Part 3

"Eats all kinds of things at all hours of the night," Eva said, and wandered out into the rose-colored front room again with the air of one who is chagrined at her failure to find what she has sought. Stell followed her furtively.

"Where do you suppose he can be?" she demanded. "It's"--she glanced at her wrist--"why, it's after six!"

And then there was a little dick. The two women sat up, tense. The door opened. Jo came in. He blinked a little. The two women in the rosy room stood up.

"Why--Eve! Why, Babe! Well! Why didn't you let me know?"

"We were just about to leave. We thought you weren't coming home."

Jo came in, slowly.

"I was in the jam on Michigan, watching the boys go by." He sat down, heavily. The light from the window fell on him. And you saw that his eyes were red.

And you'll have to learn why. He had found himself one of the thousands in the jam on Michigan Avenue, as he said. He had a place near the curb, where his big frame shut off the view of the unfortunates behind him. He waited with the placid interest of one who has subscribed to all the funds and societies to which a prosperous, middle-aged business man is called upon to subscribe in war time. Then, just as he was about to leave, impatient at the delay, the crowd had cried, with a queer dramatic, exultant note in its voice, "Here they come! Here come the boys!"

Just at that moment two little, futile, frenzied fists began to beat a mad tattoo on Jo Hertz's broad back. Jo tried to turn in the crowd, all indignant resentment. "Say, look here!"

The little fists kept up their frantic beating and pushing. And a voice--a choked, high little voice--cried: "Let me by! I can't see! You man, you! You big fat man! My boy's going by--to war--and I can't see! Let me by!"

Jo scrooged around, still keeping his place. He looked down. And upturned to him in agonized appeal was the face of little Emily. They stared at each other for what seemed a long, long time. It was really only the fraction of a second. Then Jo put one great arm firmly around Emily's waist and swung her around in front of him. His great bulk protected her. Emily was clinging to his hand. She was breathing rapidly, as if she had been running. Her eyes were straining up the street.

"Why, Emily, how in the world----"

"I ran away. Fred didn't want me to come. He said it would excite me too much."

"Fred?"

"My husband. He made me promise to say good-by to Jo at home."

"Jo?"

"Jo's my boy. And he's going to war. So I ran away. I had to see him. I had to see him go."

She was dry-eyed. Her gaze was straining up the street.

"Why, sure," said Jo. "Of course you want to see him." And then the crowd gave a great roar. There came over Jo a feeling of weakness. He was trembling. The boys went marching by.

"There he is," Emily shrilled, above the din. "There he is! There he is! There he----" And waved a futile little hand. It wasn't so much a wave as a clutching. A clutching after something beyond her reach.

"Which one? Which one, Emily?"

"The handsome one. The handsome one. There!" Her voice quavered and died.

Jo put a steady hand on her shoulder. "Point him out," he commanded. "Show me." And the next instant: "Never mind. I see him."

Somehow, miraculously, he had picked him from among the hundreds. Had picked him as surely as his own father might have. It was Emily's boy. He was marching by, rather stiffly. He was nineteen, and fun-loving, and he had a girl, and he didn't particularly want to go to France and--to go to France. But more than he had hated going, he had hated not to go. So he marched by, looking straight ahead, his jaw set so that his chin stuck out just a little. Emily's boy.

Jo looked at him, and his face flushed purple. His eyes, the hard-boiled eyes of a Loop-hound, took on the look of a sad old man. And suddenly he was no longer Jo, the sport; old J. Hertz, the gay-dog. He was Jo Hertz, thirty, in love with life, in love with Emily, and with the stinging blood of young manhood coursing through his veins.

Another minute and the boy had passed on up the broad street--the fine, flag-bedecked street--just one of a hundred service-hats bobbing in rhythmic motion like sandy waves lapping a shore and flowing on.

Then he disappeared altogether.

Emily was clinging to Jo. She was mumbling something, over and over. "I can't. I can't. Don't ask me to. I can't let him go. Like that. I can't."

Jo said a queer thing.

"Why, Emily! We wouldn't have him stay home, would we? We wouldn't want him to do anything different, would we? Not our boy. I'm glad he enlisted. I'm proud of him. So are you glad."

Little by little he quieted her. He took her to the car that was waiting, a worried chauffeur in charge. They said good-by, awkwardly. Emily's face was a red, swollen mass.

So it was that when Jo entered his own hallway half an hour later he blinked, dazedly, and when the light from the window fell on him you saw that his eyes were red.

Eva was not one to beat about the bush. She sat forward in her chair, clutching her bag rather nervously.

"Now, look here, Jo. Stell and I are here for a reason. We're here to tell you that this thing's got to stop."

"Thing? Stop?"

"You know very well what I mean. You saw me at the milliner's that day. And night before last, Ethel. We're all disgusted. If you must go about with people like that, please have some sense of decency."

Something gathering in Jo's face should have warned her. But he was slumped down in his chair in such a huddle, and he looked so old and fat that she did not heed it. She went on. "You've got us to consider. Your sisters. And your nieces. Not to speak of your own----"

But he got to his feet then, shaking, and at what she saw in his face even Eva faltered and stopped. It wasn't at all the face of a fat, middle-aged sport. It was a face Jovian, terrible.

"You!" he began, low-voiced, ominous. "You!" He raised a great fist high. "You two murderers! You didn't consider me, twenty years ago. You come to me with talk like that. Where's my boy! You killed him, you two, twenty years ago. And now he belongs to somebody else. Where's my son that should have gone marching by today?" He flung his arms out in a great gesture of longing. The red veins stood out on his forehead. "Where's my son! Answer me that, you two selfish, miserable women. Where's my son!" Then, as they huddled together, frightened, wild-eyed: "Out of my house! Out of my house! Before I hurt you!"

They fled, terrified. The door banged behind them.

Jo stood, shaking, in the center of the room. Then he reached for a chair, gropingly, and sat down. He passed one moist, flabby hand over his forehead and it came away wet. The telephone rang. He sat still. It sounded far away and unimportant, like something forgotten. I think he did not even hear it with his conscious ear. But it rang and rang insistently. Jo liked to answer his telephone, when at home.

"Hello!" He knew instantly the voice at the other end.

"That you, Jo?" it said.

"Yes."

"How's my boy?"

"I'm--all right."

"Listen, Jo. The crowd's coming over tonight. I've fixed up a little poker game for you. Just eight of us."

"I can't come tonight, Gert."

"Can't! Why not?"

"I'm not feeling so good."

"You just said you were all right."

"I am all right. Just kind of tired."

The voice took on a cooing note. "Is my Joey tired? Then he shall be all comfy on the sofa, and he doesn't need to play if he don't want to. No, sir."

Jo stood staring at the black mouthpiece of the telephone. He was seeing a procession go marching by. Boys, hundreds of boys, in khaki.

"Hello! Hello!" The voice took on an anxious note. "Are you there?"

"Yes," wearily.

"Jo, there's something the matter. You're sick. I'm coming right over."

"No!"

"Why not? You sound as if you'd been sleeping. Look here----"

"Leave me alone!" cried Jo, suddenly, and the receiver clacked onto the hook. "Leave me alone. Leave me alone." Long after the connection had been broken.

He stood staring at the instrument with unseeing eyes. Then he turned and walked into the front room. All the light had gone out of it. Dusk had come on. All the light had gone out of everything. The zest had gone out of life. The game was over--the game he had been playing against loneliness and disappointment. And he was just a tired old man. A lonely, tired old man in a ridiculous, rose-colored room that had grown, all of a sudden, drab.

[Footnote 1: _From Edna Ferber's Cheerful by Request. Copyright, 1918, 1922, by Doubleday, Page & Co. By permission of the publishers._]

_FOREWORD_

_My favorite short story of all the short stories I have written is "The Escape of Mr. Trimm." It was the first piece of avowed fiction I wrote. It was written more than twelve years ago._

_At the time, I was on the city staff of the New York Evening World. I was a reasonably busy person in those days. I did assignments, both special and ordinary; I handled my share of the "re-write"--that is, the building, inside the office, of news-stories based on details telephoned in by "leg men" or outside workers; I covered most of the big criminal trials that coincidentally took place; I wrote a page of alleged humor for the color section of the Sunday World and for the McClure syndicate; and every week I turned out a given number of shorter and also supposedly humorous articles for the magazine page of the Evening World._

_In the run of my contemporaneous duties I was detailed to report the trial, in Federal Court, of a famous financier. This trial lasted several weeks. What most deeply impressed me was the bearing of the accused man. Although he had distinguished counsel, he practically conducted his own defense. When the jurors came in with a verdict of guilty and the judge sentenced him to a long term of imprisonment at hard labor, he kept his nerve and his wits. I said to myself that this man would never serve out his sentence; he was too smart for that; he would find a way to beat the law, even though his appeals were denied. And he did._

_On the concluding day of the trial I fell to wondering just what possibly could defeat the will of such a man as this man was. At once a notion jumped into my head and, then and there, sitting at the reporters' table, I decided to write a story focusing about this central idea._

_I had written fiction before--every reporter has--fiction masquerading as the lighter side of the news. But I said to myself that this story should be out-and-out fiction. Such small reputation as I had as a special writer largely was founded on my efforts at humor. But I made up my mind that this story should contain no humor at all._

_Not until six months had passed did I get my chance. In the following summer I went on my annual vacation of two weeks. In the concluding two days of that vacation I wrote the first draft of the yarn, and, back at the shop, in odd moments, I wrote it over again, making, though, only a few changes in the original text, and none at all in the sequence of imaginary events._

_I sent the manuscript to Mr. George Horace Lorimer, Editor of the Saturday Evening Post. He accepted it and invited me to submit other manuscripts to him. But I had to wait another full year--until vacation time came again--before there was opportunity for any more short-story writing. Then I did two more stories. Mr. Lorimer bought them both, and thereby I was encouraged to give up my newspaper job, with its guarantee of a pay envelope every Saturday, for the less certain but highly alluring rôle of a free-lance contributor to weekly and monthly periodicals._

_Maybe I like "The Escape of Mr. Trimm" best of all my stories because it was this story which opened the door for me into magazine work. A writer's estimate of his own output rarely agrees with the judgment of his friends. But, after a period of consideration, after weighing this against that, after trying to forget what some of the professional reviewers have had to say about certain of my efforts, and striving instead to remember only what more gentle critics, out of the goodness of the heart, sometimes have told me, I still find myself committed to the belief that the story which appears in this volume is--so far as my prejudiced opinion goes--the best story I have ever written._

_The_ ESCAPE _of_ MR. TRIMM[2]

By IRVIN S. COBB

Mr. Trimm, recently president of the late Thirteenth National Bank, was taking a trip which was different in a number of ways from any he had ever taken. To begin with, he was used to parlor cars and Pullmans and even luxurious private cars when he went anywhere; whereas now he rode with a most mixed company in a dusty, smelly day coach. In the second place, his traveling companion was not such a one as Mr. Trimm would have chosen had the choice been left to him, being a stupid-looking German-American with a drooping, yellow mustache. And in the third place, Mr. Trimm's plump white hands were folded in his lap, held in a close and enforced companionship by a new and shiny pair of Bean's Latest Model Little Giant handcuffs. Mr. Trimm was on his way to the Federal penitentiary to serve twelve years at hard labor for breaking, one way or another, about all the laws that are presumed to govern national banks.

* * * * *

All the time Mr. Trimm was in the Tombs, fighting for a new trial, a certain question had lain in his mind unasked and unanswered. Through the seven months of his stay in the jail that question had been always at the back part of his head, ticking away there like a little watch that never needed winding. A dozen times a day it would pop into his thoughts and then go away, only to come back again.

When Copley was taken to the penitentiary--Copley being the cashier who got off with a lighter sentence because the judge and jury held him to be no more than a blind accomplice in the wrecking of the Thirteenth National--Mr. Trimm read closely every line that the papers carried about Copley's departure. But none of them had seen fit to give the young cashier more than a short and colorless paragraph. For Copley was only a small figure in the big intrigue that had startled the country; Copley didn't have the money to hire big lawyers to carry his appeal to the higher courts for him; Copley's wife was keeping boarders; and as for Copley himself, he had been wearing stripes several months now.

With Mr. Trimm it had been vastly different. From the very beginning he had held the public eye. His bearing in court when the jury came in with their judgment; his cold defiance when the judge, in pronouncing sentence, mercilessly arraigned him and the system of finance for which he stood; the manner of his life in the Tombs; his spectacular fight to beat the verdict, had all been worth columns of newspaper space. If Mr. Trimm had been a popular poisoner, or a society woman named as corespondent in a sensational divorce suit, the papers could not have been more generous in their space allotments. And Mr. Trimm in his cell had read all of it with smiling contempt, even to the semi-hysterical outpourings of the lady special writers who called him The Iron Man of Wall Street and undertook to analyze his emotions--and missed the mark by a thousand miles or two.

Things had been smoothed as much as possible for him in the Tombs, for money and the power of it will go far toward ironing out even the corrugated routine of that big jail. He had a large cell to himself in the airiest, brightest corridor. His meals were served by a caterer from outside. Although he ate them without knife or fork, he soon learned that a spoon and the fingers can accomplish a good deal when backed by a good appetite, and Mr. Trimm's appetite was uniformly good. The warden and his underlings had been models of official kindliness; the newspapers had sent their brightest young men to interview him whenever he felt like talking, which wasn't often; and surely his lawyers had done all in his behalf that money--a great deal of money--could do. Perhaps it was because of these things that Mr. Trimm had never been able to bring himself to realize that he was the Hobart W. Trimm who had been sentenced to the Federal prison; it seemed to him, somehow, that he, personally, was merely a spectator standing at one side watching the fight of another man to dodge the penitentiary.

However, he didn't fail to give the other man the advantage of every chance that money would buy. This sense of aloofness to the whole thing had persisted even when his personal lawyer came to him one night in the early fall and told him that the court of last possible resort had denied the last possible motion. Mr. Trimm cut the lawyer short with a shake of his head as the other began saying something about the chances of a pardon from the President. Mr. Trimm wasn't in the habit of letting men deceive him with idle words. No President would pardon him, and he knew it.

"Never mind that, Walling," he said steadily, when the lawyer offered to come to see him again before he started for prison the next day. "If you'll see that a drawing-room on the train is reserved for me--for us, I mean--and all that sort of thing, I'll not detain you any further. I have a good many things to do tonight. Good night."

"Such a man, such a man," said Walling to himself as he climbed into his car; "all chilled steel and brains. And they are going to lock that brain up for twelve years. It's a crime," said Walling, and shook his head. Walling always said it was a crime when they sent a client of his to prison. To his credit be it said, though, they sent very few of them there. Walling made as high as eighty thousand a year at criminal law. Some of it was very criminal law indeed. His specialty was picking holes in the statutes faster than the legislature could make them and provide them and putty them up with amendments. This was the first case he had lost in a good long time.

* * * * *

When Jerry, the turnkey, came for him in the morning Mr. Trimm had made as careful a toilet as the limited means at his command permitted, and he had eaten a hearty breakfast and was ready to go, all but putting on his hat. Looking the picture of well-groomed, close-buttoned, iron-gray middle age, Mr. Trimm followed the turnkey through the long corridor and down the winding iron stairs to the warden's office. He gave no heed to the curious eyes that followed him through the barred doors of many cells; his feet rang briskly on the flags.

The warden, Hallam, was there in the private office with another man, a tall, raw-boned man with a drooping, straw-colored mustache and the unmistakable look about him of the police officer. Mr. Trimm knew without being told that this was the man who would take him to prison. The stranger was standing at a desk, signing some papers.

"Sit down, please, Mr. Trimm," said the warden with a nervous cordiality. "Be through here in just one minute. This is Deputy Marshal Meyers," he added.

Mr. Trimm started to tell this Mr. Meyers he was glad to meet him, but caught himself and merely nodded. The man stared at him with neither interest nor curiosity in his dull blue eyes. The warden moved over toward the door.

"Mr. Trimm," he said, clearing his throat, "I took the liberty of calling a cab to take you gents up to the Grand Central. It's out front now. But there's a big crowd of reporters and photographers and a lot of other people waiting, and if I was you I'd slip out the back way--one of my men will open the yard gate for you--and jump aboard the subway down at Worth Street. Then you'll miss those fellows."

"Thank you, Warden--very kind of you," said Mr. Trimm in that crisp, businesslike way of his. He had been crisp and businesslike all his life. He heard a door opening softly be hind him, and when he turned to look he saw the warden slipping out, furtively, in almost an embarrassed fashion.

"Well," said Meyers, "all ready?"

"Yes," said Mr. Trimm, and he made as if to rise.

"Wait one minute," said Meyers.

He half turned his back on Mr. Trimm and fumbled at the side pocket of his ill-hanging coat. Something inside of Mr. Trimm gave the least little jump, and the question that had ticked away so busily all those months began to buzz, buzz in his ears; but it was only a handkerchief the man was getting out. Doubtless he was going to mop his face.

He didn't mop his face, though. He unrolled the handkerchief slowly, as if it contained something immensely fragile and valuable, and then, thrusting it back in his pocket, he faced Mr. Trimm. He was carrying in his hands a pair of handcuffs that hung open-jawed. The jaws had little notches in them, like teeth that could bite. The question that had ticked in Mr. Trimm's head was answered at last--in the sight of these steel things with their notched jaws.

Mr. Trimm stood up and, with a movement as near to hesitation as he had ever been guilty of in his life, held out his hands, backs upward.

"I guess you're new at this kind of thing," said Meyers, grinning. "This here way--one at a time."

He took hold of Mr. Trimm's right hand, turned it sideways and settled one of the steel cuffs over the top of the wrist, flipping the notched jaw up from beneath and pressing it in so that it locked automatically with a brisk little click. Slipping the locked cuff back and forth on Mr. Trimm's lower arm like a man adjusting a part of machinery, and then bringing the left hand up to meet the right, he treated it the same way. Then he stepped back.

Mr. Trimm hadn't meant to protest. The word came unbidden.

"This--this isn't necessary, is it?" he asked in a voice that was husky and didn't seem to belong to him.

"Yep," said Meyers, "Standin' orders is play no favorites and take no chances. But you won't find them things uncomfortable. Lightest pair there was in the office, and I fixed 'em plenty loose."

For half a minute Mr. Trimm stood like a rooster hypnotized by a chalkmark, his arms extended, his eyes set on his bonds. His hands had fallen perhaps four inches apart, and in the space between his wrists a little chain was stretched taut. In the mounting tumult that filled his brain there sprang before Mr. Trimm's consciousness a phrase he had heard or read somewhere, the title of a story or, perhaps, it was a headline--The Grips of the Law. The Grips of the Law were upon Mr. Trimm--he felt them now for the first time in these shiny wristlets and this bit of chain that bound his wrists and filled his whole body with a strange, sinking feeling that made him physically sick. A sudden sweat beaded out on Mr. Trimm's face, turning it slick and wet.

He had a handkerchief, a fine linen handkerchief with a hemstitched border and a monogram on it, in the upper breast pocket of his buttoned coat. He tried to reach it. His hands went up, twisting awkwardly like crab claws. The fingers of both plucked out the handkerchief. Holding it so, Mr. Trimm mopped the sweat away. The links of the handcuffs fell in upon one another and lengthened out again at each movement, filling the room with a smart little sound.

He got the handkerchief stowed away with the same clumsiness. He raised the manacled hands to his hat brim, gave it a downward pull that brought it over his face and then, letting his short arms slide down upon his plump stomach, he faced the man who had put the fetters upon him, squaring his shoulders back. But it was hard, somehow, for him to square his shoulders--perhaps because of his hands being drawn so closely together. And his eyes would waver and fall upon his wrists. Mr. Trimm had a feeling that the skin must be stretched very tight on his jawbones and his forehead.

"Isn't there some way to hide these--these things?"

He began by blurting and ended by faltering it. His hands shuffled together, one over, then under the other.