Chapter 11

My meaning in regard to the impermanence of physical entities may perhaps be made clearer by the use of Bergson's favourite illustration of the cinematograph. When I first read Bergson's statement that the mathematician conceives the world after the analogy of a cinematograph, I had never seen a cinematograph, and my first visit to one was determined by the desire to verify Bergson's statement, which I found to be completely true, at least so far as I am concerned. When, in a picture palace, we see a man rolling down hill, or running away from the police, or falling into a river, or doing any of those other things to which men in such places are addicted, we know that there is not really only one man moving, but a succession of films, each with a different momentary man. The illusion of persistence arises only through the approach to continuity in the series of momentary men. Now what I wish to suggest is that in this respect the cinema is a better metaphysician than common sense, physics, or philosophy. The real man too, I believe, however the police may swear to his identity, is really a series of momentary men, each different one from the other, and bound together, not by a numerical identity, but by continuity and certain intrinsic causal laws. And what applies to men applies equally to tables and chairs, the sun, moon and stars. Each of these is to be regarded, not as one single persistent entity, but as a series of entities succeeding each other in time, each lasting for a very brief period, though probably not for a mere mathematical instant. In saying this I am only urging the same kind of division in time as we are accustomed to acknowledge in the case of space. A body which fills a cubic foot will be admitted to consist of many smaller bodies, each occupying only a very tiny volume; similarly a thing which persists for an hour is to be regarded as composed of many things of less duration. A true theory of matter requires a division of things into time-corpuscles as well as into space-corpuscles.

The world may be conceived as consisting of a multitude of entities arranged in a certain pattern. The entities which are arranged I shall call "particulars." The arrangement or pattern results from relations among particulars. Classes or series of particulars, collected together on account of some property which makes it convenient to be able to speak of them as wholes, are what I call logical constructions or symbolic fictions. The particulars are to be conceived, not on the analogy of bricks in a building, but rather on the analogy of notes in a symphony. The ultimate constituents of a symphony (apart from relations) are the notes, each of which lasts only for a very short time. We may collect together all the notes played by one instrument: these may be regarded as the analogues of the successive particulars which common sense would regard as successive states of one "thing." But the "thing" ought to be regarded as no more "real" or "substantial" than, for example, the rôle of the trombone. As soon as "things" are conceived in this manner it will be found that the difficulties in the way of regarding immediate objects of sense as physical have largely disappeared.

When people ask, "Is the object of sense mental or physical?" they seldom have any clear idea either what is meant by "mental" or "physical," or what criteria are to be applied for deciding whether a given entity belongs to one class or the other. I do not know how to give a sharp definition of the word "mental," but something may be done by enumerating occurrences which are indubitably mental: believing, doubting, wishing, willing, being pleased or pained, are certainly mental occurrences; so are what we may call experiences, seeing, hearing, smelling, perceiving generally. But it does not follow from this that what is seen, what is heard, what is smelt, what is perceived, must be mental. When I see a flash of lightning, my seeing of it is mental, but what I see, although it is not quite the same as what anybody else sees at the same moment, and although it seems very unlike what the physicist would describe as a flash of lightning, is not mental. I maintain, in fact, that if the physicist could describe truly and fully all that occurs in the physical world when there is a flash of lightning, it would contain as a constituent what I see, and also what is seen by anybody else who would commonly be said to see the same flash. What I mean may perhaps be made plainer by saying that if my body could remain in exactly the same state in which it is, although my mind had ceased to exist, precisely that object which I now see when I see the flash would exist, although of course I should not see it, since my seeing is mental. The principal reasons which have led people to reject this view have, I think, been two: first, that they did not adequately distinguish between my seeing and what I see; secondly, that the causal dependence of what I see upon my body has made people suppose that what I see cannot be "outside" me. The first of these reasons need not detain us, since the confusion only needs to be pointed out in order to be obviated; but the second requires some discussion, since it can only be answered by removing current misconceptions, on the one hand as to the nature of space, and on the other, as to the meaning of causal dependence.

When people ask whether colours, for example, or other secondary qualities are inside or outside the mind, they seem to suppose that their meaning must be clear, and that it ought to be possible to say yes or no without any further discussion of the terms involved. In fact, however, such terms as "inside" or "outside" are very ambiguous. What is meant by asking whether this or that is "in" the mind? The mind is not like a bag or a pie; it does not occupy a certain region in space, or, if (in a sense) it does, what is in that region is presumably part of the brain, which would not be said to be in the mind. When people say that sensible qualities are in the mind, they do not mean "spatially contained in" in the sense in which the blackbirds were in the pie. We might regard the mind as an assemblage of particulars, namely, what would be called "states of mind," which would belong together in virtue of some specific common quality. The common quality of all states of mind would be the quality designated by the word "mental"; and besides this we should have to suppose that each separate person's states of mind have some common characteristic distinguishing them from the states of mind of other people. Ignoring this latter point, let us ask ourselves whether the quality designated by the word "mental" does, as a matter of observation, actually belong to objects of sense, such as colours or noises. I think any candid person must reply that, however difficult it may be to know what we mean by "mental," it is not difficult to see that colours and noises are not mental in the sense of having that intrinsic peculiarity which belongs to beliefs and wishes and volitions, but not to the physical world. Berkeley advances on this subject a plausible argument[26] which seems to me to rest upon an ambiguity in the word "pain." He argues that the realist supposes the heat which he feels in approaching a fire to be something outside his mind, but that as he approaches nearer and nearer to the fire the sensation of heat passes imperceptibly into pain, and that no one could regard pain as something outside the mind. In reply to this argument, it should be observed in the first place that the heat of which we are immediately aware is not in the fire but in our own body. It is only by inference that the fire is judged to be the cause of the heat which we feel in our body. In the second place (and this is the more important point), when we speak of pain we may mean one of two things: we may mean the object of the sensation or other experience which has the quality of being painful, or we may mean the quality of painfulness itself. When a man says he has a pain in his great toe, what he means is that he has a sensation associated with his great toe and having the quality of painfulness. The sensation itself, like every sensation, consists in experiencing a sensible object, and the experiencing has that quality of painfulness which only mental occurrences can have, but which may belong to thoughts or desires, as well as to sensations. But in common language we speak of the sensible object experienced in a painful sensation as a pain, and it is this way of speaking which causes the confusion upon which the plausibility of Berkeley's argument depends. It would be absurd to attribute the quality of painfulness to anything non-mental, and hence it comes to be thought that what we call a pain in the toe must be mental. In fact, however, it is not the sensible object in such a case which is painful, but the sensation, that is to say, the experience of the sensible object. As the heat which we experience from the fire grows greater, the experience passes gradually from being pleasant to being painful, but neither the pleasure nor the pain is a quality of the object experienced as opposed to the experience, and it is therefore a fallacy to argue that this object must be mental on the ground that painfulness can only be attributed to what is mental.

If, then, when we say that something is in the mind we mean that it has a certain recognisable intrinsic characteristic such as belongs to thoughts and desires, it must be maintained on grounds of immediate inspection that objects of sense are not in any mind.

A different meaning of "in the mind" is, however, to be inferred from the arguments advanced by those who regard sensible objects as being in the mind. The arguments used are, in the main, such as would prove the causal dependence of objects of sense upon the percipient. Now the notion of causal dependence is very obscure and difficult, much more so in fact than is generally realised by philosophers. I shall return to this point in a moment. For the present, however, accepting the notion of causal dependence without criticism, I wish to urge that the dependence in question is rather upon our bodies than upon our minds. The visual appearance of an object is altered if we shut one eye, or squint, or look previously at something dazzling; but all these are bodily acts, and the alterations which they effect are to be explained by physiology and optics, not by psychology.[27] They are in fact of exactly the same kind as the alterations effected by spectacles or a microscope. They belong therefore to the theory of the physical world, and can have no bearing upon the question whether what we see is causally dependent upon the mind. What they do tend to prove, and what I for my part have no wish to deny, is that what we see is causally dependent upon our body and is not, as crude common sense would suppose, something which would exist equally if our eyes and nerves and brain were absent, any more than the visual appearance presented by an object seen through a microscope would remain if the microscope were removed. So long as it is supposed that the physical world is composed of stable and more or less permanent constituents, the fact that what we see is changed by changes in our body appears to afford reason for regarding what we see as not an ultimate constituent of matter. But if it is recognised that the ultimate constituents of matter are as circumscribed in duration as in spatial extent, the whole of this difficulty vanishes.

There remains, however, another difficulty, connected with space. When we look at the sun we wish to know something about the sun itself, which is ninety-three million miles away; but what we see is dependent upon our eyes, and it is difficult to suppose that our eyes can affect what happens at a distance of ninety-three million miles. Physics tells us that certain electromagnetic waves start from the sun, and reach our eyes after about eight minutes. They there produce disturbances in the rods and cones, thence in the optic nerve, thence in the brain. At the end of this purely physical series, by some odd miracle, comes the experience which we call "seeing the sun," and it is such experiences which form the whole and sole reason for our belief in the optic nerve, the rods and cones, the ninety-three million miles, the electromagnetic waves, and the sun itself. It is this curious oppositeness of direction between the order of causation as affirmed by physics, and the order of evidence as revealed by theory of knowledge, that causes the most serious perplexities in regard to the nature of physical reality. Anything that invalidates our seeing, as a source of knowledge concerning physical reality, invalidates also the whole of physics and physiology. And yet, starting from a common-sense acceptance of our seeing, physics has been led step by step to the construction of the causal chain in which our seeing is the last link, and the immediate object which we see cannot be regarded as that initial cause which we believe to be ninety-three million miles away, and which we are inclined to regard as the "real" sun.

I have stated this difficulty as forcibly as I can, because I believe that it can only be answered by a radical analysis and reconstruction of all the conceptions upon whose employment it depends.

Space, time, matter and cause, are the chief of these conceptions. Let us begin with the conception of cause.

Causal dependence, as I observed a moment ago, is a conception which it is very dangerous to accept at its face value. There exists a notion that in regard to any event there is something which may be called _the_ cause of that event--some one definite occurrence, without which the event would have been impossible and with which it becomes necessary. An event is supposed to be dependent upon its cause in some way which in it is not dependent upon other things. Thus men will urge that the mind is dependent upon the brain, or, with equal plausibility, that the brain is dependent upon the mind. It seems not improbable that if we had sufficient knowledge we could infer the state of a man's mind from the state of his brain, or the state of his brain from the state of his mind. So long as the usual conception of causal dependence is retained, this state of affairs can be used by the materialist to urge that the state of our brain causes our thoughts, and by the idealist to urge that our thoughts cause the state of our brain. Either contention is equally valid or equally invalid. The fact seems to be that there are many correlations of the sort which may be called causal, and that, for example, either a physical or a mental event can be predicted, theoretically, either from a sufficient number of physical antecedents or from a sufficient number of mental antecedents. To speak of _the_ cause of an event is therefore misleading. Any set of antecedents from which the event can theoretically be inferred by means of correlations might be called a cause of the event. But to speak of _the_ cause is to imply a uniqueness which does not exist.

The relevance of this to the experience which we call "seeing the sun" is obvious. The fact that there exists a chain of antecedents which makes our seeing dependent upon the eyes and nerves and brain does not even tend to show that there is not another chain of antecedents in which the eyes and nerves and brain as physical things are ignored. If we are to escape from the dilemma which seemed to arise out of the physiological causation of what we see when we say we see the sun, we must find, at least in theory, a way of stating causal laws for the physical world, in which the units are not material things, such as the eyes and nerves and brain, but momentary particulars of the same sort as our momentary visual object when we look at the sun. The sun itself and the eyes and nerves and brain must be regarded as assemblages of momentary particulars. Instead of supposing, as we naturally do when we start from an uncritical acceptance of the apparent dicta of physics, that _matter_ is what is "really real" in the physical world, and that the immediate objects of sense are mere phantasms, we must regard matter as a logical construction, of which the constituents will be just such evanescent particulars as may, when an observer happens to be present, become data of sense to that observer. What physics regards as the sun of eight minutes ago will be a whole assemblage of particulars, existing at different times, spreading out from a centre with the velocity of light, and containing among their number all those visual data which are seen by people who are now looking at the sun. Thus the sun of eight minutes ago is a class of particulars, and what I see when I now look at the sun is one member of this class. The various particulars constituting this class will be correlated with each other by a certain continuity and certain intrinsic laws of variation as we pass outwards from the centre, together with certain modifications correlated extrinsically with other particulars which are not members of this class. It is these extrinsic modifications which represent the sort of facts that, in our former account, appeared as the influence of the eyes and nerves in modifying the appearance of the sun.[28]

The _prima facie_ difficulties in the way of this view are chiefly derived from an unduly conventional theory of space. It might seem at first sight as if we had packed the world much fuller than it could possibly hold. At every place between us and the sun, we said, there is to be a particular which is to be a member of the sun as it was a few minutes ago. There will also, of course, have to be a particular which is a member of any planet or fixed star that may happen to be visible from that place. At the place where I am, there will be particulars which will be members severally of all the "things" I am now said to be perceiving. Thus throughout the world, everywhere, there will be an enormous number of particulars coexisting in the same place. But these troubles result from contenting ourselves too readily with the merely three-dimensional space to which schoolmasters have accustomed us. The space of the real world is a space of six dimensions, and as soon as we realise this we see that there is plenty of room for all the particulars for which we want to find positions. In order to realise this we have only to return for a moment from the polished space of physics to the rough and untidy space of our immediate sensible experience. The space of one man's sensible objects is a three-dimensional space. It does not appear probable that two men ever both perceive at the same time any one sensible object; when they are said to see the same thing or hear the same noise, there will always be some difference, however slight, between the actual shapes seen or the actual sounds heard. If this is so, and if, as is generally assumed, position in space is purely relative, it follows that the space of one man's objects and the space of another man's objects have no place in common, that they are in fact different spaces, and not merely different parts of one space. I mean by this that such immediate spatial relations as are perceived to hold between the different parts of the sensible space perceived by one man, do not hold between parts of sensible spaces perceived by different men. There are therefore a multitude of three-dimensional spaces in the world: there are all those perceived by observers, and presumably also those which are not perceived, merely because no observer is suitably situated for perceiving them.

But although these spaces do not have to one another the same kind of spatial relations as obtain between the parts of one of them, it is nevertheless possible to arrange these spaces themselves in a three-dimensional order. This is done by means of the correlated particulars which we regard as members (or aspects) of one physical thing. When a number of people are said to see the same object, those who would be said to be near to the object see a particular occupying a larger part of their field of vision than is occupied by the corresponding particular seen by people who would be said to be farther from the thing. By means of such considerations it is possible, in ways which need not now be further specified, to arrange all the different spaces in a three-dimensional series. Since each of the spaces is itself three-dimensional, the whole world of particulars is thus arranged in a six-dimensional space, that is to say, six co-ordinates will be required to assign completely the position of any given particular, namely, three to assign its position in its own space and three more to assign the position of its space among the other spaces.

There are two ways of classifying particulars: we may take together all those that belong to a given "perspective," or all those that are, as common sense would say, different "aspects" of the same "thing." For example, if I am (as is said) seeing the sun, what I see belongs to two assemblages: (1) the assemblage of all my present objects of sense, which is what I call a "perspective"; (2) the assemblage of all the different particulars which would be called aspects of the sun of eight minutes ago--this assemblage is what I define as _being_ the sun of eight minutes ago. Thus "perspectives" and "things" are merely two different ways of classifying particulars. It is to be observed that there is no _a priori_ necessity for particulars to be susceptible of this double classification. There may be what might be called "wild" particulars, not having the usual relations by which the classification is effected; perhaps dreams and hallucinations are composed of particulars which are "wild" in this sense.

The exact definition of what is meant by a perspective is not quite easy. So long as we confine ourselves to visible objects or to objects of touch we might define the perspective of a given particular as "all particulars which have a simple (direct) spatial relation to the given particular." Between two patches of colour which I see now, there is a direct spatial relation which I equally see. But between patches of colour seen by different men there is only an indirect constructed spatial relation by means of the placing of "things" in physical space (which is the same as the space composed of perspectives). Those particulars which have direct spatial relations to a given particular will belong to the same perspective. But if, for example, the sounds which I hear are to belong to the same perspective with the patches of colour which I see, there must be particulars which have no direct spatial relation and yet belong to the same perspective. We cannot define a perspective as all the data of one percipient at one time, because we wish to allow the possibility of perspectives which are not perceived by any one. There will be need, therefore, in defining a perspective, of some principle derived neither from psychology nor from space.