Mountain Paths

Part 3

Chapter 34,074 wordsPublic domain

M. Tielemans felt that his time was come:

“This is a serious matter for me,” he said to his wife.

She squeezed his hand and urged him to keep courage. The burgomaster was arrested and ill-treated by the soldiers. In vain his wife remarked to the captain that her husband and son could not have fired, since they possessed no weapons.

“That makes no difference,” replied the bully in uniform; “he’s responsible. Also,” he added, “I want your son.”

This son was the boy of fifteen who had been wounded in the leg. As he had a difficulty in walking, because of his wound, he was brutally jostled before his mother’s eyes and escorted with kicks to the Town-hall, there to join his father.

Meanwhile this same captain, persisting in his contention that his men had been fired upon, compelled Madame Tielemans to go through the house with him, from cellar to attic. He was obliged to observe that all the rooms were empty and all the windows closed. Throughout this inspection, he threatened the poor woman with his revolver. Her daughter placed herself between her mother and their sinister visitor, who did not understand. When they returned to the hall downstairs, the mother asked him:

“What is to become of us?”

Coldly, he replied:

“You will be shot; so will your daughter and your servants.”

The pillage and the methodical setting on fire of the town now began. All the houses on the right-hand side of the square were in flames. From time to time, the soldiers apostrophized the women, shouting:

“You’re going to be shot, you’re going to be shot!”

* * * * *

“At that moment,” says Madame Tielemans, in her sworn deposition, “the soldiers were leaving our house, their arms filled with bottles of wine. They opened the windows and removed all the contents of our rooms. I turned away so as not to behold the pillage. By the lurid light of the burning houses, my eyes fell upon my husband, my son and my brother-in-law, accompanied by some other gentlemen who were being led to execution. Never shall I forget the sight nor the look on the face of my husband seeking his house for the last time and asking himself what had befallen his wife and daughter, while I, lest I should sap his courage, could not call out, ‘I am here!’”

* * * * *

The hours passed. The women were driven out of the town and led like a herd of cattle, along a road strewn with corpses, to a distant meadow, where they were penned until morning. The men were arrested and their hands tied behind their backs with copper wire so cruelly tightened as to draw blood. They were gathered into groups and made to lie down so that their heads touched the ground and they were unable to make any movement. The night was spent in this way, with the town burning and the pillage and orgy continuing.

Between five and six in the morning, the military authorities decided that the executions should begin and that one of the largest groups of prisoners, composed of about a hundred civilians, should be present at the death of the burgomaster, his son and his brother. An officer informed the burgomaster that his hour had come. On hearing these words, a citizen of Aerschot, Claes van Nuffel by name, went up to the officer, begged him to spare the chief magistrate’s life and offered to die in his stead. He added that he was the burgomaster’s political adversary, but that he considered that, at this moment, M. Tielemans was essential to the town.

“No,” replied the officer, harshly, “we must have the burgomaster.”

M. Tielemans stood up, thanked M. van Nuffel and said that he would die with an easy mind, as he had spent his existence doing all the good in his power, and that he would not beg for mercy. He entreated, however, that the lives of his fellow-citizens and of his son, a boy of fifteen and his mother’s last consolation, might be spared. The officer grinned and made no reply. The burgomaster’s brother next asked for mercy, not for himself but for his brother and his nephew. His request fell on deaf ears. The lad then got up and took his place between his father and his uncle. Six soldiers took aim at ten yards’ distance; the officer lowered his sword; and, as the widow of the heroic burgomaster says, “the best man in this world had ceased to exist.”

3

I will now quote from the evidence of M. Gustave Nys, an eye-witness of the horrible drama which nearly numbered him among its victims:

“The other civilians were thereupon placed in rows of three. The third in each row was to leave it and fall out behind the dead bodies, in order to be shot. All the civilians had their hands tied behind their backs. My brother and I stood next to each other: I was number two; my brother Omer, twenty years of age, was number three. I asked the officer, ‘May I change places with my brother? It makes no difference to you who falls under your bullets; but it does to my mother, who is a widow, for my brother has finished his studies and is more useful to her than I am.’ Once again he refused to listen to my prayer. ‘Fall out, number three!’ My brother and I embraced; and he joined the others. There were thirty of them, drawn up in line. Then a horrible scene took place: the German soldiers, walking slowly along the row, killed three at each discharge of their rifles, waiting between the volleys for the officer’s word of command.”

4

Incidents such as these would pass unperceived if one did not take the trouble to seek them out and to collect them piously amid the huge mass of tragedies which for more than four years upset and ravaged the unhappy country tortured by its invaders. Had they occurred in the history of Greece or Rome, they would have found a place among the great deeds that honour our earth and deserve to live for ever in the memory of man. It is our duty to make them known for a moment and to engrave in our recollection the names of those who were their heroes. Thus set down, simply and plainly, as befits historic truth, in depositions sworn under oath before a nameless registrar who has stripped them of any literary or sentimental embellishment, they give at first but a very faint idea of the intensity of the tragedy and the value of the sacrifice. There is here no question of a glorious death faced amid the excitement of the fighting, on a vast field of battle. Nor are we considering an indefinite or overhanging menace, or an uncertain, remote and perhaps avoidable danger. We have to do with an obscure, solitary, horrible and imminent death in a ditch; and the six rifle-barrels are there, aimed almost point-blank, ready, upon a sign of the officer who accepts your offer, to change you, in a second, into a heap of bleeding flesh and to send you to the unknown, terrible region which man dreads all the more when he is still full of strength and life. There is not a moment’s interval nor a gleam of hope between question and answer, between existence with all its joys and death with all its horrors. There is no encouragement, no word or gesture of stimulation or support, no reward; in an instant, all is given in exchange for nothing; it is sheer self-sacrifice standing naked and so pure that we are surprised that not even Germans were conquered by its beauty.

There was but one manner in which they could have extricated themselves without dishonour and that was to pardon the two victims; or else, supposing the thing which was not, which never is the case, that a death was absolutely necessary, there was a second solution, which was to accept the offer and to kill the martyr whom they ought to have worshipped on their knees. In this way they would only have acted as the worst of savages. But they discovered a third, which doubtless, before them, the Carthaginians alone would have invented and adopted. For that matter, they exceeded the fiercest savagery and equalled the abominable Punic morality in another case which brings to mind that of Regulus and which will be the third instance of heroism that I intend to recall.

5

A few days after the events which I have narrated, on the 23rd of August, 1914, Dinant became the scene of wholesale massacres which involved exactly six hundred and six victims, including eleven children under five years old, twenty-eight of ages between ten and fifteen and seventy-one women.

Nothing can give an idea of the horror and infamy of these massacres, which form one of the most disgraceful and terrible pages in the long and monstrous history of Teuton shame. But it is not my purpose to speak of this for the moment. There would be too much to tell. I wish to-day only to separate from the mass an episode in which the hero of Dinant-la-Wallone is worthy of a place beside his two brethren of Aerschot in Flanders.

Just outside Dinant, near the famous Roche à Bayard, the legendary glory of the fair and smiling little township, the Germans occupied the right bank of the Meuse and were beginning to build a bridge of boats. The French, hidden in the bushes and the windings of the left bank, were firing on the engineers. Their fire was not very well-sustained; and the Germans, without the least justification, drew the conclusion that it was due to _francs-tireurs_, who, for that matter, throughout this Belgian campaign, never existed except in their imagination. At that moment, eighty hostages, taken from among the inhabitants of Dinant, were collected and kept in sight at the foot of the rock. The German officer sent one of them, M. Bourdon, a clerk attached to the law-courts, to the left bank, to inform the enemy that, if the firing continued, all the hostages would be instantly shot. M. Bourdon crossed the Meuse, fulfilled his mission and pluckily returned to reconstitute himself a prisoner. He assured the officer that he had convinced himself that there were no _francs-tireurs_ and that only French soldiers of the regular army were taking part in the defence of the other bank. A few more bullets fell; and the officer caused the eighty hostages to be shot, beginning, that he might be punished as he deserved for his heroic faithfulness to his pledged word, with the poor clerk, his wife, his daughter and his two sons, one of whom was a mere child of fifteen.

WASTED BEAUTIES

VII

WASTED BEAUTIES

1

Under the grey skies and the disheartening rains of this autumnal July, I think of the light which I have left behind me. I have left it down there, on the now empty shores of the Mediterranean, and I ask myself in vain why I parted from it. Yet I was one of the last to tear myself away. All the others leave in the early days of April, recalled by legendary memories of the deceitful spring-tides of the north, nor do they realize that they are losing a great happiness.

It is good, it is wise to escape, amid the blue of sea and sky, the icy months of our winters, dismal as punishment; but, although in the south these months are warmer and above all more luminous than ours, they do not quite make up to us for the darkness and the frost of our native climes. The brightest and warmest hours, in spite of all, retain an after-taste of cloud and snow; they are beautiful, but timid; swiftly and fearfully they hasten towards the night. Now man, who is born of the sun, like all things, has need of his hereditary portion of primitive heat and all-pervading light. He has within him numberless deep-seated cells which retain the memory of the resplendent days of the prime and become unhappy when they cannot reap their harvest of rays. Man can live in the gloom, but at long last he loses the smile and the confidence that are so essential. Because of our twilit summers it becomes indispensable to restore the balance between darkness and light and sometimes to drive away, by superb excesses of sunshine, the cold and the dark that invade our very souls.

2

It reigns at a few hours’ distance from us, the incomparable steady sun which we no longer see. Those who leave before mid-June do not know what happens when they are gone. Lo and behold, the real actors in this wonderful fairyland spring up on every side as though they had been awaiting the departure of intruding and mocking witnesses. During the winter, in the presence of the official visitors, they have played but a tempered prologue, a little colourless, a little slow, a little timid and restrained. But now of a sudden the great lyrical acts blaze forth upon the intoxicated earth.

The heavens open their vistas to the uttermost limits of the blue, to the supreme heights where the glory and rapture of God are outspread; and all the flowers rend the gardens, the rocks and the heaths, to uplift themselves and leap towards the gulf of gladness which draws them into space. The camomiles have gone mad; for six weeks they hold outstretched, to invisible lovers, their great round clusters like shields of glowing snow. The scarlet, tumultuous mantle of the Bougainvilleas blinds the houses whose dazzled windows blink amid the flames. The yellow roses cover the hills with a saffron-coloured cloak; the pink roses, of the lovely, innocent pink of maiden blushes, flood the valleys, as though the divine well-springs of the dawn, which elaborate the ideal flesh of women and angels, had overflowed the earth. Others climb the trees, scale pillars, columns, house-fronts, porches, leap up and fall, rise again and multiply, jostle one another, lie one on top of the other, forming so many bunches of effervescing delight, so many silent swarms of impassioned petals. And the innumerable, diverse and imperious scents that flow through this ocean of mirth, like rivers which do not mingle, rivers whose source we recognize at every breath! Here is the cold, green torrent of the rose-geranium, the trickle of clove-carnations, the bright, limpid stream of lavender, the resinous eddy of the pine-barren and the wide, still, luscious lake, of an all but dizzy sweetness, of the orange-blossom, which drowns the country-side in the vast, unmeasured fragrance of the azure heavens, recognized at last.

3

I do not believe that the world contains anything more beautiful than those gardens and valleys of the Provençal coast during the six or seven weeks when departing spring still mingles its verdure with the first warmth of advancing summer. But what gives this wonderful exultation of nature a melancholy which we do not find in any other spot is the inhuman and almost painful solitude in which it is revealed. Here, amid this desert, this silence, this emptiness, from the vine-arbours to the terraces and from the terraces to the porches of a thousand abandoned villas, reigns a rivalry of beauty which reaches a poignant agony of intensity, exhausting every energy, form and colour. There is here a sort of magic password, as though all the powers of grace and splendour that nature holds concealed had united to give at the same moment, to a spectator unknown to men, one great, decisive proof of the blessings and the glories of the earth. There is here a sort of unparalleled expectation, awful and unendurable, which over the hedges, the gates and the walls watches for the coming of a mighty god; an ecstatic silence which demands a supernatural presence; a wild, exasperated impatience pouring from every side over the roads where nothing now passes save the mute and diaphanous procession of the hours.

4

Alas, how many beauties are wasted in this world! Here is enough to feed our eyes till death! Here is the wherewithal to gather memories which would support our souls even to the tomb! Here is that which would provide thousands of hearts with the supreme sustenance of life!

In the main, when we come to think of it, all that is best in us, all that is pure, happy and limpid in our intelligence and our feelings, has its origin in a few beautiful spectacles. If we had never seen beautiful things, we should possess only poor and ugly images wherewith to clothe our ideas and emotions, which would perish of cold and wretchedness like those of the blind. The great highway which climbs from the plains of existence to the radiant heights of human consciousness would be so gloomy, so bare and so deserted that our thoughts would very soon lack the strength and courage to tread it; and where our thoughts no longer pass it is not long before the briars and the cruel horrors of the forest return. A beautiful spectacle which we might have seen, which was ours, which seemed to call us and from which we fled can never be replaced. Nothing more can grow in the spot where it awaited us. It leaves in our soul a great barren area, in which we shall find naught but thorns on the day when we most need roses. Our thoughts and our actions derive their energy and their shape from the things which our eyes have beheld. Between the heroic deed, the duty accomplished, the sacrifice generously accepted and the beautiful landscape which we have seen in the past there is very often a closer and more vital connection than that which our memory has retained. The more we see of beautiful things the better fitted we become to perform good actions. If our inner life is to thrive, we need a magnificent store of wonderful spoils.

THE INSECT WORLD

VIII

THE INSECT WORLD

1

Henri Fabre, as all the world now knows, is the author of half a score of well-filled volumes in which, under the title of _Souvenirs entomologiques_,[1] he set down the results of fifty years of observation, study and experiment on the insects that seem to us the best-known and the most familiar: different species of wasps and wild bees, a few gnats, flies, beetles and caterpillars; in a word, all those vague, unconscious, rudimentary and almost nameless little lives which surround us on every side and which we contemplate with eyes that are amused, but already thinking of other things, when we open our window to welcome the first hours of spring, or when we go into the gardens or the fields to bask in the blue summer days.

2

We take up at random one of these great volumes and naturally expect to find first of all the very learned and rather dry lists of names, the very fastidious and exceedingly quaint specifications of those huge, dusty graveyards of which all the entomological treatises that we have read so far seem almost wholly to consist. We therefore open the book without zest and without unreasonable expectations; and forthwith, from between the open leaves, there rises and unfolds itself, without hesitation, without interruption and almost without remission to the end of the four thousand pages, the most extraordinary of tragic fairy plays that it is possible for the human imagination, not to create or to conceive, but to admit and to acclimatize within itself.

Indeed, there is no question here of the human imagination. The insect does not belong to our world. The other animals, the plants even, notwithstanding their dumb life and the great secrets which they cherish, do not seem wholly foreign to us. In spite of all, we feel a certain earthly brotherhood in them. They often surprise and amaze our intelligence, but do not utterly upset it. There is something, on the other hand, about the insect that does not seem to belong to the habits, the ethics, the psychology of our globe. One would be inclined to say that the insect comes from another planet, more monstrous, more energetic, more insane, more atrocious, more infernal than our own. One would think that it was born of some comet that had lost its course and died demented in space. In vain does it seize upon life with an authority, a fecundity unequalled here below: we cannot accustom ourselves to the idea that it is a thought of that nature of whom we fondly believe ourselves to be the privileged children and probably the ideal to which all the earth’s efforts tend. Only the infinitely small disconcerts us still more greatly; but what really is the infinitely small, other than an insect which our eyes do not see? There is, no doubt, in this astonishment and lack of understanding a certain instinctive and profound uneasiness inspired by those existences incomparably better-armed, better-equipped than our own, by those creature made up of a sort of compressed energy and activity in which we suspect our most mysterious adversaries, our ultimate rivals and, perhaps, our successors.

3

But it is time, under the conduct of an admirable guide, to penetrate behind the scenes of our fairy play and to study at close quarters the actors and supernumeraries, loathsome or magnificent, as the case may be, grotesque or sinister, heroic or appalling, gifted or stupid and almost always improbable and unintelligible.

And here, to begin with, taking the first that comes, is one of those individuals, frequent in the South, where we can see it prowling around the abundant manna which the mule scatters heedlessly along the white roads and the stony paths: I mean the Sacred Scarab of the Egyptians, or, more simply, the Dung-beetle, the brother of our northern Geotrupes, a big Coleopteron all clad in black, whose mission in this world is to shape the more savoury parts of his find into an enormous ball which he must next roll to the underground dining-room where the incredible digestive adventure is to take its course. But destiny, jealous of all undiluted bliss, before admitting him to that abode of sheer delight, imposes upon the grave and probably sententious beetle tribulations without number, which are nearly always complicated by the arrival of an untoward parasite.

Hardly has he begun, by dint of great efforts of his forehead and his bandy legs, to roll the toothsome sphere backwards, when an indelicate colleague, who has been awaiting the completion of the work, appears and hypocritically offers his services. The other well knows that, in this case, help and services, besides being quite unnecessary, will soon mean partition and dispossession; and he accepts the enforced collaboration without enthusiasm. But, so that their respective rights may be clearly marked, the lawful owner invariably retains his original place, that is to say, he pushes the ball with his forehead, whereas the compulsory guest pulls it towards him on the other side. And thus it jogs along between the two gossips, amid interminable vicissitudes, flurried falls, ludicrous tumbles, till it reaches the place chosen to receive the treasure and to become the banqueting-hall. On arriving, the owner sets about digging out the refectory, while the sponger pretends to go innocently to sleep on the top of the bolus. The excavation becomes visibly wider and deeper; and soon the first Dung-beetle dives bodily into it. This is the moment for which the cunning auxiliary was waiting. He nimbly scrambles down from the blissful eminence and, pushing it with all the energy that a bad conscience gives, strives to gain the offing. But the other, who is rather distrustful, interrupts his laborious digging, looks over the edge, sees the sacrilegious rape and leaps out of the hole. Caught in the act, the shameless and dishonest partner makes untold efforts to play upon the other’s credulity, turns round and round the inestimable orb and, embracing it and propping himself against it, with mock heroic exertions, pretends to be frantically supporting it on a non-existent slope. The two expostulate with each other in silence, gesticulate wildly with their mandibles and tarsi and then, with one accord, bring back the ball to the burrow.