My Miscellanies, Vol. 1 (of 2)
Part 9
Some extremely sensible man has observed somewhere, that a Bore is a person with one idea. Exactly so. Miss Sticker is a person with one idea. Unhappily for society, her notion is, that she is bound by the laws of politeness to join in every conversation which happens to be proceeding within the range of her ears. She has no ideas, no information, no flow of language, no tact, no power of saying the right word at the right time, even by chance. And yet she _will_ converse, as she calls it. "A gentlewoman, my dear, becomes a mere cipher in society unless she can converse." That is her way of putting it; and I deeply regret to add, she is one of the few people who preach what they practise. Her course of proceeding is, first, to check the conversation by making a remark which has no kind of relation to the topic under discussion. She next stops it altogether by being suddenly at a loss for some particular word which nobody can suggest. At last the word is given up; another subject is started in despair; and the company become warmly interested in it. Just at that moment, Miss Sticker finds the lost word; screams it out triumphantly in the middle of the talk; and so scatters the second subject to the winds, exactly as she has already scattered the first.
The last time I called at my aunt's--I merely mention this by way of example--I found Miss Sticker there, and three delightful men. One was a clergyman of the dear old purple-faced Port-wine school. The other two would have looked military, if one of them had not been an engineer, and the other an editor of a newspaper. We should have had some delightful conversation if the Lady-Bore had not been present. In some way, I really forget how, we got to talking about giving credit and paying debts; and the dear old clergyman, with his twinkling eyes and his jolly voice, treated us to a professional anecdote on the subject.
"Talking about that," he began, "I married a man the other day for the third time. Man in my parish. Capital cricketer when he was young enough to run. 'What's your fee?' says he. 'Licensed marriage?' says I; 'guinea of course.'--'I've got to bring you your tithes in three weeks, sir,' says he; 'give me tick till then.' 'All right,' says I, and married him. In three weeks he comes and pays his tithes like a man. 'Now, sir,' says he, 'about this marriage-fee, sir? I do hope you'll kindly let me off at half-price, for I have married a bitter bad 'un this time. I've got a half-a-guinea about me, sir, if you'll only please to take it. She isn't worth a farthing more--on the word of a man, she isn't, sir!' I looked hard in his face, and saw two scratches on it, and took the half-guinea, more out of pity than anything else. Lesson to me, however. Never marry a man on credit again, as long as I live. Cash on all future occasions--cash down, or no marriage!"
While he was speaking, I had my eye on Miss Sticker. Thanks to the luncheon which was on the table, she was physically incapable of "conversing" while our reverend friend was telling his humorous little anecdote. Just as he had done, and just as the editor of the newspaper was taking up the subject, she finished her chicken, and turned round from the table.
"Cash down, my dear sir, as you say," continued the editor. "You exactly describe our great principle of action in the Press. Some of the most extraordinary and amusing things happen with subscribers to newspapers----"
"Ah, the Press!" burst in Miss Sticker, beginning to converse. "What a wonderful engine! and how grateful we ought to feel when we get the paper so regularly every morning at breakfast. The only question is--at least, many people think so--I mean with regard to the Press, the only question is whether it ought to be----"
Here Miss Sticker lost the next word, and all the company had to look for it.
"With regard to the Press, the only question is, whether it ought to be----O, dear, dear, dear me!" cried Miss Sticker, lifting both her hands in despair, "what is the word?"
"Cheaper?" suggested our reverend friend. "Hang it, ma'am! it can hardly be that, when it is down to a penny already."
"O no; not cheaper," said Miss Sticker.
"More independent?" inquired the editor. "If you mean that, I defy anybody to find more fearless exposures of corruption----"
"No, no!" cried Miss Sticker, in an agony of polite confusion. "I didn't mean that. More independent wasn't the word."
"Better printed?" suggested the engineer.
"On better paper?" added my aunt.
"It can't be done--if you refer to the cheap press--it can't be done for the money," interposed the editor, irritably.
"O, but that's not it!" continued Miss Sticker, wringing her bony fingers, with horrid black mittens on them. "I didn't mean to say better printed, or better paper. It was one word I meant, not two.--With regard to the Press," pursued Miss Sticker, repeating her own ridiculous words carefully, as an aid to memory, "the only question is, whether it ought to be----Bless my heart, how extraordinary! Well, well, never mind: I'm quite shocked, and ashamed of myself. Pray go on talking, and don't notice me."
It was all very well to say, Go on talking; but the editor's amusing story about subscribers to newspapers, had been, by this time, fatally interrupted. As usual, Miss Sticker had stopped us in full flow. The engineer considerately broke the silence by starting another subject.
"Here are some wedding-cards on your table," he said, to my aunt, "which I am very glad to see there. The bridegroom is an old friend of mine. His wife is really a beauty. You know how he first became acquainted with her? No? It was quite an adventure, I assure you. One evening he was on the Brighton Railway; last down train. A lovely girl in the carriage; our friend Dilberry immensely struck with her. Got her to talk after a long time, with great difficulty. Within half an hour of Brighton, the lovely girl smiles, and says to our friend, 'Shall we be very long now, sir, before we get to Gravesend?' Case of confusion at that dreadful London Bridge Terminus. Dilberry explained that she would be at Brighton in half an hour, upon which the lovely girl instantly and properly burst into tears. 'O, what shall I do! O, what will my friends think!' Second flood of tears.--'Suppose you telegraph?' says Dilberry soothingly.--'O, but I don't know how!' says the lovely girl. Out comes Dilberry's pocket-book. Sly dog! he saw his way now to finding out who her friends were. 'Pray let me write the necessary message for you,' says Dilberry. 'Who shall I direct to at Gravesend?'--'My father and mother are staying there with some friends,' says the lovely girl. 'I came up with a day-ticket, and I saw a crowd of people when I came back to the station, all going one way, and I was hurried and frightened, and nobody told me, and it was late in the evening, and the bell was ringing, and, O Heavens! what will become of me!' Third burst of tears.--'We will telegraph to your father,' says Dilberry. 'Pray don't distress yourself. Only tell me who your father is.'--'Thank you a thousand times,' says the lovely girl, 'my father is----'"
"ANONYMOUS!" shouts Miss Sticker, producing her lost word with a perfect burst of triumph. "How glad I am I remembered it at last! Bless me," exclaims the Lady-Bore, quite unconscious that she has brought the engineer's story to an abrupt conclusion, by giving his distressed damsel an anonymous father; "Bless me! what are you all laughing at? I only meant to say that the question with regard to the Press was, whether it ought to be anonymous. What in the world is there to laugh at in that? I really don't see the joke."
And this woman escapes scot-free, while comparatively innocent men are held up to ridicule, in novel after novel, by dozens at a time! When will the deluded male writers see my sex in its true colours, and describe it accordingly? When will Miss Sticker take her proper place in the literature of England?
* * * * *
My second Lady-Bore is that hateful creature, Mrs. Tincklepaw. Where, over the whole interesting surface of male humanity (including Cannibals)--where is the man to be found whom it would not be scandalous to mention in the same breath with Mrs. Tincklepaw? The great delight of this shocking woman's life, is to squabble with her husband (poor man, he has my warmest sympathy and best good wishes), and then to bring the quarrel away from home with her, and to let it off again at society in general, in a series of short spiteful hints. Mrs. Tincklepaw is the exact opposite of Miss Sticker. She is a very little woman; she is (and more shame for her, considering how she acts) young enough to be Miss Sticker's daughter; and she has a kind of snappish tact in worrying innocent people, under every possible turn of circumstances, which distinguishes her (disgracefully) from the poor feeble-minded Maid-Bore, to whom the reader has been already introduced. Here are some examples--all taken, be it observed, from my own personal observation--of the manner in which Mrs. Tincklepaw contrives to persecute her harmless fellow-creatures wherever she happens to meet with them:
Let us say I am out walking, and I happen to meet Mr. and Mrs. Tincklepaw. (By the bye, she never lets her husband out of her sight--he is too necessary to the execution of her schemes of petty torment. And such a noble creature, to be used for so base a purpose! He stands six feet two, and is additionally distinguished by a glorious and majestic stoutness, which has no sort of connection with the comparatively comic element of fat. His nature, considering what a wife he has got, is inexcusably meek and patient. Instead of answering her, he strokes his magnificent flaxen whiskers, and looks up resignedly at the sky. I sometimes fancy that he stands too high to hear what his dwarf of a wife says. For his sake, poor man, I hope this view of the matter may be the true one.)
I am afraid I have contrived to lose myself in a long parenthesis. Where was I? O! out walking and happening to meet with Mr. and Mrs. Tincklepaw. She has had a quarrel with her husband at home, and this is how she contrives to let me know it.
"Delightful weather, dear, is it not?" I say, as we shake hands.
"Charming, indeed," says Mrs. Tincklepaw. "Do you know, love, I am so glad you made that remark to me, and not to Mr. Tincklepaw?"
"Really?" I ask. "Pray tell me why?"
"Because," answers the malicious creature, "if you had said it was a fine day to Mr. Tincklepaw, I should have been so afraid of his frowning at you directly, and saying, 'Stuff! talk of something worth listening to, if you talk at all.' What a love of a bonnet you have got on! and how Mr. Tincklepaw would have liked to be staying in your house when you were getting ready to-day to go out. He would have waited for you so patiently, dear. He would never have stamped in the passage; and no such words as, 'Deuce take the woman! is she going to keep me here all day?' would by any possibility have escaped his lips. Don't love! don't look at the shops, while Mr. Tincklepaw is with us. He might say, 'Oh, bother! you're always wanting to buy something!' I shouldn't like that to happen. Should you, dear?"
Once more. Say I meet Mr. and Mrs. Tincklepaw at a dinner-party, given in honour of a bride and bridegroom. From the instant when she enters the house, Mrs. Tincklepaw never has her eye off the young couple. She looks at them with an expression of heart-broken curiosity. Whenever they happen to speak to each other, she instantly suspends any conversation in which she is engaged, and listens to them with a mournful eagerness. When the ladies retire, she gets the bride into a corner; appropriates her to herself for the rest of the evening; and persecutes the wretched young woman in this manner:--
"May I ask, is this your first dinner, since you came back?"
"O, no! we have been in town for some weeks."
"Indeed? I should really have thought, now, that this was your first dinner."
"Should you? I can't imagine why."
"How very odd, when the reason is as plain as possible! Why, I noticed you all dinner time, eating and drinking what you liked, without looking at your husband for orders. I saw nothing rebellious in your face when you eat all these nice sweet things at dessert. Dear! dear! don't you understand? Do you really mean to say that your husband has not begun yet? Did he not say, as you drove here to day, 'Now, mind, I'm not going to have another night's rest broken, because you always choose to make yourself ill with stuffing creams and sweets, and all that sort of thing?' No!!! Mercy on me, what an odd man he must be! Perhaps he waits till he gets home again? O, come, come, you don't mean to tell me that he doesn't storm at you frightfully, for having every one of your glasses filled with wine, and then never touching a drop of it, but asking for cold water instead, at the very elbow of the master of the house? If he says, 'Cursed perversity, and want of proper tact' once, _I_ know he says it a dozen times. And as for treading on your dress in the hall, and then bullying you before the servant, for not holding it up out of his way, it's too common a thing to be mentioned--isn't it? Did you notice Mr. Tincklepaw particularly? Ah, you did, and you thought he looked good-natured? No! no! don't say any more; don't say you know better than to trust to appearances. Please do take leave of all common sense and experience, and pray trust to appearances, without thinking of their invariable deceitfulness, this once. Do, dear, to oblige _me_."
I might fill pages with similar examples of the manners and conversation of this intolerable Lady-Bore. I might add other equally aggravating characters, to her character and to Miss Sticker's, without extending my researches an inch beyond the circle of my own acquaintance. But I am true to my unfeminine resolution to write as briefly as if I were a man; and I feel that I have said enough, already, to show that I can prove my case. When a woman like me can produce, without the least hesitation, or the slightest difficulty, two such instances of Lady-Bores as I have just exhibited, the additional number which she might pick out of her list, after a little mature reflection, may be logically inferred by all impartial readers.
In the meantime, let me hope I have succeeded sufficiently well in my present purpose to induce our next great satirist to pause before he, too, attacks his harmless fellow-men, and to make him turn his withering glance in the direction of our sex. Let all rising young gentlemen who are racking their brains in search of originality, take the timely hint which I have given them in these pages. Let us have a new fictitious literature, in which not only the Bores shall be women, but the villains too. Look at Shakespeare--do, pray, look at Shakespeare. Who is most in fault, in that shocking business of the murder of King Duncan? Lady Macbeth, to be sure! Look at King Lear, with a small family of only three daughters, and two of the three, wretches; and even the third an aggravating girl, who can't be commonly civil to her own father in the first Act, out of sheer contradiction, because her elder sisters happen to have been civil before her. Look at Desdemona, who falls in love with a horrid copper-coloured foreigner, and then, like a fool, instead of managing him, aggravates him into smothering her. Ah! Shakespeare was a great man, and knew our sex, and was not afraid to show he knew it. What a blessing it would be, if some of his literary brethren, in modern times, could muster courage enough to follow his example!
I have fifty different things to say, but I shall bring myself to a conclusion by only mentioning one of them. If it would at all contribute towards forwarding the literary reform that I advocate, to make a present of the characters of Miss Sticker and Mrs. Tincklepaw, to modern writers of fiction, I shall be delighted to abandon all right of proprietorship in those two odious women. At the same time, I think it fair to explain that when I speak of modern writers, I mean gentlemen-writers only. I wish to say nothing uncivil to the ladies who compose books, whose effusions may, by the rule of contraries, be exceedingly agreeable to male readers; but I positively forbid them to lay hands upon my two characters. I am charmed to be of use to the men, in a literary point of view, but I decline altogether to mix myself up with the women. There need be no fear of offending them by printing this candid expression of my intentions. Depend on it, they will all declare, on their sides, that they would much rather have nothing to do with _me_.
NOOKS AND CORNERS OF HISTORY.
II.
THE GREAT (FORGOTTEN) INVASION.
PREAMBLE.
It happened some sixty years ago; it was a French invasion; and it actually took place in England. Thousands of people are alive at the present moment, who ought to remember it perfectly well. And yet it has been forgotten. In these times, when the French invasion that _may_ come, turns up perpetually, in public and in private, as a subject of discussion--the French invasion that _did_ come, is not honoured with so much as a passing word of notice. The new generation knows nothing about it. The old generation has carelessly forgotten it. This is discreditable, and it must be set right; this is a dangerous security, and it must be disturbed; this is a gap in the Modern History of England, and it must be filled up.
Fathers and mothers, read and be reminded; British youths and maidens, read and be informed. Here follows the true history of the great forgotten Invasion of England, at the end of the last century; divided into scenes and periods, and carefully derived from proved and written facts recorded in Kelly's History of the Wars:
I. OF THE FRENCH INVASION AS SEEN FROM ILFRACOMBE.
On the twenty-second day of February, in the year seventeen hundred and ninety-seven, the inhabitants of North Devonshire looked towards the Bristol Channel, and saw the French invasion coming on, in four ships.
The Directory of the French Republic had been threatening these islands some time previously; but much talk and little action having characterised the proceedings of that governing body in most other matters, no great apprehension was felt of their really carrying out their expressed intention in relation to this country. The war between the two nations was, at this time, confined to naval operations, in which the English invariably got the better of the French. North Devonshire (as well as the rest of England) was aware of this, and trusted implicitly in our supremacy of the seas. North Devonshire got up on the morning of the twenty-second of February, without a thought of the invasion; North Devonshire looked out towards the Bristol Channel, and there--in spite of our supremacy of the seas--there the invasion was, as large as life.
Of the four ships which the Directory had sent to conquer England, two were frigates and two were smaller vessels. This formidable fleet sailed along, in view of a whole panic-stricken, defenceless coast; and the place at which it seemed inclined to try the invading experiment first, was Ilfracombe. The commander of the expedition brought his ships up before the harbour, scuttled a few coasting vessels, prepared to destroy the rest, thought better of it, and suddenly turned his four warlike sterns on North Devonshire, in the most unaccountable manner. History is silent as to the cause of this abrupt and singular change of purpose. Did the chief of the invaders act from sheer indecision? Did he distrust the hotel accommodation at Ilfracombe? Had he heard of the clotted cream of Devonshire, and did he apprehend the bilious disorganisation of the whole army, if they once got within reach of that luscious delicacy? These are important questions, but no satisfactory answer can be found to them. The motives which animated the commander of the invading Frenchmen, are buried in oblivion: the fact alone remains, that he spared Ilfracombe. The last that was seen of him from North Devonshire, he was sailing over ruthlessly to the devoted coast of Wales.
II. OF THE FRENCH INVASION AS SEEN BY WELSHMEN IN GENERAL.
In one respect it may be said that Wales was favoured by comparison with North Devonshire. The great fact of the French invasion had burst suddenly on Ilfracombe; but it only dawned in a gradual manner on the coast of Pembrokeshire. In the course of his cruise across the Bristol Channel, it had apparently occurred to the commander of the expedition, that a little diplomatic deception, at the outset, might prove to be of ultimate advantage to him. He decided, therefore, on concealing his true character from the eyes of the Welshmen; and when his four ships were first made out, from the heights above Saint Bride's Bay, they were all sailing under British colours.
There are men in Wales, as in the rest of the world, whom it is impossible to satisfy; and there were spectators on the heights of Saint Bride's who were not satisfied with the British colours, on this occasion, because they felt doubtful about the ships that bore them. To the eyes of these sceptics all four vessels had an unpleasantly French look, and manœuvred in an unpleasantly French manner. Wise Welshmen along the coast collected together by twos and threes, and sat down on the heights, and looked out to sea, and shook their heads, and suspected. But the majority, as usual, saw nothing extraordinary where nothing extraordinary appeared to be intended; and the country was not yet alarmed; and the four ships sailed on till they doubled Saint David's Head; and sailed on again, a few miles to the northward; and then stopped, and came to single anchor in Cardigan Bay.
Here, again, another difficult question occurs, which recalcitrant History once more declines to solve. The Frenchmen had hardly been observed to cast their single anchors in Cardigan Bay, before they were also observed to pull them up again, and go on. Why? The commander of the expedition had doubted already at Ilfracombe--was he doubting again in Cardigan Bay? Or did he merely want time to mature his plans; and was it a peculiarity of his nature that he always required to come to anchor before he could think at his ease? To this mystery, as to the mystery at Ilfracombe, there is no solution; and here, as there, nothing is certainly known but that the Frenchman paused--threatened--and then sailed on.
III. OF ONE WELSHMAN IN PARTICULAR, AND OF WHAT HE SAW.
He was the only man in Great Britain who saw the invading army land on our native shores--and his name has perished.
It is known that he was a Welshman, and that he belonged to the lower order of the population. He may be still alive--this man, who is connected with a crisis in English History, may be still alive--and nobody has found him out; nobody has taken his photograph; nobody has written a genial biographical notice of him; nobody has made him into an Entertainment; nobody has held a Commemoration of him; nobody has presented him with a testimonial, relieved him by a subscription, or addressed him with a speech. In these enlightened times, this brief record can only single him out and individually distinguish him--as the Hero of the Invasion. Such is Fame.