Music

Music as a Language: Lectures to Music Students

Let us consider the case of a young girl who has finished her school education, and has supplemented this by a special course of technical work in music, which has ended in her taking a musical diploma. She now wishes to teach. What are the chief problems which she will have t...

Chapters

1. Chapter 1

Let us consider the case of a young girl who has finished her school education, and has supplemented this by a special course of technical work in music, which has ended in her...

2. Chapter 2

When the necessity for this work has been realized the next step is to consider how the time can be found for it in the school curriculum. Those who have seen some of the result...

3. Chapter 3

It is perhaps more rare to find a successful teacher of songs than of any other subject in the school curriculum. There are many reasons for this. In many cases a visiting teach...

4. Chapter 4

To those who are not accustomed to the Sol-fa notation it appears at first sight a useless encumbrance. Excellent arguments are produced for this view. Many musical people can s...

5. Chapter 5

The form of these lessons will vary slightly according to the ages of the children. We will suppose these to lie between seven and nine years, when the children can read and write.

6. Chapter 6

7. Chapter 7

Instruction in sight-singing should begin by teaching the staff notation through the Tonic Sol-fa method. Objections to this are sometimes raised by very musical people, who hav...

8. Chapter 8

Not only must an intellectual conception of the importance of the subject be arrived at, but a subconscious realization of it. The function of rhythm in the world should be perc...

9. Chapter 9

2. Monotone time tests, which should be quite short, as the constant repetition of the same note in pitch is irritating to the more sensitive ears in a class. This point is some...

10. Chapter 10

As every child possesses a voice, but does not in every case learn an instrument, it is clear that the fundamental training in music must be given through the use of the voice....

11. Chapter 11

A wise musician has drawn attention to the fact that music has a more important educational function than any foreign language, being a common language for the expression of emo...

12. Chapter 12

A great many musical people will not take up the subject of transposition seriously, because they have no idea of the lines along which to work. They all agree that the knowledg...

13. Chapter 13

All those who teach ear-training should keep a book in which they write on one side of the page the proposed scheme of work for each lesson, and on the other the actual work don...

14. Chapter 14

It is impossible, within the limits of a chapter, to do more than dwell on a few practical points connected with the teaching and organization of this work in a school. As was s...

15. Chapter 15

In the short space of one year, which is all that can be generally spared by the student, it is impossible for her to realize the full bearing of all that has been done. It is o...