Chapter 34
AT SLEEPY CAT
Nothing in nature, not even the storm itself, is so cruel as the beauty of the after calm. In the radiance of the sunshine next day de Spain, delirious and muttering, was taken to the hospital at Sleepy Cat. In an adjoining room lay Nan, moaning reproaches at those who were torturing her reluctantly back to life. Day and night the doctors worked over the three. The town, the division, the stagemen, and the mountain-men watched the outcome of the struggle. From as far as Medicine Bend railroad surgeons came to aid in the fight.
De Spain cost the most acute anxiety. The crux of the battle, after the three lives were held safe, centred on the effort to save de Spain's arm--the one he had chosen to lose, if he must lose one, when he strapped it to the whiffletree. The day the surgeons agreed that if his life were to be saved the arm must come off at the shoulder a gloom fell on the community.
In a lifetime of years there can come to the greater part of us but a few days, a few hours, sometimes no more than a single moment, to show of what stuff we are really made. Such a crisis came that day to Nan. Already she had been wheeled more than once into de Spain's room, to sit where she could help to woo him back to life. The chief surgeon, in the morning, told Nan of the decision. In her hospital bed she rose bolt upright. "No!" she declared solemnly. "You shan't take his arm off!"
The surgeon met her rebellion tactfully. But he told Nan, at last, that de Spain must lose either his arm or his life. "No," she repeated without hesitation and without blanching, "you shan't take off his arm. He shan't lose his life."
The blood surged into her cheeks--better blood and redder than the doctors had been able to bring there--such blood as de Spain alone could call into them. Nan, with her nurse's help, dressed, joined de Spain, and talked long and earnestly. The doctors, too, laid the situation before him. When they asked him for his decision, he nodded toward Nan. "She will tell you, gentlemen, what we'll do."
And Nan did tell them what the two who had most at stake in the decision would do. Any man could have done as much as that. But Nan did more. She set herself out to save the arm and patient both, and, lest the doctors should change their tactics and move together on the arm surreptitiously, Nan stayed night and day with de Spain, until he was able to make such active use of either arm as to convince her that he, and not the surgeons, would soon need the most watching.
Afterward when Nan, in some doubt, asked the chaplain whether she was married or single, he obligingly offered to ratify and confirm the desert ceremony.
This affair was the occasion for an extraordinary round-up at Sleepy Cat. Two long-hostile elements--the stage and railroad men and the Calabasas-Morgan Gap contingent of mountain-men, for once at least, fraternized. Warrants were pigeonholed, suspicion suspended, side-arms neglected in their scabbards. The fighting men of both camps, in the presence of a ceremony that united de Spain and Nan Morgan, could not but feel a generous elation. Each party considered that it was contributing to the festivity in the bride and the groom the very best each could boast, and no false note disturbed the harmony of the notable day.
Gale Morgan, having given up the fight, had left the country. Satterlee Morgan danced till all the platforms in town gave way. John Lefever attended the groom, and Duke Morgan sternly, but without compunction, gave the bride. From Medicine Bend, Farrell Kennedy brought a notable company of de Spain's early associates for the event. It included Whispering Smith, whose visit to Sleepy Cat on this occasion was the first in years; George McCloud, who had come all the way from Omaha to join his early comrades in arms; Wickwire, who had lost none of his taciturn bluntness--and so many train-despatchers that the service on the division was crippled for the entire day.
A great company of self-appointed retainers gathered together from over all the country, rode behind the gayly decorated bridal-coach in procession from the church to Jeffries's house, where the feasts had been prepared. During the reception a modest man, dragged from an obscure corner among the guests, was made to take his place next Lefever on the receiving-line. It was Bob Scott, and he looked most uncomfortable until he found a chance to slip unobserved back to the side of the room where the distinguished Medicine Bend contingent, together with McAlpin, Pardaloe, Elpaso, and Bull Page, slightly unsteady, but extremely serious for the grave occasion, appeared vastly uncomfortable together.
* * * * *
The railroad has not yet been built across the Sinks to Thief River. But only those who lived in Sleepy Cat in its really wild stage days are entitled to call themselves early settlers, or to tell stories more or less authentic about what then happened. The greater number of the Old Guard of that day, as cankering peace gradually reasserted itself along the Sinks, turned from the stage coach to the railroad coach; some of them may yet be met on the trains in the mountain country. Wherever you happen to find such a one, he will tell you of the days when Superintendent de Spain of the Western Division wore a gun in the mountains and used it, when necessary, on his wife's relations.
Whether it was this stern sense of discipline or not that endeared him to the men, these old-timers are, to a man, very loyal to the young couple who united in their marriage the two hostile mountain elements. One in especial, a white-haired old man, described by the fanciful as a retired outlaw, living yet on Nan's ranch in the Gap, always spends his time in town at the de Spain home, where he takes great interest in an active little boy, Morgan de Spain, who waits for his Uncle Duke's coming, and digs into his pockets for rattles captured along the trail from recent huge rattlesnakes. When his uncle happens to kill a big one--one with twelve or thirteen rings and a button--Morgan uses it to scare his younger sister, Nan. And Duke, secretly rejoicing at his bravado, but scolding sharply, helps him adjust the old ammunition-belt dragged from the attic, and cuts fresh gashes in it to make it fit the childish waist. His mother doesn't like to see her son in warlike equipment, ambushing little Nan in the way Bob Scott says the Indians used to do. She threatens periodically to burn the belt up and throw the old rifles out of the house. But when she sees her uncle and her husband watching the boy and laughing at the parade together, she relents. It is only children, after all, that keep the world young.
NOVELS OF FRONTIER LIFE BY
WILLIAM MacLEOD RAINE
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MAVERICKS.
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A TEXAS RANGER.
How a member of the most dauntless border police force carried law into the mesquit, saved the life of an innocent man after a series of thrilling adventures, followed a fugitive to Wyoming, and then passed through deadly peril to ultimate happiness.
WYOMING.
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RIDGWAY OF MONTANA.
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BUCKY O'CONNOR.
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CROOKED TRAILS AND STRAIGHT.
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THE LIGHT OF WESTERN STARS
Colored frontispiece by W. Herbert Dunton.
Most of the action of this story takes place near the turbulent Mexican border of the present day. A New York society girl buys a ranch which becomes the center of frontier warfare. Her loyal cowboys defend her property from bandits, and her superintendent rescues her when she is captured by them. A surprising climax brings the story to a delightful close.
DESERT GOLD
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Another fascinating story of the Mexican border. Two men, lost in the desert, discover gold when, overcome by weakness, they can go no farther. The rest of the story describes the recent uprising along the border, and ends with the finding of the gold which the two prospectors had willed to the girl who is the story's heroine.
RIDERS OF THE PURPLE SAGE
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A picturesque romance of Utah of some forty years ago when Mormon authority ruled. In the persecution of Jane Withersteen, a rich ranch owner, we are permitted to see the methods employed by the invisible hand of the Mormon Church to break her will.
THE LAST OF THE PLAINSMEN
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This is the record of a trip which the author took with Buffalo Jones, known as the preserver of the American bison, across the Arizona desert and of a hunt in "that wonderful country of yellow crags, deep canons and giant pines." It is a fascinating story.
THE HERITAGE OF THE DESERT
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This big human drama is played in the Painted Desert. A lovely girl, who has been reared among Mormons, learns to love a young New Englander. The Mormon religion, however, demands that the girl shall become the second wife of one of the Mormons--
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BETTY ZANE
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THE VALLEY OF THE MOON. Frontispiece by George Harper.
The story opens in the city slums where Billy Roberts, teamster and ex-prize fighter, and Saxon Brown, laundry worker, meet and love and marry. They tramp from one end of California to the other, and in the Valley of the Moon find the farm paradise that is to be their salvation.
BURNING DAYLIGHT. Four illustrations.
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A SON OF THE SUN. Illustrated by A. O. Fischer and C. W. Ashley.
David Grief was once a light-haired, blue-eyed youth who came from England to the South Seas in search of adventure. Tanned like a native and as lithe as a tiger, he became a real son of the sun. The life appealed to him and he remained and became very wealthy.
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The Reverend John Hodder is called to a fashionable church in a middle-western city. He knows little of modern problems and in his theology is as orthodox as the rich men who control his church could desire. But the facts of modern life are thrust upon him; an awakening follows and in the end he works out a solution.
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THE CELEBRITY. An episode.
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THE HARVESTER. Illustrated by W. L. Jacobs.
"The Harvester," David Langston, is a man of the woods and fields, who draws his living from the prodigal hand of Mother Nature herself. If the book had nothing in it but the splendid figure of this man it would be notable. But when the Girl comes to his "Medicine Woods," and the Harvester's whole being realizes that this is the highest point of life which has come to him--there begins a romance of the rarest idyllic quality.
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Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms in the great Limberlost Swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with "The Angel" are full of real sentiment.
A GIRL OF THE LIMBERLOST.
Illustrated by Wladyslaw T. Brenda.
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AT THE FOOT OF THE RAINBOW.
Illustrations in colors by Oliver Kemp.
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JOHN FOX, JR'S. STORIES OF THE KENTUCKY MOUNTAINS
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THE TRAIL OF THE LONESOME PINE.
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The "lonesome pine" from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the _foot-prints of a girl_. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than "the trail of the lonesome pine."
THE LITTLE SHEPHERD OF KINGDOM COME
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This is a story of Kentucky, in a settlement known as "Kingdom Come." It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.
"Chad," the "little shepherd" did not know who he was nor whence he came--he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery--a charming waif, by the way, who could play the banjo better that anyone else in the mountains.
A KNIGHT OF THE CUMBERLAND.
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LAVENDER AND OLD LACE.
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A SPINNER IN THE SUN.
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THE MASTER'S VIOLIN.
A love story in a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine "Cremona." He consents to take for his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of an artist. The youth has led the happy, careless life of a modern, well-to-do young American and he cannot, with his meagre past, express the love, the passion and the tragedies of life and all its happy phases as can the master who has lived life in all its fulness. But a girl comes into his life--a beautiful bit of human driftwood that his aunt had taken into her heart and home, and through his passionate love for her, he learns the lessons that life has to give--and his soul awakes.
Founded on a fact that all artists realize.
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WHEN PATTY WENT TO COLLEGE, By Jean Webster.
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JUST PATTY, By Jean Webster.
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THE POOR LITTLE RICH GIRL, By Eleanor Gates.
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This story relates the experience of one of those unfortunate children whose early days are passed in the companionship of a governess, seldom seeing either parent, and famishing for natural love and tenderness. A charming play as dramatized by the author.
REBECCA OF SUNNYBROOK FARM, By Kate Douglas Wiggin.
One of the most beautiful studies of childhood--Rebecca's artistic, unusual and quaintly charming qualities stand out midst a circle of austere New Englanders. The stage version is making a phenomenal dramatic record.
NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin.
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Additional episodes in the girlhood of this delightful heroine that carry Rebecca through various stages to her eighteenth birthday.
REBECCA MARY, By Annie Hamilton Donnell.
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EMMY LOU: Her Book and Heart, By George Madden Martin.
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End of Project Gutenberg's Nan of Music Mountain, by Frank H. Spearman