Chapter 9
Madam's Vigil.
Five minutes after Madame Lavaux had left the room, Madelon, just awakened from her sound sleep, came creeping gently in. It was almost dark by this time, for it was late in the afternoon, and the Venetian shutters were still closed that had kept out the heat and glare all day; but now she threw them back, and let in the tepid evening breeze, and the faded light of the dying day; carriages and carts were rattling in the street below, shrill voices came from the opposite houses where lights were appearing here and there; high up in the serene grey-blue sky a few reddened clouds had caught the last gleams of the setting sun.
"Madelon," said M. Linders, roused by the noise she had made in opening the shutters.
A sudden throb of joy came over her as she heard his voice again, and she went swiftly and stood by his bedside.
"Are you better, papa?" she said, putting her two little cool hands into one of his, hot with fever.
"We are alone, are we not?" he answered, looking feebly around. "Come and sit up here by me. Can you jump up? That is right," as she climbed up and nestled close to him, her feet tucked under the sheet; "here, _petite_, let me put my arm round you."
He raised himself with an effort, and passed his arm round her, so that she could lay her head on his shoulder; and then in answer to her question,--
"No, I am not better," he said, "and I do not suppose I ever shall be better now. But never mind that," as she raised her head suddenly, and looked at him with wide, frightened eyes, "let us talk a little, Madelon. We have always been happy together; have we not, my child?"
"Ah! yes, papa."
"And later, when you are grown into a woman--as you will be, you know, by-and-by--and you think of the years when you were when you were a little girl, you will like to recall them; will you not, Madelon? You will remember that they were happy?"
"Yes, papa, I have been happy, ah, so happy!" says Madelon, half crying, and nestling closer to him; "but why do you talk so? What do you mean?"
"You will think of all our travels together, what pretty placed we have visited, all the _fête_ days we have spent; and you will remember that, whatever else I may or may not have done, I have always tried to make you happy, and to be a good papa to my little one. Promise me that, Madelon."
"I promise it, papa," she said. "How could I forget? Why should I not remember? Why do you talk to me in this way, papa? Are you very ill?"
"Very ill," he replied, holding her tighter to him, "so ill that all those happy days are come to an end for me, and for you, too, _ma petite;_ we shall never go about again together. You--you--" his voice broke with a sort of groan, but he went on again directly, "I wonder what my little Madelon will be like when she grows into a great girl? I should have liked to have seen you, my little one. I wonder if you will be tall--I dare say you will--for your mother was tall, and your face is very like hers."
"Am I like her, papa?"
"Very," he said, stroking her wavy hair, with his feeble fingers; "your eyes--yes, you have eyes that resemble hers exactly, and sometimes I have thought that when you grew up it would be almost like seeing her over again--for you know I did love her," he added, in a lower tone, turning his head restlessly on the pillow, "though they said I did not. I never meant her to die alone; they might have known that. I wish-- Bah! I am forgetting----"
"What did you say, papa?"
"Nothing," he answered; "I think I was forgetting where I was. How dark it is growing! you must light the candles soon. I must look at you again; you know I want to see your eyes, and smile, and pretty hair once more. And you, my little one, you will not forget my face? Don't cry, don't cry," he said, with a sudden pain in his voice; "I cannot bear it. I have never made you cry before: have I, my child?"
"Never, never," she said, stifling her tears desperately.
"You must think of me sometimes when you are grown up," he went on in his feeble voice, harping still on the same subject. "You will have no money, my poor little one--if it had not been for that devil Legros--but it is too late to think of that now. Well, I think you will have beauty, and that will go far even if you have no _dot_, and I should like you to marry well. But when you have a husband, and are rich, perhaps, you must still think sometimes of the days when you were a little girl, and had a papa who loved no one in the world so much as his little Madelon."
"Papa, I want no money, nor husband, nor anything else," cried Madelon, in a burst of tears, and throwing both her arms round his neck. "I want nobody but you, and I love you, and always shall love you better than any one else in the world. Papa, are you going to die and leave me?"
"So it seems," he said bitterly. "It is not my choice, Madelon, but one cannot arrange these little matters for oneself, you see. Now listen, my child; I am not going to leave you quite alone. I have a sister, who is your aunt Thérèse; I have never spoken to you about her before, for she became a nun, and we have not always been very good friends, but I think she will give you a home. She is the Superior of a convent near Liége, and that English gentleman--the doctor, you know--will take you to her; do you understand?"
"Yes, papa."
"Well, you must stay with her for the present. It is not just what I could have wished for you, _ma petite_, but I have no choice, as it happens; and if ever you are dull or unhappy there, you will not blame me, or think I was unkind in sending you, will you, my child? for indeed I could not help it, and you will be a good little girl, I know. By-and-by, as I said, perhaps you will marry--I cannot arrange all these matters beforehand. I used to think sometimes that perhaps you might have come out on the stage a few years hence. Would you have liked that, Madelon?"
"Yes--no--oh, I don't know, papa--I want you--I want you!"
"Yes--you will want me, _pauvre petite_. Good Heavens! that a child so small, so young should be left without me to take care of her! Bah, I must not think of it. Madelon, there is one thing more you must promise me--never to become a nun."
"A nun, papa?"
"Yes, a nun," he repeated, in his feeble vehement way, "a nun like your aunt Thérèse. Do you know what it means? To grow pious, and narrow-minded, and sour, to live for ever shut up between four walls from which there is no escape, to think yourself better than all the world. Madelon, promise me never to become a nun; if I thought that were the future in store for you--promise me, I say."
"I promise, papa," she said, quite solemnly, putting her hands together with a quaint little gesture; "indeed I should not like it at all."
"If I could only foresee--if I could only arrange," he said piteously. "God knows I have done what I think is best for you, my child, and yet--who knows what may come of it? Madelon," he went on in a faint, pleading, broken voice, "you will not let them make you think ill of me, and blame and despise me when I am dead? They will try perhaps, but you must always love me, my darling, as you do now; it must not be all in vain--all that I have been striving for--ah, don't cry--there-- we won't talk any more now--another time."
There was a minute's silence in the darkening twilight; Madelon's face was hidden in her father's shoulder, as he lay there with his arm still round her and his eyes closed, faint and exhausted. All of a sudden he roused himself with a start.
"Ah, I am dying!" he cried, with a hoarse voice, "and it is all dark! Light the candles, Madelon--light them quickly, I must see you once more before I die!"
Startled, awe-struck, only half realizing the meaning of his words, Madelon slid off the bed and prepared to obey. At that moment there came a tremendous knocking at the door of the room, and a voice half chanting, half shouting,--
"Are you here, my friend? Are you within to-night? Can one enter? Open quick; it is I, it is your friend! Are you ready for your little revenge? I am ready, for my part; I will give it to you--yes, with pleasure--yes, with an open heart!"
"It is Legros!" cried M. Linders from his bed, in a sudden spasm of rage, "it is that villain, that _misérable!_ Yes, yes, come in; Madelon, light the candles quickly; where are the cards? Ah--I will have my revenge yet!"
The door burst open, and Legros entered, just as Madelon had succeeded in lighting the candles. He stopped short in his uproarious entrance, suddenly sobered by the appearance of M. Linders, as he lay propped up with pillows, his white face and bandaged head, and eyes gleaming with fever and rage.
"Papa is very ill," says Madelon. "Monsieur, do not stay to- night, I beg of you!"
"What are you saying, Madelon?" cried her father; "I forbid you to say that again; bring me the cards. Legros, I am ready for you; ah, there is then one more chance in life!"
"You are not fit to play, Monsieur," said the young man, stepping back; "I will come again to-morrow."
"To-morrow!" answered M. Linders, with a sort of laugh, "have you then so many to-morrows that you can talk of them recklessly? Well, then, I will tell you--I have not--not one; but I have to-night, and that I will not lose. Ah! you think to cheat me in that way? you will put me off till to-morrow? you will say then--Ah, this M. Linders can never have his revenge now, he is quiet enough, I can keep his money in my pocket? You shall not say that, Monsieur; Madelon, bring the cards, and the lights, close to me, here, I cannot see well, it is so dark."
He seized the cards, and began to deal them out on the coverlet with his trembling hands. Madelon placed a small table at his side, put one candle on it, and with the other in her hand stood close to his pillow white and motionless. Legros slowly and reluctantly drew a chair to the bedside, and sat down opposite. There was a moment's pause, whilst M. Linders shifted and sorted his cards, and then, "A vous, Monsieur," he cried, with a sort of fierce impatience; but at the same instant his hold relaxed, the cards tumbled all in a heap on the floor, his head fell back. Madelon screamed and started forward, upsetting the table and the candle; Legros sprang up. It was at that moment that the door opened, and Graham, followed by a Soeur de Charité, entered the room.
Never, to the last day of his life, one may fancy, would Graham forget the little scene before him, which, indeed, always returned to his memory with an impression as vivid as that made upon him now--the overturned table, the scattered cards, Madelon in her white frock, her pale scared face, her wavy hair, her great brown eyes illuminated by the candle she still held, the terrified Legros, the ghastly look of the dying man--he saw it all at a glance, as he entered the room he had left so dim and silent but half an hour ago. It was to Legros he first addressed himself in a tone of strong indignation.
"Monsieur," he said, "you can have no business to transact with a dying man, and your presence is not desired here. Might I request you to leave me alone with my patient?"
"On my honour, Monsieur," cries the other, pale and stammering; "it was no doing of mine--he would have it so."
Graham, very likely, did not hear what he said; he was already at M. Linders' side. He raised his head, he felt his pulse and heart.
"It is nearly over," he said to the Soeur de Charité; "will you take the little girl into the next room?" And Madelon, frightened and trembling, offered no resistance as the Soeur took her by the hand and led her away.
It was as Graham said; all was nearly over. The feeble life, that with careful tending and cherishing might have flickered and lingered on yet a little longer, was all but quenched in this last supreme passion and effort. M. Linders never spoke again, and died in less than two hours, quietly at last, as men do for the most part die, it is said.
"That poor child!" said Graham, "who will tell her?"
"I will," said the brave, cheery little Soeur Angélique, and went.
* * * * * *
It was nearly midnight when the sad little bustle that had been going on in the chamber of death was hushed at last, and the Soeur de Charité prepared to depart. She had offered indeed to stay all night, but when Graham assured her that there was no occasion for any one to remain, as his room was just opposite, and he should be on the watch to see that all was quiet, she owned that she should be glad to go, as there was much illness about, and her services might be required elsewhere. She stood talking to Graham for a few moments before leaving.
"That poor little one," she said, "I should like to have one look at her, just to see that she is quiet; I don't think she half understood, or took in, what I said to her."
"Madame Lavaux told me she was in bed," Graham answered, "but we will see if she is asleep. Poor child, she will understand it all soon enough."
He opened the door gently between the two rooms, and they looked in. All was dark and silent, but they could just distinguish a little head laid on the white pillow, and could hear Madelon's soft, regular breathing.
"That is all right," said Graham, "we will not go in and disturb her; she will sleep till the morning, I daresay, for she was up almost all last night." He closed the door again as he spoke, and so they left her.
It was true that Madelon was asleep, but she was not exactly in bed. When the Sister had come in to tell her of her father's death, she had found her seated on the ground close to the door, with her hands clasped round her knees, her head leaning against the doorway; some one had bought in some supper on a tray, but it stood on the table untouched, though she had eaten nothing since the morning. She did not move when Soeur Angélique came in, but she looked up with an expression of dumb, helpless misery that went to the Sister's heart; she sat down beside her on the floor, put her arm round her, and told her the sad news in her gentle, quiet tones, which had acquired a ring of sympathy and tenderness in a thousand mournful scenes of sorrow and despair; but, as she had said to Horace, she hardly knew whether the child understood her, or took in what she was saying. Madelon did not speak nor cry; she only sat gazing at the little Sister with a look of perplexed terror dilating her brown eyes, that never changed as Soeur Angélique went on with her pious, gentle maxims and consolations, which fell blankly enough we may be sure on our small Madelon's bewildered mind; and presently, hearing herself called, and seeing indeed that she was making no impression with her kind little speeches, the Sister rose to go, saying as she did so, "You will go to bed now, _chère petite_, will you not?" and then thinking that a familiar face and voice might perhaps have a kindlier influence than her own just then, she added, "and I will ask Madame Lavaux to come to you."
"No, no," cried Madelon, suddenly rousing, and starting up at these last words. She had comprehended what the Sister had told her well enough so far as words went, but she was too stunned and confused to take in their full meaning; and in truth her presence there at all had only been another unfamiliar element in this bewildering whirl of events, imparting an additional sense of unreality. But when she mentioned Madame Lavaux, the name linked itself at once with recent memories and emotions, and its accustomed association with her every-day life made it a rallying point, as it were, for her scattered ideas. Madame Lavaux had been cross and unkind to her the night before; Madame had buoyed her up with false hopes of her father's recovery only that morning; Madelon did not want her, would not see her. She stood still for a few minutes after the Soeur de Charité had left the room, all her sorrows and doubts and certainties resolved for the moment into a dull, unreasoning dread of seeing Madame Lavaux come in; and then, suddenly fancying she heard footsteps approaching the door, she hastily blew out her candle, and all dressed as she was, crept under the coverlet of the bed. She would pretend to be asleep, she thought, and then no one would disturb her. The footsteps passed on, but presently the door did open, and some one looked in: it was Madame Lavaux, who, seeing that Madelon made no sign, concluded that she was asleep, and went away softly, with a kind pity in her heart for the desolate child. As for Madelon, the pretence of slumber soon passed into reality, for, after lying awake for a while listening to the low voices and rustling movements in the next room, fatigue and her own enforced tranquillity overcame her, and she fell sound asleep.
It must have been long past midnight when she awoke again with a sudden feeling of fright and strangeness, for which she could not account, but which made her spring off the bed and listen if she could hear any one moving. All was very still; not a sound came from the adjoining apartment; her own room was quite dark, for the windows and outside shutters were closed. Madelon felt scared, lonely, desolate, without knowing why; and then, all at once, she remembered the reason. All that the Sister had said came back with fresh meaning and distinctness to her senses restored by sleep; and, sitting down on the floor just where she was, she began to cry with a low moaning, sobbing sound, as a child cries when it is sorry and not naughty.
No one heard her, no one came near her; she was all alone, and in a few minutes she stopped crying, half frightened at her own voice in the silence and darkness. And then she began to wonder if her father were still in the next room, or whether they had taken him away anywhere; if not, he was all alone in there, as she was in here. It would be some comfort to be with him, she thought. Madelon knew that he was dead, but death was an unfamiliar experience with her; and she could not perhaps clearly separate this hour from all other hours when she had been hurt, or sorrowful, or frightened, and had run to her father to be comforted.
She got up, and, opening the door, stole softly into the other room. It was not quite so dark in there: the windows and Venetian shutters were wide open, and a lamp in the street below gave an uncertain light, by which she could just distinguish the gleam of the mirror, the table in the centre of the room, and the bed, where the outline of a silent form was vaguely defined under the white covering sheet. Madelon had had some half-formed idea of getting on to the bed, and nestling down by her father, as she had done only the evening before, when he had put his arm round her, and they had talked together; but now a chill dread crept over her--a sense of change, of separation; she had not even the courage to raise the sheet and look upon his face. She stood gazing for a moment, afraid to go back into the darkness of her own room; and then, with a sudden movement, as though urged by some terror, she turned quickly away, and went swiftly to the open window. She looked down into the narrow, dark street, dimly illuminated by an occasional lamp; she looked up to the starlit space of sky visible above the house-roofs and chimneys, and neither above nor below did she find any comfort; for a sudden awful realization of death had come to her in the darkness and silence, almost too keen and terrible for our poor little Madelon to bear--each realization, too, a fresh shock, as with an instinctive shrinking from this new consciousness of an intolerable weight her mind slipped away into some more familiar channel, only to be brought rudely back to this fact, so unfamiliar, and yet the only one for her now, in this sudden shattering of all her small world of hopes and joys and affections. And is it not, in truth, terrible, this _strength_ of facts, when we are, as it were, brought face to face with them, and held there till we recognise them? No means of evasion, no hope of appeal from what is, in its very nature, fixed, unalterable, irrevocable; the sin is committed, the loved one gone, the friendship broken and dead, and for us remains the realization in remorse, and heart-breaking, and despair.
Which of us is strong enough to wrestle with facts such as these? which one of us can look them long in the face and live? In the desperate recoil, some of us find ourselves recklessly striving to forget and ignore them, and some find a surer refuge in facts that are stronger still than they; but to one and all, in kindly compassion to human weakness, each new emotion, each passing interest and trivial incident, combines to interpose a barrier between us and the terrible moment that overwhelmed us; and time which, in later years, seems to drag out the slow hours and days into long ages of dreary grief, can deal swiftly and mercifully with a little child. Hardly had Madelon grasped the true measure of her grievous loss, or tasted its full bitterness, when the reaction came with a great burst of tears, and crouching down in the corner by the window where she had spent so many hours of the previous day, she sobbed away half the terror and awe that were oppressing her poor little heart. Presently she began to grow sorry for herself in a vague, half-conscious sort of way--poor little Madelon, sitting there all alone crying, no one to help her, no one to comfort her--then the sobs came at longer and longer intervals as she gradually lost consciousness of where she was, or why she was there; and with the tears still wet on her cheek, she was nearly asleep again, when she was roused by some one bringing a light into the room; it was Graham, who had come to fetch something he had left on the table, and to see that all was quiet.
Madelon was too much accustomed to late expectant vigils to be startled; and, indeed, in her drowsy state, her first impression was only the familiar one of a welcome arrival. "Me voici, papa!" she cried, jumping up promptly; and then she saw the young man coming towards her, and with a suddenly revived consciousness of the still, white-sheeted form on the bed, she sank down on her low seat again, the sensation of blank misery all revived.
Graham, on his side, was not a little surprised at the small figure that had started up to meet him; he had fancied her in bed hours ago. He came up to where she was sitting, a most sad, disconsolate little Madelon, all huddled together, her hands clasped round her knees, her eyes shining through a short wavy tangle of brown hair, all rough and disordered.
"Don't you think you would be better in bed?" says Horace, in his kind, cheery voice.
"No," she answered abruptly; she was so miserable, so sore at heart with the sudden disappointment, poor child, and Graham had been the cause of it.
"But I am afraid you will be ill to-morrow if you sit there all night," said Graham; "do you know what time it is?"
"No," she said again; and then, as he came a step nearer, she gave a stamp on the floor, and turned her back on him. "Ah, do leave me alone!" she cried, in a miserable little broken voice, covering her face with her hand.
Graham saw that she was utterly wretched and worn out. He could guess pretty well how it had all happened, and reproached himself for not having foreseen and provided against the chance of her waking up and finding herself alone; and now he hardly knew what to do--to speak to her, or to urge her any more just then, would only make matters worse. At last he said quietly,--
"I have some writing to do, and I am going to bring it in here; you will not mind that, I daresay?"
No answer; Horace left the room, but in a moment he returned, sat down at the table and began to write.
A stillness which the rapid scratching of the pen upon the paper, and the vague, ceaseless hum of the great city coming through the open window, only seemed to render apparent; occasionally the clang of a church clock, the sudden rattle of wheels rising like hollow thunder and dying away into remote distance, a far-off cry, and then a silence more profound by contrast. Madelon, sitting in her dark corner, began to recover herself; in truth, it was the greatest possible relief to have Graham in the room with her, bringing light and the warm sense of a living presence into the chill, unnatural silence and darkness of death; and presently she began to awake to a half-penitent consciousness that she had been cross, rude, not at all raisonnable in fact; little by little she shifted her position, and at length turned quite round to look at M. le Docteur.
Monsieur le Docteur was not looking at her, nor thinking of her apparently, for he never raised his eyes from his writing; the candle light shone on his rough brown hair, on his pleasant, clever face, with keen profile, well defined against a shadowy background. Madelon sat watching him as though fascinated; there was something in the absorbed attention he was giving to his writing, which subdued and attracted her far more than any words he could have spoken to her, or notice he could have taken of her just then. He had apparently forgotten her, this kind Monsieur le Docteur, who had evidently more important things to think about than her and her pettish little speeches; or she had perhaps made him angry, and he would not take any more notice of her at all? There was a certain amount of probability in this last idea to the self- convicted little Madelon, that urged her to some sort of action; she sat still for a few moments longer, then got up and stole softly across the room to where Graham was sitting.
"I did not mean to be cross, Monsieur," she said, in her little trembling voice, standing with her hands clasped behind her back, and tears in her eyes. Perhaps Graham _had_ forgotten her for the moment, for he gave a little start as he looked round.
"I am sure you did not," he said quite earnestly, as he laid down his pen, "but you are so tired to-night, and unhappy too; are you not?"
"Ah, yes," she answered, with a little sob, "I am very unhappy!"
He put his arm round her, as she stood beside him, and took one of her little hands in his; he was so sorry for the poor little girl, and yet he hardly knew what to say to console her. She gave two or three more little sobs, rubbing her eyes with her other hand to keep back the tears; presently she looked up into his face, and said:
"Do you really think I had better go to bed?"
"Indeed I do," replied Horace, much relieved by the practical turn her thoughts were taking; "I am really afraid you will be ill to-morrow if you do not, and you know I must take care of you now."
"I thought papa was all alone in here, and I was alone too," said Madelon, "it was so dark and lonely in my room."
"Well," said Horace, "I am going to stay in here for a little while, and presently I will open your door, and then it will be almost as if you were in the same room; won't that do?"
"Yes, thank you," said Madelon, who indeed was so tired that she could hardly speak. Graham lighted a candle for her, and opened the door leading into the inner room; she paused a moment as she took the light; and gazed up into the kind face looking down upon her; then she put her hand into his, and saying, "Good-night, Monsieur," went into her own room. Graham closed the door, and returned to his writing. That was all that passed between them, but from that time Madelon's feeling for Horace Graham approached adoration.