Chapter 1

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Myth and Romance

Being a Book of verses

By MADISON CAWEIN

G.P. PUTNAM'S SONS

New York and London

The Knickerbocker Press

1899

TO

MY FRIEND

WILLIAM WARWICK THUM

CONTENTS

VISIONS AND VOICES

Myth and Romance

Genius Loci

The Rain-Crow

The Harvest Moon

The Old Water-Mill

Anthem of Dawn

Dithyrambics

Hymn to Desire

Music

Jotunheim

Dionysia

The Last Song

Romaunt of the Oak

Morgan le Fay

The Dream of Roderick

Zyps of Zirl

The Glowworm

Ghosts

The Purple Valleys

The Land of Illusion

Spirit of Dreams

LINES AND LYRICS

To a Wind-Flower

Microcosm

Fortune

Death

The Soul

Conscience

Youth

Life's Seasons

Old Homes

Field and Forest Call

Meeting in Summer

Swinging

Rosemary

Ghost Stories

Dolce far Niente

Words

Reasons

Evasion

In May

Will you Forget?

Clouds of the Autumn Night

The Glory and the Dream

Snow and Fire

Restraint

Why Should I Pine?

When Lydia Smiles

The Rose

A Ballad of Sweethearts

Her Portrait

A Song for Yule

The Puritans' Christmas

Spring

Lines

When Ships put out to Sea

The "Kentucky"

Quatrains

Processional

_PROEM._

_There is no rhyme that is half so sweet As the song of the wind in the rippling wheat; There is no metre that's half so fine As the lilt of the brook under rock and vine; And the loveliest lyric I ever heard Was the wildwood strain of a forest bird.-- If the wind and the brook and the bird would teach My heart their beautiful parts of speech. And the natural art that they say these with, My soul would sing of beauty and myth In a rhyme and a metre that none before Have sung in their love, or dreamed in their lore, And the world would be richer one poet the more._

VISIONS AND VOICES

_Myth and Romance_

I

When I go forth to greet the glad-faced Spring, Just at the time of opening apple-buds, When brooks are laughing, winds are whispering, On babbling hillsides or in warbling woods, There is an unseen presence that eludes:-- Perhaps a Dryad, in whose tresses cling The loamy odors of old solitudes, Who, from her beechen doorway, calls; and leads My soul to follow; now with dimpling words Of leaves; and now with syllables of birds; While here and there--is it her limbs that swing? Or restless sunlight on the moss and weeds?

II

Or, haply, 't is a Naiad now who slips, Like some white lily, from her fountain's glass, While from her dripping hair and breasts and hips, The moisture rains cool music on the grass. Her have I heard and followed, yet, alas! Have seen no more than the wet ray that dips The shivered waters, wrinkling where I pass; But, in the liquid light, where she doth hide, I have beheld the azure of her gaze Smiling; and, where the orbing ripple plays, Among her minnows I have heard her lips, Bubbling, make merry by the waterside.

III

Or now it is an Oread--whose eyes Are constellated dusk--who stands confessed, As naked as a flow'r; her heart's surprise, Like morning's rose, mantling her brow and breast: She, shrinking from my presence, all distressed Stands for a startled moment ere she flies, Her deep hair blowing, up the mountain crest, Wild as a mist that trails along the dawn. And is't her footfalls lure me? or the sound Of airs that stir the crisp leaf on the ground? And is't her body glimmers on yon rise? Or dog-wood blossoms snowing on the lawn?

IV

Now't is a Satyr piping serenades On a slim reed. Now Pan and Faun advance Beneath green-hollowed roofs of forest glades, Their feet gone mad with music: now, perchance, Sylvanus sleeping, on whose leafy trance The Nymphs stand gazing in dim ambuscades Of sun-embodied perfume.--Myth, Romance, Where'er I turn, reach out bewildering arms, Compelling me to follow. Day and night I hear their voices and behold the light Of their divinity that still evades, And still allures me in a thousand forms.

_Genius Loci_

I

What wood-god, on this water's mossy curb, Lost in reflections of earth's loveliness, Did I, just now, unconsciously disturb? I, who haphazard, wandering at a guess, Came on this spot, wherein, with gold and flame Of buds and blooms, the season writes its name.-- Ah, me! could I have seen him ere alarm Of my approach aroused him from his calm! As he, part Hamadryad and, mayhap, Part Faun, lay here; who left the shadow warm As wildwood rose, and filled the air with balm Of his sweet breath as with ethereal sap.

II

Does not the moss retain some vague impress, Green dented in, of where he lay or trod? Do not the flow'rs, so reticent, confess With conscious looks the contact of a god? Does not the very water garrulously Boast the indulgence of a deity? And, hark! in burly beech and sycamore How all the birds proclaim it! and the leaves Rejoice with clappings of their myriad hands! And shall not I believe, too, and adore, With such wide proof?--Yea, though my soul perceives No evident presence, still it understands.

III

And for a while it moves me to lie down Here on the spot his god-head sanctified: Mayhap some dream he dreamed may lingert brown And young as joy, around the forestside; Some dream within whose heart lives no disdain For such as I whose love is sweet and sane; That may repeat, so none but I may hear-- As one might tell a pearl-strung rosary-- Some epic that the trees have learned to croon, Some lyric whispered in the wild-flower's ear, Whose murmurous lines are sung by bird and bee, And all the insects of the night and noon.

IV

For, all around me, upon field and hill, Enchantment lies as of mysterious flutes; As if the music of a god's good-will Had taken on material attributes In blooms, like chords; and in the water-gleam, That runs its silvery scales from stream to stream; In sunbeam bars, up which the butterfly, A golden note, vibrates then flutters on-- Inaudible tunes, blown on the pipes of Pan, That have assumed a visible entity, And drugged the air with beauty so, a Faun, Behold, I seem, and am no more a man.

_The Rain-Crow_

I

Can freckled August,--drowsing warm and blonde Beside a wheat-shock in the white-topped mead, In her hot hair the oxeyed daisies wound,-- O bird of rain, lend aught but sleepy heed To thee? when no plumed weed, no feather'd seed Blows by her; and no ripple breaks the pond, That gleams like flint between its rim of grasses, Through which the dragonfly forever passes Like splintered diamond.

II

Drouth weights the trees, and from the farmhouse eaves The locust, pulse-beat of the summer day, Throbs; and the lane, that shambles under leaves Limp with the heat--a league of rutty way-- Is lost in dust; and sultry scents of hay Breathe from the panting meadows heaped with sheaves-- Now, now, O bird, what hint is there of rain, In thirsty heaven or on burning plain, That thy keen eye perceives?

III

But thou art right. Thou prophesiest true. For hardly hast thou ceased thy forecasting, When, up the western fierceness of scorched blue, Great water-carrier winds their buckets bring Brimming with freshness. How their dippers ring And flash and rumble! lavishing dark dew On corn and forestland, that, streaming wet, Their hilly backs against the downpour set, Like giants vague in view.

IV

The butterfly, safe under leaf and flower, Has found a roof, knowing how true thou art; The bumble-bee, within the last half-hour, Has ceased to hug the honey to its heart; While in the barnyard, under shed and cart, Brood-hens have housed.--But I, who scorned thy power, Barometer of the birds,--like August there,-- Beneath a beech, dripping from foot to hair, Like some drenched truant, cower.

_The Harvest Moon_

I

Globed in Heav'n's tree of azure, golden mellow As some round apple hung High in hesperian boughs, thou hangest yellow The branch-like mists among: Within thy light a sunburnt youth, named Health, Rests 'mid the tasseled shocks, the tawny stubble; And by his side, clad on with rustic wealth Of field and farm, beneath thy amber bubble, A nut-brown maid, Content, sits smiling still: While through the quiet trees, The mossy rocks, the grassy hill, Thy silvery spirit glides to yonder mill, Around whose wheel the breeze And shimmering ripples of the water play, As, by their mother, little children may.

II

Sweet spirit of the moon, who walkest,--lifting Exhaustless on thy arm, A pearly vase of fire,--through the shifting Cloud-halls of calm and storm, Pour down thy blossoms! let me hear them come, Pelting with noiseless light the twinkling thickets, Making the darkness audible with the hum Of many insect creatures, grigs and crickets: Until it seems the elves hold revelries By haunted stream and grove; Or, in the night's deep peace, The young-old presence of Earth's full increase Seems telling thee her love, Ere, lying down, she turns to rest, and smiles, Hearing thy heart beat through the myriad miles.

_The Old Water-Mill_

Wild ridge on ridge the wooded hills arise, Between whose breezy vistas gulfs of skies Pilot great clouds like towering argosies, And hawk and buzzard breast the azure breeze. With many a foaming fall and glimmering reach Of placid murmur, under elm and beech, The creek goes twinkling through long glows and glooms Of woodland quiet, poppied with perfumes: The creek, in whose clear shallows minnow-schools Glitter or dart; and by whose deeper pools The blue kingfishers and the herons haunt; That, often startled from the freckled flaunt Of blackberry-lilies--where they feed and hide-- Trail a lank flight along the forestside With eery clangor. Here a sycamore, Smooth, wave-uprooted, builds from shore to shore A headlong bridge; and there, a storm-hurled oak Lays a long dam, where sand and gravel choke The water's lazy way. Here mistflower blurs Its bit of heaven; there the oxeye stirs Its gloaming hues of bronze and gold; and here, A gray cool stain, like dawn's own atmosphere, The dim wild-carrot lifts its crumpled crest: And over all, at slender flight or rest, The dragon-flies, like coruscating rays Of lapis-lazuli and chrysoprase, Drowsily sparkle through the summer days; And, dewlap-deep, here from the noontide heat The bell-hung cattle find a cool retreat: And through the willows girdling the hill, Now far, now near, borne as the soft winds will, Comes the low rushing of the water-mill. Ah, lovely to me from a little child, How changed the place! wherein once, undefiled, The glad communion of the sky and stream Went with me like a presence and a dream. Where once the brambled meads and orchardlands Poured ripe abundance down with mellow hands Of summer; and the birds of field and wood Called to me in a tongue I understood; And in the tangles of the old rail-fence Even the insect tumult had some sense, And every sound a happy eloquence; And more to me than wisest books can teach, The wind and water said; whose words did reach My soul, addressing their magnificent speech, Raucous and rushing, from the old mill-wheel, That made the rolling mill-cogs snore and reel, Like some old ogre in a fairy-tale Nodding above his meat and mug of ale.

How memory takes me back the ways that lead-- As when a boy--through woodland and through mead! To orchards fruited; or to fields in bloom; Or briary fallows, like a mighty room, Through which the winds swing censers of perfume, And where deep blackberries spread miles of fruit;-- A splendid feast, that stayed the ploughboy's foot When to the tasseling acres of the corn He drove his team, fresh in the primrose morn; And from the liberal banquet, nature lent, Took dewy handfuls as he whistling went.-- A boy once more I stand with sunburnt feet And watch the harvester sweep down the wheat; Or laze with warm limbs in the unstacked straw Nearby the thresher, whose insatiate maw Devours the sheaves, hot drawling out its hum-- Like some great sleepy bee, above a bloom, Made drunk with honey--while, grown big with grain, The bulging sacks receive the golden rain. Again I tread the valley, sweet with hay, And hear the bob-white calling far away, Or wood-dove cooing in the elder-brake; Or see the sassafras bushes madly shake As swift, a rufous instant, in the glen The red-fox leaps and gallops to his den; Or, standing in the violet-colored gloam, Hear roadways sound with holiday riding home From church, or fair, or bounteous barbecue, Which the whole country to some village drew.

How spilled with berries were its summer hills, And strewn with walnuts were its autumn rills-- And chestnut burs! fruit of the spring's long flowers, When from their tops the trees seemed streaming showers Of slender silver, cool, crepuscular, And like a nebulous radiance shone afar. And maples! how their sappy hearts would gush Broad troughs of syrup, when the winter bush Steamed with the sugar-kettle, day and night, And all the snow was streaked with firelight. Then it was glorious! the mill-dam's edge, One slant of frosty crystal, laid a ledge Of pearl across; above which, sleeted trees Tossed arms of ice, that, clashing in the breeze, Tinkled the ringing creek with icicles, Thin as the peal of Elfland's Sabbath bells: A sound that in my city dreams I hear, That brings before me, under skies that clear, The old mill in its winter garb of snow, Its frozen wheel, a great hoar beard below, And its West windows, two deep eyes aglow.

Ah, ancient mill, still do I picture o'er Thy cobwebbed stairs and loft and grain-strewn floor; Thy door,--like some brown, honest hand of toil, And honorable with labor of the soil,-- Forever open; through which, on his back The prosperous farmer bears his bursting sack. And while the miller measures out his toll, Again I hear, above the cogs' loud roll,-- That makes stout joist and rafter groan and sway,-- The harmless gossip of the passing day: Good country talk, that tells how so-and-so Has died or married; how curculio And codling-moth have ruined half the fruit, And blight plays mischief with the grapes to boot; Or what the news from town; next county fair; How well the crops are looking everywhere: Now this, now that, on which their interests fix, Prospects for rain or frost, and politics. While, all around, the sweet smell of the meal Filters, warm-pouring from the grinding wheel Into the bin; beside which, mealy white, The miller looms, dim in the dusty light.

Again I see the miller's home, between The crinkling creek and hills of beechen green: Again the miller greets me, gaunt and brown, Who oft o'erawed me with his gray-browed frown And rugged mien: again he tries to reach My youthful mind with fervid scriptural speech.-- For he, of all the country-side confessed, The most religious was and happiest; A Methodist, and one whom faith still led, No books except the Bible had he read-- At least so seemed it to my younger head.-- All things in earth and heav'n he'd prove by this, Be it a fact or mere hypothesis; For to his simple wisdom, reverent, "_The Bible says_" was all of argument.-- God keep his soul! his bones were long since laid Among the sunken gravestones in the shade Of those black-lichened rocks, that wall around The family burying-ground with cedars crowned; Where bristling teasel and the brier combine With clambering wood-rose and the wild-grape vine To hide the stone whereon his name and dates Neglect, with mossy hand, obliterates.

_Anthem of Dawn_

I

Then up the orient heights to the zenith, that balanced the crescent,-- Up and far up and over,--the heaven grew erubescent, Vibrant with rose and with ruby from the hands of the harpist Dawn, Smiting symphonic fire on the firmament's barbiton: And the East was a priest who adored with offerings of gold and of gems, And a wonderful carpet unrolled for the inaccessible hems Of the glistening robes of her limbs; that, lily and amethyst, Swept glorying on and on through temples of cloud and mist.

II

Then out of the splendor and richness, that burned like a magic stone, The torrent suffusion that deepened and dazzled and broadened and shone, The pomp and the pageant of color, triumphal procession of glare, The sun, like a king in armor, breathing splendor from feet to hair, Stood forth with majesty girdled, as a hero who towers afar Where the bannered gates are bristling hells and the walls are roaring war: And broad on the back of the world, like a Cherubin's fiery blade, The effulgent gaze of his aspect fell in glittering accolade.

III

Then billowing blue, like an ocean, rolled from the shores of morn to even: And the stars, like rafts, went down: and the moon, like a ghost-ship, driven, A feather of foam, from port to port of the cloud-built isles that dotted, With pearl and cameo, bays of the day, her canvas webbed and rotted, Lay lost in the gulf of heaven: while over her mixed and melted The beautiful children of Morn, whose bodies are opal-belted; The beautiful daughters of Dawn, who, over and under, and after The rivered radiance, wrestled; and rainbowed heaven with laughter Of halcyon sapphire.--O Dawn! thou visible mirth, And hallelujah of Heaven! hosanna of Earth!

_Dithyrambics_

I

TEMPEST

Wrapped round of the night, as a monster is wrapped of the ocean, Down, down through vast storeys of darkness, behold, in the tower Of the heaven, the thunder! on stairways of cloudy commotion, Colossal of tread, like a giant, from echoing hour to hour Goes striding in rattling armor ... The Nymph, at her billow-roofed dormer Of foam; and the Sylvan--green-housed--at her window of leaves appears; --As a listening woman, who hears The approach of her lover, who comes to her arms in the night; And, loosening the loops of her locks, With eyes full of love and delight, From the couch of her rest in ardor and haste arises.-- The Nymph, as if breathed of the tempest, like fire surprises The riotous bands of the rocks, That face with a roar the shouting charge of the seas. The Sylvan,--through troops of the trees, Whose clamorous clans with gnarly bosoms keep hurling Themselves on the guns of the wind,--goes wheeling and whirling. The Nymph, of the waves' exultation upheld, her green tresses Knotted with flowers of the hollow white foam, dives screaming; Then bounds to the arms of the storm, who boisterously presses Her hair and wild form to his breast that is panting and streaming. The Sylvan,--hard-pressed by the wind, the Pan-footed air,-- On the violent backs of the hills,-- Like a flame that tosses and thrills From peak to peak when the world of spirits is out,-- Is borne, as her rapture wills, With glittering gesture and shout: Now here in the darkness, now there, From the rain-like sweep of her hair,-- Bewilderingly volleyed o'er eyes and o'er lips,-- To the lambent swell of her limbs, her breasts and her hips, She flashes her beautiful nakedness out in the glare Of the tempest that bears her away,-- That bears me away! Away, over forest and foam, over tree and spray, Far swifter than thought, far swifter than sound or than flame. Over ocean and pine, In arms of tumultuous shadow and shine ... Though Sylvan and Nymph do not Exist, and only what Of terror and beauty I feel and I name As parts of the storm, the awe and the rapture divine That here in the tempest are mine,-- The two are the same, the two are forever the same.

II

CALM

Beautiful-bosomed, O night, in thy noon Move with majesty onward! bearing, as lightly As a singer may bear the notes of an exquisite tune, The stars and the moon Through the clerestories high of the heaven, the firmament's halls; Under whose sapphirine walls, June, hesperian June, Robed in divinity wanders. Daily and nightly The turquoise touch of her robe, that the violets star, The silvery fall of her feet, that lilies are, Fill the land with languorous light and perfume.-- Is it the melody mute of burgeoning leaf and of bloom? The music of Nature, that silently shapes in the gloom Immaterial hosts Of spirits that have the flowers and leaves in their keep, That I hear, that I hear? Invisible ghosts,-- Who whisper in leaves and glimmer in blossoms and hover In color and fragrance and loveliness, breathed from the deep World-soul of the mother, Nature;--who, over and over, Both sweetheart and lover, Goes singing her songs from one sweet month to the other,-- That appear, that appear? In forest and field, on hill-land and lea, As crystallized harmony, Materialized melody, An uttered essence peopling far and near The hyaline atmosphere?... Behold how it sprouts from the grass and blooms from flower and tree! In waves of diaphanous moonlight and mist, In fugue upon fugue of gold and of amethyst, Around me, above me it spirals; now slower, now faster, Like symphonies born of the thought of a musical master.-- --O music of Earth! O God who the music inspired! Let me breathe of the life of thy breath! And so be fulfilled and attired In resurrection, triumphant o'er time and o'er death!

_Hymn to Desire_

I

Mother of visions, with lineaments dulcet as numbers Breathed on the eyelids of love by music that slumbers, Secretly, sweetly, O presence of fire and snow, Thou comest mysterious, In beauty imperious, Clad on with dreams and the light of no world that we know. Deep to my innermost soul am I shaken, Helplessly shaken and tossed, And of thy tyrannous yearnings so utterly taken, My lips, unsatisfied, thirst; Mine eyes are accurst With longings for visions that far in the night are forsaken; And mine ears, in listening lost, Yearn, yearn for the note of a chord that will never awaken.

II

Like palpable music thou comest, like moonlight; and far,-- Resonant bar upon bar,-- The vibrating lyre Of the spirit responds with melodious fire, As thy fluttering fingers now grasp it and ardently shake, With flame and with flake, The chords of existence, the instrument star-sprung. Whose frame is of clay, so wonderfully molded from mire.

III

Vested with vanquishment, come, O Desire, Desire! Breathe in this harp of my soul the audible angel of love! Make of my heart an Israfel burning above, A lute for the music of God, that lips, which are mortal, but stammer! Smite every rapturous wire With golden delirium, rebellion and silvery clamor, Crying--"Awake! awake! Too long hast thou slumbered! too far from the regions of glamour, With its mountains of magic, its fountains of Faëry, the spar-sprung, Hast thou wandered away, O Heart! Come, oh, come and partake Of necromance banquets of beauty; and slake Thy thirst in the waters of art, That are drawn from the streams Of love and of dreams."

IV

"Come, oh, come! No longer shall language be dumb! Thy vision shall grasp-- As one doth the glittering hasp Of a dagger made splendid with gems and with gold-- The wonder and richness of life, not anguish and hate of it merely. And out of the stark Eternity, awful and dark, Immensity silent and cold,-- Universe-shaking as trumpets, or thunderous metals That cymbal; yet pensive and pearly And soft as the rosy unfolding of petals, Or crumbling aroma of blossoms that wither too early,-- The majestic music of Death, where he plays On the organ of eons and days."

_Music_