Part 7
"Sure, mem, no doot we can, if, be the same token, it proves convanient to yerself," responds the girl. "The korp, indade, is after wakin' itself in the bist chamber; but there's the intry bidroom at your service, intirely."
Miss Paulina graciously accepting the proffered chamber, Bridget kindly leads the way to the "intry bid-room;" and, bidding her "have no fear of the korp," hurries off in pursuit of the needful toilet furnishment, leaving the guest alone in the small dusky apartment.
Interwoven with her life experience, as it has ever been, death has hitherto been calmly confronted by Miss Paulina; but to-night, alone in a strange dwelling, with a murdered man in the adjoining apartment, and neighboured, no doubt, by scores of murderers, it is all unutterably depressing; and when Bridget, having, as she states, waited to "rub out a clane towel, an' hate a flat for that same," comes clattering through the hall, with the damp napery across her arm, a lamp in one hand, and a slopping ewer in the other, the nervous lady is half disposed to hug her for the bare relief afforded by her presence! Hastily arranging the dusty wash-stand, Bridget announces the instant "goin' on" of supper, and graciously invites her to "tak a look at the korp, an' thin walk doon." Left alone, Miss Paulina removes bonnet and shawl, bathes her face, dons her cap, and, ignoring "the korp," hastily descends to the dining-room.
The supper, a badly cooked, ill-served meal, is solitary and uncomfortable, the "childer" having, according to Bridget, kindly consented to be captured, to be put to bed, and to cry herself to sleep. Miss Paulina, weary and forlorn, soon retires. Already half-undressed, she finds that her travelling bag, containing her night gear and toilet necessaries, together with sundry toothsome packages, provided as "sops" for supposable hostile small Flints, has been left below stairs. Bridget being presumably beyond call, the good lady must herself seek the missing bag. It is safe in the entrance hall, and, hastily securing it, she essays to return to her own quarters. In her bewilderment, she somehow misses her bedroom door, and, instead, opens that of the chamber containing the corpse.
Already well into the apartment, she discovers her mistake, and, simultaneously, lets fall her lamp, surprised by the unlooked-for tableau confronting her. Here, in the dimly-lighted room, close to the murdered warden, whose face she has uncovered,--like some exquisite statue of Pity, mute, motionless, and scarce less pallid than the marble before her,--stands the night-robed figure of May-blossom. No childish recoil from that awful presence disturbs her sweet, earnest face. A solemn awe is in the wistful gray eyes, a mute interrogation of that confronting mystery, blent with the tender pathos of commisserating love. Startled by the clatter of the falling lamp, the child turns, and timidly awaits the approach of the unknown intruder. Dear, kind Miss Paulina! Surprise and wonder at once give way to the one absorbing desire to clasp in her warm, motherly arms this lovely, lonely child.
"Poor little darling," she murmurs, caressingly, approaching and kissing the tear-wet cheek. "Why are you here so late, and all alone?"
"I thought," apologizes the child, "I thought it might not be so _very_ wrong. The nights are so long, and when I tried to sleep my eyes wouldn't shut; for I kept thinking of him (indicating reverently the corpse), and of the other, too. Peter says _he's_ crazy, and awful wicked, and down there in the dungeon with the rats, an' all in irons! And when I thought of it, I got wider and wider awake, and then I came to father. When he was alive (apologetically), of course, he didn't care to have me around, and so I stayed mostly with Uncle Tim and Peter, and the others; but I thought he might be glad, up in heaven, if he saw me staying with him _now_ when he is all alone."
"It was not at all wrong, dear child," says Miss Paulina; "but come away with _me_ now. I am your father's cousin, my child, your Aunt Paulina. You shall try _my_ bed to-night, and see if you cannot sleep _there_."
Permitting the child a last good-night kiss, Miss Paulina re-covers the dead face of Warden Flint, upon which the sharp agony of that cruel exit from life yet lingers, and the two pass reverently from the chamber.
Never, in all May-blossom's unmothered life, has there been a night like this. The warm cuddling in tender arms, two fairy tales, the tucking up in bed, and, last of all, the singing of a Scotch ballad, sweet as April rain, upon whose soothing rhythm the weary little soul floats awhile in semi-consciousness, and, at last, falls deliciously into the soft arms of sleep.
* * * * *
We may be sure that all the veteran funeralgoers (those irrepressible "mutes") were on evidence at the funeral of Warden Flint; that his most sequestered virtues were brought to the front, and put on parade for the occasion, and that the usual number in attendance pronounced the remarks "excellent." After the service the coffin is borne uncovered through the guard-room, and deposited in the prison yard. The convicts filing thither, in reverent procession, are permitted a last look at their warden. Hodges, the murderer, taken from his rayless dungeon, and blinking dazedly at the light, is (after the old-time experimental fashion) brought face to face with the corpse. He neither weeps nor smiles. His face wears the blank expression of utter imbecility. After much prodding from his attendants, he recognizes the warden, and babbles, "O dear! have I killed him?" When bidden to put his hand on the body, he recoils and shudders. He exhibits no other emotion, and, clanking his irons, is led supinely back to the "Lower Arch." The convicts retire in slow, orderly procession, and the coffin is returned to more private quarters. The lid is screwed down. Mrs. Jones, standing at the front window, counts the carriages, and, as the body is being adjusted on its hearse, Mrs. Miller, in a resonant whisper, asks Mrs. Brown, "How soon they expect to get into the new house, and if she's weaned the baby?" Amid this easy chit-chat, the mourning carriages fill, the procession starts. After this, the Joneses, Millers, and Browns go their ways. The funeral is over.
Warden Flint's successor, an oldish man with grown-up sons, promptly appointed by the governor, arrived upon the scene directly upon the heels of _his_ departure (death's widest gaps are soon filled!), and, as there were none to say her nay, Miss Parker tacitly adopted his homeless child, and made ready for _her_ departure. Miss Paulina (admirable as she was) had her limitations. The convict, viewed through the disparaging lens of her own immaculate spectacles, was not an eligible associate, and the tender, all-round leave-taking, permitted between her innocent charge and her attainted friends, was an heroic stretch of good-will on the part of this excellent lady.
At last, it was all well over. May-blossom had given her farewell hug to Peter Floome and "Uncle Tim," and her sweet eyes yet wet with tears, and hanging, as to a last plank, upon the cage of a fluttering yellow canary (the parting souvenir of the inconsolable turnkey), was safely bestowed in the two P. M. train on her way to Saganock,--now no longer a "prison child."
The general depression incident to the withdrawal of this sweet familiar presence from the gray old prison was slightly relieved by speculative interest in the new warden. It might reasonably be hoped that this bran-new broom would sweep away _some_ time-honoured abuses--such as the iron crown, the ball and chain, the lash, and the parti-coloured prison attire. It was also inferred that he would reduce the number of consignments to the "Lower Arch," since a recently dungeoned culprit had gone stark mad in that unsavoury place, and refusing, on the expiration of his term of detention, to vacate in favour of an incoming tenant, had been, like some elusive rat, actually smoked out of his hole![2] As to that forceful incentive to propriety, the penal shower-bath, it was whispered that even the commissioners themselves had become shaky in regard to its usefulness, since the sad taking off of a prison warden had been the latest result of that mode of disciplinary torture, a description of which is here subjoined for the curious.
[2] A fact furnished by an aged officer who witnessed this unique eviction.
The refractory wretch, his arms, legs, and neck confined in wooden stocks, is seated, nude, in a small, dark closet. From three to four barrels of water are placed above his head, at an elevation of six to eight feet. Unable to change in the slightest degree his position, he receives upon the top of his head, drop by drop, in sudden shower or heavy douche (as may best suit the fancy of his tormentor), this terrible bath. As a devilish after-thought of the inventor, a trench-like collar is made to encircle the victim's neck; as the water descends, this collar fills, and it is so contrived that at the least movement of the sufferer's head the water shall flow into his mouth and nostrils, until he is upon the verge of strangulation. By order of the Board, the shower bath was, in 18--, set up in the State Prison. Could that criminal institution have furnished an unlimited supply of waterproof brains, it might have flourished there indefinitely; but mad convicts are troublesome, nay, _sometimes_ dangerous, and insanity behind the bars is, therefore, not to be wantonly induced.
Hodges, a provokingly incorrigible sinner, had been, time out of mind, "under treatment." At the command of Warden Flint, he had (putting it in Peter Floome's own forcible English) "ben showered out of his wits, and into his wits, an' then showered right _over_ agin." In the abnormal mental state induced by this prolonged torture, the wretched creature had finally turned upon his tormentor. Discouraged by this unlooked-for practical result of the shower-bath, the Board subsequently ordered the discontinuance of its use in the prison; and Hodges was the last subject of that infernal contrivance.
He was brought to trial for the murder of his keeper, and acquitted on the ground of insanity; and finally made good his escape from this troublous life, by a leap from an upper window of the State Insane Hospital.
Hodges was an accomplished rogue, and a second comer to the prison, and it is to be inferred that by the door of death "he went to his place," leaving the world none the poorer by his withdrawal from it; all the same, he is to be congratulated on his ultimate escape from the penal water cure.
* * * * *
It is May-day; and high tide with the Saganock. It is a brimful hurrying river, and, at this moment, fully verifies that distracting old saw, "Time and tide stay for no man." And here, amid budding lilacs and singing robins, some half head taller, and two good years older than on the day when she bade a final adieu to the prison, is May-blossom. On this sunny slope of the Parker lawn she is prospecting for early violets. Her sweet face has grown thinner. Violet circles underline her soft gray eyes. Her lips are as threads of scarlet wool, and, listening, you may hear her cough--deep and hollow. Alas! It is a sound to make the heart ache.
Soon wearied by her futile search, the child returns to her cosy corner on "the stoop," and there, curled up beneath the soft warm folds of an afghan, watches the westering sun, the fleecy clouds, and the familiar river speeding on to the sea.
Meantime, at the north door, Dr. Abel Foster, the family "medicine man," briskly alights from his buggy. Before his hand can touch the knocker it is opened by Miss Paulina herself. "Good afternoon, my dear lady; and so pussy is still ailing, is she?" cries the good doctor (this with assumed nonchalance, slightly overdone).
"Yes, Doctor Foster," replies Miss Parker; "and will you kindly sound her lungs to-day, and let me know the worst? One flinches indeed, but, if it _must_ come--why, then--" an ominous quaver in the gentle voice; and the doctor shrewdly interrupts:
"Bless you, madam! I'm in a terrible hurry! Twenty patients waiting for me this minute! Let me see the little girl at once."
May-blossom is called in, her blue-veined wrist consigned to the doctor's big feelers; her tongue submitted to a critical inspection; and, after undergoing a prolonged professional thumping and hearkening, she is soundly hugged and kissed, and, with a nod and a smile, dismissed. After this, Doctor Foster and the lady of the mansion are closeted awhile together. The buggy then passes down the drive, and disappears on the long dusty road. Soon after, the south door opens, and a face, pale and sad, but very calm, bends over the child, who has again returned to her out-door seat. Very tenderly is the warm afghan folded about the small, fragile form. The robins no longer sing. The sun, half-obscured, is going down. The burying-ground stands drearily out against the murky sky. The pines wail mournfully, and the river--at ebbing tide--murmurs in sad refrain. Old Harmy, moulding tea-biscuits at her kitchen window, imparts to Mandy Ann--who is shaving the dried beef for tea--her belief that Miss Paulina "hes gone clean crazy, settin' out-doors with that child, an' the dew a fallin' this very minnit, like sixty!" Miss Paulina--recovering her wits--hurries her darling in. The tea-table is already laid in the south keeping-room, beside the wide fireplace, with its ancient crane, and its Scriptural border of watery blue Dutch tiles; and, in the cheerful apple-wood blaze, the two partake together of that now almost obsolete meal--a substantial six o'clock tea. May-blossom is then snugly settled among the cushions of a wide chintz lounge, and the elder lady, in a low seat beside her, and holding lovingly her small wasted hand,--as is her wont,--chats pleasantly with her darling, in the soft, quiet gloaming. At nine, they pass, hand in hand, to Miss Paulina's own chamber, where the child's cot has long been established. May-blossom undressed, kissed, and blessed, creeps drowsily between its warm blankets, and is soon sound asleep. Miss Paulina, in her dressing-gown, broods over the dying fire, far into the night. Alas! have not all her best beloved gone from her? Why might not Heaven have spared to her this last--the one ewe lamb, so tenderly carried in her arms, and warmed in her lonely bosom? Why not; ah, _why_? She recalls the blessed comfort of two love-lightened years; the daily lessons, when to teach this bright little creature had been a mere pastime; their woodland fern and flower-gatherings, their winter fireside cosiness, all the nameless homely delights of love's dear fellowship--wayside flowers, that, scarce perceived, blossom along life's trodden ways. And now it is all coming to an end! Nothing will be left her but one small, grass-grown grave! As if there were not already graves enough in her world!
May-blossom, though not a sickly child, had never been robust; and when, at midwinter, she had taken the measles, this epidemic of childhood had gone hard with her. She had convalesced but slowly; an ugly cough had set in, and could not be routed; and now there were hectic afternoons, debilitating night-sweats, succeeded by mornings of lassitude; and, to-day, Doctor Foster had summed up his diagnosis in one dreadful word--_consumption_!
"The child," explained the good doctor--tears blinding his kind old eyes--"has grown up (as it were) in the cellar; delicate nervous organization; too much brain; too little out-door life; and the outcome of it all is simply this--with that cough, and that constitution (God help us!) an angel from heaven couldn't save her!"
* * * * *
Summer is coming. The buttercups are here. May-blossom is better. She sleeps well, coughs less, and her appetite is mending. Buoyed by deceitful hope, Miss Paulina takes heart, and the train for Boston, from whence,--crowned with the spoil of a half day's shopping,--she is, at this very moment, returning. The carryall fairly groans under its accumulated bundles; and the steel-clasped bag upon her arm is plethoric, to the last degree. Hours have passed since she parted from her darling. Hastily alighting, she hurries in. There is an under-quaver of anxiety in her voice as she calls, "May! May, May, dear!" Where _can_ the child be, that she has not run to meet her! "May!" again, and louder--still no reply. Yet now a never-to-be-mistaken voice comes cooingly from the kitchen. "Who _can_ the darling be fondling? (Harmy Patterson, though staunch and loving, is not one to unbend to endearments!) Her kitten, most likely."
She softly opens the kitchen door. Amazement stays her feet upon the threshold! Harmy, mute with horror, indicates with stretched forefinger her own clean patchwork-cushioned rocker, wherein, bolt upright, sits an unknown man,--and _such_ a man! His coarse, dusty garments (evidently fashioned without the slightest reference to their present wearer) hang scarecrow-wise upon his graceless form. Under his slouched hat (which he democratically retains) he seems to skulk abjectly from the gazer's eye; as well he may, for, unshaven and unshorn, his wide mouth stained with tobacco, his hands and face begrimed with dust, he looks, every inch, the wretched outcast that he _is_! And (no wonder that old Harmy gapes distraught), seated lovingly upon this creature's knee, her dainty fingers clasping his dirty hand, her golden curls brushing his grimy neck, is May-blossom,--yes, May-blossom, her own sweet self, beaming, and fond, and absolutely unconscious of the incongruity of the situation. And this forlorn being, craving still of humanity but leave to carry on its shoulders the shamed head of a man, is a convict,--our old prison acquaintance, Peter Floome, May-blossom's sometime nurse, and always friend!
Lightly springing from her unseemly perch, the child hastens to greet Miss Paulina, and, hanging fondly upon her hand, cries eagerly, "Oh, auntie, darling, I'm so glad you've come! Here's Peter, dear old Peter! He's pardoned out, auntie, and, isn't it nice? He can come and see me every day now if he likes.
"Why, auntie! (somewhat crestfallen) aren't you glad? and won't you shake hands with him? Peter is nice, auntie, and he used to take _such_ care of me when I was _ever_ so little. You'll like Peter when he's washed up, and so will Harmy, though she _does_ mind him just a little _now_, because she's not acquainted with him." (Harmy, _sotto voce_, and emphatically, "Lord sakes, no; an' don't never want to be!") Here, reminiscences of prison etiquette visiting Peter's dazed mind, he shuffles bashfully to his feet, and, pulling distractedly at his matted forelock, goes through a certain gymnic performance, supposed, by himself, to constitute a bow. The ice thus broken, Peter finds his tongue, and blurts out a "Good day, marm, hope I see yer well, marm."
Miss Paulina bows, a pause, ensues. Peter looks admiringly at May-blossom, and, thereby gaining inspiration, finds himself equal to a second attempt at conversation.
"She's growed, marm, like the mischief!" he asserts; "but I knowed her, I _did_, the minute I sot eyes on her out there in the mowin' lot! an' she knowed _me_, she did! Yes, yes, she knowed Peter; she knowed him. Poor old Peter! who don't hardly know himself nowerdays." Here Peter's voice gets husky, and, brushing away a dirty tear, with his greasy coat sleeve, he seems to await the issue. Peter Floome is downrightly the social antipodes of the lady of the homestead. Conventionally they do not stand side by side in the human group, but, like Swedenborg's unfraternal angels, "feet to feet." Yet in the artless harangue of this poor creature there is a touch of honest nature that at once makes them kin.
"And I, too, must know you, Peter," she says, cordially advancing and taking in her own clean palm his dirty hand.
Unable to express his appreciation of the honour thus conferred, Peter twirls his thumbs, ventures a side glance at Harmy, and, again utterly disparaged in his own eyes, looks uneasily at the floor.
Prompt to reconcile the cowed creature to himself, Miss Parker courteously says: "And now, Peter, you would, I think, like to go up to Reuben's bedroom and have a good wash. By and by Harmy shall give you tea, and then we must hear all about the pardon, and how you happened here, and what you mean to do with yourself, and what _we_ can do for you. Come, Mabel, dear; Peter, you know, is _your_ company. Show him up-stairs, my darling."
Again the small, soft hand is laid in the rough, brown paw, and Peter Floome,--in a state of absolute bewilderment as to his personal identity,--shuffles awkwardly off with the delighted child. And what says Harmy Patterson to all this? "Here's a convict, a horrid convict," cries she, "and invited to tea, an' that child a huggin' an' kissin' him, in cold blood! Lord! Lord! what _is_ the Parkers comin' to?" Here, unable further to pursue the fallen social fortunes of the house, Harmy covers her face with her checked apron and bursts into tears. Grieved at the discomfiture of her old servant and friend, Miss Parker essays a word of expostulation. She appeals to her hospitality, her humanity, reminds her of her professed discipleship of Him who "sat at meat" with the sinner. In vain! as well might she have addressed herself to Harmy's stone molasses jug, which, dropped from her grasp in the sudden shock of Peter's advent, now lies prone upon the kitchen floor. Foiled in her kindly endeavour, the mistress quietly withdraws. Harmy, left alone, sobs herself into a comparatively tranquil frame of mind. Coming to the rescue of her molasses jug, she carefully ascertains that no minute fracture is consequent upon the fall, and that no wasteful drop has exuded from the wooden stopper, and, forthwith, sets vigorously to, on a batch of soft gingerbread, whose manufacture had been interrupted by the entrance of Peter Floome. While she stirs her cake, Harmy sighs, and profoundly resolves in her mind "the fitnesses." In her social lexicon a convict is a vile wretch. In her catechism he is given over to damnation from the foundation of the world--God-devoted to the very devil himself!
Miss Paulina Parker, in her chamber, washes her hands, and also ponders the "fitnesses." This starved outcast is her brother. She has taken him by the hand. Christian ethics demonstrate the fitness of this act. The hand was, no doubt, dirty. Yet, what matters it? Soap and water set one right again. Soap and water tell, too, upon Peter Floome, when, after a characteristically superficial ablution, he emerges from Reuben's bedroom, a trifle improved in complexion, but still a sorry specimen of humanity, and, escorted by May-blossom, is whisked out-of-doors, on a hasty tour of inspection. Led by this happy little creature (now holding his hand, now dropping it to run on and, turning, take in his effect, and then skip gayly in advance), Peter visits the chicken-coop, the beehive, the flower garden, the stables, and the pig-pen, and, last of all, the apple orchard, now rosy-white with bloom.
There, reclined upon the grass, beneath the flowering boughs of a patriarch tree, Miss Paulina ere long comes upon the oddly matched pair. Peter, wreathed with buttercups and dandelions, and wearing his flowery honours like another "Bottom," sits beside his "Titania," who in fond infatuation "His amiable cheek doth coy."