sweep, a higher pitch than we have yet climbed, and to leave all our past for this enlarged scope. Present power, on the other hand, requires concentration on the moment and the thing to be done.

The condition of sanity is to respect the order of the intellectual world; to keep down talent in its place, to enthrone the instinct. There must be perpetual rallying and self-recovery. Each talent is ambitious and self-asserting; it works for show and for the shop, and the greater it grows the more is the mischief and the misleading, so that presently all is wrong.

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No wonder the children love masks and costumes, and play horse, play soldier, play school, play bear, and delight in theatricals. The children have only the instinct of the universe, in which becoming somewhat else is the perpetual game of nature, and death the penalty of standing still. ’Tis not less in thought. I cannot conceive any good in a thought which confines and stagnates. The universe exists only in transit, or we behold it shooting the gulf from the past to the future. We are passing into new heavens in fact by the movement of our solar system, and in thought by our better knowledge. Transition is the attitude of power. A fact is only a fulcrum of the spirit. It is the terminus of a past thought, but only a means now to new sallies of the imagination and new progress of wisdom. The habit of saliency, of not pausing but proceeding, is a sort of importation and domestication of the divine effort into a man. Routine, the rut, is the path of indolence, of cows, of sluggish animal life; as near gravitation as it can go. But wit sees the short way, puts together what belongs together, custom or no custom; in that is organization.