Volume 19, 1936/37.

Chapter 6136,171 wordsPublic domain

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For subsequent issues SEE Movietone News.

FOX TALES. (Mermaid Comedies) 1927. 2 reels.

Credits: Supervisor and producer, Jack White; director, Stephen Roberts.

FOX TROT FINESSE. 1915. 1 reel.

Credits: Director, Sidney Drew.

THE FOXY FOX. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 1 reel, sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

Credits: Scenario and direction, T. Osborn Eltonhead.

THE FOXY HUNTER. (A Betty Boop Cartoon) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

THE FOXY PUP. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 603 ft., sd., color.

Credits: Producer, Charles Mintz; director, UB Iwerks; music, Eddie Kilfeather; music director, Joe De Nat.

THE FOXY TROTTERS. 1916. 1 reel.

Credits: Producer, Dave Smith.

THE FOY FAMILY IN CHIPS OF THE OLD BLOCK. 1928. 1 reel.

Credits: Director, Bryan Foy.

THE FOYS FOR JOYS. SEE The Foy Family in The Foys for Joys.

FRA DIAVOLO. SEE The Devil's Brother.

A FRAGMENT OF ASH. 1914. 1 reel.

Credits: R. M. Freeman; director, Langdon West.

'FRAID CAT. 1914. 1 reel.

Credits: Director, Tefft Johnson.

THE FRAME. SEE William Boyd in The Frame.

Credits: Producer, Donald MacDonald; scenario, Anthony W. Coldewey.

THE FRAME UP. Broadway Universal. 1915. 5 reels.

THE FRAME UP. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story and scenario, Leigh Jacobson.

THE FRAMEUP. 1937. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Richard E. Wormser; screenplay, Harold Shumate; film editor, Otto Meyer.

THE FRAME-UP. SEE Gandy Goose in The Frame-up.

THE FRAME UP ON DAD. Nestor. 1915. 1 reel.

Credits: Al E. Christie; producer, Horace Davey.

FRAMED. Powers. 1915. 1 reel.

Credits: Producer, Sydney Ayres; scenario, Earl Hewitt.

FRAMED. (Hamilton Comedies) 1926. 2 reels.

Credits: Director, Stephen Roberts.

FRAMED. 1927. 6 reels. Adapted from "The Dawn of My Tomorrow" by George W. Sutton, Jr.

Credits: Producer, Ray Rockett; director, Charles Brabin; scenario, Mary O'Hara.

FRAMED. 1928. 2 reels.

Credits: Director, Bruce Mitchell; story, Lola D. Moore; continuity, William Lester.

FRAMED. Radio. 1930. 7 reels, sd.

Credits: Producer, William LeBaron; director, George Archainbaud; screenplay, Paul Schofield; dialogue, Wallace Smith; editor, Jack Kitchin.

FRAMED. (William J. Burns Detective Mysteries) 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation and dialogue, Russell Matson.

Credits: Written and directed by Twede Dan [pseud. of F. Perez].

FRAMING FATHER. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, Edward Mann.

THE FRAMING OF THE SHREW. 1929. 2 reels.

Credits: Story, Octavus Roy Cohen.

FRAMING YOUTH. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

FRANCES SHELLEY AND THE ETON BOYS. 1929. 1 reel.

FRANCES SHELLEY, THE GIRL WITH THE GUITAR. 1929. 1 reel, sd.

FRANCES WHITE SINGING THERE WILL NEVER BE A SWEETER STORY TOLD [and others]. Presented by Metro Movietone. 1928. 1 reel, sd.

FRANCES WILLIAMS, SINGING COMEDIENNE, ASSISTED BY MR. LEO FEINER. 1927. 1 reel.

FRANCINE. 1913. 1 reel.

Credits: Director, Ulysses Davis.

THE FRANCO-GERMAN INVASION. SEE The War of Wars.

FRANK AND TEDDY SABINI. 1927. 1 reel, sd.

FRANK BROWNE AND KAY LA VELLE IN DON'T HANDLE THE GOODS. 1928. 1 reel, sd.

FRANK CRUMIT, THE ONE MAN GLEE CLUB. 1929. 1 reel, sd.

FRANK HUNTER AND COMPANY IN MOVING DAY. 1929. 1 reel.

FRANK MOULAN, MUSICAL COMEDY AND LIGHT OPERA COMEDIAN SINGING: A. OH HOW I LOVE MY LITTLE BED [and others]. 1927. 1 reel.

FRANK ORTH AND ANN CODEE IN IMAGINE MY EMBARRASSMENT. 1930. 1 reel, sd.

FRANK ORTH AND COMPANY IN MEET THE WIFE. 1929. 1 reel, sd.

FRANK RICHARDSON CHASING THE BLUES. 1928. 1 reel, sd.

FRANK RICHARDSON, THE JOY BOY OF SONG. 1928. 1 reel, sd.

FRANK WHITMAN, THE SURPRISING FIDDLER. 1929. 1 reel, sd.

FRANK X. SILK IN THE MAN ABOUT TOWN. 1929. 1 reel.

FRANKENSTEIN. 1931. 8 reels. Adapted from the play by Peggy Webling, which was based on the novel by Mrs. Percy B. Shelley.

Credits: Director, James Whale; adaptation, John L. Balderston; screenplay, Garrett Fort, Francis Edward Faragoh.

FRANKIE AND JOHNNIE. 1936. 7 reels, sd.

Credits: Director, Chester Erskin; original story, Jack Kirkland; screenplay, Moss Hart; music arrangement, Victor Herbert.

Credits: Scenario, Bruce Mitchell, Anthony W. Coldewey.

A FRATERNITY MIXUP. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Director, Perc Pembroke.

FRAUDS. 1915. 3 reels.

Credits: Harry Sheldon.

FRAUDS AND FREE LUNCH. 1917. 1 reel.

Credits: Written and directed by Henry Kernan.

FRAUDS AND FRENZIES. 1918. 2 reels.

Credits: Direction and story, Lawrence Semon.

FREAKS. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

FREAKS. 1932. 7 reels, sd., b&w. Suggested by Tod Robbins' story "Spurs."

FREAKS OF THE DEEP. (Cannibals of the Deep Series, no. 5) 1932. 658 ft.

Credits: Supervision and production, Mack Sennett.

THE FRECKLED FISH. 1919. 2 reels.

Credits: Director, Joseph LeBrandt.

THE FRECKLED RASCAL. 1929. 5 reels.

Credits: Director, Louis King; original story and continuity, Frank Howard Clark; film editor, George E. Marsh.

FRECKLES. 1917. 5 reels. From the novel by Gene Stratton-Porter.

Credits: Director, Marshall Neilan; scenario, Marion Fairfax.

FRECKLES. Released by F. B. O. Pictures Corp. 1928. 6,131 ft. From the novel by Gene Stratton-Porter.

Credits: Director, Leo Meehan; adaptation, Dorothy Yost.

FRECKLES. 1935. 8 reels, sd. From the novel by Gene Stratton-Porter.

Credits: Producer, Pandro S. Berman; directors, Edward Killy, William Hamilton; screenplay, Dorothy Yost; editor, Desmond Marquette; music director, Alberto Colombo.

FRED ALLEN'S PRIZE PLAYLETS. 1929. 1 reel, sd.

FRED ARDATH IN THE CORNER STORE. 1929. 1 reel, sd.

FRED ARDATH IN THE SINGING BEE. 1929. 1 reel, sd.

FRED ARDATH IN THESE DRY DAYS. 1929. 1 reel.

FRED ARDATH WITH EARL HALL AND GRACE OSBORN IN MEN AMONG MEN. 1928. 1 reel.

Credits: Director, Bryan Foy.

FRED KEATING IN ILLUSIONS. 1929. 1 reel.

FRED THE COUNT. SEE Blackie's Redemption.

FREDDIE FOILS THE FLOATERS. 1916. 1 reel.

Credits: Director, Frank Currier.

FREDDIE MARTIN & HIS ORCHESTRA. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

FREDDIE RICH AND HIS ORCHESTRA. 1938. 1 reel, sd.

Credits: Director, Lloyd French.

FREDDY AIDS MATRIMONY. 1916. 1 reel.

Credits: Director, Frank Currier.

FREDDY THE FIXER. 1916. 1 reel.

Credits: Director, Frank Currier.

FREDDY VS. HAMLET. 1916. Split reel.

Credits: Director, Frank Currier.

FREDDY'S LAST BEAN. 1916. 1 reel.

Credits: Director, Frank Currier.

FREDDY'S NARROW ESCAPE. 1916. 1 reel.

Credits: Director, Frank Currier.

FREDERICK HOLMES' WARD. 1915. 1 reel.

FREDERICK THE GREAT; the Drama of His Life. 1914.

Credits: Director, Walter Edwin.

FREE AND EASY. 1930. 10 reels, sd., b&w.

Credits: Producer and director, Edward Sedgwick; adaptation, Paul Dickey; scenario, Richard Schayer; dialogue, Al Boasberg; words and music, Ray Turk, Fred E. Ahlert; film editor, William LeVanway.

FREE EATS. (Our Gang Comedies) (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Producer, Robert McGowan; director, Raymond McCarey; dialogue, H. M. Walker; editor, Richard Currier.

FREE LOVE. A Hobart Henley Production. 1930. 8 reels, sd. From the book "Half Gods" by Sidney Howard.

Credits: Producer, Carl Laemmle, Jr.; supervision, E. M. Asher; director, Hobart Henley; scenario, Winifred Dunn; adaptation and dialogue, Edwin Knopf.

FREE RENT. 1936. 2 reels, sd.

Credits: Director, Del Lord; story, Al Ray; screenplay, Andrew Bennison.

A FREE RIDE. Bluebird. 1925. 1 reel.

Credits: Director, Z. Myers.

FREE SCHOOLS: THE HOPE OF DEMOCRACY. 1932. 2 reels.

A FREE SOUL. 1931. 10 reels, sd., b&w. From the book by Adela Rogers St. Johns.

Credits: Producer and director, Clarence Brown; dialogue continuity, John Meehan; adaptation, Becky Gardiner; film editor, Hugh Wynn.

FREE SPEECH. 1916. 1 reel.

Credits: Epes Winthrop Sargent; producer, Sidney Drew.

THE FREE TRADER. SEE Wolves of the North.

FREE WHEELING. (Our Gang) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

FREEDOM OF THE PRESS. Universal-Jewel. 1928. 7 reels.

Credits: Production supervisor, Arthur Shadur; director, George Melford; story, Peter B. Kyne; adaptation and continuity, J. Grubb Alexander.

THE FREEMAN SISTERS, MILDRED AND MARJORIE, HUMORISTS, MEMBERS OF THE ROXY GANG, OFFERING: A. WILD FLOWER [and others]. 1927. 1 reel.

THE FREEZE OUT. 1921. 5 reels.

Credits: Producer, Jack Ford; story and scenario, George Hull.

THE FREEZE OUT. (Screen Star Comedy) 1933. 1,718 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Nat N. Dorfman, Sig Herzig; editor, Barney Rogan.

FREIBURG PASSION PLAY. 1924. 7 reels.

FREIGHTERS OF DESTINY. 1931. 6 reels, sd., b&w.

Credits: Director, Fred Allen; story and dialogue, Adele Buffington; film editor, William Clemens; musical director, Arthur Lange.

THE FRENCH DOLL. Tiffany. Presented by Robert Z. Leonard. 1923. 7 reels. Adapted from the French by A. E. Thomas.

Credits: Paul Armont, Marcel Gerbidon; supervision, Robert Z. Leonard; screen adaptation, Frances Marion.

FRENCH DRESSING. Presented by Robert Kane. 1927. 7 reels.

Credits: Producer and director, Allan Dwan; original story, Adelaide Heilbron; adaptation, J. L. Campbell; continuity, Pauline Forney.

FRENCH EXPLORATIONS IN NORTH AMERICA, 1535-1750. 1920. 1 reel.

FRENCH FRIED. 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story and scenario, Frank R. Conklin; titles, Al Martin.

FRENCH FRIED. (Paul Terry Toons) 1930. 1 reel, sd.

Credits: Frank Moser, Paul Terry.

FRENCH KISSES. 1930. 19 min., sd.

Credits: Supervision, Jack White; director, Stephen Roberts.

FRENCH LEAVE. 1927. 1 reel, sd.

Credits: Murray Roth; director, Bryan Foy.

FRENCH LEAVE. (Sid Saylor Comedy) 1930. 2 reels.

Credits: Director, Sam Newfeld; story, T. Page Wright, Bill Weber.

THE FRENCH LINE. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Rube Welch.

FRENCH PASTRY. (Bobby Vernon Comedy) 1925. 2 reels.

Credits: Director, Harold Beaudine.

FRENZIED FILM. (Star Comedy) 1918. 1 reel.

Credits: Story, Lyons-Moran.

FRENZIED FINANCE. 1924. 1 reel.

FRENZY. Presented by Charles B. Mintz. 1928. 20 min.

Credits: Written and directed by Andrew L. Stone; producer, Charles B. Mintz.

FREQUENCY CURVES. (Eastman Classroom Films) 1929. 1 reel.

THE FRESH AGENT. 1915. 400 ft.

THE FRESH AIR CURE. 1914. Split reel.

A FRESH AIR ROMANCE. 1912. 1 reel.

FRESH AND A DEVIL. (A Skylark Comedy) 1927. 2 reels.

Credits: Written and directed by Glen Lambert.

FRESH EVERY HOUR. Jewel. 1928. 6 reels.

Credits: Director, William James Craft.

FRESH FACES. (Walter Hiers Comedies) Educational. 1926. 2 reels.

Credits: Sig Herzig; director, Harold Beaudine.

FRESH FISH. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Story, Jack Miller; animation, Sid Sutherland.

FRESH FROM HOLLYWOOD. SEE Jimmy Duffy and Helen Gleason in Fresh from Hollywood.

FRESH FROM THE CITY. 1920. 2 reels.

Credits: Supervision, Mack Sennett; director, Walter Wright.

FRESH FROM THE COUNTRY. 1920. 1 reel.

Credits: Director, Vin Moore.

FRESH FROM THE FARM. Century. 1921. 2 reels.

Credits: Written and directed by Tom Buckingham.

FRESH FROM THE FLEET. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1936. 1,619 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Arthur Jarrett.

FRESH HAIR FIENDS. (Beauty Parlor Series, no. 8) 1927. 2 reels.

Credits: Director, Edward I. Luddy; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean Du Pont.

FRESH HAM. (Aesop's Film Fables) The Van Beuren Corp. 1933. 1 reel.

THE FRESH HEIR. 1922. 2 reels.

Credits: Director, Ed. Kennedy.

THE FRESH KID. 1922. 2 reels.

FRESH PAINT. (Mirthquake Comedy, no. 2) 1922. 2 reels.

Credits: Director, Eugene DeRue; scenario, Vincent Bryan.

FRESH PAINT. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

FRESHIES. Presented by E. W. Hammons. 1937. 1,494 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

THE FRESHMAN. 1925. 7 reels.

Credits: Scenario, Sam Taylor, John Grey, Ted Wilde, Tim Wheelan.

FRESHMAN LOVE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels, sd. Based on a story idea by George Ade.

Credits: Director, William McGann.

FRESHMAN YEAR. 1938. 8 reels, sd.

Credits: Producer, George Bilson; director, Frank McDonald; original story, Thomas Ahearn, F. Maury Grossman; screenplay, Charles Grayson; film editor, Edward Curtiss.

THE FRESHMAN'S FINISH. (Vanity Comedies) 1931. 21 min., sd.

Credits: Producer, Al Christie; director, William Watson; story and dialogue, Frank Roland Conklin.

THE FRESHMAN'S GOAT. (Educational-Vanity Talking Comedy) 1930. 20 min., sd.

Credits: Producer, Al Christie; director, Nat Ross; story, Dick Smith.

FRESHMANS LOVE. 1931. 2 reels.

FRIDAY PLANNING. SEE The Added Item Makes for Profit.

Credits: Director, Emile Chautard; story, Thomas W. Lawson; scenario, Frances Marion.

FRIDAY THE THIRTEENTH. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

FRIED CHICKEN. (Paul Terry Toons) 1930. 1 reel, sd.

Credits: Frank Moser, Paul Terry.

A FRIEND, BUT A STAR BOARDER. 1916. 1 reel.

FRIEND HUSBAND. 1918. 5 reels.

Credits: Lois Zellner; director, Clarence G. Badger.

FRIEND HUSBAND. Paramount-Mack Sennett. 1918. 2 reels.

Credits: Director, Walter Wright.

FRIEND HUSBAND. (Paramount-Mack Sennett Comedies) 1923. 2 reels.

Credits: Director, Walter Wright.

FRIEND INDEED. (A Pete Smith Specialty) 1937. 1 reel, sd., b&w.

Credits: Director, Fred Zinneman; story and screenplay, Barney Gerard; music, William Axt.

A FRIEND OF FATHER'S. SEE Al. Lydell and Bobby Higgins in A Friend of Father's.

A FRIEND OF NAPOLEON. SEE Seven Faces.

THE FRIEND OF THE MOUNTAINS. SEE L'Ami des Montagnes.

FRIEND WIFE. SEE Galloping Fish.

FRIEND WILSON'S DAUGHTER. 1915. 3,000 ft.

Credits: Mary Imlay Taylor; director, Langdon West.

THE FRIENDLY CALL. 1919. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; scenario, Lucien Hubbard.

FRIENDLY ENEMIES. Presented by A. M. Sebastian. Released by Producers Distributing Corp. 1925. 7 reels. From the play by Samuel Shipman and Aaron Hoffman.

Credits: Producer and director, George Melford; scenario, Alfred A. Cohn.

A FRIENDLY HUSBAND. 1922. 5 reels.

Credits: Story and direction, Jack Blystone; scenario, Hampton Del Ruth; editor, Ralph Spence.

FRIENDLY NEIGHBORS. (Around the World) 1938. 1 reel, sd., color.

Credits: Described by Dan Seymour.

FRIENDLY SPIRITS. (Educational Star Personality Comedy) Educational Films Corp. of America. Presented by E. W. Hammons. Distributed by Fox Film Corp. 1935. 1,572 ft.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

Credits: Screenplay, D. W. Griffith.

FRIENDS AND ENEMIES, VACATION LAND, and SQUIRREL FOOD. 1920. 2 reels.

Credits: Supervision and direction, Ward Lascelle.

Credits: Compiled by Edward Lyell Fox and A. K. Dawson.

FRIENDS AND LOVERS. 1931. 7 reels, sd.

Credits: Maurice De Kobra; supervision, William Le Baron, Louis Sarecky; director, Victor Schertzinger; adaptation and dialogue, Wallace Smith.

FRIENDS IN SAN ROSARIO. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton Bergman.

FRIENDS OF MR. SWEENEY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels, sd. Based on the novel by Elmer Davis.

Credits: Director, Edward Ludwig; screenplay, Warren Duff, Sidney Sutherland.

FRIENDS OF THE ANIMAL WIZARD. 1915.

FRIENDS, ROMANS, AND LEO. 1917. 1 reel.

Credits: Director, Alan Crosland.

FRIENDSHIP. 1929. 4 reels, b&w.

Credits: Direction, story, and scenario, Eugene Walter.

THE FRIENDSHIP OF DAVID AND JONATHAN. SEE The Chosen Prince.

THE FRIENDSHIP OF LAMOND. 1915. 2,000 ft.

Credits: Screenplay, Emmett Campbell Hall.

FRILBY FRILLED. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

FRIML FAVORITES. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky.

FRISCO JENNY. 1933. 8 reels, sd. Based on a story by Gerald Beaumont, Lillie Hayward and John Francis Larkin.

Credits: Director, William A. Wellman; screenplay, Wilson Mizner, Robert Lord; film editor, James Morley.

FRISCO KID. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1935. 8 reels.

Credits: Director, Lloyd Bacon; story and screenplay, Warren Duff, Seton I. Miller.

FRISCO SALLY LEVY. 1927. 8 reels.

Credits: Director, William Beaudine; story, Alfred A. Cohn, Lew Lipton; scenario, Alfred A. Cohn; adaptation, Vernon Smith; film editor, Blanche Sewell.

FRISCO WATERFRONT. 1935. 7 reels, sd.

Credits: Producer, Trem Carr; supervision, Robert E. Welsh; director, Arthur Lubin; story and screenplay, Norman Houston; editor, Carl Pierson.

FRISKY LIONS AND WICKED HUSBANDS. 1919. 2 reels.

Credits: Director, Vin Moore.

THE FRISKY MRS. JOHNSON. 1920. 5 reels. From the play by Clyde Fitch.

Credits: Director, Edward Dillon; scenario, Lawrence McCloskey.

FRIVOLOUS SAL. Presented by J. K. McDonald. 1924. 8 reels.

Credits: Director, Victor Schertzinger; story, J. K. McDonald; continuity, Lois Zellner.

FRIVOLOUS SAL. Presented by J. K. McDonald. 1925. 8 reels.

Credits: Director, Victor Schertzinger; story, J. K. McDonald; continuity, Lois Zellner.

FROCKS AND FRILLS. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

THE FROG. 1931. 1 reel.

Credits: Narration, Clyde Fisher.

Credits: Screenplay, Paul Terry.

FROG AND TOAD CELEBRITIES. 1915. Split reel.

Credits: Raymond L. Ditmars.

THE FROG POND. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, U. B. Iwerks; music, Eddie Kilfeather; music director, Joe De Nat.

THE FROG WHO WOULD A-WOOING GO. SEE Whimsey Tales: The Frog Who Would A-Wooing Go.

FROGS, TOADS, AND SALAMANDERS. 1932. 958 ft.

THE FROLIC OF THE MARIONETTES. 1915. Half reel.

FROLIC ON THE BEACH. 1920.

FROLICKING FISH. (Silly Symphony) Walt Disney Comic. 1930. 1 reel, sd.

FROLICKING FROGS. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Director, Ernest Corts; narrator, Ted Husing.

FROLICS IN FROST. (A Grantland Rice Sportlight Special) 1927. 1 reel.

Credits: Producer, John L. Hawkinson.

FROM A CABBY'S SEAT. 1926. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ben Stoloff; scenario and adaptation, J. Walter Ruben, Sidney Lanfield.

FROM A LIFE OF CRIME. 1915. 1 reel.

Credits: Lee Arthur.

FROM A PISCATORIAL ANGLE. (Post Nature Pictures) 1920. 1 reel.

FROM BAD TO WORSE. 1937. 2 reels, sd.

Credits: Direction and story, Del Lord; screenplay, Felix Adler.

FROM BEANERY TO BILLIONS. 1915. 2 reels.

FROM BERGEN TO BANDAK. 1916. Split reel.

FROM BETHLEHEM TO JERUSALEM. 1932. 1 reel, sd.

FROM BROADWAY TO A THRONE. Red Feather. 1916. 5 reels.

Credits: Production and story, W. J. Bowman; written and directed by William Bowman; scenario, E. J. Clawson.

FROM CACTUS TO KALE. 1917. 2 reels.

Credits: Director General, J. G. Blystone; director, Noel Smith.

Credits: Director, Allen Curtis.

FROM CHAMPION TO TRAMP. 1915. 2,000 ft.

FROM COCOON TO MILADY'S DRESS. 1921. 2 reels.

Credits: Pictured by Hy Mayer.

FROM CREEPING TO WALKING. Yale Clinic of Child Development in cooperation with Erpi Picture Consultants, Inc. 1934. 1 reel, sd.

Credits: Direction and narration, Arnold Gesell; associate editor, Alice V. Keliher.

FROM DURBAN TO ZULULAND. 1913. 1 reel.

FROM FLAX TO LINEN. 1930. 1 reel.

FROM FLOWER TO FRUIT. 1933. 947 ft.

FROM FOUR TO ELEVEN-THREE. SEE A Kiss in Time.

FROM FRAU TO SPALATO. 1915.

FROM GREASER TO LUBRICATION EXPERT. Presented by The Richfield Oil Corp. of New York. 1937. Filmstrip, 143 frames, sd.

FROM HAITI TO TRINIDAD. 1930. 981 ft.

FROM HEADQUARTERS. 1915. 3 reels.

Credits: Director, Ralph Ince.

FROM HEADQUARTERS. 1919. 5 reels.

Credits: David Sonnenblick; director, Ralph W. Ince.

FROM HEADQUARTERS. 1929. 7 reels.

Credits: Director, Howard Bretherton; story, Samuel Hartridge; adaptation, Harvey Gates.

FROM HEADQUARTERS. Trailer. 1929. 1 reel.

FROM HEADQUARTERS. 1933. 7 reels, sd. From the story by Robert N. Lee.

Credits: Director, William Dieterle; screenplay, Robert N. Lee, Peter Milne.

FROM HELL TO HEAVEN. 1933. 7 reels, sd. Based on a drama by Lawrence Hazard.

Credits: Director, Erie C. Kenton; screenplay, Percy Heath, Sidney Buchman.

FROM ITALY'S SHORES. Laemmle. 1915. 2 reels.

Credits: Director, Chevalier Riccardo Tolentino.

FROM NEWSBOY TO SENATOR. SEE The Life of Big Tim Sullivan.

FROM NOW ON. 1920. 7 reels, b&w, tinted sequences.

Credits: Director, R. A. Walsh; story, Frank L. Packard.

FROM OUT OF THE PAST. 1916. 1 reel.

Credits: Director, William Humphrey.

FROM OUT THE BIG SNOWS. 1915. 3 reels.

Credits: Director, Theodore Marston.

FROM PATCHES TO PLENTY. 1915.

Credits: Producer, Mack Sennett.

FROM POPE TO POPE. SEE Death and Resurrection.

FROM RAGS TO RICHES. 1922. 7 reels.

Credits: Director, Wallace Worsley; story, Walter DeLeon, William Nigh.

FROM SOUP TO NUTS. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director and director, E. Livingston Kennedy; story, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

FROM THE BAHAMAS TO JAMAICA. 1930. 954 ft., 16 mm.

Credits: Supervision, H. M. and E. D. Horkheimer.

Credits: Director, Von Rothe.

FROM THE DREGS. 1915. 2 reels.

Credits: Director, Lionel Belmore.

FROM THE ENDS OF THE EARTH. (Another Romance of Celluloid) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

FROM THE GROUND UP. 1921. 5 reels.

Credits: Director, E. Mason Hopper; written and adapted by Rupert Hughes.

FROM THE MANGER TO THE CROSS; or, JESUS OF NAZARETH. 1912. 6 reels. Based on the drama by Gene Gauntier.

FROM THE MINUET TO THE BIG APPLE. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Milton Hocky.

FROM THE PEARL OF THE BALTIC SEA. 1915. 1 reel.

FROM THE SHADOW. 1914. 1 reel.

FROM THE SHADOWS. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, Ben Cohn, Frank Lloyd.

FROM THE VALLEY OF THE MISSING. 1915. 5 reels. From the novel by Grace Miller White.

Credits: Frank Powell; adaptor, Clara S. Berenger.

FROM THE WEST. 1920. 5 reels. Title changed from "The Torch Bearer."

Credits: Arthur Henry Gooden.

FROM TREE TO NEWSPAPER. 1928. 1 reel.

FROM WHEAT TO BREAD. 1928. 1 reel.

FRONT OFFICE PROCEDURE. 1939. 5 reels, sd.

Credits: Narrator, Lowell Thomas.

THE FRONT PAGE. United Artists. Presented by Howard Hughes. 1931. 10 reels. From the play by Ben Hecht and Charles MacArthur as produced by Jed Harris.

Credits: Director, Lewis Milestone; adaptation, Bartlett Cormack; film editor, W. Duncan Mansfield.

FRONT PAGE NEWS. Presented by Goodrich. 1938. 1 reel, sd.

A FRONT PAGE STORY. 1922. 6 reels.

Credits: Director, Jess Robbins; story, Arthur Goodrich.

FRONT PAGE WOMAN. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Michael Curtiz; story, Richard Macauley; screenplay, Laird Doyle, Lillie Hayward, Roy Chanslor; dialogue, Laird Doyle.

FRONT VS. REAR. 1920. 1 reel.

LAS FRONTERAS DEL AMOR (FRONTIERS OF LOVE). 1934. 9 reels, sd.

Credits: Director, Frank Strayer; original story, Bernice Mason; screenplay, Winifred Dunn; Spanish dialogue, Miguel de Zarraga; editor, Ernest Nims; music director, Sam Kaylin.

FRONTIER MARSHAL. 1934. 5,950 ft., sd. Adapted from incidents in the novel by Stuart N. Lake.

Credits: Director, Lew Seiler; screenplay and dialogue, William Conselman, Stuart Anthony.

FRONTIER MARSHAL. 1939. 6,429 ft., sd. Based on a book by Stuart N. Lake.

Credits: Director, Allan Dwan; screenplay, Sam Hellman; music director, Samuel Kaylin.

THE FRONTIER OF THE STARS. 1921. 6 reels.

Credits: Direction and adaptation by Charles Maigne; story, Albert Payson Terhune.

FRONTIER PONY EXPRESS. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original screenplay, Norman Hall; film editor, Gene Milford; music director, Cy Feuer.

FRONTIER ROMANCE. Presented by Herbert T. Kalmus. 1929. 2 reels, color.

Credits: Producer, Herbert T. Kalmus; director, Elmer Clifton; story, Jack Cunningham.

FRONTIER SCOUT. A Franklyn Warner production. Released by Grand National. 1938. 6 reels, sd.

Credits: Producer, Maurice Conn; director, Sam Newfield; original story and screenplay, Frances Guihan.

FRONTIER TOWN. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward F. Finney; supervision, Lindsley Parsons; director, Ray Taylor; screenplay, Edmond Kelso.

Credits: Director, Webster Campbell; adaptation, Nathaniel Wright Stephenson.

FRONTIERS OF '49. 1938. 6 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell.

FRONTIERS OF LOVE. SEE Las Fronteras Del Amor.

THE FRONTIERSMAN. 1927. 6 reels.

Credits: Director, Reginald Barker; story, Ross Wills, Madeleine Ruthven; scenario, L. G. Rigby; titles, Tom Miranda; film editor, Frank Sullivan.

THE FRONTIERSMEN. Presented by Adolph Zukor. 1938. 8 reels. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Norman Houston; additional dialogue, Harrison Jacobs.

Credits: Producer, John L. Hawkinson.

FROU FROU. SEE The Hungry Heart.

A FROZEN AFFAIR. 1937. 1 reel, sd.

Credits: Director, Arthur Dreifuss; story, dialogue and dialogue direction, Eda Edson; editor, Robert Crandall; music supervision, Abe Meyer.

FROZEN ASSETS. Presented by E. W. Hammons. 1933. 1,684 ft., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts; music director, Alfonso Corelli.

FROZEN FACE. (Manhattan Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; direction and story, Ralph Ceder; film editor, Joseph Kane; musical direction, Francis Gromon.

FROZEN FEET. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., b&w.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

FROZEN FROLICS. (An Aesop Sound Fable) Presented by The Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

FROZEN JUSTICE. 1929. 7,170 ft.

Credits: Director, Allan Dwan; story, Ejnar Mikkelsen; scenario, Sonya Levien; editor, Harold Schuster.

THE FROZEN NORTH. Presented by Joseph M. Schenck. 1922. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Kline.

FROZEN RIVER. 1929. 6 reels.

Credits: John F. Fowler; director, F. Harmon Weight; adaptation, Harry Behn.

FROZEN RIVER. Trailer. 1929. 1 reel, sd.

Credits: Director, Oscar W. Eagle.

Credits: Producer, Nino Oxilia.

THE FRUITFUL FARM. (Fable, no. 430) 1929. 1 reel.

Credits: John Foster.

THE FRUITS OF DIVORCE. SEE San Francisco Nights.

THE FRUITS OF VENGEANCE. 1913. 2 reels.

Credits: Director, Frederick A. Thomson.

FUELS AND HEAT. 1938. 1 reel, sd.

THE FUGITIVE. 1925. 5 reels.

Credits: Director, Ben Wilson; story, Jacques Jaccard.

THE FUGITIVE. 1933. 6 reels, sd.

Credits: Producers, Paul Malvern, Trem Carr; director, Harry Fraser; story and adaptation, Harry O. Jones.

FUGITIVE AT LARGE. 1939. 7 reels, sd.

Credits: Director, Lewis D. Collins; story, Eric Taylor; screenplay, Eric Taylor, Harvey Gates; film editor, Dwight Caldwell.

A FUGITIVE FROM JUSTICE. 1914. 1 reel.

Credits: Bliss Milford; director, Preston Kendall.

FUGITIVE IN THE SKY. 1936. 6 reels.

Credits: Director, Nick Grinde; original story and screenplay, George Bricker.

FUGITIVE LADY. 1934. 7 reels, sd.

Credits: Associate producer, Sid Rogell; director, Albert Rogell; story and screenplay, Herbert Asbury, Fred Niblo, Jr.; film editor, John Rawlins.

FUGITIVE LOVERS. 1934. 9 reels, b&w.

Credits: Director, Richard Boleslavsky; original story, Ferdinand Reyher, Frank Wead; screenplay, Albert Hackett, Frances Goodrich, George B. Seitz; film editor, William S. Gray.

FUGITIVE ROAD. 1934. 7 reels, sd. From the screenplay "International Bridge" by Charles S. Belden.

Credits: Director, Frank R. Strayer; adaptation, Charles S. Belden, Robert Ellis.

THE FUGITIVE SHERIFF. 1936. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story and screenplay, Nate Gatzert; film editor, Dwight Caldwell.

FUGITIVES. 1929. 6 reels, b&w. From the story by Richard Harding Davis.

Credits: Supervision, Kenneth Hawks; scenario, John Stone.

FUGITIVES FOR A NIGHT. 1938. 63 min., sd.

Credits: Producer, Lou Lusty; director, Leslie Goodwins; story, Richard Wormser; screenplay, Dalton Trumbo; editor, Desmond Marquette; music director, Russell Bennett.

FULL CONFESSION. 1939. 73 min., sd.

Credits: Producer, Robert Sisk; director, John Farrow; story, Leo Birinski; screenplay, Jerry Cady; editor, Harry Marker; music, Roy Webb.

FULL COVERAGE. 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Ralph Ceder; story, The Staff; film editor, Russell Schoengarth.

FULL COVERAGE. 1934. 2 reels.

Credits: Director, James W. Horne; story, James W. Horne, Albert Austin.

THE FULL CUP. SEE The Gilded Spider.

A FULL HOUSE. 1920. 5 reels. From the farce by Fred Jackson.

Credits: Director, James Cruze; scenario, Alice Eyton.

A FULL HOUSE. (A Stern Brothers Comedy) (Keeping Up with the Joneses Series) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

FULL OF PEP. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Harry L. Franklin; story, Robert F. Hill; scenario, A. S. Le Vino.

FULL SPEED AHEAD. 1923. 2 reels.

Credits: Directors, Al St. John, Ben Stoloff.

THE FULLER GUSH MAN. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; story and direction, Al Boasberg; film editor, Eddie Mann.

FULLY EQUIPPED. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Robert Dillon.

FUN AFOOT. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

FUN AMONG THE PHAROAHS, AS SEEN BY HOMER CROY. 1915.

FUN AT A BALL GAME. 1915. 1,000 ft.

FUN BEGINS AT HOME. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

FUN FROM THE PRESS. The Literary Digest. 1922. 1 reel.

FUN HOUSE. (Oswald) Snappy. 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Ray Abrams, Leo Salkin, Jack Dunham.

FUN IN A FIRE HOUSE. Mentone. 1936. 1 reel.

Credits: Story and direction, Milton Schwarzwald.

FUN IN A FLAT. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

FUN IN THE CLOUDS. (Horace in Hollywood Series) 1928. 2 reels.

Credits: Story and direction, Edward I. Luddy.

FUN IN THE WATER. (News World of Sports) 1937. 882 ft., sd.

Credits: Narration, Jack Kofoed; described by Paul Douglas.

FUN ON THE ICE. (Aesop Sound Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Mannie Davis.

Credits: Producer, John L. Hawkinson.

FUNDAMENTALS OF ACOUSTICS. 1933. 1 reel, sd.

FUNDAMENTALS OF FOOTBALL. 1930. 4 reels.

FUNDAMENTALS OF MECHANICAL DRAWING FOR JUNIOR HIGH SCHOOL. 1929.

FUNDAMENTALS OF MECHANICAL DRAWING FOR JUNIOR HIGH SCHOOL. 1930. Revision of a similar filmstrip.

FUNDAMENTALS OF OFFENSE. (Basketball, no. 1) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman.

FUNERAL OF MATAOS II. SEE Consecration of Mataos II.

FUNGUS PLANTS. 1931. 1 reel.

Credits: Narration, Clyde Fisher.

FUNNY FACE. (Juvenile Comedies) 1927. 2 reels.

Credits: Supervision Jack White; director, Charles Lamont.

FUNNY FACE. (Flip the Frog Cartoon) 1933. 1 reel, sd.

FUNNY LITTLE BUNNIES. (Walt Disney's Silly Symphony) 1934. 1 reel, sd.

THE FUNNY SIDE OF JEALOUSY. Big U. 1915. 2 reels.

Credits: Producer, C. Jay Williams.

FUN'S FUN. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Albert Ray.

FUN'S FUN. Presented by E. W. Hammons. 1937. 1,716 ft., sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

THE FUR COAT. 1916. 1 reel.

Credits: Producer, Frank Currier.

FUR COATS. SEE Side Streets.

FUR COATS AND PANTS. (Star Comedy) 1921. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, W. Scott Darling.

FUR, FUR AWAY. 1931. 2 reels, sd.

Credits: Director, Casey Robinson; story, Harry W. Conn; dialogue staged by Max E. Hayes.

A FUR PEACE. (Krazy Kat) 1929. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

THE FUR TRIMMED COAT. Laemmle. 1916. 1 reel.

Credits: Producer, Rupert Julian; story, Irene Haere; scenario, E. J. Clawson.

THE FURIES. Trailer. 1929. 1 reel, sd.

THE FURIES. 1930. 7 reels, sd. Adapted from the play by Zoe Akins.

Credits: Director, Alan Crosland; screen version, Forrest Halsey.

THE FURNACE. 1920. 7 reels. From the story by Pan [pseud. of Leslie Beresford].

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

THE FURNACE MAN. 1915. 1,000 ft.

FURNACE TROUBLE. 1929. 2 reels, b&w.

Credits: Director, James Parrott; story and scenario, Robert Benchley.

THE FURNISHED ROOM. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Edward J. Montague; director, Thomas R. Mills.

FURNITURE MAKING. (Eastman Classroom Films) 1929. 1 reel.

A FURRY TALE. (Bray Nature Special) Released by the Bray Studios. 1927. 1 reel.

FURTHER ADVENTURES OF SAMMY ORPHEUS, GUARDED BY THE MAGIC FLUTE. 1914. 1 reel.

Credits: Screenplay, Lanier Bartlett.

THE FURTHER ADVENTURES OF TOM SAWYER. SEE Huck and Tom.

FURY. 1922. 9 reels. From the novel by Edmund Goulding.

Credits: Director, Edmund Goulding.

FURY. 1936. 9 reels, sd., b&w.

Credits: Producer, Joseph L. Mankiewicz; director, Fritz Lang; story, Norman Krasna; screenplay, Bartlett Cormack, Fritz Lang; film editor, Frank Sullivan; music score, Franz Waxman.

FURY OF THE JUNGLE. 1933. 7 reels.

Credits: Director, Roy William Neill; story, Horace McCoy; screenplay, Ethel Hill, Dore Schary.

FURY OF THE WILD. 1929. 6 reels.

Credits: Director, Leon d'Usseau; story and continuity, Frank Howard Clark.

FUSS AND FEATHERS. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, Julien Josephson.

THE FUTURE MAN. Rolma Films, Inc. 1916. 1 reel.

Credits: Edward McWade; director, William Quirk.

FUTURE STARS. (News World of Sports) 1937. 814 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

FUTURITZY. SEE Felix the Cat in Futuritzy.

FUZZY KNIGHT AND HIS LITTLE PIANO. (Movietone Act) 1928. 1 reel, sd.

FUZZY KNIGHT [OFFERS] MY CINCINNATI OHIO HOME [AND] BUCKWHEAT CAKES. 1929. 610 ft., sd., b&w.

FUZZY KNIGHT, STAR OF NED WAYBURN'S GAMBOLS, SINGING, MY CINCINNATI OHIO HOME [and others]. (Metro Movietone Act) 1929. 1 reel.

THE G-E RADIO FOUR STEP SELLING PLAN. Presented by Radio Section, General Electric Co. 1937. Filmstrip, 94 frames, sd.

G MAN JITTERS. SEE Gandy Goose in G Man Jitters.

G MEN. First National Productions Corp. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 10 reels, sd.

Credits: Director, William Keighley; story and screenplay, Seton I. Miller.

THE GABLES MYSTERY. 1932. 6 reels.

Credits: Director, Harry Hughes; screenplay, Jack Celestin, Jack DeLion, Victor Kendall.

GABRIEL OVER THE WHITE HOUSE. Cosmopolitan. 1933. 9 reels, sd., b&w. From the novel by Thomas Frederic Tweed. London edition entitled "Rinehard."

Credits: Director, Gregory Lacava; screenplay, Carey Wilson; additional dialogue, Bertram Bloch; film editor, Basil Wrangell; music, William Axt.

GADGETEERS. 1939. 1 reel, sd.

Credits: Director, Joseph Henabery; story, Jack Henley.

GAGS AND GALS. Presented by E. W. Hammons. 1936. 1,793 ft., sd.

Credits: Director, Raymond Kane; story, Jefferson Machamer.

THE GAIETY GIRL. Jewel. 1924. 8 reels. From the novel "The Inheritors" by I. A. R. Wylie.

Credits: Director, King Baggot.

THE GAIETY GIRLS. 1938. 8 reels, sd.

Credits: Producer, Gunther Stapenhorst; director, Thornton Freeland; screenplay, Robert Liebmann, Arthur Macrae; scenario, Arthur Macrae; supervising editor, William Hornbeck; film editor, E. B. Jarvis; musical score, Michael Spolianski; music director, Muir Mathieson; lyrics, William Kernell.

GALA OPENING OF CARBON REMOVING SPECIALISTS NEW PLANT; Willys-Knight Model no. 56, Cartoon Trailer Film. 1928. 1 reel.

THE GALATA BRIDGE. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

GALE BROTHERS, JUVENILE COMEDIANS [IN] SONGS AND DANCES [and others]. 1927. 1 reel.

A GALE OF VERSE. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibbons.

GALL AND GOLF. 1917. 1 reel.

Credits: Graham Baker; director, Lawrence Semon.

THE GALL OF THE NORTH. 1932. 1 reel, sd.

Credits: William K. Wells; director, Eddie Buzzell; film editor, James Sweeney.

GALLANT DEFENDER. 1935. 6 reels, sd.

Credits: Director, David Selman; screenplay, Ford Beebe; story, Peter B. Kyne; film editor, Al Clark.

THE GALLANT FOOL. 1933. 6 reels.

Credits: Producer, Trem Carr; director, Robert N. Bradbury; story, J. P. McCarthy; adaptation and dialogue, Harry O. Jones.

A GALLANT GOB. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gilstrom; story, Hal Conklin.

GALLANT LADY. Released thru United Artists. 1934. 9 reels, sd.

Credits: Producer, Darryl F. Zanuck; director, Gregory La Cava; original story, Gilbert Emery, Franc Rhodes; screenplay, Sam Mintz; film editor, Barbara McLean; music director, Alfred Newman.

THE GALLANTRY OF JIMMY ROGERS. 1914. 1 reel. Adapted from The Smart Set Magazine.

GALLEGHER. Conquest Pictures. 1917. 2 reels. From the story by Richard Harding Davis.

Credits: Director, Ben Turbett.

THE GALLEY SLAVE. 1915. For Fox Film Corp. 5 reels.

Credits: Written and produced by J. Gordon Edwards; picturized by Clara S. Beranger.

THE GALLOPIN' GAUCHO. (Mickey Mouse Sound Cartoon) (Walt Disney Comic) 1930. 1 reel, sd.

Credits: U. B. Iwerks.

THE GALLOPING ACE. 1924. 5 reels. From the story "Hard Rock" by Jacques Jaccard.

Credits: Director, Robert North Bradbury.

Credits: Director, William Craft; story and continuity, Adele Buffington.

Credits: Director, Nate Watt; story, B. M. Bowers [pseud. of Bertha Muzzy Sinclair].

GALLOPING FANNY. (Aesop's Fables) (Cubby Bear, no. 2) 1933. 1 reel.

Credits: Steve Muffati, Ed. Donnelly.

GALLOPING FISH. First National. 1924. 6 reels. From the story "Friend Wife" by Frank R. Adams.

Credits: Supervision, Thomas H. Ince; director, Del Andrews.

GALLOPING FURY. 1927. 6 reels. Based on the story "Tidy Toreador."

Credits: Director, Reaves Eason; original story, Peter B. Kyne; continuity, Arthur Statter.

GALLOPING GALLAGHER. Released by Film Booking Offices. 1924. 5 reels.

Credits: Producer, Harry J. Brown; director, Albert Rogell; story and scenario, Marion Jackson.

GALLOPING GHOSTS. 1926. 2 reels.

Credits: Director, Ralph Ceder.

Credits: Director, Richard Thorpe; story, Lew Collins, Sergey Sergeyeff; continuity, Frank L. Inghram.

GALLOPING HOOFS. 1924-25. 2 reels each. © Pathe Exchange, Inc.

Credits: Story, Frank Leon Smith.

1. The Sealed Box. © 29Dec24; LP20954.

2. The Mountain Raid. © 29Dec24; LP20955.

3. Neck and Neck. © 29Dec24; LP20956.

4. The Duplicate Box. © 12Jan25; LP21016.

5. The Fateful Jump. © 12Jan25; LP21017.

6. Raging Waters. © 2Feb25; LP21076.

7. Out of the Depths. © 2Feb25; LP21077.

8. Ambushed. © 17Feb25; LP21152.

9. Tricked. © 17Feb25; LP21153.

10. Flying Colors. © 12Feb25; LP21128.

GALLOPING JUSTICE. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story and continuity, George Morgan.

THE GALLOPING KID. 1922. 5 reels.

Credits: Director, Nat Ross; story, William Hamby; scenario, A. P. Younger.

Credits: Producer, William Duncan.

GALLOPING ROMEO. 1933. 6 reels, sd.

Credits: Producers, Trem Carr, Paul Malvern; direction and screenplay, Robert N. Bradbury; story, adaptation, and continuity, Harry O. Jones.

GALLOPING THUNDER. Released by F. B. O. 1927. 5 reels.

Credits: Director, Scott Pembroke; story, W. Bert Foster; adaptation, George Morgan.

GALLOPING VENGEANCE. Independent Pictures Corp. Released by F. B. O. 1925. 5 reels.

Credits: Story, William Lester; continuity, George H. Plympton.

GALS AND GALLONS. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Alan Wilson.

THE GAMBLER. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

THE GAMBLER OF THE WEST. 1914.

THE GAMBLER OF THE WEST. 1915. 4 reels.

Credits: Adaptor and producer, George W. Terwilliger.

THE GAMBLERS. 1919. 6 reels. From the play by Charles Klein.

Credits: Director, Paul Scardon; scenario, Sam Taylor.

THE GAMBLERS. 1929. 8 reels. Based on the play by Charles Klein.

Credits: Director, Michael Curtiz; scenario and adaptation, J. Grubb Alexander.

THE GAMBLERS. Trailer. 1929. 1 reel, sd.

A GAMBLER'S GAMBOL. 1916. 1 reel.

THE GAMBLER'S I. O. U. 1915. 1 reel.

A GAMBLIN' FOOL. 1920. 2 reels.

Credits: Producer, Leo Maloney; story and scenario, Ford Beebe.

GAMBLING. Presented by Harold B. Franklin. 1934. 9 reels, sd. From the play by George M. Cohan.

Credits: Director, Rowland V. Lee; screenplay, Garrett Graham; music and lyrics, George M. Cohan, John Mercer, Bernard Hanighen; music director, Frank Tours.

THE GAMBLING CHAPLAIN. SEE Wild Oats Lane.

THE GAMBLING FOOL. Presented by Jesse J. Goldburg. 1925. 5 reels.

Credits: Supervision, Jesse J. Goldburg; story and direction, J. P. McGowan.

GAMBLING IN SOULS. 1919. 5 reels.

Credits: Director, H. Millarde; story, S. J. Warshawsky; scenario, Denison Clift.

GAMBLING LADY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, Archie Mayo; story, Doris Malloy; screenplay, Ralph Block, Doris Malloy.

GAMBLING SEX. 1932. 7 reels, sd.

Credits: Director, Fred Newmeyer; continuity and dialogue, F. McGrew Willis.

GAMBLING SHIP. 1933. 8 reels, sd.

Credits: Producer, Max Marcin; directors, Louis Gasnier, Max Marcin; original story, Peter Ruric; screenplay, Max Marcin, Seton I. Miller; adaptation, Claude Binyon.

GAMBLING SHIP. 1938. 7 reels, sd. Based on the story "Lady Luck" by G. Carlton Brown and Emanuel Manhelm.

Credits: Producer, Irving Starr; director, Aubrey Scotto; screenplay, Alex Gottlieb; film editor, Ed Curtis.

THE GAMBLING TERROR. 1937. 6 reels.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, adaptation, and screenplay, George H. Plympton, Fred Myton.

GAMBLING WITH DEATH. Bray Productions, Inc. 1925. 2 reels.

GAMBLING WITH SOULS. 1936. 7 reels, sd.

Credits: Director, Elmer Clifton; original story, J. D. Kendis.

GAMBLING WITH THE GULF STREAM. 1923. 1 reel.

GAMBLING WIVES. 1924. 6 reels.

Credits: Producer and director, Dell Henderson; story, Ashley T. Locke; adaptation, Leota Morgan.

GAMBOLING ON THE GREEN. 1916. 1 reel.

GAME BIRDS. 1931. 977 ft.

THE GAME CHICKEN. 1922. 5 reels.

Credits: Story, Nina Wilcox Putnam; screen version, Fred Myton.

GAME FISHING. 1934. 2 reels.

THE GAME HUNTER. 1924. 1 reel.

Credits: Director, William H. Watson.

GAME HUNTERS. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

A GAME IN THE BUSH. SEE South Sea Love.

THE GAME LADY. 1921. 2 reels.

Credits: Director, Noel Smith.

A GAME LADY. 1921. 2 reels.

Credits: Director, Noel Smith.

A GAME OF CARDS. 1913. 1 reel.

Credits: Director, Ned Finley.

THE GAME OF JAI-ALAI (HI-LI). Treasure Chest. Presented by E. W. Hammons. 1935. 809 ft., sd.

Credits: Story and narration, Edward Thorgersen.

Credits: Adapted and produced by George L. Tucker.

THE GAME OF LIBERTY. SEE Under Suspicion.

THE GAME OF LIFE. 1915. 2 reels.

Credits: Director, Ulysses Davis.

THE GAME OF LIFE. 1923. 8 reels.

Credits: Story, Laurie Wylie, G. B. Samuelson.

THE GAME OF LIGHT. SEE The Live Wire.

A GAME OF LOVE. L-Ko. 1915. 1 reel.

GAME OF LOVE. (Organlogue, no. 10) 1931. 1 reel, sd.

Credits: Voice, Brokenshire.

Credits: Producer, Mack Sennett.

A GAME OLD KNIGHT. 1915. 2 reels.

THE GAME THAT FAILED. 1916. 1 reel.

Credits: Director, William Wolbert.

THE GAME THAT FAILED. SEE A Mexican Mine Fraud.

THE GAME THAT KILLS. 1937. 6 reels, sd.

Credits: Associate producer, Harry L. Decker; director, D. Ross Lederman; story, J. Benton Cheney; screenplay, Grace Neville, Fred Niblo, Jr.; film editor, James Sweeney; music director, Morris Stoloff.

GAME TRAILS. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Narration, Gayne Whitman; music synchronization, Abe Meyer.

A GAME WITH FATE. 1918. 5 reels.

Credits: Tom Terriss; director, Paul Scardon; picturized by Garfield Thompson, Edward J. Montagne.

THE GAME'S UP. 1919. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Gladys E. Johnson; scenario, Katherine Carr.

THE GAMESTERS. Flying A. 1920. 6 reels.

Credits: Lois Zellner; director, George L. Cox.

LA GAMINE. SEE The Studio Girl.

GANDY GOOSE IN A BULLY ROMANCE. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip A. Scheib.

GANDY GOOSE IN DOOMSDAY. (A Terry-Toon) Presented by Paul Terry. 1938. 1 reel, sd., color.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

GANDY GOOSE IN G MAN JITTERS. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., b&w.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip A. Scheib.

GANDY GOOSE IN THE FRAME-UP. (A Terry-Toon) Presented by Paul Terry. 1938. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

GANDY THE GOOSE. (Terry Toons) Presented by E. W. Hammons. 1938. 570 ft., sd.

Credits: Paul Terry, John Foster; music, Philip A. Scheib.

GANG BULLETS. 1938. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; original screenplay, John T. Neville; film editor, Russ Schoengarth.

THE GANG BUSTER. 1931. 5,871 ft., sd.

Credits: Director, A. Edward Sutherland; story, Percy Heath; dialogue, Joseph L. Mankiewicz; film editor, Jane Loring.

GANG WAR. 1928. 7 reels.

Credits: Director, Bert Glennon; story, James Ashmore Creelman; continuity, Fred K. Myton.

THE GANG'S NEW MEMBER. 1915. 1 reel.

GANGS OF NEW YORK. 1938. 7 reels, sd. Suggested by the book by Herbert Asbury.

Credits: Associate producer, Armand Schaefer; director, James Cruze; original story, Sam Fuller; screenplay, Wellyn Totman, Sam Fuller, Charles Francis Royal; music director, Alberto Colombo; film editor, William Morgan.

GANGSTER'S BOY. 1938. 9 reels, sd.

Credits: Associate producer, W. T. Lackey; director, William Nigh; story, Karl Brown, Robert D. Andrews; screenplay, Robert D. Andrews; film editor, Russell Schoengarth.

GANGSTERS OF THE DEEP. Treasure Chest. Presented by E. W. Hammons. 1935. 753 ft., sd.

Credits: Narration, Thornton Fisher.

GANGWAY. (Sport Pictorial, no. 19) Town and Country Films. 1921. 1 reel.

Credits: Editor, Grantland Rice.

GANGWAY. 1937. 9 reels, sd. From an original story by Dwight Taylor.

Credits: Scenario and direction, Sonnie Hale; screenplay, Lesser Samuels; editor, Al Barnes; music and lyrics, Sam Lerner, Al Goodhart, Al Hoffman; music director, Louis Levy; orchestrations, Bretton Byrd.

THE GARAGE. 1919. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

GARDEN GAITIES. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love, Al Rose; music, Joe de Nat.

THE GARDEN MURDER CASE. 1936. 6 reels, sd., b&w. From the novel by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Producers, Lucien Hubbard, Ned Marin; director, Edward L. Marin; screenplay, Bertram Millhauser; film editor, Ben Lewis; music score, William Axt.

THE GARDEN OF ALLAH. 1916. 12 reels.

Credits: Robert Hichens; director, Colin Campbell; scenario, Gilson Willets.

THE GARDEN OF ALLAH. 1927. 9 reels. From the novel by Robert Hichens.

Credits: Produced and directed by Rex Ingram; screen adaptation, Willis Goldbeck; film editor, Arthur Ellis.

THE GARDEN OF ALLAH. Released through United Artists. 1936. 9 reels, sd., color. From the novel by Robert Hichens.

Credits: Producer, David O. Selznick; director, Richard Boleslawski; screenplay, W. P. Lipscomb, Lynn Riggs; film editors, Hal C. Kern, Anson Stevenson; music, Max Steiner.

THE GARDEN OF EATIN'. 1929. 2 reels.

Credits: James Gleason; directors, J. Joseph Mescall, Robert Fellows.

THE GARDEN OF EDEN. Presented by Walter Morosco. 1928. 8 reels. Based on the play by Rudolf Bernnauer and Rudolph Oesterreicher.

Credits: Producer and director, Lewis Milestone; supervision, John W. Considine, Jr.; screen version, Hans Kraly; American version, Avery Hopwood.

THE GARDEN OF LIES. Broadway Universal. 1915. 5 reels. From the novel by Justus Miles Forman.

Credits: Scenario, Louis Reeves Harrison.

THE GARDEN OF RESURRECTION. 1921. 6 reels.

Credits: Director, Arthur H. Rooke; story, Temple Thurston; scenario, Guy Newall.

THE GARDEN OF SHADOWS. Laemmle. 1916. 2 reels.

Credits: Olga Printzlau; producer, Lucius Henderson.

GARDEN OF SONG. SEE Harrington Sisters in a Garden of Song.

THE GARDEN OF THE EAST. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

GARDEN OF THE MOON. First National. 1938. 10 reels, sd. From the Saturday Evening Post story by H. Bedford-Jones and Barton Browne.

Credits: Director, Busby Berkeley; screenplay, Jerry Wald, Richard Macaulay.

THE GARDEN OF WEEDS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,230 ft. From the play by Leon Gordon and Doris Marquette.

Credits: Producer, James Cruze; screenplay, Walter Woods, Anthony Coldewey.

THE GARDEN PARTY. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

GARDEN SPOT OF THE WORLD. 1918. Split reel.

GARLAN & COMPANY. SEE Souls for Sables.

THE GARMENT. 1930. Filmstrip, 86 frames.

THE GARMENT. 1931. Filmstrip, pt. 1, 62 frames.; pt. 2, 64 frames.

GARMENTS OF TRUTH. 1921. For S-L (Arthur Sawyer and Herbert Lubin) Pictures. 5 reels. Adapted from the story by Freeman Tilden published in Pictorial Review.

Credits: Producer and director, George D. Baker; scenario, S-L Pictures.

Credits: Producer, Harold Shaw.

GARRISON'S FINISH. 1914. 3 reels. From the novel by W. B. M. Ferguson.

Credits: Producer, F. J. Grandon.

GARRISON'S FINISH. Released by Allied Producers and Distributors Corp. 1923. 8 reels. Suggested by the novel by W. B. M. Ferguson.

Credits: Director, Arthur Rosson; scenario and supervision, Elmer Harris.

GARRISON'S FINISH. Released by Allied Producers and Distributors Corp. 1923. 8 reels. From the novel by W. B. M. Ferguson.

Credits: Director, Arthur Rosson; scenario and supervision, Elmer Harris.

Credits: Adaptation and production, George Pearson.

THE GARTER GIRL. 1920. 5 reels. From the story "The Memento" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Edward H. Griffith; scenario, William B. Courtney, Lucien Hubbard.

GAS LOGIC. Metro-Drew. 1918. 1 reel.

Credits: Louis Allen Browne; directed and written by Mr. and Mrs. Sidney Drew.

GAS, OIL, AND WATER. Presented by Arthur S. Kane. 1922. 5 reels.

Credits: Richard Andres; director, Charles Ray.

GASLIT NINETIES. (Do You Remember) (A Johnnie Walker Novelty) Presented by E. W. Hammons. 1932. 1 reel, sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

THE GASOLINE HABIT. Imp. 1916. 1 reel.

THE GASOLINE TRAIL. 1924. 1 reel.

GASOLOONS. 1935. 2 reels, sd.

Credits: Associate producer, Bert Gilroy; director, Arthur Ripley; story, John Grey; film editor, Edward Mann.

Credits: Written and arranged by William B. Jones.

GASTON OLAF. SEE The Avenging Trail.

THE GATE CRASHER. Jewel. 1928. 6 reels.

Credits: Story and direction, William James Craft.

THE GATES OF DOOM. Red Feather. 1917. 5 reels.

Credits: J. Grubb Alexander; producer, Charles Swickard.

THE GATES OF EDEN. 1916. For the Metro Program. 5 reels. From the story by William E. Danforth.

Credits: Direction and adaptation, John H. Collins.

Credits: Director, Harley Knoles; story, John B. Clymer, Harry C. Hoyt; scenario, Virginia Tyler Hudson.

GATEWAY. 1938. 6,657 ft., sd.

Credits: Director, Alfred Werker; story, Walter Reisch; screenplay, Lamar Trotti; music director, Arthur Lange.

THE GATEWAY OF THE MOON. 1928. 6 reels. From the stage play by Clifford Bax.

Credits: Director, John Griffith Wray; scenario, Bradley King.

GATEWAY TO AFRICA. SEE E. M. Newman's Gateway to Africa.

Credits: Director, Webster Campbell; adaptation, William Basil Courtney.

GATHERING BANANAS AND COCOANUTS. 1917. 1 reel.

EL GATO MONTES. SEE Tiger Love.

DER GATTE DES FRÄULEINS. SEE Miss Bluebeard.

THE GAUCHO. 1928. 10 reels.

Credits: Director, F. Richard Jones; story, Elton Thomas.

GAUGE OF BATTLE. (Western Featurette) 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Basil Dickey.

THE GAUNT STRANGER. SEE The Ringer.

THE GAUNTLET. 1920. 5 reels.

Credits: Director, Edwin L. Hollywood; story, Lillian Bennet-Thompson, George Hubbard; scenario, Fred Schaefer.

THE GAUNTLETS OF WASHINGTON. 1913.

Credits: Bannister Merwin.

GAY AND DEVILISH. 1922. 5 reels.

Credits: Director, William A. Seiter; story, Charles A. Logue; continuity, Garret Elsden Fort.

THE GAY BANDITTI. SEE The Young in Heart.

THE GAY BRIDE. 1934. 9 reels, sd., b&w. From the story "Repeal" by Charles Francis Coe.

Credits: Producer, John W. Considine, Jr.; director, Jack Conway; screenplay, Bella and Samuel Spewack; film editor, Frank Sullivan; music score. Jack Virgil.

THE GAY CABALLERO. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Harry Revier.

THE GAY CABALLERO. 1932. 5,400 ft., sd. From the novel by Tom Gill.

Credits: Associate producer, Edmund Grainger; director, Alfred Werker; screenplay, Philip Klein, Barry Conners; editor, Al De Gaetano.

THE GAY DECEIVER. (Star Comedy) 1922. 1 reel.

Credits: Written and directed by Allen Curtis.

THE GAY DECEIVER. 1926. 7 reels. Based on the play "Toto" by Leo Ditrichstein, which was adapted from "Patachon" by Maurice Hennequin and Felix Duquesnel.

Credits: Director, John M. Stahl; scenario, Benjamin F. Glazer; titles, Douglas Furber; editor, Margaret Booth.

THE GAY DECEPTION. Presented by Fox Film. 1935. 6,906 ft., sd.

Credits: Director, William Wyler; original screenplay, Stephen Avery, Don Hartman; music director, Louis de Francesco.

THE GAY DEFENDER. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,230 ft.

Credits: Produced and directed by Gregory La Cava; story, Grover Jones; adaptation and scenario, Ray Harris, Sam Mintz, Kenneth Raisbeck.

THE GAY DESPERADO. Released through United Artists. 1936. 10 reels, sd.

Credits: Director, Rouben Mamoulian; original story, Leo Birinski; screenplay, Wallace Smith; film editor, Margaret Clancey; music director, Alfred Newman.

THE GAY DIPLOMAT. 1931. 8 reels, sd.

Credits: Supervision, Pandro Berman; director, Richard Boleslavsky; screenplay, Benn W. Levy; adaptation and dialogue, Doris Anderson.

THE GAY DIVORCE. SEE The Gay Divorcee.

THE GAY DIVORCEE. 1934. 13 reels, sd. From the novel "The Gay Divorce" by Dwight Taylor.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; screenplay, George Marion, Jr., Dorothy Yost, Edward Kaufman; editor, William Hamilton; musical adaptation, Kenneth Webb, Samuel Hoffenstein; music director, Max Steiner.

A GAY FLIRTATION. (Organlogue, no. 17) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

THE GAY GAUCHO. (Aesop's Fables) (Cubby Bear Series, no. 2) 1933. 1 reel, sd.

Credits: Rollin Hamilton, Thomas McKinson.

THE GAY LORD QUEX. 1919. 5 reels. Based on the play by Arthur Wing Pinero.

Credits: Director, Harry Beaumont.

THE GAY LORD WARING. 1916. 5 reels.

Credits: Producer, Otis Turner; story, Houghton Townley; scenario, F. McGrew Willis.

THE GAY NIGHTIES. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Johnnie Grey; adaptation and dialogue, Bobby Clark, Mark Sandrich; film editor, Daniel Mandell.

THE GAY NINETIES; or, THE UNFAITHFUL HUSBAND. 1929. 1 reel.

THE GAY OLD BIRD. 1927. 7 reels.

Credits: Director, Herman C. Raymaker; story, Virginia Dale; screenplay, Graham Baker; scenario, Edward Clark.

GAY OLD DAYS. Presented by E. W. Hammons. 1935. 909 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Charlie Williams, Marcy Klauber.

THE GAY RETREAT. 1927. 6 reels, b&w, tinted sequences.

Credits: Supervision, George E. Marshall; director, Benjamin Stoloff; story, William M. Conselman, Edward Marshall; screen adaptation, Murray Roth.

GEE! WHISKERS. (Star Comedy) 1922. 1 reel.

Credits: Director, Gill Pratt; story and scenario, Hal Conklin.

Credits: Written and directed by Twede Dan [pseud. of F. Perez].

GEE WHIZ. 1920. 2 reels.

Credits: Director, Richard Jones.

THE GEEZER OF BERLIN. 1918. 2 reels.

Credits: Director, Arthur D. Hotaling; scenario, Frank Howard Clark.

GEFAHREN DER LIEBE. SEE A Woman Branded.

GEHETZTE MENSCHEN. SEE Hounded Men.

THE GEM OF AGRA. 1930. 1 reel.

Credits: Elmer Clifton & Alfred Mannon.

THE GEM OF THE OCEAN. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

GEMS OF M. G. M. (Colortone Revue) 1930. 2 reels, sd., b&w.

GENE MORGAN AND HIS ORCHESTRA. 1928. 1 reel, sd.

GENE OF THE NORTHLAND. Bison. 1915. 2 reels.

Credits: Producer, Jack J. Clark; scenario, Gene Gauntier.

THE GENERAL. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

THE GENERAL. United Artists Corp. 1926. 8 reels.

Credits: Written and directed by Buster Keaton and Clyde Bruckman; adaptation, Al Boasberg, Charles Smith.

THE GENERAL. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color.

Credits: Director, Nick Grinde.

THE GENERAL. SEE The Virtuous Sin.

GENERAL CRACK. Vitaphone. 1929. 11 reels. From the novel by George Preedy [pseud.]

Credits: Director, Alan Crosland; screenplay and dialogue, J. Grubb Alexander; adaptation, Walter Anthony.

GENERAL CRACK. Trailer. 1929. 1 reel, sd.

THE GENERAL DIED AT DAWN. Presented by Adolph Zukor. 1936. 10 reels.

Credits: Director, Lewis Milestone; story, Charles G. Booth; screenplay, Clifford Odets.

GENERAL GINSBURG. RCA Photophone, Inc. 1930. 2 reels, sd.

Credits: Producer, Louis Brock; supervision, Dick Currier; director, Mark Sandrich; story and dialogue, Mark Sandrich, Nat Carr; editor, Russell G. Shields.

THE GENERAL GOES TOO FAR. SEE High Command.

GENERAL SPANKY. (Hal Roach Feature Comedy) 1936. 8 reels, sd., b&w.

Credits: Directors, Fred Newmeyer, Gordon Douglas; original story and screenplay, Richard Flournoy, Hal Yates, John Guedel; film editor, Ray Snyder; music score, Marvin Hatley.

GENERAL VITAPHONE TRAILER WITH CONRAD NAGEL. 1928. 1 reel.

GENERALS OF THE FUTURE, GRADUATION WEEK AT U. S. MILITARY ACADEMY, WEST POINT. 1914. 1 reel.

GENEVA BY THE LAKE. (Along the Royal Road to Romance Upon the Magic Carpet of Movietone) 1934. 1 reel, sd.

THE GENIUS. 1914.

THE GENTLE ART OF BURGLARY. Victor. 1916. 1 reel.

Credits: Written and produced by Raymond L. Schrock.

THE GENTLE CYCLONE. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, William S. Van Dyke; story, Frank R. Buckley; scenario, Thomas Dixon, Jr.

THE GENTLE ILL WIND. SEE The Edge of the Law.

GENTLE JULIA. 1923. 6 reels. Based on the novel by Booth Tarkington.

Credits: Director, Rowland V. Lee; adaptation and scenario, Donald W. Lee.

GENTLE JULIA. 1936. 7 reels, sd. Based on the novel by Booth Tarkington.

Credits: Director, John Blystone; screenplay, Lamar Trotti; music director, Samuel Kaylin.

A GENTLE VOLUNTEER. Rex. 1916. 3 reels.

Credits: M. B. Harvey; producer, Ben Wilson.

THE GENTLEMAN BURGLAR. 1915. 2 reels.

Credits: Director, E. A. Martin.

THE GENTLEMAN FROM AMERICA. 1923. 5 reels.

Credits: Director, Edward Sedgwick; story, Raymond L. Schrock; scenario, George Hull.

THE GENTLEMAN FROM INDIANA. 1915. 5 reels. Based on the novel by Booth Tarkington.

THE GENTLEMAN FROM LOUISIANA. 1936. 7 reels.

Credits: Producer, Nat Levine; supervision, Colbert Clark; director, Irving Pichel; original story, Jerry Chodorov, Bert Granet; screenplay, Gordon Rigby, Joseph Fields, additional dialogue, Lee Freeman.

Credits: Picturized by George L. Sargent.

A GENTLEMAN OF FASHION. 1913.

Credits: Director, George B. Baker.

A GENTLEMAN OF LEISURE. Presented by Jesse L. Lasky. 1923. 6 reels. Adapted from the play by John Stapleton and P. G. Wodehouse.

Credits: Director, Joseph Henabery; adaptation, Anthony Coldewey.

A GENTLEMAN OF NERVE. Victor. 1916. 1 reel.

Credits: Director, Carter De Haven; story, Florence Wallace; scenario, Harry Wulze.

A GENTLEMAN OF PARIS. 1927. 5,927 ft. From the novel "Bellamy the Magnificent" by Roy Horniman.

Credits: Director, Harry D'Abbadie D'Arrast; adaptation, Benjamin Glazer.

A GENTLEMAN OF QUALITY. 1919. 5 reels. From the story by Frederic Van Rensselaer Dey.

Credits: Director, James Young; scenario, Edward J. Montagne.

A GENTLEMAN ROUGHNECK. 1925. 5 reels.

Credits: Written and directed by Grover Jones.

A GENTLEMAN'S AGREEMENT. 1918. 5 reels.

Credits: Wallace Irwin; director, David Smith.

GENTLEMAN'S FATE. 1931. 10 reels, sd., b&w.

Credits: Director, Merwyn LeRoy; story, Ursula Parrott; dialogue continuity, Leonard Praskins; film editor, William S. Gray.

A GENTLEMAN'S GENTLEMAN. 1913. 1 reel.

Credits: Bannister Merwin.

GENTLEMEN ARE BORN. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director. Alfred E. Green; story, Robert Lee Johnson; screenplay, Eugene Solow, Robert Lee Johnson.

GENTLEMEN OF NERVE. 1914.

Credits: Producer, Mack Sennett.

GENTLEMEN OF POLISH. (M. G. M. Musical Revue) 1934. 2 reels, sd., b&w.

Credits: Director, Alf Goulding.

GENTLEMEN OF THE BAR. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1934. 1,648 ft., sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

GENTLEMEN OF THE EVENING. 1929. 2 reels.

Credits: Produced and directed by George LeMaire; story, Lew Hearn; film editor, E. Pfitzenmeier.

GENTLEMEN OF THE PRESS. 1929. 7,167 ft.

Credits: Director, Millard Webb; stage play, Ward Morehouse; adaptation, Bartlett Cormack.

GENTLEMEN OF THE WEST. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Ben Cohen.

GENTLEMEN PREFER BLONDES. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7 reels. From the story by Anita Loos and the play by Anita Loos and John Emerson.

Credits: Producer, Hector Turnbull; director, Malcolm St. Clair; adaptation, Anita Loos, John Emerson.

GENTLEMEN PREFER SCOTCH. Imperial. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Jules White; story, Sam White, Arthur Greenlaw; titles, Harold E. Tarshis.

GENTLEMEN'S SPORTS. (Sports with Bill Corum, no. 3) 1935. 1 reel.

THE GENTLEWOMAN. SEE An Old Fashioned Elopement.

GENTS OF LEISURE. (Chester Conklin Comedy, no. 5) 1931. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; director, Del Lord; story, Clarence Hennecke; film editor, Earl Neville.

THE GEOGRAPHY LESSON. (A Colortone Novelty) 1931. 2 reels.

Credits: Director, Nick Grindé.

GEOLOGICAL WORK OF ICE. Produced by Erpi Picture Consultants, Inc., in cooperation with The University of Chicago and the National Park Service. 1935. 1 reel, sd.

Credits: Carey Cronels.

GEORGE BARNWELL, THE LONDON APPRENTICE. SEE In the Toils of a Temptress.

GEORGE BERNARD SHAW. (Movietone Number) 1928. 1 reel, sd.

GEORGE BROADHURST & CO. IN THREE O'CLOCK IN THE MORNING. 1929. 1 reel, sd.

GEORGE DEWEY WASHINGTON [IN] SONG: LONELY VAGABOND. (Movietone Act) 1929. 1 reel, sd.

GEORGE DEWEY WASHINGTON [IN] SONGS: CHLOE AND JUST A MELODY FROM OUT OF THE SKY. (Movietone Act) 1928. 1 reel, sd.

GEORGE DEWEY WASHINGTON [IN] SONGS: KING FOR A DAY AND HALF WAY TO HEAVEN. (Movietone Act) 1928. 1 reel, sd.

GEORGE DEWEY WASHINGTON SINGING JUST BE A BUILDER OF DREAMS, DOWN AMONG THE SUGAR CANE. (Metro Movietone Act, A-84) 1929. 1 reel, sd.

GEORGE DEWEY WASHINGTON, THE GOLDEN VOICED SON OF THE SOUTH. 1929. 1 reel, sd.

GEORGE FISHER AND HONEY HURST IN APARTMENT HUNTING. 1929. 1 reel, sd.

GEORGE GIVOT AND LEONARD AND HINDS, DIRECTED BY BRYAN FOY AND ACCOMPANIED BY THE VITAPHONE ORCHESTRA SING: A. WHY SHOULD I MARRY? [and others] 1927. 1 reel.

GEORGE HALL AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Roy Mack.

GEORGE JESSEL AND THE RUSSIAN ART CHOIR. 1931. 1 reel.

GEORGE JESSEL IN A COMEDY MONOLOGUE, COMEDY MONOLOGUE AND SOLO: AT PEACE WITH THE WORLD. 1927. 1 reel, sd.

GEORGE JESSEL IN A COMEDY SKIT, ASSISTED BY MURIEL GRAY, GLADYS KECK AND CHARLES CANFIELD. 1927. 1 reel.

GEORGE LEAVES HOME. (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Francis Corby.

GEORGE LYONS, THE SINGING HARPIST [Offers] BELOVED [and others]. (Movietone Act) 1929. 1 reel.

GEORGE LYONS, THE SINGING HARPIST SINGING MOTHER OF MINE [and others]. (Metro Movietone Act) 1929. 1 reel.

GEORGE MEETS GEORGE. (A Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

GEORGE ROSENER IN THE FALLEN STAR. 1929. 1 reel, sd.

GEORGE RUNS WILD. (Stern Brothers Comedy) (Let George Do It Series) 1926. 2 reels.

Credits: Director, Scott Pembroke.

GEORGE STEPS OUT. (Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

GEORGE THE WINNER. (Let George Do It Series) (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Francis Corby.

GEORGE WASHINGTON COHEN. 1928. 6 reels. From the play "The Cherry Tree" by Aaron Hoffman.

Credits: Director, George Archainbaud; adaptation, continuity and titles, Isadore Bernstein.

GEORGE WASHINGTON, HIS LIFE AND TIMES. 1931. 4,030 ft.

GEORGE WASHINGTON JONES. 1914. 1 reel.

Credits: Director, Charles H. France.

GEORGE WASHINGTON, JR. 1923. 6 reels. From the play by George M. Cohan.

Credits: Director, Mal St. Clair; adaptation, Rex Taylor.

GEORGE WASHINGTON'S RAILROAD. Sound Pictures, Inc. 1935. 7 reels, sd.

Credits: Director, William O. Hurst; historical research, H. O. Bishop; narrator, Basil Ruysdael; music score, Nathaniel Shilkret.

GEORGE WHITE'S 1935 SCANDALS. 1935. 7,887 ft., sd.

Credits: Director, George White; screenplay, Jack Yellen, Patterson McNutt; music, Louis de Francesco.

GEORGE WHITE'S SCANDALS. 1934. 7,200 ft., sd.

Credits: George White; story director, Thornton Freeland; additional dialogue, Jack Yellen; music director, Louis de Francesco; musical numbers director, Harry Lachman; film editor, Paul Weatherwax.

GEORGE WHITING AND SADIE BURT IN SONG SAYINGS. 1929. 1 reel.

GEORGES CARPENTIER IN NAUGHTY, BUT NICE. 1930. 1 reel, sd.

GEORGE'S FALSE ALARM. (A Stern Brothers Comedy) (Let George Do It Series) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

GEORGE'S IN LOVE. (Stern Brothers Comedy) (Let George Do It Series) 1926. 2 reels.

Credits: Director, Francis Corby.

GEORGE'S MANY LOVES. (Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels.

Credits: Director, Scott Pembroke.

GEORGE'S SCHOOL DAZE. (A Stern Bros. Comedy) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

GEORGIA TECH. (The Spirit of the Campus) Presented by E. W. Hammons. 1933. 828 ft., sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil.

GEORGIE PRICE IN DON'T GET NERVOUS. 1929. 1 reel.

GEORGIE PRICE IN WHAT PRICE GEORGIE. (Metro Movietone Act) 1930. 1 reel, sd.

GERALD CRANSTON'S LADY. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Emmett J. Flynn; story, Gilbert Frankau; scenario, Edmund Goulding.

GERALDINE. 1929. 7 reels. From the story by Booth Tarkington.

Credits: Supervision, Paul Bern; director, Melville Brown; adaptation, Corey Wilson; continuity, George Dromgold, Peggy Prior; film editor, Barbara Hunter.

GERM MANIA. SEE Felix the Cat in Germ Mania.

THE GERM OF MYSTERY. 1916. 3 reels.

Credits: Director, William Robert Daly.

Credits: Illica and Baron Franchetti.

GERMS AND MICROBES. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

GERTIE'S AWFUL FIX. 1916. 1 reel.

GERTIE'S BUSY DAY. 1916. 1 reel.

GERTIE'S GASOLINE GLIDE. 1916. 2 reels.

GERTIE'S JOY RIDE. L-Ko. 1915. 1 reel.

GERTRUDE LAWRENCE IN EARLY MOURNING. 1929. 1 reel.

Credits: Noel Coward; director, George W. Lane.

GERTRUDE LAWRENCE SINGING, I DON'T KNOW. 1928. 1 reel.

Credits: Director, Earl I. Sponable.

GESCHAFTE MIT AMERIKA. SEE Yes, Mr. Brown.

GESCHWISTER. SEE The Sisters (Geschwister).

GESTERN UND HEUTE. SEE Mädchen in Uniform.

GET ALL THE ADVANTAGES OF HIGH COMPRESSION. (Socony Screen Talks, no. 2) Presented by Standard Oil Company of New York. 1930. Filmstrip. 113 frames.

GET ALONG LITTLE HUBBY. 1934. 2 reels, sd.

Credits: Director, Raymond McCarey; story, Jack Cluett.

Credits: Supervision, F. Richard Jones; director. Fred Guiol; titles, H. M. Walker.

GET RICH QUICK. 1935. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Joe Traub.

GET RICH QUICK PEGGY. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

GET RICH QUICK WALLINGFORD. 1921. 7 reels. From the play by George M. Cohan.

Credits: Director, Frank Borzage; scenario, Luther Reed.

GET SET FOR SERVICE. 1936. 1 reel, sd.

GET THAT MAN. Mayfair. Scott-Bennet. 1935. 7 reels, sd.

Credits: Director, Spencer-Gordon Bennet; story, Robert Bridgewood; continuity and dialogue, Betty Burbridge.

GET YOUR MAN. 1921. 5 reels.

Credits: Directors, William K. Howard, George W. Hill; story, Alan Sullivan; scenario, John Montague.

Credits: Director, George Jeske.

GET YOUR MAN. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,718 ft. From the play by Louis Verneuil.

Credits: Director, Dorothy Arzner; adaptation, Hope Loring.

THE GETAWAY. Bison. 1917. 2 reels.

Credits: Alice McGowan, Harriet Bacher Bradner; director, George Cochrane; scenario, Douglas Bronston.

Credits: Director, George B. Seitz; scenario, Frank Leon Smith.

THE GETAWAY KID. 1928. 2 reels.

Credits: Director, Bruce Mitchell; story, Thomas Malloy; continuity, Basil Dickey.

GETTING A BREAK. Presented by Adolph Zukor and Jesse L. Lasky, 1930. 1 reel, sd.

Credits: Director, Monte Brice.

GETTING A PATIENT. 1913. 1 reel.

Credits: H. S. Miller.

GETTING A START IN LIFE. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, James Oliver Curwood.

GETTING A TICKET. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Morton Blumenstock.

GETTING ACQUAINTED. 1914. 1 reel.

Credits: Producer, Mack Sennett.

GETTING ACQUAINTED WITH BEES. 1917. 1 reel.

GETTING AN EYEFUL. Presented by E. W. Hammons. 1938. 1,567 ft., sd.

Credits: Producer, Al Christie; story, Billy K. Wells.

GETTING BUSTER'S GOAT. (Stern Bros. Comedy) 1929. 2 reels. From the Buster Brown cartoons by R. F. Outcault.

Credits: Director, Gus Meins.

GETTING BY. 1916. 1 reel.

Credits: Producer, John Robertson.

GETTING GERTIE'S GARTER. (Success Series) 1927. 7 reels. From the play by Avery Hopwood and Wilson Collison.

Credits: Director, E. Mason Hopper.

GETTING GERTIE'S GARTER. SEE A Night of the Garter.

GETTING HIS GOAT. Imp. 1915. 1 reel.

Credits: Bernard P. Arons; producer, Jack Harvey.

GETTING HITCHED. (A McDougall Alley Comedy) 1926. 2 reels.

GETTING INTO A SCRAPE. 1915. Split reel.

GETTING MARY MARRIED. 1919. 5 reels.

Credits: Director, Allan Dwan; story, John Emerson, Anita Loos.

GETTING OFF TO A GOOD START. 1937. For the Charis Corp., 1 reel, sd.

GETTING ON THE GREEN. (Farrell Golf Series, no. 6) 1931. 1 reel.

Credits: Producer, Terry Ramsaye; director, Clyde Elliot.

GETTING RID OF AUNT KATE. 1915. 1 reel.

Credits: Director, C. Jay Williams.

GETTING RID OF NEPHEW. 1915. Split reel.

GETTING THE AIR. 1930. 2 reels.

Credits: Director, Gus Meins; story, T. Page Wright, Bill Weber.

Credits: Russell Taylor, William Louis, Horace G. Plimpton, James O. Walsh, Rex Taylor.

GETTING THE GOODS ON GERTIE. 1916. 1 reel.

GETTING THE NAME ON THE LINE. 1937. For the Plymouth Division of Chrysler Corp. Filmstrip, 101 frames, sd.

GETTING THE SACK. 1914. 1 reel.

GETTING TO THE BALL GAME. 1914. 1 reel.

Credits: Director, Charles H. France.

GETTING TOGETHER. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

GETTING TRIMMED. Century. 1925. 2 reels.

Credits: Written and directed by Edward I. Luddy.

GEYSERS OF THE YELLOWSTONE. 1936. 1 reel, sd.

THE GHETTO. 1928. 7 reels, sd.

Credits: Director, Norman Taurog; original story, Viola Brothers Shore; continuity, Isadore Bernstein; editor, Desmond O'Brien.

GHOSKS IN THE BUNK. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, William Henning, Abner Matthews.

THE GHOST BREAKER. 1922. 5 reels. From the play by Paul Dickey and Charles W. Goddard.

Credits: Director, Alfred E. Green; adaptation, Jack Cunningham.

THE GHOST CITY. 1923-24. 2 reels each. © Universal Pictures Corp.

Credits: Director, Jay Marchant; story and scenario, Karl Coolidge, George Pyper.

1. The Thundering Herd. © 9Nov23; LP19601.

2. The Bulldogger. © 9Nov23; LP19602.

3. The Maelstrom. © 22Nov23; LP19636.

4. The Water Trap. © 14Dec23; LP19723.

5. Foiling the Rustler. © 14Dec23; LP19727.

6. Death's Spectre. © 21Dec23; LP19741.

7. Stolen Gold. © 27Dec23; LP19779.

8. The Midnight Intruder. © 4Jan24; LP19792.

9. Talons of the Night. © 9Jan24; LP19818.

10. The Frame-up. © 18Jan24; LP19841.

11. Ambushed. © 24Jan24; LP19856.

12. The Betrayal. © 1Feb24; LP19884.

13. Man to Man. © 8Feb24; LP19906.

14. Flames of Vengeance. © 15Feb24; LP19912.

15. Face to Face. © 27Feb24; LP19958.

THE GHOST GIRL. 1919. 2 reels.

Credits: Story, Patricia Foulds; scenario, Charles J. Wilson, Jr.

THE GHOST GOES WEST. Released through United Artists. 1936. 10 reels, sd. Based on a story by Eric Keown.

Credits: Producer, Alexander Korda; director, René Clair; filmplay, Robert E. Sherwood; scenario, Geoffrey Kerr.

THE GHOST HOUSE. 1917. 5 reels.

Credits: Director, William C. De Mille; story, Beulah Marie Dix.

THE GHOST IN THE GARRET. 1920. 5 reels.

Credits: Director, F. Richard Jones; story, Wells Hastings; scenario, Fred Chaston.

THE GHOST OF A CHANCE. Rolma Films, Inc. 1916. 1 reel.

Credits: Edwin Redway.

A GHOST OF A CHANCE. 1919. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Kenneth Webb; scenario, George H. Plympton.

THE GHOST OF GRANLEIGH. 1913. 1 reel.

Credits: Bannister Merwin.

THE GHOST OF JOHN HOLLING. SEE Mystery Liner.

THE GHOST OF OLD MORRO. 1917. 5 reels.

Credits: Director, Richard Ridgely; story, James Oppenheim.

THE GHOST OF THE JUNGLE. Bison. 1916. 2 reels.

Credits: Allen Watt, Rex de Rosselli; producer, Jay Hunt.

THE GHOST OF THE MANOR. SEE The Shadow Strikes.

Credits: Jack Cunningham; director, William Worthington; story, Arthur Henry Gooden.

THE GHOST OF THE TWISTED OAKS. 1915. 3 reels.

Credits: Producer, Sidney Olcott.

GHOST PARADE. 1931. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

THE GHOST PATROL. 1923. 5 reels. Based on the short story by Sinclair Lewis.

Credits: Director, Nat Ross; scenario, Raymond L. Schrock.

THE GHOST SPEAKS. 1937. For Bohn Refrigerator Co. Filmstrip. 60 frames, sd.

THE GHOST TALKS. 1928. 9 reels. From the play "Badges" by Max Marcin and Edward Hammond.

Credits: Director, Lew Seiler; adaptation and continuity, Frederick Hazlitt Brennan, Harlan Thompson.

THE GHOST TO GHOST HOOK-UP. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, Cyrus Wood.

GHOST TOWN FROLICS. (Walter Lantz Cartoon) 1938. 1 reel, sd.

Credits: Director, Lester Kline; story, Victor McLeod.

GHOST-TOWN GOLD. 1936. 6 reels. Based on the book by William Colt MacDonald.

Credits: Producer, Nat Levine; supervision, William Berke; director, Joseph Kane; original story, Bernard McConville; screenplay, John Rathmell, Oliver Drake.

GHOST TOWN RIDERS. 1938. 6 reels, sd.

Credits: Producer, Trem Carr; director, George Waggner; original story and screenplay, Joseph West.

GHOST VALLEY. 1932. 6 reels, sd.

Credits: Associate producer, Harry Joe Brown; director, Fred Allen; story and screenplay, Adele Buffington; film editor, William Clemens.

THE GHOST WAGON. Bison. 1915. 3 reels.

Credits: Producer, Jos. Franz; scenario, Bess Meredyth.

THE GHOST WALKS. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Charles S. Belden.

GHOSTS; or, WHO'S AFRAID. 1913. 1 reel.

Credits: Director, W. J. Bauman.

GHOSTS. 1929. 1 reel.

Credits: Director, Lester Bangsberg.

GHOSTS AND FLY PAPER. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE GHOSTS OF YESTERDAY. 1917. 6 reels. From the play "Two Women" by Rupert Hughes.

Credits: Director, Charles Miller; adaptation, Mildred Considene.

A GIANT IN FAIRYLAND. 1924. 1 reel.

THE GIANT KILLER. (A Dinky Doodle Cartoon) 1924. 1 reel.

Credits: Written and directed by Walter Lantz.

THE GIANT OF NORWAY. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, Doane Hoag; film editor, Mildred Rich; music score, David Snell.

GIANT POWDER. Bison. 1916. 2 reels.

Credits: Maxwell Ryder; director, Henry McRae.

GIANTLAND. (Walt Disney's Mickey Mouse) 1933. 1 reel.

GIANTS OF THE AMERICAN FORREST. Powers. 1917. 1 reel.

Credits: Arranged by Lynn F. Reynolds.

GIANTS OF THE NORTH. (Bray's Naturgraphs) 1933. 7 min.

Credits: Francis McGlynn.

GIBRALTAR. (Vagabond Adventure Series) (Van Beuren Travelogue) RKO. 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

GID-AP NAPOLEON. 1921. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

THE GIDDY AGE. 1932. 21 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Felix Adler.

GIDDY, GAY AND TICKLISH. 1915. 1 reel.

Credits: Producer, Mack Sennett.

GIDDY GOBBLERS. 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story, Hal Conklin.

GIERSDORF SISTERS. 1929. 1 reel.

THE GIFT GIRL. 1917. 5 reels. Story suggested by the play of the same name.

Credits: Director, Rupert Julian; story, H. R. Durant; scenario, E. J. Clawson.

GIFT O' GAB. 1917. 65 min. Adapted from Ainslee's Magazine.

Credits: Director, W. S. Van Dyke; adaptation, H. Tipton Steck.

GIFT OF GAB. 1934. 7 reels, sd.

Credits: Director, Karl Freund; original story, Jerry Wald, Philip G. Epstein; screenplay, Rian James; adaptation, Lou Breslow.

THE GIFT OF LIFE. 1920. 4 reels.

THE GIFT OF THE FAIRIES. Rex. 1917. 1 reel.

THE GIFT OF THE MAGI. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Brinsley Shaw; adaptation, Katharine Reed.

Credits: Director, Ollie L. Sellers.

GIFTS FROM THE AIR. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe De Nat.

GIFTS IN RHYTHM. (A Song Hit) Educational Films Corp. of America. Presented by E. W. Hammons. 1936. 898 ft., sd.

Credits: Producer, Al Christie; story, Art Jarrett.

GIGGLE WATER. (Mr. Average Man Comedies) 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story and direction, Harry Sweet; film editor, Fred Maguire.

GIGOLETTE. 1935. 7 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Gordon Kahn; editor, William Thompson; music score, John Rochetti; music and lyrics, Charles Williams, Marcy Klauber.

GIGOLETTES. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, William Goodrich; story, Beatrice Van; film editor, Fred Maguire.

GIGOLO. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 7 reels. From the story by Edna Ferber.

Credits: Supervision, C. Gardner Sullivan; director, William K. Howard; adaptation, Garrett Fort, Marion Orth.

GILBERT AND SULLIVAN, MALE ENSEMBLE. 1929. 1 reel, sd., amber.

GILBERT WELLS IN A BREEZE FROM THE SOUTH. 1928. 1 reel, sd.

THE GILDED BUTTERFLY. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, John Griffith Wray; story, Evelyn Campbell; scenario, Bradley King.

THE GILDED CAGE. 1915. 1 reel.

Credits: Edward T. Lowe, Jr.

Credits: Director, Harley Knoles; story, J. I. C. Clarke; scenario, Frances Marion.

THE GILDED DREAM. 1920. 5 reels.

Credits: Producer, Rollin Sturgeon; story, Lorne H. Fontaine, Lester Robbins; scenario, Doris Schroeder.

A GILDED FOOL. 1915. For William Fox Vaudeville Co. 5 reels. Adapted from the novel by Henry Guy Carlton.

Credits: Adapted and picturized by Edgar Lewis.

THE GILDED HIGHWAY. 1926. 7 reels. From the novel "A Little More" by W. B. Maxwell.

Credits: Producer and director, J. Stuart Blackton; adaptation, Marian Constance.

THE GILDED KIDD. 1914. 2 reels.

Credits: Mark Swan; director, C. Jay Williams.

GILDED LIES. 1921. 5 reels.

Credits: John Lynch; director, William P. S. Earle; scenario, R. Cecil Smiths.

THE GILDED LIFE. Special Rex. 1916. 1 reel.

Credits: Directors, Lois Weber, Phillips Smalley.

THE GILDED LILY. Paramount. Presented by Adolph Zukor. 1921. 6 reels.

Credits: Clara Beranger; producer and director, Robert Z. Leonard.

THE GILDED LILY. Presented by Adolph Zukor. 1935. 9 reels, sd.

Credits: Producer, Albert Lewis; director, Wesley Ruggles; story, Melville Baker, Jack Kirkland; screenplay, Claude Binyon; music, Arthur Johnston; lyrics, Sam Coslow.

THE GILDED SPIDER. 1916. 5 reels. Title changed from "The Full Cup."

Credits: Producer, Jos. De Grasse; story, Ida May Park.

GILDED YOUTH. Laemmle. 1915. 3 reels.

Credits: Written and produced by Rupert Julian.

GILDING THE LILY. (A Pete Smith Specialty) 1937. 1 reel, sd.

Credits: Director, David Miller.

GIMME. 1923. 6 reels.

Credits: Director, Rupert Hughes.

GIMME MY QUARTERBACK. Educational Pictures. Presented by E. W. Hammons. 1934. 792 ft., sd.

Credits: Producer and director, Jack Hays; film editor, Tom Persons; musical director, David Broekman.

GIMME STRENGTH. (Jimmie Adams Comedies) Educational. 1926. 2 reels.

Credits: Sig Herzig; director, Harold Beaudine.

GINGER. 1935. 7,100 ft., sd.

Credits: Director, Lewis Seiler; story and screenplay, Arthur Kober; music director, Samuel Kaylin.

Credits: Producer, John L. Hawkinson.

THE GINGER BREAD BOY. (An Oswald Comedy) Snappy. 1934. 1 reel.

GINGER FACE. Century. 1922. 2 reels.

Credits: Written and directed by Jimmy Adams.

GINGER SNAPS. (Big Boy Juvenile Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

Credits: Director, Burton George; scenario, Raymond Schrock.

GINGER'S REIGN. 1914. 1 reel.

Credits: Director, Burton King.

THE GINGHAM GIRL. 1920. 2 reels.

Credits: Director, James Davis.

THE GINGHAM GIRL. 1927. 7 reels. From the play by Daniel Kusell.

Credits: Director, David Kirkland; adaptation, David Kirkland, Rex Taylor; continuity, Ewart Adamson.

GINSBERG THE GREAT. 1927. 6 reels.

Credits: Director, Byron Haskin; story and scenario, Anthony Coldewey.

LA GIOCONDA. SEE The Devil's Daughter.

GIOVANNI MARTINELLI. 1930. 1 reel.

GIOVANNI MARTINELLI, ASSISTED BY JEANNE GORDON IN SELECTIONS FROM CARMEN. 1927. 1 reel, sd.

GIOVANNI MARTINELLI IN THE PRISON SCENE FROM GOUNOD'S FAUST. 1930. 1 reel, sd.

GIOVANNI MARTINELLI IN THE SHIP'S CONCERT. (Martinelli, no. 1) 1931. 1 reel, sd.

GIOVANNI MARTINELLI SINGING ARIAS FROM VERDI'S IL TROVATORE, ASSISTED BY LIVIA MARRACCI. 1930. 1 reel, sd.

GIOVANNI MARTINELLI SINGING CELESTE AIDA BY GIUSEPPE VERDI. 1930. 1 reel, sd.

GIOVANNI MARTINELLI SINGING M'APPARI FROM MARTHA, ASSISTED BY LIVIA MARRACCI. 1929. 1 reel, sd.

GIOVANNI MARTINELLI, TENOR, ASSISTED BY LOUIS D'ANGELO, BASS, OF THE METROPOLITAN OPERA COMPANY IN A DUET FROM ACT IV OF THE OPERA LA JUIVE. 1927. 1 reel.

GIOVANNI MARTINELLI, TENOR OF THE METROPOLITAN OPERA COMPANY, SINGING VA PRONONCER LA MORT FROM ACT 4 OF THE OPERA, LA JUIVE. 1927. 1 reel.

GIOVANNI MARTINELLI, TENOR OF THE METROPOLITAN OPERA, IN CELESTE AÏDA, FROM THE OPERA AÏDA, BY VERDI. 1927. 1 reel, sd.

GIOVANNI MARTINELLI, TENOR, SINGS VESTI LA GIUBBA FROM THE OPERA I PAGLIACCI, BY LEONCAVALLO. 1927. 1 reel, sd.

GIPSY BLOOD. 1921. 72 min. Based on "Carmen" by Prosper Mérimée.

Credits: Director, Ernst Lubitsch.

THE GIRL AND THE CRISIS. Red Feather. 1917. 5 reels.

Credits: Written and directed by William V. Mong.

THE GIRL AND THE GAMBLER. 1939. 7 reels, sd. From the David Belasco production "The Dove" by Willard Mack which was based on the story "The Blue Ribbon" by Gerald Beaumont.

Credits: Producer, Cliff Reid; director, Lew Landers; screenplay, Joseph A. Fields, Clarence Upson Young; editor, Desmond Marquette; music director, Roy Webb.

THE GIRL AND THE GRAFT. 1918. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, William P. S. Earle; adaptation, Stanley Olmsted.

Credits: Producer, Lem B. Parker.

THE GIRL AND THE MAIL BAG. 1915. 1 reel. From the story by Cornelius Shea.

Credits: Producer, Tom Mix.

THE GIRL AND THE MATINEE IDOL. 1915. 1 reel.

THE GIRL AND THE MISER. 1914. 1 reel.

THE GIRL AND THE OUTLAW. 1913. 1 reel.

Credits: Frank McGlynn.

THE GIRL AND THE REPORTER. 1915. 2 reels.

Credits: Director, Thomas Santschi.

A GIRL AT BAY. 1919. 5 reels.

Credits: Director, Tom Mills; story, Joseph Gollomb; scenario, Katharine S. Reed.

THE GIRL AT HIS SIDE. 1914. 1 reel.

Credits: Producer, Oscar Eagle.

THE GIRL AT HOME. 1917. 5 reels.

Credits: Director, Marshall Neilan; story, George Middleton; scenario, Beulah Marie Dix.

THE GIRL AT NOLAN'S. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE GIRL AT THE CURTAIN. 1916. 2 reels.

THE GIRL AT THE IRONING BOARD. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger.

THE GIRL AT THE LUNCH COUNTER. 1913. 1 reel.

Credits: Director, George D. Baker.

THE GIRL BEHIND THE BARRIER. 1914. 1 reel.

Credits: Producer, Edward J. LeSaint.

THE GIRL BY THE ROADSIDE. 1917. 5 reels. From the novel by Varick Vanardy [pseud. of Frederic Van Rensselaer Dey].

Credits: Director, Theodore Marston; scenario, John C. Brownell.

GIRL CRAZY. (Educational-Mack Sennett Talking Comedy) 1929. 20 min., sd.

Credits: Director, Mack Sennett.

GIRL CRAZY. 1932. 8 reels. From the musical comedy by John McGowan and Guy Bolton; music by George and Ira Gershwin.

Credits: Producer, William LeBaron; director, William A. Seiter; screenplay, Tim Whelan; adaptation, Herman J. Mankiewicz; additional dialogue, Edward Welch; film editor, Artie Roberts.

THE GIRL DETECTIVE. 1916. 1 reel.

Credits: Director, Burton L. King.

THE GIRL DODGER. Paramount. Presented by Thomas H. Ince. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story, J. G. Hawks.

THE GIRL DOWNSTAIRS. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. From a short story by Sandor Hunyady.

Credits: Producer, Harry Rapf; director, Norman Taurog; screenplay, Harold Goldman, Felix Jackson, Karl Noti; film editor, Elmo Veron; music score, William Axt.

THE GIRL FRIEND. 1935. 7 reels, sd.

Credits: Director, Edward N. Buzzell; story, Gene Towne, Graham Baker; screenplay, Gertrude Purcell, Benny Rubin; film editor, John Rawlins.

Credits: Hugo von Hofmannsthal; translated by M. Steele.

THE GIRL FROM BEYOND. 1918. 5 reels.

Credits: Director, William Wolbert; story, Cyrus Townsend Brady; picturized by Donald I. Buchanan.

Credits: Director, L. B. McGill; story, Lois Zellner.

THE GIRL FROM CALGARY. 1932. 7 reels, sd.

Credits: Producer, I. E. Chadwick; directors, Phil Whitman, Leon D'Usseau; story, Leon D'Usseau, Sig Schlager; continuity and dialogue, Lee Chadwick.

THE GIRL FROM CHICAGO. 1927. 7 reels. Adapted from the story "Business is Best" Arthur Somers Roche.

Credits: Director, Ray Enright; scenario, C. Graham Baker.

THE GIRL FROM EVERYWHERE. 1927. 2 reels.

Credits: Director, Eddie Cline; story, Harry McCoy, Vernon Smith.

THE GIRL FROM GAY PAREE. 1927. 6 reels.

Credits: Director, Phil Stone; story, Violet Clark.

THE GIRL FROM GOD'S COUNTRY. Released by The F. B. Warren Corp. 1921. 7 reels.

Credits: Directors, Nell Shipman, Bert Van Tuyle; story, Nell Shipman.

THE GIRL FROM HAVANA. 1929. 5,975 ft.

Credits: Director, Benjamin Stoloff; story, John Stone; editor, Paul Weatherwax.

THE GIRL FROM MANDALAY. 1936. 7 reels, sd. From the book "Tiger Valley" by Reginald Campbell.

Credits: Producer, Nat Levine; supervision, Victor Zobel; director, Howard Bretherton; screenplay, Wellyn Totman, Endre Bohem; film editor, Ray Curtiss; music supervision, Harry Grey.

THE GIRL FROM MEXICO. 1939. 71 min., sd.

Credits: Producer, Robert Sisk; director, Leslie Goodwins; story, Lionel Houser; screenplay, Lionel Houser, Joseph A. Fields; editor, Desmond Marquette; music director, Roy Webb.

THE GIRL FROM MISSOURI. 1934. 8 reels, sd., b&w.

Credits: Producer, Bernard H. Hyman; director, Jack Conway; original screenplay, Anita Loos, John Emerson; film editor, Tom Held; music score, William Axt.

THE GIRL FROM MOBILE. SEE Amazing Mazie.

THE GIRL FROM MONTMARTRE. Sawyer-Lubin. Presented by Associated Holding Corp. 1926. 8 reels. Adapted from the novel "Spanish Sunlight" by Anthony Pryde [pseud. of Agnes Russell Weekes].

Credits: Director, Alfred E. Green; continuity, Eve Unsell.

Credits: Written and directed by Bess Meredyth and Wilfred Lucas.

THE GIRL FROM NOWHERE. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Bradley King; director, George Archainbaud; scenario, Sarah Y. Mason.

THE GIRL FROM NOWHERE. 1928. 2 reels.

Credits: Director, Harry Edwards; story, Ewart Adamson, Jefferson Moffitt.

THE GIRL FROM OUT YONDER. SEE Out Yonder.

THE GIRL FROM OUTSIDE. 1919. 7 reels. From the story "The Wag Lady" by Rex Beach.

Credits: Director, Reginald Barker.

THE GIRL FROM PARADISE. Presented by E. W. Hammons. 1934. 1,970 ft., sd.

Credits: Producer, Al Christie; story, music and lyrics, Charlie Williams, Marcy Klauber.

THE GIRL FROM PORCUPINE. 1921. 6 reels.

Credits: Director, Dell Henderson; scenario, James Oliver Curwood.

THE GIRL FROM PROSPERITY. 1914. 2 reels.

Credits: Director, Ralph Ince.

THE GIRL FROM RIO. 1927. 6 reels.

Credits: Supervision, Sam Bischoff; direction and adaptation, Tom Terriss; story, Norman Kellogg; continuity, Pauline Forney.

GIRL FROM RIO. 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; original screenplay, Milton Raison, John T. Neville; film editor, Russell Schoengarth.

THE GIRL FROM SCOTLAND YARD. 1937. 7 reels, sd.

Credits: Producer, Emanuel Cohen; director, Robert Vignola; story, Coningsby Dawson; screenplay, Doris Anderson, Dore Schary.

THE GIRL FROM 10TH AVENUE. First National Productions Corp. Presented by First National Productions Corp. and The Vitaphone Corp. 1935. 7 reels, sd. From a play by Hubert Henry Davies.

Credits: Director, Alfred E. Green; adaptation and screenplay, Charles Kenyon.

THE GIRL FROM THE COUNTRY. (Screen Hits of Yesteryear) 1934. 1 reel, sd.

THE GIRL FROM THE EAST. SEE The Heart of the Hills.

THE GIRL FROM WOOLWORTH'S. Presented by Richard A. Rowland. 1929. 7 reels.

Credits: Adele Comandini; director, William Beaudine.

THE GIRL FROM WOOLWORTH'S. Trailer. 1929. 1 reel, sd.

THE GIRL GOD MADE FOR JONES. 1916. 33 min.

Credits: H. Tipton Steck; director, Richard Foster Baker.

GIRL GRIEF. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

THE GIRL HABIT. 1931. 8 reels, sd. Based on a play by A. E. Thomas and Clayton Hamilton.

Credits: Director, Edward Cline; screenplay, Owen Davis, Gertrude Purcell.

THE GIRL HATER. 1915. 1 reel.

THE GIRL HATER. 1924. 1 reel.

Credits: Director, Wm. H. Watson.

THE GIRL HE BROUGHT HOME. 1915. 1 reel.

THE GIRL I LEFT BEHIND ME. 1915. 5 reels. Adapted from the play by David Belasco.

THE GIRL I LOVED. Released by United Artists Corp. 1923. 8 reels. From the poem by James Whitcomb Riley.

Credits: Director, Joseph de Grasse; adaptation, Albert Ray; continuity, Harry L. Decker.

A GIRL IN BOHEMIA. 1919. 5 reels.

Credits: Director, Howard M. Mitchell; story, H. B. Daniel; scenario, Denison Clift.

GIRL IN DANGER. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Meyer.

A GIRL IN EVERY PORT. 1928. 6 reels.

Credits: Written and directed by Howard Hawks; scenario, Seton I. Miller.

THE GIRL IN 419. 1933. 7 reels, sd.

Credits: Producer, B. P. Schulberg; directors, Alexander Hall, George Somnes; story, Jules Furthman; screenplay, P. J. Wolfson, Allen Rivkin, Manuel Seff; adaptation, J. P. Wolfson, Allen Rivkin.

THE GIRL IN HIS HOUSE. 1918. 5 reels. From the story by Harold MacGrath.

Credits: Director, Thomas R. Mills; scenario, Katharine Reed.

THE GIRL IN HIS ROOM. 1922. 5 reels. Title changed from "Locked Out."

Credits: Director, Edward José; story, J. Raleigh Davies; scenario, C. Graham Baker.

THE GIRL IN LOWER 9. Big U. 1916. 1 reel.

Credits: William B. Mong; producers, Cleo Madison, William V. Mong.

THE GIRL IN NO. 29. 1920. 5 reels.

Credits: Director, Jack Ford; story, Elizabeth Jordan; scenario, Philip J. Hurn.

THE GIRL IN THE CASE. 1914. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE GIRL IN THE CHECKERED COAT. 1917. 5 reels.

Credits: Director, Joseph de Grasse; story, E. M. Ingleton; scenario, Ida May Park.

THE GIRL IN THE DARK. 1918. 5 reels.

Credits: Charles Edmund Walk; director, Stuart Paton.

THE GIRL IN THE GARRET. Imp. 1917. 2 reels.

Credits: Director, George Cochrane; story, Ben Cohn; scenario, Douglas Bronston.

THE GIRL IN THE GLASS CAGE. Presented by Richard A. Rowland. 1929. 8 reels. Based on the novel by George Kibbe Turner.

Credits: Director, Ralph Dawson; screen version, James Gruen; film editor, Terry Morse.

THE GIRL IN THE GLASS CAGE. Trailer. 1929. 1 reel.

THE GIRL IN THE HOUSEBOAT. 1913. 1 reel. Based on "Mr. Leander" by James F. Dwyer.

THE GIRL IN THE LIMOUSINE. Imp. 1917. 1 reel.

Credits: Director, George Cochrane; scenario, Maie Havey.

THE GIRL IN THE LIMOUSINE. 1924. 5,630 ft. Adapted from the A. H. Wood's stage success by Avery Hopwood and Wilson Collison.

THE GIRL IN THE MIDDY. 1913. 1 reel.

Credits: Mark Swan.

THE GIRL IN THE PULLMAN. De Mille Pictures Corp. 1927. 6 reels. From the play "The Girl in Upper C" by Wilson Collison.

Credits: Supervision, adaptation and continuity, F. McGrew Willis; producer, Erie C. Kenton; film editor, James Morley.

THE GIRL IN THE RAIN, 1920. 5 reels.

Credits: Story, Varick Vanardy [pseud. of Frederic Van Rensselaer Dey]; scenario, Doris Schroeder.

THE GIRL IN THE SADDLE. 1921. 2 reels.

Credits: Director, Edward Kull; story, George Morgan.

THE GIRL IN THE SHOW. 1929. 9 reels. From the play "Eva the Fifth" by John Kenyon Nicholson and John Golden.

Credits: Adaptation, added dialogue, and direction, Edgar Selwyn; film editor, Harry Reynolds.

THE GIRL IN THE TAXI. 1921. 66 min. From a play by Stanislaus Stange.

Credits: Director, Lloyd Ingraham; adaptation, Bob McGowan.

THE GIRL IN THE TONNEAU. (Educational-Mack Sennett Comedies) 1932. 20 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

THE GIRL IN UPPER C. SEE The Girl in the Pullman.

A GIRL LIKE THAT. Paramount. Presented by Daniel Frohman. 1917. 5 reels.

Credits: Roswell Dague, Paul West; director, Dell Henderson.

GIRL LOVES BOY. Presented by Edward L. Alperson. 1937. 8 reels, sd.

Credits: Producer, B. F. Zeidman; director, Duncan Mansfield; story, Karl Brown, Hinton Smith; screenplay, Duncan Mansfield, Carroll Graham.

GIRL MISSING. Presented by Warner Brothers, Inc. and The Vitaphone Corp. 1933. 69 min., sd.

Credits: Director, Robert Florey; dialogue director, Ben Markson; story and adaptation, Carl Erickson, Don Mullaly; film editor, Ralph Dawson.

A GIRL NAMED MARY. 1919. 5 reels.

Credits: Director, Walter Edwards; story, Juliet Wilbor Tompkins; scenario, Alice Eyton.

THE GIRL O' DREAMS. 1918. 5 reels.

Credits: William Pigott.

GIRL O' MY DREAMS. 1934. 7 reels, sd.

Credits: Producer, William T. Lackey; director, Raymond McCarey; story, screenplay, and lyrics, George Waggner; editor, Jack Ogilvie; music, Edward Ward.

THE GIRL OF GOLD. Released by Producers Distributing Corp. 1925. 6 reels. Based on the novel by Cleveland Moffett and Anna Chapin.

Credits: Producer and director, John Ince; scenario, Eve Unsell; adaptation, Kate Corbaley.

THE GIRL OF GOLD GULCH. 1916. 1 reel.

Credits: Producer, Tom Mix.

THE GIRL OF LOST LAKE. 1916. 5 reels.

Credits: Directed and written by Lynn F. Reynolds.

THE GIRL OF MY HEART. 1920. 5 reels. From the story "Joan of Rainbow Springs" by Frances Marian Mitchell.

Credits: Adaptation and direction, E. J. Le Saint.

Credits: Producer, Leon D. Kent.

THE GIRL OF THE DANCE HALL. Laemmle. 1915. 3 reels.

Credits: F. McGrew Willis; producer, Leon Kent.

THE GIRL OF THE GOLDEN WEST. First National. Presented by Edwin Carewe. 1923. 7 reels. From the story by David Belasco.

Credits: Producer, Edwin Carewe; screen adaptation, Adelaide Heilbron.

THE GIRL OF THE GOLDEN WEST. 1930. 10 reels, sd. Based on the play by David Belasco.

Credits: Producer, John Francis Dillon.

GIRL OF THE GOLDEN WEST. Trailer. 1930. 1 reel.

THE GIRL OF THE GOLDEN WEST. 1938. 12 reels, sd., sepia. Based on the play by David Belasco.

Credits: Producer, William Anthony McGuire; director, Robert Z. Leonard; screenplay, Isabel Dawn, Boyce DeGaw; film editor, W. Donn Hayes; music director, Herbert Stothart; music, Sigmund Romberg; lyrics, Gus Kahn.

THE GIRL OF THE GYPSY CAMP. 1915. 3,000 ft.

Credits: Lee Arthur; director, Langdon West.

THE GIRL OF THE HOUR. Victor. 1917. 1 reel.

THE GIRL OF THE HOUR. SEE Fashions for Women.

A GIRL OF THE LIMBERLOST. 1924. 6 reels. Based on the novel by Gene Stratton-Porter.

Credits: Director, James Leo Meehan.

A GIRL OF THE LIMBERLOST. 1934. 9 reels, sd. From the novel by Gene Stratton-Porter.

Credits: Producer, Trem Carr; supervision, W. T. Lackey; director, Christy Cabanne; adaptation, Adele Comandini; editor, Carl Pierson.

A GIRL OF THE LIMBERLOST. SEE Romance of the Limberlost.

THE GIRL OF THE NIGHT. Rex. 1915. 2 reels.

Credits: Producer, Joseph de Grasse; scenario, Ida May Park.

GIRL OF THE OZARKS. Presented by Adolph Zukor. 1936. 7 reels.

Credits: Director, William Shea; story, Maurine Babb, John Bright, Robert Tasker; screenplay, Stuart Anthony, Michael L. Simmons.

GIRL OF THE PORT. 1930. 8 reels, sd. Based on "The Firewalker" by John Russell.

Credits: Director, Bert Glennon; screenplay, Beulah Marie Dix.

GIRL OF THE RIO. 1932. 8 reels, sd. From the play by Willard Mack.

Credits: Associate producer, Louis Sarecky; director, Herbert Brenon; adaptation and dialogue, Elizabeth Meehan; film editor, Artie Roberts.

Credits: Supervision, J. E. Williamson; director, J. Winthrop Kelley; scenario, E. Lloyd Sheldon.

THE GIRL OF TODAY. 1918. 5 reels.

Credits: Director, John Robertson; story, Robert W. Chambers.

THE GIRL ON THE BARGE. Jewel. 1928. 8 reels. Based on the story by Rupert Hughes.

Credits: Director, Edward Sloman; story supervision, Edward J. Montagne; adaptation and continuity, Charles Kenyon, Nan Cochrane.

THE GIRL ON THE FRONT PAGE. 1936. 8 reels, sd.

Credits: Associate producer, Robert Presnell; director, Harry Beaumont; original story, Roy and Marjorie Chanslor; screenplay, Austin Parker, Albert R. Perkins, Alice D. G. Miller; film editor, Philip Cahn; music director, Herman Heller.

THE GIRL ON THE STAIRS. Presented by Elmer Harris. Released by Producers Distributing Corp. 1924. 7 reels. From the story by Winston Bouve.

Credits: Production, supervision, and adaptation, Elmer Harris; director, William Worthington.

GIRL OVERBOARD. Jewel. 1929. 8 reels.

Credits: Director, Wesley Ruggles; story, John B. Clymer; adaptation and continuity, Paul Schofield.

GIRL OVERBOARD. 1937. 6 reels, sd.

Credits: Associate producer, Robert Presnell; director, Sidney Salkow; original story, Sarah Elizabeth Rodger; screenplay, Tristram Tupper; film editor, Philip Cahn; music director, Charles Previn.

THE GIRL PHILIPPA. Blue Ribbon. 1917. 8 reels. From the novel by Robert W. Chambers.

Credits: Adapted and directed by S. Rankin Drew.

THE GIRL PROBLEM. 1919. 5 reels.

Credits: Director, Kenneth Webb; story, Joseph Franklin Poland; scenario, Graham Baker.

THE GIRL PROBLEM. 1925. 1 reel.

Credits: Director, William H. Watson.

THE GIRL REPORTER'S SCOOP. Imp. 1917. 2 reels.

Credits: Story and direction by Fred Kelsey; scenario, Maie Havey.

THE GIRL RUSH. (Vanity Comedies) 1931. 21 min., sd.

Credits: Producer, Al Christie; director, William Watson; story and dialogue, Frank Roland Conklin; additional dialogue, James Madison.

THE GIRL SAID NO. 1930. 10 reels, sd., b&w. Adapted from a story by A. P. Younger.

Credits: Producer and director, Sam Wood; adaptation, Sarah Y. Mason; dialogue, Charles MacArthur; film editor, Frank Sullivan.

THE GIRL SAID NO. Presented by Edward L. Alperson. 1937. 8 reels, sd.

Credits: Story and direction, Andrew L. Stone; screenplay, Betty Laidlaw, Robert Lively.

GIRL SHOCK. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James Horne; dialogue, H. M. Walker; editor, Richard Currier.

THE GIRL-SHY COWBOY. Presented by William Fox. 1928. 5 reels, b&w, blue sequences.

Credits: Director, R. Lee Hough; story, Seton I. Miller; film editor, J. Logan Pearson.

THE GIRL, THE CLOWN AND THE DONKEY. 1913. 1 reel.

Credits: Walter Taylor.

GIRL TROUBLE. 1934. 2 reels, sd.

Credits: Director, Eddie Cline; story, Walter Weems, Jack Townley.

THE GIRL WAS YOUNG. 1938. 8 reels, sd. Based on the novel "A Shilling for Candles" by Josephine Tey [pseud. of Elizabeth Mackintosh].

Credits: Director, Alfred Hitchcock; screenplay, Charles Bennett, Edwin Greenwood, Anthony Armstrong; continuity, Alma Reville; dialogue, Gerald Savory; film editor, Charles Frend; music director, Louis Levy.

THE GIRL WHO CAME BACK. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. From the play "Leah Kleschna" by C. M. S. McLellan.

Credits: Director, Robert Vignola; adaptation, Beulah Marie Dix.

THE GIRL WHO CAME BACK. 1921. 2 reels.

THE GIRL WHO CAME BACK. Presented by B. P. Schulberg. 1923. 70 min. Adapted from the play by Charles E. Blaney and Samuel Ruskin Golding.

Credits: Producer, Tom Forman; adaptation, Evelyn Campbell.

THE GIRL WHO CAME BACK. 1935. 7 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Ewart Adamson.

THE GIRL WHO DARED. 1920. 5 reels.

Credits: Director, Cliff Smith; story, Alvin J. Neitz; editors, Harry Chandlee, William B. Laub.

THE GIRL WHO DIDN'T FORGET. 1915. 1 reel.

THE GIRL WHO DIDN'T TELL. Universal Special. 1916. 3 reels.

Credits: Harry Dittmar; producer, Robert F. Hill.

THE GIRL WHO EARNS HER LIVING. 1914-15. © Thomas A. Edison, Inc.

Credits: Mark Swan.

The Girl at the Key. © 26Dec14; LP4042.

The Girl Who Kept Books. © 23Jan15; LP4296.

The Stenographer. © 23Nov14; LP3829.

THE GIRL WHO FEARED DAYLIGHT. Victor. 1916. 2 reels. Adapted from the story by Arthur J. Levy.

Credits: Producer, Lucius J. Henderson; adaptation, Norbert Lusk.

THE GIRL WHO HAD A SOUL. Victor. 1915. 3 reels.

Credits Elaine Sterne.

THE GIRL WHO LIVED IN THE WOODS. SEE The Little 'Fraid Lady.

THE GIRL WHO LOST. Red Feather. 1917. 3 reels.

Credits: Director, George Cochrane; story, Calder Johnstone; scenario, Bess Meredyth.

THE GIRL WHO MIGHT HAVE BEEN. 1915. 3 reels.

THE GIRL WHO PAID DIVIDENDS. SEE Her Face Value.

THE GIRL WHO RAN WILD. 1922. 5 reels. Adapted from the story "M'Liss" by Bret Harte.

Credits: Scenario and direction, Rupert Julian.

THE GIRL WHO STAYED AT HOME. Artcraft. 1919. 7 reels.

Credits: Director, D. W. Griffith; scenario, S. E. V. Taylor.

THE GIRL WHO WON OUT. Butterfly. 1917. 5 reels.

Credits: Director, Eugene Moore; story, Judge Willis Brown; scenario, C.J. Wilson, Jr.

THE GIRL WHO WOULDN'T QUIT. 1918. 5 reels.

Credits: James Oliver Curwood; producer, Louise Lovely; director, Edgar Jones; scenario, Doris Schroeder.

A GIRL WITH IDEAS. 1937. 7 reels, sd.

Credits: Associate producer, Edmund Grainger; director, S. Sylvan Simon; story, William Rankin; screenplay, Bruce Manning, Robert T. Shannon.

THE GIRL WITH NO REGRETS. 1919. 5 reels.

Credits: Director, Harry Millarde; story, Evelyn Campbell; scenario, Raymond L. Schrock.

THE GIRL WITH THE CHAMPAGNE EYES. 1918. For Fox Film Corp. 5 reels.

Credits: Director, C. M. Franklin; story and scenario, Bernard McConville.

THE GIRL WITH THE GREEN EYES. Presented by Pathé. 1916. 5 reels. From the play by Clyde Fitch.

Credits: Supervision, Herbert Blache.

THE GIRL WITH THE JAZZ HEART. 1920. 5 reels.

Credits: Director, Lawrence C. Windom; story, Robert Shannon; scenario, Philip Lonergan, George Mooser.

THE GIRL WITH THE RED FEATHER. 1915. 2 reels.

Credits: Director, Lloyd B. Carleton.

GIRL WITHOUT A ROOM. 1933. 8 reels, sd. From the novel by Jack Lait.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Frank Butler, Claude Binyon.

THE GIRL WITHOUT A SOUL. Presented by B. A. Rolfe. 1917. 5 reels.

Credits: Written and directed by John H. Collins.

THE GIRL-WOMAN. 1919. 5 reels.

Credits: Director, Thomas R. Mills; story, A. Van Buren; scenario, Edward J. Montague.

GIRLIES AND GRUBBERS. 1919. 2 reels.

Credits: Director, Gilbert Pratt; story, Montgomery & Rock.

GIRLIES BEHAVE. (Ideal Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

GIRLS. 1919. 5 reels. From the play by Clyde Fitch.

Credits: Director, Walter Edwards.

GIRLS. Presented by William Fox. 1927. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Eugene J. Forde; scenario, Edward P. Moran, Murray Roth.

GIRLS ABOUT TOWN. 1931. 9 reels, sd.

Credits: Director, George Cukor; story, Zoe Akins; screenplay, Raymond Griffith, Brian Marlow.

GIRLS AHOY. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

A GIRL'S BEST YEARS. (A Miniature Musical Comedy) 1937. 2 reels, sd., b&w.

Credits: Director, Reginald Le Borg; story and music, Val Burton, Will Jason; screenplay, Stanley Rauh, Richard Goldstone.

GIRLS CAN PLAY. 1937. 6 reels, sd.

Credits: Screenplay and direction, Lambert Hillyer; story, Albert DeMond.

GIRLS DEMAND EXCITEMENT. 1931. 6,050 ft., sd.

Credits: Director, Seymour Felix; story, adaptation, and dialogue, Harlan Thompson; editor, Jack Murray.

A GIRL'S DESIRE. 1922. 5 reels.

Credits: Director, David Divad; scenario, J. Raleigh Davies.

GIRLS' DORMITORY. 1936. 5,859 ft., sd. From a play by Ladislaus Fodor.

Credits: Director, Irving Cummings; screenplay, Gene Markey; music director, Arthur Lange.

Credits: Director, Maurice Tourneur; story and scenario, Frances Marion and Maurice Tourneur.

GIRLS GONE WILD. 1929. 6 reels.

Credits: Director, Lew Seiler; story, Bertram Millhauser; scenario, Beulah Marie Dix.

GIRLS IN UNIFORM. SEE Mädchen in Uniform.

GIRLS ON PROBATION. First National. 1938. 7 reels.

Credits: Director, William McCann; original screenplay, Crane Wilbur.

GIRL'S SCHOOL. 1938. 8 reels, sd.

Credits: Director, John Brahm; original story, Tess Slesinger; screenplay, Tess Slesinger, Richard Sherman; film editor, Otto Meyer; music director, Morris Stoloff.

GIRLS WE REMEMBER. 1930. 1 reel, sd.

GIRLS WILL BE BOYS. (A Grantland Rice Sportlight) Presented by the Van Beuren Corp. 1929. 1 reel.

Credits: John Eaton.

GIRLS WILL BE BOYS. (Educational's Comedies) (Tuxedo Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, William Watson; story, Al Boasberg.

GISMONDA. SEE Love's Conquest.

GIT ALONG LITTLE DOGIES. 1937. 8 reels.

Credits: Associate producer, Armand Schaefer; director, Joseph Kane; original screenplay, Dorrell and Stuart McGowan.

GIT ALONG LITTLE WIFIE. (Coronet Comedies) Presented by E. W. Hammons. 1933. 1,699 ft., sd.

Credits: Director, Charles Lamont; story, Charles Lamont, Dona Barell; dialogue and continuity, Colin Clements, Ewart Adamson.

GIUSEPPE DE LUCA, OF THE METROPOLITAN OPERA COMPANY, AS FIGARO, SINGING LARGO AL FACTOTUM, FROM THE BARBER OF SEVILLE. 1927. 1 reel, sd.

GIVE AND TAKE. Jewel. 1928. 7 reels.

Credits: Director, William Beaudine; scenario, Harvey Thew.

GIVE EVERY MAN A LADDER. 1937. 1 reel.

GIVE HER GAS. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Frederick Palmer.

GIVE HIM AIR. (Mirthquake Comedy) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Bob McGowan, Ralph Ceder.

GIVE ME A SAILOR. Presented by Adolph Zukor. 1938. 8 reels, sd. Based on a play by Anne Nichols.

Credits: Producer, Jeff Lazarus; director, Elliott Nugent; screenplay, Doris Anderson, Frank Butler; film editor, William Shea.

GIVE ME ACTION. (Rainbow Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; director, Frank T. Davis; story, Harry Holman, Stanley Bruce; film editor, Fred Maguire; music director, Josiah Zuro.

GIVE ME LIBERTY. (Broadway Brevity) 1937. 22 min., sd., color.

Credits: Director, B. Reeves Eason; story and screenplay, Forrest Barnes.

GIVE ME YOUR HEART. Cosmopolitan. Released by Warner Bros. Productions Corp. and The Vitaphone Corp. 1936. 9 reels. From the play by Jay Mallory [pseud. of Joyce Carey].

Credits: Director, Archie L. Mayo; screenplay, Casey Robinson.

GIVE THEM ALL THEY EXPECT—AND MORE. 1928. 1 reel.

GIVE THIS LITTLE GIRL A HAND. SEE The Painted Angel.

GIVE TILL IT HURTS. (A Crime Does Not Pay Subject) 1937. 2 reels, sd., b&w.

Credits: Director, Felix E. Feist; original story and screenplay, Herman Boxer, John C. Higgins.

GIVE US A LIFT. SEE Flo Lewis in Give Us a Lift.

GIVE US THIS NIGHT. Presented by Adolph Zukor. 1936. 8 reels, sd.

Credits: Producer, William LeBaron; director, Alexander Hall; story, Jacques Bachrach; screenplay, Edwin Justus Mayer, Lynn Starling; film editor, Ellsworth Hoagland; music and lyrics, Erich Wolfgang Korngold, Oscar Hammerstein, II.

GIV'IM AIR. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, David Freedman.

GIVING BECKY A CHANCE. 1917. 5 reels.

Credits: Director, Howard Estabrook; story, Lois Zellner; scenario, Edith Kennedy.

GIVING IN. SEE Harry Delf in Giving in.

GIVING YOURSELF A SQUARE DEAL. SEE How Inventory Shortages Develop.

GLACIER NATIONAL PARK. 1930. 1 reel.

GLACIER PARK AND ITS PICTURESQUE INHABITANTS. 1916. Split reel.

GLACIERS. 1929. 1 reel.

Credits: Edited by Dept. of Geology, Harvard University.

THE GLACIERS OF BRITISH COLUMBIA. 1924. 1 reel.

THE GLACIER'S SECRET. (Vagabond Adventure Series, no. 3) 1930. 1 reel.

Credits: Supervision, Elmer Clifton, Alfred Mannon.

THE GLAD RAG DOLL. 1929. 8 reels.

Credits: Director, Michael Curtis; story, Harvey Gates; scenario, Graham Baker.

THE GLAD RAG DOLL. Trailer. 1929. 1 reel.

GLAD RAGS. 1923. 2 reels. From the magazine story by Rene Reviere.

Credits: Director, Hugh Fay; adaptation, Hunt Stromberg.

GLAD RAGS TO RICHES. (A Jack Hays Baby Burlesk) 1933. 11 min., sd.

Credits: Producer, Jack Hays; director, Charles Lamont.

THE GLADIATOR. 1938. 8 reels, sd. From the novel by Philip Wylie.

Credits: Producer, David L. Loew; director, Edward Sedgwick; screenplay, Charlie Melson, Arthur Sheekman; adaptation, James Mulhauser, Earle Snell; additional dialogue, George Marion, Jr.; film editor, Robert Crandall; music director, Victor Young.

GLADIOLA. 1915. 4 reels.

Credits: Mary Rider; director, John H. Collins.

GLADSOME. SEE The Spindle of Life.

GLADYS BROCKWELL IN HOLLYWOOD BOUND. 1928. 1 reel, sd.

Credits: Hugh Herbert, Murray Roth; director, Bryan Foy.

GLAMOROUS NIGHT. Presented by Associated British Picture Corp., Ltd. 1938. 6,703 ft., sd. Adapted from the Ivor Novello play.

Credits: Director of production, Walter C. Mycroft; director, Brian Desmond Hurst; adaptation, Dudley Leslie, Hugh Brooke, William Freshman; film editor, Flora Newton; music and lyrics, Ivor Novello, Christopher Hassall; music director, Harry Acres.

GLAMOUR. 1934. 8 reels. From the story by Edna Ferber.

Credits: Director, William Wyler; screenplay, Doris Anderson; continuity, Gladys Unger.

GLASS BLOWING TECHNIQUE. 1929. 1 reel.

GLASS HOUSES. 1922. 5 reels.

Credits: Clara Genevieve Kennedy; director, Harry Beaumont; scenario, Edith Kennedy.

THE GLASS KEY. Presented by Adolph Zukor. 1935. 8 reels, sd. Based on a novel by Dashiell Hammett.

Credits: Producer, E. Lloyd Sheldon; director, Frank Tuttle; screenplay, Kathryn Scola, Kubec Glasmon; additional dialogue, Harry Ruskin; film editor, Hugh Bennett.

THE GLASS SLIPPER. (A Terry-Toon) Presented by Paul Terry. 1938. 1 reel, sd., color.

Credits: Director, Mannie Davis; music, Philip A. Scheib.

GLEAM O'DAWN. 1922. 5 reels.

Credits: Director, Jack Dillon; story, Arthur Goodrich; scenario, Jules Furthman.

GLEASON'S NEW DEAL. (A Warren Doane Comedy) Presented by Carl Laemmle. 1933. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, W. P. Hackney, James W. Horne.

GLEE WORMS. (Color Rhapsody) 1936. Released by Columbia Pictures Corporation. 657 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe De Nat.

GLENISTER OF THE MOUNTED. Released by F. B. O. 1926. 6 reels.

Credits: Producer and director, Harry Garson; story, Arthur Guy Empey; continuity, William E. Wing.

GLENN CUNNINGHAM, THE WORLD'S GREATEST MILER. 1938. 1 reel.

GLIDING. 1930. 1 reel, sd.

Credits: Jack Eaton.

A GLIMPSE OF THE SAN DIEGO EXPOSITION. 1915. Split reel.

A GLIMPSE OF THE STARS. SEE Paula Trueman in a Glimpse of Stars.

GLIMPSES OF AUSTRALIA. (A FitzPatrick Traveltalk) presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Nathaniel Shilkret.

GLIMPSES OF AUSTRIA. (A FitzPatrick Traveltalk) 1938. 837 ft., sd., color.

Credits: Photographer, Winton C. Hoch; music, Jack Shilkret.

GLIMPSES OF COLORADO IN WINTER. 1913. 1 reel.

GLIMPSES OF ERIN. (FitzPatrick Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

GLIMPSES OF JAVA AND CEYLON. (FitzPatrick M. G. M. Traveltalk) 1937. 822 ft., sd., color.

Credits: Compiled by James A. FitzPatrick; photography, Winton C. Hoch.

GLIMPSES OF NEW BRUNSWICK. (A FitzPatrick Traveltalk) 1938. 1 reel, sd., color.

Credits: Photographer, Winton C. Hoch; music score, Jack Shilkret.

GLIMPSES OF PERU. (James A. FitzPatrick's Traveltalks) 1937. 1 reel, sd., color.

Credits: Compiled by James A. FitzPatrick; music score, Jack Shilkret; photographer, Winton C. Hoch.

GLIMPSES OF PICTURESQUE JAVA. Released by Harold Auten. 1936. 1 reel.

Credits: Music arranged and played by Lew White.

GLIMPSES OF THE HEART OF PARIS. Released by Harold Auten. 1936. 1 reel, sd.

THE GLIMPSES OF THE MOON. Paramount. Presented by Jesse L. Lasky. 1923. 7 reels. From the novel by Edith Wharton.

Credits: Producer and director, Allan Dwan; adaptation, E. Lloyd Sheldon.

GLIMPSES OF YOSEMITE NATIONAL PARK. 1918. Split reel.

THE GLOBE TROTTERS. SEE Bailey and Barnum in The Globe Trotters.

GLOBE TROTTING WITH HY MAYER; a glimpse of modern Palestine. Victor. 1916. 1 reel.

THE GLOOM CHASER. (Big Boy Juvenile Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

THE GLOOM CHASERS. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1935. 636 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe De Nat.

GLORIANA. 1916. 5 reels.

Credits: Producer and director, E. Mason Hopper; scenario, William H. Lippert.

1. Lost in the Everglades. © title, descr. & 100 prints, 20Apr16; LU8117.

2. Caught by the Seminoles. © title, descr. & 126 prints, 26Apr16; LU8153.

3. A Perilous Love. © title, descr. & 115 prints, 4May16; LU8216.

4. The Social Vortex. © title, descr. & 121 prints, 15May16; LU8287.

5. The Gathering Storm. © title, descr. & 133 prints, 22May16; LU8330.

6. Hidden Fires. © title, descr. & 114 prints, 5Jun16; LU8428.

7. The Harvest of Sin. © title, descr. & 113 prints, 13Jun16; LU8494.

8. The Mesh of Mystery. © title, descr. & 77 prints, 23Jun16; LU8566.

9. The Shadow of Scandal. © title, descr. & 100 prints, 28Jun16; LU8596.

10. Tangled Threads. © title, descr. & 97 prints, 30Jun16; LU8614.

11. The Fugitive Witness. © title, descr. & 151 prints, 21Jul16; LU8759.

12. Her Fighting Spirit. © title, descr. & 141 prints, 15Jul16; LU8705.

13. The Midnight Riot. © title, descr. & 159 prints, 26Jul16; LU8783.

14. The Floating Trap. © title, descr. & 116 prints, 26Jul16; LU8782.

15. The Murderer at Bay. © title, descr. & 149 prints, 3Aug16; LU8863.

16. A Modern Pirate. © title, descr. & 147 prints, 7Aug16; LU8879.

17. The Tell-Tale Envelope. © title, descr. & 110 prints, 9Aug16; LU8891.

18. The Bitter Truth. © title, descr. & 73 prints, 10Aug16; LU8897.

19. Her Vow Fulfilled. © title, descr. & 120 prints, 17Aug16; LU8956.

20. Love's Reward. © title, descr. & 135 prints, 21Aug16; LU8969.

GLORIA'S ROMANCE. 1916-17. 2 reels each. © George Kleine (Mr. & Mrs. Rupert Hughes, authors).

1. Lost in the Everglades. © 8May16; LP8473.

2. Caught by the Seminoles. © 15May16; LP8474.

3. A Perilous Love. © 22May16; LP8475.

4. The Social Vortex. © 29May16; LP8476.

5. The Gathering Storm. © 5Jun16; LP8556.

6. Hidden Fires. © 12Jun16; LP8577.

7. The Harvest of Sin. © 19Jun16; LP8749.

8. The Mesh of Mystery. © 26Jun16; LP8750.

9. The Shadow of Scandal. © 3Jul16; LP8751.

10. Tangled Threads. © 10Jul16; LP8748.

11. The Fugitive Witness. © 17Jul16; LP8920.

12. Her Fighting Spirit. © 24Jul16; LP8921.

13. The Midnight Riot. © 31Jul16; LP8933.

14. The Floating Trap. © 7Aug16; LP8922.

15. The Murderer at Bay. © 14Aug16; LP9071.

16. A Modern Pirate. © 21Aug16; LP9072.

17. The Tell-Tale Envelope. © 23Aug16; LP9073.

18. The Bitter Truth. © 23Aug17; LP9074.

19. Her Vow Fulfilled. © 23Aug16; LP9075.

20. Love's Reward. © 23Aug16; LP9076.

THE GLORIES OF NIKKO. (Around the World with Burton Holmes) 1930. 1 reel, sd.

Credits: Narrator, Burton Holmes.

GLORIFYING THE AMERICAN GIRL. 1929. 8,071 ft., sd., color.

Credits: Supervision, Florenz Ziegfeld; director, Millard Webb; story, J. P. McEvoy, Millard Webb; music and lyrics, Walter Donaldson, Irving Berlin, Dane Stamper, Larry Spier.

GLORIFYING THE AMERICAN SONG. SEE The Three Brox Sisters in Glorifying the American Song.

THE GLORIOUS ADVENTURE. 1918. 5 reels.

Credits: Edith Barnard Delano; director, Hobart Henley.

GLORIOUS ADVENTURE. 1922. 7 reels, color.

Credits: Written and produced by J. Stuart Blackton; scenario, Felix Orman.

GLORIOUS BETSY. 1928. 7 reels.

Credits: Rita Johnson Young; director, Alan Crosland; scenario, Anthony Coldeway.

THE GLORIOUS FOOL. 1921. 6 reels. Adapted from the stories "In the Pavillion" and "Twenty-two" by Mary Roberts Rinehart.

Credits: Director, E. Mason Hopper; screen adaptation, J. G. Hawks.

THE GLORIOUS LADY. 1919. 5 reels.

Credits: Story, Edmund Goulding.

THE GLORIOUS TRAIL. Presented by Charles R. Rogers. 1928. 6 reels.

Credits: Supervision, Harry J. Brown; director, Albert Rogell; story, Marion Jackson.

GLORIOUS VAMPS. United Artists. Presented by Joseph M. Schenck. 1930. 1 reel, sd.

Credits: Producers, Hugh Riesenfeld, William Cameron Menzies: director, O. O. Dull; continuity, Sidney Lazarus; editor, D. Marion Staines.

GLORY HOLE. SEE Dangerous Waters.

THE GLORY OF CLEMENTINA. 1915. 1 reel. Adapted from the novel by William J. Locke.

THE GLORY OF CLEMENTINA. 1922. 6 reels. From the story by William J. Locke.

Credits: Director, Emile Chautard; scenario, E. Richard Schayer, Winifred Dunn.

THE GLORY OF HIS COUNTRY. SEE The Copperhead.

THE GLORY OF SPAIN. (Vagabond Adventure Series, no. 15) 1930. 1 reel.

Credits: Elmer Clifton & Alfred Mannon.

THE GLORY OF YOLANDA. Blue Ribbon. 1917. 5 reels.

Credits: Maibelle Heikes Justice; director, Marguerite Bertsch.

Credits: Producer, John L. Hawkinson.

GLOVE SLINGERS. 1939. 1,616 ft.

Credits: Director, Jules White; story and screenplay, L. A. Sarecky.

GLOVE TAPS. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

GLOVES, THE SIGN OF GOOD TASTE IN DRESS. Presented by Ireland Brothers. 1929. Filmstrip, 76 frames.

THE GLOW WORM. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer.

GO AHEAD AND EAT. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; dialogue staged by Max E. Hayes.

GO AHEAD AND SING. 1930. 1 reel, sd.

Credits: Director, Mort Blumenstock; dialogue, Max E. Hayes.

GO AND GET IT. Presented by Marshall Neilan. 1920. 7 reels.

Credits: Directors, Marshall Neilan, Henry Symonds; scenario, Marion Fairfax.

THE GO-BETWEEN. Imp. 1916. 1 reel.

Credits: Samuel Greiner; producer, William Garwood.

GO CHASE YOURSELF. 1938. 8 reels, sd.

Credits: Director, Edward F. Cline; original story, Walter O'Keefe; screenplay, Paul Yawitz, Bert Granet; editor, Desmond Marquette; music director, Roy Webb.

GO EASY. (Cameo Comedy) 1924. 1 reel.

GO EASY, DOCTOR. (George LeMaire Comedies) Sound Studios, Inc. 1929. 2 reels.

Credits: Story and direction, George LeMaire; film editor, E. Pfitzenmeier.

GO GET 'EM GATES. 1922. 2 reels.

Credits: Director, Arthur Flaven.

GO-GET-'EM-HAINES. 1936. 7 reels.

Credits: Producer, George Hirliman; director, Sam Newfield; original story and adaptation, George Sayre.

Credits: Produced and directed by George B. Seitz.

1. Chained to the Anchor. © title, descr. & 58 prints, 3Apr22; LU17717.

2. The Falling Wall. © title, descr. & 40 prints, 3Apr22; LU17718.

3. The Runaway Car. © title, descr. & 32 prints, 3Apr22; LU17719.

4. The Crushing Menace. © title, descr. & 20 prints, 3Apr22; LU17720.

5. Shot into Space. © title, descr. & 40 prints, 3Apr22; LU17721.

6. Under the Avalanche. © title, descr. & 40 prints, 9Aug22; LU18129.

7. On Danger's Highway. © title, descr. & 32 prints, 26Jun22; LU18008.

8. The Broken Life Line. © title, descr. & 36 prints, 29May22; LU17928.

9. Under the Cauldron. © title, descr. & 36 prints, 26Jun22; LU18009.

10. The Edge of the Roof. © title, descr. & 40 prints, 26Jun22; LU18010.

11. The Air-Line Route. © title, descr. & 32 prints, 26Jun22; LU18011.

12. Between the Rails. © title, descr. & 36 prints, 26Jun22; LU18012.

13. Under the Ice. © title, descr. & 32 prints, 26Jun22; LU18013.

14. In the Doorway of Death. © title, descr. & 36 prints, 20Jul22; LU18071.

15. Ten Minutes To Live. © title, descr. & 32 prints, 9Aug22; LU18130.

THE GO GET 'EM KID. 1929. 2 reels.

Credits: Director, Walter Fabian.

THE GO-GETTER. Paramount. Presented by The Cosmopolitan Corp. 1923. 8 reels. From the story by Peter B. Kyne.

Credits: Director, E. H. Griffith; scenario, John Lynch.

THE GO GETTER. Cosmopolitan. 1937. 10 reels, sd. From the novel by Peter B. Kyne.

Credits: Director, Busby Berkeley; screenplay, Delmar Daves.

THE GO-GETTERS. Released by F. B. O. 1924-25. 2 reels each. © R-C Pictures Corp.

Credits: Director, Del Andrews; story and scenario, George Marion, Jr., Beatrice Varr.

1. Getting Going. © 18Sep24; LP20589.

2. In the Knicker Time. © 29Sep24; LP20614.

3. And Never the Trains Shall Meet. © 4Oct24; LP20637.

4. A Kick for Cinderella. © 15Oct24; LP20658.

5. Fire When Ready. © 24Oct24; LP20686.

6. A Miss in the Dark. © 18Nov24; LP20772.

7. The Going of Cumming. © 25Nov24; LP20794.

8. Who's Hooligan. © 8Dec24; LP20857.

9. Playing with Fire. © 4Jan25; LP21015.

10. The Sleeping Cutie. © 6Jan25; LP21003.

11. Ain't Love Grand. © 6Jan25; LP21002.

12. The Way of a Maid. © 17Jan25; LP21044.

GO INTO YOUR DANCE. First National Productions Corp. Presented by First National Pictures, Inc. and The Vitaphone Corp., 1935. 10 reels, sd. Based on a novel by Bradford Ropes.

Credits: Director, Archie L. Mayor; screenplay, Earle Baldwin.

GO STRAIGHT. 1921. 5 reels.

Credits: Producer, William Worthington; story, William Harper Dean; scenario, George Hively.

GO TO BLAZES. (Sidney Murray Comedy, no. 2) 1930. 2 reels.

Credits: Director, Harry J. Edwards; story, Ralph Ceder, James Mulhauser.

GO WEST. Metro-Goldwyn-Mayer. 1925. 7 reels.

Credits: Producer, Joseph M. Schenck; written and directed by Buster Keaton; scenario, Raymond Cannon.

GO WEST, BIG BOY. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

GO WEST YOUNG MAN. Presented by Samuel Goldwyn. 1918. 5 reels.

Credits: Director, Harry Beaumont; story, Willard Mack.

GO WEST YOUNG MAN. Presented by Adolph Zukor. 1936. 9 reels, sd. Based on the play "Personal Appearance" by Lawrence Riley.

Credits: Producer, Emanuel Cohen; director, Henry Hathaway; screenplay, Mae West.

Credits: Scenario, William Robert Daly.

THE GOAL RUSH. (Flip the Frog Cartoon) 1932. 1 reel.

GOALS FOR GOLD AND GLORY. (Bill Corum, no. 3) 1936. 1 reel.

THE GOAT. Presented by Jesse L. Lasky. 1918. 5 reels.

Credits: Director, Donald Crisp; story and scenario, Frances Marion.

THE GOAT. 1921. 2 reels.

Credits: Producer, Joseph M. Schenck; written and directed by Buster Keaton, Mal. St. Clair.

GOAT GETTERS. (A Juvenile Comedy) Educational. 1925. 2 reels.

Credits: Directors, William Campbell, Jules White.

GOATS TO THE FRONT. 1924. 1 reel.

THE GOAT'S WHISKERS. 1926. 1 reel.

Credits: Written and directed by Walter Lantz and Joe Rock.

THE GOB. 1930. 2 reels, sd.

GOBS OF FUN. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Glen Lambert.

GOBS OF LOVE. 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank R. Conklin.

GOBS OF TROUBLE. 1935. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Preston Black; film editor, Gene Havlick.

GOD AND THE BABY. Big U. 1916. 1 reel.

Credits: Director, George Cochrane; story, Richard Parker Shelton; scenario, Calder Johnstone.

GOD GAVE ME TWENTY CENTS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the Cosmopolitan Magazine story by Dixie Willson.

Credits: Producer and director, Herbert Brenon; scenario, Elizabeth Meehan; adaptation, John Russell.

THE GODDESS. 1915. 2 reels each. © The Vitagraph Co. of America (Gouverneur Morris and Charles W. Goddard, authors).

Credits: Director, Ralph W. Ince.

1. © 6May15; LP5223.

2. © 7May15; LP5228.

3. © 11May15; LP5268.

4. © 19May15; LP5336.

5. © 28May15; LP5431.

6. © 2Jun15; LP5482.

7. © 10Jun15; LP5553.

8. © 21Jun15; LP5633.

9. © 26Jun15; LP5686.

10. © 3Jul15; LP5741.

11. © 13Jul15; LP5811.

12. © 20Jul15; LP5881.

13. © 26Jul15; LP5929.

14. © 4Aug15; LP6010.

15. © 12Aug15; LP6076.

THE GODDESS OF SPRING. (Walt Disney's Silly Symphony) 1934. 1 reel.

THE GODLESS GIRL. 1928. 12 reels.

Credits: Director, Cecil B. De Mille; story and continuity, Jeanie Macpherson; film editor, Anne Bauchens.

GODLESS MEN. 1920. 7 reels. From the story "Black Pawl" by Ben Ames Williams.

Credits: Producer and director, Reginald Barker; scenario, J.C. Hawks, Elfrid A. Bingham.

THE GODMOTHERS. 1923. 1 reel.

Credits: Keene Thompson; director, William Watson.

GOD'S COUNTRY. SEE Uneasy Feet, God's Country and Memories.

GOD'S COUNTRY AND THE LAW. Pine Tree Pictures, Inc. 1921. 6 reels.

Credits: Director, Sidney Olcott; story, James Oliver Curwood; scenario, Harry O. Hoyt.

GOD'S COUNTRY AND THE MAN. 1937. 6 reels, sd.

Credits: Producer and director, Robert N. Bradbury; original screenplay, Robert Emmett.

GOD'S COUNTRY AND THE WOMAN. 1916. 8 reels. Based on the book by James Oliver Curwood.

Credits: Director, Rollin S. Sturgeon.

GOD'S COUNTRY AND THE WOMAN. 1920. 5 reels. From the story by James Oliver Curwood.

Credits: Director, Rollin S. Sturgeon; scenario, Agnes C. Johnston.

GOD'S COUNTRY AND THE WOMAN. 1936. 10 reels, sd., color. Based on the novel by James Oliver Curwood.

Credits: Director, William Keighley; *story, Peter Milne, Charles Belden; screenplay, Norman Reilly Raine; music, Max Steiner.

GOD'S CRUCIBLE. 1916. 5 reels.

Credits: Written and directed by Lynn F. Reynolds.

GOD'S GIFT TO WOMEN. 1931. 8 reels. Suggested by the play "The Devil Was Sick" by Jane Hinton.

Credits: Frederick Hazlitt Brennan; director, Michael Curtiz; screenplay and dialogue, Joseph Jackson, Raymond Griffith.

GOD'S GOOD MAN. 1921. 5 reels. From the novel by Marie Corelli.

Credits: Director, Maurice Elvey; scenario, Kate Gurney.

GOD'S GREAT WILDERNESS. 1927. 6 reels.

Credits: Production, supervision and direction, David M. Hartford; story, Spottiswood Aitken; screen version, Frances Nordstrom.

GOD'S HALF ACRE. 1916. For the Metro Program. 6 reels.

Credits: Director, Edwin Carewe; original story, Shannon Fife.

GOD'S LAW. (Tales of the Old West) 1923. 2 reels.

GOD'S LAW AND MAN'S. Columbia Pictures Corp. 1917. 5 reels. From the novel "A Wife by Purchase" by Paul Trent.

Credits: Director, and adaptation, John H. Collins.

GOD'S OUTLAW. 1919. 5 reels.

Credits: Written and directed by William Christy Cabanne.

THE GODS REDEEM. 1915. 2 reels.

Credits: Director, Van Dyke Brooke.

Credits: Producer, Hardee Kirkland.

GOIN' STRAIGHT. Bison. 1917. 2 reels.

Credits: Harry Carey, Fred A. Kelsey; director, Fred A. Kelsey.

GOIN' TO HEAVEN ON A MULE. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Animation, Rollin Hamilton, Bob McKimson.

GOIN' TO TOWN. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, William Le Baron; director, Alexander Hall; story, Marion Morgan, George B. Dowell; screenplay and dialogue, Mae West; music, Sam Fain; lyrics, Irving Kahal; film editor, LeRoy Stone.

GOING BYE-BYE! (Hal Roach Comedy) (Laurel and Hardy Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

GOING CRAZY. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

GOING CROOKED. Presented by William Fox. 1926. 6 reels, b&w, tinted sequences. From the play by Aaron Hoffman and William Collier, Sr.

Credits: Director, George Melford; adaptation, Keene Thompson; scenario, A. S. Le Vino.

GOING GA-GA. 1928. 2 reels, b&w.

Credits: Director, James W. Horne; story, Leo McCarey; editor, William Terhune.

GOING, GOING, GONE! Presented by E. W. Hammons. 1937. 1,610 ft., sd.

Credits: Producer, Al Christie; story, Parke Levy.

GOING GOOD. Century. 1925. 2 reels.

Credits: Written and directed by Edward I. Luddy.

GOING GREAT. (Mermaid Comedy) Educational Pictures. 1925. 2 reels.

Credits: Director, Norman Taurog.

GOING HIGHBROW. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd. Based on the story "Social Pirates" by Ralph Spence.

Credits: Director, Robert Florey; screenplay, Edward Kaufman, Sy Bartlett; additional dialogue, Ben Markson.

GOING HOLLYWOOD. 1933. 9 reels, sd., b&w.

Credits: Producer, Walter Walsh; director, Raoul Walsh; screenplay, Donald Ogden Stewart; film editor, Frank Sullivan.

GOING NATIVE. Educational Pictures. Presented by E. W. Hammons. 1936. 954 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charlie Williams.

THE GOING OF THE WHITE SWAN. 1914. 2,000 ft.

Credits: Producer, Colin Campbell.

THE GOING OF THE WHITE SWAN. SEE The Priest and the Man.

GOING PLACES. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

GOING PLACES. Cosmopolitan. First National. 1938. 10 reels, sd. Based on the play "The Hottentot" by Victor Mapes and William Collier, Sr.

Credits: Director, Ray Enright; screenplay, Sig Herzig, Jerry Wald, Maurice Leo; music and lyrics, Harry Warren, Johnny Mercer.

GOING PLACES. SEE Shaw and Lee in Going Places. 1930.

GOING PLACES WITH GRAHAM MCNAMEE. 1938-39. 1 reel each, sd. © Universal Pictures Co., Inc.

Credits: Producers, Thomas Mead, Joseph O'Brien; script, Henry Clay Bate; narrator, Graham McNamee.

53. © 2Sep38; MP8734.

54. © 20Oct38; MP8834.

55. © 20Oct38; MP8835.

56. © 28Nov38; MP8918.

57. © 30Nov38; MP8922.

58. © 30Nov38; MP8923.

59. © 10Feb39; MP9138.

60. © 23Feb39; MP9160.

61. © 23Feb39; MP9161.

62. © 9May39; MP9379.

63. © 10May39; MP9381.

64. © 16Jun39; MP9470.

65. © 16Jun39; MP9471.

66. © 18Sep39; MP9649.

67. © 22Sep39; MP9661.

68. © 22Sep39; MP9662.

69. © 5Dec39; MP9794.

70. © 5Dec39; MP9795.

71. © 5Dec39; MP9796.

SEE ALSO Going Places with Lowell Thomas.

GOING PLACES WITH LOWELL THOMAS. Snappy. Presented by Carl Laemmle. 1934-38. 1 reel each, sd.

Credits: Producers, Allyn Butterfield, Charles E. Ford; director, Charles E. Ford; narrator, Lowell Thomas.

1. © 28Jun34; MP4838.

2. © 1Aug34; MP4909.

3. © 20Aug34; MP4928.

4. © 6Dec34; MP5135.

5. © 13Dec34; MP5158.

6. © 15Jan35; MP5296.

7. © 19Feb35; MP5416.

8. © 18Mar35; MP5463.

9. © 24May35; MP5606.

10. © 4Jun35; MP5642.

11. © 6Jun35; MP5645.

12. © 24Jun35; MP5688.

13. © 24Jun35; MP5689.

14. © 13Nov35; MP5960.

15. © 26Nov35; MP5989.

16. © 18Dec35; MP6069.

17. © 17Dec35; MP6067.

18. © 9Mar36; MP6263.

19. © 10Mar36; MP6264.

20. © 9Apr36; MP6347.

21. © 27May36; MP6482.

22. © 10Jun36; MP6521.

23. © 24Jun36; MP6580.

24. © 2Jul36; MP6606.

25. © 23Jul36; MP6628.

26. © 5Aug36; MP6677.

27. © 10Sep36; MP6768.

28. © 15Oct36; MP6846.

29. © 23Oct36; MP6858.

30. © 19Nov36; MP6922.

31. © 7Dec36; MP6953.

32. © 20Jan37; MP7076.

33. © 3Mar37; MP7232.

34. © 11Mar37; MP7267.

35. © 9Apr37; MP7315.

36. © 7May37; MP7402.

37. © 21May37; MP7433.

38. © 16Jul37; MP7615.

39. © 13Oct37; MP7833.

40. © 5Nov37; MP7900.

41. © 9Nov37; MP7903.

42. © 16Nov37; MP7919.

43. © 26Nov37; MP7945.

44. © 3Jan38; MP8043.

45. © 21Jan38; MP8096.

46. © 11Mar38; MP8233.

47. © 17Mar38; MP8249.

48. © 6Apr38; MP8303.

49. © 5May38; MP8395.

50. © 29Apr38; MP8386.

51. © 24May38; MP8434.

52. © 27May38; MP8491.

SEE ALSO Going Places with Graham McNamee.

GOING SOME. Presented by Samuel Goldwyn. 1920. 6 reels. From the story by Rex Beach, suggested by the play by Rex Beach and Paul Armstrong.

Credits: Director, Harry Beaumont; scenario, Laurence Trimble.

GOING SOUTH. 1923. 1 reel.

GOING SPANISH. (An Educational Musical Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett.

GOING THE LIMIT. Released by F. B. O. 1926. 5 reels.

Credits: Director, Chet Withey.

GOING TO BLAZES. (Oswald Cartoon) Snappy. 1933. 1 reel.

Credits: Directed and animated by Walter Lantz, William Nolan.

GOING TO THE DOGS. 1915. Split reel.

GOING WEST TO MAKE GOOD. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

GOING WILD. First National and Vitaphone. 1930. 7 reels, sd. Based on the play "Aviator" by James Montgomery.

Credits: Producer, William A. Selter; adaptation and dialogue, Humphrey Pearson; continuity, Henry McCarty.

GOING WILD. Trailer. 1930. 1 reel.

GOITRE OPERATION. (Ford Educational Library, Technical Surgery) Ford Motion Picture Laboratories. 1923. 1 reel.

GOLD. 1930. 993 ft.

GOLD. (A Paramount Paragraphic) Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Producer, Margaret G. Hubbard; commentary, Justin Herman; narrator, Alois Havrilla; editor, Leslie Roush.

GOLD AND DIAMOND MINES OF SOUTH AFRICA. 1917. 1 reel.

GOLD AND FLEECE. SEE Falling Water Valley.

Credits: Director, Richard Thorpe; story, Ned Nye.

GOLD AND THE GIRL. 1925. 5 reels.

Credits: Director, Edmund Mortimer; story and scenario, John Stone.

GOLD AND THE WOMAN. 1916. For Fox Film Corp. 6 reels.

Credits: Producer, James Vincent.

THE GOLD BAG. SEE The Mystery of West Sedgwick.

GOLD BALL IMPLANTATION IN SCLERA. 1931. 1 reel.

THE GOLD BAND. Rex. 1916. 1 reel.

Credits: Harvey Gates; producer, Charles E. Bartlett.

Credits: Producer, Charles H. France.

GOLD BRICKS. (Krazy Kat) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

GOLD BRICKS. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1936. 1,820 ft., sd.

Credits: Producer, Al Christie; story, David Freeman.

THE GOLD CLAIM. 1928. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Norman Lacey.

THE GOLD CURE. 1919. 5 reels. Adapted from the story "Oh Annice" by Alexine Heyland.

Credits: Supervision, Maxwell Karger; direction and adaptation, John H. Collins.

GOLD-DIGGER JONES. 1923. 2 reels.

Credits: Director, Nat Ross; story and scenario, George Hull.

THE GOLD DIGGERS. 1923. 8 reels. Adapted from the play by Avery Hopwood.

Credits: Director, Harry Beaumont; adaptation, Grant Carpenter.

GOLD DIGGERS IN PARIS, 1938. 10 reels, sd.

Credits: James Horwin, James Seymour; director, Ray Enright; story, Jerry Wald, Richard Macauley, Maurice Leo; screenplay, Earl Baldwin, Warren Duff; music director, Busby Berkeley.

GOLD DIGGERS OF BROADWAY. 1929. 11 reels, sd., color.

Credits: Avery Hopwood; director, Roy Del Ruth; scenario, Robert Lord; lyrics and music, Al Dubin, Joe Burke.

GOLD DIGGERS OF BROADWAY. Trailer. 1929. 1 reel, sd., color.

GOLD DIGGERS OF '49. (Looney Tunes) 1936. 1 reel.

Credits: Animation, Charles Jones, Robert Clampett.

GOLD DIGGERS OF 1933. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 11 reels, sd. Based on the play "Gold Diggers of Broadway" by Avery Hopwood.

Credits: Director, Mervyn LeRoy; screenplay, Erwin Gelsey, James Seymour; dialogue, David Boehn, Ben Markson.

GOLD DIGGERS OF 1935. Presented by First National Productions Corp. and The Vitaphone Corp. 1935. 10 reels, sd.

Credits: Director, Busby Berkeley; story, Robert Lord, Peter Milne.

GOLD DIGGERS OF 1937. First National. 1936. 12 reels, sd. Based on the play "Sweet Mystery of Life" by Richard Maibaum, Michael Wallach, and George Haight.

Credits: Director, Lloyd Bacon; screenplay, Warren Duff.

GOLD DUST. 1916. 2 reels.

THE GOLD DUST AND THE SQUAW. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Cornelius Shea.

GOLD DUST GERTIE. 1931. 7 reels, sd. Based on the play "The Wife of the Party" by Len D. Hollister.

Credits: Director, Lloyd Bacon; screenplay, William K. Wells, Ray Enright; dialogue, Arthur Caesar.

GOLD FROM WEEPAH. 1927. 5 reels.

Credits: Director, William Bertram; story, Bill Cody; continuity, L. V. Jefferson.

THE GOLD GETTERS. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

THE GOLD GHOST. (An Educational Star Comedy Special) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Charles Lamont; story, Ewart Adamson, Nick Barrows; adaptation and continuity, Ernest Pagano, Charles Lamont.

GOLD HEELS. 1925. 6 reels.

Credits: Director, William S. Van Dyke; story, Henry M. Blossom; scenario, John Stone, Frederic Chapin.

THE GOLD HUNTERS. Presented by Guaranteed Pictures, Inc. 1925. 6,500 ft.

Credits: Director, Paul Hurst; story, James Oliver Curwood.

THE GOLD IN THE CROCK. 1915. 2,000 ft.

GOLD IS WHERE YOU FIND IT. 1938. 10 reels, sd., color. From a Cosmopolitan story by Clements Ripley.

Credits: Director, Michael Curtiz; screenplay, Warren Duff, Robert Buckner.

THE GOLD LUST. Special Big U. 1917. 1 reel.

GOLD MANIA. (World on Parade, no. 5) 1936. 1 reel, sd.

Credits: Script, Harold McCracken; narration, Alois Havrilla.

GOLD MINE IN THE SKY. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original story, Betty Burbridge; screenplay, Betty Burbridge, Jack Natteford; film editor, Lester Orlebeck; music score, Alberto Colombo.

GOLD MINING IN ALASKA. 1927. 1 reel.

GOLD NUGGETS. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story and adaptation, Harry McCoy, Scott E. Cleethorpe; editor, Francis Lyon; music, Abe Meyer.

GOLD—QUEST OF THE AGES. 1937. 1 reel, sd.

Credits: Supervision, Leonard M. Poole; director, Richard C. Kahn; adaptation, Sherman Rogers, M. G. MacPherson; narration, Robert Sherwood.

THE GOLD RACKET. Condor. Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, George A. Hirliman; supervision, Sam Kiege; director, Louis J. Gasnier; original story, Howard Higgin; screenplay, David S. Levy.

THE GOLD RUSH. 1925. 10 reels.

Credits: Written and directed by Charlie Chaplin.

GOLD RUSH DAZE. (Merrie Melodies) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway, Cal Dalton; story, Melvin Millar; animation, Gil Turner; music director, Carl W. Stalling.

THE GOLD SHIP. 1916. 2 reels.

Credits: Director, Frank Beal.

Credits: Fritz Magnusen.

GOLD STRUCK. (Krazy Kat) 1926. 5 reels.

THE GOLD THAT GLITTERED. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Katharine Reed.

THE GOLD THIEF. 1914. 1 reel.

THE GOLD TRAP. Mustang. 1925. 2 reels.

Credits: Director, William A. Crinley; story, William Lester.

THE GOLDEN ARROW. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1936. 8 reels, sd. From the novel by Michael Arlen.

Credits: Director, Alfred E. Green; screenplay, Charles Kenyon.

THE GOLDEN BED. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 9 reels. Based on the novel by Wallace Irwin.

Credits: Producer, Cecil B. De Mille; screenplay, Jeanie MacPherson.

THE GOLDEN BEETLE. 1914. 4 reels.

THE GOLDEN BIRD. SEE Little Miss Hoover.

THE GOLDEN BOOT. Victor. 1916. 1 reel.

Credits: Story and production, Wm. Bowman; scenario, Olga Printzlau.

GOLDEN BOY. 1939. 10 reels, sd. Based on the play by Clifford Odets.

Credits: Producer, William Perlberg; director, Rouben Mamoulian; screenplay, Lewis Meltzer, Daniel Taradash, Sarah Y. Mason, Victor Heerman; film editor, Otto Meyer; music score, Victor Young; music director, M. W. Stoloff.

THE GOLDEN BULLET. Gold Seal. 1917. 3 reels.

Credits: Director, Fred Kelsey; story, T. Shelly Sutton; scenario, George Hively.

THE GOLDEN BULLET. 1922. 2 reels.

Credits: Director, Fred Kelsey; story, T. Shelly Sutton; scenario, George Hively.

THE GOLDEN CALF. 1930. 6,800 ft., sd.

Credits: Associate producer, Ned Marin; director, Millard Webb; story, Aaron Davis; adaptation and continuity, Marion Orth, Millard Webb; editor, Alec Troffey.

GOLDEN CALIFORNIA. (Lowell Thomas' Magic Carpet of Movietone) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Lowell Thomas.

Credits: Director, Cecil B. De Mille.

Credits: Producer, Reginald Barker; supervision, Thomas H. Ince.

THE GOLDEN CLAW. 1915. 5 reels.

Credits: Producer, Hardee Kirkland.

THE GOLDEN CLOWN. Nordisk Films Co., Stockholm. 1927. 8 reels.

Credits: Director, A. W. Sandberg.

THE GOLDEN COCOON. 1925. 7 reels. From the novel by Ruth Cross.

Credits: Director, Millard Webb; adaptation, Hope Loring, Louis D. Lighton.

GOLDEN DAWN. 1930. 10 reels, sd., color. Based on the musical play by Otto Harbach and Oscar Hammerstein, II.

Credits: Director, Ray Enright; screenplay and dialogue, Walter Anthony; music, Emmerich Kalman, Hubert Stothart.

GOLDEN DAWN. Trailer. 1930. 1 reel, sd.

GOLDEN DREAMS. 1922. 5 reels. Suggested by the novel of Zane Grey.

Credits: Adapted and produced by Benjamin B. Hampton.

GOLDEN DREAMS. SEE Rocky Mountain Mystery.

THE GOLDEN FETTER. 1917. 5 reels. From the story by Charles Tenney Jackson.

Credits: Producer. E. J. LeSaint; scenario, Charles Maigne.

GOLDEN FLEECE. SEE Her Great Chance.

GOLDEN FLEECES. (U. F. A. Oddity) U. F. A. 1928. 1 reel, amber.

Credits: Edited and titled by Edward Bowes.

GOLDEN GALLOWS. 1922. 5 reels.

Credits: Director, Paul Scardon; story, Victoria Galland; scenario, Harvey Gates.

THE GOLDEN GATE. 1928. 1 reel.

Credits: Supervision, S. S. Hutchinson.

THE GOLDEN GIFT. 1922. 5 reels.

Credits: June Mathis; director, Maxwell Karger; scenario, Florence Hein.

THE GOLDEN GOAL. 1918. 5 reels.

Credits: Director, Paul Scardon; story, Lawrence McClosky; picturized by Garfield Thompson.

GOLDEN HARVEST. 1933. 8 reels.

Credits: Producer, Charles S. Rogers; director, Ralph Murphy; original story, Nina Wilcox Putnam; screenplay, Casey Robinson.

THE GOLDEN IDIOT. 1917. 65 min. From the novel by Robert Rudd Whiting.

Credits: Director. Arthur Berthelet; adaptation, H. Tipton Steck.

GOLDEN LIES. 1916. 3 reels.

Credits: Director, Louis Mercanton.

GOLDEN OPPORTUNITY. Ford Motion Picture Laboratories. 1923. 2 reels.

THE GOLDEN OYSTER. 1915. 1 reel.

Credits: Producer, Arthur D. Hotaling.

THE GOLDEN PAGODA. (The Vagabond Adventure Series, no. 1) Van Beuren Corp. 1930. 1 reel, sd.

Credits: Supervision, Elmer Clifton, Alfred Mannon; director, Tom Terriss; musical studies, Prior Moore and his band.

THE GOLDEN PATHWAY. 1913. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillord.

THE GOLDEN PRINCESS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the story by Bret Harte.

Credits: Producer and director, Clarence Badger; screenplay, Frances Agnew.

THE GOLDEN SHOWER. 1919. 5 reels.

Credits: Director, John W. Noble; story, Marie Eve.

THE GOLDEN SNARE. Presented by David M. Hartford Productions. 1921. 6 reels. From the novel by James Oliver Curwood.

Credits: Director, David M. Hartford; screen version, James Oliver Curwood, David M. Hartford.

THE GOLDEN SPIDER. Victor. 1915. 1 reel.

Credits: Mary Fuller.

GOLDEN-SPOON MARY. 1917. 1 reel.

Credits: Drawn by Paul H. Terry.

THE GOLDEN SPURS. 1915. 2 reels.

Credits: Director, Lloyd B. Carleton.

THE GOLDEN STRAIN. 1925. 6 reels, b&w, tinted sequences.

Credits: Director, Victor Schertzinger; story, Peter B. Kyne; scenario, Eve Unsell.

THE GOLDEN THOUGHT. 1916. 2 reels.

Credits: J. A. Lacy; director, Tom Mix.

THE GOLDEN TOUCH. 1935. 1 reel.

Credits: Director, Dell Henderson; adaptation, Clara S. Beranger.

THE GOLDEN WEB. Greater Gotham. 1926. 6 reels. From the novel by E. Phillips Oppenheim.

Credits: Production manager, Glenn Belt; director, Walter Lang; adaptation and continuity, James Bell Smith.

THE GOLDEN WEDDING; a Reverie. 1913. 1 reel.

Credits: Herbert Prior.

THE GOLDEN WEST. 1932. 6,250 ft. From a story by Zane Grey.

Credits: Director, David Howard; screenplay, Gordon Rigby; editor, Ralph Dietrich.

THE GOLDEN WEST. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

THE GOLDFISH. Presented by Joseph M. Schenck. 1924. 7 reels.

Credits: Director, Jerome Storm; adaptation, C. Gardner Sullivan.

GOLDIE. 1931. 5,370 ft., sd.

Credits: Associate producer, A. L. Rockett; director, Benjamin Stoloff; adaptation and dialogue, Gene Towner, Paul Perez; editor, Alex. Troffey.

GOLDIE GETS ALONG, Presented by Radio Pictures. 1933. 7 reels, sd. From the book by Hawthorne Hurst.

Credits: Producer, J. G. Bachmann; director, Malcolm St. Clair; screenplay, William A. Drake; film editor, William M. Morgan.

GOLDIELOCKS AND THE THREE BEARS. (An Oswald Comedy) Snappy. 1934. 1 reel.

GOLDILOCKS AND THE BEARS. 1934. 1 reel.

GOLDILOCKS AND THE THREE BEARS. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Hugh Harman; music, Scott Bradley.

GOLDWYN-BRAY PICTOGRAPHS. 1919-21. 1 reel each.

7001. © 30Aug19; MP1423.

7002. © 16Jan20; MP1510.

7003. © 13Sep19; MP1424.

7004. © 13Sep19; MP1425.

7005. © 23Sep19; MP1431.

7006. © 27Sep19; MP1434.

7007. © 4Oct19; MP1437.

7008. © 4Oct19; MP1439.

7009. © 9Oct19; MP1443.

7010. © 25Oct19; MP1452.

7011. © 7Nov19; MP1465.

7012. © 10Nov19; MP1463.

7013. © 17Nov19; MP1471.

7014. © 26Nov19; MP1479.

7015. © 3Dec19; MP1485.

7016. © 9Dec19; MP1490.

7017. © 16Dec19; MP1495.

7018. © 23Dec19; MP1497.

7019. © 31Dec19; MP1503.

7020. © 6Jan20; MP1508.

7021. © 16Jan20; MP1511.

7023. © 26Jan20; MP1517.

7024. © 30Jan20; MP1522.

7025. © 2Feb20; MP1524.

7026. © 10Feb20; MP1530.

7027. © 16Feb20; MP1533.

7028. © 27Feb20; MP1540.

7029. © 3Mar20; MP1543.

7030. © 9Mar20; MP1550.

7031. © 19Mar20; MP1556.

7032. © 23Mar20; MP1561.

7033. © 3Apr20; MP1568.

7034. © 14Apr20; MP1574.

7035. © 21Apr20; MP1581.

7036. © 30Apr20; MP1587.

7037. © 6May20; MP1591.

7038. © 14May20; MP1597.

7039. © 19May20; MP1600.

7040. © 29May20; MP1625.

7041. © 4Jun20; MP1629.

7042. © 4Jun20; MP1630.

7043. © 12Jun20; MP1637.

7044. © 19Jun20; MP1644.

7045. © 26Jun20; MP1648.

7046. © 3Jul20; MP1657.

7047. © 6Jul20; MP1659.

7048. © 16Jul20; MP1666.

7049. © 27Jul20; MP1675.

7050. © 26Aug20; MP1687.

7051. © 26Aug20; MP1688.

7052. © 9Sep20; MP1697.

7053. © 14Sep20; MP1700.

7054. © 27Sep20; MP1710.

7055. © 2Oct20; MP1715.

7056. © 2Oct20; MP1716.

7057. © 18Sep20; MP1705.

7058. © 2Oct20; MP1717.

7059. © 7Oct20; MP1726.

7060. © 7Oct20; MP1721.

7061. © 21Oct20; MP1749.

7062. © 25Oct20; MP1736.

7063. © 2Nov20; MP1747.

7064. © 6Nov20; MP1750.

7065. © 16Nov20; MP1757.

7066. © 16Nov20; MP1758.

7067. © 14Dec20; MP1792.

7068. © 8Jan21; MP1835.

7069. © 6Jan21; MP1838.

7070. © 15Jan21; MP1848.

7071. © 26Jan21; MP1858.

7072. © 7Jan21; MP1859.

7073. © 2Feb21; MP1869.

7074. © 21Jan21; MP1884.

7075. © 28Jan21; MP1890.

7076. © 5Apr21; MP1944.

7077. © 5Apr21; MP1948.

478. Our Noble Ancestor. © 20Jun21; MP1977.

479. Feeding the Microscope. © 20Jun21; MP1978.

480. Songbirds as Citizens. © 20Jun21; MP1979.

481. Hooters and Honkers. © 20Jun21; MP1980.

SEE ALSO Paramount-Bray Pictographs.

THE GOLDWYN FOLLIES. 1938. 13 reels, sd., color.

Credits: Producer, Samuel Goldwyn; director, George Marshall; story and screenplay, Ben Hecht; film editor, Sherman Todd; music, George Gershwin; lyrics, Ira Gershwin; orchestrator, Edward Powell.

THE GOLEM. 1921. 6 reels.

THE GOLEM. SEE The Monster of Fate.

GOLF. 1922. 2 reels.

Credits: Written and directed by Tom Buckingham, Larry Semon.

THE GOLF BUG. 1924. 2 reels.

Credits: Director, Herman C. Raymaker.

THE GOLF CHUMP. 1932. 2 reels.

Credits: Director, Harry Sweet; story, Harry Sweet, Hugh Cummings.

GOLF CHUMPS. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1939. 604 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe De Nat.

THE GOLF GAME AND THE BONNET. 1913. 1 reel.

Credits: Director, George D. Baker.

A GOLF INSECT. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

GOLF MAGIC. (News World of Sports) 1937. 846 ft., sd.

Credits: Narration, Jack Kofoed; described by Ford Bond.

GOLF MISTAKES. (A Pete Smith Specialty) 1937. 962 ft., sd., b&w.

Credits: Director, Felix E. Felst.

GOLF NUTS. (Paul Terry Toons) 1930. 1 reel, sd.

Credits: Frank Moser, Paul Terry.

GOLF SOCKS. 1929. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

THE GOLF SPECIALIST. 1930. 2 reels.

Credits: Producer, Louis Block; director, Monte Brice.

GOLF TIMING. (Sports with Bill Corum, no. 13) 1937. 1 reel, sd.

GOLF WIDOWS. 1926. 2 reels.

Credits: Supervision, George E. Marshall; directors, Max Gold, Al Davis; story, J. Walter Ruben, Sidney Lanfield.

GOLF WIDOWS. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Erle C. Kenton; story, Scott Darling.

THE GOLFER. 1921. 2 reels.

Credits: Directors, Al Herman, Eddie Cline.

THE GOLFERS. (Mack Sennett Talking Comedies) 1929. 21 min., sd.

Credits: Director, Mack Sennett.

THE GOLFERS. (Meany, Miny, Moe Cartoon) 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Laverne Harding, Ed. Benedict, Leo Salkin.

GOLFING. Century. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

GOLFING RHYTHM. (News World of Sports) 1936. 892 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

GOLFMANIA. Century. 1923. 2 reels.

GONE AGAIN. Released by F. B. O. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story, Charley Bowers, H. L. Muller, Ted Sears.

THE GONGER. SEE The Specter of the Sea.

GONORRHEA IN THE MALE; Diagnostic and Treatment Techniques. 1920. 3 reels.

GOOD AND EVIL. Imp. 1916. 1 reel.

Credits: Produced, directed and written by Francis Powers.

GOOD AND EVIL. 1921. 5 reels.

GOOD AND NAUGHTY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From the play "Naughty Cinderella" by René Peter and Henri Falk.

Credits: Producer and director, Malcolm St. Clair; adaptation, Avery Hopwood.

GOOD AS GOLD. Presented by William Fox. 1927. 5 reels, b&w, tinted sequences.

Credits: Director, Scott Dunlap; story, Murray Leinster; scenario, Jack Jungmeyer.

THE GOOD BAD GIRL. 1931. 7 reels, sd. From the story by Winifred Van Duzer.

Credits: Producer, Harry Cohn; director, Roy William Neill; continuity and dialogue, Jo Swerling; film editor, Edward Curtis.

GOOD BAD LANDS. (Ford Educational Library, Regional Geography, v. 5) 1921. Ford Motion Picture Laboratories. 1 reel.

THE GOOD BAD MAN. 1923. 5 reels.

Credits: Story, Douglas Fairbanks.

THE GOOD BAD MAN. (Coronet Comedy) Presented by E. W. Hammons. 1933. 22 min., sd.

Credits: Producer, Jack White; story, Harold Atteridge.

THE GOOD-BAD WIFE. 1920. 6 reels. From the story "The Wild Fawn" by Mary Imlay Taylor.

Credits: Director, Vera McCord; scenario, Paul Price.

GOOD BADMINTON. 1935. 9 min., sd.

Credits: Director, Howard Bretherton.

Credits: Director, Reaves Eason.

GOOD-BY GIRLS! 1923. 5 reels.

Credits: Director, Jerome Storm; story, George Foxhall; scenario, Joseph Franklin Poland.

GOODBYE AGAIN. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 7 reels. Based on the play by George Haight and Alan Scott.

Credits: Director, Michael Curtiz; screenplay, Ben Markson.

GOOD-BYE, BILL. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Production and story, John Emerson, Anita Loos; director, John Emerson.

GOODBYE BROADWAY. 1938. 8 reels. Based on the play "Shannons of Broadway" by James A. Gleason.

Credits: Producer, Edmund Grainger; director, Ray McCarey; screenplay, Roy Chanslor, A. Dorian Otvos.

THE GOOD-BYE KISS. 1928. 9 reels.

Credits: Written and directed by Mack Sennett; story, Jefferson Moffitt, Phil Whitman, Carl Harbaugh.

GOODBYE LEGS. 1930. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earl Rodney, Al Martin, Phil Whitman.

GOOD-BYE LOVE. 1933. 7 reels, sd.

Credits: Producers, Joseph I. Schnitzer, Samuel Zierler; director, H. Bruce Humberstone; story, Hampton Del Ruth; screenplay and dialogue, Hampton Del Ruth, George Rosener, John Howard Lawson; film editor, R. E. Loewinger.

GOODBYE, MR. CHIPS. A Sam Wood production. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels, sd., b&w. From the novel by James Hilton.

Credits: Producer, Victor Saville; director, Sam Wood; screenplay, R. C. Sherriff, Claudine West, Eric Maschwitz; film editor, Charles Frend; music director, Louis Levy.

GOOD-BYE MY LADY LOVE. 1929. 1 reel.

Credits: Director, Dave Fleischer.

GOODBYE, SUMMER. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

THE GOOD COMPANIONS. Gaumont-British-Welsh-Pearson. 1933. 9,000 ft., sd. From the novel by J. B. Priestley.

Credits: Director, Victor Saville; screenplay, W. P. Lipscomb.

GOOD DAME. 1934. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Marion Gering; story, William R. Lipman; screenplay, William R. Lipman, Vincent Lawrence, Frank Partos, Sam Hellman.

GOOD DEEDS. 1923. 1 reel.

THE GOOD EARTH. The Theatre Guild, Inc. 1937. 14 reels, sd., b&w. Based on the novel by Pearl S. Buck.

Credits: Associate producer, Albert Lewin; director, Sidney Franklin; screenplay, Talbot Jennings, Tess Slesinger, Claudine West; film editor, Basil Wrangell; music score, Herbert Stothart.

THE GOOD EGG. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Story, Dave Monahan; animation, Ken Harris.

THE GOOD FAIRY. Presented by Carl Laemmle. 1935. 10 reels, sd. From the play by Ferenc Molnar.

Credits: Producer, Carl Laemmle, Jr.; director, William Wyler; screenplay, Preston Sturges; film editor, Daniel Mandell.

A GOOD FELLOW. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Herbert Kaufman; director, Harry Sanger; scenario, Merle Johnson.

GOOD FOODS—A DRINK OF WATER. (Eastman Classroom Films. Health Series. Hygiene) 1931. 484 ft.

GOOD FOODS—BREAD AND CEREALS. (Eastman Classroom Films. Health Series. Hygiene) 1931. 419 ft.

GOOD FOODS, FRUITS AND VEGETABLES. (Eastman Classroom Films. Health Series. Hygiene) 1930. 432 ft.

GOOD FOODS, MILK. (Eastman Classroom Films. Health Series. Hygiene) 1930. 279 ft.

Credits: Director, Carlyle Blackwell; story, A. Alexander Thomas.

GOOD-FOR-NOTHING GALLAGHER. Big U. 1917. 1 reel.

Credits: William Parker; director, William V. Mong.

GOOD GIRLS GO TO PARIS. 1939. 8 reels, sd.

Credits: Producer, William Perlberg; director, Alexander Hall; original story, Lenore Coffee, William Joyce Cowen; screenplay, Gladys Lehman, Ken Englund; film editor, Al Clark; music director, M. W. Stoloff.

GOOD GOLFERS START YOUNG. (World of Sports) 1934. 1 reel, sd.

Credits: Story, Jack Kofoed.

GOOD GRACIOUS ANNABELLE! Paramount. Presented by Adolph Zukor. 1919. 5 reels. From the story by Clare Kummer.

Credits: Director, George Melford.

GOOD GRACIOUS ANNABELLE. SEE Annabelle's Affairs.

GOOD HOUSEWRECKING. 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; direction and story, Harry Sweet; film editor, John Lockert.

THE GOOD IN HIM, 1915. 1,000 ft.

THE GOOD IN THE WORST OF US. 1913. 1 reel.

THE GOOD IN THE WORST OF US. 1915. 1 reel.

Credits: Director, William Humphrey.

Credits: Producer. William Duncan.

GOOD INTENTIONS. 1930. 6,340 ft., sd.

Credits: Director, William K. Howard; editor, Jack Murray.

A GOOD LIAR. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Otz Messmer.

A GOOD LITTLE BAD BOY. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

GOOD LITTLE BROWNIE. 1920. 2 reels.

Credits: Billy Watson.

GOOD LITTLE MONKEYS. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

GOOD LOOKING WINNERS. (Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Producer, Jack Eaton; narrator, Ted Husing.

GOOD LUCK. SEE The Sporting Lover.

GOOD LUCK—BEST WISHES. Presented by E. W. Hammons. 1934. 1,963 ft., sd.

Credits: Producer, Al Christie; story, Art Jarrett, William Watson; music and lyrics, James Hanley, Benny Davis.

GOOD MEDICINE. (Coronet Talking Comedies) 1929. 21 min., sd.

Credits: Jack Arnold, Edwin Burke; supervision, Sidney B. Brenneck; director, Leslie Pearce.

GOOD MEN AND BAD. Presented by American Releasing Corp. 1923. 5 reels.

Credits: Director, Merrill McCormick; story and scenario, William Lester.

GOOD MEN AND TRUE. Released by Film Booking Offices of America. 1922. 6 reels. From the story by Eugene Manlove Rhodes.

Credits: Director, Val Paul; scenario and adaptation, George Edwardes-Hall.

GOOD MORNING, BOYS. SEE Where There's a Will.

GOOD MORNING, EVE! 1934. 2 reels, sd.

Credits: Director, Roy Mack; screenplay and dialogue, Cyrus Woods, Eddie Moran, A. Dorian Otvos.

GOOD MORNING, JUDGE. Victor. 1916. 2 reels.

Credits: Grace Cunard; director, Francis Ford.

GOOD MORNING, JUDGE! Jewel. 1928. 6 reels.

Credits: Director, William A. Seiter; story, Harry O. Hoyt; adaptation, Earle Snell; continuity, Beatrice Van.

GOOD MORNING, NURSE. Victor. 1917. 1 reel.

Credits: Director, Leslie T. Peacocke; scenario, Maie Havey.

GOOD MORNING, SHERIFF. (Educational-Lloyd Hamilton Talking Comedies) 1930. 19 min., sd.

Credits: Producer, Harry D. Edwards; director, Alf Goulding; story, Robert Stewart; adaptation and dialogue, Jack Preston.

GOOD NEWS. 1930. 11 reels, sd., b&w. Based on a musical comedy by Laurence Schwab, Lew Brown, Frank Mandel, B. G. De Sylva and Ray Henderson.

Credits: Director, Nick Grinde; scenario, Frances Marlon; dialogue, Joe Farnham; film editor, William Le Vanway.

GOOD NEWS. Presented by Goodrich. 1938. 1 reel, sd.

GOOD NIGHT, LADIES. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons, Moran.

GOOD NIGHT NURSE. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story and production by Al. E. Christie.

GOOD NIGHT NURSE. Paramount-Arbuckle. Comique Film Corp. Presented by Joseph M. Schenck. 1918. 2 reels.

Credits: Directed and written by Fatty Arbuckle.

GOOD NIGHT NURSE. 1929. 2 reels.

Credits: Director, Henry W. George.

GOOD NIGHT, PAUL. 1918. 5 reels. From the play by Roland Oliver and Charles Dickson.

Credits: Director, Walter Edwards; adaptation, Julius Crawford Ivers.

GOOD-NIGHT TURK. 1919. 2 reels.

Credits: Director, Jim Davis.

THE GOOD OLD DAYS. Snappy. 1932. 1 reel.

Credits: Supervision and dialogue, Albert De Mond.

THE GOOD OLD PLUMBERTIME. 1936. 20 min., sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley, Eddie Forman.

GOOD OLD SCHOOL DAYS. Presented by The Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

THE GOOD OLD SOAK. 1937. 8 reels, sd. From the play "The Old Soak" by Don Marquis.

Credits: Producer, Harry Rapf; director, J. Walter Ruben; screenplay, A. E. Thomas; film editor, Frank Sullivan; music score, Edward West.

THE GOOD OLD WINTER TIME. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

GOOD PIE FOREVER. 1931. 1 reel.

THE GOOD PROVIDER. Cosmopolitan Productions. 1922. 8 reels. From the story by Fannie Hurst.

Credits: Director, Frank Borzage; scenario, John Lynch.

Credits: Director, R. William Neill; picturized by Dorothy Farnum.

GOOD REFERENCES. First National. 1921. 6 reels. From the novel by E. J. Rath, pseud.

Credits: Director, William Neill; adaptation, Dorothy Farnum.

Credits: Director, George Jeske.

A GOOD SALE IS MADE IN SHOES. 1921. 1 reel.

THE GOOD SAMARITAN. 1919. 1 reel.

A GOOD SCOUT. (An Educational Screen Star Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett.

A GOOD SCOUT. (Willie Whopper Cartoon) 1934. 1 reel.

GOOD SCOUT BUSTER. (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

GOOD SCOUTS. (Sunkist Comedy) 1927. 2 reels.

GOOD SCOUTS. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

GOOD SHAPE. (Sportlight) 1934. 1 reel, sd.

THE GOOD SHIP NELLIE. 1928. 1 reel.

Credits: Paul Terry and Frank Moser.

THE GOOD SHIP ROCK 'N RYE. Jewel. 1919. 2 reels.

Credits: Story and direction, Fred C. Fishback.

GOOD SKATES. (Stern Bros. Comedy) 1929. 2 reels. From the cartoons of Rube Goldberg.

Credits: Director, Francis Corby.

GOOD SKATES. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

GOOD SPIRITS. (Walter Hiers Comedy) Educational. 1925. 2 reels.

Credits: Director, Archie Mayo.

A GOOD SPORT. 1913. 2 reels.

Credits: Charles E. Van Loan.

THE GOOD SPORT. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

GOOD SPORT. 1931. 6,090 ft., sd.

Credits: Associate producer, William Goetz; director, Kenneth MacKenna; screenplay, William Hurlbut; editor, Alex Troffey.

A GOOD STEER. 1936. 1 reel, sd., filmstrip.

A GOOD STORY ABOUT A BAD EGG. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

GOOD TIME CHARLEY. 1927. 7 reels.

Credits: Director, Michael Curtiz; story, Darryl Francis Zanuck; scenario, Ilona Fulop; adaptation, Anthony Coldewey, Owen Francis.

GOOD TIME HENRY. 1934. 2 reels.

Credits: Director, James W. Horne; story, James W. Horne, Albert Austin.

GOOD TIME KENNETH. 1930. 1 reel.

Credits: Dick Currier.

GOOD TIMES. 1931. 1 reel.

GOOD WILL AND ALMOND SHELLS. SEE The Shell Game.

THE GOOD WOMAN. Bison. 1916. 2 reels.

Credits: Written and directed by William V. Mong.

GOOD WOMEN. 1921. 6 reels.

Credits: C. Gardner Sullivan; director, Gasnier.

GOODE KNIGHT. (Aesop's Fables, no. 6) (Cubby Bear) 1934. 1 reel, sd.

Credits: Director, George Stallings; animation, Steve Muffati.

GOODNESS GRACIOUS; or, MOVIES AS THEY SHOULDN'T BE. 1914. 3 reels.

Credits: Producer, James Young.

THE GOOF. 1924. 2 reels.

GOOFS; Being a Series of Scenes in Continuity on the Prevention of Traffic Accidents to School Children. 1930. 1 reel.

GOOFS AND SADDLES. 1937. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Felix Adler.

GOOFY AND WILBUR. (A Walt Disney Mickey Mouse) 1939. 1 reel.

GOOFY BIRDS. (Educational-Bowers Comedy) 1928. 2 reels.

Credits: Director, H. L. Muller.

GOOFY GHOSTS. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Sig Herzig.

A GOOFY GOB. (Educational-Christie Comedies) 1925. 2 reels.

Credits: Director, William Watson.

GOOFY GONDOLAS. (Krazy Kat) Presented by Columbia Pictures Corp. 1934. 589 ft., sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love, Preston Blair; music, Joe De Nat.

GOOFY MOVIES. 1933-34. 1 reel each, sd., b&w. © Metro-Goldwyn-Mayer Corp.

Credits: Director, Jules White; continuity, Zion Myers; explanatory remarks, Pete Smith.

1. © 13Dec33; MP4462.

2. © 21Feb34; MP4630.

3. © 21Mar34; MP4655.

4. © 1May34; MP4753.

5. © 1Jun34; MP4792.

6. © 19Jul34; MP4880.

7. © 23Aug34; MP4985.

8. © 20Sep34; MP5020.

9. © 28Sep34; MP5029.

10. © 13Feb35; MP5422.

GOOFYTONE NEWSREEL. Snappy, nos. 1-6; Gem Pictures Prod., Inc., no. 7. 1933-34. 1 reel each, sd. © Universal Pictures Corp.

Credits: Nos. 1, 2: Director, George S. Gullette; original sketches, George Frame Brown. Nos. 3-6: Filmed and directed by Don Malkames. No. 7: Written and directed by F. Herrick-Herrick.

1. © 14Jul33; LP4016.

2. © 29Aug33; LP4089.

3. © 15Dec33; MP4464.

4. © 29Jan34; MP4543.

5. © 19Feb34; MP4584.

6. © 6Mar34; MP4627.

7. © 12Apr34; MP4699.

GOONA-GOONA (LOVE POWDER); an Authentic Melodrama of the Isle of Bali. A First Division Release. 1932. 7 reels.

Credits: Story and direction, André Roosevelt, Armand Denis; symphonic score, Th. Kross Hartman, Marcel Devaux.

GOONLAND. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner Matthews.

THE GOOSE AND THE GANDER. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 7 reels.

Credits: Director, Alfred E. Green; story and screenplay, Charles Kenyon.

GOOSE FLESH. 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

THE GOOSE FLIES HIGH. (Terry Toons) Presented by Paul Terry. 1938. 1 reel, sd.

Credits: Director, John Foster; music, Philip A. Scheib.

THE GOOSE HANGS HIGH. Paramount. Dramatists Theatre, Inc. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,172 ft. From the drama by Lewis Beach.

Credits: Producer, James Cruze; screenplay, Walter Woods, Anthony Coldewey.

GOOSE IN WATER. (Models in Motion) 1931. 250 ft.

THE GOOSE THAT LAID THE GOLDEN EGGS. (Aesop's Film Fables, no. 1) Walker Fox Film Productions. 1921. 1 reel.

Credits: Adaptation, Phyllis Alden.

THE GOOSE WOMAN. Jewel. 1925. 8 reels.

Credits: Director, Clarence Brown; story, Rex Beach.

THE GOOSE WOMAN. SEE The Past of Mary Holmes.

THE GOPHER. Bison. 1915. 2 reels.

Credits: Producer, Wm. Worthington; scenario, Harvey Gates.

GOPHER TROUBLE. (An Oswald Cartoon) 1936. 1 reel.

Credits: Producer and director, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, Fred Kopietz, George Nicholas.

GORDON OF GHOST CITY. 1933. 2 reels each. Suggested by a story by Peter B. Kyne. © Universal Pictures Corp.

Credits: Director, Ray Taylor; screenplay, Ella O'Neill, Basil Dickey, George Plympton, Het Manheim, Harry Hoyt.

1. A Lone Hand. © 26Jul33; LP4041.

2. The Stampede. © 10Aug33; LP4059.

3. Trapped. © 10Aug33; LP4060.

4. The Man of Mystery. © 17Aug33; LP4076.

5. Riding for Life. © 29Aug33; LP4084.

6. Blazing Prairies. © 8Sep33; LP4106.

7. Entombed in the Tunnel. © 15Sep33; LP4117.

8. Stampede. © 21Sep33; LP4133.

9. Flames of Fury. © 27Sep33; LP4150.

10. Swimming the Torrent. © 9Oct33; LP4160.

11. A Wild Ride. © 17Oct33; LP4180.

12. Mystery of Ghost City. © 20Oct33; LP4197.

THE GORGEOUS HUSSY. A Clarence Brown Production. 1936. 10 reels, sd., b&w. From the book by Samuel Hopkins Adams.

Credits: Producer, Joseph Mankiewicz; director, Clarence Brown; screenplay, Ainsworth Morgan, Stephen Morehouse Avery; film editor, Blanche Sewell; music score, Herbert Stothart.

THE GORILLA. Presented by Asher, Small and Rogers. 1929. 8 reels. From the play by Ralph Spence.

Credits: Produced and directed by Alfred Santell; production management, Edward Small; scenario, Al Cohn, Henry McCarty; adaptation, James T. O'Donohoe.

THE GORILLA. First National and Vitaphone. 1930. 7 reels. From the play by Ralph Spence.

Credits: Director, Bryan Foy; adaptation, B. Harrison Orkow, Herman Ruby.

THE GORILLA. Trailer. 1930. 1 reel, sd.

THE GORILLA HUNT. 1926. 5 reels.

THE GORILLA HUNT. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1939. 696 ft., sd., color.

Credits: Producer, Charles Mintz; director, U. B. Iwerks; music, Eddie Kilfeather; music director, Joe De Nat.

THE GORILLA MYSTERY. (Mickey Mouse Cartoon) 1930. 1 reel.

Credits: Director, Leon E. Dadmun; adaptation, Ida Harrison.

GOSSIP. 1923. 5 reels.

Credits: Director, King Baggot; story, Edith Barnard Delano; scenario, Hugh Hoffman.

GOSSIP. SEE Robert Emmett Keane in Gossip.

THE GOSSIPY PLUMBER. (Follies Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; screenplay and direction, Charles Lamont; story, Arthur Wanzer; film editor, Fred Maguire; music director, Francis Groman.

GOT A MATCH? 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood, A. Dorian Otvos.

GOTHAM RHYTHM BOYS. 1929. 1 reel, sd.

DER GOTT DER RACHE. SEE The God of Vengeance.

THE GOVERNESS. 1913. 1 reel.

Credits: Bannister Merwin.

THE GOVERNOR'S DECISION. Special Imp. 1916. 1 reel.

Credits: W. H. Swanson; director, Herbert Brenon.

THE GOVERNOR'S LADY. 1923. 8 reels, b&w, tinted sequences. From the play by Alice Bradley.

Credits: Director, Harry Millarde; scenario, Anthony Paul Kelley.

Credits: Helen Tompkins.

THE GOWN SHOP. 1923. 2 reels.

Credits: Written and directed by Larry Semon.

GOWNS AND GIRLS. 1918. 2 reels.

GRACE HAYES AND NEVILLE FLEESON IN DIAMOND TIL. 1929. 1 reel.

GRACE JOHNSTON AND THE INDIANA FIVE. 1929. 1 reel.

GRACE LA RUE, THE INTERNATIONAL STAR OF SONG. 1929. 1 reel, sd.

GRACEFUL SAHRA. 1920. 1 reel.

THE GRACIE ALLEN MURDER CASE. 1939. 8 reels, sd. Based on the novel by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, Alfred E. Green; screenplay, Nat Perrin; film editor, Paul Weatherwax.

GRACIE AT THE BAT. 1937. 2 reels, sd.

Credits: Direction and story, Del Lord; screenplay, Elwood Ullman, Al Giebler.

THE GRADUATION EXERCISES. (Scrappy) Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love; music, Joe De Nat.

GRAFT. Universal Special. 1915-16. 2 reels each. Selected from "The Crack o' Doom." © Universal Film Mfg. Co., Inc.

Credits: Irvin S. Cobb, James Francis Dwyer, Wallace Irwin, Reginald Wright Kaufman, James Oppenheim, Louis Joseph Vance, Joe Mitchell Chapple, Frederick S. Isham, A. M. Williamson, Mrs. Wilson Woodrow; producer, Richard Stanton; story, Hugh C. Weir, Joe Brandt; scenario, Walter Woods.

1. Liquor and the Law. © 6Dec15; LP7162.

2. The Tenement House Evil. © 13Dec15; LP7204.

3. The Traction Grab. © 20Dec15; LP7257.

4. The Power of the People. © 28Dec15; LP7305.

5. Grinding Life Down. © 3Jan16; LP7348.

6. The Railroad Monopoly. © 11Jan16; LP7397.

7. America Saved from War. © 17Jan16; LP7435.

8. Old King Coal. © 24Jan16; LP7490.

9. The Insurance Swindlers. © 31Jan16; LP7536.

10. The Harbor Transportation Trust. © 7Feb16; LP7575.

11. The Illegal Bucket Shops. © 14Feb16; LP7625.

12. The Milk Battle. © 21Feb16; LP7686.

13. The Powder Trust and the War. © 28Feb16; LP7725.

14. The Iron Ring. © 6Mar16; MP7771.

15. The Patent Medicine Danger. © 13Mar16; MP7815.

16. The Pirates of Finance. © 20Mar16; MP7865.

17. Queen of the Prophets. © 27Mar16; MP7930.

18. The Hidden City of Crime. © 3Apr16; LP8000.

19. The Photo Badger Game. © 10Apr16; LP8046.

20. The Final Conquest. © 20Apr16; LP8122.

GRAFT. 1931. 6 reels.

Credits: Director, Christy Cabanne; story, continuity and dialogue, Barry Barringer.

THE GRAIL. Laemmle. 1915. 2 reels.

Credits: Producer, William Worthington; scenario, L. V. Jefferson.

THE GRAIL. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, Colin Campbell; story, George Scarborough; scenario, Charles Kenyon.

THE GRAIL. SEE Knights of the Square Table.

THE GRAIN OF DUST. 1928. 7 reels. From the book by David Graham Phillips.

Credits: Director, George Archainbaud; screen adaptation, L. G. Rigby; continuity, Frances Hyland; editor, Robert Kern.

GRAMPY'S INDOOR OUTING. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

EL GRAN GALEOTO. SEE

Lovers?

The World and His Wife.

GRANADEROS DEL AMOR (GRENADIERS OF LOVE). 1934. 8 reels, sd.

Credits: Supervision, John Stone; director, John Reinhardt; story, William Kernell, John Reinhardt; screenplay, John Reinhardt, Jose Lopez Rubio; dialogue, Jose Lopez Rubio; music, Sam Kaylin, Troy Sanders.

THE GRAND BOUNCE. (A Pete Smith Specialty) 1937. 967 ft., sd., b&w.

Credits: Director, Jacques Tourneur.

GRAND CANARY. 1934. 6,730 ft., sd. Based on the novel by A. J. Cronin.

Credits: Director Irving Cummings; screenplay, Ernest Pascal; music, Louis de Francesco.

GRAND CANYON OF ARIZONA. 1913. 1 reel.

THE GRAND CANYON OF ARIZONA. 1917. 1/2 reel.

THE GRAND CANYON OF ARIZONA. Powers. 1917. 1 reel.

THE GRAND CANYON OF THE COLORADO RIVER. (Ford Educational Library, Regional geography of the United States) Ford Motion Picture Laboratories. 1922. 1 reel.

GRAND CANYON OF THE COLORADO RIVER IN ARIZONA. 1929. Filmstrip, 100 frames, color, 35 mm.

Credits: Compiler, Harris Anderson.

THE GRAND CROSS OF THE CRESCENT. SEE Stephen Steps Out.

THE GRAND DUCHESS AND THE WAITER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6,314 ft. From the play by Alfred Savoir.

Credits: Producer and director, Malcolm St. Clair; adaptation, John Lynch; screenplay, Pierre Collings.

GRAND EXIT. 1935. 7 reels, sd.

Credits: Director, Erie C. Kenton; story, Gene Towne, Graham Baker; screenplay, Bruce Manning, Lionel Houser; film editor, Gene Milford.

THE GRAND HOOTER. 1937. 2 reels.

Credits: Director, Del Lord; screenplay, Elwood Ullman, Al Giebler, Charlie Melson.

GRAND HOTEL. 1932. 12 reels, sd., b&w. From William A. Drake's American play version of "Menschen im Hotel" by Vicki Baum.

Credits: Director, Edmund Goulding, film editor, Blanche Sewell.

GRAND ILLUSION. 1938. 10 reels, sd.

Credits: Story and direction, Jean Renoir; scenario, Jean Renoir, Charles Spaak; music, Joseph Kosma.

GRAND JURY. 1936. 7 reels, sd.

Credits: Producer, Lee Marcus; director, Albert S. Rogell; story, James Edward Grant, Thomas Lennon; screenplay, Joseph A. Fields, Philip G. Epstein; editor, Jack Hively; music director, Alberto Colombo.

GRAND JURY SECRETS. 1939. 7 reels, sd.

Credits: Director, James Hogan; story, Irving Reis, Maxwell Shane; screenplay, Irving Reis, Robert Yost; film editor, Hugh Bennett.

GRAND LARCENY. 1922. 6 reels.

Credits: Director, Wallace Worsley; story, Albert Payson Terhune; scenario, Bess Meredith, Charles Kenyon.

THE GRAND NATIONAL, 1933; the Only Official and Authentic Pictures of the World's Most Thrilling Steeplechase. Presented by Radio Pictures. 1933. 1 reel, sd.

GRAND OLD GIRL. 1935. 7 reels, sd.

Credits: Associate producer, Cliff Reid; director, John Robertson; story, Wanda Tuchock; screenplay, Milton Krims, John Twist; adaptation, Arthur T. Horman; editor, George Crone; music director, Alberto Colombo.

GRAND OPERA IN RUBEVILLE. 1914. 2 reels.

Credits: Written and directed by Ashley Miller.

THE GRAND PARADE. 1930. 8 reels, sd.

Credits: Written and produced by Edmund Goulding; director, Fred Newmeyer.

THE GRAND PARADE. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Harold Schwartz; story and continuity, Thomas Lennon, Harold Schwartz; film editor, Ted Cheesman.

THE GRAND PASSION. 1918. 6 reels. Adapted from the book "The Boss of Powderville" by Thomas Addison.

Credits: Scenario and direction, Ida May Park.

GRAND PRIX. SEE The Great Derby.

GRAND SLAM. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 7 reels, sd. Based on the novel by B. Russell Herts.

Credits: Director, William Dieterle; screenplay, Erwin Gelsey, David Boehm.

GRAND SLAM OPERA. Presented by E. W. Hammons. 1936. 1,860 ft., sd.

Credits: Director, Charles Lamont; story, Buster Keaton, Charles Lamont.

THE GRAND UPROAR. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

GRAND UPROAR. (Paul Terry-Toons) Educational Pictures. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

GRAND UPROAR. SEE Jim McWilliams in Grand Uproar.

THE GRANDEUR OF SWITZERLAND. 1918. Split reel.

GRANDFATHER'S CLOCK. (Burt Gillett's Toddle Tales) 1934. 10 min.

Credits: Directors, Burt Gillett, James Tyer.

THE GRANDFLAPPER. SEE Slaves of Beauty.

GRANDMA'S BUOYS. (Smart Set, no. 2) 1936. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

GRANDMA'S GIRL. (Educational's Talking Comedies) 1930. 21 min., sd.

Credits: Director, Mack Sennett.

GRANDMA'S HOUSE. (Fable, no. 403) 1929. 1 reel.

Credits: Paul Terry.

GRANDMA'S PET. (Oswald Cartoon) Snappy. 1932. 7 1/2 min.

Credits: Animated and directed by Walter Lantz and William Nolan.

GRANDPA'S BOY. (Educational-Juvenile Comedy) 1927. 2 reels.

Credits: Director, Charles Lamont.

Credits: Producer, Hardee Kirkland.

THE GRAPPLER. SEE Hard Fists.

THE GRASP OF GREED. 1916. 5 reels. Adapted from "Mr. Meeson's Will" by H. Rider Haggard.

Credits: Producer and director, Joseph DeGrasse; scenario and adaptation, Ida May Park.

GRASS. 1926. 7 reels.

Credits: Recorded for the screen by Merian C. Cooper, Ernest B. Schoedsack, Marguerite Harrison.

GRASS SKIRTS. (Lloyd Hamilton Talking Comedies) 1930. 19 min., sd.

Credits: Producer, H. D. Edwards; director, Alf Goulding; story, Will King.

GRASSHOPPER AND THE ANTS. (Silly Symphony, no. 16) 1934. 1 reel, sd.

THE GRATE IMPEERYUL SIRKUS. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

GRATITUDE. 1915. 1 reel.

GRAUSTARK. 1915. 6 reels.

GRAUSTARK. 1925. 7 reels. From the story by George Barr McCutcheon.

Credits: Producer, Dimitri Buchowetzki; adaptation, Frances Marion.

GRAVEYARD OF SHIPS. (World on Parade, no. 4) 1936. 1 reel.

Credits: Script, Harold McCracken; narration, Alois Havrilla.

GRAVY. Metro-Drew. 1916. 1 reel.

Credits: Charlotte Wharton Ayers.

THE GRAVY GAME. SEE The Band Plays On.

GRAY DAYS. (Scenic Novelties) 1927. 1 reel.

THE GRAY GHOST. 1917. 2 reels each. From the novel "Loot" by Arthur Somers Roche. © Universal Film Mfg. Co., Inc.

Credits: Direction and scenario, Stuart Paton.

1. The Bank Mystery. © 11Jun17; LP10936.

2. The Mysterious Message. © 15Jun17; LP10948.

3. The Warning. © 21Jun17; LP10977.

4. The Fight. © 3Jul17; LP11046.

5. Plunder. © 13Jul17; LP11088.

6. The House of Mystery. © 23Jul17; LP11124.

7. Caught in the Web. © 26Jul17; LP11140.

8. The Double Floor. © 7Aug17; LP11208.

9. The Pearl Necklace. © 13Aug17; LP11244.

10. Shadows. © 20Aug17; LP11273.

11. The Flaming Meteor. © 29Aug17; LP11315.

12. The Poisoned Ring. © 6Sep17; LP11355.

13. The Tightening Snare. © 11Sep17; LP11393.

14. At Bay. © 18Sep17; LP11424.

15. The Duel. © 27Sep17; LP11471.

16. From Out of the Past. © 4Oct17; LP11508.

THE GRAY HORROR. 1915. 3,000 ft.

GRAY SQUIRREL. 1938. 1 reel, sd.

GRAY TOWERS MYSTERY. 1919. 5 reels.

Credits: Story, Seward W. Hopkins; scenario and direction, John W. Noble.

GREASED LIGHTNING. Paramount. Presented by Thomas H. Ince. 1919. 5 reels.

Credits: Julien Josephson; supervision, Thomas H. Ince; director, Jerome Storm.

GREASED LIGHTNING. 1927. 5 reels.

Credits: Director, Ray Taylor; story and continuity, William Lester.

THE GREAT ACCIDENT. 1920. 6 reels. From the story by Ben Ames Williams.

Credits: Director, Harry Beaumont; scenario, Edfrid A. Bingham.

Credits: Scenario, Agnes Johnston.

THE GREAT ADVENTURE. 1921. 6 reels. From the play by Arnold Bennett.

Credits: Director, Kenneth Webb; picturization and scenario, Dorothy Farnum.

THE GREAT ADVENTURE. 1921. 6 reels. From the play by Arnold Bennett.

Credits: Producer, Whitman Bennett; director, Kenneth Webb; scenario, Dorothy Farnum.

THE GREAT ADVENTURE. SEE His Double Life.

THE GREAT ADVENTURES OF WILD BILL HICKOK. 1938. 2 reels each. Based on a story by John Peere Miles. © Columbia Pictures Corp. of California. Ltd.

Credits: Directors, Mack V. Wright, Sam Nelson; screenplay, George Rosener, Charles Arthur Powell, G. A. Durlam.

1. The Law of the Gun. © 5Jul38; LP8114.

2. Stampede. © 6Jul38; LP8116.

3. Blazing Terror. © 12Jul38; LP8133.

4. Mystery Canyon. © 18Jul38; LP8152.

5. Flaming Brands. © 25Jul38; LP8159.

6. The Apache Killer. © 1Aug38; LP8171.

7. Prowling Wolves. © 5Aug38; LP8178.

8. The Pit. © 8Aug38; LP8191.

9. Ambush. © 19Aug38; LP8224.

10. Savage Vengeance. © 29Aug38; LP8239.

11. Burning Waters. © 6Sep38; LP8268.

12. Desperation. © 15Sep38; LP8279.

13. Phantom Bullets. © 19Sep38; LP8290.

14. The Lure. © 19Sep38; LP8291.

15. Trail's End. © 21Sep38; LP8292.

THE GREAT AERIAL DISASTER. SEE Like a Sister.

THE GREAT AIR ROBBERY. 1919. 6 reels.

Credits: Story and direction, Jacques Jaccard; editors, Frank Lawrence, Lloyd Nosler.

THE GREAT AMERICAN PIE COMPANY. 1935. 1 reel, sd., b&w. Based on the story by Ellis Parker Butler.

Credits: Director, Nick Grinde; screenplay, Richard Goldstone, Roy James.

Credits: Producer, John L. Hawkinson.

THE GREAT AUDACITY. SEE A Fight to Death.

Credits: Scenario, Edward Percy Bailey.

DER GREAT BEAR HUNT. (The Katzenjammer Kids) 1917. 1/2 reel.

A GREAT BIG BUNCH OF YOU. 1933. 1 reel, sd.

THE GREAT BIRD MYSTERY. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

THE GREAT CIRCUS MYSTERY. 1925. 2 reels each. © Universal Pictures Corp.

Credits: Supervision and story, Isadore Bernstein, William Lord Wright; director, Jay Marchant; continuity, George Morgan.

1. The Pact of Peril. © 19Feb25; LP21166.

2. A Cry for Help. © 26Feb25; LP21187.

3. A Race with Death. © 26Feb25; LP21188.

4. The Plunge of Peril. © 9Mar25; LP21240.

5. The Ladder of Life. © 12Mar25; LP21241.

6. A Leap for Liberty. © 19Mar25; LP21259.

7. The Harvest of Hate. © 28Mar25; LP21314.

8. Fires of Fate. © 4Apr25; LP21334.

9. The Cycle of Fear. © 16Apr25; LP21382.

10. The Leopard Strikes. © 16Apr25; LP21383.

11. The Sacred Ruby. © 26Jun25; LP21601.

12. Dive of Destiny. © 26Jun25; LP21605.

13. The Leap for Liberty. © 26Jun25; LP21602.

14. Buried Treasure. © 26Jun25; LP21603.

15. The Leopard Strikes. © 26Jun25; LP21604.

THE GREAT DAY. 1921. 5 reels.

Credits: Lewis N. Parker, George R. Sims; director, Hugh Ford; scenario, Eve Unsell.

THE GREAT DECEIT. 1915. 2 reels.

THE GREAT DECEPTION. Presented by Robert Kane. 1926. 7 reels. Adapted from "The Yellow Dove" by George Gibbs.

Credits: Director, Howard Higgin.

THE GREAT DECISION. (Floyd Gibbon's Supreme Thrills) 1931. 1 reel, sd.

Credits: Director, Arthur Hurley.

THE GREAT DETECTIVE. 1915. 1,000 ft.

Credits: Producer, Edwin McKim.

THE GREAT DIAMOND MYSTERY. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, Denison Clift; story, Shannon Fife; scenario, Thomas Dixon, Jr.

THE GREAT DIVIDE. 1915. 5 reels. From the play by William Vaughn Moody.

Credits: Director, Edgar Lewis; scenario, Anthony P. Kelly.

THE GREAT DIVIDE. Presented by Louis B. Mayer. 1925. 8 reels. Based on the play by William Vaughn Moody.

Credits: Supervision, Irving Thalberg; director, Reginald Barker; scenario, Waldemar Young; film editor, Robert Kern.

THE GREAT DIVIDE. Presented by Richard A. Rowland. 1929. 8 reels. Based on the play by William Vaughn Moody.

Credits: Director, Reginald Barker.

THE GREAT DIVIDE. Trailer. 1929. 1 reel.

THE GREAT DIVIDE. SEE

Silent Barriers.

Woman Hungry.

GREAT EXPECTATIONS. Presented by Daniel Frohman. Released by Paramount Pictures Corp. 1917. 5 reels. An adaptation of the novel by Charles Dickens.

Credits: Scenario, Paul West.

GREAT EXPECTATIONS. 1934. 11 reels, sd. Based on the novel by Charles Dickens.

Credits: Director, Stuart Walker; screenplay, Gladys Unger.

THE GREAT EXPERIMENT. 1915. 2 reels.

Credits: Director, Thomas Santschi.

THE GREAT EXPERIMENT. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe De Nat.

THE GREAT FEAR. Laemmle. 1915. 1 reel.

Credits: Leonora Ainsworth; producer, William Dowlan.

THE GREAT FLIRTATION. Presented by Adolph Zukor. 1934. 8 reels. From the story "I Love an Actress" by Gregory Ratoff.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Humphrey Pearson.

Credits: Director, Julian C. Austrian.

THE GREAT GABBO. Presented by Henry D. Meyer and Nat Cordish. 1930. 10 reels, sd.

Credits: Director, James Cruze; story, Ben Hecht; continuity and dialogue, Hugh Herbert; music director, Howard Jackson.

THE GREAT GAMBINI. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Charles Vidor; story, Frederick Jackson; screenplay, Frank Partos, Frederick Jackson, Howard Irving Young; film editor, Robert Bishoff.

1. © title, descr. & 60 prints, 4Jun19; LU13789.

2. The Clock of Doom. © title, descr. & 40 prints, 4Jun19; LU13790.

3. Into the Chasm. © title, descr. & 40 prints, 4Jun19; LU13791.

4. In the Law's Grip. © title, descr. & 40 prints, 4Jun19; LU13792.

5. The Draught of Death. © title, descr. & 40 prints, 4Jun19; LU13793.

6. Out of the Clouds. © title, descr. & 40 prints, 22Jul19; LU13972.

7. The Crawling Menace. © title, descr. & 40 prints, 22Jul19; LU13973.

8. The Ring of Fire. © title, descr. & 40 prints, 22Jul19; LU13974.

9. Through Iron Doors. © title, descr. & 40 prints, 22Jul19; LU13975.

10. Written in Blood. © title, descr. & 40 prints, 22Jul19; LU13976.

11. The Stolen Identity. © title, descr. & 40 prints, 22Jul19; LU13977.

12. The Wolf Pack. © title, descr. & 40 prints, 4Aug19; LU14021.

13. Barriers of Flame. © title, descr. & 40 prints, 4Aug19; LU14022.

14. Under Arrest. © title, descr. & 40 prints, 23Aug19; LU14108.

15. Out of the Shadows. © title, descr. & 40 prints, 23Aug19; LU14109.

THE GREAT GARRICK. 1937. 10 reels, sd.

Credits: Supervision, Mervyn LeRoy; director, James Whale; screenplay, Ernest Vajda.

THE GREAT GATSBY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky, 1926. 7 reels. From the novel by F. Scott Fitzgerald and the play by Owen Davis.

Credits: Director, Herbert Brenon; scenario, Becky Gardiner; adaptation, Elizabeth Meehan.

THE GREAT GATSBY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the novel by F. Scott Fitzgerald and the play by Owen Davis.

Credits: Director, Herbert Brenon; screenplay, Becky Gardiner; adaptation, Elizabeth Meehan.

THE GREAT GOD FOURFLUSH. SEE A Woman's Man.

GREAT GOD GOLD. 1935. 7 reels, sd.

Credits: Producer, Ben Verschleiser; director, Arthur Lubin; story, Albert J. Meserow, Elynore Dalkhart; screenplay, Norman Houston, Jefferson Parker; editor, Jack Ogilvie.

GREAT GUNS. (Bobby Vernon Comedies) Educational. 1925. 2 reels.

Credits: Keene Thompson; director, Harold Beaudine.

GREAT GUNS. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

GREAT GUY. 1937. 8 reels, sd. Based on stories by James Edward Grant.

Credits: Producer, Douglas MacLean; director, John G. Blystone; screenplay, Henry McCarty, Henry Johnson; additional dialogue, Harry Ruskin; film editor, Russell Schoengarth; music director, Marlin Skiles.

THE GREAT HEART. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Carey Wilson; director, David Miller; screenplay, Morgan Cox; music score, David Snell.

THE GREAT HOSPITAL MYSTERY. 1937. 5,250 ft., sd.

Credits: Director, James Tinling; story, Mignon Eberhart; screenplay, Bess Meredyth, William Conselman, Jerry Cady; music, Samuel Kaylin.

THE GREAT HOTEL MURDER. 1935. 6,430 ft., sd.

Credits: Director, Eugene Forde; story, Vincent Starrett; screenplay, Arthur Kober; music director, Samuel Kaylin.

A GREAT IDEA. Mentone. 1935. 2 reels.

Credits: Story and direction, Milton Schwarzwald; dialogue, John Guy Sampsell.

THE GREAT IMPERSONATION. Paramount. Presented by Jesse L. Lasky. 1921. 7 reels. From the novel by E. Phillips Oppenheim.

Credits: Producer and director, George Melford; scenario, Monte M. Katterjohn.

THE GREAT IMPERSONATION. Presented by Carl Laemmle. 1935. 7 reels, sd. Based on the novel by E. Phillips Oppenheim.

Credits: Director, Alan Crosland; screenplay, Frank Wead, Eve Greene; film editor, Phil Cahn; musical score, Franz Waxman.

THE GREAT INHERITANCE. SEE The Ghost of Their Ancestor.

THE GREAT JASPER. 1933. 85 min., sd. From the novel by Fulton Oursler.

Credits: Associate producer, Kenneth Macgowan; director, J. Walter Ruben; screenplay, H. W. Hanemann, Robert Tasker; film editor, Arthur Roberts; music director, Max Steiner.

THE GREAT JUNCTION HOTEL. Presented by The Masquers Club of Hollywood. 1931. 2 reels, sd., b&w.

Credits: Director, William Beaudine; story, Lew Lipton; adaptation, Ralph Ceder; film editor, Jack Ogilvie.

THE GREAT K & A TRAIN ROBBERY. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, Lewis Seiler; story, Paul Leicester Ford; scenario, John Stone.

THE GREAT LAKES. (Ford Educational Library. Regional Geography) Ford Motion Picture Laboratories. 1925. 1 reel.

THE GREAT LIBRARY MISERY. 1938. 1 reel, sd.

Credits: Director, Lloyd French; story, Nat Hiken.

THE GREAT LONE LAND. 1915. 1 reel.

A GREAT LOVE. Big U. 1916. 1 reel.

Credits: Direction and scenario by Clifford S. Elfelt; story, Olga Printzlau.

THE GREAT LOVE. Artcraft. 1918. 7 reels.

Credits: Producer, David W. Griffith; story, Victor Marier.

THE GREAT LOVE. 1926. 6 reels.

Credits: Producer and director, Marshall Neilan; story, Randal McKeever; scenario, Benjamin F. Glazer.

THE GREAT LOVER. 1920. 6 reels. Adapted from the stage play by Leo Ditrichstein, Frederick and Fanny Hatton.

Credits: Supervision and direction, Frank Lloyd; scenario, J. E. Nash.

THE GREAT LOVER. 1931. 8 reels, sd., b&w. Based on the play produced by Cohan and Harris.

Credits: Leo Ditrichstein, Frederick Hatton, Fanny Hatton; director, Harry Beaumont; dialogue and continuity, Gene Markey, Edgar Allan Woolf; film editor, Helene Warne.

THE GREAT MAIL ROBBERY. 1927. 7 reels.

Credits: Director, George B. Seitz; adaptation, continuity and story, Peter Milne.

THE GREAT MAN VOTES. 1939. 72 min., sd.

Credits: Producer, Cliff Reid; director, Garson Kanin; story, Gordon Malherbe Hillman; screenplay, John Twist; editor, Jack Hively; music score, Roy Webb.

THE GREAT MEADOW. 1931. 9 reels, sd., b&w. From the novel by Elizabeth Madox Roberts.

Credits: Director, Charles Brabin; adaptation, Charles Brabin, Edith Ellis; dialogue, Edith Ellis; film editor, George Hively.

A GREAT METROPOLITAN NEWSPAPER. 1913. Taken by the courtesy of the New York Herald. 1 reel.

THE GREAT MOMENT. 1921. 7 reels.

Credits: Director, Sam Wood; story, Elinor Glyn; scenario, Monte M. Katterjohn.

THE GREAT MONO MIRACLE. SEE A Face in the Fog.

GREAT MUSIC. SEE Soul-Fire.

THE GREAT NATURAL INDUSTRIES OF CANADA. 1917. 1 reel.

THE GREAT NICKLE ROBBERY. (Sunshine Comedy) 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, J. G. Blystone.

THE GREAT NIGHT. 1922. 5 reels.

Credits: Director, Howard M. Mitchell; story and scenario, Joseph Franklin Poland.

THE GREAT O'MALLEY. 1936. 8 reels.

Credits: Director, William Dieterle; story, Gerald Beaumont; screenplay, Milton Krims, Tom Reed.

THE GREAT PANTS MYSTERY. 1931. 2 reels, sd.

Credits: Director, Norman Taurog; dialogue staged by Max E. Hayes.

THE GREAT PEARL HUNT. 1923. 1 reel.

THE GREAT PEARL TANGLE. 1916. 2 reels.

THE GREAT PHYSICIAN. 1913. 1 reel.

Credits: Bannister Merwin.

THE GREAT PIE MYSTERY. (Educational Comedies) 1931. 22 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

THE GREAT PLAINS. (Regional Geography) 1920. 1 reel.

THE GREAT PROBLEM. 1916. 5 reels.

Credits: Written and produced by Rex Ingram.

THE GREAT QUESTION. SEE Shopgirls.

THE GREAT RACE. SEE The Great Derby.

THE GREAT RADIUM MYSTERY. 1919-20. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Director, Robert F. Hill; story, Frederick Bennett.

1. The Mystic Stone. © 30Sep19; LP14232.

2. The Death Trap. © 10Oct19; LP14283.

3. The Fatal Ride. © 17Oct19; LP14314.

4. The Swing for Life. © 21Oct19; LP14316.

5. The Torture Chamber. © 28Oct19; LP14348.

6. The Tunnel of Doom. © 8Nov19; LP14408.

7. A Flash in the Dark. © 15Nov19; LP14434.

8. In the Clutches of the Mad Man. © 26Nov19; LP14470.

9. The Roaring Volcano. © 1Dec19; LP14503.

10. Creeping Flames. © 9Dec19; LP14523.

11. Perils of Doom. © 13Dec19; LP14540.

12. Shackled. © 18Dec19; LP14551.

13. The Scalding Pit. © 23Dec19; LP14564.

14. Hemmed In. © 31Dec19; LP14615.

15. The Flaming Arrow. © 9Jan20; LP14626.

16. Over the Cataract. © 21Jan20; LP14665.

17. The Wheels of Death. © 27Jan20; LP14683.

18. Liquid Flames. © 30Jan20; LP14696.

THE GREAT REDEEMER. 1920. 5 reels.

Credits: Director, Maurice Tourneur; story, H. H. Van Loan; adaptation, Jules Furthman, Jack Gilbert.

THE GREAT REDEEMER. 1920. 5 reels.

Credits: Production and supervision, Maurice Tourneur; director, Clarence Brown; original story and scenario, H. H. Van Loan; adaptation, Jack Gilbert, Jules Furthman.

Credits: Director, Francis Ford; story, Elsie Van Name.

1. His Living Image. © title, descr. & 243 prints, 25Apr21; LU16443.

2. The Life Current. © title, descr. & 148 prints, 25Apr21; LU16444.

3. In Bondage. © title, descr. & 194 prints, 25Apr21; LU16445.

4. The Duel. © title, descr. & 185 prints, 25Apr21; LU16446.

5. The Madman. © title, descr. & 171 prints, 25Apr21; LU16447.

6. Caves of Doom. © title, descr. & 167 prints, 25Apr21; LU16448.

7. Burning Sands. © title, descr. & 175 prints, 25Apr21; LU16449.

8. The Thunderbolt. © title, descr. & 140 prints, 25Apr21; LU16450.

9. Cross Fires. © title, descr. & 177 prints, 25Apr21; LU16451.

10. Forgotten Halls. © title, descr. & 165 prints, 25Apr21; LU16452.

11. On the Brink. © title, descr. & 187 prints, 25Apr21; LU16453.

12. At Bay. © title, descr. & 156 prints, 25Apr21; LU16454.

13. The Silent Hour. © title, descr. & 187 prints, 25Apr21; LU16455.

14. High Treason. © title, descr. & 219 prints, 25Apr21; LU16456.

15. The Reward. © title, descr. & 132 prints, 25Apr21; LU16457.

THE GREAT ROMANCE. Yorke Film Corp. 1918. 6 reels.

Credits: Director, Henry Otto; story and scenario, Finis Fox.

THE GREAT ROUND UP. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, Arthur Henry Gooden; scenario, George Pyper.

THE GREAT RUBY. 1915. 3 reels.

Credits: Director, Barry O'Neill; scenario, Clay M. Greene.

THE GREAT RUBY MYSTERY. Gold Seal. 1915. 2 reels.

THE GREAT SEA SCANDAL. Nestor. 1918. 1 reel.

Credits: A. F. Statter; director, Craig Hutchinson.

THE GREAT SECRET. The Serial Producing Co. 1916-17.

Credits: Produced, directed and adapted by William Christy Cabanne; story, Fred de Gresac.

1. The Whirlpool of Destiny. © 30Dec16; LP9852.

2. The Casket of Tainted Treasure. © 30Dec16; LP9853.

3. The Hidden Hand. © 30Dec16; LP9854.

4. From Sunshine to Shadow. © 30Dec16; LP9855.

5. The Trap. © 30Dec16; LP9856.

6. The Dragon's Den. © 5Feb17; LP10116.

7. The Yellow Claw. © 8Feb17; LP10158.

8. A Clue from the Klondike. © 8Feb17; LP10159.

9. Cupid's Puzzle. © 19Feb17; LP10227.

10. The Woman and the Game. © 19Feb17; LP10228.

11. A Shot in the Dark. © 28Feb17; LP10271.

12. Caught in the Web. © 8Mar17; LP10340.

13. The Struggle. © 16Mar17; LP10396.

14. The Escape. © 23Mar17; LP10436.

15. The Test of Death. © 31Mar17; LP10484.

16. The Crafty Hand. © 9Apr17; LP10536.

17. The Missing Finger. © 11Apr17; LP10560.

18. The Great Secret. © 14Apr17; LP10577.

THE GREAT SENSATION. 1925. 5 reels.

Credits: Director, Jay Marchant; story, Douglas Z. Doty.

Credits: Director, Harley Knoles; story, Rudolph Berliner.

THE GREAT SILENCE. 1915. 3 reels.

Credits: H. Tipton Steck.

THE GREAT SMASH. 1916. 3 reels.

THE GREAT TEMPLE OF RAMESWAREN. 1916. 1/2 reel.

THE GREAT TENOR. SEE Der Grosse Tenor.

THE GREAT TORPEDO SECRET. Gold Seal. 1917. 3 reels.

Credits: Eugene B. Lewis; director, Stuart Paton.

THE GREAT TREASURE. 1917. 2 reels.

Credits: Wm. Anthony McGuire; director, Otis B. Thayer.

THE GREAT UMBRELLA MYSTERY [and] LAMPOONS. (Goldwyn-Bray Comic). 1920. 1 reel.

THE GREAT VACUUM ROBBERY. 1916. 2 reels.

THE GREAT VICTORY, WILSON OR THE KAISER? THE FALL OF THE HOHENZOLLERNS. 1918. 6 reels.

Credits: Supervision and original story, Maxwell Karger; director, Charles Miller; scenario, June Mathis, A. S. Le Vino.

THE GREAT WALTZ. Presented by Metro-Goldwyn-Mayer. 1938. 10 reels, sd., b&w.

Credits: Director, Julien Duvivier; original story, Gottfried Reinhardt; screenplay, Samuel Hoffenstein, Walter Reisch; film editor, Tom Held; music director, Arthur Gutmann; music, Johann Strauss; lyrics, Oscar Hammerstein, II; music adapted and arranged by Dmitri Tiomkin.

THE GREAT WAR (DES VOLKES HELDENGANG). 1927. 7 reels.

THE GREAT WELL. SEE Neglected Women.

THE GREAT WEST THAT WAS. SEE

Battling with Buffalo Bill.

Fighting with Buffalo Bill.

Indians Are Coming.

THE GREAT WHITE NORTH. 1928. 6 reels, lavender.

Credits: Story and direction, H. A. and Sidney Snow; editor, Kenneth N. Hawks.

THE GREAT WHITE WAY. Presented by Cosmopolitan Corp. 1924. 10 reels, tinted. Based on the magazine story "Cain and Mabel" by H. C. Witwer.

GREAT WHITE WILDERNESS. 1918. Produced in cooperation with Outing. 1 reel.

THE GREAT ZIEGFELD. A Robert Z. Leonard production. 1936. 20 reels, sd., b&w. Suggested by incidents in the life of Florenz Ziegfeld. Jr.

Credits: Producer, Hunt Stromberg; director, Robert Z. Leonard; screenplay, William Anthony McGuire; film editor, William S. Gray; music director, Arthur Lange; music and lyrics, Walter Donaldson, Harold Adamson, Con Conrad, Herb Magidson; music arrangements, Frank Skinner.

THE GREATER CLAIM. 1921. 6 reels.

Credits: Director, Wesley Ruggles; original story, Izola Forrester, Mann Page; adaptation, A. S. LeVino.

THE GREATER COURAGE. 1915. 3 reels.

THE GREATER COURAGE. Big U. 1915. 2 reels.

THE GREATER GLORY. Presented by Richard A. Rowland. 1926. 11 reels. From the novel "Viennese Medley" by Edith O'Shaughnessy.

Credits: Production and screenplay, June Mathis; director, Curt Rehfeld.

THE GREATER LAW. 1917. 5 reels.

Credits: Direction and scenario, Lynn F. Reynolds; story, Charles J. Wilson, Jr.

THE GREATER LOVE. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE GREATER LOVE. SEE The Weakness of Man.

GREATER LOVE HATH NO MAN; a Tale of Japan. 1914. 1 reel.

Credits: Mary Imlay Taylor; director, Richard R. Ridgely.

GREATER LOVE HATH NO MAN. 1915. 5 reels. From the book by Frank L. Packard.

THE GREATER MOTIVE. 1914. 1 reel.

Credits: Director, Theodore Marston.

Credits: Producer, Ralph Dewsbury.

Credits: Producer and editor, Charles Post Mason.

THE GREATER OBLIGATION. 1916. 2 reels.

Credits: Joseph A. Roach; director, Charles E. Ashley.

THE GREATER POWER. Bison. 1916. 2 reels.

GREATER THAN A CROWN. 1925. 5 reels.

Credits: Director, R. William Neill; story, Victor Bridges; scenario, Windham Gittens.

GREATER THAN ART. 1915. 3,000 ft.

Credits: Lee Arthur; director, John H. Collins.

GREATER THAN FAME. 1920. 5 reels. Founded on the play by S. J. Kaufman.

Credits: Director, Alan Crosland; scenario, Katharine Reed.

GREATER THAN LOVE. 1920. 6 reels.

Credits: Director, John M. Stahl; story, Robert F. Roden; scenario, Paul Bern.

GREATER THAN LOVE. Released through Associated Producers, Inc. 1921. 7 reels.

Credits: Director, Fred Niblo; story, C. Gardner Sullivan.

GREATER THAN MARRIAGE. 1924. 7 reels. From the novel "Joan Thursday" by Louis Joseph Vance.

Credits: Direction and screenplay by Victor Hugo Halperin.

THE GREATER WOMAN. 1917. 5 reels. From the novel by Algernon Boyesen.

Credits: Director, Frank Powell.

THE GREATER WRONG. 1916. 3 reels.

Credits: Written and directed by George W. Terwilliger.

THE GREATEST LOVE. 1920. 6 reels.

Credits: Director, Henry Kolker; story, Edward Dowling; scenario, Edward J. Montagne.

THE GREATEST MENACE. Presented by J. G. Mayer. 1923. 7 reels.

Credits: Original story, Angela C. Kaufman; adaptation and direction, Albert Rogell.

THE GREATEST POWER. Presented by B. A. Rolfe. 1917. 5 reels.

Credits: Director, Edwin Carewe; story, Louis R. Wolheim; scenario, Albert Shelby LeVino.

THE GREATEST QUESTION. 1919. 6 reels.

Credits: Story, William Hale.

THE GREATEST SAW MILLS IN THE WORLD AT BOMHUS, SWEDEN. 1913. 1 reel.

THE GREATEST THING IN LIFE. Artcraft. 1918. 7 reels.

Credits: Director, D. W. Griffith; story, Victor Marier.

THE GRECIAN VASE. 1913. 1 reel.

Credits: Richard Ridgely.

GREED. (The Seven Deadly Sins, no. 3) 1917. 5 reels.

Credits: Director, Theodore Marston.

GREED. 1925. 10 reels. From the novel "McTeague" by Frank Morris.

Credits: Screen adaptation and scenario, Erich Von Stroheim, June Mathis.

GREED AND GASOLINE. 1915. 1 reel.

THE GREED OF OSMAN BEY. 1913.

Credits: M. M. Katterjohn.

GREEDY GEORGE. 1913. 1 reel.

Credits: Lucy S. Oppenheim.

GREEDY HUMPTY DUMPTY. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

THE GREEK POROPULOS. SEE Born to Gamble.

THE GREEKS HAD A WORD FOR THEM. United Artists. Presented by Samuel Goldwyn. 1932. 9 reels. Based on the play "The Greeks Had a Word for It" by Zoe Akins.

Credits: Producer, Sam Goldwyn; director, Lowell Sherman; adaptation, Sidney Howard; music score, Alfred Newman; film editor, Stuart Heisler.

THE GREEKS HAD NO WORD FOR THEM. Snappy. 1932. 1 reel.

Credits: Supervision, dialogue and direction, Albert DeMond; film editor, Albert Akst.

Credits: Director, Archer MacMackin.

THE GREEN ARCHER. 1925-26. 2 reels each. © Pathe Exchange, Inc.

Credits: Edgar Wallace; director, Spencer Bennet; scenario, Frank Leon Smith.

1. The Ghost of Bellamy Castle. © 14Dec25; LP22125.

2. The Midnight Warning. © 14Dec25; LP22126.

3. In the Enemy's Stronghold. © 14Dec25; LP22127.

4. On the Storm King Road. © 26Dec25; LP22229.

5. The Affair at the River. © 26Dec25; LP22230.

6. The Mystery Ship. © 26Dec25; LP22231.

7. Bellamy Baits a Trap. © 7Jan26; LP22232.

8. The Cottage in the Woods. © 25Jan26; LP22327.

9. The Battle Starts. © 9Feb26; LP22385.

10. The Smoke Clears Away. © 17Feb26; LP22410.

GREEN BACKS AND RED SKINS. 1915. 1,000 ft.

THE GREEN CAT. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE GREEN CITY. SEE The City.

THE GREEN CLOAK. Presented by Kleine-Edison Feature Service. 1915. 5 reels.

GREEN DICE. SEE Mr. Skitch.

THE GREEN DOOR. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, A. Van Buren Powell.

THE GREEN EYE OF THE YELLOW GOD. 1913. 1 reel. From the poem by J. Milton Hayes.

GREEN-EYED JOHNNY. Nestor. 1919. 1 reel.

Credits: Director, Jack Dillon.

GREEN-EYED LOVE. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Zion Myers.

THE GREEN-EYED MONSTER. 1916. For Fox Film Corp. 5 reels.

Credits: Producer, J. Gordon Edwards; picturized by Mary Murillo.

THE GREEN EYED MONSTER. Bluebird. 1925. 1 reel.

Credits: Director, Z. Myers.

GREEN EYES. Laemmle. 1916. 1 reel.

Credits: Director, William Garwood; story, Grace Helen Bailey; scenario, Maie Havey.

GREEN EYES. 1918. 5 reels.

Credits: John Lynch; supervision, Thomas H. Ince; director, R. William Neill.

GREEN EYES. 1934. 7 reels, sd. From the novel "The Murder of Steven Kester" by Harriette Ashbrook.

Credits: Director, Richard Thorpe; continuity, Andrew Moses.

GREEN FANCY. SEE The Mystery Girl.

GREEN FIELDS. Released through New Star Film, Inc. 1937. 11 reels, sd. From the play "Greene Felder" by Peretz Hirshbein.

Credits: Producer, Edgar G. Ulmer; directors, Jacob Ben-Ami, Edgar G. Ulmer; screenplay, George G. Moskov; adaptation and dialogue, Peretz Hirshbein; music, Vladimir Heifetz.

THE GREEN GOD. 1918. 5 reels.

Credits: Director, Paul Scardon; story, Frederick Arnold Kummer.

THE GREEN GODDESS. 1923. 10 reels. From the play by William Archer.

Credits: Director, Sidney Olcott.

THE GREEN GODDESS. Warner Bros. Vitaphone. 1929. 7 reels, sd.

Credits: Director, Alfred Green; story, William Archer; screen version, Julien Josephson.

THE GREEN GODDESS. Trailer. 1929. 1 reel.

GREEN GRASS WIDOWS. 1928. 6 reels.

Credits: Director, Alfred Raboch; story, Viola Brothers Shore; continuity, Wellyn Totman; titles, Paul Perez; editor, Robert J. Kern.

GREEN GROCERS. 1924. 1 reel.

Credits: Director, Slim Summerville.

THE GREEN GULLABALOO. SEE The Adventure Shop.

THE GREEN HORNET. 1939. 2 reels each. Based on the radio adventure. © Universal Pictures Co., Inc.

Credits: Directors, Ford Beebe, Ray Taylor; screenplay, George H. Plympton, Basil Dickey, Morrison C. Wood, Lyonel Margolies.

1. The Tunnel of Terror. © 21Nov39; LP9247.

2. The Thundering Terror. © 24Nov39; LP9254.

3. Flying Coffins. © 22Nov39; LP9273.

4. Pillar of Flame. © 5Dec39; LP9272.

5. The Time Bomb. © 7Dec39; LP9274.

6. Highways of Peril. © 12Dec39; LP9289.

7. Bridge of Disaster. © 20Dec39; LP9296.

GREEN LIGHT. Cosmopolitan. First National. 1937. 9 reels, sd. From the novel by Lloyd C. Douglas.

Credits: Director, Frank Borzage; screenplay, Milton Krims; music, Max Steiner.

THE GREEN PASTURES. 1936. 10 reels. From the fable by Marc Connelly, suggested by Roark Bradford's Southern sketches "Ol' Man Adam an' His Chillun."

Credits: Directors, Marc Connelly, William Keighley.

THE GREEN PLANT. 1933. 914 ft.

GREEN STOCKINGS. 1916. 5 reels.

Credits: Director, Wilfrid North.

GREEN STOCKINGS. SEE The Flirting Widow.

THE GREEN SWAMP. 1916. 4 reels.

GREEN TEES. 1924. 1 reel.

Credits: Director, Richard Smith.

THE GREEN TEMPTATION. 1922. 6 reels. From the story "The Noose" by Constance Lindsay Skinner.

Credits: Adaptation, Monte M. Katterjohn, Julia Crawford Ivers.

GREENBACKS FROM BLUE COAL! Presented by D. L. & W. Coal Co. 1936. Filmstrip, sd.

GREENE FELDER. SEE Green Fields.

THE GREENE MURDER CASE. 1929. 8 reels, si., 6,383 ft., sd. From a story by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, Frank Tuttle; screenplay, Louise Long; adaptation and dialogue, Bartlett Cormack.

THE GREENE MURDER CASE. SEE ALSO Night of Mystery.

THE GREENER HILLS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Sammy Lee; original story and screenplay, Alfred Giebler; film editor, Ralph E. Goldstein.

THE GREENHORN. (Bull's Eye Comedy) 1925. 1 reel.

Credits; Director, Richard Smith.

GREEN'S FLAPPERETTES. 1929. 1 reel, sd.

GREEN'S TWENTIETH CENTURY FAYDETTS. 1929. 1 reel.

GREENWAY, ANN. SEE And How, with Ann Greenway.

GREGORY RATOFF IN FOR SALE. 1929. 1 reel, sd.

THE GRELL MYSTERY. 1917. 5 reels.

Credits: Director, Paul Scardon; story, Frank Froest.

GRENADIERS OF LOVE. SEE Granaderos del Amor.

GREY OWL'S LITTLE BROTHER. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1938. Produced by special arrangement with the National Parks of Canada. 1 reel, sd.

Credits: Producer, B. E. Norrish; arrangement and text, Gordon Sparling; narrator, Corey Thomson.

THE GREY VULTURE. 1926. 5 reels.

Credits; Director, Forrest K. Sheldon; story, George Hively.

THE GREYHOUND. 1914. 5 reels.

THE GREYHOUND DERBY. 1935. 1 reel.

THE GREYHOUND LIMITED. 1929. 7 reels.

Credits: Director, Howard Bretherton.

THE GREYHOUND LIMITED. Trailer Announcement. 1929. 1 reel, sd.

GRID RULES. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, E. Maurice Adler; research compilations by Bill Henry.

A GRIDIRON COCKTAIL. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

GRIDIRON DEMONS. (Fables, no. 386) 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

GRIDIRON FLASH. 1934. 7 reels, sd.

Credits: Producer, Pandro S. Berman; direction and screenplay, Glenn Tryon; story, Nicholas Barrows, Earl Snell; editor, George Crone; music director, Max Steiner.

GRIDIRON GERTIE. Century. 1925. 2 reels.

Credits: Written and directed by Edward I. Luddy.

Credits: Producer, John L. Hawkinson.

GRIDIRON GLORY. (A Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: Producer, Jack Eaton; announcer, Graham McNamee; music, Gene Rodemich; singing arranged by James Stanley.

GRID IRONED. 1927. 1 reel. From the Krazy Kat Cartoons.

Credits: Ben Harrison, Manny Gould.

GRIEF IN BAGDAD. 1925. 2 reels.

Credits: Director, Benjamin Stoloff.

THE GRIFTERS. SEE The Little Irish Girl.

THE GRIM COMEDIAN. 1921. 6 reels.

Credits: Director, Frank Lloyd; story, Rita Weiman; scenario, Bess Meredith.

THE GRIM GAME. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Arthur B. Reeve, John W. Grey; director, Irvin Willat; scenario, Walter Woods.

THE GRIM MESSENGER. Big U. 1915. 2 reels.

Credits: Producer, Lloyd Ingraham; story, Alice Roberts; scenario, James Dayton.

GRIMM'S FAIRY TALES. SEE

Snow White.

Snow White and the Seven Dwarfs.

GRIN AND BEAR IT. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, George Stevens, Fred Guiol; film editor, Edward Mann.

THE GRIND. Rex. 1915. 3 reels.

Credits: Producer, Joseph Degrasse; scenario, May Park.

GRINNING FISTS. Mustang. 1926. 2 reels.

Credits: Director, Wm. A. Crinley; story and continuity, Leigh Jacobson.

THE GRINNING GRANGER. 1920. 2 reels.

Credits: Producer, Leo Maloney; story and scenario, Ford Beebe.

GRINNING GUNS. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Albert Rogell; story and scenario, Grover Jones.

THE GRINNING SKULL. 1916. 3 reels.

Credits: Director, George O. Nichols.

THE GRIP. (How to Break 90, no. 1) Warner Bros. 1933. 1 reel, sd.

Credits: Director, George E. Marshall.

THE GRIP OF CRIME. Big U. 1916. 1 reel.

Credits: Calder Johnstone; producer, George Cochrane.

1. Fate. © title, descr. & 66 prints, 17Jul16; LU8718.

2. The Underworld. © title, descr. & 60 prints, 17Jul16; LU8719.

3. The Upper Ten. © title, descr. & 56 prints, 17Jul16; LU8720.

4. The Looters. © title, descr. & 55 prints, 17Jul16; LU8721.

5. The Way of a Woman. © title, descr. & 40 prints, 12Aug16; LU8917.

6. The Hypocrites. © title, descr. & 71 prints, 12Aug16; LU8918.

7. The Butterflies. © title, descr. & 75 prints, 12Aug16; LU8919.

8. In Bohemia. © title, descr. & 25 prints, 14Oct16; LU9320.

9. The Dollar Kings. © title, descr. & 58 prints, 15Aug16; LU8935.

10. Down to the Sea. © title, descr. & 54 prints, 14Sep16; LU9108.

11. Mammon and Moloch. © title, descr. & 66 prints, 14Sep16; LU9109.

12. Into the Pit. © title, descr. & 53 prints, 14Oct16; LU9321.

13. Circumstantial Evidence. © title, descr. & 44 prints, 28Sep16; LU9202.

14. Humanity Triumphant. © title, descr. & 37 prints, 28Sep16; LU9197.

A GRIP OF GOLD. 1916. 2 reels.

THE GRIP OF JEALOUSY. Bluebird. 1916. 5 reels. Title changed from "Love Thine Enemy."

Credits: Ida May Park; producer, Joseph De Grasse.

THE GRIP OF LOVE. Gold Seal. 1917. 3 reels.

Credits: Director, Allen J. Holubar; story, Willard Mack; scenario, Karl Coolidge.

THE GRIP OF THE LAW. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story, Carl R. Coolidge; scenario, Ford Beebe.

THE GRIP OF THE PAST. 1914. 2 reels.

THE GRIP OF THE YUKON. Universal Jewel. 1927. 7 reels.

Credits: Director, Ernst Laemmle; story, William MacLeod Raine; screenplay and adaptation, Charles A. Logue.

GRIPS, GRUNTS AND GROANS. 1937. 2 reels, sd.

Credits: Director, Preston Black; story, Searle Kramer, Herman Boxer; screenplay, Clyde Bruckman.

GRIT AND GRATITUDE. 1917. 1 reel.

Credits: Written and directed by Graham Baker.

GRIT WINS. 1928. 5 reels.

Credits: Director, Josef Levigard.

THE GRIZZLY GULCH CHARIOT RACE. 1915. 1 reel.

Credits: Director, Tom Mix.

Credits: Producer, Charles H. French.

THE GROCERY BOY. (Mickey Mouse Cartoon, no. 23) Presented by Columbia Pictures Corp. 1932. 1 reel.

THE GROCERY CLERK. 1920. 2 reels.

Credits: Story and direction, Larry Semon.

GROOMS IN GLOOM. (Educational Coronet Comedy) Educational Films Corp. of America. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

THE GROOTMAN CASE. SEE The Crime of the Century.

DER GROSSE TENOR (THE GREAT TENOR). 1931. 10 reels.

Credits: Hans Müller, Robert Liebmann; director, Hans Schwarz.

THE GROUCH. 1916. 3 reels.

Credits: Joseph A. Roach; director, Harry Beaumont.

Credits: Director, Oscar Apfel; story, Forrest Halsey; scenario, Clara S. Beranger.

GROUCHES AND SMILES. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

GROUND WATER. Produced by Erpi Picture Consultants, Inc., in cooperation with the University of Chicago and the National Park Service.

Credits: Carey Croneis.

GROUNDLESS SUSPICION. 1913. 1 reel.

GROUNDS FOR DIVORCE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,692 ft. From the play by Ernest Vajda.

Credits: Producer, Paul Bern; screenplay, Violet Clark; adaptation, Guy Bolton.

GROW OR GO. 1936. 1 reel.

GROW OR GO. 1936. Filmstrip, sd.

GROW WITH GOODRICH. 1936. Filmstrip, sd.

GROWING FLOWERS. 1937. 1 reel.

Credits: Photographer, John Nash Ott, Jr.

GROWING PAINS. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Production, supervision and story, Robert McGowan; director, Anthony Mack; editor, Richard Currier.

THE GROWTH OF INFANT BEHAVIOR, EARLY STAGES. Yale Clinic of Child Development in cooperation with Erpi Picture Consultants, Inc. 1934. 1 reel, sd.

Credits: Directed and narrated by Arnold Gesell; associate editor, Alice V. Keliher.

THE GROWTH OF INFANT BEHAVIOR, LATER STAGES. Yale Clinic of Child Development in cooperation with Erpi Picture Consultants, Inc. 1934. 1 reel, sd.

Credits: Directed and narrated by Arnold Gesell; associate editor, Alice V. Keliher.

THE GRUBSTAKER. SEE Tangled Fates.

GRUMPY. Paramount. Presented by Adolph Zukor. 1923. 7 reels. From the play by Horace Hodges and T. Wigney Percyval.

Credits: Producer and director, William De Mille; adaptation and screenplay, Clara Beranger.

GRUMPY. 1930. 6,651 ft., sd. Adapted from the play by Horace Hodges and Thomas Wigney Percyval.

Credits: Directors, George Cukor, Cyril Gardner; screenplay and added dialogue, Doris Anderson.

GRUNION, THE MYSTERY FISH. 1927. 1 reel.

GUARD HIS HEALTH. 1938. 1 reel, sd.

GUARD THAT GIRL. 1935. 7 reels, sd.

Credits: Direction, story and screenplay, Lambert Hillyer; film editor, Al Clark.

GUARDED BY THE MAGIC FLUTE. SEE Further Adventures of Sammy Orpheus.

Credits: Director, Arthur Ashley; story, W. B. M. Ferguson.

THE GUARDIAN OF THE ACCOLADE. 1919. 2 reels.

Credits: Director, Henri Houry; scenario, Robert A. Sanborn; story, O. Henry [pseud. of William Sydney Porter].

THE GUARDIAN OF THE FLOCK. Victor. 1915. 2 reels.

Credits: Written and produced by Jaccard; story, W. M. Caldwell.

THE GUARDIAN'S DILEMMA. 1915. 1 reel.

Credits: Director, Thomas Santschi.

GUARDIANS OF THE WILD. 1928. 5 reels.

Credits: Director, Henry MacRae; story and continuity, Basil Dickey.

THE GUARDSMAN. 1926. 7 reels.

Credits: Director, Robert Wiene.

THE GUARDSMAN. 1931. 10 reels, sd., b&w. From the play by Ferenc Molnar.

Credits: Director, Sidney Franklin; screenplay, Ernest Vajda; continuity, Claudine West; film editor, Conrad A. Nervig.

GUATEMALA. (Paramount Color Cruises) 1938. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

GUESS STARS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; story, Jack Henley.

THE GUEST. Presented by RKO Distributing Corp. 1930. 1 reel, sd.

Credits: Director, Dick Currier; editor, Russell G. Shields.

THE GUEST. SEE Highlowbrow.

THE GUEST OF HONOR. 1925. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Robert P. Kerr; scenario, E. M. Boddy.

THE GUESTS OF HERCULES. SEE Passion's Playground.

GUESTS WANTED. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Ralph Ceder; story, Ewart Adamson; film editor, Russell Schoengarth.

GUFF AND GUNPLAY. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

GUFF AND GUNPLAY. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

GUIDANCE IN PUBLIC SCHOOLS. 1931. 2 reels.

Credits: Richard D. Allen.

THE GUIDE. 1921. 2 reels.

Credits: Director, Jack Blystone.

THE GUIDING FATE. 1914. 1 reel.

THE GUIDING HAND. (Do children count?) 1917. 28 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

GUIDO CICCOLINI AND ERIC ZARDO. 1929. 1 reel, sd.

GUIDO DEIRO, THE WORLD'S FOREMOST PIANO-ACCORDIONIST. 1929. 1 reel, sd.

THE GUILD CITIES OF BELGIUM. 1928. 1 reel.

Credits: Duncan Underhill.

GUILE OF WOMEN. Goldwyn Studios. 1920. 5 reels.

Credits: Director, Clarence G. Badger; story, Peter Clark Macfarlane; scenario, Edfrid A. Bingham.

THE GUILT OF SILENCE. 1918. 5 reels.

Credits: Director, Elmer Clifton; story, Ethel Hill.

THE GUILT OF STEPHEN ELDRIDGE. 1916. 3 reels.

GUILTY. Imp. 1916. 2 reels.

Credits: Director, Henry McRae; story, Ben Cohn, William Parker; scenario, William Parker.

GUILTY. (Star Comedy) 1918. 1 reel.

Credits: Direction and story, Lyons, Moran.

GUILTY. 1930. 71 min., sd. From the story "Black Sheep" by Dorothy Howell.

Credits: Producer, Harry Cohn; director, George B. Seitz; dialogue, Dorothy Howell; film editor, Leon Barsha.

GUILTY AS HELL. 1932. 8 reels, sd. From the play "Riddle Me This" by Daniel N. Rubin.

Credits: Director, Erle C. Kenton; screenplay, Arthur Kober, Frank Partos.

A GUILTY CAUSE. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, George Morgan.

A GUILTY CONSCIENCE. 1921. 5 reels.

Credits: Director, David Smith; scenario, Jay Pilcher.

THE GUILTY EGG. (Star Comedy) 1918. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

THE GUILTY GENERATION. 1931. 8 reels, sd. From the play by Jo Milward and J. Kirby Hawkes.

Credits: Director, Rowland V. Lee; adaptation and dialogue, Jack Cunningham; film editor, Otis Garrett.

THE GUILTY HAND. (Tales of the Old West) 1923. 2 reels.

GUILTY HANDS. 1931. 8 reels, sd., b&w.

Credits: Director, W. S. Van Dyke; story and dialogue, Bayard Veiller; film editor, Anne Bauchens.

THE GUILTY MAN. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Irvin V. Willat; story, Ruth Helen Davis, Charles Klein.

GUILTY OF LOVE. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 5 reels. From the play "This Woman—This Man" by Avery Hopwood.

Credits: Director, Harley Knoles; scenario, Rosina Henley.

THE GUILTY ONE. Bison. 1916. 2 reels.

Credits: Producers, Cleo Madison, William V. Mong; story, R. E. Bradbury; scenario, Harvey Gates.

THE GUILTY ONE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. From the play by Michael Morton and Peter Traill [pseud. of Guy Mainwaring Morton].

Credits: Director, Joseph Henabery; screenplay, Anthony Coldewey.

GUILTY OR NOT GUILTY. 1933. 7 reels, sd. From the syndicated newspaper story by Arthur Hoerl.

Credits: Producer, M. H. Hoffman; supervision, Trem Carr; director, Albert Ray; story, continuity and dialogue, Frances Hyland.

THE GUILTY PARTY. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Katharine Reed.

THE GUILTY TRAIL. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story, Malcolm Stuart Boylan; scenario, George Morgan.

GUILTY TRAILS. 1938. 6 reels, sd.

Credits: Producer, Trem Carr; director, George Waggner; original story and screenplay, Joseph West; music director, Frank Sanucci.

THE GULF BETWEEN. 1916. 3 reels.

Credits: Producer, Edward Sloman.

GULLIVER MICKEY. (Mickey Mouse Cartoon, no. 23) 1934. 1 reel.

GUM SHOES. 1935. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Preston Black.

Credits: Producer, Willis Brown.

THE GUMPS. 1923-28. 2 reels each. Based on the cartoon by Sidney Smith. Title varies: no. 12, 1925-26, has title "The New Gumps." © Universal Pictures Corp.

Credits: No. 1-12, 1923/25: Producer, Sam Van Ronkel; 1923-28: Directors, Erle C. Kenton, Ray Gray, William Watson, Norman Taurog, David Kirkland, Craig Hutchison, Francis Corby, Del Andrews, Norman Dawn, Robert Kerr, Vin Moore; story, Phil Dunham, Melville Brown, Dick Smith, Norman Taurog, Marks and Pagano, Vin Moore, Robert Kerr, William Weber; continuity, Victor Potbel, Kerry Clark.

1923/25

1. Uncle Bim's Gift. © 14Aug23; LP19316.

2. Watch Papa. © 15Aug23; LP19317.

3. Oh, What a Day. © 23Oct23; LP19543.

4. Aggravatin' Mama. © 3Nov23; LP19571.

5. Oh, Min. © 3Nov23; LP19570.

6. What's the Use? © 22Apr24; LP20111.

7. Andy's Temptation. © 23May24; LP20234.

8. A Day of Rest. © 25Jun24; LP20339.

9. Westbound. © 19Jul24; LP20408.

10. Andy's Hat in the Ring. © 23Sep24; LP20601.

11. Andy's Stump Speech. © 20Oct24; LP20679.

12. Andy in Hollywood. © 7May25; LP21451.

1925/26.

1. Andy's Lion Tale. © 9Oct25; LP21908.

2. Chester's Donkey Party. © 20Oct25; LP21939.

3. Dynamited. © 20Oct25; LP21938.

4. Andy Takes a Flier. © 20Nov25; LP22030.

5. The Smash-up. © 8Dec25; LP22099.

6. Min's Home on the Cliff. © 24Dec25; LP22174.

7. Min Walks in Her Sleep. © 12Jan26; LP22263.

8. California, Here We Come. © 27Jan26; LP22363.

9. Shady Rest. © 2Feb26; LP22357.

10. Min's Away. © 26Feb26; LP22439.

11. Dumb Luck. © 2Mar26; LP22458.

12. Tow Service. © 10Apr26; LP22594.

1926/27.

1. Never Again. © 30Sep26; LP23174.

2. Lots of Grief. © 18Oct26; LP23247.

3. Better Luck. © 1Nov26; LP23293.

4. The Big Surprise. © 12Nov26; LP23343.

5. A Close Call. © 24Nov26; LP23379.

6. I Told You So. © 9Dec26; LP23431.

7. Rooms for Rent. © 23Dec26; LP23461.

8. Up Against It. © 10Jan27; LP23540.

9. Youth and Beauty. © 26Jan27; LP23601.

10. Broke Again. © 7Feb27; LP23651.

11. I'm the Sheriff. © 21Feb27; LP23699.

12. Circus Daze. © 8Mar27; LP23751.

1927/28.

1. Too Much Sleep. © 3Sep27; LP24379.

[2] A Battle Scared Hero. © 15Sep27; LP24436.

3. When Greek Meets Greek. © 30Sep27; LP24475.

4. And How. © 14Oct27; LP24518.

5. Ocean Bruises. © 27Oct27; LP24600.

6. Total Loss. © 9Nov27; LP24652.

7. Andy Nose His Onions. © 23Nov27; LP24695.

[8] The Mild West. © 10Dec27; LP24755.

[9] A Case of Scotch. © 20Dec27; LP24789.

[10] Any Old Count. © 28Dec27; LP24814.

[11] The Cloud Buster. © 17Jan28; LP24885.

12. Out in the Rain. © 17Jan28; LP24884.

THE GUNFIGHTER. 1923. 5 reels, b&w, tinted sequences.

Credits: Scenario and direction, Lynn F. Reynolds; story, Max Brand [pseud. of Frederick Faust].

A GUN FIGHTIN' GENTLEMAN. 1919. 5 reels.

Credits: Director, Jack Ford; story, Harry Carey, Jack Ford; scenario, Hal Hoadley.

THE GUN GAME. 1920. 2 reels.

Credits: Director, Art Flaven; story, W. C. Tuttle; scenario, George Hively.

THE GUN GENTLEMAN: SEE Mile-A-Minute Romeo.

GUN GOSPEL. Presented by Charles R. Rogers. 1927. 7 reels. Adapted from the novel by W. D. Hoffman.

Credits: Director, Harry J. Brown; adaptation, Marion Jackson.

A GUN IN HIS HAND. SEE Sergeant Madden.

GUN JUSTICE. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story and continuity, William Lester.

GUN JUSTICE. 1933. 6 reels.

Credits: Director, Alan James; screenplay, Robert Quigley.

GUN LAW. 1919. 2 reels.

GUN LAW. 1929. 6 reels.

Credits: Director, John E. Burch; story, Oliver Drake.

GUN LAW. 1938. 60 min., sd.

Credits: Producer, Bert Gilroy; director, David Howard; story and screenplay, Oliver Drake; music director, Roy Webb; editor, Frederic Knudtson.

GUN LORDS OF STIRRUP BASIN. 1937. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmstead; screenplay and adaptation, George H. Plympton, Fred Myton.

GUN MAGIC. 1919. 2 reels.

Credits: Director, George Holt; story, William Pigott; scenario, W. Coldeway.

THE GUN PACKER. 1919. 2 reels.

Credits: Director, Jack Ford; scenario, Karl R. Coolidge.

THE GUN PACKER. 1924. 2 reels.

Credits: Director, Jack Ford.

GUN PACKER. 1938. 6 reels, sd.

Credits: Supervision, Robert Tansey; director, Wallace W. Fox; original screenplay, Robert Emmett.

THE GUN RANGER. 1936. 6 reels.

Credits: Producer, A. W. Hackel; director, Robert N. Bradbury; original story, Homer Gordon; screen adaptation, George Plympton.

THE GUN RUNNER. 1928. 6 reels. Suggested by the novel by Arthur Stringer.

Credits: Director, Edgar Lewis; continuity, John Francis Natteford.

THE GUN-RUNNERS. 1919. 2 reels.

Credits: Story and direction, George Marshall; scenario, Karl R. Coolidge.

GUN SMOKE. 1931. 7 reels, sd.

Credits: Director, Edward Sloman; story, Grover Jones, William Slavens McNutt.

GUNSMOKE RANCH. 1937. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, Sol C. Siegel; director, Joseph Kane; original story, Oliver Drake, Jack Natteford; screenplay, Oliver Drake.

GUNSMOKE TRAIL. 1938. 6 reels, sd.

Credits: Supervision, Maurice Conn; director, Sam Newfield; original story, Robert Emmett; screenplay, Fred Myton.

GUNBOAT GINSBURG. RCA Photophone, Inc. 1930. 2 reels, sd.

Credits: Producer, Louis Brock; supervision, Dick Currier; director, Mark Sandrich; story and dialogue, Mark Sandrich, Nat Carr; editor, Russel G. Shields.

GUNGA DIN. 1939. 12 reels, sd. From the poem by Rudyard Kipling.

Credits: Producer and director, George Stevens; story, Ben Hecht, Charles MacArthur; screenplay, Joel Sayre, Fred Guiol; music, Alfred Newman.

THE GUNLESS BAD MAN. Mustang. 1926. 2 reels.

Credits: Director, William Wyler; story, John Hall.

GUNMAKER OF MOSCOW. 1913. 2 reels.

Credits: Sylvanus Cobb, Jr.

THE GUNMAN'S GOSPEL. Victor. 1917. 1 reel.

Credits: Written and directed by Raymond Wells; scenario, Fred Myton.

GUNS AND GREASERS. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

GUNS AND GUITARS. 1936. 6 reels.

Credits: Producer, Nat Levine; supervision, Robert Beche; director, Joseph Kane; original story and screenplay, Dorrell McGowan, Stuart McGowan.

GUNS IN THE DARK. 1937. 6 reels.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, E. B. Mann; screenplay and adaptation, Charles F. Royal.

GUNS OF THE PECOS. First National Productions Corp. 1936. 56 min., sd.

Credits: Director, Noel Smith; original story, Anthony Coldeway; screenplay, Harold Buckley; film editor, Frank Dewar.

GUS AND THE ANARCHISTS. 1915. 400 ft.

GUS ARNHEIM AND HIS AMBASSADOR HOTEL ORCHESTRA. 1929. 1 reel, sd.

GUS ARNHEIM AND HIS AMBASSADORS. 1928. 1 reel, sd.

GUS ARNHEIM AND HIS COCOANUT GROVE ORCHESTRA. 1928. 1 reel, sd.

GUS EDWARDS' INTERNATIONAL COLORTONE REVUE. (Movietone Act, no. 3) 1929. 1 reel, sd., color.

Credits: Gus Edwards.

GUS EDWARDS' SONG REVUE WITH GUS EDWARDS HIMSELF IN A TABLOID REVUE OF HIS FAMOUS SONG HITS. (Movietone Act) 1929. 1 reel, sd., color.

GUS VAN AND HIS NEIGHBORS. Mentone. 1934. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

GUS VAN AND JOE SCHENCK. (Metro Movietone Act) 1930. 853 ft., sd., amber.

GUS VAN AND JOE SCHENCK IN A COMEDY AND POPULAR SONG ACT SING ME TOO [and others]. 1927. 1 reel, sd.

GUS VAN AND JOE SCHENCK [IN] SONGS: IS SHE MY GIRL FRIEND AND WHAT'S GONNA BE NEXT. (Movietone Act) 1928. 1 reel, sd.

GUS VAN AND JOE SCHENCK, PENNANT WINNING BATTERY OF SONGLAND [OFFER] BROADWAY'S NOT A BAD PLACE AFTER ALL [and others]. (Movietone Act) 1929. 1 reel, sd.

GUS VAN AND JOE SCHENCK, PENNANT WINNING BATTERY OF SONGLAND [OFFER] CHINESE FIRECRACKER, WAY DOWN SOUTH IN HEAVEN. (Movietone Act) Presented by Metro Movietone. 1928. 1 reel, sd.

GUS VAN AND JOE SCHENCK, PENNANT WINNING BATTERY OF SONGLAND [SING] PASTA VAZOOLA, HUNGRY WOMEN. (Movietone Act) Presented by Metro Movietone. 1928. 1 reel, sd.

GUS VAN AND JOE SCHENCK, THE PENNANT WINNING BATTERY OF SONGLAND, IN A GROUP OF COMEDY SONGS SING FOR NO GOOD REASON AT ALL [and others]. 1927. 1 reel, sd.

GUS VAN'S GARDEN PARTY. Mentone. 1936. 1 reel, sd.

Credits: Story and direction, Milton Schwarzwald.

GUS VAN'S MUSIC SHOPPE. 1935. 2 reels.

Credits: Director, Milton Schwarzwald; dialogue, Guy Sampsel.

GUSSLE RIVALS JONAH. 1915.

Credits: Producer, Mack Sennett.

GUSSLE THE GOLFER. 1914.

Credits: Producer, Mack Sennett.

GUSSLE TIED TO TROUBLE. 1915.

Credits: Producer, Mack Sennett.

GUSSLE'S BACKWARD WAY. 1915.

Credits: Producer, Mack Sennett.

GUSSLE'S DAY OF REST. 1915. 2 reels.

Credits: Producer, Mack Sennett.

GUSSLE'S WAYWARD PATH. 1915.

Credits: Producer, Mack Sennett.

DER GUTSITZENDE FRACK. SEE A Tailor Made Man.

THE GUTTER. SEE The Virtuous Model.

A GUTTER MAGDALENE. Released by Paramount Pictures Corp. 1916. 5 reels. Adapted from story by Willard Mack.

Credits: Clinton H. Stagg.

THE GUTTERSNIPE. 1915. 1 reel.

Credits: Director, Wilfrid North.

THE GUTTERSNIPE. 1922. 5 reels.

Credits: Director, Dallas Fitzgerald; story, Percival A. Wilde; scenario, Wallace Clifton.

THE GUY AND THE GEYSER. Nestor. 1917. 1 reel.

Credits: Written and directed by Craig Hutchinson.

GUY ROBERTSON IN HIGH WATER. 1929. 1 reel.

Credits: Director, Archer MacMackin.

GWENDOLIN. 1914. 2 reels. Suggested by the novel "Daniel Deronda" by George Eliot [pseud.]

A GYM DANDY. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Sam Newfield.

GYM GEMS. SEE Felix the Cat in Gym Gems.

GYM JAMS. (Krazy Kat) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe de Nat.

GYM JAMS WITH LEW MAYOR. 1930. 1 reel, sd.

GYMBELLES AND BONEHEADS. 1919. 2 reels.

Credits: Director, Noel Smith.

GYMNASIUM JIM. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

GYMNASTICS. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Charles T. Trego; explanatory remarks, Pete Smith.

THE GYP. SEE Redmond and Wells in The Gyp.

GYPED IN EGYPT. (An Aesop Sound Fable) 1930. 1 reel, sd.

Credits: John Foster & Mannie Davis.

GYPSY DANCER. (Models In Motion) 1931. 243 ft.

GYPSY FANTASY. 1936. 1 reel.

A GYPSY FIDDLER. (Paul Terry-Toons) Educational Pictures. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

GYPSY JOE. 1916. 2 reels.

Credits: Producer, N. Scalye-Minolfi.

GYPSY LOVE. SEE The Rogue Song.

GYPSY NIGHT. (A Colortone Musical) 1935. 1,655 ft., sd., color.

Credits: Director, Harold Hecht, Joseph Berne; story, Richard Goldstone, Joseph Berne; music and lyrics, Richard Goldstone, Burton Lane, Harold Adamson; music score arranged and conducted by Wayne Allen.

GYPSY PASSION. 1922. 6 reels. Adapted from the novel "Miarka, the Child of the Bear" by Jean Richepin.

Credits: Producer, Louis Mercanton; adaptation, Jean Richepin.

GYPSY REVELS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; editor, Leslie M. Roush; music, Yasha Bunchuk.

GYPSY SWEETHEART. 1935. 2 reels, sd.

Credits: Director, Ralph Staub; story, Joe Traub.

THE GYPSY TRAIL. 1915. 2 reels.

Credits: Director, Harry Handworth.

THE GYPSY TRAIL. 1918. 5 reels.

Credits: Director, Walter Edwards.

THE GYPSY TRAIL. 1922. 2 reels.

Credits: Story, scenario and direction, Hugh Hoffman.

A GYPSY'S VENDETTA. SEE The Queen of Camargue.

HA! HA! HA! (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

HABEAS CORPUS. Presented by Hal Roach. 1929. 2 reels.

Credits: Supervision and story, Leo McCarey; director, James Parrott; editor, Richard Currier.

HABIT. 1921. 6 reels.

Credits: Producer, Louis B. Mayer; director, Edwin Carewe; adaptation, Madge Tyrone.

THE HABIT OF HAPPINESS. 1916. 5 reels.

HAD A KICK IN IT. 1920. 1 reel.

HAGENBECK'S WILD ANIMALS. Powers. 1917. 1 reel.

HAHSIT BABE. SEE Big Brown Eyes.

HAIL AND FAREWELL. SEE

Heart of a Siren.

Heart of a Temptress.

HAIL, BROTHER! Presented by E. W. Hammons. 1935. 1,753 ft., sd.

Credits: Director, Leigh Jason; story, Leigh Jason, Stanley Rauh; film editor, Ray Lockert; music director, Arthur Kay.

HAIL COLUMBIA. (See America First, no. 3) 1934. 1 reel, sd.

HAIL, THE PRINCESS. (Educational-Jack White Talking Comedies) 1930. 17 min., sd.

Credits: Director, Stephen Roberts.

HAIL THE WOMAN. 1921. 8 reels.

Credits: G. Gardner Sullivan; supervision, Thomas H. Ince; director, John Griffith Wray.

THE HAIR OF HER HEAD. 1914. 1 reel.

Credits: Director, Sidney Drew.

HAIR TRIGGER BAXTER. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story, James Ormont; continuity, Paul Bryan.

HAIR-TRIGGER BURK. Gold Seal. 1917. 3 reels.

Credits: Eugene B. Lewis; director, Fred A. Kelsey.

HAIR-TRIGGER BURK. 1923. 2 reels.

Credits: Director, Fred A. Kelsey; story, Eugene B. Lewis.

HAIR TRIGGER STUFF. 1920. 2 reels.

Credits: Director, Reaves Eason; story, Dorothy Rochefort; scenario, Philip Hubbard.

HAIRPINS. 1920. 5 reels.

Credits: Director, Fred Niblo; story, C. Gardner Sullivan; editor, Duncan Mansfield.

HAITI'S BLACK NAPOLEON. (A Columbia Tour) 1937. 914 ft., sd.

Credits: Producer, Carl Stearns Clancy; narration, Eloise Lownsberry; described by Arthur Hale.

HAL KEMP AND HIS ORCHESTRA. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

THE HALBERDIER. SEE You're Fired.

HALEYISMS. SEE Jack Haley and Flo MacFadden in Haleyisms. 1928.

HALF A BRIDE. 1928. 7 reels. Adapted from the story "White Hands" by Arthur Stringer.

Credits: Director, Gregory LaCava; screenplay, Doris Anderson, Percy Heath.

HALF-A-DOLLAR BILL. 1924. 6 reels.

Credits: Supervision, Max Graf; story, Curtis Benton.

HALF A HERO. (Hamilton Comedies) Educational. 1925. 2 reels.

Credits: Written and directed by Fred Hibbard.

HALF A MAN. (Stan Laurel Series, no. 12) 1925. 2 reels.

HALF A MILLION. 1915. 1 reel.

Credits: Producer, Edwin McKim.

HALF A ROGUE. Red Feather. 1916. 5 reels. Adapted from the novel by Harold MacGrath.

Credits: Scenario and production by Henry Otto.

HALF A SINNER. 1934. 8 reels, sd. Based on "Alias the Deacon" by John B. Hymer and LeRoy Clemens.

Credits: Director, Kurt Neumann; screenplay, Earle Snell, Charles Marks.

HALF AN HOUR. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 5 reels. From the play by Sir James M. Barrie.

Credits: Director, Harley Knoles; scenario, Clara S. Beranger.

HALF AN HOUR. SEE The Doctor's Secret.

HALF AND HALF. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Story and production, Lyons, Moran.

HALF ANGEL. 1936. 5,949 ft., sd. Based on a story by F. Tennyson Jesse.

Credits: Director, Sidney Lanfield; screenplay, Bess Meredyth, Gene Fowler, Allen Rivkin; music, Louis Silvers.

HALF BACK HANNAH. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Sig Herzig.

HALF BAKED RELATIONS. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Charles Lamont; story, John Waldron, Harry McCoy; adaptation and continuity, Vernon Smith.

THE HALF BREED. Presented by Oliver Morosco. 1922. 6 reels.

Credits: Direction and scenario, C. A. Taylor.

THE HALF-BREED'S CONFESSION. Special Big U. 1917. 1 reel.

HALF FARE. Bluebird. 1925. 1 reel.

Credits: Director, Z. Myers.

HALF GODS. SEE Free Love.

A HALF HOLIDAY. (Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Sam B. Jacobson; director, Jacques Rollens.

HALF HOLIDAY. (Educational-Mack Sennett Andy Clyde Comedies) 1931. 21 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

HALF MARRIAGE. Radio. 1929. 6,480 ft., sd.

Credits: Producer, William Le Baron; director, William J. Cowen; story, George Kibbe Turner; dialogue and adaptation, Jane Murfin.

HALF MARRIAGE. Radio. 1929. 6,480 ft., sd.

Credits: Producer, William Le Baron; director, William J. Cowen; story, George Kibbe Turner; dialogue and adaptation, Jane Murfin.

THE HALF MILLION BRIBE. 1916. 5 reels. Based upon "The Red Mouse" by William Hamilton Osborn.

Credits: Director, Edgar Jones; scenario, Harry O. Hoyt.

THE HALF NAKED TRUTH. 1932. 8 reels.

Credits: Producer, David O. Selznick; director, Gregory La Cava; story, Ben Markson, H. N. Swanson; screenplay, Gregory La Cava, Corey Ford.

A HALF-PINT HERO. (Lupino Lane Comedies) 1927. 2 reels.

Credits: Director, Charles Lamont.

HALF SHOT AT SUNRISE. 1930. 10 reels, sd.

Credits: Producer, William Le Baron; director, Paul Sloane; story, James A. Creelman, Jr.; dialogue, Anne Caldwell, Ralph Spence; music and lyrics, Harry Tierney, Anne Caldwell; editor, Arthur Roberts.

HALF SHOT SHOOTERS. 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Clyde Bruckman.

THE HALF WIT. 1916. 2 reels.

Credits: Director, Wilbert Melville.

THE HALF WIT-NESS. 1936. 1 reel, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, George J. Bennett.

THE HALF-BACK. 1917. 3 reels. Based on a story by Ralph Henry Barbour.

Credits: Director, Ben Turbett; adaptation, Paul H. Sloane.

HALF-BACK BUSTER. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

THE HALF-WAY GIRL. 1925. 8 reels.

Credits: Supervision, Earl Hudson; director, John Francis Dillon; original story, E. Lloyd Sheldon.

HALF WAY TO HEAVEN. 1929. 8 reels, si., 6,254 ft., sd. From the novel "Here Comes the Bandwagon" by H. L. Gates.

Credits: Directed and adapted by George Abbott; film editor, William Shea.

HALF WAY TO HOLLYWOOD. 1938. 2 reels.

Credits: Director, Charley Chase; story and screenplay by Al Giebler, Elwood Ullman.

THE HALL OF INJUSTICE. SEE John T. Murray and Vivien Oakland in The Hall of Injustice.

THE HALL ROOM GIRLS. 1917. 1 reel.

Credits: Tom Bret, Frank Lawrence; director, George D. Baker.

THE HALL ROOM RIVALS. 1914. 1 reel.

Credits: Director, Tefft Johnson; story, May A. Brown.

HALLELUJAH. 1929. 12 reels.

Credits: Production, direction, and story, King Vidor; scenario, Wanda Tuchock; dialogue, Ransom Rideout; film editor, Hugh Wynn.

HALLELUJAH, I'M A BUM. United Artists. Presented by Joseph M. Schenck. 1933. 9 reels, sd.

Credits: Director, Lewis Milestone; original story, Ben Hecht; screenplay, S. N. Behrman; music and lyrics, Richard Rodgers and Lorenz Hart.

HALLOWEEN. (Toby the Pup) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

HALL'S HOLIDAY. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

A HALTED CAREER. 1914. 1 reel.

Credits: Producer, Mack Sennett.

THE HALTING HAND. Special Big U. 1916. 1 reel.

THE HAM ACTORS. 1915. Split reel.

HAM AND EGGS. 1927. 7 reels.

Credits: Director, Roy Del Ruth; story, Darryl Francis Zanuck; scenario, Robert Dillon, James A. Starr.

HAM AND EGGS. (Oswald Cartoon) Snappy. 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

THE HAM WHAT AM. SEE Jay C. Flippin in The Ham What Am.

THE HAM WHAT WAS. Black Cat. 1917. 29 min.

Credits: J. P. McEvoy; director, Richard Foster Baker; adaptation, Charles J. McGuirk.

HAMATEUR NIGHT. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Jack Miller; animation, Paul Smith; music director, Carl W. Stalling.

HAMLET. 1913. 5 reels. Based on the play by William Shakespeare.

HAMLET AND EGGS. 1937. 2 reels, sd.

Credits: Director, William Watson; story, Tim Ryan.

HAMLET MADE OVER. 1916. 1,000 ft.

Credits: Director, Earl Metcalfe.

HAMMERS BY STANLEY. 1936. For the Stanley Rule and Level Plant. 1 reel, sd.

Credits: Director, Harry O. Hoyt; story, Wallace C. Clifton; scenario, Clara S. Beranger.

THE HAND OF FATE. 1920. For Liberty Mutual Insurance Co. of Boston. 2 reels.

Credits: Director, Bert Anzeles; scenario and photoplay, David S. Beyer.

THE HAND OF GOD. 1915. 2 reels.

Credits: Director, Harry Lambart.

THE HAND OF HORROR. 1914. 2 reels.

Credits: W. H. Durham.

THE HAND OF IRON. 1914. 1 reel.

Credits: Sumner Williams; director, Langdon West.

THE HAND OF MAHAWEE. 1915. 1 reel.

Credits: Producer, Giles R. Warren; story, J. A. Lacy.

Credits: Adapted, produced and picturized by Maurice Tourneur.

THE HAND OF THE LAW. 1915. 3,000 ft.

Credits: Charles R. Angell; director, Edward C. Taylor.

THE HAND OF VENGEANCE. 1918. 2 reels each. © The Gaumont Co.

1. The Sign of the Scar. © 14Aug18; LP13110.

2. Scheming for Millions. © 21Aug18; LP13111.

3. The Ambassador's Diamond. © 21Aug18; LP13112.

4. The Grey Lady. © 14Aug18; LP13113.

5. The League of Silence. © 14Aug18; LP13114.

6. The Mysterious Manor. © 14Aug18; LP13115.

7. The Secret of the Night. © 14Aug18; LP13116.

8. The Kidnapped Statesman. © 14Aug18; LP13117.

9. The Girl in the Hotel. © 14Aug18; LP13118.

10. A Girl's Aid. © 14Aug18; LP13119.

THE HAND THAT ROCKS THE CRADLE. Universal Special. 1917. 6 reels.

Credits: Lois Weber, Phillips Smalley.

HANDCUFFS OR KISSES. Presented by Lewis J. Selznick. 1921. 6 reels.

Credits: Thomas Edgelow; director, George Archainbaud; scenario, Lewis Allen Browne.

HANDICAPPED. (A Laemmle Novelty) 1928. 1 reel. Original idea by Sam B. Jacobson.

Credits: Director, Jacques Rollens.

HANDLE WITH CARE. 1932. 9 reels.

Credits: Story and direction, David Butler; screenplay, Frank Craven, Sam Mintz.

HANDLEBARS. (An Oddity) 1933. 887 ft., sd., b&w.

Credits: Director, Jules White; explanatory remarks by Pete Smith.

HANDLING FIRST INTERVIEWS. Audivision, Inc. 1936. For the Plymouth Division of Chrysler Corporation. 1 reel, sd.

HANDS ACROSS THE BORDER. 1926. 6 reels.

Credits: Frank M. Clifton; director, David Kirkland; scenario, William E. Wing.

HANDS ACROSS THE TABLE. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; story, Viña Delmar; screenplay, Norman Krasna, Vincent Lawrence, Herbert Fields; film editor, William Shea; music and lyrics, Sam Coslow.

HANDS DOWN. 1918. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

HANDS IN THE DARK. (Star Featurette) 1917. 2 reels.

Credits: Director, Henry McRae; story, E. M. McCall; scenario, William Parker.

THE HANDS OF NARA. 1922. 7 reels. Founded on the novel by Richard Washburn Child.

Credits: Director, Harry Garson.

HANDS OFF. 1920. 5 reels.

Credits: Director, George E. Marshall; story, William McLeod Raine; scenario, Frank Howard Clark.

HANDS OFF. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Ernst Laemmle; story, J. Allan Dunn.

1. The Sun Bride. © title, descr. & 80 prints, 4Sep18; LU12812.

2. The Missing Prince. © title, descr. & 42 prints, 4Sep18; LU12813.

3. The Phantom and the Girl. © title, descr. & 40 prints, 4Sep18; LU12814.

4. The Phantom's Trail. © title, descr. & 22 prints, 4Sep18; LU12815.

5. The Runaway Bride. © title, descr. & 42 prints, 13Sep18; LU12838.

6. Flames of Vengeance. © title, descr. & 34 prints, 13Sep18; LU12839.

7. Tossed into the Torrent. © title, descr. & 30 prints, 13Sep18; LU12840.

8. The Fatal Jewels. © title, descr. & 32 prints, 13Sep18; LU12841.

9. A Leap Through Space. © title, descr. & 43 prints, 13Sep18; LU12842.

10. The Sun Message. © title, descr. & 36 prints, 27Sep18; LU12900.

11. The Stranger from the Sea. © title, descr. & 45 prints, 27Sep18; LU12901.

12. The Silver Book. © title, descr. & 30 prints, 15Nov18; LU13032.

13. The Last Warning. © title, descr. & 30 prints, 15Nov18; LU13033.

14. The Oracle's Decree. © title, descr. & 27 prints, 15Nov18; LU13034.

15. The Celestial Messenger. © title, descr. & 33 prints, 15Nov18; LU13035.

HANDS UP! (Mirthquake Comedy) 1922. 2 reels.

Credits: Director, Eugene DeRue; scenario, Vincent Bryan.

HANDS UP! Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,883 ft.

Credits: Director, Clarence Badger; story, Reginald Morris; adaptation, Monty Brice, Lloyd Corrigan.

THE HANDSOME BRUTE. 1926. 5 reels.

Credits: Story, Lillian Taft Maize.

HANDSOME IS AND HANDSOME DOES. 1930. 1 reel.

HANDY ANDY. 1934. 7,396 ft., sd. Based on the play "Merry Andrew" by Lewis Beach.

Credits: Director, David Butler; screenplay, William Conselman, Henry Johnson; adaptation, Kubec Glasmon; music director, Samuel Kaylin.

HANDY HENRY. Metro-Drew. 1917. 1 reel.

Credits: S. M. Gardenshire, Jr.; producer, Sidney Drew.

THE HANDY MAN. Distributed by Metro Pictures Corp. 1923. 2 reels.

Credits: Director, Bob Kerr; story, Bob Munson.

HANGING FIRE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Stephen Roberts.

HANGMAN'S HOUSE. 1928. 7 reels, b&w. From the story by Donn Byrne.

Credits: Director, John Ford; scenario, Marion Orth; adaptation, Philip Klein.

THE HANGOVER. 1931. 1 reel. © The Vitaphone Corp.; 5Feb31; MP2287.

HANGOVER MURDERS. SEE Remember Last Night?

HANS AND HIS BOSS. 1915. 1 reel.

Credits: Beatrice Cassell.

HANSEL AND GRETEL. Century. 1923. 2 reels.

HANSEL AND GRETEL. (Paul Terry-Toons) 1933. 6 min.

Credits: Frank Moser, Paul Terry.

HANSEL AND GRETEL. 1934. 1 reel.

HAPPILY BURIED. Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd., b&w.

Credits: Director, Felix E. Feist; original story and screenplay, Jack Woodford, Felix E. Feist, Richard Goldstone; music and lyrics, Bob Wright, Chet Forrest; music score, David Snell.

Credits: Director, J. Cullen Landis; film editor, U. L. Herman; music director, Samuel Benavie.

HAPPINESS. 1924. 8 reels. From the play and continuity of J. Hartley Manners.

Credits: Director, King Vidor; story and scenario, J. Hartley Manners.

HAPPINESS À LA MODE. 1919. 5 reels.

Credits: Director, Walter Edwards; story, Edwina Levin [pseud. of Edwina Le Vin Dickerson MacDonald]; scenario, Alice Eyton.

HAPPINESS AHEAD. Presented by John McCormick. 1928. 8 reels.

Credits: Director, William A. Seiter; story, Edmund Goulding; scenario, Benjamin Glazer.

HAPPINESS AHEAD. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 9 reels, sd.

Credits: Director, Mervyn LeRoy; original story, Harry Sauber; screenplay, Harry Sauber, Brian Marlow.

THE HAPPINESS BOYS. 1929. 1 reel.

THE HAPPINESS BOYS, BILLY JONES AND ERNEST HARE [OFFER] A. HOW DO YOU DO, EVERYBODY [and others]. 1927. 1 reel each.

HAPPINESS C. O. D. 1935. 7 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Robert Ellis, Helen Logan.

HAPPINESS INSURANCE. SEE Cock o' the Walk.

THE HAPPINESS OF THREE WOMEN. 1916. 5 reels.

Credits: Producer and director, William D. Taylor; story, Albert Payson Terhune; scenario, Adele Harris.

THE HAPPINESS REMEDY. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Walton Butterfield.

HAPPY AND LUCKY. (Terry Toons) Presented by E. W. Hammons. 1938. 579 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

HAPPY BIRTHDAY. 1929. 3 reels, b&w.

Credits: Director, James Parrott; story and scenario, Ben Holmes.

HAPPY BIRTHDAY. (Scrappy) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louie Litly; music, Joe DeNat.

THE HAPPY BUTTERFLY. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

HAPPY DAYS. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

HAPPY DAYS. 1928. 1 reel.

Credits: Paul Terry and John Foster.

HAPPY DAYS. 1929. 7,526 ft.

Credits: Director, Benjamin Stoloff; story and dialogue, Sidney Lanfield, Edwin Burke; editor, Clyde Carruth.

HAPPY DAZE. Century. 1920. 2 reels.

Credits: Director, Chuck Reisner.

A HAPPY FAMILY. (Krazy Cat Cartoon, no. 75) 1935. 1 reel.

Credits: Story, Ben Harrison; animation, Manny Gould, Harry Love, Al Rose.

HAPPY-GO-LUCKY. 1914. 1 reel.

Credits: Director, James Young.

HAPPY GO LUCKY. Bluebird. 1925. 1 reel.

Credits: Director, George S. Summerville.

HAPPY GO LUCKY. 1936. 8 reels.

Credits: Producer, Nat Levine; director, Aubrey Scotto; original story, Eric Taylor, Wellyn Totman, Endre Bohem; screenplay, Raymond Schrock, Olive Cooper.

HAPPY GOLF. (A Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

HAPPY HEELS. (Paramount-Christie Comedy) 1929. 2 reels.

Credits: Norman McLeod; director, William Holland; story, Sig Herzig.

HAPPY HEELS. (An Educational Top Notch Comedy) Presented by E. W. Hammons. 1936. 1,625 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Arthur Jarrett.

HAPPY HOBOS. (Tom and Jerry Cartoons) 1933. 7 min.

Credits: George Stallings, George Rufle.

HAPPY HOOLDINI [and] LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

HAPPY HOOLIGAN IN A CLOSE SHAVE. 1921. 1 reel.

HAPPY HOOLIGAN IN A ROMANCE OF '76. 1920. 1 reel.

HAPPY HOOLIGAN IN DR. JEKYL AND MR. ZIP. 1920. 1 reel.

HAPPY HOOLIGAN IN FATHERLY LOVE. 1921. 1 reel.

Credits: Director, William C. Nolan.

HAPPY HOOLIGAN IN OIL. 1920. 1 reel.

Credits: Director, William C Nolan.

HAPPY HOOLIGAN IN ROLL YOUR OWN. 1921. 1 reel.

HAPPY HOOLIGAN IN THE BOOTBLACK. 1920. 1 reel.

Credits: Director, Ben Sharpsteen.

HAPPY HOOLIGAN IN THE VILLAGE BLACKSMITH. 1920. 1 reel.

THE HAPPY HOUSE. 1915. 1 reel.

Credits: Audrie Alspaugh.

Credits: Producer, John L. Hawkinson.

THE HAPPY JESTER. SEE Ed Lowry in The Happy Jester.

HAPPY LANDING. 1934. 7 reels, sd.

Credits: Producer, Paul Malvern; director, R. N. Bradbury; story, Stuart Anthony; screenplay, Gordon Rigby; dialogue, Frances Hyland.

HAPPY LANDING. 1938. 9,200 ft., sd.

Credits: Director, Roy Del Ruth; original screenplay, Milton Sperling, Boris Ingster; music, Louis Silvers.

A HAPPY LITTLE HONEYMOON. (Educational's Comedies) (Vanity Comedies) 1931. 21 min., sd.

Credits: Producer, Al Christie; director, Harold Beaudine; story, Leon Berry.

A HAPPY OMEN. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by Edward Bowes.

A HAPPY PAIR. Rex. 1915. 1 reel.

Credits: Adapted and produced by Ben Wilson.

THE HAPPY PEST. 1921. 2 reels.

Credits: Director, Ferris Hartman.

YE HAPPY PILGRIMS. (An Oswald Cartoon) Snappy. 1934. 1 reel.

Credits: Walter Lantz.

HAPPY POLO. (Aesop's Sound Fable) 1932. 6 min.

HAPPY RETURNS. (Star Comedy) 1919. 1 reel.

Credits: Director, Jack Dillon; story, Robert S. Hill; scenario, Karl Coolidge.

HAPPY SCOUTS. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Fred Kopietz; story, Victor McLeod, James Miele; animation, Merle Gilson, Dick Marion.

HAPPY THO' MARRIED. 1935. 2 reels, sd.

Credits: Director, Arthur Ripley; story, Joe Cunningham; film editor, Edward Mann.

HAPPY THOUGH MARRIED. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, Lois Zellner, Arthur Zellner; adaptation, C. Gardner Sullivan.

THE HAPPY TOTS. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1939. 600 ft., sd., color.

Credits: Producer, Charles Mintz; director, Ben Harrison; animation, Manny Gould; music, Joe De Nat.

THE HAPPY TRIO. (Standard Fat Men Comedies, no. 7) Larry Darmour Productions. 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, E. V. Durling, St. Elmo Boyce.

THE HAPPY WARRIOR. Presented by Albert E. Smith. 1925. 8 reels. From the novel by A. S. M. Hutchinson.

Credits: Producer, J. Stuart Blackton; screenplay, Marian Constance.

HAPPY WARRIORS. (An Oddity) 1933. 818 ft., sd., b&w.

Credits: Director, Jules White; explanatory remarks by Pete Smith.

Credits: Producer, John L. Hawkinson.

HAPPY YOU AND MERRY ME. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

THE HARBOR. SEE Society Doctor.

THE HARBOR BAR. SEE Loving Lies.

HARBOR LIGHTS. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

THE HARBOR OF HAPPINESS. 1916. 3 reels.

Credits: Producer, Van Dyke Brooke; picturized by Joseph F. Poland.

THE HARBOR OF LOVE. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

Credits: Producer, Percy Nash.

HARD BOILED. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger; story, John Lynch; picturized by R. Cecil Smith.

HARD BOILED. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, J. G. Blystone; story, Shannon Fife; scenario, Charles Darnton, John Stone.

HARDBOILED. 1929. 7 reels.

Credits: Director, Ralph Ince; story, Arthur Somers Roche; screenplay, Enid Hibbard.

Credits: Picturized and directed by Pierce Kingsley.

HARD-BOILED HAGGERTY. 1927. 8 reels. Adapted from "Belated Evidence" by Elliott White Spring.

Credits: Producers, Charles Brabin, Wid Gunning; scenario, Carey Wilson.

HARDBOILED HAMPTON. 1929. 2 reels.

Credits: Produced and directed by George LeMaire; story, Harry Holman; film editor, E. Pfitzenmeier.

HARDBOILED ROSE. 1929. 6 reels.

Credits: Melville Crosman; director, F. Harmon Weight; adaptation, Robert Lord.

HARDBOILED ROSE. Trailer. 1929. 1 reel, sd.

HARD BOILED YEGGS. 1925. 2 reels.

Credits: Written and directed by Perc Penbroke.

HARD BOILED YEGGS. 1930. 1 reel, sd.

Credits: Written and directed by Eddie Buzzell.

HARD CASH. 1913. 2 reels. Adapted from the novel by Charles Reade.

HARD FISTS. (Blue Streak Western) 1927. 5 reels. From the story "The Grappler" by Charles A. Logue.

Credits: Director, William Wyler; adaptation and continuity, William Lester, George Plympton.

HARD HEARTED HUSBANDS. 1925. 2 reels.

Credits: Director, Ward Hayes.

HARD HITTIN' HAMILTON. (Buffalo Bill, Jr. Series, no. 3) Action Pictures Corp. Presented by W. T. Lackey and Lester F. Scott, Jr.

Credits: Director, Richard Thorpe.

A HARD JOB. 1916. 1 reel.

Credits: Producer, Frank Currier.

HARD KNOCKS AND LOVE TAPS. Associated Producers Production. 1921. 2 reels.

Credits: Supervision and photoplay, Mack Sennett; director, Roy Del Ruth.

HARD LUCK. Released through General Film. 1917. 1 reel.

Credits: Arranged and directed by Arthur D. Hotaling.

HARDLUCK. 1918. 1 reel.

Credits: Director, Murdock J. McQuarrie; story and scenario, Maurice Salzman.

HARD LUCK. 1921. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

HARD LUCK JACK. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Ben Cohen.

HARD ROCK. SEE The Galloping Ace.

HARD ROCK HARRIGAN. Lesser-Zanft Production. 1935. 7 reels, sd.

Credits: Director, David Howard; story, Charles Furthman; screenplay, Raymond L. Schrock, Dan Jarrett.

HARD TO BEAT. (Tales of the Old West) 1923. 2 reels.

HARD TO GET. First National-Vitaphone. 1929. 82 min., sd.

Credits: Director, William Beaudine; story, Edna Ferber.

HARD TO GET. Trailer. First National. 1929. 1 reel, sd.

HARD TO GET. 1938. 8 reels, sd. Suggested by a story by Stephen Morehouse Avery.

Credits: Director, Ray Enright; original story, Wally Klein, Joseph Schrank; screenplay, Jerry Wald, Maurice Leo, Richard Macaulay; music and lyrics, Harry Warren, Johnny Mercer.

HARD TO HANDLE. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 9 reels, sd.

Credits: Director, Mervyn LeRoy; original story, Houston Branch; screenplay, Wilson Mizner, Robert Lord; film editor, Bill Holmes.

THE HARD WAY. 1916. 3 reels.

Credits: Director, T. N. Heffron.

HARD WORK. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

HARDWICK OF HAMBONE. SEE Bulldog Pluck.

THE HARDYS RIDE HIGH. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based upon characters created by Aurania Rouverol.

Credits: Director, George B. Seitz; screenplay, Agnes Christine Johnson, Kay Van Riper, William Ludwig; film editor, Ben Lewis; music score, David Snell.

THE HARE AND THE TORTOISE. 1916. 3 reels.

Credits: Director, William Robert Daly.

THE HARE MAIL. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz, William Nolan.

HARE SHOOTING IN THE BALTIC ARCHIPELAGO. 1915. 1 reel.

HAREM FOLLIES. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

HAREM SCAREM. (An Oswald Cartoon) Snappy. 1927. 1 reel.

Credits: Walt Disney.

HAREM SCAREM. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, Andrew Bennison.

THE HAREM SCAREM DEACON. Joker. 1916. 1 reel.

Credits: Eugene B. Lewis; producer, Allen Curtis.

HAREM SECRETS. (Romantic Journeys) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

HAREM SKAREM. Century. 1921. 2 reels.

Credits: Written and directed by William Watson.

HAREMS AND HOKUM. 1919. 2 reels.

Credits: Director, Gilbert Pratt; story, Montgomery and Rock.

HARE-UM SCARE-UM. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway, Cal Dalton; story, Melvin Millar; animation, Gil Turner; music director, Carl W. Stalling.

HARK YE, HARK. Presented by Adolph Zukor. 1935. 697 ft., sd.

Credits: Produced and directed by George M. Arthur.

HARLEM AFTER MIDNIGHT. 1935. 8 reels, sd.

Credits: Written and directed by Oscar Micheaux.

HARLEM BOUND. Mentone. 1935. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

HARLEM HARMONY. Educational. Treasure Chest. Presented by E. W. Hammons. 1934. 1 reel, sd.

Credits: Producer, Louis Lewyn; director, Alf Goulding; musical direction, Lauretta Butler.

HARLEM KNIGHTS. SEE Miller and Lyles in Harlem Knights.

HARLEM MANIA. SEE Norman Thomas Quintette in Harlem Mania.

HARLEM ON THE PRAIRIE. 1938. 6 reels.

Credits: Director, Sam Newfield; original story and continuity, Fred Myton.

HARMONIZING SONGS. SEE Josephine Harmon in Harmonizing Songs. 1930.

HARMONY AT HOME. 1929. 6,295 ft., sd. From the play "The Family Upstairs" by Harry Delf.

Credits: Director, Hamilton McFadden; editor, Irene Morra.

THE HARMONY BOYS. 1929. 1 reel, sd.

Credits: Director, Joseph Santley.

HARMONY CLUB. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

HARMONY HEAVEN. 1930. 6 reels, sd., color.

Credits: Director, Thomas Bentley; scenario and dialogue, Arthur Wimperis, Randall Faye; film editor, S. Simmonds.

HARMONY IN A FLAT. Rex. 1916. 1 reel.

Credits: William Addison Lathrop; producer, Raymond L. Schrock.

HARMONY LANE. Presented by Nat Levine. 1935. 9 reels, sd. Based on the life and songs of Stephen Foster by Milton Krims.

Credits: Producer, Ralph DeLacy; supervision, Colbert Clark; director, Joseph Santley; screenplay, Joseph Santley, Elizabeth Meehan; film editor, Ray Curtis; music director, Arthur Kay.

HARNESSED LIGHTNING. (World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator, Ford Bond.

HARNESSED RHYTHM. (Sports Parade Subject) 1936. 1 reel, sd.

Credits: Director, Jacques Tourneur; explanatory remarks by Pete Smith.

HARNESSING A MOUNTAIN STREAM. 1912. 1 reel.

HAROLD BAUER PLAYING: POLONAISE IN A FLAT, BY CHOPIN. 1927. 1 reel, sd.

HAROLD TEEN. Presented by Robert Kane. 1928. 8 reels. From the comic strip by Carl Ed.

Credits: Producer, Allan Dwan; director, Mervyn Le Roy; story, Tom J. Geraghty.

HAROLD TEEN. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels, sd. From the comic strip by Carl Ed.

Credits: Director, Murray Roth; screenplay, Paul Gerard Smith, Al Cohn.

Credits: Supervision, Mr. and Mrs. Sidney Drew; story, Florence Ryerson.

HAROLD, THE LAST OF THE SAXONS. (Paramount-Drew Comedy) V. B. K. Film Corp. 1919. 2 reels.

Credits: Directors, Mr. and Mrs. Sidney Drew; story, Florence Ryerson.

HAROLD, THE NURSE GIRL. 1916. 1 reel.

Credits: Director, Frank Currier.

HAROLD'S BAD MAN; a Story of Luck and Love. 1915. 1 reel.

Credits: Director, Tom Mix.

A HARP IN HOCK. 1927. 7 reels.

Credits: Director, Renaud Hoffman; story, Evelyn Campbell; screenplay, Sonya Levien; film editor, Donn Hayes.

HARRIET AND THE PIPER. Presented by Louis B. Mayer. 1920. 6 reels. From the novel by Kathleen Norris.

Credits: Screen version, Monte M. Katterjohn.

HARRINGTON SISTERS IN A GARDEN OF SONG. 1928. 1 reel, sd.

HARRIS IN THE SPRING. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Arthur E. Orloff; screenplay, George Jeske, Richard English; film editor, Les Millbrook.

HARRY AND DAN DOWNING IN HIGH UP AND LOW DOWN. 1927. 1 reel.

Credits: Director, Bryan Foy; music director, Bert Fiske.

HARRY DELF IN CHARACTER SONGS. 1928. 1 reel, sd.

HARRY DELF IN GIVING IN. 1928. 2 reels, sd.

Credits: Hugh Herbert; director, Murray Roth.

HARRY DELF IN SOUP. 1928. 1 reel, sd.

HARRY FOX AND BEATRICE CURTIS IN THE BEE AND THE FOX. 1929. 1 reel.

HARRY FOX AND HIS SIX AMERICAN BEAUTIES. 1929. 1 reel.

HARRY HORLICK AND HIS FAMOUS A. & P. GYPSIES. 1929. 1 reel, sd.

HARRY HORLICK AND HIS GYPSIES. (Melody Master) 1935. 10 min., sd.

Credits: Director, Joseph Henabery.

HARRY J. CONLEY AND COMPANY IN SLICK AS EVER. 1930. 1 reel.

HARRY J. CONLEY IN THE BOOK WORM. 1928. 1 reel, sd.

Credits: Willard Mack; director, Bryan Foy.

HARRY LANG AND BERNICE HALEY IN WHO'S WHO. 1929. 1 reel, sd.

HARRY MONTGOMERY, HUMORIST, IN HIS ORIGINAL MONOLOGUE. 1927. 1 reel.

HARRY RESERS AND HIS ESKIMOS. 1936. 1 reel, sd.

Credits: Director, Roy Mack.

HARRY ROSENTHAL AND HIS BATH AND TENNIS CLUB ORCHESTRA. 1929. 1 reel.

HARRY TATE IN MOTORING. 1929. 2 reels.

HARRY TATE IN SELLING A CAR. 1929. 2 reels.

HARRY TATE IN THE PATENT OFFICE. 1929. 1 reel.

HARRY WARREN. 1933. 1 reel, sd.

Credits: Director, Ray McCarey.

HARRY WAYMAN AND HIS DEBUTANTES. 1928. 1 reel, sd.

THE HART OF THE DREADFUL WEST. SEE Perfectly Fiendish Flanagan.

HARTNEY MERWIN'S ADVENTURE. 1915. 1 reel.

Credits: Producer, E. A. Martin; story, C. Doty Hobart.

HARVEST. 1915. 3 reels.

THE HARVEST OF HATE. (Western Thrill Series) 1928. 5 reels.

Credits: Director, Henry MacRae; story, William Lord Wright, George H. Plympton; continuity, George H. Plympton.

THE HARVESTER. Released by F. B. O. 1927. 8 reels. From the novel by Gene Stratton-Porter.

Credits: Director, Leo Meehan; adaptation, Dorothy Yost.

THE HARVESTER. 1936. 8 reels, sd. From the novel by Gene Stratton-Porter.

Credits: Producer, Nat Levine; supervision, Victor Zobel; director, Joseph Santley; story supervision, David Silverstein; screenplay, Gertrude Orr, Homer Croy; adaptation, Hobert Lee Johnson, Elizabeth Meehan; film editor, Murray Seldeen; music supervision, Harry Grey.

HAS MAN THE RIGHT TO KILL? 1919. 5 reels.

HAS THE WORLD GONE MAD! 1923. 7 reels.

Credits: Director, J. Searles Dawley.

HASH AND HAVOC. 1916. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

HASH AND HAVOC. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

HASH HOUSE BLUES. (Krazy Kat Cartoon) 1931. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Jack Carr; musical score, Joe De Nat.

A HASH HOUSE FRAUD. 1915.

Credits: Producer, Mack Sennett.

HASH HOUSE MASHERS. 1915.

Credits: Producer, Mack Sennett.

THE HASH-HOUSE MYSTERY. Victor. 1917. 2 reels.

Credits: Helmer W. Bergman; director, Harry Myers.

THE HASH SHOP. (Oswald Comedy) (A Walter Lantz Cartoon) 1930. 1 reel, sd.

HASHASHIN, THE INDIFFERENT. SEE The Love Doctor.

HASHIMURA TOGO. 1917. 5 reels. Based on the book by Wallace Irwin.

Credits: Director, William C. De Mille; adaptation, Marion Fairfax.

HASSAN. SEE Lady of the Harem.

A HASTY HAZING. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons, Lee Moran; scenario, Karl Coolidge.

HASTY MARRIAGE. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, Gil Pratt; dialogue, H. M. Walker; editor, Richard Currier.

HAT ACHES. (Krazy Kat Cartoon) 1929. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

HAT CHECK GIRL. 1932. 5,874 ft. From the novel by Rian James.

Credits: Director, Sidney Lanfield; screenplay, Barry Conners, Philip Klein, Arthur Kober; editor, Paul Weatherwax.

HAT, COAT, AND GLOVE. 1934. 7 reels, sd. From the play by Wilhelm Speyer.

Credits: Associate producer, Kenneth MacGowan; director, Worthington Miner; screenplay, Francis Faragoh; editor, Ralph Dietrich; music director, Max Steiner.

THE HATCHET MAN. A First National and Vitaphone Production. 1932. 8 reels. Based on a play by Achmed Abdullah and David Belasco.

Credits: Director, William A. Wellman; screenplay, J. Grubb Alexander.

HATE. 1917. 7 reels.

Credits: Director, Walter Richard Stahl; story, J. Walter Meade.

HATE. 1922. 6 reels.

Credits: Producer, Maxwell Karger; story, Wadsworth Camp; adaptation, June Mathis.

THE HATE SHIP. 1930. 84 min., sd. From the novel by Bruce Graeme [pseud. of Graham Montague Jeffries].

Credits: Director, Norman Walker; scenario, Eliot Stannard; dialogue, Monckton Hoffe.

HATS. 1923. 2 reels.

Credits: Director, Hugh Fay.

HATS AND DOGS. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Cyrus D. Wood, Eddie Forman.

HATS IS HATS. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

HATS OFF. 1924. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Ben Cohn.

HATS OFF. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

HATS OFF. 1936. 8 reels, sd.

Credits: Produced and directed by Boris Petroff; original story and screenplay, Sam Fuller, Edmund Joseph; additional dialogue, Thiele Lawrence; film editor, Harold Stern; music director, Paul Mertz.

HATTA MARRI. (Mack Sennett Comedy Featurettes) Educational Film Exchanges, Inc. 1932. 20 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Felix Adler, Bernie Grossman, Dave Silverstein, Harry McCoy.

HATTON OF HEADQUARTERS. Imp. 1917. 1 reel.

Credits: Constance Crawley, Arthur Maude; director, Donald MacDonald.

HAUNTED; or, WHO KILLED THE CAT. (Variety Comedy) 1929. 2 reels, sd.

Credits: Production and story, Gordon Bostock; director, Philip Tannura; film editor, E. Pfitzenmeier.

THE HAUNTED ATTIC. 1915. 600 ft.

THE HAUNTED BEDROOM. 1913. 1 reel.

Credits: Rita.

THE HAUNTED BEDROOM. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, C. Gardner Sullivan.

THE HAUNTED BELL. Imp. 1916. 2 reels. Adapted from a story by Jacques Futrelle.

Credits: Producer, Henry Otto; adaptation, J. Grubb Alexander.

HAUNTED GOLD. Presented by Leon Schlesinger. 1933. 58 min., sd.

Credits: Associate producer, Sid Rogell; director, Mack V. Wright; screenplay and dialogue, Adele Buffington.

THE HAUNTED HAT. 1915. Split reel.

Credits: Producer, Will Louis.

A HAUNTED HEIRESS. Century. 1925. 2 reels.

Credits: Story, Francis Corby.

THE HAUNTED HOMESTEAD. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, L. V. Jefferson.

THE HAUNTED HOUSE. 1921. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

THE HAUNTED HOUSE. 1922. 2 reels.

Credits: Director, Erle Kenton.

THE HAUNTED HOUSE. Presented by Richard Rowland. 1928. 7 reels. From the play by Owen Davis.

Credits: Director, Benjamin Christenson; story, Richard Bee.

THE HAUNTED HOUSE. (Mickey Mouse Cartoon, no. 2) 1930. 1 reel.

Credits: U. B. Iwerks.

HAUNTED HOUSE. (Your True Adventures) 1939. 12 min., sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

THE HAUNTED ISLAND. 1927-28. 2 reels each. © Universal Pictures Corp. Adapted from the story "Pleasure Island" by Frank R. Adams.

Credits: Director, Robert F. Hill; scenario, George Morgan, Carl Krusada.

1. A Night of Fear. © 29Nov27; LP24717.

2. The Phantom Raider. © 29Nov27; LP24718.

3. A Trail of Terror. © 20Dec27; LP24788.

4. The Haunted Room. © 19Mar28; LP25093.

5. Buried Alive. © 20Mar28; LP25094.

6. A Race with Death. © 20Mar28; LP25095.

7. Fires of Fury. © 5Apr28; LP25130.

8. The Treasure Trap. © 5Apr28; LP25132.

9. Unmasked. © 13Apr28; LP25159.

10. Uncut Diamonds. © 13Apr28; LP25160.

THE HAUNTED LADY. SEE Scandal.

THE HAUNTED PAJAMAS. Presented by Yorke Film Corp. 1917. 5 reels. From the novel by Francis Perry Elliott.

Credits: Director, Fred J. Balshofer.

THE HAUNTED RANGE. 1926. 5 reels.

Credits: Director, Paul Hurst; story, Frank Howard Clark.

THE HAUNTED SHIP. 1927. 5 reels. Suggested by the story "White and Yellow" by Jack London.

Credits: Director, Forrest Sheldon; adaptation, E. Morton Hough.

THE HAUNTED SHIP. (Aesop Fable) 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

1. Bound to the Enemy. © title, descr. & 60 prints, 27Feb23; LU18738.

2. Imperilled at Sea. © title, descr. & 40 prints, 27Feb23; LU18739.

3. Imperilled at Sea. © title, descr. & 40 prints, 22Mar23; LU18795.

4. Into the Earthquake Abyss. © title, descr. & 40 prints, 12May23; LU18959.

5. The Fight at Lost River Dam. © title, descr. & 40 prints, 12May23; LU18960.

6. The Brink of Eternity. © title, descr. & 39 prints, 12May23; LU18961.

7. The Midnight Raid. © title, descr. & 40 prints, 12May23; LU18962.

8. The Radio Trap. © title, descr. & 40 prints, 6Jun23; LU19039.

9. The Ordeal of Fire. © title, descr. & 40 prints, 6Jun23; LU19040.

10. The 100th Day. © title, descr. & 40 prints, 6Jun23; LU19041.

11. Called to Account. © title, descr. & 40 prints, 7Jun23; LU19069.

12. Double Peril. © title, descr. & 40 prints, 7Jun23; LU19070.

13. To Hazardous Heights. © title, descr. & 40 prints, 7Jun23; LU19071.

14. In Desperate Flight. © title, descr. & 40 prints, 19Jul23; LU19214.

15. Disputed Treasure. © title, descr. & 36 prints, 19Jul23; LU19215.

HAUNTING WINDS. Powers. 1915. 1 reel.

Credits: Producer, Carl M. Le Viness; story, G. E. Jenks; scenario, Earl R. Hewitt.

HAVANA WIDOWS. 1933. 7 reels, sd.

Credits: Director, Ray Enright; screenplay, Earl Baldwin; dialogue director, Stanley Logan.

HAVE A DRINK. 1927. 1 reel.

Credits: Editor, Beth Brown.

HAVE-A-HEART. (Cameo Comedy) 1925. 1 reel.

HAVE A HEART. 1934. 8 reels, sd., b&w.

Credits: Producer, John W. Considine, Jr.; director, David Butler; story, B. G. DeSylva, David Butler; additional dialogue and continuity, Florence Ryerson, Edgar Allan Woolf; film editor, Ben Lewis.

HAVE COURAGE. (Billy Dooley Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, William Watson; story, Frank Roland Conklin.

HAVE COURAGE. (A Miniature) 1937. 1 reel, sd., b&w.

Credits: Director, Joseph Sherman.

HAVE MERCY. (Cameo Comedy) 1925. 1 reel.

HAVE PATIENCE. (A Buster Brown Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

HAVE YOU GOT ANY CASTLES. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Jack Miller; animation, Ken Harris; music director, Carl W. Stalling.

HAVE YOU HEARD ABOUT TILLIE? 1916. 1 reel.

Credits: Daisy Eloise Smith; director, David Smith.

Credits: Scenario, Anthony W. Coldewey.

HAVING WONDERFUL TIME. 1938. 70 min., sd. Adapted from the play by Arthur Kober as produced by Marc Connelly.

Credits: Producer, Pandro S. Berman; director, Alfred Santell; screenplay, Arthur Kober; editor, William Hamilton; music director, Roy Webb.

THE HAVOC. 1916. 5 reels.

Credits: H. S. Sheldon; director, Arthur Berthelet.

HAVOC. 1925. 9 reels.

Credits: Director, Rowland V. Lee; story, Henry Wall; scenario, Edmund Goulding.

HAWAII FROM THE CAR WINDOW. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1927. 1 reel.

HAWAII THE BEAUTIFUL. (World Geography Series) 1928. 1 reel.

Credits: Duncan Underhill.

HAWAIIAN BIRDS. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Sam Stimson.

HAWAIIAN BUCKAROO. 1938. 7 reels, sd.

Credits: Producer, Sol Lesser; director, Ray Taylor; original story and screenplay, Dan Jarrett; film editor, Bert Jordan; musical supervision, Abe Meyer.

HAWAIIAN CAPERS. Mentone, 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands and Marko.

HAWAIIAN FANTASY. 1933. 1 reel, sd.

HAWAIIAN HOLIDAY. (A Walt Disney Mickey Mouse) 1937. 1 reel.

THE HAWAIIAN ISLANDS. (Ford Educational Library. United States Possessions) Ford Motion Picture Laboratories. 1925. 1 reel.

THE HAWAIIAN ISLANDS. 1928. 1 reel.

HAWAIIAN ISLANDS. 1934. 987 ft. A revision of the 1928 release.

HAWAIIAN NIGHTS; Hawaiian Beach Scene, Hawaiian Orchestra, Dances, and Singing. 1927. 1 reel.

HAWAIIAN NIGHTS. 1939. 7 reels, sd.

Credits: Director, Albert S. Rogell; original story, John Grey; screenplay, Charles Grayson, Lee Loeb; film editor, Otto Ludwig; music director, Charles Previn.

HAWAIIAN NUTS. Joker. 1917. 1 reel.

Credits: Written and directed by William Beaudine; scenario, R. A. Dillon.

HAWAIIAN PINEAPPLES. (Terrytoons) 1930. 1 reel.

HAWAIIAN ROMANCE. (Columbia-Victor Gems) 1930. 1 reel, sd.

Credits: Director, Harry Revier; adaptation and dialogue, Mabel Z. Carroll.

THE HAWK. 1917. 5 reels. From the play "L'Epervier" by Francis De Croisset.

Credits: Director, Paul Scardon; adaptation, Garfield Thompson.

HAWK ISLAND. SEE Midnight Mystery.

HAWK OF THE HILLS. 1927. 2 reels each. © Pathe Exchange, Inc.

Credits: Director, Spencer Gordon Bennet; story and screen version, George Arthur Gray.

1. The Outlaws. © 17Aug27; LP24304.

2. In the Talons of the Hawk. © 17Aug27; LP24305.

3. Heroes in Blue. © 17Aug27; LP24306.

4. The Attack. © 18Aug27; LP24307.

5. The Danger Trail. © 17Sep27; LP24433.

6. The Death Menace of Lost Canyon. © 19Sep27; LP24434.

7. Demons of the Darkness. © 21Sep27; LP24435.

8. Doomed to the Arrows. © 3Oct27; LP24481.

9. The House of Horror. © 6Oct27; LP24482.

10. The Triumph of Law and Love. © 12Oct27; LP24523.

HAWK OF THE WILDERNESS. 1938-39. 2 reels each, sd. Based on the novel by William L. Chester.

Credits: Associate producer, Robert Beche; directors, William Witney, John English; original screenplay, Barry Shipman, Rex Taylor, Norman Hall; film editors, Helene Turner, Edward Todd; music score, William Lava.

1. Mysterious Island.

2. Flaming Death.

3. Tiger Trap.

4. Queen's Ransom.

5. Pendulum of Doom.

6. The Dead Fall.

7. White Man's Magic.

8. Ambushed.

9. Marooned.

10. Camp of Horror.

11. Valley of Skulls.

12. Trail's End.

HAWKINS & WATKINS, INC. (A Mack Sennett Comedy) 1932. 2 reels, sd.

Credits: Director, Michael Emmes.

HAWK'S MATE. SEE Central Airport.

THE HAWK'S NEST. Presented by Richard A. Rowland. 1928. 2 reels.

Credits: Director, Benjamin Christensen; story, Wid Gunning.

1. False Faces.

2. The Superman.

3. Yellow Shadows.

4. Stained Hands.

5. The House of Fear.

6. The Room Above.

7. The Bargain.

8. The Phantom Melody.

9. The Lure.

10. The Swoop.

11. One Fatal Step.

12. Tides That Tell.

13. Face to Face.

14. The Substitute.

15. The Showdown.

HAWTHORNE OF THE U. S. A. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels. From the play by James B. Fagan.

Credits: Director, James Cruze; scenario, Walter Woods.

HAY FEVER, SNAKE RIVER, and SQUIRREL FOOD. Comedy Art. 1920. 2 reels.

Credits: Producer, Ward Lascelle; directors, W. Hayes, I. Luddy.

THE HAY RIDE. SEE Kiko the Kangaroo in The Hay Ride.

HAYFOOT, STRAWFOOT. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerry Storm; story, Julien Josephson.

THE HAYSEED. Paramount-Arbuckle. Comique Film Corp. Presented by Joseph M. Schenck. 1919. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

THE HAYSEED. 1921. 2 reels.

Credits: Director, Ferris Hartman.

HAYSEED ROMANCE. Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Direction and story, Charles Lamont; dialogue and continuity, Glen Lambert.

HAY WIRE. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

A HAZARDOUS COURTSHIP. 1915. 1,000 ft.

Credits: Sidney S. Booth; director, Will Louis.

HAZARDOUS OCCUPATIONS. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

HAZARDS AND HOME RUNS. 1917. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

HAZARDS AND HOME RUNS. 1919. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

HAZEL GREEN AND COMPANY, PLAYING: A. I'VE GROWN SO LONELY [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

Credits: Steele MacKaye.

HE ALMOST ELOPED. Nestor. 1916. 1 reel.

Credits: Edwin Ray Coffin; producer, Al. E. Christie.

HE BECAME A REGULAR FELLOW. Victor. 1916. 1 reel.

Credits: Ben Cohn; director, Roy Clements.

HE BUYS A JITNEY. 1916. 1 reel.

Credits: Animation, Leon Searl.

HE COMES UP SMILING. 1918. 5 reels.

Credits: Byron Quigley, Emil Mytray; director, Allan Dwan; scenario, Frances Marion.

HE COULD TAKE IT. SEE A Failure at Fifty.

HE COULDN'T EXPLAIN. 1915. 400 ft.

HE COULDN'T FOOL HIS MOTHER-IN-LAW. Joker. 1915. 1 reel.

Credits: Written and produced by Allen Curtis.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

HE COULDN'T GET UP IN THE MORNING. 1917. 1 reel.

HE COULDN'T HELP IT. Released by F. B. O. 1927. 2 reels.

Credits: Producers and directors, Charley Bowers, H. L. Muller.

HE COULDN'T SAY NO. 1937. 7 reels. Taken from the play by Joseph Schrank; based on the short story by Norman Matson.

Credits: Director, Lew Seiler; screenplay, Robertson White, Joseph Schrank, Ben Grauman Kohn.

HE COULDN'T TAKE IT. 1934. 7 reels, sd.

Credits: Producer, W. T. Lackey; director, William Nigh; story and screenplay, Dore Schary; additional dialogue, George Waggner.

HE DANCED HIMSELF TO DEATH. 1914. 2 reels.

Credits: Director, Ralph Ince.

HE DID HIS BEST. Presented by Al Christie. 1929. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Wilson Collison; adaptation, Alfred A. Cohn; film editor, Sid Walsh.

Credits: James O. Walsh, Rex A. Taylor, Joseph A. Richmond.

HE DONE HIS BEST. 1926. 2 reels.

Credits: Written and directed by Charley Bowers, H. L. Muller, Ted Sears.

HE DONE HIS DUTY. 1937. 2 reels, sd.

Credits: Director, Charles Lamont; story and scenario, Ewart Adamson.

HE FELL IN A CABARET. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Walter E. Mair.

HE FELL IN LOVE WITH HIS MOTHER-IN-LAW. 1913. 1 reel.

Credits: Director, Bert Angeles.

HE FELL IN LOVE WITH HIS WIFE. 1916. 5 reels. Adapted from the book by E. P. Roe.

Credits: Producer, W. D. Taylor; adaptation, Bosworth, Inc.

HE FELL IN THE PARK. Nestor. 1915. Split reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

HE GAVE HIM A MILLION. 1914. Split reel.

HE GOT HIMSELF A WIFE. 1915. 1 reel.

Credits: Director, George Stanley.

HE GOT HIS. Presented by Victor Moore. 1918. 1 reel.

Credits: Director, Harry Jackson; story, Rex Taylor.

HE GOT THERE AFTER ALL. 1917. 1 reel.

Credits: Carolyn Wells; producer, Harry Jackson.

HE HAD 'EM BUFFALOED. 1917. 1 reel.

Credits: Director, W. W. Beaudine; story, C. B. Hoadley.

HE HAD TO CAMOUFLAGE. 1917. 1 reel.

Credits: A. Van Buren Powell; director, Wesley H. Ruggles.

HE KNEW WOMEN. Radio. 1930. 6,317 ft., sd. From the play by S. N. Behrman.

Credits: Producer, William Le Baron; director, Hugh Herbert; screenplay, William Jutte, Hugh Herbert; editors, Ann McKnight, George Marsh.

HE LAUGHS LAST. 1920. 2 reels.

Credits: Story and direction, Jess Robbins.

HE LEARNED ABOUT WOMEN. 1932. 7 reels, sd.

Credits: Story and direction, Lloyd Corrigan; screenplay, Harlan Thompson, Ray Harris.

HE LEFT HER WITH THE BEAR BEHIND. 1920. 1 reel.

HE LOVED AN ACTRESS. 1938. 7 reels, sd.

Credits: Producer, William Rowland; director, Melville Brown; screenplay, John Meehan, Jr.

HE LOVED HER NOT. 1930. 2 reels, sd.

Credits: Producer, Lou Brock; director, George E. Marshall; story and dialogue, Beatrice Van, Lloyd French; film editor, Ted Cheesman.

HE LOVED HER SO. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

HE LOVED LIKE HE LIED. Rainbow. 1920. 2 reels.

Credits: Director, Mal St. Clair.

HE LOVED THE LADIES. 1929. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Forbes Dawson.

HE MADE HIS MARK. 1914. Split reel.

A HE MALE VAMP. (Rainbow Comedy) 1920. 2 reels.

Credits: Director, W. H. Watson.

HE-MAN HOCKEY. (Bill Cunningham Sports Review) 1931. 10 min.

Credits: Director, Howard C. Brown.

HE MEANT WELL. 1916. 1 reel.

Credits: Thomas J. Gray; producer, Harvey Jackson.

HE NEVER KNEW. 1914. 2 reels.

Credits: Director, Ralph Ince; story, Bessie Boniel.

HE NEVER TOUCHED ME. 1917. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

HE NEVER TOUCHED ME. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

HE SWORE OFF SMOKING. 1912. 525 ft.

HE TRIED TO PLEASE (Cameo Comedy) 1927. 1 reel.

Credits: Director, Harry Sweet.

HE TRUMPED HER ACE. (Educational-Mack Sennett Talking Comedies) 1930. 21 min., sd.

Credits: Supervision, Mack Sennett; director, A. Leslie Pearce; story and dialogue, John A. Waldron, Harry McCoy, Earle Rodney.

HE WAITS FOREVER. 1914. 1,000 ft.

HE WANTED CHICKENS. 1914. 600 ft.

HE WANTED HIS PANTS. 1914. Split reel.

HE WAS HER MAN. 1931. 2 reels, sd.

Credits: Written and directed by Dudley Murphy.

HE WAS HER MAN. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, Lloyd Bacon; story, Robert Lord; screenplay, Tom Buckingham, Niven Busch.

HE WAS HER MAN. (Merrie Melodies) 1937. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Paul Smith, Cal Dalton; music, Carl W. Stalling.

HE WAS NO LADY. Nestor. 1919. 1 reel.

Credits: Written and directed by Harry Hulze.

HE WAS ONLY A BATHING SUIT SALESMAN. Victor. 1915. 3 reels.

Credits: Producer, Harry C. Myers.

HE WENT IN LIKE A LION AND CAME OUT LIKE A LAMB. 1920. 1 reel.

HE WHO GETS CROWNED. (Jimmy Aubrey) (Second Series, no. 7) 1925. 2 reels.

HE WHO GETS SLAPPED. Metro-Goldwyn-Mayer Corp. Presented by Louis B. Mayer. 1924. 7 reels, b&w, amber sequences. Adapted from the play by Leonid Andreyev.

Credits: Producer and director, Victor Seastrom; scenario and adaptation, Carey Wilson, Victor Seastrom; film editor, Hugh Wynn.

HE WHO GETS SOCKED. (Earl Hurd Comedy) (Pen and Ink Vaudeville) 1925. 1 reel.

Credits: Direction and scenario, Twede-Dan [pseud. of F. Perez].

HE WOULD FIX THINGS. 1913. 1 reel.

Credits: Alice Williams.

HE WOULDN'T STAY DOWN. 1915.

Credits: Producer, Mack Sennett.

HE WOULDN'T SUPPORT HIS WIFE. Joker. 1915. 1 reel.

Credits: Written and produced by Allen Curtis.

HE WOULDN'T WEAR GLASSES. Metro-Rolma. 1916. 1 reel.

Credits: Mark Swan.

HE WROTE A BOOK. Victor. 1916. 1 reel.

Credits: Haywood Mack; producer, William Garwood.

HEAD AND SHOULDERS. SEE The Chorus Girl's Romance.

THE HEAD GUY. (Hal Roach Comedy) 1929. 932 ft., sd., b&w.

Credits: Director, Fred L. Guiol; story, H. M. Walker; film editor, Richard Currier.

THE HEAD MAN. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Director, Eddie Cline; story, Harry Leon Wilson; adaptation, Harvey Thew; continuity, Howard Green, Harvey Thew.

THE HEAD MAN WITH HUGH O'CONNELL AND KITTY KELLY. 1930. 1 reel.

THE HEAD OF THE FAMILY. Rex. 1916. 1 reel.

Credits: William Addison Lathrop; producer, Ben Wilson.

THE HEAD OF THE FAMILY. Gotham. Presented by Sam Sax. 1928. 7 reels. From the Saturday Evening Post story by George Randolph Chester.

Credits: Associate producer, Harold Shumate; director, Joseph C. Boyle.

THE HEAD OF THE FAMILY. 1929. 1 reel, sd.

HEAD OVER HEELS. 1922. 5 reels. Based on the musical play by Edgar Allan Woolf. Suggested by the story "Shadows" by Nalbro Bartley.

Credits: Directors, Victor L. Schertzinger, Paul Bern.

HEAD OVER HEELS. 1925. 2 reels.

Credits: Director, Roy Del Ruth.

HEAD OVER HEELS IN LOVE. 1937. 9 reels, sd. From the play "Pierre ou Jack" by François de Croisset.

Credits: Director, Sonnie Hale; adaptation, Fred Thompson, Dwight Taylor; scenario, Marjorie Gaffney; dialogue, Dwight Taylor; editor, Al Barnes; music and lyrics, Mack Gordon, Harry Revel; music director, Louis Levy.

THE HEAD WAITER. 1919. 2 reels.

Credits: Story and direction, Larry Semon.

HEAD WINDS. Jewel. 1925. 6 reels. Adapted from the novel by A. M. Sinclair Wilt.

Credits: Director, Herbert Blache; screenplay, Edward T. Lowe, Jr.

HEAD WORK. 1929. 1 reel, sd.

Credits: Bugs Baer, Al Beasberg.

THE HEADACHE. 1931. 2 reels, sd.

Credits: Director, Howard Bretherton; story, Bill House.

HEADED FOR A HEARSE. SEE The Westland Case.

HEADIN' EAST. 1937. 7 reels, sd.

Credits: Producer, L. G. Leonard; director, Ewing Scott; original story, Joseph Hoffman, Monroe Shaff; screenplay, Ethel La Blanche; film editor, Robert Crandall; music director, Morris Stoloff.

HEADIN' FOR THE RIO GRANDE. Presented by Edward L. Alperson. 1936. 6 reels, sd.

Credits: Producer, Edward Finney; director, Robert N. Bradbury; story, Lindsley Parsons; screenplay, Robert Emmett.

HEADIN' FOR TROUBLE. 1931. 6 reels, sd.

Credits: Story and dialogue continuity, George Morgan.

HEADIN' NORTH. 1930. 6 reels, sd.

Credits: Producer, Trem Carr; story, adaptation, and direction, J. P. McCarthy.

HEADIN' SOUTH. 1918. 5 reels.

Credits: Director, Arthur Rosson; story, Allan Dwan.

HEADIN' SOUTH. SEE Three Brox Sisters in Headin' South.

Credits: Directors, Leo D. Maloney, Bob Williamson; editor, Fred Bain.

HEADIN' WEST. 1922. 5 reels.

Credits: Director, William J. Craft; story and scenario, Harvey Gates.

HEADING FOR DANGER. 1928. 6 reels.

Credits: Director, Robert North Bradbury; story and continuity, Frank Howard Clark.

THE HEADLESS HORSEMAN. 1934. 1 reel.

Credits: Director, Ub Iwerks.

THE HEADLEYS AT HOME. 1938. 7 reels, sd. From the play "Among Those Present" by Carrington North and William Miles.

Credits: Director, Chris Beute; screenplay, Carrington North, William Miles, Nicholas Bela.

HEADLINE SHOOTER. 1933. 7 reels, sd. Suggested by a story "Muddy Waters" by Wallace West.

Credits: Associate producer, David Lewis; director, Otto Brower; screenplay, Agnes Christine Johnston, Allen Rivkin; additional dialogue, Arthur Kober; editor, Fred Knudtson; music director, Max Steiner.

THE HEADLINE WOMAN. Presented by Nat Levine. 1935. 8 reels, sd.

Credits: Supervisor, Victor Zobel; director, William Nigh; story and screenplay, Jack Natteford, Claire Church; film editor, Joseph Lewis.

HEADS UP. Released by F. B. O. 1925. 6 reels.

Credits: Director, Harry Garson; story, A. B. Barringer; continuity, Rob Wagner.

HEADS UP. 1930. 9 reels, sd. Based on the musical play by John McGowan, Paul Gerard Smith, Richard Rodgers and Lorenz Hart.

Credits: Director, Victor Schertzinger; screenplay, John McGowan, Jack Kirkland; continuity, Louis Stevens.

HEADS WIN. 1919. 6 reels.

Credits: Director, Preston Kendall; story, G. Lynn Sumner.

THE HEALER. 1935. From the novel by Robert Herrick.

Credits: Director, Reginald Barker; continuity and dialogue, George Waggner; adaptation, James Fox Millen, John Goodrich; editor, Jack Ogilvie.

HEALTH AND ALCOHOL. 1934. Filmstrip, 140 frames. Contents:—pt. 1. Alcohol and Life.—pt. 2. Alcohol and the Human Body.—pt. 3. Alcohol and Life Insurance, Heredity, Finance, Personal Liberty, and As Medicine.

THE HEALTH FARM. SEE Farmer Al Falfa in The Health Farm.

HEALTH INSURANCE FOR YOU AND YOURS. 1930. 1 reel.

HEALTH PROTECTION. 1938. 1 reel, sd.

THE HEALTH ROAD. Imp. 1916. 1 reel.

Credits: Written and produced by Allen J. Holubar.

HEALTHFUL HEAT. 1938. 1 reel, sd.

THE HEALTHIEST SPOT IN INDIA. 1917. 550 ft.

HEALTHY AND HAPPY. 1919. 2 reels.

Credits: Director, Noel Smith.

HEALTHY, WEALTHY, AND DUMB. 1938. 2 reels.

Credits: Director, Del Lord; story and screenplay, Searle Kramer.

Credits: Director, Louis Marlowe; film editor, W. Kislingbury; music director, Samuel Benavie.

HEAR 'EM AND WEEP. 1933. 2 reels, sd.

Credits: Written and directed by Joseph Santley; music director, Harold Levey.

HEAR YE! HEAR YE! 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

HEARST METROTONE NEWS. 1929. 1 reel each. © William Randolph Hearst.

200. © 28Sep29; MP995.

201. © 3Oct29; MP996.

202. © 5Oct29; MP997.

203. © 10Oct29; MP998.

204. © 12Oct29; MP999.

205. © 17Oct29; MP1000.

HEARST NEWSPAPER RADIO KIDS OF THE WJZ CHILDREN'S HOUR IN A SONG RECITAL. 1927. 1 reel.

HEART AND CIRCULATION. 1937. 1 reel, sd.

HEART AND SOUL. 1917. For Fox Film Corp. 5 reels. Adapted from the novel "Jess" by Sir Rider Haggard.

Credits: Director, J. Gordon Edwards; scenario, Adrian Johnson.

A HEART AWAKENED. 1915. 1 reel.

Credits: Producer, George W. Terwilliger.

THE HEART BANDIT. 1924. 5 reels. Based on "Angel-Face Molly" by Fred Kennedy Myton.

Credits: Director, Oscar Apfel; adaptation and continuity, Tom J. Hopkins.

THE HEART BREAKER. Big U. 1915. 2 reels.

Credits: Raymond L. Schrock; producer, Lorimer Johnston.

THE HEART BREAKER. SEE Eddie Foy, Jr. in The Heart Breaker.

HEART BREAKERS. (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson; scenario, W. Scott Darling.

THE HEART BUSTER. 1924. 5 reels.

Credits: Director, Jack Conway; story, George Scarborough; scenario, John Stone.

THE HEART IS YOUNG. SEE The False Madonna.

Credits: Gelett Burgess.

HEART O' THE HILLS. First National. 1919. 6 reels. Adapted from the story by John Fox, Jr.

Credits: Director, Sidney A. Franklin.

THE HEART OF A BANDIT. 1915. 1 reel.

Credits: Producer, Harold Shaw.

THE HEART OF A CHILD. Red Feather. 1916. 5 reels. Based on the novel by Frank Danby [pseud. of Julia Davis Frankau].

Credits: Director, Harold Shaw.

THE HEART OF A CHILD. 1920. 6 reels. Based on the novel by Frank Danby [pseud. of Julia Davis Frankau].

Credits: Director, Ray C. Smallwood; scenario, Charles Bryant.

THE HEART OF A FOLLIES GIRL. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer and director, John Francis Dillon; story, Adela Rogers St. Johns; adaptation, Gerald C. Duffy; continuity, Charles A. Logue.

THE HEART OF A FOOL. 1916. 3 reels.

Credits: Director, Harry Davenport.

Credits: Director, John G. Adolfi.

THE HEART OF A GYPSY. 1919. 5 reels. Founded on the story "The Romany Call" by Elizabeth Ethel Donoher.

Credits: Director, Henry McRae Webster.

Credits: Director, Emile Chautard.

THE HEART OF A LION. 1917. 7 reels. Adapted from the story "The Doctor" by Ralph Connor [pseud. of Charles William Gordon].

Credits: Scenario and direction, Frank Lloyd.

THE HEART OF A MERMAID. Imp. 1915. 3 reels.

Credits: Elaine Sterne; producer, Lucius Henderson.

THE HEART OF A PAINTED WOMAN. 1915. 5 reels.

THE HEART OF A SHOW GIRL. Universal Special. 1916. 2 reels.

Credits: Bess Meredyth; director, William Worthington.

HEART OF A SIREN. Sawyer-Lubin. Presented by Associated Pictures Corp. 1925. 7 reels. Adapted from the play "Hail and Farewell" by William Hurlburt.

Credits: Supervision, Arthur H. Sawyer; director, Phil Rosen; adaptation, Frederic and Fanny Hatton.

HEART OF A TEMPTRESS. Sawyer-Lubin. Presented by Associated Pictures Corp. 1925. 7 reels. Adapted from the play "Hail and Farewell" by William Hurlburt.

Credits: Supervision, Arthur H. Sawyer; director, Phil Rosen; adaptation, Frederic and Fanny Hatton.

THE HEART OF A THIEF. SEE Paths to Paradise.

THE HEART OF A TIGRESS. Bison. 1915. 3 reels.

Credits: Director, Norval McGregor; story, Paul Bourgeois.

Credits: Producer, Bruce Mitchell; scenario, Anthony W. Coldewey.

THE HEART OF A WAIF. 1915. 1 reel.

Credits: Richard R. Neill; director, Charles M. Seay.

THE HEART OF AN ACTRESS. 1915. 1 reel.

THE HEART OF ARIZONA. 1921. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George H. Plympton.

HEART OF ARIZONA. 1938. 7 reels.

Credits: Clarence E. Mulford; producer, Harry Sherman; director, Lesley Selander; screenplay and dialogue, Norman Houston.

THE HEART OF BONITA. Laemmle. 1916. 2 reels.

Credits: Written and produced by Lynn Reynolds.

THE HEART OF CERISE. Rex. 1915. 3 reels. An adaptation from the book "The Spitfire."

Credits: Producer, Joseph De Grasse; scenario, Mollie Elliott Seawell.

THE HEART OF GENERAL ROBERT E. LEE. Presented by Herbert T. Kalmus. 1928. 2 reels, sd., color.

Credits: Producer, Herbert T. Kalmus; director, R. William Neill; scenario, Leon Abrams.

HEART OF GOLD. Gold Seal. 1917. 2 reels.

Credits: Director, George Sargent; story, Charles J. Wilson, Jr.; scenario, Karl R. Coolidge.

Credits: Director, Travers Vale; story, Lucy Sarver; scenario, Clara S. Beranger.

THE HEART OF HUMANITY. 1919. 8 reels.

Credits: Director, Allen Hollubar; story, Allen Hollubar, Olga Scholl.

THE HEART OF JIM BRICE. 1915. 1 reel.

Credits: Director, Maurice Costello.

THE HEART OF MARY ANN. Victor. 1917. 1 reel.

Credits: Story and direction, Ruth Stonehouse; scenario, Fred Myton.

THE HEART OF MARYLAND. 1915. 6 reels.

Credits: David Belasco; director, Herbert Brenon.

THE HEART OF MARYLAND. 1921. 7 reels. From the play by David Belasco.

Credits: Director, Tom Terriss; adaptation, William B. Courtney.

THE HEART OF MARYLAND. 1927. 7 reels. Based on the play by David Belasco.

Credits: Director, Lloyd Bacon; scenario, Graham Baker.

THE HEART OF NEW YORK. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 8 reels. Based on the play "Mendel, Inc." by David Freedman.

Credits: Director, Mervyn LeRoy; adaptation and dialogue, Arthur Caesar, Houston Branch.

THE HEART OF NIGHT WIND. SEE Big Timber.

THE HEART OF NORA FLYNN. 1916. 5 reels. Adapted from the story by Hector Turnbull.

Credits: Jeanie Macpherson; producer, Cecil B. De Mille.

THE HEART OF PARIS. (E. M. Newman's Musical World Journeys) The Vitaphone Corp. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

THE HEART OF PARO. 1915. 1 reel.

Credits: Producer, Thomas Santschi; scenario, Emma Bell.

THE HEART OF PAULA. 1916. 5 reels.

THE HEART OF ROMANCE. 1918. 5 reels.

Credits: Director, Harry Millarde; story, Frances Crowley; scenario, Adelaide Leitzbach.

THE HEART OF SALOME. Presented by William Fox. 1927. 6 reels. From the novel by Allen Raymond.

Credits: Director, Victor Schertzinger; scenario, Randall H. Faye; film editor, Margaret V. Clancey.

Credits: Producer, Harold Shaw.

THE HEART OF SONNY JIM. 1913. 1 reel.

Credits: Director, Tefft Johnson.

THE HEART OF TEXAS RYAN. 1917. 5 reels.

Credits: Gilson Willets; director, E. A. Martin.

THE HEART OF THE BLUE RIDGE. SEE The Savage Instinct.

HEART OF THE DESERT. SEE The Red, Red Heart.

THE HEART OF THE HILLS. 1916. 5 reels. Adapted from the novel "The Girl from the East" by David Whitelaw.

Credits: Director, Richmond Ridgely.

THE HEART OF THE NORTH. Presented by George H. Davis. 1921. 6 reels.

Credits: Producer and director, Harry J. Revier; story, Edward V. Dowling.

HEART OF THE NORTH. First National. 1938. 9 reels, sd., color. Based on a novel by William Byron Mowery.

Credits: Director, Lewis Seller; screenplay, Lee Katz, Vincent Sherman.

HEART OF THE ROCKIES. 1937. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Director, Joseph Kane; original story, Bernard McConville; screenplay, Jack Natteford, Oliver Drake.

THE HEART OF THE SHERIFF. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

HEART OF THE SIERRAS. (World on Parade, no. 3) 1936. 1 reel.

HEART OF THE WEST. Presented by Adolph Zukor. 1936. 7 reels. From a novel by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; screenplay, Doris Schroeder.

HEART OF THE WILDS. Artcraft. Presented by Adolph Zukor. 1918. 5 reels. Based on the play "Pierre of the Plains" by Edgar Selwyn.

Credits: Director, Marshall A. Neilan; scenario, Charles Maigne.

THE HEART OF VALESKA. 1913. 1 reel.

Credits: M. M. Katterjohn.

THE HEART OF VALESKA. (Movie Tintypes—Screen Hits of Yesteryear) 1934. 1 reel, sd.

THE HEART OF VIRGINIA KEEP. 1916. 3 reels.

Credits: Director, Richard Foster Baker; story, Edwin Baird; adaptation, H. Tipton Steck.

THE HEART OF WETONA. Select Pictures Corp. 1918. 6 reels. From the play by George Scarborough.

Credits: Director, Sidney A. Franklin.

THE HEART OF YOUTH. 1919. 5 reels.

Credits: Beulah Marie Dix; director, Robert Vignola.

THE HEART OF YOUTH. SEE First Love.

HEART PUNCH. Presented by George W. Weeks. 1932. 7 reels, sd.

Credits: Director, Breezy Eason; assistant director, Albert Benham; story, Frank Howard Clark; adaptation and dialogue, John Thomas Neville; editor, Jeanne Spencer.

THE HEART RAIDER. Paramount. Presented by Adolph Zukor. 1923. 5,075 ft. Based on the story "Arms and the Girl" by H. R. Durant and Julie Herne.

Credits: Director, Wesley Ruggles; scenario, Jack Cunningham.

THE HEART SNATCHER. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; directors, Roy Del Ruth, K. G. McLean.

HEART SONG. Fox-Gaumont-British-Ufa. 1934. 81 min., sd.

Credits: Felix Salten, Walter Reisch, Robert Liebmann; producer, Erich Pommer; supervision and dialogue, Robert Stevenson, John Heygate; director, Friedrich Hollaender.

THE HEART SPECIALIST. 1922. 5 reels.

Credits: Mary Morrison; director, Frank Urson; screen version, Harvey Thew.

HEART STRINGS. 1920. 6 reels.

Credits: Director, J. Gordon Edwards; story, Henry Albert Phillips; scenario, E. Lloyd Sheldon.

THE HEART THIEF. Released by Producers Distributing Corp. Presented by John C. Flinn. 1927. 6 reels. From the play "The Highwayman" by Lajos Biro.

Credits: Director, Nils Olaf Chrisander; adaptation, Gladys Unger; continuity, Sonya Levien; translation, James Burrell.

HEART TO HEART. 1928. 7 reels.

Credits: Producer and director, William Beaudine; story, Juliet Wilbor Tompkins; continuity, Adelaide Heilbron.

A HEART TO LET. 1921. 5 reels. Adapted from the novel "Agatha's Aunt" by Harriet L. Smith and the play by Sidney Toler.

Credits: Director, Edward Dillon.

HEART TROUBLE. 1915. 1 reel.

HEART TROUBLE. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

HEART TROUBLE. Presented by Harry Langdon Corp. 1928. 6 reels.

Credits: Director, Harry Langdon; story, Arthur Ripley; scenario, Earle Rodney, Clarence Hennecke.

THE HEART WRECKER. Imp. 1916. 1 reel.

Credits: William Addison Lathrop; director, George Ridgwell.

HEARTACHES. Laemmle. 1916. 2 reels.

Credits: Grant Carpenter; producer, L. B. Carleton.

HEARTBREAK. 1931. 5,300 ft., sd.

Credits: Associate producer, William Goetz; director, Alfred Werker; story, Llewellyn Hughes; adaptation and dialogue, William Conselman; editor, Margaret Clancy.

THE HEART BREAKER. 1925. 2 reels.

Credits: Director, Ben Stoloff.

HEARTBROKEN SHEP. 1913. 1 reel.

Credits: Directors, L. Rogers Lytton, James Young.

HEARTBURN. 1934. 2 reels.

Credits: Director, James W. Horne; story, Albert Austin, James W. Horne.

HEARTS. SEE Pretty Ladies.

HEARTS ABLAZE. 1915. 3 reels.

Credits: Director, Lorrimer Johnston.

Credits: Director, James Young; story, John Oxenham, Owen Davis; dramatized by Owen Davis.

HEARTS AFLAME. Presented by Louis B. Mayer. 1923. 9 reels. Adapted from the novel "Timber" by Harold Titus.

Credits: Producer and director, Reginald Barker; story, Harold Titus; scenario, J. G. Hawks, L. G. Rigby.

HEARTS AND CLUBS. Joker. 1915. 1 reel.

Credits: Producer, Roy McRay; scenario, Tom Walsh.

HEARTS AND CLUBS. (Star Comedy) 1920. 1 reel.

Credits: Director, James Davis.

HEARTS AND DIAMONDS. 1914. 2 reels.

Credits: Director, George D. Baker.

Credits: Producer, H. C. Weaver; director, Lloyd Ingraham; continuity, Paul Schofield; editor, Peter L. Shamray.

HEARTS AND FLAMES. L-Ko. 1915. 2 reels.

Credits: Director, Harry Edwards.

HEARTS AND FLOUR. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

HEARTS AND FLOUR. (Star Comedy) 1921. 1 reel.

Credits: Director, Vin Moore.

HEARTS AND FLOWERS. 1914. 5 reels.

HEARTS AND FLOWERS. 1919. 2 reels.

Credits: Director, Eddie Cline.

HEARTS AND HAMMERS. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Harry Edwards; story, Harry Wulze.

HEARTS AND HOOFS. (Rodeo Comedies) 1930. 2 reels, sd.

Credits: Producer, E. B. Derr; written and directed by Wallace Fox; film editors, Joseph Kane, D. A. Cutler; music director, Josiah Zuro.

HEARTS AND LET-US. (Star Comedy) 1918. 1 reel.

Credits: Story and production, Lyons-Moran.

HEARTS AND MASKS. 1914. 3 reels. From the novel by Harold MacGrath.

Credits: Producer, Colin Campbell.

HEARTS AND MASKS. 1920. 5 reels. From the novel by Harold MacGrath.

Credits: Director, William A. Seiter.

HEARTS AND PLANETS. 1915.

Credits: Producer, Mack Sennett.

HEARTS AND ROSES. 1915. 3 reels.

HEARTS AND SADDLES. 1917. For Fox Film Corp. 2 reels.

Credits: Directors, Tom Mix, Bob Eddy.

HEARTS AND SPANGLES. Gotham. 1926. 6 reels.

Credits: Director, Frank O'Connor; story, Norman Houston; adaptation, James J. Tynan; continuity, Henry McCarty.

HEARTS AND SPURS. 1925. 5 reels.

Credits: Director, William S. Van Dyke; story, Jackson Gregory; scenario, John Stone.

HEARTS AND THE HIGHWAY. 1915. 5 reels.

Credits: Director, Wilfred North.

HEARTS ARE THUMPS. (Hal Roach Our Gang Comedy) 1937. 951 ft., sd., b&w.

Credits: Director, Gordon Douglas; film editor, Bert Jordan.

HEARTS ARE TRUMPS. 1920. 6 reels. From stage play by Cecil Raleigh.

Credits: Director, Rex Ingram; screenplay, June Mathis.

HEART'S DESIRE. 1915. 1 reel.

Credits: Director, F. J. Grandon.

HEART'S DESIRE. 1917. 5 reels.

Credits: Director, Francis J. Grandon; story, Shannon Fife.

HEARTS DIVIDED. Released by First National Productions Corp. and the Vitaphone Corp. 1936. 9 reels, sd.

Credits: Director, Frank Borzage; screenplay, Laird Doyle, Casey Robinson; music and lyrics, Harry Warren, Al Dubin.

HEARTS FOR RENT. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

HEART'S HUNGER. 1915. 1 reel.

HEARTS IN BONDAGE. 1936. 8 reels.

Credits: Supervision, Colbert Clark; director, Lew Ayres; original story, Wallace Macdonald; screenplay, Bernard Schubert, Olive Cooper; adaptation, Karl Brown.

HEARTS IN DIXIE. Presented by William Fox. 1929. 8 reels.

Credits: Producer and director, Paul Sloane; story and scenario, Walter Weems.

HEARTS IN EXILE. 1929. 9 reels. From the story by John Oxenham.

Credits: Director, Michael Curtiz; adaptation, Harvey Gates.

HEARTS IN EXILE. Trailer. 1929. 1 reel.

HEARTS IN EXILE. SEE Hearts Afire.

HEARTS IN HOCK. 1919. 2 reels.

Credits: Story, Charles Parrott.

HEARTS OF GOLD. 1914. 1 reel.

HEARTS OF MEN. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

HEARTS OF OAK. 1924. 6 reels.

Credits: Director, John Ford; story, James A. Hearne; scenario, Charles Kenyon.

HEARTS OF THE FOREST. 1914. 1 reel.

Credits: Frances M. Wright; director, Preston Kendall.

HEARTS OF THE JUNGLE. 1915. 1 reel.

Credits: Director, F. J. Grandon.

HEARTS OF THE WEST. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Helen Darling.

HEARTS OF THE WORLD. 1918. 13 reels.

HEARTS OF WOMEN. 1913. 2 reels.

Credits: Directors, William Humphrey, Tefft Johnson.

HEARTS OF YOUTH. 1921. 5 reels. From the story "Ishmael" by E. D. E. N. Southworth.

Credits: Directors, Thomas N. Miranda, Millard Webb.

A HEART'S REVENGE. 1918. 5 reels.

Credits: Adaptation and direction, O. A. C. Lund; story, George Scarborough.

HEARTS STEADFAST. SEE Revenge.

HEARTS THAT ARE HUMAN. Big U. 1915. 3 reels. Adapted from the story by A. V. Bramble.

HEARTS TO LET. 1915. 1 reel.

Credits: Director, William Humphrey.

THE HEART'S TRIBUTE. 1916. 3 reels.

Credits: Director, Rene Plaissett.

HEARTS UP! 1920. 5 reels.

Credits: Scenario and direction, Val Paul; story, Harry Carey.

HEARTSEASE. 1913. 2 reels.

Credits: Directors, L. Roger Lytton, James Young.

HEARTSEASE. 1919. 5 reels. Founded on the play by Charles Klein.

Credits: Director, Harry Beaumont.

HEARTSICK AT SEA. 1917. 1 reel.

HEARTSTRINGS. Red Feather. 1917. 5 reels.

Credits: Director, Allen J. Holubar; story, E. Magnus Ingleton; scenario, Fred Myton.

HEAT AND LIGHT FROM ELECTRICITY. 1930. 1 reel.

HEAT LIGHTNING. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 10 reels. From an original play by Leon Abrams and George Abbott.

Credits: Director, Mervyn Le Roy; screenplay, Brown Holmes, Warren Duff.

A HEATED DISCUSSION. 1937. For Lehigh Navigation Coal Co. Filmstrip, 114 frames, sd.

HEATHER OF THE HIGH HAND. SEE The Lady Fights Back.

HEAVE TWO. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Leslie Goodwin; story, Hugh Cummings, Burgess Bell; film editor, John Lockert.

HEAVEN ON EARTH. 1927. 7 reels.

Credits: Director, Phil Rosen; scenario, Harvey Gates; film editor, John W. English.

HEAVEN ON EARTH. 1931. 8 reels. From the novel "Mississippi" by Ben Lucien Burman.

Credits: Director, Russell Mack; screenplay, Ray Doyle.

HEAVENBENT. SEE The Rainmaker.

HEAVEN'S GATE. SEE Our Little Girl.

HEAVENS! MY HUSBAND! (Educational Comedies) Presented by Mack Sennett. 1932. 29 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, John Grey.

THE HEAVY DATE. (A Life Cartoon Comedy) 1927. 1 reel.

HEAVY FULLBACKS. 1926. 2 reels.

HEAVY HIKERS. 1927. 2 reels.

HEAVY INFANTS. 1928. 2 reels.

Credits: Director, Earl Montgomery; story, St. Elmo Boyce, E. V. Durling, Ray McCarey; editor, Earl Neville.

HEAVY LOVE. 1926. 2 reels.

Credits: Director, Perc Pembroke.

THE HEAVY PARADE. 1926. 2 reels.

Credits: Director, Gil Pratt.

HEAVY SWELLS. 1925. 2 reels.

Credits: Director, Henry Lehrman; story, Andrew Bennison.

HEAVY VILLAINS. 1915. 3 reels.

Credits: Director, George D. Baker.

HEAVYATION. 1926. 2 reels.

Credits: Director, Francis Corby.

HECTIC DAYS. (Lupino Lane Comedies) 1928. 2 reels.

Credits: Director, Henry W. George.

HECTIC HONEYMOON. (Radio Flash, no. 1) 1938. 17 min., sd.

Credits: Producer, Bert Gilroy; director, Jean Yarbrough; story, Jean Yarbrough, Jack Townley; film editor, Les Millbrook.

HEDGE OF HEART'S DESIRE. 1916. 1 reel.

Credits: Producer, Burton L. King.

HEEBEE JEEBEES. (Our Gang Comedies) Presented by Hal Roach. 1927. 2 reels.

Credits: Robert McGowan; director, Anthony Mack; editor, Richard Currier.

HEEBIE JEEBIES. 1924. 2 reels.

Credits: Producer, Joe Rock; director, Percy Pembroke.

HEEDLESS MOTHS. 1921. 6 reels.

Credits: Director, Robert Z. Leonard; story, Audrey Munson.

HEE-HAW. Century. 1922. 2 reels.

Credits: Written and directed by Al Herman.

THE HEEL OF THE LAW. Special Imp. 1916. 2 reels.

Credits: Director, George Loane Tucker.

HEIDI. 1937. 8,085 ft., sd. From the book by Johanna Spyri.

Credits: Director, Allan Dwan; screenplay, Walter Ferris, Julien Josephson.

HEIGH-HO THE FOX. (World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator, Ford Bond.

THE HEIGHTS OF HAZARD. 1915. 5 reels.

Credits: Director, Harry Lambart.

DIE HEILIGE LUEGE. SEE Star for a Night.

HEIMAT UND FREMDE. SEE Home and Abroad.

THE HEIR CHASER. SEE Jimmy the Gent.

THE HEIR OF THE AGES. 1917. 5 reels.

Credits: Director, E. J. Le Saint; story and scenario, William Addison Lathrop.

THE HEIR OF THE BROKEN-O. 1918. 2 reels.

Credits: Director, Robert S. Bradbury; story, Alfred Henry Lewis.

THE HEIR TO THE HOORAH. Presented by Jesse L. Lasky. 1916. 5 reels. From the Paul Armstrong dramatization, as produced by the Kirke LaShelle Co.

Credits: Producer, William C. De Mille; scenario, Beatrice De Mille, Leighton Osmun.

THE HEIR TO THE HOORAH. SEE Ever Since Eve.

HEIR TO TROUBLE. 1935. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story, Ken Maynard; screenplay, Nate Gatzert; film editor, Divigert Caldwell.

HEIR TODAY. Presented by E. W. Hammons. 1937. 1,595 ft., sd.

Credits: Director, Robert Hall; story, Tim Ryan.

AN HEIRESS FOR TWO. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

HEIRS APPARENT. SEE High Steppers.

HELD BY THE ENEMY. 1920. 6 reels. From the drama by William Gillette.

Credits: Director, Donald Crisp; adaptation, Beulah Dix.

HELD BY THE LAW. Universal-Jewel. 1927. 7 reels.

Credits: Director, Edward Laemmle; story, Bayard Veiller; adaptation and continuity, Charles A. Logue.

HELD FOR DAMAGES. Imp. 1916. 1 reel.

Credits: Harry Ditmar; producer, John Harvey.

HELD FOR ORDERS. SEE The Night Flyer.

HELD FOR RANSOM. International Film Corp. 1938. 6 reels, sd.

Credits: Director, Clarence Bricker; story and screenplay, Barry Barringer; film editor, George Halligan.

HELD IN TRUST. 1920. 6 reels. From The Red Book Magazine story by George Kibbe Turner.

Credits: Director, John E. Ince; adaptation, Sarah Y. Mason; editor, Robert DeLacy.

HELD TO ANSWER. 1923. 6 reels. Based on the story by Peter Clark Macfarlane.

Credits: Director, Harold Shaw; scenario, Winnifred Dunn.

HELD UP FOR THE MAKIN'S. 1920. 2 reels.

Credits: Director, Reaves Eason; story, George Hull; scenario, Philip Hubbard.

HELEN BRODERICK IN NILE GREEN. 1930. 1 reel.

HELEN GRAYSON'S STRATEGY. Rex. 1917. 2 reels.

Credits: Willis Woods; director, John McDermott.

HELEN OF THE CHORUS. 1916. 3 reels.

Credits: William Addison Lathrop; director, George Ridgwell.

HELEN OF THE OLD HOUSE. SEE Western Gold.

HELEN YORKE AND VIRGINIA JOHNSON IN CRINOLINE CLASSICS. 1929. 1 reel, sd.

HELENE OF TROY, N. Y. (The Beauty Parlor Series, no. 5) Released by F. B. O. 1927. 2 reels.

Credits: Director, Arvid E. Gilstrom; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean Dupont; supervising editor, James Wilkinson.

HELIOTROPE. Cosmopolitan Productions. 1920. 7 reels. From the story "A Whiff of Heliotrope" by Richard Washburn Child.

Credits: Director, George D. Baker.

HELL AND HIGH WATER. 1933. 8 reels. Based on a story by Max Miller.

Credits: Screenplay written and directed by Grover Jones, William Slavens McNutt; adaptation, Agnes Brand Leahy.

HELL BELOW. 1933. 10 reels, sd., b&w. From the book "Pigboats" by Edward Ellsberg.

Credits: Producer and director, Jack Conway; adaptation, Laird Doyle, Raymond L. Schrock; dialogue, John Lee Mahin, John Meehan; film editor, Hal C. Kern.

HELL BENT. 1918. 6 reels.

Credits: Director, Jack Ford; story and scenario, Harry Carey, Jack Ford.

HELL BENT FOR FRISCO. Presented by George W. Weeks. 1931. 6 reels.

Credits: Director, Stuart Paton; story, Arthur Hoerl.

HELL-BENT FOR HEAVEN. 1926. 7 reels. From the play by Hatcher Hughes.

Credits: Producer and director, J. Stuart Blackton; screen story, Marian Constance Blackton.

HELL BENT FOR LOVE. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Meyer.

Credits: Written and directed by Aubrey M. Kennedy.

HELL BY THE ENEMY. Victor. 1917. 1 reel.

Credits: Ben Cohn; director, M. S. Forrester.

THE HELL CAT. 1918. 6 reels.

Credits: Director, Reginald Barker; story, Willard Mack.

THE HELL CAT. 1934. 7 reels, sd.

Credits: Director, Albert Rogell; story, Adele Buffington; screenplay, Fred Niblo, Jr.; additional dialogue, Joe Sayre; film editor, John Rawlins.

THE HELL DIGGERS. 1921. 5 reels. From the story by Byron Morgan.

Credits: Director, Frank Urson; picturization, Byron Morgan.

HELL DIVERS. 1932. 12 reels, sd., b&w.

Credits: Producer, George Hill; story, Frank Wead; screenplay, Harvey Gates, Malcolm Stuart Boylan; additional dialogue, James K. McGuinness, Ralph Graves; film editor, Blanche Sewell.

HELL-FIRE AUSTIN. Presented by Tiffany Productions, Inc. 1932. 70 min., sd.

Credits: Story and direction, Forrest Sheldon; continuity, Betty Burbridge.

THE HELL GATE OF SOISSONS. SEE Leo Carrillo in The Hell Gate of Soissons.

HELL HARBOR. United Artists. 1930. 10 reels, sd. Adapted from the novel "Out of the Night" by Rida Johnson Young.

Credits: Producer, Henry King; adaptation, Fred de Gresac; dialogue and screenplay, Clark Silvernail.

HELL IN THE HEAVENS. 1934. 7,249 ft., sd. Based on the play "The Ace" by Hermann Rossmann.

Credits: Director, John Blystone; screenplay, Byron Morgan, Ted Parsons; additional dialogue, Jack Yellen; music director, Louis de Francesco.

HELL ON EARTH. 1934. 7 reels, sd.

Credits: Directors, Victor Trivas, Georges Shaanoff; story, Leonhard Frank, Victor Trivas; music, Hans Eisler.

HELL ROARIN' REFORM. 1919. 5 reels.

Credits: Director, E. J. LeSainte; story, Anthony J. Roach; scenario, Charles Kenyon.

THE HELL SHIP. 1920. 5 reels.

Credits: Director, Scott Dunlap; story and scenario, Denison Clift.

HELL SHIP BRONSON. 1928. 7 reels.

Credits: Norton S. Parker; supervision, Harold Shumate; director, Joseph E. Henabery; screenplay, Louis Stevens.

HELL-SHIP MORGAN. 1936. 7 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Meyer.

HELLDORADO. 1934. 6,735 ft., sd.

Credits: Director, James Cruze; story, Frank Mitchell Dazey; screenplay, Frances Hyland; adaptation, Rex Taylor; music director, Louis de Francesco.

THE HELLION. 1919. 5 reels.

Credits: Director, George L. Cox; story, Daniel F. Whitcomb.

HELLO BABY. SEE Ann Pennington in Hello Baby.

HELLO BILL. L-Ko. 1915. 1 reel.

HELLO BILL. (Broadway Comedy, no. 17) 1923. 2 reels.

Credits: Written and directed by Billy West.

HELLO BILL. SEE The Fixer.

HELLO CHEYENNE. 1928. 5 reels, b&w, blue sequences.

Credits: Director, Eugene Forde; story Harry Sinclair Drago; scenario, Fred Myton.

HELLO, EVERYBODY! 1933. 7 reels, sd.

Credits: Director, William A. Seiter; story, Fannie Hurst; screenplay, Dorothy Yost, Lawrence Hazard.

HELLO, 'FRISCO! 1924. 1 reel.

Credits: Director, Slim Summerville.

HELLO, GOODBYE. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Director, Norman Taurog.

HELLO HOLLYWOOD. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Producer, Jack White; written and directed by Norman Taurog.

HELLO, HOW AM I? (A Popeye Cartoon) 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, William Henning, Abner Matthews.

HELLO, JUDGE. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

HELLO! LAFAYETTE! Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; directors, Max Gold, Al Davis; story, Gene Forde, Henry Johnson.

HELLO MAMA. (Nu-Atlas Musical) Nu-Atlas Productions. Presented by RKO Radio Pictures, Inc. 1939. 1 reel, sd.

Credits: Director, Milton Schwarzwald; orchestrations, Jack Schaindlin.

HELLO MARS. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alf T. Goulding.

HELLO NAPOLEON. (Lloyd Hamilton Comedy) 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

HELLO PARDNERS. 1923. 2 reels.

Credits: Director, Erie Kenton.

HELLO POP. (M-G-M Revue) 1933. 2 reels, sd., color.

HELLO PROSPERITY. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson; music, Alfonso Corelli.

HELLO RUSSIA. (Slim Summerville Comedy, no. 4) 1930. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

HELLO SAILOR. (Educational-Lupino Lane Comedy) 1927. 2 reels.

Credits: Director, Mark Sandrich.

HELLO SAILORS. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1934. 1,774 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett, Bert Granet.

HELLO SISTER. James Cruze, Inc. Presented by Henry D. Meyer and Nat Cordish. 1930. 70 min., sd. Adapted from the story "Clipped Wings" by Rieta Lambert.

Credits: Supervision, James Cruze; director, Walter Lang; continuity and dialogue, Brian Marlow.

HELLO, SISTER. 1933. 5,800 ft., sd. From a play by Dawn Powell.

Credits: Editor, Frank Hull.

HELLO STRANGER. (Broadway, no. 19) 1923. 2 reels.

Credits: Director, Ward Hayes.

HELLO SUCKER. 1931. 1 reel.

HELLO TELEVISION. (Educational's Talking Comedies) Presented by Mack Sennett. 1930. 20 min., sd.

Credits: Director, Leslie A. Pearce.

HELLO THAR. SEE Eddie Buzzell in Hello Thar.

HELLO TROUBLE. 1918. 2 reels.

Credits: Director, Charles Parott.

HELLO TROUBLE. 1932. 7 reels, sd.

Credits: Adaptation, dialogue, continuity, story, and direction, Lambert Hillyer; film editor, Gene Milford.

HELL'S ANGELS. 1930. 16 reels.

Credits: Director, Howard Hughes; story, Marshall Nellan, Joseph Moncure March; adaptation and continuity, Howard Estabrook, Harry Behn.

HELL'S BELLS. (Walter Disney Cartoon) 1930. 1 reel.

HELL'S CRATER. 1918. 5 reels.

Credits: Producer, Grace Cunard; written and directed by W. B. Pearson.

HELL'S FIRE. (Willie Whopper Cartoon) 1934. 1 reel.

HELL'S 400. 1926. 6 reels, tinted. From the story "The Just and the Unjust" by Vaughan Kester.

Credits: Director, John Griffith Wray; scenario, Bradley King.

Credits: Director, Leon De La Mothe; story, Frederic Chapin.

HELL'S GULCH. SEE Timber War.

Credits: Written and directed by Aubrey M. Kennedy.

HELL'S HEELS. (An Oswald Sound Cartoon) (A Walter Lantz Cartoon) 1930. 1 reel.

HELL'S HEROES. 1929. 7 reels, sd. From the story "Three Godfathers" by Peter B. Kyne.

Credits: Director, William Wyler; adaptation and dialogue, Tom Reed.

HELL'S HIGHROAD. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 6 reels. From the novel by Ernest Pascal.

Credits: Director, Rupert Julian; adaptation, Lenore Coffee, Eve Unsell.

HELL'S HIGHWAY. Presented by Radio Pictures. 1932. 7 reels, sd.

Credits: Samuel Ornitz, Robert Tasker, Rowland Brown; executive producer, David O. Selznick; director, Rowland Brown; film editor, William Hamilton.

Credits: Director, Thomas H. Ince; scenario, C. Gardner Sullivan.

HELL'S HINGES. 1916. 5 reels.

HELL'S HOLE. 1923. 6 reels, b&w, tinted sequences.

Credits: Director, Emmett J. Flynn; story, George Scarborough; scenario, Bernard McConville.

HELL'S HOUSE. Presented by Bennie F. Zeidman. 1932. 8 reels.

Credits: Story and direction, Howard Higgin; adaptation and screenplay, Paul Gangelin, B. Harrison Orkow; film editor, Edward Schroeder.

HELL'S ISLAND. 1930. 8 reels, sd.

Credits: Producer, Harry Cohn; director, Edward Sloman; story, Tom Buckingham; adaptation, continuity, and dialogue, Jo Swerling; film editor, Leonard Wheeler.

HELL'S KITCHEN. 1939. 9 reels, sd.

Credits: Directors, Lewis Seiler, C. E. A. Dupont; original story, Crane Wilbur; screenplay, Crane Wilbur, Fred Niblo, Jr.

HELL'S KITCHEN. SEE For the Love of Mike.

HELL'S KITCHEN HAS A PANTRY. SEE The Devil's Party.

HELL'S VALLEY. 1931. 6 reels, sd.

Credits: Story and direction, Alvin J. Neitz.

HELP. Metro-Drew. 1916. 1 reel.

Credits: Leslie T. Peacock; producer, Sidney Drew.

HELP, HELP. (Speed Comedy) Reggie Morris Productions, Inc. 1921, 2 reels.

HELP! HELP! HELP! 1916. 1 reel.

Credits: Director, Lawrence Semon.

HELP! HELP! HELP! 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

HELP, HELP, POLICE. 1919. 5 reels.

Credits: Director, E. Dillon; story, Irving McDonald; scenario, Raymond L. Schrock.

HELP THE GROCER GROW! SEE Bet Your Life and Help the Grocer Grow!

HELP WANTED. Metro-Drew. 1918. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

HELP WANTED. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

HELP WANTED! (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd., b&w.

Credits: Director, Fred Zinnemann; story, Elizabeth Shaw; screenplay, Winston Miller, Karl Kamb; film editor, Ralph E. Goldstein.

HELP WANTED, FEMALE. (Follies Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Ralph Ceder; story, Mauri Grashin; screenplay, Paul Gerard Smith; film editor, Claude Berkeley; music director, Francis Gromon.

Credits: Edwina Levin; screen version, George Plympton.

HELP YOURSELF. 1920. 5 reels. Adapted from the story "Trimmed with Red" by Wallace Irwin.

Credits: Director, Hugo Ballin.

HELP YOURSELF. 1925. 2 reels.

Credits: Director, Bryan Foy; story, Murray Roth.

HELP YOURSELF TO HAY. SEE Three-Ring Marriage.

HELPFUL AL. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

THE HELPFUL (?) SISTERHOOD. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

HELPING GRANDMA. (Our Gang Comedies) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

A HELPING HAND. (Jimmy Aubrey Series, no. 6) 1925. 2 reels.

THE HELPING HAND. 1930. 1 reel, sd.

Credits: Dialogue and direction. Max E. Hayes.

HELPMATES. (A Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

HELTER SKELTER. (Big Boy Juvenile Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

HEN FRUIT. (Oswald Comedy) Snappy. Winkler. 1929. 1 reel.

Credits: Animation, Isadore Freleng.

HEN PUNCHERS OF PIPE ROCK. Mustang. 1926. 2 reels. From the story by W. C. Tuttle.

Credits: Director, Vin Moore; adaptation, Robert McKenzie.

THE HENANPUP. Powers Juvenile. 1916. 1 reel.

HENPECK GETS A NIGHT OFF. 1914. 1 reel.

HENPECKED. Century. 1922. 2 reels.

Credits: Director, Fred Hibbard.

HENPECKED. (Walter Lantz Cartoon) 1930. 1 reel.

Credits: Animation, Bill Nolan.

HENPECKS AND PECKED HENS, SUNNY SANDS AND DRIFTING SNOW, and MEMORIES. 1920. 2 reels.

Credits: Producer, Ward Lascelle; directors, M. Moranti, Charles Diltz.

Credits: Producer, Charles W. France.

HENRY B. WALTHALL IN RETRIBUTION. 1928. 1 reel, sd.

Credits: Hugh Herbert; director, Archie Mayo.

THE HENRY FORD TRADE SCHOOL. Ford Motion Picture Laboratories. 1927. 4 reels.

HENRY GOES ARIZONA. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, b&w, sd.

Credits: Director, Edwin L. Marin; story, W. C. Tuttle; screenplay, Florence Ryerson, Milton Merlin; film editor, Conrad A. Nervig; music, David Snell.

HENRY HALSTEAD'S BAND IN CARNIVAL NIGHT IN PARIS. 1927. 1 reel, sd.

HENRY HULL IN THE MATINEE IDLE. 1930. 1 reel.

HENRY KING AND HIS ORCHESTRA. 1937. 10 min., sd.

Credits: Director, Lloyd French.

HENRY THE ACHE. Presented by Radio Pictures. 1934. 2 reels, sd.

Credits: Associate producer, Meyer Davis; supervision, Monroe Shaff; director, Ray McCarey; story and dialogue, Brunet Hershey, Bert Granet; music, Johnny Burke, Harold Spina.

HENRY'S ANCESTORS. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

HENRY'S LITTLE KID. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. Christie.

HENRY'S SOCIAL SPLASH. Presented by Carl Laemmle. 1934. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, W. P. Hackney, James W. Horne; editor, Lewis Sackin.

HENRY'S THANKSGIVING. Metro-Drew. 1916. 1 reel.

Credits: Charlotte Wharton Ayers; producer, Sidney Drew.

HER ACCIDENTAL HERO. Presented by E. W. Hammons. 1937. 1,539 ft., sd.

Credits: Director, William Watson; story, Forbes Dawson.

HER ACCIDENTAL HUSBAND. 1923. 6 reels.

Credits: Director, Dallas M. Fitzgerald; story, Lois Zellner.

HER AMBITION. (Stern Brothers Comedy) (What Happened to Jane Series) 1926. 2 reels.

Credits: Director, Charles Lamont; story, Roy Evans.

HER ANNIVERSARIES. Metro-Drew. 1917. 1 reel.

Credits: Helen Duey; written and produced by Mr. and Mrs. Drew.

HER ANSWER. 1915. 1 reel.

HER BAD QUARTER OF AN HOUR. 1916. 1 reel.

Credits: Director, Courtland Van Deusen.

HER BALL AND CHAIN. 1924. 2 reels.

Credits: Director, George Summerville.

HER BAREBACK CAREER. 1917. 2 reels.

Credits: Director, J. S. Blystone.

HER BASHFUL BEAU. (Arthur Lake Comedy) 1930. 2 reels.

Credits: Director, Sam Newfield; story, Bill Weber, T. Page Wright.

HER BELOVED VILLAIN. 1920. 5 reels. From the Charles Frohman production of "La Veglione" by Bisson & Carré.

Credits: Director, Sam Wood; scenario, Alice Eyton.

HER BETTER SELF. Victor. 1916. 2 reels.

Credits: Written and produced by Grace Cunard.

HER BETTER SELF. 1917. 5 reels.

Credits: Director, Robert G. Vignola; story, Margaret Turnbull.

HER BIG BEN. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Jules White.

HER BIG NIGHT. Universal-Jewel. 1926. 8 reels. From the story by Peggy Gaddis.

Credits: Direction and adaptation, Melville W. Brown.

Credits: Richard Washburn Child.

HER BITTER CUP. Red Feather. 1916. 5 reels.

Credits: Scenario and production, Cleo Madison; story, Kathleen Kerrigan.

HER BLIGHTED LOVE. 1918. 2 reels.

Credits: Director, Walter Wright.

HER BLUE BLACK EYES. 1927. 2 reels, b&w.

Credits: Director, Eugene J. Forde; story, Lou Breslow, Arthur Greenlaw.

HER BODY IN BOND. 1918. 6 reels.

Credits: Director, Robert Leonard.

HER BODYGUARD. 1933. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, William Beaudine; story, Carey Ford; screenplay, Ralph Spence, Walter DeLeon; adaptation, Frank Partos, Francis Martin; music, Arthur Johnston.

HER BOY. 1918. 5 reels. Adapted from the story "Conscription" by H. Carey Wonderly.

Credits: Director, George Irving; adaptation, Albert Shelby LeVino.

HER BOY FRIEND. (Larry Semon Comedies) 1924. 2 reels.

Credits: Director, Noel Mason Smith.

HER CAREER. 1915. 1 reel.

Credits: Producer, Burton L. King; scenario, Will Ritchie.

HER CELLULOID HERO. Nestor. 1916. 1 reel.

Credits: Scenario and production, Al. E. Christie; story, Robert McGowan.

HER CHANCE. Victor. 1916. 1 reel.

Credits: Constance Crawley, Arthur Meade; director, Donald MacDonald.

HER CHOICE. 1915. 1,000 ft.

HER CIRCUS MAN. Century. 1921. 2 reels.

Credits: Written and directed by Jimmie Davis.

HER CITY BEAU. Special Victor. 1917. 1 reel.

Credits: Director, Millard K. Wilson; story, Maie Havey; scenario, Harvey Gates.

HER CITY SPORT. Century. 1924. 2 reels.

HER CONDONED SIN. 1917. 6 reels. From the "Apocrypha" and the poetical tragedy of "Judith of Bethulia" by Thomas Bailey Aldrich.

Credits: Director, D. W. Griffith.

HER CONFESSIONS. SEE The Wiser Sex.

HER CONVERT. 1915. 1 reel.

HER COUNTRY COUSIN. 1915. 1 reel.

Credits: J. E. Hungerford.

HER COUNTRY FIRST. 1918. 5 reels.

Credits: Adaptation, Edith Kennedy.

HER DAILY DOZEN. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

1. What the Sands Told. © title, descr. & 60 prints, 25Jul23; LU19228.

2. Fetters of Gold. © title, descr. & 40 prints, 25Jul23; LU19229.

3. At the Brink. © title, descr. & 40 prints, 25Jul23; LU19230.

4. If You Become a Society Reporter on a Newspaper. © title, descr. & 40 prints, 1Sep23; LU19365.

5. If You Marry an Artist. © title, descr. & 40 prints, 1Sep23; LU19366.

6. If You Marry a Rancher. © title, descr. & 40 prints, 1Sep23; LU19367.

7. Should She Become a Society Reporter. © title, descr. & 40 prints, 29Sep23; LU19462.

HER DARING, CARING WAYS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

HER DEFIANCE. Rex. 1916. 2 reels.

HER DOG-GONE WEDDING. 1920. 2 reels.

Credits: Director, Harry Williams.

HER DOGGY. 1914. 1 reel.

HER DORMANT LOVE. 1915. 1 reel.

HER DOUBLE LIFE. 1916. For the Fox Film Corp. 6 reels.

Credits: Director, J. Gordon Edwards; scenario, Mary Murillo.

HER DREAM MAN. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

HER DREAM OF LIFE. 1916. 1 reel.

Credits: Producer, Frank R. Beal.

HER ECONOMIC INDEPENDENCE. Metro Drew. 1917. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

HER ELEPHANT MAN. 1920. 5 reels.

Credits: Director, Scott Dunlap; story, Pearl Doles Bell; scenario, Isabel Johnston.

HER FACE VALUE. 1921. 5 reels. Based on the story "The Girl Who Paid Dividends" by Earl Derr Biggers.

Credits: Director, Thomas N. Heffron; screen version, Percy Heath.

HER FACE VALUE. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

HER FAITH IN THE FLAG. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

HER FATAL MILLIONS. 1923. 6 reels.

Credits: Director, William Beaudine; story, William Dudley Pelley; adaptation, Arthur Statter.

HER FATHER SAID NO. Released by F. B. O. 1926. 7 reels.

Credits: Director, Jack McKeown; story, H. C. Witwer; continuity, Al Boasberg.

HER FATHER'S PICTURE. 1915. 2,000 ft.

HER FATHER'S SON. 1916. 5 reels.

Credits: Story, Anna Fielder Brand.

HER FATHER'S STATION. 1917. For Fox Film Corp. 2 reels.

Credits: Director, Edwin A. Frazee.

HER FINAL RECKONING. Paramount. 1918. 5 reels. Based on a novel by Jules Claretie.

Credits: Director, Emile Chautard; scenario, Charles E. Whittaker.

HER FIRST EGG. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

HER FIRST ELOPEMENT. 1920. 5 reels. From the story by Alice Duer Miller.

Credits: Director, Sam Wood; scenario, Edith Kennedy.

Credits: Written and directed by Charles Parrott.

HER FIRST GAME. Metro-Drew. 1917. 1 reel.

Credits: Produced by Mr. and Mrs. Sidney Drew.

HER FIRST KISS. 1919. 2 reels.

Credits: Director, Frank C. Griffin; supervision, Hampton Del Ruth.

HER FIRST MATE. 1933. 7 reels. Play by Daniel Jarrett and John Golden.

Credits: Director, William Wyler; screenplay, Earle Snell, Clarence Marks.

HER FIRST MISTAKE. 1918. 2 reels.

Credits: Director, Walter Wright.

HER FIVE FOOT HIGHNESS. 1920. 5 reels.

Credits: Director, Harry L. Franklin; scenario, Hal Hoadley.

HER FLING. SEE The Risky Road.

HER FORGOTTEN PAST. 1933. 7 reels.

Credits: Director, Wesley Ford; story and adaptation, George Morgan; editor, Fred Bain.

HER FRIEND, THE DOCTOR. Nestor. 1916. 1 reel.

Credits: Written and produced by A. E. Christie.

HER FRIEND THE MILKMAN. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

HER FUTURE. 1930. 1 reel, sd.

Credits: Written and directed by Mort Blumenstock.

HER GETHSEMANE. 1915. 1 reel.

Credits: Director, Dave Smith.

HER GIFT NIGHT. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Jules While.

HER GILDED CAGE. 1922. 6 reels. From the play by Anna Nichols.

Credits: Adaptation, Elmer Harris, Percy Heath.

HER GOD. SEE The Red Woman.

HER GRANDMOTHER'S WEDDING DRESS. 1914. 1 reel.

Credits: Bessie Learn; director, George A. Lessey.

HER GREAT CHANCE. 1918. 5 reels. From the novel "Golden Fleece" by Fannie Hurst.

Credits: Direction and adaptation, Charles Maigne.

HER GREAT DILEMMA. Laemmle. 1917. 2 reels.

Credits: Director, Donald MacDonald; story, Emily Mae Davis; scenario, A. W. Coldewey.

HER GREAT MATCH. 1915. 5 reels.

Credits: Clyde Fitch.

HER GREAT MISTAKE. Big U. 1917. 2 reels.

HER GREAT MOMENT. SEE The Interloper.

HER GREAT PART. Laemmle. 1916. 1 reel.

Credits: Lynn Reynolds; producers, Lynn Reynolds, Val Paul.

HER GREAT PRICE. 1916. 6 reels.

Credits: Florence Auer; director, Edwin Carewe.

HER GREAT SCOOP. 1914. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

HER GREATEST LOVE. 1917. For Fox Film Corp. 5 reels. Adapted from "Moths" by Ouida [pseud. of Louise de la Ramée].

Credits: Director, J. Gordon Edwards; adaptation, Adrian Johnson.

Credits: Producer, Fred Paul; scenario, Benedict James, Enid Lorimer.

HER GREATEST STORY. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

Credits: Written and produced by Lem B. Parker.

HER HAPPINESS. 1915. 3,000 ft.

Credits: Written and directed by Harry Beaumont.

HER HAUNTED HERITAGE. Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

HER HERO MAID. Nestor. 1916. 1 reel.

Credits: Director, Horace Davey; story, A. E. Franklin; scenario, Al. E. Christie.

HER HIDDEN LIFE. 1915. 1 reel.

HER HIGHER DESTINY. SEE As Man Made Her.

HER HIGHNESS COMMANDS. SEE Ihre Hoheit Befiehlt.

HER HIRED HUSBAND. 1930. 2 reels, sd.

Credits: Produced and directed by Harry Delmar; story, Margaret Echard, Al Bridge; film editor, E. Pfitzenmeier.

HER HONOR THE GOVERNOR. Released by F. B. O. 1926. 7 reels.

Credits: Director, Chet Withey; story, Hyatt Daab, Weed Dickinson; adaptation and continuity, Doris Anderson.

HER HONOR THE MAYOR. 1920. 5 reels. From the story by Arlin Van Ness Hines.

Credits: Director, Paul Cazeneuve; scenario, Denison Clift.

Credits: Director, George Cowl; story, Raymond Schrock.

HER HUSBAND. 1914.

Credits: Director, Theodore Marston.

HER HUSBAND LIES. Presented by Adolph Zukor. 1937. 8 reels.

Credits: Producer, B. P. Schulberg; director, Edward Ludwig; story, Oliver H. P. Garrett; screenplay, Wallace Smith, Eve Greene.

HER HUSBAND'S FAITH. Laemmle. 1916. 2 reels.

Credits: Producer, Lloyd Carleton; story, Paul Machette; scenario, Eugene DeRue.

HER HUSBAND'S FRIEND. 1913. 1 reel.

Credits: Director, Hardee Kirkland.

HER HUSBAND'S FRIEND. Paramount. 1920. 5 reels.

Credits: Director, Fred Niblo; story, Marjorie Benton Cooke; scenario, Carol Kapleau.

HER HUSBAND'S HONOR. 1918. 60 min.

Credits: Director, Burton King.

HER HUSBAND'S SECRET. Presented by Frank Lloyd Productions, Inc. 1925. 7 reels. From the story "Judgment" by May Edginton.

Credits: Director, Frank Lloyd; adaptation, J. G. Hawks.

HER HUSBAND'S SECRETARY. First National. 1937. 6 reels.

Credits: Director, Frank McDonald; story, Crane Wilbur; screenplay, Lillie Hayward.

HER HUSBAND'S SON. 1915. 2 reels.

Credits: Elizabeth R. Carpenter.

HER HUSBAND'S TRADEMARK. 1922. 5 reels.

Credits: Director, Sam Woods; story, Clara Beranger; adaptation, Lorna Moon.

Credits: Written and directed by Ivan Abramson.

HER HUSBAND'S WOMEN. 1929. 2 reels.

Credits: Director, A. Leslie Pearce; story, Florence Ryerson; screen adaptation, Alfred A. Cohn.

HER HUSKY HERO. (Tuxedo Comedies) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

HER IDOL. 1915. 1,000 ft. Adapted from the story "A Phoenix of the Hills" by Vingie E. Roe.

HER INSPIRATION. 1918. 5 reels.

Credits: Director, Robert Thornby; story and adaptation, George D. Baker, Tom J. Geraghty.

HER INVISIBLE HUSBAND. Imp. 1916. 1 reel.

Credits: Samuel Greiner; producer, Matt Moore.

Credits: Russell Taylor, William Louis, Horace G. Plimpton, James O. Walsh, Rex Taylor.

HER JUNGLE LOVE. Presented by Adolph Zukor. 1938. 9 reels, sd., color.

Credits: Producer, George Arthur; director, George Archainbaud; story, Gerald Geraghty, Kurt Siodmak; screenplay, Joseph Moncure March, Lillie Hayward, Eddie Welch; film editor, Hugh Bennet.

HER KINGDOM OF DREAMS. 1920. 7 reels.

Credits: Director, Marshall A. Neilan; story, Agnes Louise Prevost.

HER LAST FLIRTATION. 1915. 1 reel.

Credits: Director, Ulysses Davis.

HER LAST LETTER. SEE The Lily of Poverty Flat.

HER LESSON. 1915. 2 reels.

HER LESSON. Metro-Drew. 1917. 1 reel.

Credits: Beatrice Boucher; written and produced by Mr. and Mrs. Drew.

HER LETTER. SEE The Lily of Poverty Flat.

HER LORD AND MASTER. 1921. 6 reels.

Credits: Director, Edward José; story, Martha Morton; scenario, J. C. Miller.

HER LOVE STORY. 1924. 6,750 ft. From the novel "Her Majesty the Queen" by Mary Roberts Rinehart.

Credits: Adaptation, Frank Tuttle.

HER LOVING RELATIONS. 1916. 1 reel.

Credits: Director, Dave Smith.

HER LUCKY LEAP. Century. 1925. 2 reels.

Credits: Written and directed by Edward I. Luddy.

HER MAD BARGAIN. Presented by Louis B. Mayer. 1921. 6 reels.

Credits: Director, Edwin Carewe; story, Florence Auer; scenario, Josephine Quirk.

HER MAD NIGHT. Presented by George W. Weeks. 1932. 7 reels.

Credits: Producer, Ralph M. Like; director, E. Mason Hopper; assistant director, Ralph Black; story and continuity, John Thomas Neville.

HER MAJESTY. SEE The Gilded Cage.

HER MAJESTY, LOVE. 1931. 9 reels, sd.

Credits: Director, William Dieterle.

HER MAJESTY THE QUEEN. SEE Her Love Story.

Credits: Director, Ralph W. Ince.

HER MAN. 1930. 8 reels, sd.

Credits: Producer, E. B. Derr; director, Tay Garnett; original story, Howard Higgin, Tay Garnett; screenplay, Thomas Buckingham; film editor, Joe Kane; music director, Josiah Zuro.

HER MAN O' WAR. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 6 reels. From the story "Black Marriage" by Fred Jackson.

Credits: Supervision, C. Gardner Sullivan; director, Frank Urson; adaptation, Jeanie MacPherson, Garret Fort; scenario, Charles Logue.

HER MARKET PRICE. SEE Her Market Value.

HER MARKET VALUE. Released by Producers Distributing Corp. 1925. 6 reels. From the play "Her Market Price" by Frances Nordstrom.

Credits: Directed and produced by Paul Powell; adaptation, Olga Printzlau.

HER MARRIAGE VOW. 1924. 7 reels. From the play by Owen Davis.

Credits: Director, Millard Webb.

HER MARTYRDOM. 1915. 3,000 ft. From the story by Fred Jackson.

Credits: Adaptation, Harry Chandlee.

HER MASTER'S VOICE. Presented by Adolph Zukor. 1936. 8 reels, sd. Adapted from the play by Clare Kummer.

Credits: Producer, Walter Wanger; director, Joseph Santley; screenplay, Dore Schary, Harry Sauber; film editor, Bob Simpson.

Credits: Director, John Ince.

HER MESSAGE TO HEAVEN. Special Laemmle. 1916. 1 reel.

HER MISTAKE. 1918. 6 reels.

Credits: Director, Julius Steger.

HER MOMENT. 1918. 7 reels.

Credits: Director, Frank Beal.

HER MOTHER'S BACK. 1928. 2 reels, b&w.

Credits: Directors, Eugene J. Forde, Jasper Blystone; story, Sidney Levee.

HER MOTHER'S SECRET. 1915. For Fox Film Corp. 5 reels.

Credits: Producer, Frederick A. Thomson; picturized by Clara S. Beranger.

HER MOTHER'S SECRET. 1915. 1,000 ft.

HER MOTHER'S SWEETHEART. Laemmle. 1916. 1 reel.

Credits: Catherine Carr; producer, George Ridgwell.

HER MOVIE MADNESS. 1918. 2 reels.

Credits: Director, Robert Kerr.

Credits: Director, James Douglas.

HER MYSTERIOUS ESCORT. Powers. 1915. 1 reel.

Credits: Producer, William C. Dowlan; scenario, Leonora Dowlan.

HER NAKED SOUL. 1916. 3 reels.

Credits: H. Tipton Steck.

HER NAUGHTY CHOICE. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; story, Warren Schoene; scenario, Tom Gibson.

HER NAUGHTY EYES. 1916. 1 reel.

HER NAUGHTY WINK. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Jack Blystone.

HER NEW CHAUFFEUR. (George LeMaire Comedies) Sound Studios, Inc. 1929. 2 reels.

Credits: Director, George LeMaire; story, Louis Simon; editor, E. Pfitzenmeier.

HER NIGHT OF NIGHTS. 1922. 5 reels.

Credits: Director, Hobart Henley; story, C. S. Montanye; scenario, Doris Schroeder.

HER NIGHT OF ROMANCE. First National. 1924. 8 reels.

Credits: Hans Krayly; director, Sidney A. Franklin.

HER NIGHT OUT. (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story and scenario, Ben Cohen.

HER OBSESSION. Metro-Drew. 1917. 1 reel.

Credits: Producer, Sidney Drew.

HER ONE MISTAKE. 1918. 5 reels.

Credits: Director, Edward Le Sainte; story, George Scarborough; scenario, Charles Kenyon.

HER ONLY HUSBAND. (A Stern Brothers Comedy) (Keeping Up with The Joneses Series) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

HER ONLY WAY. 1918. 6 reels. From the story "What Might Have Been" by George Scarborough and Sidney A. Franklin.

Credits: Director, Sidney A. Franklin; adaptation, Mary Murillo.

HER OTHER HUSBAND. 1924. 2 reels.

Credits: Producer, Eddie Lyons.

HER OTHER SELF. 1915. 2 reels.

HER OWN BLOOD. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Edward Sloman.

HER OWN FREE WILL. 1924. 6 reels.

Credits: Director, Paul Scardon; story, Ethel M. Dell; screen dramatization, Gerald C. Duffy.

HER OWN MONEY. 1921. 5 reels. From the play by Mark Swan.

Credits: Director, Joseph Henabery; adaptation, Elmer Rice.

HER OWN PEOPLE. 1917. 5 reels.

Credits: Director, Scott Sidney.

HER OWN WAY. 1915. 5 reels.

Credits: Clyde Fitch.

Credits: Producer, Mack Sennett.

HER PAINTED HERO. 1915. 2 reels.

Credits: Supervision, Mack Sennett; director, Dick Jones.

HER PARTNER. 1916. 2 reels.

Credits: Director, William Wolbert.

HER PERFECT HUSBAND. Metro-Drew. 1916. 1 reel.

Credits: Grace Saxton; producer, Sidney Drew.

HER PREY. Gold Seal. 1915. 2 reels.

Credits: Written and produced by William Worthington.

HER PRICE. 1918. 5 reels.

Credits: Director, Edmund Lawrence; story, George Scarborough; scenario, Adeline Leitzbach.

HER PRIMITIVE MAN. Rex. 1917. 1 reel.

Credits: Director, Count H. D'Elba; story, L. Caulfield; scenario, Charles J. Wilson, Jr.

HER PRIVATE AFFAIR. 1929. 7 reels, sd.

Credits: Herman Bernstein; director, Paul Stein; director of dialogue, Rollo Lloyd; adaptation, Francis Edward Faragoh.

HER PRIVATE HUSBAND. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Frank C. Griffin.

HER PRIVATE LIFE. Vitaphone. Presented by Richard A. Rowland. 1929. 8 reels. Based on a play by Zoe Akins.

Credits: Director, Alexander Korda.

HER PRIVATE LIFE. Trailer. 1929. 1 reel, sd.

HER PROPER PLACE. 1915. 3,000 ft.

Credits: Mary Rider; director, Langdon West.

HER REALIZATION. 1915. 1 reel.

HER RECKONING. 1915. 5 reels.

HER RELATIVES. 1930. 1 reel.

HER RENUNCIATION. 1915. 1 reel.

HER REPUTATION. 1923. 7 reels. From the novel by Talbot Mundy and Bradley King.

Credits: Supervision, Thomas H. Ince; director, John Griffith Wray.

HER RESALE VALUE. Presented by Golden Arrow, Ltd. 1933. 7 reels, sd.

Credits: Producer, Fanchon Royer; director, Breezy Eason; story, Horace McCoy; adaptation, John Thomas Neville; editor, Jeanne Spencer.

HER RETURN. 1915. 1 reel.

HER RIGHT TO LIVE. 1917. 5 reels.

Credits: Paul West; director, Paul Scardon; scenario, A. Van Buren Powell.

HER RODEO HERO. 1924. 2 reels.

HER ROMEO. 1915. 1 reel.

Credits: Producer, Arthur D. Hotaling.

HER ROYAL HIGHNESS. 1913. 1 reel.

Credits: Ann Story Allen.

HER RUSTIC HERO. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Harvey Gates.

HER SACRIFICE. 1914. 1,000 ft.

Credits: Written and produced by Colin Campbell.

HER SALTY SUITOR. (A Whirlwind Comedy) 1928. 2 reels.

Credits: Director, Al Davis; scenario, X. Spence.

Credits: James O. Walsh, Rex A. Taylor, Horace G. Plimpton, Sr.

HER SECOND CHANCE. 1926. 7 reels. Adapted from the novel by Mrs. Wilson Woodrow.

Credits: Director, Lambert Hillyer; continuity, Eve Unsell.

HER SECRET. 1917. 5 reels.

Credits: Story and direction, Perry N. Vekroff.

HER SILENT SACRIFICE. 1917. 5 reels. Based on the play "The Red Mouse" by Henry J. W. Dam.

Credits: Director, Edward Jose; scenario, Eve Unsell.

HER SILENT WOW. Presented by William Fox. 1927. 2 reels.

Credits: Director, Jess Robbins; story, Mabel Herbert Urner; scenario, Andrew Bennison, Murray Roth.

HER SISTER. 1914. 1 reel.

Credits: Director, Edward J. LeSaint.

HER SISTER. Released by Mutual Film Corp. 1917. 5 reels.

Credits: Director, John B. O'Brien.

HER SISTER FROM PARIS. First National. 1925. 7 reels.

Credits: Producer, Sidney Franklin; story, Hans Kraely.

HER SISTER'S GUILT. 1916. 5 reels. Title changed from "Would You Forgive?"

HER SISTER'S SIN. Rex. 1916. 1 reel.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

HER SLIGHT MISTAKE. 1915. 1 reel.

Credits: Producer, Tom Mix.

HER SLUMBERING CONSCIENCE. 1915. 1 reel.

HER SOCIAL VALUE. 1921. 6 reels.

Credits: Director, Jerome Storm; original story, B. P. Fineman, J. A. Barry; scenario, Gerald C. Duffy, Jerome Storm.

HER SOUL REVEALED. 1915. 1 reel.

HER SOUL'S INSPIRATION. 1917. 5 reels.

Credits: Director, Jack Conway; story, Harris Anson; scenario, Maie Havey.

HER SOUL'S SONG. 1916. 2 reels.

Credits: Producer, L. B. Carleton; story, Betty Schade; scenario, Calder Johnstone.

HER SPANISH COUSINS. 1914. 1 reel.

Credits: George A. Lessey.

HER SPEEDY AFFAIR. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, Irma Skinner; scenario, Al. E. Christie.

HER STEADY CARFARE. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

HER STEPCHILDREN. 1915. 2 reels.

HER STORY. 1922. 5 reels.

Credits: Story, Dion Titheradge; scenario, William B. Laub.

HER STRANGE DESIRE. 1932. 6 reels. From the stage play "Potiphar's Wife" by Edgar Middleton.

Credits: Director, Maurice Elvey.

HER STRANGE EXPERIENCE. Imp. 1917. 1 reel.

Credits: Director, Maxwell Ryder; story, E. B. Lewis; scenario, Cunningham and Ryder.

HER STRANGE WEDDING. 1917. 5 reels.

Credits: Director, George H. Melford; story, George Middleton; adaptation, Charles Maigne.

HER STURDY OAK. 1921. 5 reels.

HER SUMMER HERO. Released by F. B. O. Pictures. 1928. 5,146 ft.

Credits: Director, James Dugan; story, Gertrude Orr; continuity, Jean Dupont.

Credits: Produced, written, and directed by Ivan Abramson.

HER SWEETHEART. 1933. 9 reels, sd. Based on Sidney Howard's play "The Late Christopher Bean," which the author adapted from the play "Prenez Garde a la Peinture" by René Fauchois.

Credits: Associate producer, Harry Rapf; director, Sam Wood; screenplay, Sylvia Thalberg, Laurence E. Johnson; film editor, Hugh Wynn.

HER TEMPORARY HUSBAND. 1923. 7 reels. From the stage play by Edward A. Paulton.

Credits: Director, John F. McDermott.

HER TEMPTATION. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Richard Stanton.

Credits: Written and directed by Charles Parrott.

HER THREE MOTHERS. Laemmle. 1915. 3 reels.

Credits: Written and produced by Charles Giblyn.

HER UNBORN CHILD. 1929. 9 reels, sd. From the play by Howard McKent Barnes.

Credits: Director, Albert Ray; adaptation, Frederick and Fanny Hatton.

HER UNKNOWN KNIGHT. SEE Impulse.

HER UNMARRIED LIFE. 1918. 2 reels.

Credits: Director, J. G. Blystone.

HER VANISHED YOUTH. Rex. 1916. 1 reel.

Credits: Maie Havey; producer, O. C. Kelsey.

HER VICTORY ETERNAL. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

HER VOCATION. 1915. 3,000 ft.

Credits: Mary Rider; director, James W. Castle.

Credits: Producer, Hardee Kirkland.

HER WAYWARD PARENTS. Victor. 1917. 2 reels.

Credits: Director, Norval McGregor; scenario, Clover Roscoe.

HER WAYWARD SISTER. 1916. 3,000 ft.

Credits: Written and directed by Clay M. Greene.

HER WEAKLING BROTHER. 1915. 2,000 ft.

HER WEDDING DAY. Laemmle. 1916. 2 reels.

Credits: Producer, Douglas Gerrard; story, E. M. Ingleton; scenario, Harvey Gates.

HER WEDDING NIGHT. Joker. 1915. 1 reel.

Credits: Producer, Robert Daly; scenario, L. V. Jefferson.

HER WEDDING NIGHT. 1930. 6,924 ft. From the play by Avery Hopwood.

Credits: Director, Frank Tuttle.

HER WHIRLWIND WEDDING. 1918. 2 reels.

HER WILD OAT. Presented by John McCormick. 1927. 7 reels.

Credits: Director, Marshall Neilan; story, Howard Irving Young; scenario, Gerald C. Duffy.

HER WINNING PUNCH. 1915. Split reel.

Credits: Producer, Mack Sennett.

HER WINNING WAY. 1921. 5 reels. From the play "Ann" by Lechmere Worrall and the novel "Ann Annington" by Edgar Jepson.

Credits: Director, Joseph Henabery; scenario, Douglas Doty.

HER WONDERFUL DAY. Imp. 1915. 1 reel.

Credits: M. B. Havey; producer, Herbert Carber.

HER WONDERFUL SECRET. Imp. 1916. 1 reel.

Credits: William Addison Lathrop; producer, J. Winthrop Kelley.

THE HERALD OF THE SKIES. (Strange As It Seems) Screen Classics, Inc. 1937. 879 ft., sd.

Credits: John Hix; supervised and directed by Leonard Poole; editor, Sue Clark; musical director, Lee Zahler.

HERALDS OF THE SPRING. (Bray Nature Special) Released by Bray Studios. 1927. 1 reel.

HERBERT RAWLINSON, THE MONOLOGIST OF THE SCREEN. 1928. 1 reel, sd.

HERE COMES CARTER. First National. 1936. 6 reels.

Credits: Director, William Clemens; story, M. Jacoby; screenplay, Roy Chanslor.

HERE COMES CHARLIE. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

HERE COMES COOKIE. Presented by Adolph Zukor. 1935. 7 reels.

Credits: Producer, William Le Baron; director, Norman McLeod; original story, Sam Mintz, Don Hartman; screenplay, Don Hartman; film editor, Richard Currier; music and lyrics, Richard Whiting, Leo Robin.

HERE COMES FLOSSIE. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Glen Lambert, Jack Henley.

HERE COMES PRECIOUS. (Jimmie Adams Comedy) Educational. 1927. 2 reels.

Credits: Director, Earle Rodney; story, Hal Conklin.

HERE COMES THE BAND. 1935. 9 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Paul Sloane; original screenplay, Paul Sloane, Ralph Spence, Victor Mansfield; film editor, Frank E. Hull.

HERE COMES THE BANDWAGON. SEE Half Way to Heaven.

HERE COMES THE BRIDE. 1915. 1,000 ft.

HERE COMES THE BRIDE. Paramount. Presented by Adolph Zukor. 1919. 5 reels.

Credits: Director, John S. Robertson; story, Max Marcin, Roy Atwell; scenario, Charles E. Whittaker.

HERE COMES THE BRIDESMAID. SEE Janet Adair in Here Comes the Bridesmaid.

HERE COMES THE CIRCUS. (Broadway Brevity) 1936. 18 min., sd.

Credits: Director, Roy Mack.

HERE COMES THE GROOM. Presented by Adolph Zukor. 1934. 7 reels, sd. From a play by Richard F. Flournoy.

Credits: Producer, Charles R. Rogers; director, Edward Sedgwick; screenplay, Leonard Praskins, Casey Robinson.

HERE COMES THE NAVY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 9 reels.

Credits: Director, Lloyd Bacon; story, Ben Markson; screenplay, Earl Baldwin, Ben Markson.

HERE COMES THE SHOWBOAT. 1929. 1 reel.

HERE COMES THE ZOO. Presented by Adolph Zukor. 1936. 1 reel.

Credits: Producer, R. W. Lotinga.

HERE COMES TROUBLE. 1936. 5,650 ft., sd.

Credits: Director, Lewis Seiler; original story, John Bright, Robert Tasker; screenplay, Robert Ellis, Helen Logan, Barry Trivers; music, Samuel Kaylin.

HERE HE COMES! Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

HERE IS MY HEART. Presented by Adolph Zukor. 1934. 9 reels, sd. From a play by Alfred Savoir.

Credits: Producer, Louis D. Lighton; director, Frank Tuttle; screenplay, Edwin Justus Mayer, Harlan Thompson; music, Ralph Rainger, Leo Robin, Lewis Gensler.

HERE, PRINCE. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Burnet Hershey, A. Dorian Otvos.

HERE Y'ARE BROTHER. SEE An Affair of the Follies.

HEREDITY. 1915. 3 reels.

Credits: Director, William Humphrey.

Credits: Director, William P. S. Earle; story, Maravene Thompson; scenario, George D. Proctor.

HERE'S FLASH CASEY. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producers, Max and Arthur Alexander; director, Lynn Shores; story, George Harmon Coxe; screenplay, John Krafft.

HERE'S HAL. (A Paramount Headliner) 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

HERE'S HOW. SEE The Mad Whirl.

HERE'S HOWE. 1936. 2 reels, sd. Based on characters created by Ham Fisher.

Credits: Director, Lloyd French; story. Jack Henley, Burnet Hershey, Robert Marko.

HERE'S LUCK. (Slim Summerville-Eddie Gribbon Comedy) 1931. 2 reels.

Credits: Director, Stephen Roberts; story, Francis J. Martin, James Mulhauser; continuity, Henry R. Symonds.

HERE'S THE GANG. Mentone. 1935. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Ernie Stanton.

HERE'S TO GOOD OLD JAIL. (Terry Toons) Presented by E. W. Hammons. 1938. 597 ft., sd.

Credits: Paul Terry, Ed Donnelly; music, Philip A. Scheib.

HERE'S TO ROMANCE. Presented by Fox Film. 1935. 7,835 ft., sd.

Credits: Director, Alfred E. Green; original story, Ernest Pascal, Sonya Levlen; screenplay, Ernest Pascal, Arthur Richman; music, Louis de Francesco.

HERE'S YOUR HAT. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling. C. Richard Wallace.

HERE'S YOUR HAT. 1937. 20 min., sd.

Credits: Direction, Roy Mack; continuity, Cyrus Wood, Jack Henley.

HERITAGE. Laemmle. 1915. 4 reels.

Credits: Production and story, Robert Leonard; arranger, H. G. Stafford.

THE HERITAGE OF HATE. Red Feather. 1916. 5 reels.

Credits: Walter Woods; director, Burton George; scenario, E. J. Clawson.

THE HERITAGE OF THE DESERT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. Adapted from the novel by Zane Grey.

Credits: Producer and director, Irvin Willat; adaptation, Albert Shelby LeVino.

HERITAGE OF THE DESERT. 1932. 7 reels. From the novel by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Harold Shumate, Frank Partos.

HERITAGE OF THE DESERT. 1939. 8 reels, sd. Based on the novel by Zane Grey.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Norman Houston; additional dialogue, Harrison Jacobs; editor, Sherman Rose.

THE HERITAGE OF VALOR. Rex. 1916. 1 reel.

Credits: Harvey Gates; producer, Allen Curtis; director, F. D. Ormston.

HERMAN TIMBERG IN THE LOVE BOAT. 1930. 1 reel, sd.

THE HERMIT DOCTOR OF GAYA. SEE Stronger than Death.

THE HERMIT KINGDOM. 1938. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Dwight Weist.

THE HERMIT OF BIRD ISLAND. 1915. 3,000 ft.

HERMITS OF CRAB-LAND. (The Struggle To Live Series, no. 2) Presented by RKO Radio Pictures. Released by RKO Distributing Corp. 1935. 1 reel, sd.

Credits: Associate producers, Stacey Woodard, Horace Woodard; narrator, Gayne Whitman.

THE HERO. 1914. 1 reel.

Credits: Director, Frederick Thomson.

THE HERO. Presented by B. P. Schulberg. 1922. 7 reels. From the play by Gilbert Emery.

Credits: Producer and director, Gasnier; scenario, Eve Unsell.

HERO FOR A DAY. 1939. 7 reels, sd.

Credits: Associate producer, Ken Goldsmith; director, Harold Young; original story, Matt Taylor; screenplay, Harold Buckman; film editor, Charles V. Maynard.

A HERO FOR A MINUTE. 1917. 2 reels.

Credits: Supervision, J. A. Blystone; director, Bob Kerr.

A HERO FOR A NIGHT. Jewel. 1927. 6 reels.

Credits: Director, William James Craft; story and continuity, Harry O. Hoyt.

A HERO 'N EVERYTHING. (Star Comedy) 1920. 1 reel.

Credits: Director, Allan Curtis.

THE HERO OF BUNKO HILL. Victor. 1917. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

THE HERO OF PIPEROCK. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

THE HERO OF SUBMARINE D-2. 1916. 5 reels.

Credits: Director, Paul Scardon.

A HERO OF THE BIG SNOWS. 1926. 6 reels.

Credits: Director, Herman Raymaker; story and scenario, Ewart Adamson.

THE HERO OF THE CIRCUS. 1928. 6 reels.

Credits: Director, Guy Brignone.

THE HERO OF THE GRIDIRON. 1915. 1/2 reel.

THE HERO OF THE HOUR. Red Feather. 1917. 5 reels.

Credits: Story and direction, Raymond Wells; scenario, Eugene B. Lewis.

HERO ON HORSEBACK. Jewel. 1927. 6 reels.

Credits: Director, Del Andrews; original story, Peter B. Kyne.

HEROES AND HUSBANDS. Presented by B. P. Schulberg. 1922. 6 reels.

Credits: Director, Chet Withey; story, Charles A. Logue.

HEROES AT LEISURE. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 901 ft., sd., b&w.

Credits: Director, Charles T. Trego.

HEROES FOR SALE. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels, sd.

Credits: Director, William A. Wellman; screenplay, Robert Lord, Wilson Mizner; film editor, Howard Bretherton.

HEROES IN BLUE. 1939. 6 reels, sd.

Credits: Producer, T. R. Williams; director, William Watson; original story, C. B. Williams, Charles Curran; screenplay, C. B. Williams.

HEROES OF THE ALAMO. 1937. 7 reels.

Credits: Director, Harry Fraser; screen adaptation, Roby Wentz.

HEROES OF THE FLAMES. 1931. 2 reels each. © Universal Pictures Corp.

Credits: Director, Robert F. Hill; dialogue, E. O'Neill; continuity, George Morgan, Basil Dickey, George H. Plympton.

1. The Red Peril. © 23Mar31; LP2082.

2. Flaming Hate. © 25Mar31; LP2091.

3. The Fire Trap. © 1Apr31; LP2116.

4. Death's Chariot. © 20Apr31; LP2158.

5. The Avalanche. © 20Apr31; LP2159.

6. The Jaws of Death. © 23Apr31; LP2165.

7. Forests of Fire. © 1May31; LP2187.

8. Blank Cartridges. © 8May31; LP2204.

9. The House of Terror. © 8May31; LP2205.

10. The Depths of Doom. © 8May31; LP2206.

11. A Flaming Death. © 26May31; LP2253.

12. The Last Alarm. © 26May31; LP2254.

HEROES OF THE HILLS. 1938. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, George Sherman; original story, Stanley Roberts, Jack Natteford; screenplay, Betty Burbridge, Stanley Roberts; film editor, Tony Martinelli.

HEROES OF THE NIGHT. Presented by Sam Sax. 1927. 7 reels.

Credits: Supervision, Renaud Hoffman; director, Frank O'Connor; story, James J. Tynan; adaptation and continuity, F. Oakley Crawford.

HEROES OF THE PLAINS. Special Big U. 1917. 1 reel.

HEROES OF THE RANGE. 1936. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story and screenplay, Nate Gatzert; film editor, Dwight Caldwell.

Credits: Editor, William Brotherhood.

HEROES OF THE STREET. 1922. 6 reels.

Credits: Director, William Beaudine; story, Edmund Goulding, Mildred Considine.

HEROES OF THE WEST. 1932. 2 reels each. Embracing "The Tie That Binds" by Peter B. Kyne.

Credits: Director, Ray Taylor; adaptation and dialogue, Ella O'Neill; continuity, George Plympton, Basil Dickey, Joe Roach.

1. Blazing the Trail. © 28May32; LP3063.

2. Red Peril. © 28May32; LP3067.

3. The Avalanche. © 8Jun32; LP3077.

4. A Shot from the Dark. © 23Jun32; LP3103.

5. The Holdup. © 29Jun32; LP3115.

6. Captured by Indians. © 7Jul32; LP3137.

7. Flaming Arrows. © 21Jul32; LP3156.

8. Frontier Justice. © 21Jul32; LP3157.

9. The Iron Monster. © 29Jul32; LP3173.

10. Thundering Death. © 4Aug32; LP3180.

11. Thundering Hoofs. © 12Aug32; LP3200.

12. The End of the Trail. © 15Aug32; LP3206.

HEROIC DEED OF CAPTAIN L. WARDLAW MILES OF PRINCETON, N. J.; CO. I, 308 INFANTRY, 77 DIV. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

HEROIC DEED OF GEORGE DILBOY OF BOSTON, MASS.; PRIVATE, 1ST CLASS, CO. H, 103RD INF., DECEASED. Presented by the U. S. Treasury Department War Loan Organization. 1919. 1 reel.

HEROIC DEED OF HAROLD A. FURLONG; 1ST LIEUT., CO. M, 353RD INFANTRY. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

HEROIC DEED OF J. HUNTER WICKERSHAM OF DENVER, COLO.; 2D LIEUT. 353 INF., DECEASED. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

Credits: Director of publicity, Frank R. Wilson.

HEROIC DEED OF JAMES A. MESTROVICH OF FRESNO, CAL.; SERGEANT, CO. M, 11TH INFANTRY, DECEASED. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

HEROIC DEED OF JAMES C. DOZIER OF ROCK HILL, S. C.; 1ST LIEUT. CO. C, 118TH INF. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

Credits: Director of publicity, Frank R. Wilson.

HEROIC DEED OF JOHN F. WILLIAMS, JR. OF CHARLOTTE, N. C.; FIRST LIEUTENANT, 120TH INFANTRY. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

HEROIC DEED OF SAMUEL WOODFILL OF FORT THOMAS, KY.; 1ST LIEUT. CO. M, 60TH INF. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

Credits: Director of publicity, Frank R. Wilson.

HEROIC DEED OF THOMAS C. NEIBOUR OF SUGAR CITY, IDAHO; PRIVATE CO. M, 167TH INF. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

Credits: Director of publicity, Frank R. Wilson.

HEROIC DEED OF WILLIAM SAWELSON OF HARRISON, N. J.; SERGT., CO. M., 312 INFANTRY, DECEASED. Presented by U. S. Treasury Department, War Loan Organization. 1919. 1 reel.

A HEROIC RESCUE. 1913. 1 reel.

Credits: Charles M. Seay.

THE HEROINE OF SAN JUAN. Special Big U. 1916. 2 reels.

Credits: Grace Cunard; director, Francis Ford.

DER HERR DES TODES. SEE The Master of Death.

THE HERRING MURDER CASE. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

HERSCHEL HENLERE IN THE MADCAP MUSICIAN. 1929. 1 reel, sd.

HE'S A BEAR. 1915. 1,000 ft.

HE'S A DEVIL. Nestor. 1916. 1 reel.

Credits: Written and produced by A. E. Christie; story, Tom Gibson.

HE'S A DEVIL. SEE Roy and Dot Dean in He's a Devil.

HE'S A HONEY. (Vanity Comedies) 1932. 21 min., sd.

Credits: Producer, Al Christie; director, Walter Graham; story and dialogue by The Scribblers.

HE'S A PRINCE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,027 ft.

Credits: Director, Edward Sutherland; story, Reginald Morris, Joseph Mitchell; screenplay, Keene Thompson.

HE'S A PRINCE. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1935. 1,600 ft., sd.

Credits: Story, Charlie Williams, Marcy Klauber.

Credits: Director, Charles Parrott.

HE'S MY PAL. 1924. 2 reels.

Credits: Director, Lou Seiler.

HESITATING LOVE. (Warren Doane Comedy) 1932. 2 reels.

Credits: Director, James W. Horne; story, George Stevens, James W. Horne.

HESPER OF THE MOUNTAINS. 1916. 5 reels. From the novel "Hesper" by Hamlin Garland.

Credits: Producer, Wilfrid North; picturized by Joseph F. Poland.

HEY DIDDLE-DIDDLE. 1930. 2 reels.

Credits: Producer, Lou Brock; director, George E. Marshall; story and dialogue, Johnny Grey, George E. Marshall; film editor, Ted Cheesman.

HEY DIDDLE DIDDLE. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 538 ft.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Schelb.

HEY, DOCTOR. 1918. 2 reels.

Credits: Director, L. G. Blystone.

HEY! HEY! COWBOY! Universal-Jewel. 1927. 6 reels.

Credits: Story, continuity, and direction, Lynn Reynolds.

HEY-HEY FEVER. (Happy Harmonies) 1935. 780 ft., sd., color.

Credits: Producers, Hugh Harman, Rudolph Ising.

HEY! HEY! WESTERNER. 1933. 2 reels, color.

Credits: Director, Roy Mack; story, Jack Henley, Glen Lambert.

HEY, NANNY, NANNY! 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, Edward Mann.

HEY, POP. 1932. 2 reels.

Credits: Director, Alf Goulding; story, Glen Lambert, Jack Henley.

HEY RUBE! 1928. 7 reels.

Credits: Wyndham Gittens, Louis A. Sarecky; director, George B. Seitz; continuity, Wyndham Gittens; titles, Randolph Bartlett; film editor, Ann McKnight.

HEY TAXI. 1925. 2 reels.

Credits: Director, Ted Burnsten.

HI DE HO. 1937. 1 reel, sd.

Credits: Burnet Hershey; director, Roy Mack.

HI, GAUCHO! 1935. 6 reels, sd.

Credits: Story and direction, Tommy Atkins; screenplay, Adele Buffington; editor, Fred Knudtson; music and lyrics, Albert Hay Malotte.

HI'-NEIGHBOR! (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis Manus.

HI, NELLIE! Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Mervyn Le Roy; story, Roy Chanslor; screenplay, Abem Finkel, Sidney Sutherland.

HI, TAXI. SEE The Timid Terror.

HIAWATHA; the Indian Passion Play. 1913. 4 reels.

HIC-CUPS THE CHAMP. (A Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Manny Gould; producer, Charles Mintz.

THE HICK. 1921. 2 reels.

Credits: Written and directed by Larry Semon and Norman Taurog.

A HICK IN HOLLYWOOD. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Craig Hutchinson.

HICK MANHATTAN. (Paramount-Flagg Comedy) Town and Country Films, Inc. 1918. 2 reels.

Credits: James Montgomery Flagg; director, Martin Justice.

HICKORY HIRAM. Nestor. 1918. 1 reel.

Credits: Direction and story, Edwin Frazee.

HICKS IN NIGHTMARELAND. SEE Black's Mysterious Box.

HICKSVILLE FORTUNE HUNTERS. 1913.

Credits: Director, Robert Thornby.

HICKVILLE TO BROADWAY. 1921. 5 reels.

Credits: Written and directed by Carl Harbaugh; edited and titled by Ralph Spence.

HICKVILLE'S ROMEO. Century. 1922. 2 reels.

Credits: Written and directed by Al Herman.

THE HIDDEN BADGE. 1919. 2 reels.

Credits: Director, George Holt; story, William Pigott; scenario, Anthony Coldeway.

THE HIDDEN BADGE. 1924. 2 reels.

Credits: Director, George Holt; story, William Pigott.

THE HIDDEN BALL. (Rockne Football, reel 2) 1930. 1 reel, sd., color.

Credits: Terry Ramsaye.

THE HIDDEN CHILDREN. 1917. 5 reels.

Credits: Robert W. Chambers; director, Oscar Apfel.

THE HIDDEN CITY. Bison. 1915. 2 reels.

Credits: Grace Cunard.

Credits: Supervision, Norman Harsell; director, Richard Lestrange.

THE HIDDEN DANGER. Big U. 1917. 2 reels.

HIDDEN DANGERS. 1920. 2 reels each. © The Vitagraph Co. of America.

Credits: Directed and picturized by William Bertram; story, Albert E. Smith, Cleveland Moffett; scenario, Graham Baker, William B. Courtney.

1. The Evil Spell. © 14May20; LP15130.

2. The Murder Mood. © 15May20; LP15119.

3. Plucked from Peril. © 18Jun20; LP15264.

4. The Fatal Choice. © 23Jun20; LP15294.

5. Hands of Horror. © 6Jul20; LP15340.

6. Springing the Trap. © 20Jul20; LP15374.

7. Hindoo Hate. © 26Jul20; LP15388.

9. An Inch from Doom. © 14Aug20; LP15431.

11. The Tank's Secret. © 3Sep20; LP15504.

12. Human Bait. © 31Aug20; LP15501.

13. A Woman's Grit. © 3Sep20; LP15505.

14. The Fatal Escape. © 10Sep20; LP15532.

15. The Lifting Fog. © 10Sep20; LP15533.

HIDDEN DEATH TRAPS. U. F. A., Berlin. 1927. 1 reel.

Credits: Editor, Edward Bowes.

HIDDEN EVIDENCE. (Minute Mysteries) 1934. 1 reel, sd. From the story "Death in the Office" by H. A. Ripley.

Credits: Director, Lambert Hillyer; screenplay, Harold Shumate; film editor, Charles Nelson.

Credits: Producer, George L. Tucker.

HIDDEN FIRES. 1918. 5 reels.

Credits: Director, George Irving; story, J. Clarkson Miller.

HIDDEN GOLD. 1932. 6 reels.

Credits: Director, Arthur Rosson; story, Jack Natteford; screenplay, Jack Natteford, James Mulhauser.

1. The Gauntlet of Death. © title, descr. & 40 prints, 5Nov17; LU11662.

2. Counterfeit Faces. © title, descr. & 55 prints, 5Nov17; LU11663.

3. The Island of Dread. © title, descr. & 44 prints, 5Nov17; LU11664.

4. The False Locket. © title, descr. & 60 prints, 5Nov17; LU11665.

5. The Air-Lock. © title, descr. & 44 prints, 5Nov17; LU11666.

8. The Slide for Life. © title, descr. & 44 prints, 3Apr18; LU12257.

9. Jets of Flame. © title, descr. & 90 prints, 3Apr18; LU12258.

10. Cogs of Death. © title, descr. & 30 prints, 3Apr18; LU12259.

12. The Eyes in the Wall. © title, descr. & 30 prints, 3Apr18; LU12260.

15. The Girl of the Prophecy. © title, descr. & 24 prints, 3Apr18; LU12261.

THE HIDDEN LETTERS. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

Credits: Written and directed by Abraham S. Schomer.

HIDDEN LOOT. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Robert North Bradbury; story, William J. Neibig.

HIDDEN MONEY. (Western Featurette) 1928. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, George Morgan.

THE HIDDEN PATH. SEE The Discarded Woman.

HIDDEN PEARLS. 1918. 5 reels.

Credits: Director, George H. Melford; story, Beulah Marie Dix.

HIDDEN POWER. 1939. 6 reels, sd.

Credits: Director, Lewis D. Collins; original screenplay, Gordon Rigby; film editor, Dwight Caldwell.

Credits: Director, Barry O'Neil; story, Mrs. Owen Bronson; scenario, Frances Marion.

THE HIDDEN SPRING. Yorke Film Corp. 1917. 5 reels. From the novel by Clarence B. Kelland.

Credits: Director, E. Mason Hopper; adaptation, Fred J. Balshofer.

THE HIDDEN TRUTH. 1918. 5 reels.

Credits: Director, Julius Steger; story, S. M. Weller.

HIDDEN VALLEY. 1932. 6 reels.

Credits: Producer, Trem Carr; director, Robert N. Bradbury; story and adaptation, Wellman Totman.

Credits: Producer, Joseph De Grasse; screen story and arrangement, Ida May Park.

THE HIDDEN WOMAN. 1922. 5 reels.

Credits: Director, Allan Dwan.

HIDE AND SEEK. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

HIDE AND SEEK, DETECTIVES. (Paramount-Mack Sennett Comedy) 1918. 2 reels.

Credits: Director, Edward Cline.

HIDE AND SHRIEK. (Hal Roach Comedy) (Our Gang Comedy) 1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

HIDEAWAY. 1937. 6 reels, sd. From the play by Melvin Levy.

Credits: Producer, Cliff Reid; director, Richard Rosson; screenplay, J. Robert Bren, Edmund L. Hartmann; editor, Henry Berman.

HIDEAWAY GIRL. Presented by Adolph Zukor. 1936. 8 reels, sd.

Credits: Producer, A. M. Botsford; director, George Archainbaud; story, David Garth; screenplay, Joseph Moncure March, Eddie Welch; film editor, Arthur Schmidt.

THE HIDE-OUT. 1930. 7 reels.

Credits: Director, Reginald Barker; story, and adaptation, Arthur Ripley, Lambert Hillyer.

HIDE-OUT. 1934. 9 reels, sd., b&w.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; story, Mauri Grashim; screenplay, Frances Goodrich, Albert Hackett; film editor, Basil Wrangell; music score, William Axt.

HIDEOUT IN THE ALPS. Presented by Edward L. Alperson. 1937. 8 reels, sd. From the play by Neil Grant.

Credits: Producer, Julius Hagen; director, Bernard Vorhaus; adaptation, L. DuGarde Peach, Michael Hankinson; additional dialogue, Paul Hervey Fox, Arthur Macrae; film editors, Jack Harris, Ralph Kemplen; music director, W. L. Trytel.

HIDING IN HOLLAND. 1919. 1 reel.

THE HIDING OF BLACK BILL. 1918. 2 reels. Based on the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, F. H. Buckley.

THE HIGGINS FAMILY. 1938. 8 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Gus Meins; original story, Richard English; screenplay, Paul Gerard Smith, Jack Townley; film editor, Ernest Nims; music score, Cy Feuer.

HIGH AND DIZZY. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

HIGH AND DRY. 1922. 2 reels.

Credits: Director, George Summerville.

HIGH AND HANDSOME. 1925. 6 reels.

Credits: Director, Harry Garson; story, Gerald Beaumont; scenario. Rex Taylor.

HIGH BEER PRESSURE. 1936. 18 min., sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, John Lockert.

HIGH-C-HONEYMOON. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Arthur Jarrett.

HIGH COMMAND. 1938. 7 reels, sd. Based on the novel "The General Goes Too Far" by Lewis Robinson.

Credits: Producer, Gordon Wellesley; director, Thorald Dickinson; screenplay, Catherine Strueby; dialogue, Walter Meade, Val Valentine; film editor, Sidney Cole; music, Ernest Irving.

Credits: Director, William Bertram.

THE HIGH COST OF LIVING. Metro-Drew. 1917. 1 reel.

Credits: Mrs. S. G. Moyer; producer, Sidney Drew.

THE HIGH COST OF STARVING. Victor. 1917. 1 reel.

Credits: Written and directed by Leslie T. Peacocke; scenario, Maie Havey.

HIGH C'S. Presented by Hal Roach. 1930. 3 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

THE HIGH DIVER'S CURSE. 1916. 2 reels.

A HIGH DIVER'S LAST KISS. 1918. 2 reels.

Credits: Director, Noel Smith.

HIGH EXPLOSIVES AS USED IN THE U. S. ARMY. 1912. 1 reel.

HIGH FINANCE. 1917. For the Fox Film Corp. 5 reels.

Credits: Larry Evans; director, Otis Turner; scenario, F. McGrew Willis.

HIGH FLIERS. Victor. 1916. 2 reels.

HIGH FLIERS. (Star Comedy) 1922. 1 reel.

Credits: Written and directed by William Watson.

HIGH FLYERS. 1937. 70 min., sd. Based on a play by Victor Mapes.

Credits: Producer, Lee Marcus; director, Edward Cline; screenplay, Benny Rubin, Bert Granet, Byron Morgan; editor, John Lockert; music director, Roy Webb.

HIGH FLYIN' GEORGE. (Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels. Adapted from the cartoons by George McManus.

Credits: Director, Samuel Newfield.

HIGH GEAR. (Bobbie Vernon Comedies) Educational. 1924. 2 reels.

Credits: Director, Archie Mayo.

HIGH GEAR. Presented by Hal Roach. 1931. 3 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

HIGH GEAR JEFFREY. 1921. 5 reels.

Credits: Director, Edward Sloman; written and adapted by Julius J. Furthman.

HIGH HAT. Presented by Robert Kane. 1927. 7 reels.

Credits: Director, James A. Creelman; original story and scenario, James A. Creelman, Melville Baker.

HIGH HAT. 1929. 1 reel.

Credits: Director, Joseph Santley.

HIGH HAT WITH HUDSON. 1937. 1 reel, sd.

HIGH HATS. SEE Ladies Love Hats.

HIGH HATS AND LOW BROWS. (Ruff Town Comedies) 1932. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Supervision, Lew Lipton; director, Harry Sweet; screenplay, Ralph Ceder; film editor, Fred Maguire.

HIGH HEELS. Universal Special. 1921. 5 reels.

Credits: Producer, Lee Kohlmar; story, Louise B. Clancey; scenario, Wallace Clifton.

HIGH HOPES. (Cameo Comedy) Educational. 1925. 1 reel.

Credits: Director, James Davis.

A HIGH JINX. 1925. 2 reels.

Credits: Director, Lewis Seiler; story, Andrew Bennison.

HIGH KICKERS. Century. 1923. 2 reels.

HIGH LIFE. Century. 1921. 2 reels.

Credits: Written and directed by Alf. T. Goulding.

HIGH PERIL. (Your True Adventures) 1939. 12 min., sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

HIGH POCKETS. Released through Goldwyn Distributing Corp. 1919. 5 reels.

Credits: Director, Ira M. Lowry; story, William Patterson White; scenario, Gil-Spear.

HIGH PRESSURE. 1932. 8 reels, sd.

Credits: Director, Mervyn LeRoy.

THE HIGH ROAD. 1915. 5 reels.

THE HIGH ROAD. SEE The Lady of Scandal.

HIGH SCHOOL HERO. 1927. 6 reels.

Credits: Director, David Butler; story, William M. Conselman, David Butler; scenario, Seton I. Miller.

HIGH SEA BLUES. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

HIGH SEAS. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

HIGH SIERRA. 1937. 1 reel, sd.

THE HIGH SIGN. Butterfly. 1917. 5 reels.

Credits: Waldemar Young; producer, Herbert Rawlinson; director, Elmer Clifton.

THE HIGH SIGN. 1921. For Joseph M. Schenck. 2 reels.

Credits: Written and directed by Buster Keaton, Eddie Cline.

HIGH SOCIETY BLUES. 1930. 10 reels, sd.

Credits: Associate producer, A. L. Rockett; director, David Butler; story, Dana Burnet; editor, Irene Morra.

HIGH SPEED. Victor. 1916. 1 reel.

Credits: Harvey Gates; producer, Millard K. Wilson.

HIGH SPEED. Butterfly. 1917. 5 reels.

Credits: Directors, Elmer Clifton, George L. Sargent; story, Helen Starr; scenario, Tom Bigson, H. B. Pearson.

HIGH SPEED. 1920. 5 reels. From the novel by Clinton H. Stagg.

Credits: Director, Charles Miller; scenario, John J. Glavey.

HIGH SPEED. 1924. 5 reels.

Credits: Director, Herbert Blache; story, Fred Jackson; scenario, Helen Broderick.

HIGH SPEED. 1932. 6 reels.

Credits: Director, Ross Lederman; story, Harold Shumate; adaptation and dialogue, Adele Buffington.

HIGH SPEED LEE. 1923. 5 reels. From the Saturday Evening Post story "Only Two of Us Left" by J. P. Marquand.

Credits: Adaptation and direction, Dudley Murphy.

HIGH SPIRITS. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Nate Watt.

HIGH SPOTS. (Mermaid Comedies) 1927. 2 reels.

Credits: Supervision and production, Jack White; director, Stephen Roberts.

HIGH SPOTS OF THE FAR EAST. 1933. 1 reel, sd.

HIGH STAKES. 1927. 1 reel.

Credits: Paul Terry and Hugh Shields.

HIGH STAKES. 1931. 8 reels, sd.

Credits: Willard Mack; associate producer, Henry Hobart; director, Lowell Sherman; adaptation and dialogue, J. Walter Ruben.

HIGH STEPPERS. Presented by Edwin Carewe. 1926. 7 reels. A screen adaptation of the novel "Heirs Apparent" by Philip Gibbs.

Credits: Director, Edwin Carewe; scenario, Lois Leeson; adaptation, Finis Fox.

HIGH STEPPERS. (Sportlight) 1930. 1 reel.

Credits: Jack Eaton.

HIGH STRUNG. (Educational-Mermaid Comedy) 1928. 2 reels.

Credits: Producer, Jack White; director, Mark Sandrich.

HIGH TENSION. 1936. 5,686 ft., sd.

Credits: Director, Allan Dwan; story, J. Robert Bren, Norman Houston; screenplay, Louis Breslow, Edward Eliscu, John Patrick; music director, Samuel Kaylin.

HIGH TONED. 1930. 2 reels, sd. From the "Wildcat" stories by Hugh Wiley.

Credits: Producer, Monte Brice; director, Paul Powell; adaptation, Sidney Lazarus.

HIGH TREASON. Presented by Tiffany Productions, Inc. 1930. 7 reels, sd. From the play by Pemberton Billing.

Credits: Director, Maurice Elvey, scenario, L'Estrange Fawcett.

HIGH UP. (Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Rudolph Ising, R. C. Hamilton.

HIGH VOLTAGE. 1929. 6 reels.

Credits: Supervision, Ralph Block; production manager, Richard A. Blaydon; director, Howard Higgin; story, Elliott Clawson; screenplay, James Gleason, Kenyon Nicholson.

HIGH WATER. SEE Guy Robertson in High Water.

HIGH, WIDE, AND DASHING. (Bill Corum, no. 1) 1936. 1 reel.

HIGH, WIDE, AND HANDSOME. Presented by Adolph Zukor. 1937. 11 reels, sd.

Credits: Producer, Arthur Hornblow; director, Rouben Mamoulian; original story, screenplay and lyrics, Oscar Hammerstein II; additional dialogue, George O'Neil; music, Jerome Kern.

HIGH, WIDE, AND HANSOM. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Dolph Singer.

HIGHBALL HARRY. 1920. 1 reel.

HIGHER ABDICATION. SEE The Stirrup Brother.

THE HIGHER DESTINY. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.; director, Charles J. Brabin.

THE HIGHEST BIDDER. Goldwyn Studios. 1920. 6 reels. Adapted from the story "The Trap" by Maximilian Foster.

Credits: Director, Wallace Worsley; scenario, Lloyd Lonergan.

THE HIGHEST LAW. 1920. 5 reels.

Credits: Supervised and directed by Ralph W. Ince; story, Lewis Allen Browne.

THE HIGHGRADER. SEE Fighting for Gold.

HIGH-JACK 'N THE SHOW. Mentone. 1938. 2 reels, sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Shaindlin.

HIGHLIGHTS OF THE PAST. (A Johnnie Walker Novelty) (Do You Remember) Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

HIGHLIGHTS ON BRIDGE. Presented by J. S. Grauman. 1928. 1 reel each. © Budd Rogers.

Credits: Sidney S. Lenz; producer, Budd Rogers; director, Elmer J. McGovern.

1. © 5May28; MP5040.

2. © 5May28; MP5041.

HIGHLOWBROW; Including "The Guest" by Lord Dunsany. 1929. 16 min.

Credits: S. J. Kaufmann.

HIGHLY RECOMMENDED. 1924. 2 reels.

Credits: Written and directed by Al. St. John, Ben Stoloff.

THE HIGHWAY OF FATE. Laemmle. 1916. 2 reels.

Credits: Harry Dittmar; director, Robert F. Hill.

THE HIGHWAY OF HOPE. 1917. 5 reels.

Credits: Director, Howard Estabrook; story, Willard Mack; scenario, Harvey Gates.

HIGHWAY PATROL. 1938. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; story, Lambert Hillyer; screenplay, Robert E. Kent, Stuart Anthony; film editor, James Sweeney.

HIGHWAY ROBBERY. SEE It's a Small World.

HIGHWAY SNOBBERY. (Krazy Kat) 1936. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe De Nat.

THE HIGHWAY—THE ENDLESS CITY. SEE The City.

THE HIGHWAYMAN. 1915. 1 reel.

Credits: Director, Wally Van. [pseud. of Wally Van Nostrand].

THE HIGHWAYMAN. SEE The Heart Thief.

HI-HO HOLLYWOOD. Presented by E. W. Hammons. 1938. 1,450 ft., sd.

Credits: Director, William Watson; story, Marcy Klauber, Arthur Jarrett.

Credits: Producer, Carl Stearns Clancy.

HILDA. SEE Billy Swede Hall and Company in Hilda.

HILDA OF THE SLUMS. 1915. 1 reel.

Credits: Director, Ulysses Davis.

HILL TILLIES. (A Hal Roach Comedy) 1936. 2 reels, sd.

Credits: Director, Gus Meins; film editor, William Ziegler.

THE HILLBILLY. Released by Allied Producers and Distributors Corp. 1924. 7 reels. Suggested by a story by John Fox, Jr.

Credits: Director, George Hill; story and adaptation, Marion Jackson; titles, Waldemar Young; editor, Margaret Lysaght.

THE HILLBILLY. (Oswald, the Lucky Rabbit) 1935. 1 reel.

Credits: Animated and directed by Walter Lantz.

THE HILLBILLY GOAT. (Kennedy, no. 2) 1937. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, John Lickert.

HILLBILLY LOVE. Presented by E. W. Hammons. 1935. 990 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Arthur Jarrett.

Credits: Director, George Fitzmaurice; story and scenario, Ouida Bergere.

THE HILLMAN. SEE

Behold the Woman.

In the Balance.

HILLS OF KENTUCKY. 1927. 7 reels. From the story "The Untamed Heart" by Dorothy Yost.

Credits: Director, Howard Bretherton; scenario, Edward Clark.

THE HILLS OF OLD WYOMIN'. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer.

HILLS OF OLD WYOMING. Presented by Adolph Zukor. 1937. 8 reels. Based on the story "The Round-Up" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Nate Watt; screenplay and dialogue, Maurice Geraghty; lyrics and music, Leo Robin, Ralph Rainger.

HILLS OF PERIL. 1927. 5 reels.

Credits: Director, Lambert Hillyer; story, Winchell Smith, George Abbott; scenario, Jack Jungmeyer.

THE HINDENBURG DISASTER. 1937. 1 reel.

HINDENBURG EXPLODES! 1937. 200 ft.

Credits: Editor, Eugene W. Castle.

THE HINDOO CHARM. 1913. 1 reel.

Credits: Director, Maurice Costello.

A HINDOO FUNERAL. 1915. Split reel.

HINDOOS AND HAZARDS. 1918. 1 reel.

Credits: Director, Laurence Semon.

A HINT TO BRIDES. 1929. 2 reels.

Credits: Kenyon Nicholson; director, A. Leslie Pearce.

HINTS ON HUNTING. (Outdoor Sketches) Presented by E. W. Hammons. 1928. 1 reel.

Credits: Robert C. Bruce.

HIP ACTION. (How to Break 90, no. 3) Presented by Warner Bros. Pictures and the Vitaphone Corp. 1933. 1 reel, sd.

Credits: Director, George E. Marshall; story, Andrew Bennison.

HIP ZIP HOORAY. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; directors, Edward Eliscu, Ray McCarey; story, Mauri Grashin, Jack Townley; film editor, John Lockert.

HIPPITY-HOP GIRLS. 1920. 1 reel.

THE HIPPOPOTAMUS PARADE. SEE What's Your Hurry?

HIPS, HIPS, HOORAY! 1934. 7 reels, sd.

Credits: Associate producer, H. N. Swanson; director, Mark Sandrich; story, Bert Kalmar, Harry Ruby; screenplay, Bert Kalmar, Harry Ruby, Edward Kaufman; music director, Roy Webb; editor, Basil Wrangell.

Credits: Written and produced by Colin Campbell.

HIRAM GREEN, DETECTIVE. 1913. 1 reel.

Credits: Monte M. Katterjohn.

HIRAM'S INHERITANCE. Joker. 1915. 1 reel.

Credits: C. G. Badger; producer, Allen Curtis.

HIRE A HALL. (Krazy Kat, no. 16) 1927. 1 reel.

HIRED AND FIRED. Presented by William Fox. 1929. 3 reels.

Credits: Director, Norman Taurog; story, Sidney Lanfield; scenario, Sidney Lanfield, Clark and McCullough; film editor, Albert C. Dripps.

THE HIRED MAN. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger; story, Julien Josephson.

HIRED, TIRED, AND FIRED. Imp. 1916. 1 reel.

Credits: Written and produced by Jay Hunt.

HIS ANGEL CHILD. 1929. 2 reels.

Credits: Director, Eddie Baker; story, Frank Conklin.

HIS ANSWER. SEE The Lily of Poverty Flat.

HIS AUTO RUINATION. 1916. 2 reels.

Credits: Supervision, Mack Sennett; director, Fred Fishback.

HIS BABY DAZE. (Educational-Lloyd Hamilton Talking Comedy) 1929. 19 min., sd.

Credits: Producer, H. D. Edwards; director, Gilbert Pratt; story, George Bentley.

HIS BACHELOR DADDIES. 1930. 2 reels.

Credits: Director, Harold Beaudine.

HIS BACK AGAINST THE WALL. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story, John Frederick; scenario, Julien Josephson.

HIS BELOVED VIOLIN. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; arrangement, H. G. Stafford.

HIS BETTER HALF. (Hamilton Comedies) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

HIS BIG MINUTE. (Educational-Lloyd Hamilton Talking Comedies) 1929. 2 reels.

Credits: Director, William Watson; story, Gilbert Pratt.

HIS BIRTHDAY GIFT. 1915. 1 reel.

HIS BIRTHDAY GIFT. Rolma Pictures Corp. 1916. 1 reel.

Credits: Mark Swan.

HIS BIRTHDAY SUIT. (Variety Comedy) 1930. 2 reels, sd.

Credits: Director, Philip Tannura; story and production, Gordon Bostock; film editor, E. Pfitzenmeier.

HIS BITTER HALF. 1924. 2 reels.

Credits: Arranged and edited by Ralph Ince.

HIS BODY FOR RENT. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Lyons-Moran; story, Grubb Alexander.

HIS BODY-GUARD. 1915. 1,000 ft.

Credits: Producer, Arthur Hotaling.

HIS BOMB POLICY. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Parrott.

HIS BONDED WIFE. 1918. 5 reels.

Credits: Supervision, Maxwell Karger; director, Charles J. Brabin; story, Lois Zellner, Arthur Zellner; scenario, June Mathis.

HIS BREAD AND BUTTER. 1916. 2 reels.

Credits: Supervision, Mack Sennett; director, Edward Cline.

HIS BRIDAL NIGHT. 1919. 5 reels.

Credits: Director, Kenneth Webb; story, Lawrence Irving Rising; scenario, Kathryn Stuart.

HIS BRIDAL SWEET. 1935. 2 reels, sd.

Credits: Director, Alf Goulding; story and screenplay, John Grey.

HIS BROTHER'S KEEPER. 1915. 2 reels.

HIS BROTHER'S KEEPER. 1916. 3 reels.

Credits: Director, William Robert Daly.

HIS BROTHER'S KEEPER. 1920. 6 reels.

Credits: Director, Wilfrid North; story, N. Brewster Morse.

HIS BROTHER'S PAL. Rex. 1916. 2 reels. Adapted from a story by Charlotte Walton Ayres.

Credits: Producer, Ben Wilson.

Credits: Director, Harley Knoles.

HIS BROTHER'S WIFE. 1936. 9 reels, sd., b&w.

Credits: Producers, W. S. Van Dyke, Lawrence Weingarten; director, W. S. Van Dyke; original story, George Auerbach; screenplay, Leon Gordon, John Meehan; music score, Franz Waxman; film editor, Conrad A. Nervig.

Credits: Directed and adapted by Tom Terriss.

HIS BUNKIE. 1915. 1 reel.

Credits: Director, Lionel Belmore.

HIS BUSY DAY. 1938. 1 reel, sd.

Credits: Director, Joseph Henabery.

HIS CAPTIVE. Laemmle. 1915. 2 reels.

Credits: Story, Helen Bailey.

HIS CAPTIVE WOMAN. 1929. 8 reels.

Credits: Director, George Fitzmaurice; story, Donn Byrne; scenario, Carey Wilson.

HIS CAPTIVE WOMAN. Trailer. 1929. 1 reel, sd.

HIS CHANGE OF HEART. 1914. 1 reel.

HIS CHILDREN'S CHILDREN. Presented by Adolph Zukor. 1923. 8 reels. From the novel by Arthur Train.

Credits: Director, Sam Wood; screenplay, Monte M. Katterjohn.

HIS CHORUS GIRL WIFE. 1914. 1 reel.

Credits: Ashley Miller.

Credits: Director, Archer MacMackin.

HIS COLLEGE YELL. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

HIS COMING-OUT PARTY. Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; scenario, Karl Coolidge.

HIS COMRADE'S WIFE. 1914. 1 reel.

Credits: Richard R. Ridgely.

HIS CONSCIOUS CONSCIENCE. 1916. 1 reel.

Credits: Director, Lawrence Semon.

HIS CONVERT. 1915. 1,000 ft.

Credits: J. W. Blake; director, Richard Ridgely.

HIS COUNTRY COUSIN. SEE Lampoons.

HIS CRIMINAL CAREER. 1915. 1 reel.

HIS CRUCIBLE. 1915. 3 reels.

Credits: William H. Lippert.

HIS CURIOSITY. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

HIS DARK CHAPTER. SEE What a Man.

HIS DARKER SELF. Presented by Albert L. Grey. 1924. 5 reels. From the story "Mammy's Boy" by Arthur Caesar.

Credits: Director, Jack Noble.

HIS DAY OF DAYS. Blue Bird. 1927. 1 reel.

Credits: Editor, Jack Irwin.

HIS DAY OFF. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, Connie Rosinski; music, Philip A. Scheib.

HIS DEADLY CALM. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

HIS DESPERATE DEED. 1915. 1 reel.

HIS DIVORCED WIFE. 1919. 5 reels. From the story "An Altar on Little Thunder" by Elmore Elliott Peake.

Credits: Director, Douglas Gerrard; scenario, F. McGrew Willis; editor, Viola Mallory.

HIS DOG. De Mille Pictures Corp. 1927. 7 reels.

Credits: Supervision, Walter Woods; director, Karl Brown; story, Albert Payson Terhune; continuity, Olga Printzlau; titles, John Krafft; film editor, Margaret Darrel.

HIS DOMINANT PASSION. 1914. 1 reel.

HIS DOUBLE LIFE. Metro-Drew. 1917. 1 reel.

Credits: Producers, Mr. and Mrs. Sidney Drew.

HIS DOUBLE LIFE. 1933. 8 reels. From the novel "Buried Alive" and the play "The Great Adventure" by Arnold Bennett.

Credits: Director, Arthur Hopkins; adaptation, Arthur Hopkins, Clara Beranger; editor, A. Pam Blumenthal.

HIS DUKESHIP, MR. JACK. 1916. 1 reel.

Credits: Director, C. Jay Williams.

HIS EAR FOR MUSIC. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

HIS EGYPTIAN AFFINITY. Nestor. 1915. 1 reel.

Credits: Scenario and production by A. E. Christie.

HIS EMERGENCY WIFE. 1915. 1 reel.

HIS ENEMY. 1913. 1 reel.

Credits: Bannister Merwin.

HIS ERROR. (Educational's Talking Comedies) (Mermaid Talking Comedies) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

HIS EXCITING NIGHT. 1938. 6 reels, sd. Based on a play by Katharine Kavanaugh.

Credits: Associate producer, Ken Goldsmith; director, Gus Meins; screenplay, Pat C. Flick, Edward Eliscu, Morton Grant; film editor, Phil Kahn.

HIS FAIRY GODMOTHER. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

HIS FAMILY TREE. Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

HIS FAMILY TREE. 1935. 8 reels, sd. From the play "Old Man Murphy" by Patrick Kearney and Harry Wagstaff Gribble.

Credits: Director, Charles Vidor; screenplay, Joel Sayer, John Twist; editor, Jack Hively; music director, Alberto Colombo.

HIS FATAL BEAUTY. Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; story and scenario, Jack Cunningham.

HIS FATAL SHOT. 1915. 1 reel.

Credits: Producer, William Duncan.

Credits: Producer, Mack Sennett.

HIS FATHER'S FOOTSTEPS. 1915. 2 reels.

Credits: Supervision, Mack Sennett; directors, Ford Sterling, Charles Parrott.

HIS FATHER'S RIFLE. 1915. 3 reels.

Credits: Director, Edward J. Le Saint.

HIS FATHER'S SON. 1917. 5 reels. From the story by Channing Pollock and Rennold Wolf.

Credits: Director, George T. Baker; scenario, June Mathis.

Credits: Director, Frank Crane; scenario, Philip Lonergan.

HIS FAVORITE WIFE. Presented by William Fox. 1928. 2 reels, b&w, blue sequences.

Credits: Director, Orville Dull; story, Richard Harding Davis; scenario, Marty Martin.

HIS FEARFUL FINISH. Century. 1921. 2 reels.

Credits: Written and directed by Thomas Buckingham.

HIS FIERY BEAT. 1921. 2 reels.

Credits: Director, Del Lord.

HIS FIGHT. 1914. 1 reel.

Credits: Producer, Colin Campbell.

HIS FIGHTING BLOOD. 1915. 2 reels.

HIS FIGHTING BLOOD. 1935. 6 reels, sd. From a story by James Oliver Curwood.

Credits: Producers, Sig Neufeld, Maurice Conn; director, James W. English; screen adaptation, Joseph O'Donnell.

HIS FINAL BLOW-OUT. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Hank Mann.

HIS FIRST CASE. (A Warren Doane Comedy) Presented by Carl Laemmle. 1933. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, W. P. Hackney, James W. Horne.

HIS FIRST COMMAND. 1930. 7 reels, sd.

Credits: Associate producer, Ralph Block; director, Gregory La Cava; story and adaptation, Jack Jungmeyer, James Gleason; film editor, Doane Harrison.

HIS FIRST DEGREE. Century. 1925. 2 reels.

Credits: Director, Edward I. Luddy.

HIS FIRST FLAME. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Dolph Singer.

HIS FIRST JOB. (Star Comedy) 1922. 1 reel.

HIS FIRST LOVE. 1918. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

HIS FIRST PERFORMANCE. 1913. 1 reel.

Credits: Milton Nobles.

HIS FIRST RIDE. 1914. 1 reel.

HIS FIRST TOOTH. Metro-Drew. 1916. 1 reel.

Credits: Charlotte Wharton Ayers; producer, Sidney Drew.

HIS FORGOTTEN WIFE. 1924. 6,500 ft.

Credits: Director, William Seiter; screenplay, Will Lambert.

HIS FRIEND AND HIS WIFE. SEE Midsummer Madness.

HIS FRIEND'S TIP. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

HIS GENEROSITY. Metro-Drew. 1918. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

HIS GIRL FRIEND. (Stern Bros. Comedy) Century. 1926. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

HIS GIRL'S WEDDING. (Arthur Lake Comedy) 1929. 2 reels.

Credits: Director, Harry Edwards.

HIS GLORIOUS NIGHT. 1929. 9 reels, sd., b&w. Based on the play "Olympia" by Ferenc Molnar.

Credits: Willard Mack; production, direction, and music, Lionel Barrymore; film editor, William Le Vanway; music director, William Axt.

HIS GOLDEN GRAIN. 1915. 2 reels.

Credits: Producer, Ulysses Davis.

HIS GOLDEN HOUR. Special Victor. 1916. 1 reel.

Credits: Harry Wulze; director, Roy Clements.

HIS GOOD NAME. Powers. 1915. 2 reels.

Credits: Producer, Lynn Reynolds; scenario, F. McGrew Willis.

HIS GRANDCHILD. 1914. 1 reel.

Credits: Frances M. Wright.

HIS GREAT TRIUMPH. SEE Notorious Gallagher.

HIS GREATEST GAMBLE. 1934. 8 reels, sd.

Credits: Associate producer, Myles Connolly; director, John Robertson; story, Salisbury Field; screenplay, Sidney Buchman, Harry Hervey; editor, William Hamilton; music director, Max Steiner.

HIS GREATEST SACRIFICE. 1921. 6 reels.

Credits: Director, J. Gordon Edwards; screen version, Paul H. Sloane.

HIS GREATEST VICTORY. 1913. 1 reel.

Credits: Paul McAllister.

HIS HAND AND SEAL. 1915. 2 reels.

Credits: Director, J. Farrell MacDonald; story, Carolyn Wells.

HIS HANSOM BUTLER. Norman Manning Productions. 1921. 2 reels.

Credits: Director, Bruce Mitchell; story, Norman Manning, Harry Gribbon.

HIS HEREAFTER. 1916. 3 reels.

HIS HIGH HORSE. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Supervision, Jack White; director, Arvid Gillstrom.

THE HIGHEST TRUMP. 1919. 5 reels.

Credits: Scenario and direction, James Young; story, H. H. Van Loan.

HIS HIGHNESS. SEE Son Altesse.

HIS HIGHNESS THE JANITOR. Joker. 1916. 1 reel.

Credits: Gale Henry; producer, Allen Curtis.

HIS HOLINESS, POPE BENEDICT XV CANONIZING ST. JOAN OF ARC. 1920. 3 reels.

Credits: Edited and arranged by O. E. Goeble, Condé B. Pallen.

HIS HOME COMING. Imp. 1915. 1 reel.

Credits: Written and produced by George A. Lessey.

HIS HOME SWEET HOME. 1919. 2 reels.

Credits: Written and directed by Larry Semon.

HIS HONOR THE MAYOR. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Jack Preston.

HIS HOUR. Presented by Louis B. Mayer. 1924. 7 reels. From the novel by Elinor Glyn.

Credits: Supervision, story, and scenario, Elinor Glyn; director, King Vidor.

HIS HOUR OF MANHOOD. 1923. 2 reels.

HIS HOUSE IN ORDER. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 5 reels. From the play by Sir Arthur Pinero.

Credits: Direction and scenario, Hugh Ford.

HIS INHERITANCE TAXI. (Star Comedy) 1922. 1 reel.

Credits: Director, Gil Pratt; story and scenario, Hal Conklin.

HIS IN-LAWS. (Puffy Comedy) (Octavius Roy Cohen Comedy) 1927. 2 reels.

Credits: Director, Marcel Perez; story, Octavus Roy Cohen.

Credits: James O. Walsh, Rex Taylor, Joseph A. Richmond.

HIS JAZZ BRIDE. 1925. 7 reels. Adapted from the novel "The Flapper Wife" by Beatrice Burton.

Credits: Director, Herman C. Raymaker; screenplay, Charles A. Logue, Walter Morosco.

HIS JONAH DAY. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

HIS JUNGLE SWEETHEART. 1915. 1 reel.

Credits: Producer, Giles R. Warren; story, Conyers C. Converse.

HIS KID SISTER. 1914. 1 reel.

Credits: Director, Ulysses Davis.

HIS LADY FRIEND. (Star Comedy) 1921. 1 reel.

HIS LAST APPEAL. 1914. 2 reels.

Credits: Producer, E. A. Martin.

HIS LAST CALL. 1914. 1 reel.

Credits: Director, Tefft Johnson.

HIS LAST FALSE STEP. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Director, Richard Jones.

HIS LAST FIGHT. 1913. 1 reel.

Credits: Director, Ralph Ince.

HIS LAST FLING. (Van Ronkel Comedy) 1935. 2 reels.

Credits: Direction and story, Charles Lamont; adaptation, Raymond Cannon, Al Rondell.

HIS LAST HAUL. 1928. 7 reels.

Credits: Director, Marshall Neilan; story, Louis A. Sarecky; screenplay, W. Scott Darling.

HIS LAST LAUGH. 1916. 3 reels.

Credits: Supervision, Mack Sennett; director, Walter Wright.

HIS LAST LEGS and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

HIS LAST TRICK. Laemmle. 1915. 1 reel.

Credits: Scenario and production, Frank Lloyd.

HIS LAST WISH. 1915. 1 reel.

HIS LAST WORD. Laemmle. 1915. 1 reel.

Credits: Producer, H. G. Stafford; scenario, Ben Cohn.

HIS LESSON. 1917. 1 reel.

Credits: George H. Plympton; director, David Smith.

HIS LITTLE PAGE. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

HIS LITTLE ROOMMATE. Victor. 1917. 2 reels.

Credits: Director, Carter De Haven; story, Christine Warmack; scenario, Harry Wulze, Maie Havey.

HIS LITTLE SPIRIT GIRL. 1916. 1 reel.

Credits: Producer, Sidney Drew.

HIS LITTLE STORY. Imp. 1916. 1 reel.

Credits: John C. Brownell; producer, Matt Moore.

HIS LITTLE WIFE. 1916. 3 reels.

Credits: Directed and written by Harry Beaumont.

HIS LORDSHIP. 1915. 1,000 ft.

Credits: Producer, Edwin McKim.

HIS LORDSHIP. SEE Man of Affairs.

HIS LORDSHIP, BILLY SMOKE. 1913. 1 reel.

Credits: Director, Robert Thornby.

HIS LOSING DAY. 1915. Split reel.

HIS LOVE FIGHT. 1917. For Fox Film Corp. 2 reels.

Credits: Director, Hank Mann.

HIS LOVE SONG. SEE Sein Liebeslied.

HIS LOVING SPOUSE. 1914. 1 reel.

HIS LUCKLESS LOVE. 1915. 1 reel.

Credits: Producer, Mack Sennett.

HIS LUCKY BLUNDER. (Okeh Komedy) 1919. 1 reel.

Credits: Written and directed by Charles Morris.

HIS LUCKY DAY. 1916. 1 reel.

Credits: Director, Frank Currier.

HIS LUCKY DAY. Jewel. 1929. 6 reels.

Credits: Director, Eddie Cline; story, John B. Clymer, Gladys Lehman.

HIS LUCKY DAY. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, William Watson, Arthur Jarrett.

HIS LUCKY DAY. SEE Cecil Lean and Cleo Mayfield, His Lucky Day.

HIS LUCKY VACATION. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Frank Harris.

HIS MAIDEN VOYAGE. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

HIS MAJESTY, BUNKER BEAN. 1918. 5 reels. Based on the book by Harry Leon Wilson.

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

HIS MAJESTY, BUNKER BEAN. 1925. 7 reels. Founded upon the novel by Harry Leon Wilson.

Credits: Director, Harry Beaumont; scenario, Julien Josephson.

HIS MAJESTY DICK TURPIN. Bison. 1916. 2 reels.

Credits: Grace Cunard; producer, Francis Ford.

HIS MAJESTY, THE AMERICAN. 1919. 6 reels.

Credits: Direction and scenario, Joseph Henabery, assisted by Elton Banks.

HIS MAJESTY THE OUTLAW. 1924. 5 reels.

Credits: Story and direction, Jacques Jaccard.

HIS MAJESTY'S PYJAMAS. SEE Love in Exile.

HIS MARRIAGE MIXUP. 1935. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Vernon Dent.

HIS MASTER'S BREATH. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

HIS MASTER'S VOICE. Gotham. Presented by Sam Sax. 1925. 6 reels.

Credits: Director, Renaud Hoffman; original story, Frank Foster Davis; scenario, Henry McCarty; adaptation, Jas. J. Tynan.

HIS MEAL TICKET. 1921. 2 reels.

Credits: Director, E. Cline.

HIS MERRY MIX-UP. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Parrott.

HIS MILITARY(?) FIGURE. 1917. 1 reel.

Credits: Edgar Mels; producer, Harry Jackson.

HIS MIS-STEP. (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story and scenario, Ben Cohen.

HIS MORAL CODE. 1916. 3 reels.

Credits: Charles Michelson; director, E. H. Calvert.

HIS MOTHER-IN-LAW'S VISIT. 1913. 1 reel.

Credits: Mark Swan.

HIS MOTHER'S BOY. Rex. 1916. 1 reel.

Credits: E. M. Ingleton; producer, F. A. Kelcey.

HIS MOTHER'S BOY. 1917. 5 reels.

Credits: Director, Victor Schertzinger; story, Rupert Hughes; picturized by Cora Stuart Carson.

HIS MOTHER'S HOME. 1914. 1 reel.

HIS MOTHER'S HOPE. 1912. 1 reel.

HIS MUSICAL CAREER. 1914. 1 reel.

Credits: Producer, Mack Sennett.

HIS MUSICAL SNEEZE. 1919. 2 reels.

Credits: Supervision, Henry Lehrman; director, Jack White.

Credits: Director, Archer MacMacken.

HIS MYSTERY GIRL. 1923. 5 reels.

Credits: Director, Robert F. Hill; story, Marion Orth; scenario, William Wing.

HIS NAUGHTY WIFE. 1919. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Victor Heerman.

HIS NEIGHBOR'S WIFE. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Neal Burns.

HIS NEPHEW'S SCHEME. 1913. 1 reel.

Credits: Edward J. Montagne.

HIS NEW AUTOMOBILE. Imp. 1915. 1 reel.

Credits: Written and produced by George A. Lessey.

HIS NEW JOB. 1915. 2 reels.

HIS NEW JOB. SEE The Essanay-Chaplin Revue of 1916.

HIS NEW STENOGRAPHER. (Tired Business Man Series, no. 2) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Philip Whitman, Jefferson Moffitt; titles, Alfred M. Loewenthal; film editor, William Hornbeck.

HIS NEW SUIT. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Z. Meyers.

HIS NEW YORK WIFE. Preferred. Presented by J. G. Bachmann. 1926. 6 reels.

Credits: Director, Albert Kelley; continuity, Leon Abrams.

HIS NIBS. 1922. 5 reels.

HIS NIGHT OUT. 1915. Split reel.

HIS NIGHT OUT. 1935. 7 reels.

Credits: Director, William Nigh; original story, Charles Christensen; screenplay, Doris Malloy, Harry Clork.

HIS NIGHT OUT. SEE John Miljan in His Night Out.

HIS NOISY STILL. 1920. 2 reels.

Credits: Director, Roy Del Ruth.

Credits: Director, Williams Bertram.

HIS OFF DAY. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Hugh Fay.

HIS OFFICIAL FIANCÉE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Robert G. Vignola; story, Berta Ruck; scenario, Edith Kennedy.

HIS OLD-FASHIONED DAD. Falcon Features. 1917. 4 reels.

Credits: Supervision, H. M. & E. D. Horkheimer.

HIS OLD FLAME. 1935. 2 reels, sd.

Credits: Director, James W. Horne; story and screenplay, Preston Black; film editor, William Lyon.

HIS OLD PAL'S SACRIFICE. 1914. 1 reel.

HIS ONLY PANTS. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

HIS OPERATION. 1929. 2 reels.

Credits: Joe Hayman, J. Gordon Bostock.

HIS OWN HERO. 1915. Split reel.

HIS OWN HOME TOWN. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Larry Evans; director, Victor L. Schertzinger; supervision, Thomas H. Ince; titles and special effects, Irvin J. Martin.

HIS OWN LAW. Presented by J. Parker Read, Jr. 1920. 7 reels.

Credits: Frank Brownlee; supervision, J. Parker Read, Jr.; scenario, E. Magnus Ingleton.

HIS OWN LAWYER. 1925. 2 reels.

Credits: Supervision, George E. Marshall; director, Thomas Buckingham; story, Mabel Herbert Urner; adaptation, Catherine Carr.

HIS OWN NEMESIS. Nestor. 1916. 1 reel.

Credits: W. H. Newman; director, Louis William Chaudet.

HIS OWN PEOPLE. 1917. 5 reels.

Credits: Director, William P. S. Earle; story, William Addison Lathrop.

HIS OWN STORY. Big U. 1916. 1 reel.

Credits: Written and produced by George A. Lessey.

HIS PARISIAN WIFE. Artcraft. 1918. 5 reels.

Credits: Director, Emile Chautard; story and scenario, Eve Unsell.

HIS PEASANT PRINCESS. 1915. 1,000 ft.

Credits: William B. Pearson; director, James W. Castle.

HIS PEOPLE. Jewel. 1925. 9 reels.

Credits: Director, Edward Sloman; story, Isadore Bernstein.

HIS PERFECT DAY. Metro-Drew. 1917. 1 reel.

Credits: Frank Bagley; producer, Sidney Drew.

HIS PEST FRIEND. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, Les Millbrook.

HIS PEST GIRL. Presented by E. W. Hammons. 1937. 1,614 ft., sd.

Credits: Director, Walter Graham; story, Tim Ryan.

HIS PHANTOM SWEETHEART. 1915. 1 reel.

Credits: Director, Ralph Ince.

HIS PICTURE. Imp. 1916. 1 reel.

Credits: William Addison Lathrop; producer, William Garwood.

HIS PICTURE IN THE PAPERS. 1916. 5 reels.

HIS PIPE DREAM. 1915. 400 ft.

HIS POOR LITTLE GIRL. 1915. 1 reel.

HIS PRE-HISTORIC BLUNDER. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Glenn Lambert.

HIS PREHISTORIC PAST. 1914. 2 reels.

Credits: Producer, Mack Sennett.

HIS PREHISTORIC PAST. 1923. 2 reels.

HIS PRICE. 1930. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Johnny Burke; dialogue staged by Max E. Hayes.

HIS PRICELESS TREASURE. SEE Whimsicalities.

Credits: Supervision, Mack Sennett; director, Ford Sterling.

HIS PRIDE AND SHAME. 1916. 2 reels.

HIS PRIOR CLAIM. 1914. 1 reel.

HIS PRIVATE LIFE. (Lupino Lane Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

HIS PRIVATE LIFE. 1928. 4,690 ft.

Credits: Director, Frank Tuttle; story, Ernest Vajda, Keene Thompson; screenplay, Ethel Doherty.

HIS PRIVATE SECRETARY. Presented by Showmen's Pictures, Inc. 1933. 6 reels, sd.

Credits: Supervision, Al Alt; director, Philip H. Whitman; original story, Lew Collins; adaptation and continuity, John Francis Natteford.

HIS PUPPY LOVE. Century. 1921. 2 reels.

Credits: Written and directed by Chuck Reisner.

HIS REAL CHARACTER. Bison. 1915. 2 reels.

Credits: Ben Cohn; producer, Joseph Franz.

HIS REGENERATION. 1915. 1 reel.

HIS RETURN. Rex. 1916. 1 reel.

Credits: Helen Bailey; producer, Cleo Madison.

HIS RISE TO FAME. 1927. 6 reels.

Credits: Director, Bernard McEveety; story, Victoria Moore.

HIS RIVAL. Metro-Drew. 1916. 1 reel.

Credits: Ida Bronner; producer, Sidney Drew.

HIS ROMANY WIFE. 1915. 2 reels.

Credits: Director, Carlyle Blackwell; story, Raymond L. Schrock.

HIS ROYAL NIBS. Nestor. 1918. 1 reel.

HIS ROYAL SHYNESS. Educational Film Exchanges, Inc. 1932. 21 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Johnny Grey, Jefferson Moffitt, Felix Adler.

HIS SAD AWAKENING. 1915. 1 reel.

Credits: Henry Beldon; director, Charles Ranson.

HIS SCHOOL DAZE. 1923. 1 reel.

HIS SECOND CHILDHOOD. 1914. 1 reel.

Credits: Production and screenplay, Mack Sennett.

HIS SECOND WIFE. 1913. 1 reel.

Credits: Director, Ralph Ince.

HIS SECRETARY. 1926. 7 reels.

Credits: Director, Hobert Henley; story, Carey Wilson; scenario, Louis D. Lighton, Hope Loring; film editor, Frank Davis.

HIS SILENT RACKET. (Hal Roach-Charley Chase Comedy) 1933. 2 reels, sd., b&w.

Credits: Editor, William Terhune.

HIS SILVER BACHELORHOOD. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

HIS SINGULAR LESSON. 1915. 1 reel.

HIS SISTER'S CHAMPION. 1916. 5 reels.

Credits: Scenario and direction, John H. Collins.

HIS SMASHING CAREER. Sterling. 1915. 1 reel.

HIS SMOTHERED LOVE. 1918. 2 reels.

Credits: Director, Edward Cline.

HIS SMOTHERED LOVE. (Paramount-Mack Sennett Comedies) 1923. 2 reels.

Credits: Director, Edward Cline.

HIS SOB STORY. 1914. 2 reels.

Credits: Reynolds Knight.

HIS SONS-IN-LAW. Century. 1924. 2 reels.

Credits: Written and directed by Bob Kerr.

HIS SOUL MATE. 1915. 1,000 ft.

HIS STOLEN FORTUNE. 1916. 2 reels. Reissued.

HIS STRENGTH OF MIND. Metro-Drew. 1918. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

HIS SUICIDE. 1914. Split reel.

HIS SUPREME MOMENT. First National. 1925. 8 reels. From the novel "World Without End" by May Edginton.

Credits: Producer. George Fitzmaurice; adaptation, Frances Marion.

HIS SWEETHEART. 1917. 5 reels.

Credits: Director, Donald Crisp; story and scenario, George Beban, Lawrence McCloskey.

HIS TAKING WAYS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

HIS TALENTED WIFE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

HIS TEMPER-MENTAL MOTHER-IN-LAW. 1916. 2 reels.

HIS TEMPORARY WIFE. 1920. 6 reels. From the novel by Robert Ames Bennet.

HIS THREE BRIDES. 1915. 1 reel.

Credits: Producer, Earl Metcalfe.

HIS TICKLISH JOB. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Parrott.

HIS TICKLISH PREDICAMENT. (A Skylark Comedy) 1927. 2 reels.

Credits: Written and directed by Glen Lambert.

HIS TIGER LADY. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 6 reels. Based on the play "Super of the Gaiety" by Alfred Savoir.

Credits: Director, Hobart Henley; adaptation, Ernest Vajda.

HIS TRYSTING PLACES. 1914.

Credits: Producer, Mack Sennett.

HIS TRYSTING PLACES. 1923. 2 reels. Revised version.

Credits: Reviser, Sydney Chaplin.

HIS TWENTIETH CENTURY SUSIE. Joker. 1915. 1 reel.

Credits: Ben Cohn; producer, Allen Curtis.

HIS UNDESIRABLE RELATIVES. 1913. 1 reel.

Credits: Mark Swan.

HIS UNKNOWN GIRL. 1914. 2 reels.

Credits: Written and directed by Harry Lambart.

HIS UNLUCKY BERTH. (Star Comedy) 1921. 1 reel.

HIS UNLUCKY JOB. 1921. 2 reels.

Credits: Directors, Ray Enright, Melville Brown.

HIS UNLUCKY NIGHT. (Mack Sennett Comedy) Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; story, Vernon Smith, Nick Barrows; screen editor, William Hornbeck.

HIS UNWITTING CONQUEST. 1914. 1 reel.

HIS VACATION. 1932. 2 reels.

Credits: Director, Bryan Foy; story and dialogue, Hal Yates; film editor, William Austin.

HIS WARD'S SCHEME. 1915. 1 reel.

HIS WEAK MOMENT. (Andy Clyde Comedy) 1933. 2 reels, sd.

Credits: Director, Harry J. Edwards; story and dialogue, Harry J. Edwards, C. Edwards Roberts.

HIS WEDDED WIFE. 1914. 1 reel.

Credits: Director, William Humphrey.

HIS WEDDING NIGHT. Paramount. 1917. 2 reels.

HIS WEEK-END. 1932. 2 reels, sd.

Credits: Director, Eddie Cline; story, Nunnally Johnson.

HIS WHITE LIE. 1916. 2 reels.

HIS WICKED EYES. 1919. 2 reels.

Credits: Director, Craig Hutchinson.

HIS WIFE AND HIS WORK. 1914. 2 reels.

Credits: Director, Ulysses Davis.

HIS WIFE GOT ALL THE CREDIT. 1917. 1 reel.

Credits: Director, Graham Baker; story, A. Van Buren Powell.

HIS WIFE KNEW ALL ABOUT IT. 1915. 1 reel.

Credits: Director, Sidney Drew.

HIS WIFE'S ALLOWANCE. 1916. 1 reel.

Credits: Director, David Smith; story, Bertie Badger Moyer.

HIS WIFE'S BURGLAR. 1914. 1 reel.

Credits: R. Koehler; director, Charles M. Seay.

HIS WIFE'S CALLER. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, J. Blystone.

HIS WIFE'S FRIEND. 1918. 2 reels.

Credits: Director, Walter Wright.

HIS WIFE'S FRIEND. Paramount-Artcraft. 1919. 6 reels. From the novel "The White Rook" by J. B. Harris-Burland.

Credits: Director, Joseph De Grasse; scenario, R. Cecil Smith.

HIS WIFE'S GOOD NAME. 1916. 5 reels.

Credits: Producer, Ralph Ince; story, Josephine Lovett; picturized by Edward J. Montagne.

HIS WIFE'S HERO. 1917. 1 reel.

Credits: Director, Graham Baker; story, A. Van Buren Powell.

HIS WIFE'S HUSBAND. National Film Corp. of America. 1920. 2 reels.

Credits: Director, Harry Edwards; story, L. V. Jefferson.

HIS WIFE'S HUSBAND. 1922. 6 reels. From the novel "The Mayor's Wife" by Anna Katherine Green.

Credits: Director, Kenneth Webb.

HIS WIFE'S MISTAKE. 1916. 2 reels.

HIS WIFE'S MONEY. 1920. 5 reels.

Credits: Director, Ralph Ince; story, May Tully, Du Vernet Rabell; scenario, R. Cecil Smith, E. Lord Corbett.

HIS WIFE'S MOTHER. Metro-Drew. 1916. 1 reel.

Credits: Jack W. Evans, Jr.; producer, Sidney Drew.

HIS WIFE'S NEW LID. 1915. 1,000 ft.

Credits: Producer, Earl Metcalfe.

Credits: Ester Juhlin, Caja Wulf.

HIS WIFE'S PET. 1914. 1 reel.

HIS WIFE'S RELATIONS. Nestor. 1917. 1 reel.

Credits: Bess Meredyth; director, Louis William Chaudet.

HIS WIFE'S SECRET. 1915. 1 reel.

HIS WIFE'S SECRET. (Toots and Casper Series, no. 10) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Victor Potel.

HIS WIFE'S SON. 1922. 2 reels.

Credits: Director, Ed. Kennedy.

HIS WIFE'S STORY. 1915. 2 reels.

HIS WIFE'S SWEETHEART. 1915. 1,000 ft.

Credits: J. E. Hungerford; director, Will Louis.

HIS WOMAN. 1919. 2 reels.

Credits: Director, George W. Terwilliger; supervision, Eugene Spitz; story, Ethellyn Belwer De Foe; scenario, Calder Johnston.

HIS WOMAN. 1931. 8 reels, sd. Based on the novel "The Sentimentalist" by Dale Collins.

Credits: Director, Edward Sloman; screenplay, Adelaide Heilbron, Melville Baker.

HIS WOODEN LEG. Nestor. 1916. 1 reel.

Credits: Floyd Byrnes; producer, Horace Davey.

HIS WORLD OF DARKNESS. Rex. 1916. 3 reels.

Credits: Stuart Paton, Norbert Lusk; producer, Ben Wilson.

HIST! SPIES. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

L'HISTOIRE MERVEILLEUSE DE SEPT PERLES FINES. SEE Les Perles de la Couronne.

HISTORIC CITIES OF INDIA. (A Columbia Tour, series 3, no. 2) 1939. 1 reel, sd.

Credits: Commentary, Joseph Best; narrator, Geoffrey Somner.

HISTORIC MEXICO CITY. (FitzPatrick M. G. M. Traveltalk) 1935. 1 reel, sd., color.

Credits: James A. FitzPatrick; director, Louis Lewyn.

HISTORIC RHINELAND. 1936. 1 reel, si., 35 mm.

HISTORIC RHINELAND. 1936. 1 reel, sd., 35 mm.

HISTORICAL FILMS OF THE UNITED STATES. 1924. 8 reels.

HISTORICAL INTRODUCTION TO THE STUDY OF CHEMISTRY. 1937. Made in cooperation with the Film Committee of the Chemistry Teacher's Club of New York. 1 reel.

HISTORY IN ARCHITECTURE SERIES. 1925. 1 reel.

HISTORY IS MADE AT NIGHT. Presented by Walter Wanger. 1937. 11 reels, sd.

Credits: Director, Frank Borzage; screenplay, Gene Towne, Graham Baker; additional dialogue, Vincent Lawrence, David Hertz.

THE HISTORY OF A BIG TREE. 1915. Split reel.

THE HISTORY OF CHICAGO FROM 1833 TO 1933. 1932. 1 reel.

HISTORY OF DEVELOPMENT OF ENERGY. 1936. Filmstrip, 24 frames.

HIT AND RUM. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Al Boasberg; film editor, John Lockert.

HIT AND RUN. 1924. 6 reels.

Credits: Director, Edward Sedgwick; story and scenario, Edward Sedgwick, Raymond L. Schrock.

HIT AND RUN. (Your True Adventures) 1938. 13 min., sd.

Credits: Director, Joseph Henabery; screenplay, Cyrus Wood.

HIT AND RUN DRIVER. (Crime Does Not Pay Series, no. 5) 1936. 2 reels, sd., b&w.

Credits: Director, Edward Cahn; original story and screenplay, Robert Lees, Fred Rinaldo.

HIT HIM HARD. Century. 1924. 2 reels.

HIT OF THE SHOW. 1928. 7 reels. From an original story "Notices" by Viola Brothers Shore.

Credits: Director, Ralph Ince; continuity, Enid Hibbard.

Credits: Director, Dell Henderson; story, Harry O. Hoyt; scenario, Clara S. Beranger.

THE HIT PARADE. 1937. 9 reels, sd.

Credits: Producer, Nat Levine; director, Gus Meins; original story, Bradford Ropes; screenplay, Bradford Ropes, Samuel Ornitz.

HIT THE DECK. 1930. 12 reels, sd. Based on David Belasco's stage production of "Shore Leave" by Hubert Osborne.

Credits: Adaptation and direction by Luther Reed; music director, Victor Baravalle.

HIT THE SADDLE. 1937. 6 reels. Based on a book by William Colt MacDonald.

Credits: Producer, Nat Levine; director, Mack V. Wright; original story, Oliver Drake, Maurice Geraghty; screenplay, Oliver Drake.

HIT-THE-TRAIL HOLLIDAY. Artcraft. 1918. 5 reels. Based on the play by George M. Cohan.

Credits: Director, Marshall A. Nielan; scenario, John Emerson, Anita Loos.

HITCH HIKE LADY. 1936. 8 reels, sd.

Credits: Supervision, Victor Zobel; director, Aubrey Scotto; original story, Wallace MacDonald; screenplay, Gordon Rigby, Lester Cole; film editor, Ray Curtiss.

HITCH HIKE TO HEAVEN. 1935. 7 reels.

Credits: Director, Frank R. Strayer; story and screenplay, Robert Ellis, Helen Logan.

THE HITCH HIKER. (Mermaid Comedies) 1933. 21 min., sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Robert Vernon, Dean Ward.

HITCHIN' POSTS. 1920. 5 reels.

Credits: Director, Jack Ford; story, Harold M. Shumate; scenario, George C. Hall.

HITCHIN' UP. (Walter Hiers Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Robert Hall; director, Walter Graham.

HITLER'S REIGN OF TERROR. 1934. 6 reels.

Credits: Supervision, Joseph Seiden; director, Michael Mindlin; film editor, Sam Rosen.

HITS OF TODAY. 1929. 1 reel.

Credits: Arrangers, Jerome Kern, Oscar Hammerstein, 2nd.

HITS OF TODAY. Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

HITTIN' THE TRAIL. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward Finney; supervision and original story, Lindsley Parsons; director, R. N. Bradbury; screenplay, Robert Emmett.

HITTING A NEW HIGH. 1937. 9 reels, sd.

Credits: Producer, Jesse L. Lasky; director, Raoul Walsh; story, Robert Harari, Maxwell Shane; screenplay, Gertrude Purcell, John Twist; editor, Desmond Marquette; music director, Andre Kostelanetz.

HITTING THE BULL'S EYES. 1936. For Ward Baking Co. 1 reel, sd.

HITTING THE HIGH C'S. 1931. 1 reel.

HITTING THE HIGH SPOTS. 1918. 5 reels.

Credits: Director, Charles Swickard; story, Bert Lytell; scenario, George D. Baker, Bert Lytell.

Credits: Director, Dell Henderson; story, Roy Somerville; scenario, Harry O. Hoyt.

HITTING THE TRAIL. (A Life Cartoon Comedy) 1927. 1 reel.

HI-YA DOC. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Director, William Watson; story, Parke Levy.

HIZZONER. 1933. 2 reels, sd.

Credits: Associate producer, Meyer Davis; supervision, Monroe Shaff; director, Ray McCarey; story, Art Jarrett, Bert Granet; film editor, Paul Maschke.

HJLAN BIRDS, COCKATOOS AT THEIR BEST, FRITZ LANDES, MGR. 1927. 1 reel.

Credits: Director, Brian Foy.

HOARDED ASSETS. 1918. 5 reels.

Credits: Director, Paul Scardon; story, Raymond S. Spears; scenario, Edward J. Montagne, Garfield Thompson.

THE HOAX HOUSE. Imp. 1916. 2 reels.

Credits: Raymond L. Schrock; producer, Harry McRae Webster.

HOBART BOSWORTH IN A MAN OF PEACE. 1928. 1 reel.

Credits: Joseph Jackson.

Credits: Producer, John L. Hawkinson.

HOBBS IN A HURRY. William Russell Productions, Inc. 1918. 6 reels.

Credits: George Lee McCandless; director, Henry King; scenario, Stephen Fox.

A HOBO ACCOMPLISHES HIS OWN REGENERATION. SEE The Price of the Free.

HOBO GADGET BAND. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Story, Jack Miller; animation, Richard Bickenbach.

HOBOES DE LUXE. 1923. 1 reel.

THE HOBOKEN NIGHTINGALE. (Pen and Ink Vaudeville) 1924. 1 reel.

Credits: Earl Hurd.

THE HOCKEY CHAMP. (A Walt Disney Donald Duck) 1939. 1 reel, sd.

A HOCKEY HICK. (The Gleasons Sports Featurettes) 1932. 19 min., sd.

Credits: Producer, Norman L. Sper; director, James Gleason; story, Charles W. Paddock.

HOCKSHOP BLUES. 1938. 1 reel, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands and Wilson.

HOCUS-POCUS. 1931. 1 reel.

HOG WILD. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James Parrott; story, Leo McCarey; editor, Richard Currier.

HOGAN OUT WEST. 1915.

Credits: Producer, Mack Sennett.

HOGAN THE PORTER. 1915.

Credits: Producer, Mack Sennett.

HOGAN'S ALLEY. 1925. 7 reels.

Credits: Director, Roy Del Ruth; story, Gregory Rogers; adaptation, Darryl Francis Zanuck.

HOGAN'S ANNUAL SPREE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

HOGAN'S ARISTOCRATIC DREAM. 1915.

Credits: Producer, Mack Sennett.

HOGAN'S ARISTOCRATIC DREAM. 1923. 2 reels.

HOGAN'S MUSSY JOB. 1915.

HOGAN'S ROMANCE UPSET. 1915.

Credits: Producer, Mack Sennett.

HOGAN'S WILD OATS. 1914. Split reel.

Credits: Producer, Mack Sennett.

HOI POLLOI. 1935. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Felix Adler; film editor, John Rawlins.

HOKUM HOTEL. (Aesop's Sound Fables) The Van Beuren Corp. 1932. 1 reel.

Credits: John Foster, Harry Bailey.

HOKUS FOCUS. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Johnnie Grey; adaptation and dialogue, Bobby Clark, Mark Sandrich; film editor, Sam White.

HOLD 'EM COWBOY. (News World of Sports) 1936. 903 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

HOLD 'EM JAIL. Presented by Radio Pictures. 1932. 7 reels, sd.

Credits: Executive producer, David O. Selznick; director, Norman Taurog; story, Tim Whelan, Lew Lipton; screenplay, Walter DeLeon, S. J. Perelman, Eddie Welch.

HOLD 'EM NAVY. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Director, Kurt Neumann; story, Albert Shelby LeVino; original screenplay, Erwin Gelsey, Lloyd Corrigan.

HOLD 'EM OZZIE. (Oswald Comedy) Snappy. Winkler. 1929. 1 reel.

Credits: R. C. Hamilton.

HOLD 'EM YALE. De Mille Studio. 1928. 8 reels. Adapted from the play "At Yale" by Owen Davis.

Credits: Producer, Hector Turnbull; director, Edward H. Griffith; scenario, George Dromgold, Sanford Hewitt; adaptation, George Dromgold; film editor, Harold McLernon.

HOLD 'EM YALE. Presented by Adolph Zukor. 1935. 7 reels, sd. From the story by Damon Runyon.

Credits: Producer, Charles R. Rogers; director, Sidney Lanfield; screenplay, Paul Gerard Smith, Eddie Welch.

HOLD 'ER COWBOY. 1928. 2 reels.

Credits: Director, William Watson; story, Sig Herzig; titles, Al Martin.

HOLD 'ER SHERIFF. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Stephen Roberts.

HOLD 'ER SHERIFF. (Mack Sennett Comedies) 1931. 21 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

HOLD EVERYTHING. Warner Brothers Vitaphone. 1930. 10 reels, sd., color. Based on the musical comedy by B. G. De Sylva and John McGowan.

Credits: Director, Roy Del Ruth; screenplay, Robert Lord; music, Ray Henderson.

HOLD FAST. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

HOLD IT. Presented by E. W. Hammons. 1937. 1,528 ft., sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Arthur Jarrett.

HOLD IT. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, Nicholas Tafuri.

HOLD ME TIGHT. 1920. 2 reels.

Credits: Directors, S. Summerville, Delmar Lord.

HOLD ME TIGHT. 1933. 6,484 ft., sd.

Credits: Director, David Butler; story, Gertrude Rigdon; screenplay, Gladys Lehman; editor, Irene Morra.

HOLD ON. Century. 1923. 2 reels.

HOLD STILL. Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Harold Beaudine; story, Sig Herzig.

HOLD THAT BALL. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Eddie Forman, Cyrus D. Wood.

HOLD THAT BEAR. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

HOLD THAT CO-ED. 1938. 7,197 ft., sd.

Credits: Director, George Marshall; original story, Karl Tunberg, Don Ettlinger; screenplay, Karl Tunberg, Don Ettlinger, Jack Yellen; music director, Arthur Lange.

HOLD THAT GIRL. 1934. 7 reels, sd.

Credits: Director, Hamilton MacFadden; screenplay and dialogue, Dudley Nichols and Lamar Trotti; music director, Samuel Kaylin; editor, Alex Troffey.

HOLD THAT KISS. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w.

Credits: Producer, John W. Considine, Jr.; director, Edwin L. Marin; original story and screenplay, Stanley Rauh; film editor, Ben Lewis; music score, Edward Ward.

HOLD THAT LINE. Treasure Chest. Presented by E. W. Hammons. 1935. 658 ft.

HOLD THAT LION. 1926. 6 reels.

Credits: Rosalie Mulhall.

HOLD THAT MONKEY. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Jules White.

HOLD THAT SHARK. (World of Sports) 1935. 1 reel, sd.

Credits: Story, Jack Kofoed; narrator, Basil Ruysdael.

HOLD THE BABY. (Whoopee Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; director, Fred Guiol; film editor, Charles Craft.

HOLD THE LINE. 1922. 2 reels.

Credits: Director, Slim Summerville; editor, Ralph Spence.

HOLD THE PRESS. 1933. 6 reels, sd.

Credits: Director, Phil Rosen; screenplay, Horace McCoy; film editor, Otto Meyer.

HOLD THE WIRE. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Orestes Calpini.

HOLD TIGHT. (Blue Ribbon Comedies, no. 3) 1925. 2 reels.

Credits: Director, Marcel Perez.

HOLDUP. 1929. 2 reels.

Credits: Director, Joseph Santley.

THE HOLD UP. Rowland-Brice. 1933. 2 reels, sd.

Credits: Director, Monte Brice; story, Andy Rice, Sig Herzig.

HOLD YOUR BREATH. Century. 1921. 2 reels.

Credits: Written and directed by William Watson.

HOLD YOUR BREATH. Released by W. W. Hodkinson Corp. 1924. 6 reels.

Credits: Director, Scott Sidney; story, Frank Roland Conklin.

HOLD YOUR BREATH. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

HOLD YOUR HAT. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

HOLD YOUR HAT. Presented by William Fox. 1928. 2 reels.

Credits: Supervision, George Marshall; director, Billy West; titles, Alfred M. Loewenthal.

HOLD YOUR HORSES. 1920. 5 reels. Adapted from the story "Canavan" by Rupert Hughes.

Credits: Director, E. Mason Hopper; scenario, Gerald C. Duffy.

HOLD YOUR HORSES! (A Stern Bros. Comedy) 1928. 2 reels. From the cartoons by Rube Goldberg.

HOLD YOUR MAN. Jewel. 1929. 6 reels.

Credits: Director, Emmett J. Flynn; story, Maxine Alton; continuity and dialogue, Harold Shumate.

HOLD YOUR MAN. 1933. 9 reels, sd., b&w.

Credits: Producer, Sam Wood; story, Anita Loos; screenplay, Anita Loos, Howard Emmett Rogers; film editor, Frank Sullivan.

HOLD YOUR TEMPER. 1933. 2 reels, sd.

Credits: Director, Sam White; story, Harry Whitney; screenplay, John Grey.

HOLDING NEW CUSTOMERS AGAINST COMPETITION. 1937. Filmstrip, 56 frames, sd.

HOLDING THE BAG. Presented by E. W. Hammons. 1937. 1,729 ft., sd.

Credits: Director, William Watson; story, Parke Levy.

A HOLE IN THE GROUND. 1917. 2 reels. From the comedy by Charles Hoyt.

Credits: Director, J. A. Richmond.

THE HOLE IN THE WALL. Nestor. 1919. 1 reel.

THE HOLE IN THE WALL. 1922. 6 reels.

Credits: Fred Jackson; producer and director, Maxwell Karger; scenario, June Mathis.

THE HOLE IN THE WALL. 1929. 5,925 ft.

Credits: Director, Robert Florey; stage play, Fred Jackson; adaptation, Pierre Collings.

HOLIDAY. 1930. 9 reels, sd. From the play by Philip Barry.

Credits: Producer, E. B. Derr; director, Edward H. Griffith; assistant director, Paul Jones; screenplay, Horace Jackson; film editor, Dan Mandel; music director, Josiah Zuro.

HOLIDAY. 1938. 10 reels, sd. From the play by Philip Barry.

Credits; Producer, Everett Riskin; director, George Cukor; screenplay, Donald Ogden Stewart, Sidney Buchman; film editors, Otto Meyer, Al Clark; music director, Morris Stoloff.

A HOLIDAY IN STORYLAND. 1930. 1 reel, sd.

HOLIDAY LAND. (A Color Rhapsody) Presented by Columbia Pictures Corp. 1934. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

HOLIDAY MERCHANDISE AND HOW TO SELL MORE OF IT. SEE How Inventory Shortages Develop.

HOLLAND AND THE ZUYDER ZEE. (A Columbia Tour, series 3, no. 1) 1939. 1 reel, sd.

Credits: Producer, André De La Varre; narrator, Milton Cross.

HOLLAND DAYS. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 501 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

HOLLAND IN TULIP TIME. (FitzPatrick M. G. M. Traveltalk) 1934. 1 reel, sd., color.

Credits: Director, Ruth FitzPatrick; compiled by James A. FitzPatrick; photographer, Ray Fernstrom.

HOLLAND MOSAICS. (Vagabond Adventure Series) 1933. 8 min.

THE HOLLANDERS. SEE E. M. Newman's The Hollanders.

HOLLINGSWORTH AND CRAWFORD IN BED TIME. 1929. 1 reel, sd.

HOLLY-NUTS. 1927. 1 reel.

HOLLYWOOD. Presented by Jesse L. Lasky. 1923. 8 reels.

Credits: Director, James Cruze; story, Frank Condon; adaptation, Tom Geraghty.

HOLLYWOOD AT VINE STREET. Trailer. 1936. 1 reel, sd.

HOLLYWOOD BABIES. (A Scrappy Cartoon) 1933. 1 reel, sd.

Credits: Story, Sid Marcus; animation, Art Davis.

HOLLYWOOD BEAUTY HINTS. 1932. 1 reel.

Credits: Narrative by David Ross.

HOLLYWOOD BOULEVARD. Presented by Adolph Zukor. 1936. 8 reels, sd.

Credits: Producer, A. M. Botsford; supervision, Edward F. Cline; director, Robert Florey; story, Max Marcin, Faith Thomas; screenplay, Marguerite Roberts.

HOLLYWOOD BOUND! (Sid Smith Comedy, no. 7) 1923. 2 reels.

Credits: Director, Charles Lamont.

HOLLYWOOD BOUND. SEE Gladys Brockwell in Hollywood Bound.

HOLLYWOOD BOWL. (An Oswald Cartoon) 1938. 1 reel.

Credits: Producer, Walter Lantz; director, Elmer Perkins; story, Victor McLeod, Alex Lovy; animation, Frank Tipper, Merle Gilson.

HOLLYWOOD CAPERS. (Looney Tunes) 1936. 1 reel.

Credits: Animation, Rollin Hamilton, Charles Jones.

HOLLYWOOD CAVALCADE. 1939. 9,048 ft., sd.

Credits: Lou Breslow; director, Irving Cummings; story, Hilary Lynn, Brown Holmes; screenplay, Ernest Pascal; music director, Louis Silvers.

HOLLYWOOD COWBOY. 1937. 7 reels, sd.

Credits: Producer, George A. Hirliman; director, Ewing Scott; original screenplay, Dan Jarrett, Ewing Scott; film editor, Robert Crandall; music supervision, Abe Meyer.

HOLLYWOOD DIET. (Paul Terry-Toons) 1932. 7 min.

Credits: Frank Moser, Paul Terry.

HOLLYWOOD EXTRA! (A Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist; story, Mauri Grashin; narrator, Carey Wilson.

HOLLYWOOD EXTRA GIRL. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Herbert Moulton; continuity, John Flory; dialogue, Herman Hoffman.

THE HOLLYWOOD GAD-ABOUT. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1934. 821 ft., sd.

Credits: Producer, Louis Lewyn.

HOLLYWOOD GOES KRAZY. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Jack Carr; musical score, Joe De Nat.

HOLLYWOOD GRADUATION. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; director, Art Davis; animation, Sid Marcus; music, Joe De Nat.

HOLLYWOOD HALFBACKS. 1931. 18-1/2 min.

Credits: Director, Charles LaMont; story and dialogue, Harry Sauber.

THE HOLLYWOOD HANDICAP. 1932. 2 reels.

Credits: Producer, Bryan Foy; director, Charles LaMont; story and dialogue, Ellwood Ullman.

HOLLYWOOD HANDICAP. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Producer, Louis Lewyn; director, Buster Keaton.

HOLLYWOOD, HERE WE COME. 1934. 2 reels, sd.

Credits: Written and directed by Archie Gottler.

HOLLYWOOD HIGHLIGHTS. 1939. 1 reel, sd., 16 mm.

Credits: Commentary, George J. Volger, Julian Myers; editor, Albert Bailey.

HOLLYWOOD HOBBIES. (Sportlight) 1935. 1 reel, sd.

Credits: Narrator, Ted Husing.

HOLLYWOOD HOBBIES. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Producer, Louis Lewyn; director, George Sidney; original story and screenplay, Morey Amsterdam; film editor, Tom Biggart.

HOLLYWOOD HOTEL. First National. 1937. 12 reels.

Credits: Director, Busby Berkeley; original story, Jerry Wald, Maurice Leo; screenplay, Jerry Wald, Maurice Leo, Richard Macauley; music and lyrics, Dick Whiting, Johnny Mercer.

HOLLYWOOD KIDS. 1932. 2 reels.

Credits: Director, Charles Lament; story and dialogue, Ray Mayer, Elwood Ullman.

HOLLYWOOD LIGHTS. (Educational-Ideal Comedy) 1932. 20 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

HOLLYWOOD LUCK. (Ideal Comedies) 1932. 21 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

THE HOLLYWOOD MOVIE PARADE. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1934. 806 ft., sd.

Credits: Producer, Louis Lewyn.

HOLLYWOOD NEWSREEL. 1934. 1 reel, sd.

Credits: Directed and written by George R. Bilson.

HOLLYWOOD ON PARADE. 1932-34. 1 reel each, sd.

Credits: Producer, Louis Lewyn.

1933/34.

HOLLYWOOD OR BUST. (Horace in Hollywood Series, no. 1) (Snappy) 1928. 1 reel.

Credits: Story and direction, Edgar I. Luddy.

HOLLYWOOD PARTY. 1934. 7 reels, sd., b&w, color sequence.

Credits: Screenplay, Howard Dietz, Arthur Kober; film editor, George Boemler; animated cartoon sequence by courtesy of Walt Disney Productions, Ltd.

HOLLYWOOD PARTY IN TECHNICOLOR. 1937. 2 reels, sd., color.

Credits: Producer, Louis Lewyn; director, Ray Rowland; dialogue, John Krafft.

HOLLYWOOD PERSONALITIES. 1937. 1 reel, sd.

HOLLYWOOD PICNIC. (Scrappy) (A Color Rhapsody) 1937. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

HOLLYWOOD PREMIERE. (A Colortone Musical) 1933. 2 reels, sd., color.

Credits: Director, Murray Roth; story, Murray Roth, Stanley Rauh; music, George Frank Rubens.

THE HOLLYWOOD REPORTER. Presented by Peter Kanellos. 1926. 5 reels.

Credits: Producer, Frank Merrill; director, Bruce Mitchell; story and scenario, Grover Jones.

THE HOLLYWOOD REVUE. 1929. 13 reels, sd., b&w, color sequences.

Credits: Film editor, William Gray.

HOLLYWOOD RHYTHM. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Herbert Moulton; story, Herman Hoffman, Ralph Huston.

HOLLYWOOD ROUND-UP. 1937. 7 reels, sd.

Credits: Producer, L. G. Leonard; supervision, Howard M. Lang; director, Ewing Scott; original story and screenplay, Joseph Hoffman, Monroe Shaff; dialogue, Ethel LaBlanche; film editor, Robert Crandall; music supervision, Morris Stoloff.

HOLLYWOOD RUN-AROUND. (Vanity Comedies) Educational Pictures. 1932. 20 min., sd.

Credits: Producer, Al Christie; director, Charles Lamont; story, Charles Lamont, Ernest Pagano, Ewart Adamson.

HOLLYWOOD SCREEN TEST. 1937. 2 reels, sd.

Credits: Director, S. Sylvan Simon; screenplay, Lyonel Margolies.

HOLLYWOOD SPEAKS. 1932. 7 reels, sd.

Credits: Director, Eddie Buzzell; story and dialogue, Jo Swerling, Norman Krasna; film editor, Gene Havelick.

HOLLYWOOD STADIUM MYSTERY! 1938. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, David Howard; original story, Stuart Palmer; screenplay, Stuart Palmer, Dorrell McGowan, Stuart McGowan; film editor, Edward Mann; music director, Alberto Colombo.

A HOLLYWOOD STAR. (Mack Sennett Talking Comedies) 1929. 20 min., sd.

Credits: Director, Mack Sennett.

HOLLYWOOD SWEEPSTAKES. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Director, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

HOLLYWOOD—THE SECOND STEP. (A Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist; screenplay, Mauri Grashin; narrator, Carey Wilson.

A HOLLYWOOD THEME SONG. (Educational's Talking Comedies) 1930. 21 min., sd.

Credits: Director, William Beaudine; story and dialogue, John A. Waldron, Earle Rodney, Dick Weil, Walter Weems, Jack Jevne, William Dugan.

HOLLYWOOD TROUBLE. (A Thalian Comedy) 1935. 2 reels, sd.

Credits: Director, Jack Townley; screenplay, Warren Wilson, Vernon Dent.

HOLY LAND. 1917. 400 ft.

THE HOLY LAND. (Vagabond Adventure Series, no. 4) RKO-Van Beuren. 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

HOLY MACKEREL! (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Frank Roland Conklin.

HOLY SMOKE. 1921. 1 reel.

THE HOLY TERROR. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels.

Credits: Supervision and story, Robert F. McGowan; director, Anthony Mack; editor, Richard Currier.

A HOLY TERROR. 1931. 4,163 ft. Based on the novel "Trailin'" by Max Brand [pseud. of Frederick Faust].

Credits: Associate producer, Edmund Grainger; director, Irving Cummings; scenario, Alfred A. Cohn; editor, Ralph Dixon.

THE HOLY TERROR. 1937. 6,250 ft., sd.

Credits: Director, James Tinling; original screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

HOMAGE. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; scenario, Harvey Gates.

Credits: Producer, Maurice Elvey.

HOME. Universal Special Jewel. 1919. 6 reels.

Credits: Written and directed by Lois Weber.

HOME BLUES. (Broadway Comedy, no. 7) 1921. 2 reels.

Credits: Producer, Morris R. Schlank; director, Ward Hayes.

HOME BONER. 1939. 20 min., sd.

Credits: Producer, Bert Gilroy; director, Harry D'Arcy; story, Jack Lait, Harry D'Arcy; film editor, John Lockert.

THE HOMEBREAKER. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger; story, John Lynch; scenario, R. Cecil Smith.

THE HOME BREAKERS. 1915.

Credits: Producer, Mack Sennett.

THE HOME BREAKERS. 1923. 2 reels.

A HOME-BREAKING HOUND. 1915.

Credits: Producer, Mack Sennett.

HOME BREWED YOUTH. 1921. 2 reels.

Credits: Story, Kingsley Benedict.

Credits: Producer, Alfred C. Fones.

HOME, CHEAP HOME. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

HOME COOKING. 1924. 2 reels.

Credits: Director, Herman C. Raymaker.

THE HOME CURE. 1915. 1 reel.

Credits: Director, Sidney Drew.

HOME CURED. (Tuxedo Comedies) Educational. 1926. 2 reels.

Credits: Director, William Goodrich; story, Donna Barrell.

HOME DEFENSE. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. De Vonde.

HOME EARLY. (Robert Benchley Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Roy Rowland; film editor, Albert Akst.

THE HOME EDITION. Presented by Adolph Zukor and Jesse L. Lasky. 1929. 2 reels, sd.

Credits: Director, Monte Brice.

THE HOME GIRL. Presented by Daniel Frohman. 1928. 2 reels.

Credits: Director, Edmund Lawrence; story, Edna Ferber.

A HOME GOES UP. 1937. 1 reel.

HOME JAMES. Nestor. 1918. 1 reel.

Credits: Directed and written by Al Sautell.

HOME JAMES. Universal Jewel. 1928. 7 reels.

Credits: Director, William Beaudine; story, Gladys Johnson; adaptation and continuity, Morton Blumenstock.

Credits: Charles W. Barrell.

THE HOME LIFE OF THE SPIDER. 1915.

THE HOME LIFE OF THE SPIDER. Powers. 1917. 1/2 reel.

HOME MADE. Presented by C. C. Burr. 1927. 7 reels.

Credits: Director, Charles Hines; story, C. B. Carrington.

HOME MADE. 1930. 1 reel.

A HOME MADE MAN. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

HOME NURSING—THE BED BATH. (Eastman Classroom Films, Health Series. Hygiene) 1931. Made in cooperation with the Department of Biology and Public Health, Massachusetts Institute of Technology. 614 ft.

HOME NURSING—ROUTINE PROCEDURES. (Eastman Classroom Films, Health Series. Hygiene) 1931. Made in cooperation with the Department of Biology and Public Health, Massachusetts Institute of Technology. 888 ft.

HOME NURSING—SPECIAL PROCEDURES. (Eastman Classroom Films, Health Series. Hygiene) 1931. Made in cooperation with the Department of Biology and Public Health, Massachusetts Institute of Technology. 687 ft.

THE HOME OF THE OYSTER! 1916. Split reel.

HOME OF THE SHEIKH. (Rambling Reporter) 1931. 1 reel, sd.

Credits: Narrative by Malcolm La Prade; musical arrangement, Tom Grisella.

HOME ON THE PRAIRIE. 1939. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, Jack Townley; original screenplay, Charles Arthur Powell, Paul Franklin; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

HOME ON THE RAGE. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, James W. Horne.

HOME ON THE RANGE. Presented by Adolph Zukor. 1934. 6 reels, sd. From the novel "Code of the West" by Zane Grey.

Credits: Producer, Harold Hurley; director, Arthur Jacobson; screenplay, Ethel Doherty, Grant Garrett; adaptation, Charles Logue.

HOME ON THE RANGE. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Arthur Jarrett; music and lyrics, Marcy Klauber.

HOME PLATE. Century. 1923. 2 reels.

Credits: Written and directed by Al. Herman.

HOME RUN AMBROSE. 1918. 2 reels.

Credits: Supervision, J. G. Blystone; director, W. S. Fredericks.

HOME-RUN BILL. Nestor. 1919. 1 reel.

HOME RUN ON THE KEYS. 1937. 1 reel, sd.

Credits: Cyrus D. Wood; director, Roy Mack.

HOME SCOUTS. 1925. 2 reels.

THE HOME STRETCH. 1921. 5 reels. From the story "When Johnny Comes Marching Home" by Charles Belmont Davis.

Credits: Director, Jack Nelson; scenario, Lewis Stevens.

HOME STRUCK. Released by F. B. O. 1927. 6 reels.

Credits: Director, Ralph Ince; story, Peter Milne; continuity, Ewart Adamson.

HOME STUFF. 1921. 5 reels.

Credits: Director, Albert Kelly; original story, Frank Dazey, Agnes Johnston.

HOME SWEET HOME. (Sound Topics of the Day) 1930. 1 reel, sd.

Credits: Alfred T. Mannon.

HOME SWEET HOME, THE WORLD OVER. (FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Compiler, James A. FitzPatrick; photographer, B. S. Dawley.

HOME TALENT. Released by Associated Producers, Inc. 1921. 5 reels.

Credits: Producer, Mack Sennett; director, James Abbe.

THE HOME TOWN GIRL. 1919. 5 reels.

Credits: Director, Robert G. Vignola; story, Oscar Graeve; scenario, Edith Kennedy.

HOME TOWN OLYMPICS. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE HOME TOWNERS. Warner Bros. Vitaphone. 1928. 11 reels, sd. From the stage play by George M. Cohan.

Credits: Director, Bryan Foy; scenario, Addison Burkhart, Murray Roth.

THE HOME TOWNERS. Announcement Trailer. 1928. 1 reel, sd.

HOME TOWNERS. SEE Times-Square Playboy.

THE HOME TRAIL. 1918. 5 reels.

Credits: George H. Plympton; director, William Wolbert.

THE HOME TRAIL. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, Rhea Mitchell.

Credits: Director, Tefft Johnson; story, Lucy Sarver.

HOME WORK. 1935. 2 reels, sd.

Credits: Producer and director, Alf Goulding; story, John Grey; film editor, Edward Mann.

THE HOME WRECKERS. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, C. B. Hoadley, Frederick A. Palmer.

HOME COMING. 1915. 1 reel.

Credits: I. A. R. Wylie.

HOMECOMING. Ufa. 1929. 8,104 ft. From the novel "Karl und Anna" by Leonhard Frank.

Credits: Director, Joe May; screenplay, Fred Majo, F. Wendhausen.

HOMECOMING. SEE Don't Turn 'Em Loose.

THE HOMECOMING OF HENRY. 1914. 1 reel.

THE HOMEKEEPING OF JIM. 1920. 2 reels.

Credits: Director, Ashley Miller.

HOMELESS. Laemmle. 1917. 1 reel.

Credits: Director, George Loane Tucker.

HOMELESS CATS. (Aesop Fable, 414) 1929. 1 reel.

Credits: Paul Terry.

HOMELESS HOMER. (Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Isadore Freleng, Rudolf Ising.

THE HOMELESS PUP. (Terrytoons) Presented by E. W. Hammons. 1937. 596 ft., sd.

Credits: Paul Terry, George Gordon; scored and conducted by Philip A. Scheib.

HOMEMADE MOVIES. 1922. 2 reels.

Credits: Directors, Ray Grey, Gus Meins; film editor, Allen McNeil.

THE HOMEMAKER. Jewel. 1925. 8 reels. Based on the story by Dorothy Canfield.

Credits: Director, King Baggot.

HOMER COMES HOME. 1920. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story, Alexander Hull; adaptation, Agnes Christine Johnston.

HOMER CROY ALONG THE NILE. 1915. Split reel.

HOMER DICKINSON ASSISTED BY NELL MATTINGLY, BROADWAY'S SMART COMEDY STAR. 1928. 1 reel, sd.

HOMESICK. 1928. 6 reels, b&w.

Credits: Director, Henry Lehrman; story and scenario, John Stone.

HOMESPUN FOLKS. Associated Producers. 1920. 6 reels.

Credits: Supervision, Thomas H. Ince; director, John Griffith Wray; story, Julien Josephson.

A HOMESPUN TRAGEDY. 1913. 1 reel.

Credits: Directors, James W. Castle, Ned Finley.

A HOMESPUN VAMP. 1921. 5 reels.

Credits: Director, Frank O'Connor; story, Hector Turnbull; adaptation, Harvey Thew.

HOMEWARD BOUND. Presented by Adolph Zukor. 1923. 7 reels. Based on the story "The Light to Leeward" by Peter B. Kyne.

Credits: Director, Ralph Ince; screenplay, Jack Cunningham, Paul Sloane.

THE HOMEWARD TRAIL. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Carl Coolidge.

HOMICIDE BUREAU. 1938. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Earle Snell; film editor, James Sweeney; music director, Morris Stoloff.

THE HOMICIDE SQUAD. 1931. 7 reels. From "The Mob" by Henry La Cossitt.

Credits: Directors, George Melford, Edward L. Cahn; screenplay and dialogue, John Thomas Neville, Tom Reed.

L'HOMME QUI RIT. SEE The Man Who Laughs.

THE HONDURAS HURRICANE. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based on the United Features comic The Captain and the Kids.

HONEST AND TRULY. Bluebird. 1927. 1 reel.

HONEST CROOKS. 1930. 2 reels, sd. From the Wildcat stories by Hugh Wiley.

Credits: Producer, Monte Brice; director, Paul Powell; adaptation, Sidney Lazarus.

THE HONEST FINDER. SEE Trouble in Paradise.

HONEST HUTCH. 1920. 6 reels. From the story "Old Hutch Lives Up to It" by Garret Smith.

Credits: Director, Clarence G. Badger; scenario, Arthur F. Statter.

HONEST INJUN. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

HONEST LOVE AND TRUE. (A Betty Boop Cartoon) 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Lillian Friedman.

Credits: Director, George B. Seitz; story and scenario, Frank Leon Smith.

HONESTY PAYS—BUT NOT MUCH. (Tom Howard Comedies) Educational. 1933. 1 reel.

Credits: Director, Aubrey Scotto; story, Tom Howard; dialogue staged by Max E. Hayes.

HONESTY—THE BEST POLICY. 1926. 5 reels.

Credits: Directors, Chester Bennett, R. William Neill; story, F. Kipling Smith; scenario, L. G. Rigby.

HONEY. 1930. 6,701 ft., sd. From the novel and play "Come Out of the Kitchen" by Alice Duer Miller and A. E. Thomas.

Credits: Director, Wesley Ruggles; adaptation, Herman J. Mankiewicz; music and lyrics, W. Franke Harling, Sam Coslow.

THE HONEY BEE. 1920. 6 reels. From the novel by Samuel Merwin.

Credits: Director, Rupert Julian.

THE HONEY BEE. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

HONEYLAND. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

THE HONEYLESS HONEYMOON. 1917. 1 reel.

Credits: Edward McWade; producer, Harry Jackson.

THE HONEYMOON. 1917. 5 reels.

HONEYMOON. 1928. 6 reels, b&w.

Credits: Director, Robert A. Golden; story, Lew Lipton; adaptation, Richard Schayer; continuity, George O'Hara; film editor, Ben Lewis.

HONEYMOON ABROAD. 1929. 6 reels.

Credits: Director, Tim Whelan; original story, Rex Taylor, Tim Whelan.

THE HONEYMOON BABY. 1915. 1 reel.

Credits: Director, Sidney Drew.

HONEYMOON BEACH. 1932. 21 min., sd.

Credits: Producer, Al Christie; director, Harry J. Edwards; story, Ernest Pagano, Jack Townley.

HONEYMOON BRIDGE. 1935. 2 reels.

Credits: Director, Del Lord; story and screenplay, Harry McCoy.

THE HONEYMOON EXPRESS. 1926. 7 reels. Suggested by the play "The Doormat" by Ethel Clifton and Brenda Fowler.

Credits: Director, James Flood; screenplay, Mary O'Hara.

HONEYMOON FEET. 1926. 2 reels.

Credits: Director, Perc Pembroke.

HONEYMOON FLATS. Universal Jewel. 1928. 6 reels.

Credits: Director, Millard Webb; story, Earl Derr Biggers.

HONEYMOON HATE. 1927. 5,415 ft.

Credits: Director, Luther Reed; story, Alice M. Williamson; screenplay, Ethel Doherty; adaptation, Doris Anderson.

HONEYMOON HEAVEN—HONOLULU. (Port o' Call Series) Presented by William M. Pizor. 1931. 1 reel, sd.

HONEYMOON HINTS. 1927. 1 reel.

Credits: Edited and titled by Beth Brown.

HONEYMOON HOSPITAL. 1926. 2 reels.

Credits: Directors, Zion Myers, Gene Forde; story, Henry Johnson, Hewlett Benjamin.

HONEYMOON HOTEL. Bluebird. 1925. 1 reel.

Credits: Director, Richard Wallace.

HONEYMOON HOTEL. (Merrie Melodies) 1934. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; musical score, Norman Spencer.

HONEYMOON IN BALI. 1939. 10 reels, sd. Based on stories by Grace Sartwell Mason and Katharine Brush.

Credits: Producer, Jeff Lazarus; director, Edward H. Griffith; screenplay, Virginia Van Upp; film editor, Eda Warren.

HONEYMOON LAND WITH CLAUDE FLEMMING. (Romantic Journeys) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

HONEYMOON LANE. A V. & D. production, in association with Sono-Art. 1931. 6,417 ft., sd.

Credits: Director, William J. Craft; screenplay, Eddie Dowling, James F. Hanley; adaptation and continuity, Barney Sarecky, Jack Jevne.

HONEYMOON LANE. 1931. 8 reels.

Credits: Director, William J. Craft; screenplay, Eddie Dowling, James F. Hanley; adaptation and continuity, Barney Sarecky, Jack Jevne.

THE HONEYMOON LIMITED. 1925. 2 reels.

Credits: Director, Robert Kerr.

HONEYMOON LIMITED. 1935. 8 reels, sd. Based on the novel by Vida Hurst.

Credits: Producer, Mrs. Wallace Reid; director, Arthur Lubin; screenplay, Dorothy Reid, Betty Burbridge; editor, Carl Pierson.

THE HONEYMOON PACT. 1915. 1 reel.

Credits: Director, Wilfrid North.

THE HONEYMOON QUICKSTEP. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

A HONEYMOON SQUABBLE. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

A HONEYMOON SURPRISE. Victor. 1917. 1 reel.

Credits: Written, directed, and produced by Leslie T. Peacocke.

THE HONEYMOON TRAIL. 1931. 1 reel.

HONEYMOON TRIO. (Cameo Comedies) 1931. 10 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley, Harrison Jacobs.

HONEYMOON ZEPPELIN. (Educational-Mack Sennett Talking Comedies) 1930. 22 min., sd.

Credits: Director, Mack Sennett.

THE HONEYMOONERS. 1914. 1 reel.

Credits: Director, George D. Baker.

Credits: Director, Archer MacMackin.

HONEYMOONIACS. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

HONEYMOONING WITH MA. Century. 1926. 2 reels.

Credits: Director, Percy Pembroke.

HONG KONG HIGHLIGHTS; ALONG THE ROAD TO ROMANCE ON THE MAGIC CARPET OF MOVIETONE. 1936. 1 reel, sd.

HONG KONG, THE HUB OF THE ORIENT. (A FitzPatrick Traveltalk) 1937. 721 ft., sd., color.

Credits: Music score, Nathaniel Shilkret.

HONK YOUR HORN. 1930. 19 min., sd.

Credits: Story and direction, Alf Goulding.

HONKY-DONKEY. (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

HONKY TONK. 1929. 7 reels.

Credits: Leslie S. Barrows; director, Lloyd Bacon; adaptation, C. Graham Baker.

HONKY TONK. Trailer. 1929. 1 reel.

HONOLULU. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w.

Credits: Producer, Jack Cummings; director, Edward Buzzell; original story and screenplay, Herbert Fields, Frank Partos; film editor, Conrad A. Nervig; music director, Georgie Stoll.

HONOLULU—THE PARADISE OF THE PACIFIC. (FitzPatrick Traveltalk) 1935. 1 reel.

Credits: Director, Ruth FitzPatrick.

HONOLULU WILES. Winkler. 1930. 1 reel. Adapted from cartoon characters created by George Herriman.

Credits: Animation, Ben Harrison, Manny Gould.

HONOR AMONG LOVERS. 1931. 6,775 ft., sd.

Credits: Director, Dorothy Arzner; story, Austin Parker; scenario, Parker and Gertrude Purcell.

HONOR AMONG MEN. 1924. 5 reels, b&w, tinted sequences. Based on the novel "The King's Jackal" by Richard Harding Davis.

Credits: Scenario and direction, Denison Clift.

HONOR BOUND. 1920. 5 reels.

Credits: Written and produced by Jacques Jaccard.

HONOR BOUND. 1928. 7 reels, b&w, red sequences.

Credits: Director, Alfred E. Green; story, Jack Bethea; scenario, Graham Baker; adaptation, Philip Klein.

EL HONOR DE UN BRIGADIER. SEE Angelina.

HONOR FIRST. 1922. 5 reels.

Credits: Director, Jerome Storm; story, George Gibbs; scenario, Joseph Franklin Poland.

THE HONOR OF A SOLDIER; a War Drama. 1913. 1 reel.

THE HONOR OF AN OUTLAW. Gold Seal. 1917. 3 reels.

Credits: Written and directed by Fred C. Kelsey.

THE HONOR OF HIS HOUSE. 1918. 5 reels.

Credits: Marion Fairfax; director, William C. De Mille.

THE HONOR OF KENNETH MCGRATH. Powers. 1915. 1 reel.

Credits: Producer, Sydney Ayres; story, Calder Johnstone; scenario, H. G. Stafford.

THE HONOR OF MARY BLAKE. 1916. 5 reels.

Credits: John C. Brownell; director, Edwin Stevens.

THE HONOR OF MEN. Bison. 1917. 2 reels.

Credits: Director, George Marshall; story, Grace Helen Bailey; scenario, Charles J. Wilson, Jr.

THE HONOR OF MEN. 1924. 2 reels.

THE HONOR OF THE CAMP. 1915. 1 reel.

Credits: Producer, Burton L. King; scenario, Gertrude Livingston.

HONOR OF THE FAMILY. 1931. 7 reels, sd. Based on the play by Émile Fabre, from the story by Balzac.

Credits: Director, Lloyd Bacon; screenplay, James Ashmore Creelman; continuity, Lenore Coffee; additional dialogue, Roland Pertwee.

THE HONOR OF THE FORCE. 1913. 1 reel.

Credits: Frank E. Woods.

THE HONOR OF THE FORCE. 1914. 500 ft.

THE HONOR OF THE MOUNTED. 1921. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George H. Plympton.

THE HONOR OF THE ORMSBY'S. Victor. 1915. 3 reels.

Credits: Producer, Mr. Henderson.

THE HONOR OF THE RANGE. 1920. 2 reels.

Credits: Director, Leo Maloney; story, Louis D. Lighton; scenario, Hope Loring.

HONOR OF THE RANGE. 1924. 2 reels.

HONOR OF THE RANGE. 1934. 7 reels.

Credits: Director, Alan James; original story and screenplay, Nate Gatzert.

THE HONOR OF THE WAYNES. SEE The Family Hour.

HONOR OF THE WEST. 1938. 6 reels, sd.

Credits: Director, George Waggner; original story and screenplay, Joseph West.

THE HONOR SYSTEM. 1916. For the Fox Film Corp. 10 reels.

Credits: Director, Raoul A. Walsh; scenario, Henry Christeen Warnack.

THE HONOR SYSTEM. SEE Clark and McCullough in The Honor System.

HONOR THY COUNTRY. Universal Special. 1916. 3 reels.

Credits: Director, Ben Wilson; story, Willis Woods; scenario, Alice Von Saxmar.

HONOR THY HUSBAND. Powers. 1915. 2 reels.

Credits: Producer, Lynn Reynolds; scenario, Harvey Gates.

THE HONOR TO DIE. Big U. 1915. 3 reels.

THE HONORABLE ALGERNON. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

AN HONORABLE CAD. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Frederic Arnold Kummer; scenario, Calder Johnstone.

THE HONORABLE FRIEND. 1916. 5 reels.

Credits: Eva Unsell; producer, Edward Le Saint; story, Elizabeth McGaffey.

HON. WILL H. HAY WELCOMES VITAPHONE IN AN ADDRESS. 1927. 1 reel, sd.

HONORABLY DISCHARGED. Imp. 1916. 1 reel.

Credits: Director, Fred A. Kelsey; story, L. Bliss; scenario, George Baker Anderson.

Credits: C. Gardner Sullivan.

HONOR'S ALTAR. 1916. 5 reels.

THE HONOURABLE GENTLEMAN. SEE Pagan Love.

THE HOODLUM. 1919. 6 reels. Adapted from "Burkeses Amy" by Julie M. Lippman.

Credits: Scenario, Bernard McConville.

HOODMAN BLIND. 1923. 6 reels.

Credits: Director, John Ford; story, Henry Arthur Jones, Wilson Barrett; scenario, Charles Kenyon.

HOODMAN BLIND. SEE A Man of Sorrow.

HOODOO ANN. 1916. 5 reels.

Credits: Scenario, Granville Warwick.

THE HOODOO UMBRELLA. 1913. 1 reel.

Credits: Director, Bert Angeles.

HOODOOED. Paramount-Carter De Haven. 1920. 2 reels.

Credits: Director, Charles Parrott; story, Carter De Haven; scenario, Bob McGowan, Keene Thompson.

THE HOODOOED STORY. Black Cat. 1917. 28 min.

Credits: H. Tipton Steck; director, L. C. Windom.

Credits: Producer, John L. Hawkinson.

HOOFBEATS OF VENGEANCE. 1928. 5 reels.

Credits: Director, Henry MacRae.

HOOK AND HAND. 1914. 4 reels.

HOOK AND LADDER. 1923. 6 reels.

Credits: Director, Edward Sedgwick; story, Edward Sedgwick, Raymond L. Schrock; scenario, E. Richard Schrayer.

HOOK AND LADDER. (Our Gang Comedies) (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

HOOK AND LADDER HOKUM. (Tom and Jerry Cartoons) 1933. 7 min.

Credits: George Stallings, Tish-Tash.

HOOK AND LADDER NO. 1. (Paul Terry-Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

HOOK AND LADDER NO. 9. Released by F. B. O. 1927. 6 reels.

Credits: Director, F. Harmon Weight; story, John Moroso; adaptation and continuity, Peter Milne.

HOOK AND LINE. (World of Sports) 1933. 1 reel, sd.

HOOK, LINE, AND MELODY. (Grantland Rice Sound Sportlight) 1929. 1 reel.

Credits: John Foster.

HOOK. LINE, AND SINKER. 1930. 8 reels, sd.

Credits: Producer, William Le Baron; director, Edward Cline; original story, Tim Whelan; screenplay and dialogue, Tim Whelan, Ralph Spence; film editor, Marchie Marshek.

HOOK, LINE AND SINKER. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., color.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip A. Scheib.

HOOK OR CROOK. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

HOOKED. Educational Pictures. 1925. 2 reels.

Credits: Written and directed by Fred Hibbard.

HOOKED. (Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Editor, Jack Eaton.

HOOKED LIGHTNING. (The Grantland Rice Sportlight) 1935. 1 reel, sd.

Credits: Narration, Ted Husing.

Credits: Producer, John L. Hawkinson.

HOOKS AND JABS. (Mermaid Comedy) 1933. 20 min., sd.

Credits: Director, Arvid E. Gillstrom; story, Dean Ward, Vernon Dent.

HOOP-LA. 1933. 7,100 ft., sd. From the play "The Barker" by John Kenyon Nicholson.

Credits: Director, Frank Lloyd; screenplay and dialogue, Bradley King, Joseph Moncure March.

HOORAY FOR LOVE. 1935. 8 reels, sd.

Credits: Associate producer, Felix Young; director, Walter Lang; story, Marc Lachmann; screenplay, Lawrence Hazard, Ray Harris; editor, George Crone; music director, Alberto Colombo; music and lyrics, Dorothy Fields, Jimmy McHugh.

THE HOOSE-GOW. (Hal Roach Comedy) 1929. 2 reels, sd., b&w.

Credits: Director, James Parrott; story, Leo McCarey; story editor, H. M. Walker; film editor, Richard Currier.

HOOSIER SCHOOLBOY. 1937. 62 min., sd. From the original novel by Edward Eggleston.

Credits: Producer, Ken Goldsmith; director, William Nigh; screenplay, Robert Lee Johnson.

THE HOOSIER SCHOOLMASTER. 1924. 6 reels. Based on the novel by Edward Eggleston.

Credits: Director, Oliver L. Sellers; scenario, Eve Stuyvesant.

THE HOOSIER SCHOOLMASTER. 1935. 8 reels, sd. Suggested by the novel by Edward Eggleston.

Credits: Director, Lewis D. Collins; adaptation and screenplay, Charles Logue; editor, Carl Pierson.

THE HOOT GIBSON TRIO. 1927. 1 reel, sd.

HOOT MON! (Bobby Vernon Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Harold Beaudine; story, Sig Herzig.

HOOT TOOT. 1918. 2 reels.

Credits: Director, James Davis.

HOP ALONG. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

HOP OFF. 1928. 2 reels.

Credits: Director, H. L. Muller.

HOP THE BELL HOP. 1919. 2 reels.

Credits: Director, Charles Parrott.

HOP, THE DEVIL'S BREW. Bluebird. 1916. 5 reels.

Credits: Producers, the Smalleys; story, Rufus Steele; scenario, Lois Weber.

HOP TO IT! 1925. 2 reels.

Credits: Written and directed by Ted Burnsten.

HOP-ALONG CASSIDY. 1935. 6 reels. Based on the book by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; screenplay, Doris Schroeder; additional dialogue, Harrison Jacobs; music, Sam H. Stept, Dave Franklin.

HOPALONG CASSIDY RETURNS. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the story by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Nate Watt; screenplay and dialogue, Harrison Jacobs.

HOPALONG CASSIDY'S PROTÉGÉ. SEE Call of the Prairie.

HOPALONG RIDES AGAIN. Presented by Adolph Zukor. 1937. 7 reels, sd. Based on the story "Black Buttes" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Norman Houston; film editor, Robert Warwick.

THE HOPE. 1920. 6 reels. From the play by Cecil Raleigh and Henry Hamilton.

Credits: Director, Herbert Blache; managing director, Maxwell Karger; scenario, A. Shelby Le Vino.

HOPE. 1922. 2 reels.

Credits: Director, Le Jaren à Hiller; story, Marguerite Robinson.

HOPE, A RED CROSS SEAL STORY. 1912. 1 reel.

Credits: James Oppenheim.

THE HOPE CHEST. Paramount. Presented by the New Art Film Co. 1918. 5 reels. From the book by Mark Lee Luther.

Credits: Director, Elmer Clifton; adaptation, M. M. Stearns.

THE HOPE DIAMOND MYSTERY. 1921. 2 reels each.

Credits: Director, Stuart Payton; story, May Yohe; screen adaptation, Charles Goddard, John B. Clymer.

1. The Hope Diamond Mystery.

2. The Vanishing Hand.

3. The Forged Note.

4. The Jewel of Sita.

5. A Virgin's Love.

6. The House of Terror.

7. Flames of Despair.

8. Yellow Whisperings.

9. The Evil Eye.

10. In the Spider's Web.

11. The Cup of Fear.

12. The Ring of Death.

13. The Lash of Hate.

14. Primitive Passions.

15. An Island of Destiny.

HOPE FOSTER'S MOTHER. 1914. 2 reels.

Credits: Director, Lionel Belmore.

HOPE HAMPTON IN THE FOURTH ACT OF MANON. 1929. 1 reel, sd.

HOPE RIDES WITH ME. SEE The End of the Trail.

HOPE VERNON, THE SUNSHINE GIRL. 1929. 1 reel, sd.

HORACE BRITT, CELLIST, RUTH M. CONNIST AT THE PIANO PLAYING: A. ELEGY (and others) 1927. 1 reel.

HORACE HEIDT AND HIS CALIFORNIANS. 1929. 1 reel, sd.

HORACE HEIDT AND HIS CALIFORNIANS IN MUSICAL MOODS. 1929. 1 reel, sd.

A HORNET'S NEST. 1913. 1 reel.

Credits: Mark Swan.

THE HORNET'S NEST. 1919. 5 reels.

Credits: Director, James Young; story, Mrs. Wilson Woodrow; scenario, James Dayton.

HORNS AND ORANGE BLOSSOMS. (Puffy-Cohen Comedy) 1927. 2 reels.

Credits: Director, Harry Sweet; story, Octavus Roy Cohen.

THE HORRIBLE EXAMPLE. 1913. 1 reel.

Credits: Charles M. Seay.

HORRIBLE HYDE. 1915. Split reel.

HORSE COPS. 1931. 1 reel.

Credits: John Foster, J. J. McManus.

HORSE FEATHERS. 1932. 8 reels, sd.

Credits: Director, Norman McLeod; story, Bert Kalmar, Harry Ruby, S. J. Perelman.

HORSE HEIR. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Fred Guiol; story, Fred Guiol, Leslie Goodwins; film editor, John Lockert.

THE HORSE LAUGH. Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

A HORSE OF ANOTHER COLOR. 1915. 1 reel.

A HORSE ON BARNEY. (Barney Google Series, no. 9) 1929. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling.

THE HORSE ON THE MERRY-GO-ROUND. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ub Iwerks; music Eddie Kilfeather; music director, Joe de Nat.

HORSE SENSE. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Fred Hibbard.

HORSE SENSE. 1924. 5 reels.

Credits: Director, Ward Hayes.

HORSE SENSE. (World of Sports) 1932. 1 reel, sd.

HORSE SENSE. SEE The Set-Up.

HORSE SHY. 1928. 2 reels.

Credits: Director, Jay A. Howe; story, T. J. Crizer, James Davis.

A HORSE TALE. (Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Animation, R. C. Hamilton, Tom Palmer.

HORSE TEARS. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Fred Hibbard.

THE HORSE THIEF. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE HORSE TRADER. Mustang. 1926. 2 reels.

Credits: Director, William Wyler; story, Brandt Riley.

HORSEFEATHERS. (Barney Google Series, no. 1) 1928. 2 reels. From the cartoon "Barney Google and Spark Plug" by Billy DeBeck.

Credits: Director, Ralph Ceder; story, Ray McCarey, J. Basil, E. V. Durling.

A HORSEMAN OF THE PLAINS. 1928. 5 reels, b&w, tinted sequences.

Credits: Director, Benjamin Stoloff; story, Harry Sinclair Drago; scenario, Fred Myton.

HORSE PLAY. (A Stern Brothers Comedy) (Keeping Up with the Joneses Series) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

HORSEPLAY. 1933. 7 reels.

Credits: Director, Edward Sedgwick; story, H. M. Walker, Dale Van Every; screenplay, Ebba Havez, Clarence Marks.

HORSEPLAY. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Charles Roberts; film editor, Edward Mann.

HORSE PLAY. SEE Krazy Kat in Horse Play.

HORSEPOWER. (Sportlight) 1934. 1 reel, sd.

HORSES' COLLARS. 1935. 2 reels, sd.

Credits: Director, Clyde Bruckman; story and screenplay, Felix Adler.

Credits: Producer, John L. Hawkinson.

A HORSE'S TALE. 1937. 2 reels, sd.

Credits: Ken Kling.

A HORSE SHOE—FOR LUCK. 1914. 1 reel.

Credits: Director, Sidney Drew.

HORSESHOES. 1923. 2 reels.

Credits: Written and directed by Larry Semon, Jimmy Davis.

HORSESHOES. 1930. 1 reel.

HORSESHOES. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

HOSPITALIKY. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

HOSPITALITIES. (Krazy Kat) 1929. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny Gould.

THE HOST. 1923. 1 reel.

Credits: Director, Lloyd Bacon.

THE HOSTAGE. 1917. 5 reels.

Credits: Director, Robert Thornby; story, Beulah Marie Dix.

THE HOSTESS. SEE Sally Fields in The Hostess.

HOT AIR. Bluebird. 1927. 1 reel.

Credits: Director, Harry Sweet.

HOT AIR HEATING. 1927. 1 reel.

THE HOT AIR MERCHANT. 1930. 2 reels, sd.

Credits: Director, Ray Cozine; dialogue, Max E. Hayes.

THE HOT AIR SALESMAN. (Betty Boop Cartoon) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Dave Hoffman.

HOT AND BOTHERED. 1930. 1 reel.

Credits: Director, Eddie Buzzell; story, J. P. Medbury.

HOT AND BOTHERED. 1931. 2 reels.

Credits: Director, Charles Lamont; story, Francis J. Martin, James Mulhauser.

HOT AND COLD. (A Pooch the Pup Cartoon) Snappy. 1933. 1 reel.

HOT AND COLD THRILLS. (A Sports-Eye-View) 1933. 1 reel.

HOT AND HEAVY. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Producer, Jack White.

HOT—AND HOW. (Jack White Talking Comedies) 1930. 17 min., sd.

Credits: Director, Stephen Roberts.

HOT APPLICATIONS. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; scenario, Frederick A. Palmer.

HOT BRIDGE. 1930. 2 reels, sd.

Credits: Director, Mark Sandrich.

HOT BUT HEALTHY. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; scenario, W. Scott Darling.

HOT COMPETITION. 1933. 1 reel.

Credits: Director, Roy Mack.

HOT COOKIES. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Nate Watt.

HOT CURVES. 1930. 9 reels, sd.

Credits: A. P. Younger; director, Norman Taurog; screenplay, Earle Snell; music and lyrics, Violinsky and Silverstein.

HOT DAZE. 1933. 886 ft.

Credits: Director, Vin Moore; story, Charles S. Steinberg.

HOT DOG. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

HOT DOG. Bluebird. 1926. 1 reel.

HOT DOG. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

HOT DOG. 1930. 1,378 ft., sd., b&w.

Credits: Director, Jules White, Zion Myers.

HOT DOG. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer; director, Dave Fleischer.

HOT DOG AND SINKERS. 1920. 1 reel.

HOT DOGGIE. (Walter Hiers Comedies) 1925. 2 reels.

Credits: Producer, Al Christie; director, Earl Rodney.

HOT DOGS ON ICE. (Krazy Kat) 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louis Lilly; music, Joe de Nat.

HOT FEET. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Hugh Fay.

HOT FEET. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz. William Nolan.

A HOT FINISH. 1915. 1 reel.

A HOT FINISH. 1920. 1 reel.

A HOT FOOT ROMANCE. 1915. Split reel.

HOT FOR HOLLYWOOD. (An Oswald Sound Cartoon) (A Walter Lantz Cartoon) 1930. 1 reel, sd.

HOT FOR PARIS. 1929. 6,570 ft., sd.

Credits: Director, Raoul Walsh; adaptation and continuity, Charles McGuirk; editor, Jack Dennis.

HOT FROM PETROGRAD. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

HOT HEELS. Jewel. 1928. 6 reels.

Credits: Director, William James Craft; story, Jack Foley, Vin Moore; continuity, Harry O. Hoyt.

THE HOT HEIRESS. 1931. 80 min., sd.

Credits: Director, Clarence Badger; story, Herbert Fields; music and lyrics, Richard Rodgers, Lorenz Hart; editor, Thomas Pratt.

HOT HOOFS. Presented by E. W. Hammons. 1933. 18 min.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson.

HOT HOUSE HAZEL. Presented by William Fox. 1927. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Orville Dull; scenario, Lou Breslow, Arthur Greenlaw.

HOT LEMONADE. 1929. 2 reels.

Credits: Director, Arvid Gillstrom; story, Florence Ryerson, Colin Clements; screen adaptation, Alfred A. Cohn.

HOT LIGHTNING. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Production and supervision, Jack White; director, Stephen Roberts.

HOT LUCK. (Big Boy-Juvenile Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

HOT MONEY. 1933. 2 reels, sd.

HOT MONEY. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, James W. Horne; film editor, Louis McManus.

HOT MONEY. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1936. 7 reels.

Credits: Director, William McGann; story idea, Aben Kandel; screenplay, William Jacobs.

HOT NEWS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7 reels.

Credits: Director, Clarence Badger; story, Monte Brice, Harlan Thompson; screenplay, Florence Ryerson; adaptation, Lloyd Corrigan, Grover Jones.

HOT OFF THE PRESS. Presented by Sam Katzman. 1935. 6 reels, sd. Adapted from the story "The New Pardner" by Peter B. Kyne.

Credits: Production manager, Ed. W. Rote; supervision, Sam Katzman; director, Al Herman; screenplay, Victor Potel, Gordon S. Griffith; film editor, Dan Milner.

HOT ON ICE. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Directed and photographed by Willard Vander Veer in cooperation with Tom Lieb.

HOT OR COLD. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

HOT PAPA. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story and scenario, Hale Conklin; titles, Al Martin.

HOT PAPRIKA. 1935. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Harry McCoy.

HOT PEPPER. 1933. 6,850 ft.

Credits: Director, John Blystone; story, Dudley Nichols; scenario, Barry Conners, Philip Klein; editor, Alex Troffey.

A HOT POTATO. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; scenario, Murray Roth; titles, Harold E. Tarshis.

HOT PUPPIES. (Let George Do It) (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by George McManus.

HOT SANDS. 1923. 2 reels.

Credits: Director, Herman C. Raymaker.

HOT SANDS. 1931. 1 reel.

HOT SANDS. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1934. 530 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

HOT SATURDAY. 1932. 8 reels, sd. From the novel by Harvey Fergusson.

Credits: Director, William Seiter; screenplay, Seton I. Miller; adaptation, Josephine Lovett, Joseph Moncure March.

HOT SCOTCH! (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Sig Herzig.

HOT SHEIKS. Paramount. 1925. 2 reels.

Credits: Director, Hampton del Ruth.

HOT SOUP. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

HOT SPARKS. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Hal Wells.

THE HOT SPELL. SEE Farmer Al Falfa in The Hot Spell.

HOT SPORTS. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Jules White.

THE HOT SPOT. 1931. 2 reels, sd., b&w.

Credits: Director, Don Gallagher; story, Ralph Ceder; film editor, Russell Schoengarth.

HOT SPOT. (A Hal Roach Comedy) 1932. 2 reels, sd., b&w.

Credits: Director, Del Lord; editor, Richard Currier.

Credits: Producer, Hal Roach.

HOT STUFF. Snappy. 1927. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

HOT STUFF. Presented by Richard A. Rowland. 1929. 7 reels.

Credits: Producer, Wid Gunning; director, Merwyn Leroy; story, Robert S. Carr; screen version, Louis Stevens; film editor, Terry Morse.

HOT STUFF. Trailer. 1929. 1 reel.

HOT TAMALE. (Aesop Sound Fable) Presented by the Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster.

A HOT TIME IN ICELAND; or, SHEEZA BEAR. Powers. 1916. 1/2 reel.

A HOT TIME IN PUNKVILLE. 1915. 600 ft.

Credits: Cartoon by Vincent Whitman.

A HOT TIME IN THE OLD TOWN TONIGHT. 1930. 1 reel.

Credits: Max Fleischer; director, David Fleischer.

HOT TIMES. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

HOT TIP. 1935. 7 reels, sd. From the story by William Slavens McNutt.

Credits: Associate producer, William Sistrom; directors, Ray McCarey, James Gleason; screenplay, Hugh Cummings, Olive Cooper, Louis Stevens; editor, James Morley; music director, Alberto Colombo.

HOT TIRES. (A Fistical Culture Comedy) Released by The Bray Studios. 1927. 2 reels.

Credits: Director, Albert Herman; story, Earl Montgomery.

HOT TURKEY. (Terrytoons) 1930. 1 reel.

Credits: Paul Terry, Frank Moser.

HOT WATER. 1924. 5 reels.

Credits: Directors, Sam Taylor, Fred Newmeyer.

HOT WIRES. (Rainbow Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Harry Sweet; story, Chas. A. Callahan; screenplay, Harry Frazer; film editor, John Link; musical direction, Francis Gromon.

THE HOTCHA MELODY. (A Krazy Kat Cartoon) 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love, Preston Blair; musical direction, Joe de Nat.

HOTEL A LA SWING. 1937. 2 reels, sd.

Credits: Burnet Hershey; director, Roy Mack.

HOTEL ANCHOVY. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1934. 1,665 ft., sd.

Credits: Producer, Al Christie; story, Art Jarrett, William Watson.

HOTEL CONTINENTAL. Presented by Tiffany Productions. 1932. 8 reels, sd.

Credits: Producer, Sam Bischoff; director, Christy Cabanne; story and dialogue, F. Hugh Herbert, Paul Perez; continuity, Warren B. Duff.

Credits: Scenario, Louis Myll.

HOTEL FOR WOMEN. 1939. 7,329 ft., sd.

Credits: Director, Gregory Ratoff; story, Elsa Maxwell, Kathryn Scola; screenplay, Kathryn Scola, Darrell Ware; music director, David Buttolph.

HOTEL HAYWIRE. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Director, George Archainbaud; story and screenplay, Preston Sturges; film editor, Arthur Schmidt.

HOTEL IMPERIAL. 1927. 7,091 ft. From the novel by Lajos Biró.

Credits: Producer, Erich Pommer; director, Mauritz Stiller; screenplay, Jules Furthmann.

HOTEL IMPERIAL. 1939. 8 reels, sd. Based on a play by Lajos Biró.

Credits: Director, Robert Florey; screenplay, Gilbert Gabriel, Robert Thoeren; film editor, Chandler House.

HOTSY TOTSY. (Benny Rubin Comedy) Snappy. 1929. 1 reel, sd.

Credits: Director, Walter Fabian; story, C. Jerome Horwin.

THE HOTTENTOT. 1922. 7 reels.

Credits: Supervision, Thomas H. Ince; directors, James W. Horne, Del Andrews.

THE HOTTENTOT. 1929. 8 reels. From the stage play by Victor Mapes and William Collier.

Credits: Director, Roy Del Ruth; adaptation, Harvey Thew.

THE HOTTENTOT. Trailer. 1929. 1 reel.

THE HOTTENTOT. SEE Going Places.

HOTTER THAN HAITI. (A Slim Summerville Comedy) 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, Sidney Levee.

HOTTER THAN HOT. (A Hal Roach Comedy) 1929. 2 reels, sd., b&w.

Credits: Director, Lewis R. Foster; story, H. M. Walker; film editor, Richard Currier.

THE HOUND AND THE RABBIT. 1937. 696 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

THE HOUND OF SILVER CREEK. 1927. 5 reels.

Credits: Director, Stuart Paton; story and continuity, Paul Bryan.

THE HOUND OF THE BASKERVILLES. Released by Film Booking Offices of America. 1922. 5 reels. From the story by Sir A. Conan Doyle.

Credits: Director, Maurice Elvey.

THE HOUND OF THE BASKERVILLES. A First Division release. 1932. 7 reels. From the story by Sir Arthur Conan Doyle.

Credits: Scenario and direction, V. Gareth Gundrey; dialogue, Edgar Wallace.

THE HOUND OF THE BASKERVILLES. 1939. 7,142 ft., sd. From the story by Sir Arthur Conan Doyle.

Credits: Director, Sidney Lanfield; screenplay, Ernest Pascal; music director, Cyril J. Mockridge.

HOUNDED MEN (GEHETZTE MENSCHEN). 1933. 9 reels, sd. Based on the novel by Alfred Machard.

Credits: Director, Friedrich Feher; English adaptation, John Jerrold.

AN HOUR FOR LUNCH. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland; screenplay, Robert Lees, Fred Rinaldo.

THE HOUR GLASS. SEE Diamonds and Pearls.

THE HOUR OF DOOM. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Robert Dillon.

AN HOUR OF FREEDOM. 1915. 1 reel. Suggested by the story "The Road to Thursday" by John Barton Oxford.

Credits: Producer, Arthur Johnson.

AN HOUR OF TERROR. Imp. 1917. 1 reel.

THE HOUSE BEHIND THE HEDGE. SEE Unknown Treasures.

THE HOUSE BUILDER-UPPER. 1938. 1 reel, sd.

THE HOUSE CAT. SEE Man's Woman.

HOUSE CLEANING. Snappy. 1929. 2 reels.

Credits: Director, Jacques Rollens.

HOUSE CLEANING. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Producer, Charles Mintz; story, Rudy Zamora; animation, Al Rose, Harry Love; music score, Joe de Nat.

HOUSE CLEANING BLUES. (Betty Boop Cartoon) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, Eli Brucker.

HOUSE-CLEANING HORRORS. (Star Comedy) 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Frederick A. Palmer.

HOUSE CLEANING TIME. (Aesop's Sound Fable) 1929. 1 reel.

Credits: John Foster.

THE HOUSE DICK. 1931. 2 reels, sd.

Credits: Production and supervision, Louis Brock; director, Lloyd French; story and continuity, Lloyd French, Mauri Grashin; film editor, Sam White.

A HOUSE DIVIDED. 1931. 7 reels.

Credits: Director, William Wyler; screenplay, John B. Clymer, Dale Van Every.

THE HOUSE FLY. 1933. 969 ft.

THE HOUSE-FLY. (Biological Science Series) 1936. 887 ft., sd.

Credits: Clyde Fisher.

THE HOUSE IN THE MIST. SEE The Eyes of Mystery.

Credits: Adaptation, Clay M. Greene.

THE HOUSE OF A THOUSAND CANDLES. 1915. 5 reels. From the novel by Meredith Nicholson.

Credits: Gilson Willets.

THE HOUSE OF A THOUSAND CANDLES. 1936. 7 reels, sd. From the novel by Meredith Nicholson.

Credits: Producer, Nat Levine; supervision, Mrs. Wallace Reid; director, Arthur Lubin; adaptation, Ralph Bettinson, Charles Booth; screenplay, H. W. Hanemann, Endre Bohem; film editor, Ralph Dixon; music director, Arthur Kay.

THE HOUSE OF A THOUSAND RELATIONS. Victor. 1915. 2 reels.

Credits: Written and produced by Harry C. Myers.

Credits: Director, Thomas Ricketts.

THE HOUSE OF A THOUSAND TREMBLES. (Star Comedy) 1922. 1 reel.

Credits: Production and scenario, Pierce Kingsley.

A HOUSE OF CARDS. 1915. 2 reels.

THE HOUSE OF CONNELLY. SEE Carolina.

THE HOUSE OF DEATH. SEE House of Mystery.

THE HOUSE OF D'OR. 1914. 2 reels.

THE HOUSE OF FEAR. 1939. 7 reels, sd. Based on the novel by Wadsworth Camp and the play "The Last Warning" by Thomas F. Fallon.

Credits: Associate producer, Edmund Grainger; director, Joe May; screenplay, Peter Milne; film editor, Frank Gross.

HOUSE OF FLICKERS. 1925. 2 reels.

Credits: Directors, Roy Del Ruth, Ross Lederman.

THE HOUSE OF GLASS. 1918. 5 reels. Based on the play by Max Marcin.

Credits: Director, Emile Chautard; scenario, Charles E. Whittaker.

THE HOUSE OF GLASS. SEE The Lure of Jade.

THE HOUSE OF GOLD. 1918. 5 reels.

Credits: Supervision, Maxwell Karger; director, Edwin Carewe; story, Katharine Kavanaugh; scenario, June Mathis.

Credits: Director, George B. Seitz; story, Arthur B. Reeve, Charles A. Logue; scenario, Bertram Millhauser.

THE HOUSE OF HORROR. 1915. 1 reel.

THE HOUSE OF HORROR. Presented by Richard A. Rowland. 1929. 7 reels.

Credits: Director, Benjamin Christensen; story and screen version, Richard Bee.

THE HOUSE OF HORROR. Trailer. 1929. 1 reel.

THE HOUSE OF LIES. 1916. 5 reels.

THE HOUSE OF LYNCH. SEE School for Wives.

HOUSE OF MAGIC. (A Meany, Miny, Moe Cartoon) Snappy. 1937. 1 reel, sd.

Credits: Story, Walter Lantz, Victor McLeod; animation, Manuel Moreno, George Dane, Louis Zukor.

THE HOUSE OF MIRTH. 1918. 6 reels. From the novel by Edith Wharton.

Credits: Supervision, Maxwell Karger; director, Albert Capellani; scenario, June Mathis, Albert Capellani.

Credits: Story, Alexander F. Frank.

HOUSE OF MYSTERY, (Shadow-Detective Series, no. 4) 1931. 2 reels. From the story "The House of Death" by Judson P. Philips.

Credits: Director, Kurt Neumann; screenplay, Samuel Freedman.

THE HOUSE OF MYSTERY. 1934. 7 reels. From the play by Adam Hull Shirk.

Credits: Supervision, Paul Malvern; director, William Nigh; screenplay, Albert De Mond; editor, Carl Pierson.

THE HOUSE OF REFUGE. SEE Bondage.

THE HOUSE OF REVELATION. 1916. 3 reels.

THE HOUSE OF ROTHSCHILD. Presented by Joseph M. Schenck. Released through United Artists. 1934. 10 reels, sd., color. Based on a play by George Hembert Westley.

Credits: Producer, Darryl F. Zanuck; director, Alfred Werker; screenplay, Nunnally Johnson; film editors, Alan McNeil, Barbara McLean; music score, Alfred Newman.

THE HOUSE OF SCANDAL. 1928. 6 reels, sd.

Credits: Director, King Baggot; continuity, Frances Hyland; editor, Desmond O'Brien.

THE HOUSE OF SECRETS. 1936. 7 reels, sd. From the novel by Sydney Horler.

Credits: Director, Roland D. Reed; screenplay, John Krafft.

THE HOUSE OF SILENCE. 1914. 1 reel.

THE HOUSE OF SILENCE. 1918. 5 reels. Adapted from the novel by Elwyn Barron.

Credits: Director, Donald Crisp; scenario, Margaret Turnbull.

THE HOUSE OF SURPRISE. 1916. 2 reels.

THE HOUSE OF TEARS. Rolfe Photo Plays, Inc. 1915. 5 reels.

Credits: Frank Dazey; director, Edwin Carewe.

Credits: Producer, Harold M. Shaw.

THE HOUSE OF TERRIBLE SCANDALS. 1917. For Fox Film Corp. 3 reels.

Credits: Written and directed by Henry Lehrman.

THE HOUSE OF THE LOST COURT. 1915. 5,000 ft. Adaptation of the novel by Mrs. C. M. Williamson.

Credits: Director, Charles J. Brabin.

THE HOUSE OF TOYS. 1920. 6 reels. From the novel by Henry Russell Miller.

Credits: Director, George L. Cox; adaptation, Daniel F. Whitcomb.

HOUSE OF YOUTH. Released by Producers Distributing Corp. 1924. 7 reels. From the novel by Maude Radford Warren.

Credits: Producer and director, Ralph Ince; adaptation, C. Gardner Sullivan.

THE HOUSE ON 56th STREET. 1933. 7 reels, sd.

Credits: Director, Robert Florey; story, Joseph Santley; screenplay, Austin Parker, Sheridan Gibney.

THE HOUSE ON THE HILL. 1914. 2 reels.

Credits: Director, Tefft Johnson.

THE HOUSE THAT DINKY BUILT. Bray. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

THE HOUSE THAT JACK BUILT. 1916. 2 reels.

THE HOUSE THAT JACK BUILT. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1939. 619 ft., sd., color.

Credits: Producer, Charles Mintz; director, Sid Marcus; animation, Art Davis, Herb Rothwill; music, Joe De Nat.

THE HOUSE THAT JAZZ BUILT. 1921. 6 reels. From the story "Sweetie Peach" by Sophie Kerr.

Credits: Director, Tenley Stanlaws; scenario, Douglas Bronston.

THE HOUSE THAT WENT CRAZY. 1914. 1,000 ft.

Credits: Producer, Harry E. Jackson.

THE HOUSE WHERE I WAS BORN. (A Song Hit Story) Educational Films Corp. of America. Presented by E. W. Hammons. 1934. 1,017 ft., sd.

Credits: Director, William Watson; story, Bert Granet.

THE HOUSE WITH THE DRAWN SHADES. Rex. 1915. 2 reels.

Credits: Dwight Cleveland; producer, Ben Wilson.

THE HOUSE WITH THE GOLDEN WINDOWS. Released by Paramount Pictures Corp. 1916. 5 reels. Adapted from the story by L. V. Jefferson.

Credits: Adaptation, Charles Server.

THE HOUSE WITHOUT A KEY. 1926. 2 reels each, except no. 1 which is 3 reels. From the novel by Earl Derr Biggers. © Pathe Exchange, Inc.

Credits: Director, Spencer Bennet; screen adaptation, Frank Leon Smith.

THE HOUSE WITHOUT A KEY. SEE Charlie Chan's Greatest Case.

Credits: Directed and produced by T. Walter Weiseman.

HOUSECLEANING. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario, Doty Hobart.

HOUSEHOLD BLUES. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Jules White.

THE HOUSEKEEPER'S DAUGHTER. Presented by Hal Roach. Released by United Artists. 1939. 8 reels., sd. Based on the novel by Donald Henderson Clarke.

Credits: Director, Hal Roach; screenplay, Rian James, Gordon Douglas; editor, William Ziegler; music direction and score, Lud Gluskin.

HOUSEWIFE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, Alfred E. Green; story, Robert Lord, Lillie Hayward; screenplay, Manuel Seff, Lillie Hayward.

HOUSEWIFE HERMAN. (A Terry-Toon) Presented by Paul Terry. 1938. 1 reel, sd., color.

Credits: Director, Ed. Donnelly; music, Philip A. Scheib.

THE HOUSING PROBLEM. 1926. 1 reel.

HOW A HORSESHOE UPSET A HAPPY FAMILY. 1912. 475 ft.

Credits: Louise Sydmeth.

HOW ADVERTISING HELPS THE SALESMAN. 1927. 1 reel.

HOW AM I DOING. (An Educational Marriage Wow) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; director, Leslie Pearce; story, Bert Granet, Forbes Dawson.

HOW BAXTER BUTTED IN. 1925. 7 reels.

Credits: Owen Davis; director, William Beaudine; screen adaptation, Julien Josephson.

Credits: Producer, William Duncan.

HOW BILLY GOT HIS RAISE. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

HOW BOBBIE CALLED HER BLUFF. 1914. 1 reel.

Credits: Sumner Williams; director, Charles M. Seay.

HOW BURKE AND BURKE MADE GOOD. 1913. 1 reel.

Credits: Director, Harry Lambart.

HOW CALLAHAN CLEANED UP LITTLE HELL. 1915. 3 reels.

Credits: Director, Thomas Santschi.

HOW CANADA AND THE FARMER CO-OPERATE IN GRAIN RAISING. 1917. 1 reel.

HOW CHARLIE CAPTURED THE KAISER. 1918. 1 reel.

Credits: Pat Sullivan.

HOW CISSY MADE GOOD. 1915. 3 reels.

Credits: Director, George Baker.

Credits: Producer, Eugene Logan.

HOW COMEDIES ARE BORN. 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings, Walter Weems; film editor, Tom Persons.

Credits: Director, Frederick Thompson; story, Izola Forrester; scenario, Agnes C. Johnston.

HOW COULD YOU JEAN? 1918. 5 reels.

Credits: Director, William Desmond Taylor; story, Eleanor Hoyt Brainerd; adaptation, Frances Marion.

HOW DID IT FINISH? 1913. 1 reel.

Credits: Alice Williams.

HOW DO I KNOW IT'S SUNDAY? (Merrie Melodies) 1934. 1 reel, sd.

Credits: Animation, Frank Tipper, Don Williams.

HOW DO YOU FEEL? Nestor. 1916. 1 reel.

Credits: Director, Louis William Chaudet; story, Robert T. Cowan; scenario, Walter N. Newman.

HOW DO YOU GET YOUR EXERCISE? (Sport Pictorial, no. 18) Town and Country Films. 1921. 1 reel.

Credits: Editor, Grantland Rice.

HOW EARLY SAVED THE FARM. Rex. 1915. Split reel.

HOW ELMER MADE GOOD. 1936. For Seagram. 1 reel, sd.

HOW GOD CAME TO SONNY BOY. 1914. 1 reel.

Credits: Director, Burton King.

HOW HEROES ARE MADE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

HOW HIGH IS UP. 1927. 2 reels.

Credits: Director, Albert Herman.

THE HOYDEN. 1915. 1 reel.

Credits: Director, Dave Smith.

Credits: Producer, Lem B. Parker.

HOW INVENTORY SHORTAGES DEVELOP. Contents.—Merchandising Staple Vegetables. Supporting Advertising at the Counter. Holiday Merchandise and How To Sell More of It. Giving Yourself a Square Deal. How To Get Business by Telephone. 1931. 1 reel.

HOW JOHN CAME BACK. 1915. 1 reel.

Credits: Director, Sidney Drew.

Credits: Produced and photographed by George E. Stone, in collaboration with J. A. Long.

HOW LIFE BEGINS. 1916. 1 reel.

Credits: J. A. Long.

HOW LONE WOLF DIED. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

Credits: Producer, Lawrence McGill.

HOW NATURE PROTECTS ANIMALS. 1931. 1 reel.

HOW SERVICE SERVES THE SALESMAN. 1936. Filmstrip, sd.

HOW SLIPPERY SLIM SAW THE SHOW. 1915. 1 reel.

HOW STARS ARE MADE. 1916. 2 reels.

HOW TEETH GROW. 1930. 1 reel.

HOW THE BEAR GOT HIS SHORT TAIL, 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

HOW THE EARTH WAS CARPETED. 1914. 1 reel.

Credits: Ethel Browning; director, Ashley Miller.

HOW THE ELEPHANT GOT HIS TRUNK. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

HOW THE ELEPHANT GOT HIS TRUNK. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

HOW THE FIRES OF THE BODY ARE FED. 1924. 1 reel.

HOW THE GIRAFFE GOT HIS LONG NECK. 1926. 1 reel.

HOW THE TELEPHONE TALKS. 1924. 1 reel.

HOW THEY GOT THE VOTE. 1912. 1 reel.

Credits: Ashley Miller.

HOW THEY OUTWITTED FATHER. 1913. 1 reel.

Credits: Milton Goldsmith.

HOW THINGS GROW. 1936. 1 reel.

HOW TIMES DO CHANGE. Nestor. 1916. 1 reel.

Credits: Scenario and production, Al. E. Christie; story, Aaron E. Bishop.

HOW TO BE A DETECTIVE. (Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist.

HOW TO BE HAPPY THOUGH MARRIED. Victor. 1916. 1 reel.

Credits: Harvey Gates; director, Fred A. Kelsey.

HOW TO BEHAVE. (A Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Arthur Ripley; music, Dave Snell.

HOW TO BREAK 90 AT CROQUET. 1935. 2 reels, sd.

Credits: Robert Benchley; producer, Lee Marcus; director, Leigh Jason; film editor, John Lockert.

HOW TO BUILD A PROFITABLE ROUTE. Caravel Films, Inc. 1932. 1 reel, sd.

HOW TO BUILD COMMUNITY PRESTIGE. SEE Credits and Collections.

HOW TO DANCE THE SHAG. Presented by E. W. Hammons. 1937. 751 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

HOW TO DO IT AND WHY; or, CUTEY AT COLLEGE. 1914. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

HOW TO EAT. (Robert Benchley Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Roy Rowland; film editor, Adrienne Fazan.

HOW TO EDUCATE A WIFE. 1924. 6 reels.

Credits: Director, Monta Bell; story, Elinor Glyn; adaptation, Grant Carpenter; scenario, Douglas Z. Doty.

HOW TO FIGURE INCOME TAX. Presented by Metro-Goldwyn-Mayer. 1938. 699 ft., sd., b&w.

Credits: Director, Felix E. Feist.

HOW TO FLY. 1932. 1 reel.

Credits: Director, Arthur A. Brooks; dialogue, Roger King.

HOW TO GET BUSINESS BY TELEPHONE. SEE How Inventory Shortages Develop.

HOW TO GET INTERVIEWS. (Educational Film Service, v. 11) 1930. 1 reel.

HOW TO GET MORE TRUCK PROFITS IN 1930. 1930. 1 reel.

HOW TO HANDLE WOMEN. Presented by Carl Laemmle. Jewel. 1928. 6 reels.

Credits: Director, William James Craft.

HOW TO LIVE LONG AND WELL. 1926. Produced in collaboration with William F. King, M. D., Secretary, Indiana State Board of Health, Bureau of Education, Indiana State Medical Assn. 1,000 ft.

HOW TO MAKE COLLECTIONS. 1937. Filmstrip, sd.

HOW TO RAISE A BABY. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

HOW TO READ. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

HOW TO REMEMBER NAMES AND FACES. 1938. 1 reel, sd., b&w.

HOW TO SELL MORE CREAM, BUTTER, COTTAGE CHEESE. 1937. 1 reel, sd.

HOW TO SKI. Treasure Chest. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 970 ft., sd.

Credits: Story and narration, Ed Thorgersen.

HOW TO SLEEP. 1935. 1 reel, sd., b&w.

Credits: Director, Nick Grinde.

HOW TO START SELLING. (Educational Film Service, v. 16) 1930. 1 reel.

HOW TO START THE DAY. 1937. 1 reel, sd., b&w.

Credits: Director, Roy Rowland; original story, Robert Lees, Fred Rinaldo.

HOW TO SUB-LET. (Robert Benchley Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

HOW TO TRAIN A DOG. (An MGM Miniature) 1936. 1 reel, sd.

Credits: Director, Arthur Ripley.

HOW TO UNDRESS. 1937. 2 reels.

Credits: Director, Dwain Esper; story and screen adaptation, Hildagarde Stadie; narrator, Albert Van Antwerp.

HOW TO VOTE. (A Miniature) 1936. 1 reel, sd.

Credits: Director, Felix E. Feist.

HOW TO WASH FINE FABRICS. Presented by the makers of Lux. 1930. Filmstrip, 60 frames.

HOW TO WATCH FOOTBALL. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

HOW WE HEAR. 1924. 1 reel.

HOW WEARY WENT WOOING. 1915. 1 reel. From the story by B. M. Bower [pseud. of Bertha (Muzzy) Sinclair].

Credits: Producer, Tom Mix.

HOW WOMEN LOVE. 1922. 6 reels. From the novel "The Dangerous Inheritance" by Izola Forrester.

Credits: Director, Kenneth Webb; adaptation, Dorothy Farnum.

HOWARD BROTHERS IN BETWEEN THE ACTS AT THE OPERA. 1927. 1 reel, sd.

HOWARD'S MONARCHS OF THE AMERICAN FOREST. 1915. 1/2 reel.

Credits: Producer, Arthur J. Levy.

HOW'D YA LIKE THAT? 1934. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Glen Lambert.

HOWDY DUKE. (Educational-Lupino Lane Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

HOWDY FOLKS. SEE Thunder Mountain.

HOWDY MATE. (Lloyd Hamilton Comedy) (Red Star Comedy) 1931. 19 min.

Credits: Director, Harry Edwards; story, Johnnie Grey, Sidney Levee, Mitchell Rhein.

HOWDY STRANGER. SEE Cowboy from Brooklyn.

Credits: Producer, William Duncan.

HOWLING HOLLYWOOD. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, James Jones.

HOWLING LIONS AND CIRCUS QUEENS. 1919. 2 reels.

Credits: Director, Vin Moore.

A HOWLING SUCCESS. Century. 1923. 2 reels.

Credits: Written and directed by Harry Edwards.

HOW'S CROPS. (Aesop's Fables) (Cubby Bear, no. 6) 1934. 1 reel.

Credits: Director, George Stallings; animation, Steve Muffati.

HOW'S MY BABY? (Educational-Mermaid Talking Comedies) 1930. 19 min., sd.

Credits: Director, Stephen Roberts.

HOW'S TRICKS. 1933. 1 reel, sd.

Credits: Director, Roy Mack.

HOW'S YOUR EYESIGHT. 1924. 1 reel.

HOW'S YOUR HUSBAND? (Lyons-Moran Star Comedy) 1918. 1 reel.

Credits: Director, Lyons-Moran; story, J. Grubb Alexander; scenario, C. B. Hoadley.

HOW'S YOUR STOCK. 1928. 1 reel, sd.

HOW'VE YOU BEAN? 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

HUBBY PUTS ONE OVER. 1916. 1 reel.

Credits: Director, Clay M. Greene.

HUBBY PUTS ONE OVER. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

HUBBY'S LATEST ALIBI. (Tired Business Man Series, no. 3) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Phil Whitman, Jefferson Moffitt; film editor, William Hornbeck.

HUBBY'S WEEK END TRIP. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; scenario, Ewart Adamson, Vernon Smith; editor, William Hornbeck.

HUCK AND TOM; or, THE FURTHER ADVENTURES OF TOM SAWYER. 1918. 5 reels.

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

HUCKLEBERRY FINN. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 7 reels. From the story by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

HUCKLEBERRY FINN. 1931. 8 reels, sd. From the story by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, Norman Taurog; screenplay, Grover Jones, William Slavens McNutt.

HUDDLE. 1932. 11 reels, sd., b&w. Based upon the story by Francis Wallace.

Credits: Producer, Sam Wood; adaptation, Robert Lee Johnson, Arthur S. Hyman; dialogue continuity, Walton Hall Smith, C. Gardner Sullivan; film editor, Hugh Wynn.

THE HUDSON AND ITS MOODS. 1931. 1 reel.

Credits: Director, Howard Bretherton; story, Walter Glen Springer.

HUDSON GETS THE VOTE. Presented by Hudson Motor Car Co. 1937. Filmstrip, 58 frames, sd.

HUDSON METZGER GIRLS. Trailer. 1936. 1 reel, sd.

THE HUGE, BLACK, ONE-EYED MAN. SEE Love in a Hurry.

HUGH HERBERT & CO. IN THE LEMON. 1928. 1 reel, sd.

Credits: Director, Bryan Foy.

HUGHEY OF THE CIRCUS. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

HUGHEY, THE PROCESS SERVER. 1916. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

HUGON, THE MIGHTY. 1918. 5 reels.

Credits: Director, Rollin S. Sturgeon; story, William E. Wing.

HUGS AND HUBBUB. 1917. 1 reel.

Credits: Written and directed by Graham Baker.

LA HUITIEME FEMME DE BARBE BLEUE. SEE Bluebeard's Eighth Wife.

HULA. 1927. 6 reels. From the novel by Armine von Tempski.

Credits: Director, Victor Fleming; screenplay and continuity, Ethel Doherty; adaptation, Doris Anderson.

HULA HEAVEN. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Herbert Moulton; editor, Phil Pemberton; musical arrangements, Lloyd Hart, Stephen Pasternacki.

HULA HULA. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1926. 1 reel.

HULA HULA HUGHIE. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, J. D. Davis.

HULA HULAS AND HOCUS POCUS. 1918. 1 reel.

Credits: Story and direction, Walter Hall.

HULA MOON. (Musical Moods) 1934. 1 reel, sd.

HULDA OF HOLLAND. 1913. 1 reel.

Credits: Charles Menges.

HULDA, THE SILENT. Bison. 1916. 2 reels.

Credits: Story and production, Otis Turner; scenario, F. McGrew Willis.

THE HUMAN ADVENTURE. The Oriental Institute of the University of Chicago In cooperation with Erpi Consultants, Inc. 1934. 8 reels, sd.

Credits: Story and narration, Charles Breasted; scientific supervision, James Henry Breasted.

THE HUMAN BOMB. (Your True Adventures) 1938. 1 reel, sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

THE HUMAN CACTUS. Laemmle. 1916. 2 reels.

Credits: Producer, Rupert Julian; story, Elsie Jane Wilson; scenario, E. J. Clauson.

HUMAN CARGO. 1936. 6,000 ft., sd. Based on the novel "I Will Be Faithful" by Kathleen Shepard [pseud.]

Credits: Director, Allan Dwan; screenplay, Jefferson Parker, Doris Malloy; music director, Samuel Kaylin.

HUMAN CARGOES. SEE The Heart of New York.

THE HUMAN CAULDRON. 1916. Made in cooperation with the New York Police Dept. 3 reels.

Credits: Director, Harry Lambart.

HUMAN COLLATERAL. 1920. 5 reels.

Credits: Director, Lawrence C. Windom; story, Frederic Van Rensselaer Dey; scenario, Sam Taylor.

THE HUMAN DESIRE. 1920. 6 reels. From the novel by Violet Irwin.

Credits: Director, Wilfrid North.

Credits: Director, Emile Chautard.

THE HUMAN FISH. (Mack Sennett Comedy) 1933. 2 reels.

Credits: Director, Clyde Bruckman.

THE HUMAN FLAME. Special Laemmle. 1917. 1 reel.

THE HUMAN GAMBLE. Rex. 1916. 2 reels.

Credits: Calder Johnstone; producer, Lloyd B. Carleton.

A HUMAN HOUND'S TRIUMPH. 1915.

Credits: Producer, Mack Sennett.

THE HUMAN INVESTMENT. 1915. 1,000 ft.

THE HUMAN MENACE. Gold Seal. 1915. 2 reels.

Credits: Producer, Gilfred Lucas; scenario, Bess Meredyth.

THE HUMAN MUSIC BOX. SEE Lipton and Terrell in The Human Music Box.

Credits: Editor, Winifred Dunn.

THE HUMAN PENDULUM. Bison. 1916. 3 reels.

Credits: Production and story, Henry McRae; scenario, Frank Wiltermood.

THE HUMAN SIDE. 1934. 7 reels. From the play by Christine Ames [pseud. of Margaret Morrison Smith].

Credits: Director, Edward Buzzell; screenplay, Ernest Pascal, Edward Buzzell.

HUMAN STUFF. 1920. 5 reels.

Credits: Director, Reaves Eason; story, Tarkington Baker; scenario, Reaves Eason, Harry Carey.

THE HUMAN TARGET. 1918. 3 reels.

Credits: Director, Jack Wells; scenario, Jeanette H. Benedict.

HUMAN TARGETS. 1932. 6 reels, sd.

Credits: Director, J. P. McGowan; story and continuity, George Morgan.

THE HUMAN TIGER. 1918. 2 reels.

THE HUMAN TORNADO. Presented by Ben Wilson. Released by F. B. O. 1925. 5 reels.

Credits: Director, Ben Wilson; story and continuity, Cliffe Hill.

HUMAN WRECKAGE. 1923. 8 reels.

Credits: Director, John Griffith Wray; story, C. Gardner Sullivan.

HUMANETTES. 1930-31. From the original creation of Burt Levy.

Credits: Producer, Frank L. Newman; staged and directed by Leigh Jason; story, Al Boasberg, Harold Tarshis, Charles Saxton, Buddy Mason; dialogue, Harold Tarshis, Charles Saxton; film editors, Archie F. Marshek, Ted Cheesman, Harry B. Schilling.

HUMANITY. 1933. 6,400 ft. sd. From the story "The Road to Heaven" by Harry Fried.

Credits: Director, John Francis Dillon; screenplay, Bradley King; editor, Frank Hull.

THE HUMBUG. SEE The Love Captive.

HUMBUGS AND HUSBANDS. 1918. 2 reels.

Credits: Story and direction, Lawrence Semon.

THE HUMDINGER. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

THE HUMMING BIRD. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 8 reels. From the play by Maude Fulton.

Credits: Producer and director, Sidney Olcott; adaptation, Forrest Halsey.

HUMORESQUE. Cosmopolitan. Paramount Artcraft. 1920. 6 reels. From the story by Fannie Hurst.

Credits: Director, Frank Borzage; scenario, Frances Marion.

HUMOROUS FLIGHTS. 1929. 1 reel, sd.

Credits: Director, Fred Fleck.

THE HUN WITHIN. Paramount-Artcraft. 1918. 5 reels.

Credits: Director, Chet Withey.

THE HUNCH. 1921. For S-L (Arthur Sawyer and Herbert Lubin) Pictures. 5 reels. From the Popular Magazine story by Percival Wilde.

Credits: Producer and director, George D. Baker.

THE HUNCH. SEE Knockout Reilly.

THE HUNCHBACK OF NOTRE DAME. Super Jewel. Presented by Carl Laemmle. 1923. 12 reels. From the story by Victor Hugo.

Credits: Director, Wallace Worsley; adaptation, Perley Poore Sheehan.

THE HUNCHBACK OF NOTRE DAME. SEE The Darling of Paris.

A HUNCHBACK'S ROMANCE. Imp. 1915. 2 reels. An adaptation of "An Interruption" by Bruno Lessing [pseud. of Rudolph Edgar Block].

Credits: Producer, Sidney M. Goldin.

THE HUNCHBACK'S ROMANCE. Special Laemmle. 1916. 1 reel.

THE HUNDREDTH CHANCE. 1920. 5 reels. From the novel by Ethel M. Dell.

Credits: Director, Maurice Elvey; scenario, Sinclair Hill.

HUNGARIAN GOULASH. 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

THE HUNGARIAN NABOB. 1915. 4 reels.

THE HUNGARIAN REVOLUTION. 1919. 1 reel.

HUNGARIAN RHAPSODY. Ufa. 1929. 7 reels, si., 6,609 ft., sd.

Credits: Producer, Erich Pommer; director, Hanns Schwarz; story, Hans Szekely; scenario, Fred Majo, Hans Szekely; adaptation, Julian Johnson.

HUNGARIAN RHAPSODY. United Artists. 1930. 1 reel, sd.

Credits: Producers, Hugo Riesenfeld, William Cameron Menzies; director, Eugene Forde.

HUNGARY. 1934. 1 reel.

HUNGER KNOWS NO LAW. 1914. 1 reel.

Credits: Story, William C. Beale; screenplay, William E. Wing.

HUNGER PAINS. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Ewart Adamson, Leslie Goodwins; film editor, Edward Mann.

A HUNGER STROKE. (Krazy Kat Cartoon) 1928. 1 reel. From the cartoons of George Herriman.

Credits: Ben Harrison, Manny Gould.

HUNGRY EYES. 1918. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

HUNGRY HAPPY'S DREAM. Big U. 1916. 1 reel.

Credits: Story and production, Guy Hedlund; scenario, Frank M. Wiltermood.

Credits: Director, Emile Chautard; scenario, Frances Marion.

THE HUNGRY HEART. 1917. 5 reels. Based on the novel by David Graham Phillips.

Credits: Director, Robert G. Vignola; scenario, Charles Maigne.

HUNGRY HEARTS. 1922. 7 reels. From the book by Anzia Yezierska.

Credits: Director, E. Mason Hopper.

HUNGRY HOBOES. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

HUNGRY LIONS AND TENDER HEARTS. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Roy Del Ruth, Mal St. Clair.

HUNGRY LIONS IN A HOSPITAL. (Sunshine Comedies) 1918. 2 reels.

Credits: Supervision, production, story and scenario, Henry Lehrman; director, Jack White.

HUNKY AND SPUNKY. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Graham Place.

HUNS AND HYPHENS. 1918. 2 reels.

Credits: Story and direction, Lawrence Semon.

THE HUNT. 1915. 2 reels.

Credits: Directors, Ford Sterling, Charles Parrott.

THE HUNT. 1924. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, George E. Marshall; scenario, Robert P. Kerr.

HUNT THE TIGER. Presented by Radio Pictures. 1929. 2 reels, sd.

Credits: Supervision, Dick Currier; director, J. Leo Meehan; editor, Arthur F. Ellis.

THE HUNT, WITH VERNON RICKARD AND THE FROLICKER'S QUARTET. 1927. 1 reel.

THE HUNTED MAN. Imp. 1917. 1 reel.

Credits: Harvey Gates; director, John McDermott.

HUNTED MEN. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on a play by Albert Duffy and Marian Grant.

Credits: Producer, Harold Hurley; director, Louis King; screenplay, Horace McCoy, William R. Lipman; film editor, Anne Bauchens.

THE HUNTED WOMAN. 1916. 5 reels.

Credits: Director, S. Rankin Drew.

THE HUNTED WOMAN. 1925. 5 reels, b&w, tinted sequences. Based on the novel by James Oliver Curwood.

Credits: Director, John Conway; adaptation and scenario, Robert N. Lee, Dorothy Yost.

THE HUNTER. (An Oswald Comedy) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz, Bill Nolan.

HUNTER'S PARADISE. (News World of Sports) 1935. Sd., 873 ft.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

Credits: Directors, Leo D. Maloney, Bob Williamson; editor, Fred Bain.

HUNTING A HUSBAND. 1915. 1 reel.

Credits: Director, Ulysses Davis.

HUNTING BIG GAME. SEE Lampoons.

HUNTING BIG GAME IN AFRICA WITH GUN AND CAMERA. 1923. 9 reels.

Credits: Producer, Carl Stearns Clancy.

THE HUNTING SEASON. (Rainbow Parade Series, no. 11) Released by RKO Radio. 1935. 8 min.

Credits: Directors, Burt Gillett, Tom Palmer.

HUNTING THE HUNTER. (Jack White Talking Comedies) 1929. 17 min., sd.

Credits: Supervision. Jack White; director, Stephen Roberts.

HUNTING THE WIFFLEPUFF. 1927. 1 reel.

HUNTING THRILLS. (Sportlight) The Van Beuren Corp. 1931. 1 reel.

HUNTING THRILLS. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

HUNTING TROUBLE. (A Warren Doane Comedy) 1933. 2 reels.

Credits: Director, James W. Horne; story, George Stevens, James W. Horne.

HUNTING TROUBLE. 1938. 16 min., sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story, Charles E. Roberts, George Jeske; film editor, Les Millbrook.

HUNTING WHALES IN JAPAN. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

HUNTING WILD GAME IN THE SOUTH PACIFIC ISLANDS. SEE The Capture of a Sea Elephant.

HUNTINGTOWER. Presented by Welsh-Pearson & Co., Ltd. 1928. 5,812 ft. From the novel by John Buchan.

Credits: Director, George Pearson; screenplay, Charles E. Whittaker; editor, T. Hayes Hunter.

THE HUNTRESS. 1923. 6 reels. Based on the story by Hulbert Footner.

Credits: Director, Lynn F. Reynolds; adaptation, Percy Heath.

A HUNTRESS OF MEN. Red Feather. 1916. 5 reels. Adapted from a story by G. Vera Tuler.

Credits: Producer, Lucius Henderson; adaptation, Catherine Carr.

THE HUNTSMAN. 1920. 2 reels.

Credits: Director, J. G. Blystone.

THE HUNTSMAN. 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

HURDY GURDY. (Hal Roach All Star Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

HURDY GURDY. (Walter Lantz Cartoon) 1930. 1 reel, sd.

HURDY GURDY MAN. SEE Love, Live, and Laugh.

HURLEY, PUTNAM, AND SNELL. 1927. 1 reel, sd.

HURLING. (A Pete Smith Specialty) 1936. 1 reel, sd., b&w.

Credits; Director, David Miller.

HURRAY FOR HOOLIGAN. Presented by E. W. Hammons. 1937. 1,558 ft., sd.

Credits: Director, William Watson; story, Parke Levy.

HURRAY FOR RHYTHM. Presented by E. W. Hammons. 1935. 995 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Art Jarrett.

THE HURRICANE. (Blue Ribbon Comedies, no. 8) 1926. 2 reels.

Credits: Director, Marcel Perez.

HURRICANE. 1929. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Ralph Ince; story, Norman Springer, Evelyn Campbell; continuity, Enid Hibbard; dialogue, Norman Houston.

THE HURRICANE. Presented by Samuel Goldwyn. Released through United Artists. 1938. 12 reels, sd. From the novel by Charles Nordhoff and James Norman Hall.

Credits: Producer, Samuel Goldwyn; director, John Ford; screenplay, Dudley Nichols; adaptation, Oliver H. P. Garrett; film editor, Lloyd Nosler; music director, Alfred Newman.

HURRICANE ISLAND. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel.

THE HURRICANE KID. Gibson. 1924. 6 reels.

Credits: Director, Edward Sedgwick; story. Will Lambert; adaptation, Raymond L. Schrock; scenario, E. R. Schayer.

HURRICANE'S GAL. Presented by Allen Holubar. 1922. 8 reels.

Credits: Adapted and directed by Allen Holubar.

A HURRY CALL. 1932. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Mark Sandrich; film editor, Sam White.

A HURRY UP MARRIAGE. Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story, George H. Plympton.

HURST AND VOGT IN BEFORE THE BAR. 1929. 1 reel.

HUSBAND AND STRIFE. (A Cruelywed Comedy) 1922. 2 reels.

Credits: Director, S. M. Herzig.

Credits: Supervision, William A. Brady; director, Barry O'Neill; scenario, Gardner Hunting.

HUSBAND HUNTER. 1918. 2 reels.

Credits: Director, George Marshall; story, W.A. Lathrop; scenario, Karl R. Coolidge.

THE HUSBAND HUNTER. 1920. 5 reels. From the Saturday Evening Post story "Myra Meets His Family" by F. Scott Fitzgerald.

Credits: Director, Howard M. Mitchell; scenario, Joseph Franklin Poland; editor, Ralph Spence.

HUSBAND HUNTERS. 1927. 6 reels.

Credits: Director, John G. Adolfi; story, Douglas Bronston; continuity, Esther Shulkin; film editor, Harold M. Young.

HUSBANDS AND LOVERS. First National. 1924. 8 reels.

Credits: Producer and director, John M. Stahl; original story, Frances Irene Reels; adaptation, A. P. Younger.

HUSBANDS AND WIVES. 1920. 6 reels.

Credits: Director, Joseph Levering.

A HUSBAND'S BRUTALITY. SEE A Victim of Monte Carlo.

HUSBANDS FOR RENT. 1927. 7 reels.

Credits: Director, Henry Lehrman; story, Edwin Justus Mayer; adaptation, C. Graham Baker.

HUSBAND'S HOLIDAY. 1931. 7 reels, sd. Adapted from the play and novel "The Marriage Bed" by Ernest Pascal.

Credits: Director, Robert Milton; screenplay, Ernest Pascal, Viola Brothers Shore.

HUSBAND'S HOLIDAY. 1935. 2 reels.

Credits: Director, Ralph Staub; story, Joe Traub.

HUSBANDS MUST PLAY. (Tuxedo Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Jules White.

HUSBANDS OF EDITH. SEE The Fast Worker.

HUSBANDS PREFERRED. SEE The Truthful Sex.

HUSBANDS' REUNION. 1933. 2 reels, sd.

Credits: Director, George Marshall.

HUSBANDS WANTED. 1924. 2 reels.

Credits: Director, Archie Mayo.

HUSBANDS WON'T TELL. (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

HUSH. 1920. 6 reels.

Credits: Director, Harry Garson.

HUSH MONEY. 1921. 5 reels.

Credits: Director, Charles Maigne; story, Samuel Merwin.

HUSH MONEY. 1931. 6,100 ft., sd.

Credits: Associate producer, A. L. Rockett; director, Sidney Lanfield; story, Sidney Lanfield, Philip Klein, Courtenay Terrett; dialogue, Dudley Nichols; editor, Irene Morra.

HUSHING THE SCANDAL. 1915. 1 reel.

Credits: Producer, Mack Sennett.

HUSK. SEE We're Only Human.

HUSKS. 1916. 3 reels.

Credits: Director, William Humphrey.

HUSKS OF LOVE. Gold Seal. 1916, 3 reels.

Credits: Directed and written by William V. Mong.

HUSTLE AND HARMONY. 1917. 1 reel.

Credits: Written and directed by Henry Kernan.

THE HUT. SEE Nina Tarasova in The Hut.

THE HUT IN SYCAMORE GAP. 1915. 1 reel.

Credits: Director, Burton L. King.

Credits: Scenario, J. F. Natteford.

HY MAYER'S SKITS 'N' SKETCHES. 1936. 1 reel.

HYDRO-MANIACS. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

HYENA'S LAUGH. (Unnatural History Cartoon) Bray Studios. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

HYGEIA AT THE SOLITO. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith.

HYPNO-AND TRANCE-SUBJECTS. 1915. 1 reel.

Credits: Earl Edwards.

HYPNOTIC EYES. (Paul Terry-Toons) Educational Pictures. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

THE HYPNOTIST. (Out of the Inkwell) 1922. 1 reel.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

THE HYPNOTIST. SEE London after Midnight.

HYPNOTIZED. 1925. 2 reels. Formerly entitled "Oh! What a Night!"

Credits: Written and directed by Harry Sweet.

HYPNOTIZED. 1932. 7 reels.

Credits: Supervision and direction, Mack Sennett; screenplay, Mack Sennett, Arthur Ripley; adaptation and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

HYPNOTIZING FOR LOVE. (The Great Hokum Mystery) (A Johnnie Walker Novelty) Atlas Sound Studios, Educational Film Exchanges, Inc. Presented by E. W. Hammons. 1932. 1,420 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

THE HYP-NUT-TIST. (A Popeye Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

THE HYPOCHONDRIAC. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

HYPOCRISY. 1916. For Fox Film Corp. 6 reels.

Credits: Director, Keenan Buel; scenario, Hugh C. Weir.

Credits: Written and produced by Lois Weber.

Credits: Adapted and produced by George Loane Tucker.

HYSTERICAL HISTORY OF BENJAMIN FRANKLIN. (Hysterical History Comedies) 1924. 1 reel.

Credits: Director, Bryan Foy.

THE HYSTERICAL HISTORY OF RIP VAN WINKLE. (Hysterical History Comedies) (Mirthquakes) 1924. 1 reel.

Credits: Director, Bryan Foy.

I ACCUSE. Released by United Artists Corp. 1922. 8 reels.

Credits: Written and directed by Abel Gance.

I AIN'T GOT NOBODY. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Bonfiglio.

I AM A CRIMINAL. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, William Nigh; original story, Harrison Jacobs; screenplay, John W. Krafft; film editor, Russell Schoengarth; music director, Abe Meyer.

I AM A FUGITIVE FROM A CHAIN GANG. 1932. 10 reels. From the story "I Am a Fugitive from a Georgia Chain Gang" by Robert E. Burns.

Credits: Director, Mervyn Le Roy; screenplay, Howard J. Green, Brown Holmes.

I AM A FUGITIVE FROM A GEORGIA CHAIN GANG. SEE I Am a Fugitive from a Chain Gang.

I AM A POLYGAMIST. SEE Polygamy.

I AM A THIEF. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Robert Florey; story and screenplay, Ralph Block, Doris Malloy; dialogue director, Frank McDonald.

I AM GUILTY. Associated Producers, Inc. 1921. 7 reels.

Credits: Produced and supervised by J. Parker Read, Jr.; director, Jack Nelson; scenario, Bradley King; continuity, Charles J. Stumar.

I AM SUZANNE. 1933. 8,959 ft., sd.

Credits: Director, Rowland V. Lee; story and screenplay, Rowland V. Lee, Edwin Justus Mayer; music director, Louis de Francesco; editor, Harold Schuster.

I AM THE LAW. 1922. 7 reels. From the story "Poetic Justice of Uko San" by James Oliver Curwood.

Credits: Director, Edwin Carewe; scenario, Raymond L. Schrock.

I AM THE LAW. Presented by C. C. Burr. 1923. 6,500 ft. Adapted from the work "The Poetic Justice of Uko San" [by James Oliver Curwood].

Credits: Producer and director, Edwin Carewe; story and scenario, Raymond L. Schrock.

I AM THE LAW. 1938. 9 reels, sd. Based on the Liberty Magazine serial by Fred Allhoff.

Credits: Producer, Everett Riskin; director, Alexander Hall; screenplay, Jo Swerling; film editor, Viola Lawrence; music director, Morris Stoloff.

Credits: Story and direction, Ivan Abramson.

I AM THE MAN. 1925. 7 reels.

Credits: Written and directed by Ivan Abramson.

I AM THE WAY. SEE A Reproduction of the Famous Oil Painting "I Am The Way".

Credits: Production and adaptation, George L. Tucker.

I BELIEVED IN YOU. 1934. 6,172 ft., sd.

Credits: William Anthony McGuire; director, Irving Cummings; screenplay, William Conselman; music director, Samuel Kaylin.

I CAME FIRST. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

I CAN EXPLAIN. 1922. 5 reels.

Credits: Producer and director, George D. Baker; adaptation, Edgar Franklin.

I CONQUER THE SEA! 1936. 7 reels, sd.

Credits: Director, Victor Halperin; story adaptation, Richard Carroll; dialogue, Rollo Lloyd, Howard Higgin.

I COVER THE WAR. 1937. 7 reels, sd.

Credits: Associate producer, Paul Malvern; director, Arthur Lubin; original story, Barnard McConville; screenplay, George Waggner; film editor, Charles Craft.

I COVER THE WATERFRONT. 1933. 8 reels. Based on the book by Max Miller.

Credits: Producer, Edward Small; director, James Cruze; screenplay, Wells Root; additional dialogue, Jack Jevne; film editor, Grant Whytock.

I DIDN'T RAISE MY BOY TO BE A SOLDIER. SEE I'm Glad My Boy Grew Up To Be a Soldier.

I DON'T REMEMBER. 1935. 888 ft., sd.

Credits: Story, screenplay, and direction, Preston Black.

I DON'T WANT TO KNOW WHO YOU ARE. SEE Ich Will Nicht Wissen Wer Du Bist.

I DON'T WANT TO MAKE HISTORY. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Dave Hoffman.

I DREAM TOO MUCH. 1935. 11 reels, sd.

Credits; Producer, Pandro S. Berman; director, John Cromwell; story, Elsie Finn, David G. Wittels; screenplay, Edmund North, James Gow; editor, William Morgan; music, Jerome Kern; lyrics, Dorothy Fields; music director, Max Steiner; orchestra conducted by Andre Kostelanetz.

I EATS MY SPINACH. (A Popeye Cartoon) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

I FEEL LIKE A FEATHER IN THE BREEZE. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson and Harold Walker.

I FOUND STELLA PARISH. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Mervyn LeRoy; story, John Monk Saunders; screenplay, Casey Robinson.

I GIVE MY HEART. 1936. 7 reels, sd. From the operetta "The DuBarry" by Paul Knepler and J. M. Welleminsky.

Credits: Director, Marcel Varnel; adaptation and scenario, Frank Launder, Roger Burford, Kurt Siodmak; film editor, E. B. Jarvis; music, C. Millocker; lyrics, Desmond Carter; music arrangements, Theo Mackeben; music director, Harry Acres.

I GIVE MY LOVE. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, B. F. Zeldman; director, Karl Freund; story, Vicki Baum; screenplay and dialogue, Doris Anderson; adaptation, Milton Krims; film editor, Edward Curtiss.

I HATE WAR. 1937. 3 reels, sd.

Credits: Written and narrated by Tom Terriss; editor, Milton Schwarz.

I HATE WOMEN. 1934. 6,450 ft.

Credits: Director, Aubrey H. Scotto; story and screenplay, Mary E. McCarthy.

I HAVE LIVED. Presented by George R. Batcheller. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Louis E. Heifetz; screenplay and dialogue, Winifred Dunn.

I HAVEN'T GOT A HAT. (Merrie Melodies) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Jack King; music, Bernard Brown.

I HEARD. SEE Betty Boop in I Heard.

I, JERRY, TAKE THEE JOAN. SEE Merrily We Go to Hell.

I KNOW EVERYBODY AND EVERYBODY'S RACKET. Rowland-Brice. 1933. 2 reels, sd.

Credits: Director, Monte Brice; story, Mark Hellinger.

I LIKE BABIES AND INFINKS. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Graham Place.

I LIKE IT THAT WAY. 1934. 7 reels.

Credits: Director, Harry Lachman; story, Harry Sauber; screenplay, Chandler Sprague, Joseph Santley.

I LIKE MOUNTAIN MUSIC. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

I LIKE MOUNTAIN MUSIC. (Merrie Melodies, no. 10) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Larry Martin; music score, Frank Marsales.

I LIKE YOUR NERVE. 1931. 7 reels, sd.

Credits: Roland Pertwee; director, William McGann; adaptation, Huston Branch; dialogue, Roland Pertwee.

I LIVE FOR LOVE. Warner Bros. Productions Corp. Presented by Warner Bros. Pictures and The Vitaphone Corp. 1935. 8 reels, sd.

Credits: Director, Busby Berkeley; story and screenplay, Jerry Wald, Julius J. Epstein, Robert Andrews; music and lyrics, Allie Wrubel, Mort Dixon.

I LIVE MY LIFE. 1935. 10 reels, sd., b&w. Based upon a short story by A. Carter Goodloe.

Credits: Producer, Bernard H. Hyman; director, W. S. Van Dyke; screenplay, Joseph L. Mankiewicz; story, Gottfried Reinhardt, Ethel Borden; film editor, Tom Held; music, Dimitri Tiomkin.

I LOST MY HEART IN HEIDELBERG. SEE The Student's Romance.

I LOVE A LASSIE. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough. 1931. 1 reel, sd.

I LOVE AN ACTRESS. SEE The Great Flirtation.

I LOVE THAT MAN. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; story, Gene Towne, Graham Baker; screenplay, Gene Towne, Graham Baker, Casey Robinson.

I LOVE TO SINGA. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Virgil Ross; music, Norman Spencer.

I LOVE YOU. Triangle Film Corp. 1923. 6 reels. Re-edited and re-titled.

I LOVE YOU. SEE Lovin' the Ladies.

I LOVE YOU MADLY. SEE Te Quiero con Locura.

I LOVED A WOMAN. Presented by First National, Inc. and The Vitaphone Corp. 1933. 80 mins., sd. Based on novel by David Karsner.

Credits: Director, Alfred E. Green; screenplay, Charles Kenyon, Sidney Sutherland; film editor, Bert Levy.

I LOVED YOU WEDNESDAY. 1933. 6,900 ft., sd. From the comedy of the same name which is a revised version of "It Couldn't Happen Twice" by Molly Ricardel and William Du Bois.

Credits: Directors, Henry King, William Cameron Menzies; screenplay, Philip Klein, Horace Jackson; editor, Frank Hull.

I MARRIED A DOCTOR. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 9 reels, sd. From the novel "Main Street" by Sinclair Lewis.

Credits: Director, Archie Mayo; dramatization, Harriet Ford, Harvey O'Higgins; screenplay, Casey Robinson.

I MARRIED A SPY. 1938. 6 reels, sd. From the novel "Secret Lives" by Paul de Sainte-Colombe.

Credits: Producer, Hugh Perceval; director, Edmond Greville; screenplay, Basil Mason, Hugh Perceval, Edmond Greville.

I MET HIM IN PARIS. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Wesley Ruggles; story, Helen Meinardi; screenplay, Claude Binyon; editor, Otho Lovering; music director, Boris Morros.

I MET MY LOVE AGAIN. Released thru United Artists. 1938. 8 reels, sd. Based upon the novel "Summer Lightning" by Allene Corliss.

Credits: Directors, Arthur Ripley, Joshua Logan; screenplay, David Hertz; film editors, Otho Lovering, Edward Mann; music director, Rox Rommell.

I-O-U MY HEART. Trailer. 1936. 1 reel, sd.

I ONLY HAVE EYES FOR YOU. (Merrie Melodies) 1937. 8 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Virgil Ross; music, Carl W. Stalling.

I PROMISE TO PAY. 1937. 7 reels, sd.

Credits: Director, D. Ross Lederman; original screenplay, Mary C. McCall, Jr., Lionel Houser; film editor, James Sweeney; music director, Morris Stoloff.

I QUIT! Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

I SCREAM. 1934. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Eddie Moran.

I SELL ANYTHING. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Robert Florey; story, Albert J. Cohen, Robert T. Shannon; screenplay, Brown Holmes, Sidney Sutherland.

I STAND ACCUSED. 1938. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original screenplay, Gordon Kahn; additional dialogue, Alex Gottlieb; film editor, Ernest Nims; music director, Cy Feuer.

I STAND CONDEMNED. Released thru United Artists. 1936. 8 reels, sd. Based on "Moscow Nights" by Pierre Benoit.

Credits: Producer, Alexis Granowsky; director, Anthony Asquith; scenario, Eric Siepmann; film editor, Francis D. Lyon.

I STOLE A MILLION. 1939. 10 reels, sd.

Credits: Associate producer, Burt Kelly; director, Frank Tuttle; original story, Lester Cole; screenplay, Nathanael West; film editor, Edward Curtis.

I SURRENDER, DEAR. (Educational Comedies) 1931. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

I SURRENDER, DEAR. Presented By E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earl Rodney, Harry McCoy; film editor, William Hornbeck.

I TAKE THIS WOMAN. 1931. 8 reels. From the novel "Lost Ecstasy" by Mary Roberts Rinehart.

Credits: Director, Marion Gering; adaptation, Vincent Lawrence.

I THANK YOU. SEE Eddie White in I Thank You.

I WANNA BE A LIFE GUARD. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

I WANNA PLAY HOUSE. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Cal Dalton, Sandy Walker.

I WANT MY MAN. 1925. 7 reels. From the novel "The Interpreter's House" by Struthers Burt.

Credits: Director, Lambert Hillyer; adapted and supervised. Earl Hudson; scenario, Joseph Poland, Earle Snell.

Credits: Producer, Charles E. Bartlett.

I WANT TO BE AN ACTRESS. (A Scrappy Cartoon) 1937. 628 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

I WANT TO FORGET. 1918. 5 reels.

Credits: Scenario and direction, James Kirkwood; story, Harry O. Hoyt, Hamilton Smith.

I WANTED RED WINGS. SEE Baby Rabbit in I Wanted Red Wings.

I WAS A CONVICT. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Aubrey Scotto; original story, Robert D. Andrews; screenplay, Ben Markson, Robert D. Andrews; film editor, Gene Milford; music director, Cy Feuer.

I WAS A SPY. Gaumont British Picture Corp. 1933. 7,750 ft., sd.

Credits: Director, Victor Saville; story, Marthe McKenna; scenario and dialogue, W. P. Lipscomb; additional dialogue, J. H. Beith.

I WILL BE FAITHFUL. SEE Human Cargo.

I WILL REPAY. 1916. 3 reels.

I WILL REPAY. 1917. 5 reels. Based on the story "A Municipal Report" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, William P. Searle; adaptation, William Addison Lathrop.

I WISH I HAD WINGS. (Merrie Melodies, no. 2) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawings, Rollin Hamilton, Paul Smith; music score, Frank Marsales.

I WISHED ON THE MOON. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

I WONDER WHO'S KISSING HER NOW. 1931. 1 reel.

Credits: Max E. Fleischer; director, Dave Fleischer.

I YAM LOVE SICK. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

I YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

IBANEZ' TORRENT. Cosmopolitan. 1926. 6,769 ft. From the novel by Vicente Blasco Ibanez.

Credits: Director, Monta Bell; adaptation, Dorothy Farnum; film editor, Frank Sullivan.

ICE ANTICS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1939. 841 ft., sd., tinted.

Credits: Director, David Miller; music score, David Snell.

ICE BOX PIRATES. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, Scott Darling.

ICE BOXED. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould.

ICE COLD. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

ICE CUT-UPS. (News World of Sports) 1936. 1 reel.

Credits: Narration, Jack Kofoed; described by Ford Bond.

THE ICE FLOOD. Jewel. 1926. 6 reels.

Credits: Director, George B. Seitz; story, Johnston McCully; scenario, George B. Seitz, Gladys Lehman.

THE ICE FOLLIES OF 1939. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w, color sequences.

Credits: producer, Harry Rapf; director, Reinhold Schunzel; story, Leonard Praskins; screenplay, Leonard Praskins, Florence Ryerson, Edgar Allan Woolf; film editor, W. Donn Hayes; music directors, Franz Waxman, Georgie Stoll.

ICE FROLIC. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Cyrus D. Wood, Eddie Forman.

ICE. THE FOOD DISTRIBUTOR. 1937. For Ice Refrigeration Bureau. Filmstrip. 55 frames, sd.

ICEBOUND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,471 ft. From the play by Owen Davis.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

ICELAND—LAND OF THE VIKINGS. (Fitzpatrick-M. G. M. Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. Fitzpatrick; music Nathaniel Shilkret; photographer, Frank Goodliffe.

THE ICELESS ARCTIC. (Camera Adventures) 1932. 1 reel, sd.

Credits: Producers, Pat Dowling, Hobart Brownell; narrative, Tom J. Geraghty.

THE ICE MAN. SEE Charles Rogers in The Ice Man.

THE ICEMAN'S BALL. 1932. 2 reels.

Credits: Director, Mark Sandrich; story, Ben Holmes, Tom Lennon; adaptation and dialogue, Bobby Clark, Mark Sandrich.

ICE MAN'S LUCK. (Oswald Snappy) 1929. 1 reel.

Credits: R. C. Hamilton.

THE ICE MEN. (Bill Corum, no. 6) 1937. 1 reel, sd.

ICH WILL NICHT WISSEN WER DU BIST (I DON'T WANT TO KNOW WHO YOU ARE). 1933. 10 reels, sd.

Credits: Director, Geza von Bolvary; story, Ernest Marischka, Gustav Holm; English titles, Michael L. Simmons; music, Robert Stolz.

ICY EYES. SEE Felix the Cat in Icy Eyes.

I'D CLIMB THE HIGHEST MOUNTAIN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

I'D GIVE MY LIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the play "The Noose" by H. H. Van Loan and Willard Mack.

Credits: Producer, Richard A. Rowland; director, Edwin L. Marin; screenplay, George O'Neil; additional dialogue, Ben Ryan; music and lyrics, Con Conrad, Herb Magidson; music director, Boris Morros.

I'D LOVE TO TAKE ORDERS FROM YOU. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Cecil Surry; music, Norman Spencer.

I'D RATHER BE YOUR WIFE THAN YOUR WIDOW. Presented by Goodrich. 1938. 1 reel, sd.

IDA, QUEEN OF THE AIR. SEE The Circus Queen.

Credits: Story, Theodore Burrell; adaptation, Frank Leon Smith.

IDAHO RED. 1929. 6 reels.

Credits: Director, Robert DeLacy; story and continuity, Frank Howard Clark.

THE IDEA MAN. 1923. 1 reel.

Credits: Director, William Watson.

THE IDEAL LOVE. 1921. 5 reels. Title changed from "Dad's Girl."

IDENTIFIED. (Your True Adventures) 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Cyrus D. Wood.

IDIOT'S DELIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels, sd., b&w. Based on the play by Robert E. Sherwood as produced by The Theatre Guild, Inc.

Credits: Producer, Hunt Stromberg; director, Clarence Brown; screenplay, Robert E. Sherwood; film editor, Robert J. Kern; music score, Herbert Stothart.

IDLE CHATTER. SEE Kramer and Boyle in Idle Chatter. Lou Holtz in Idle Chatter.

THE IDLE CLASS. 1921. 2 reels.

Credits: Written and directed by Charles Chaplin.

IDLE HANDS. SEE The Millionaire.

THE IDLE RICH. 1915. 1,000 ft.

Credits: Henry Beldon; director, Charles Ranson.

THE IDLE RICH. L-Ko. 1915. 2 reels.

THE IDLE RICH. 1922. 5 reels. Adapted from the story "Junk" by Kennett Harris.

Credits: Producer and director, Maxwell Karger; scenario, June Mathis.

THE IDLE RICH. 1929. 9 reels. From the play "White Collars" by Edith Ellis, which was based on the novelette by Edgar Franklin [pseud. of E. F. Stearns].

Credits: Director, William De Mille; film editor, Conrad A. Nervig.

AN IDLE ROOMER. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

AN IDLE ROOMER. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

IDLE ROOMERS. (Cameo Comedies) 1931. 9 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

IDLE TONGUES. First National. 1924. 6 reels. From the novel "Dr. Nye" by Joseph C. Lincoln.

Credits: Supervision, Thomas H. Ince; director, Lambert Hillyer; adaptation, C. Gardner Sullivan.

IDLE WIVES. Universal Special. 1916. 7 reels. From the novel by James Oppenheim.

Credits: Producers, the Smalleys; directed and adapted by Lois Weber, Phillips Smalley; scenario, Lois Weber.

IDLE WORKERS. (A Mirthquake Comedy) 1921. 2 reels.

Credits: Producer, Norman Manning.

THE IDLER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

THE IDLER. 1914. 5 reels. Adapted from the play by C. Haddon Chambers.

THE IDOL DANCER. 1920. 7 reels.

Credits: Story, Gordon Ray Young; scenario, S. E. Z. Taylor.

THE IDOL OF FATE. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Will M. Hough.

THE IDOL OF SEVILLE. Released by Educational Film Exchanges, Inc. 1932. 21 min., sd. Suggested by the opera "Carmen."

Credits: Supervision, Antoine De Vally; director, Howard Higgin.

IDOL OF THE CROWDS. 1937. 6 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original story, George Waggner; screenplay, George Waggner, Harold Buckley; film editor, Charles Craft.

THE IDOL OF THE NORTH. 1921. 6 reels.

Credits: Director, R. William Neill; story, Jack Clark Miller; scenario, Frank S. Beresford.

Credits: Director, Webster Cullison.

IDOLS. SEE The Oath.

IDOLS OF CLAY. Gold Seal. 1915. 3 reels.

Credits: Scenario and production, Robert Leonard.

IDOLS OF CLAY. 1920. 6 reels.

Credits: Story, Onida Bergere.

THE IDYL OF RED GULCH. SEE The Man from Red Gulch.

AN IDYLL OF THE HILLS. Rex. 1915. 2 reels.

IF AT FIRST YOU DON'T SUCCEED. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

IF I HAD A MILLION. 1932. 9 reels, sd. Based on the novel "Windfall" by Robert D. Andrews.

Credits: Directors, Ernst Lubitsch, Norman Taurog [and others]; screenplay, Claude Binyon [and others].

IF I MARRY AGAIN. 1924. 8 reels.

Credits: Director, John Francis Dillon; story, Gilbert Frankau.

IF I WERE FREE. 1933. 7 reels, sd. From the play "Behold We Live" by John Druten.

Credits: Associate producer, Kenneth MacGowan; director, Elliott Nugent; screenplay, Dwight Taylor; film editor, Arthur Roberts; music director, Max Steiner.

IF I WERE KING. 1920. 8 reels. From the story and play by Justin Huntly McCarthy.

Credits: Director, J. Gordon Edwards; scenario, E. Lloyd Sheldon.

IF I WERE KING. Presented by Adolph Zukor. 1938. 11 reels, sd. From the play by Justin Huntly McCarthy.

Credits: Producer and director, Frank Lloyd; screenplay, Preston Sturges; film editor, Hugh Bennett.

IF I WERE KING. SEE The Vagabond King.

IF I WERE QUEEN. Presented by P. A. Powers. Released by Film Booking Offices of America, Inc. 1922. 6 reels. From the story "The Three Cornered Kingdom" by Vernet Rabell.

Credits: Director, Wesley Ruggles; scenario, Carol Warren.

IF I WERE SINGLE. 1927. 7 reels.

Credits: Director, Roy Del Ruth; story and scenario, Robert Lord.

IF I WERE YOUNG AGAIN. 1914. 2,000 ft.

Credits: Producer, F. J. Grandon.

IF I'M ELECTED. 1932. 1 reel.

Credits: Director, Alf Goulding; story, A. Dorian Otvos, Jack Henley.

IF IT HAD ONLY BEEN TRUE. SEE Bingle's Nightmare.

IF MARRIAGE FAILS. Released by F. B. O. 1925. 7 reels.

Credits: Director, John Ince; story and scenario, C. Gardner Sullivan.

IF MEN PLAYED CARDS AS WOMEN DO. 1929. 1 reel.

Credits: Story, George S. Kaufman.

IF MY COUNTRY SHOULD CALL. Red Feather. 1916. 5 reels. Suggested by a story by Virginia Terhune Van de Water.

Credits: Director, Joseph De Grasse; scenario, Ida May Park.

IF ONLY JIM. 1921. 5 reels.

Credits: Director, Jacques Jaccard; story, Philip V. Mighels; scenario, George C. Hull.

IF THE GODS LAUGH. SEE Fighting Love.

IF THIS ISN'T LOVE. 1934. 2 reels, sd.

Credits; Producer, Lee Marcus; director, Leigh Jason; story, Leigh Jason, John Clymer; additional dialogue, John Twist; film editor, John Lockert; music director, Roy Webb.

IF WINTER COMES. 1923. 12 reels, b&w, tinted sequences. From the novel by A. S. M. Hutchinson.

Credits: Director, Harry Millarde; scenario, Paul Sloane.

IF WOMEN ONLY KNEW. 1921. 6 reels. Based on "Meditations on Marriage" by Balzac.

Credits: Director, E. H. Griffith; adaptation, Gardner Hunting.

IF YOU BELIEVE IT, IT'S SO. 1922. 7 reels.

Credits: Director, Tom Forman; adaptation, Waldemar Young; story, Perley Poore Sheehan.

IF YOU COULD ONLY COOK. 1935. 7 reels, sd.

Credits: Director, William A. Seiter; story, F. Hugh Herbert; screenplay, Gertrude Purcell, Howard J. Green; film editor, Gene Havlick.

IGLOO. 1932. 6 reels.

Credits: Director, Ewing Scott; narrative by Edward T. Lowe, Wilfred Lucas; narrator, Gayne Whitman.

IGNATZ'S ICY INJURY. 1916. 2 reels.

IHRE HOHEIT BEFIEHLT (HER HIGHNESS COMMANDS) 1931. 92 min., sd.

Credits: Supervision, Max Pfeiffer; director, Hanns Schwarz; scenario, Paul Frank, Billie Wilder; music, Werner R. Heymann.

I'LL BE GLAD WHEN YOU'RE DEAD YOU RASCAL YOU. 1932. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ralph Somerville.

I'LL BE SUING YOU. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd.

Credits: Director, Gus Meins; film editor, Louis McManus.

I'LL FIX IT. Nestor. 1918. 1 reel.

I'LL FIX IT. 1934. 7 reels, sd.

Credits: Director, Roy William Neill; story, Leonard Spigelgass; screenplay, Ethel Hill, Dorothy Howell.

I'LL GET HER YET. Imp. 1916. 2 reels.

Credits: Written and produced by Roy Clements.

I'LL GET HIM YET. Paramount. Presented by New Art Film Co. 1919. 5 reels.

Credits: Director, Elmer Clifton; story, Harry Carr.

I'LL GIVE A MILLION. 1938. 6,700 ft., sd.

Credits: Director, Walter Lang; story, Cesare Zavattini, Gaici Mondaini; screenplay, Milton Sperling, Boris Ingster; music director, Louis Silvers.

I'LL LOVE YOU ALWAYS. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Lawrence Hazard; screenplay, Vera Caspary; film editor, Richard Cahoon.

I'LL NAME THE MURDERER. 1936. 7 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story and screenplay, Philip Dunham; special dialogue, Edwin K. O'Brien; editor, Charles Henkle; music and lyrics, Gene Johnston, C. Ward Dudley; music director, Gene Johnston.

I'LL SAY SO. 1918. 5 reels.

Credits: Director, Raoul A. Walsh; scenario and editing, Ralph H. Spence.

I'LL SHOW YOU THE TOWN. Jewel. 1925. 8 reels. From the novel by Elmer Davis.

Credits: Director, Harry A. Pollard; scenario, Raymond L. Schrock.

I'LL TAKE ROMANCE. 1937. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Edward H. Griffith; story, Stephen Morehouse Avery; screenplay, George Oppenheimer, Jane Murfin; film editors, Otto Meyer, William Lyon; music director, Morris Stoloff.

I'LL TAKE THAT ONE. (Checker Comedies) 1930. 2 reels, sd.

Credits: Producer, Gordon Bostock; director, Monty Banks; film editor, A. Knott.

I'LL TAKE VANILLA. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Eddie Dunn; film editor, William Terhune.

I'LL TELL THE WORLD. 1934. 9 reels.

Credits: Director, Edward Sedgwick; story, Lincoln Quarberg, Frank Wead; screenplay, Dale Van Every, Ralph Spence.

AN ILL WIND. 1930. 2 reels.

ILLEGAL. 1932. 72 min., sd.

Credits: Director, William McGann; story, Irving Asher; screenplay and dialogue, Roland Pertwee.

ILLEGAL TRAFFIC. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Director, Louis King; original story and screenplay, Robert Yost, Lewis Foster, Stuart Anthony.

ILLICIT. Warner Bros, and Vitaphone. 1931. 8 reels, sd. Based on the play by Edith Fitzgerald and Robert Riskin.

Credits: Director, Archie Mayo; screen adaptation, Harvey Thew.

ILLUMINATION. 1931. 997 ft.

ILLUSION. 1929. Si. & sd. From the novel by Arthur Train.

Credits: Director, Lothar Mendes; titles, Richard H. Digges, Jr.; adaptation, E. Lloyd Sheldon.

ILLUSIONS. SEE Fred Keating in Illusions.

THE ILLUSTRIOUS CORPSE. SEE Strangers of the Evening.

I'M A BIG SHOT NOW. (Merrie Melody) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Jack Carr, Riley Thomson; music, Bernard Brown.

I'M A FATHER. 1935. 2 reels.

Credits: Director, James W. Horne; story and screenplay, Preston Black; film editor, James Sweeney.

I'M A FUGITIVE FROM A CHAIN STORE. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Edmund Joseph.

I'M A WILD WOMAN. 1930. 1 reel, sd.

Credits: Director, Jack Partington.

I'M AFRAID THAT'S ALL. SEE Red Corcoran—I'm Afraid That's All.

I'M AFRAID TO COME HOME IN THE DARK. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; arranged by Max Fleischer.

I'M CURED. 1924. 2 reels.

Credits: Director, Eugene De Rue.

I'M FOREVER BLOWING BUBBLES. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer.

I'M FROM MISSOURI. 1939. 9 reels, sd. Based on stories by Homer Croy and Julian Street.

Credits: Producer, Paul Jones; director, Theodore Reed; screenplay, John C. Moffitt, Duke Atteberry; film editor, Archie Marshek.

I'M FROM THE CITY. 1938. 66 min., sd.

Credits: Producer, William Sistrom; direction and original story, Ben Holmes; screenplay, Nicholas T. Barrows, Robert St. Clair, John Grey; editor, Ted Cheesman; music director, Roy Webb.

IM GEHEIMDIENST (SECRET SERVICE). 1931. 11 reels.

Credits: Director, Gustav Ucicky; scenario, Walter Reisch.

I'M GLAD MY BOY GREW UP TO BE A SOLDIER. 1915. 4 reels. A version of the song "I Didn't Raise My Boy To Be a Soldier".

Credits: Director, Frank Beal; scenario, Gilson Willets.

I'M JUST A JITTERBUG. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Merle Gilson, Hicks Lokey.

I'M MUCH OBLIGED. (Broadway Brevity) 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

I'M NO ANGEL. 1933. 9 reels.

Credits: Director, Wesley Ruggles; story, screenplay, and dialogue, Mae West; continuity, Harlan Thompson.

I'M TELLING YOU. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; dialogue staged by Max E. Hayes.

I'M YOUR HUSBAND. Nestor. 1916. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

IMA VAMP, FAIRYLAND, and MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. SEE Frank Orth and Ann Codee in Imagine My Embarrassment.

IMITATION OF LIFE. Presented by Carl Laemmle. 1934. 12 reels, sd. From the novel by Fannie Hurst.

Credits: Producer, Carl Laemmle, Jr.; director, John M. Stahl; screenplay, William Hurlbut; film editor, Phil Cohn.

THE IMMIGRANT. 1917. 2 reels.

THE IMMORTAL BRUSH. 1938. 9 min., sd., color.

Credits: Commentator, Dwight West.

Credits: Written and directed by Ivan Abramson.

THE IMMORTAL VOICE. 1923. 1 reel.

Credits: Director, J. A. Norling.

THE IMMOVABLE GUEST. (Paramount-Flagg Comedy) 1919. 2 reels. Based on the comedy by James Montgomery Flagg.

THE IMP. 1919. 5 reels.

Credits: Director, Robert Ellis; story, Elsie Janis, Edmund Goulding.

IMPACT. (How to Break 90, no. 5) Presented by Warner Bros. Pictures and the Vitaphone Corp. 1933. 1 reel.

Credits: Director, George E. Marshall; story, Andrew Bennison.

THE IMPATIENT MAIDEN. 1932. 9 reels. From the novel by Donald Henderson Clarke.

Credits: Director, James Whale; screenplay, Richard Schayer, Winifred Dunn.

AN IMPERFECT IMPOSTER. SEE Irish Luck.

THE IMPERFECT LOVER. Century. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

IMPERIAL DELHI. (A FitzPatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1938. 779 ft., sd., color.

Credits: Music, Jack Shilkret; photographer, Hone M. Glending.

THE IMPERIAL RUSSIAN COSSACKS WITH CAPTAIN N. F. SANIN. 1928. 1 reel.

THE IMPERSONATION OF TOM. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Corneilius Shea.

THE IMPERSONATOR. 1914. 3 reels. Adapted from the novel by Mary Imlay Taylor.

IMPORTANT NEWS. (A Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Edwin Lawrence.

Credits: Director, John B. O'Brien.

THE IMPOSSIBLE MRS. BELLEW. 1922. 7 reels. From the novel by David Lisle [pseud.]

Credits: Director, Sam Wood; adaptation, Percy Heath, Monte M. Katterjohn.

THE IMPOSTER. 1913. 3 reels.

THE IMPOSTER. SEE A Daughter of Luxury.

THE IMPOSTOR. Released by Mutual Film Corp. 1918. 5 reels.

Credits: Director, Dell Henderson; scenario, Anthony P. Kelly.

THE IMPOSTOR. Released by F. B. O. 1926. 6 reels.

Credits: Director, Chet Withey; story, Clifford Howard; screenplay, Ewart Adamson.

THE IMPRACTICAL JOKER. (Betty Boop Cartoon) 1937. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

IMPRESSIONS. SEE Albert Carroll in Impressions.

IMPRESSIONS OF TSCHAIKOWSKY'S OVERTURE 1812. 1929. 1 reel.

IMPROPAGANDA. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Saul Harrison; story, James Montgomery Flagg.

IMPULSE. 1922. 5 reels. Adapted from the story "Her Unknown Knight" by Maude Woodruff Newell.

IMPULSES. SEE A Sporting Chance.

IN A BLACKSMITH SHOP. 1927. 1 reel, sd.

Credits: Director, Bryan Foy.

IN A CAGE WITH POLAR BEARS. Powers. 1916. 1/2 reel.

IN A CLOCK STORE. (Silly Symphony, no. 22) 1931. 1 reel.

IN A GLASS DARKLY. SEE Vampire.

IN A JACKPOT. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

IN A JAPANESE TEA GARDEN. 1913. 1 reel.

IN A LOOKING GLASS. Black Cat. 1916. 33 min.

Credits: Charles Michelson; director, L. C. Windom.

IN A MERMAID LAIR. 1920. 1 reel.

IN A MOMENT OF TEMPTATION. 1927. 6 reels.

Credits: Director, Philip Carle; original story, Laura Jean Libbey.

IN A MONASTERY CELLAR. 1927. 1 reel.

Credits: Director, Bryan Foy.

IN A MONASTERY GARDEN. (Musical Moods) 1934. 1 reel, sd., color.

Credits: Music, Albert W. Ketelbey; director of orchestra, Rosario Bourdon.

IN A MUSIC SHOPPE. 1928. 2 reels.

Credits: Written and directed by James A. Fitzpatrick.

IN A PIG'S EYE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnnie Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film editor, Edward Mann.

IN A PROHIBITION TOWN. 1914. 1 reel.

Credits: J. Edward Hungerford.

IN AGAIN. Century. 1921. 2 reels.

Credits: Story and direction, Tom Buckingham.

IN AGAIN—OUT AGAIN. 1917. 5 reels.

Credits: Producer, John Emerson; story, Anita Loos.

IN AGAIN, OUT AGAIN. Nestor. 1917. 1 reel.

IN AGAIN, OUT AGAIN. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

IN AGAIN, OUT AGAIN. 1930. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

IN AN ARABIAN NIGHT CLUB. 1929. 1 reel.

Credits: Story, Sam Jacobson.

IN AND AROUND KEY WEST, FLORIDA. 1918. Split reel.

IN AND OUT. 1929. 2 reels, sd. From the Wildcat stories by Hugh Wiley.

Credits: Production and adaptation, Monte Brice; director, Nat Nazarro.

IN AND OUT LAWS. SEE Felix the Cat in In and Out Laws.

IN ARCADIA. 1916. 1 reel.

Credits: Director, Courtlandt Van Deusen.

IN BAD. 1924. 2 reels.

Credits: Director, Billy West.

IN BAD ALL AROUND. 1919. 2 reels.

Credits: Director, Billy Watson.

IN BARCELONA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BATIK LAND. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BED—IN BAD. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

IN BORROWED PLUMES. 1926. 6 reels. From the Smart Set story by Leroy Scott.

Credits: Director, Victor Hugo Halperin.

IN BRIDAL ATTIRE. 1914. 1 reel.

Credits: Director, Lee Beggs.

IN CALIENTE. First National. 1935. 9 reels, sd.

Credits: Director, Lloyd Bacon; story and adaptation, Ralph Block, Warren Duff; screenplay, Jerry Wald, Julius Epstein; film editor, Jimmy Gibbons; music and lyrics, Harry Warren, Al Dubin; music director, Leo F. Forbstein.

IN CHRISTMAS CANYON. SEE Across the Burning Trestle.

IN CONFERENCE. (Educational's Comedies) (Mack Sennett Comedies) 1931. 21 min., sd.

Credits: Director, Eddie Cline.

IN DEEP. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Charles Lamont.

IN DEFIANCE OF THE LAW. 1914. 3 reels. Adapted from the novel "Isobel" by James Oliver Curwood.

Credits: Producer, Colin Campbell.

IN DREAMY JUNGLE TOWN. Rex. 1916. 1 reel.

IN DUTCH. 1918. 2 reels.

Credits: Director, J. G. Blystone.

IN DUTCH. (Aesop's Fable) 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

IN EARLY ARIZONA. 1938. 5 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell.

IN EVERY WOMAN'S LIFE. 1924. 7 reels. From the novel "Belonging" by Olive Wadsley.

Credits: Director, Irving Cummings; screenplay, Albert Shelby LeVino.

IN FAR MANDALAY. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN FAST COMPANY. 1924. 6 reels.

Credits: Director, James W. Horne; story, Alfred A. Kohn; scenario, Garrett Elsden Fort.

IN FINISTERE. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

IN FOLLY'S TRAIL. 1920. 5 reels.

Credits: Director, Rollin Sturgeon; story, Katherine Leiser Robbins; scenario, Doris Schroeder.

IN FOR LIFE. Bluebird. 1927. 1 reel.

Credits: Director, Jay Belasco.

IN FOR THIRTY DAYS. 1919. 5 reels.

Credits: Director, Webster Cullison; story, Luther A. Reed; scenario, George D. Baker, Tom J. Geraghty.

IN GAY MADRID. 1930. 9 reels, sd., b&w. From the novel "La Casa de la Troya" by Alejandro Perez Lugin.

Credits: Producer, Robert Z. Leonard; dialogue continuity, Bess Meredyth, Salisbury Field, Edwin Justus Mayer; film editor, William S. Gray; music, Fred E. Ahlert, Xavier Cugat, Herbert Stothart.

Credits: Producer, E. A. Martin.

IN HER MOTHER'S FOOTSTEPS. 1915. 2,000 ft.

IN HIS BROTHER'S PLACE. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Harry L. Franklin; story, Hale Hamilton; scenario, A. S. LeVino.

IN HIS CUPS. (Fable, no. 421) 1929. 1 reel.

Credits: Paul Terry.

IN HIS FATHER'S FOOTSTEPS. Demonstrating the Danger of Insanitary Farm Conditions. 1915. Produced under the auspices of the New York State Department of Health.

Credits: Director, Eugene Rowland.

IN HIS MIND'S EYE. Big U. 1915. 1 reel.

Credits: Producer, Charles Giblyn; scenario, Bess Meredyth.

IN HIS OWN TRAP. Rex. 1916. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

IN HIS STEPS. (Presented by Edward L. Alperson) 1936. 8 reels, sd. Suggested by the story by Charles M. Sheldon.

Credits: Producer, B. F. Zeidman; director, Karl Brown; screenplay, Karl Brown, Hinton Smith; film editors, Edward Schroeder, Duncan Mansfield; music supervision, Abe Meyer.

IN HIS STEPS. SEE The Martyrdom of Philip Strong. Sins of the Children.

IN HOCK. 1923. 1 reel.

IN HOLLAND. 1929. 5 reels, b&w.

Credits: Director, Norman Taurog; story and scenario, Paul Gerald Smith.

IN HOLLYWOOD WITH POTASH AND PERLMUTTER. First National. 1924. 7 reels. From the Broadway stage success "Business Before Pleasure" by Montague Glass and Jules Eckert Goodman.

Credits: Director, Al Green; adaptation, Frances Marion.

IN HONOR'S WEB. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Perry N. Vekroff; scenario, Sam Taylor.

IN HOT WEATHER. 1922. 1 reel.

IN JAVA SEA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN JUDGEMENT OF. 1918. 5 reels.

Credits: Director, Will S. Davis; story and scenario, George D. Baker.

IN JUNGLE WILDS. 1916. 1 reel.

Credits: Director, L. W. Chaudet.

IN LEOPARD LAND. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, J. Edward Hungerford.

IN LIEU OF DAMAGES. 1914. 1 reel.

Credits: Hapsburg Liebe; director, Richard R. Ridgely.

IN LINE OF DUTY. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

IN LOVE AT 40. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Arthur Ripley; story, Joe Cunningham; film editor, Edward Mann.

IN LOVE WITH A FIREMAN. Joker. 1916. 1 reel.

Credits: Walter H. Newman; producer, William W. Beaudine.

IN LOVE WITH LIFE. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

IN LOVE WITH LOVE. 1924. 6 reels.

Credits: Director, Rowland V. Lee; story, Vincent Lawrence; adaptation and scenario, Robert N. Lee.

IN LOVE'S LABORATORY. 1917. 1 reel.

Credits: Story, Edward H. Griffith.

IN LOVE'S OWN WAY. 1915. 3 reels.

Credits: Producer, John E. Ince.

IN MIZZOURA. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels. Based on the story by Augustus Thomas.

Credits: Director, Hugh Ford; scenario, Beulah Marie Dix.

IN MONKEYLAND. Powers. 1917. 1/2 reel.

IN MOROCCO. (A Columbia Tour) 1939. 1 reel, sd.

Credits: Producer, André de la Varre; narrator, Milton Cross.

IN MY GONDOLA. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

IN NACHT UND EIS. SEE Shipwrecked In Icebergs.

IN NAME ONLY. 1939. 94 min., sd. From the novel "Memory of Love" by Bessie Breuer.

Credits: Pandro S. Berman in charge of production; producer, George Haight; director, John Cromwell; screenplay, Richard Sherman; editor, William Hamilton; music, Roy Webb.

IN NEW MADRID. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

IN NORTH CHINA; AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

IN OLD ARIZONA. 1929. 7 reels, sd., b&w.

Credits: Directors, Raoul Walsh, Irving Cummings; scenario, adaptation and dialogue, Tom Barry.

IN OLD CALIENTE. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original screenplay, Norman Houston, Gerald Geraghty; film editor, Edward Mann; music director, Cy Feuer.

IN OLD CALIFORNY. SEE Faro Nell.

IN OLD CHEYENNE. Presented by George W. Weeks. 1931. 62 min., sd.

Credits: Supervision, Webb-Douglas; director, Stuart Payton; story, Bennet Cohn; continuity and dialogue, Betty Burbridge.

IN OLD CHICAGO. 1938. 10,002 ft., sd. Based on the story "We the O'Learys" by Niven Busch.

Credits: Director, Henry King; screenplay, Lamar Trotti, Sonya Levien; music director, Louis Silvers.

IN OLD ENGLAND. 1917. 1 reel.

IN OLD GRANADA. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN OLD GUATEMALA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN OLD KENTUCKY. 1920. 7 reels. From the play by Charles T. Dazey.

Credits: Directors, Marshall Neilan and staff; scenario, Thomas J. Geraghty.

IN OLD KENTUCKY. 1927. 7 reels, sd., b&w. Suggested by the play by Charles Dazey.

Credits: Producer and director, John M. Stahl; screenplay, A. P. Younger; adaptation, A. P. Younger, Lew Lipton; titles, Marion Ainslee, Ruth Cummings; film editors, Basil Wrangell, Margaret Booth.

IN OLD KENTUCKY. 1927. 7 reels. Suggested by the play by Charles Dazey.

Credits: Produced and directed by John M. Stahl; screenplay, A. P. Younger; adaptation, A. P. Younger, Lew Lipton; film editors, Basil Wrangell, Margaret Booth.

IN OLD KENTUCKY. Presented by Fox Film Corp. 1935. 7,649 ft., sd. From the play by Charles T. Dazey.

Credits: Producer, Edward Butcher; director, George Marshall; screenplay, Sam Hellman, Gladys Lehman; additional dialogue, Henry Johnson; music director, Arthur Lange.

IN OLD MAZUMA. 1931. 2 reels.

Credits: Director, Nat Ross; continuity and dialogue, Hampton Del Ruth.

IN OLD MEXICO. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Edward D. Venturini; screenplay, Harrison Jacobs; film editor, Robert Warwick.

IN OLD MONTEREY. 1939. 8 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Joseph Kane; original story, Gerald Geraghty, George Sherman; screenplay, Gerald Geraghty, Dorrell McGowan, Stuart McGowan; film editor, Edward Mann; music supervision, Raoul Kraushaar.

IN OLD SANTA FE. Presented by Nat Levine. 1934. 7 reels, sd.

Credits: Supervision, Victor Zobel; director, David Howard; story, Wallace MacDonald, John Rathmell; screenplay, Colbert Clark, James Gruen; film editor, Thomas Scott.

IN OLD WYOMING. 1937. 1 reel, sd.

IN ONION THERE IS STRENGTH. Joker. 1916. 1 reel.

Credits: Director, Allen Curtis; scenario, William Warren Schoene.

IN PAYMENT OF THE PAST. 1916. 1 reel.

Credits: Marc E. Jones; director, Burton L. King.

Credits: Producer, George L. Tucker.

IN PERSON. 1935. 9 reels, sd. From the novel by Samuel Hopkins Adams.

Credits: Producer, Pandro S. Berman; director, William A. Seiter; screenplay, Allan Scott; editor, Arthur Schmidt; music director, Roy Webb; music and lyrics, Dorothy Fields, Oscar Levant.

IN PURSUIT OF POLLY. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Chet Withey; story, Mann Page, Izola Forrester; scenario, Eve Unsell.

IN QUEST OF A MINNIE. SEE Mother's Angel, In Quest of a Minnie, and Memories.

IN QUEST OF A STORY. 1914. 1 reel.

IN QUEST OF THE LATCH STRING. SEE The Love Net.

Credits: Scenario, Alex Frank.

IN RED DOG TOWN. 1915. Split reel.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita Loos.

IN SEARCH OF A SINNER. 1920. 5 reels. From the story by Charlotte Thompson.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita Loos.

IN SEARCH OF A SINNER. 1921. 5 reels.

Credits: Director, David Kirkland.

** Joseph M. Schenck; 5Dec21; LP17285.

IN SEARCH OF A THRILL. 1923. 5 reels.

Credits: Director, Oscar Apfel; story, Kate Jordan; screenplay, Basil Dickey, Winifred Dunn.

IN SEARCH OF A WIFE. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; story, Robert McGowan; scenario, F. McGrew Willis.

IN SECRET. SEE The Black Secret.

IN SHANGHAI AND MACAO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN SOCIETY—AND OUT. 1916. 1 reel.

Credits: Thomas J. Gray; producer, Harry Jackson.

IN SPITE OF DANGER. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Anthony Coldeway; film editor, Otto Meyer.

IN SPITE OF HIM. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

IN THE AIR. 1926. 2 reels.

Credits: Producer, Joe Rock.

IN THE AMAZON JUNGLE. 1915. 1 reel.

Credits: Producer, L. W. Chaudet.

IN THE BACKGROUND. 1915.

IN THE BAG. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

IN THE BAG. (Slim Summerville Comedy) 1932. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin.

IN THE BAG. (Tom and Jerry Cartoon) 1932. 7-1/4 min.

Credits: John Foster, George Rufle.

IN THE BAG. 1934. 2 reels.

Credits: Direction and editing, Holbrook Todd; continuity, Howard Christie; commentation and dialogue, Clif Howell.

IN THE BALANCE. 1917. 5 reels. Adapted from the novel "The Hillman" by E. Phillips Oppenheim.

Credits: Director, Paul Scardon; scenario, Garfield Thompson.

IN THE BEGINNING—NEW ENGLAND. SEE The City.

IN THE BISHOP'S CARRIAGE. SEE She Couldn't Help It.

IN THE BOARDING HOUSE. 1915. Split reel.

IN THE CARQUINEZ WOODS. SEE Tongues of Flame.

IN THE CLAW OF THE LAW. L-Ko. 1915. 1 reel.

IN THE CLUTCHES OF DEATH. (The Great Hokum Mystery) (A Johnnie Walker Novelty) Atlas Sound Studios. Educational Film Exchanges, Inc. Presented by E. W. Hammons. 1932. 1,228 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

IN THE CLUTCHES OF MILK. Victor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B. Hoadley.

IN THE DARK. 1915. 3,000 ft.

IN THE DAYS OF BUFFALO BILL. Universal Special. 1922. 2 reels each.

Credits; Director, Edward Laemmle; story and scenario, Robert Dillon.

IN THE DAYS OF DANIEL BOONE. Universal Special. 1923. 2 reels each, except no. 1 which is 3 reels. © Universal Pictures Corp.

Credits: Directors, Frank Messenger, William Craft, Jay Marchant; scenario, Jefferson Moffitt; Story, Paul Bryan, Jefferson Moffitt.

IN THE DAYS OF FAMINE. 1915. 3 reels.

Credits: Producer, Theodore Marston.

IN THE DAYS OF SLAVERY. 1914. 1 reel.

Credits: Richard R. Ridgely.

IN THE DAYS OF THE MISSIONS. SEE A Yoke of Gold.

IN THE DAYS OF THE THUNDERING HERD. 1914. 5 reels.

Credits: Director, Colin Campbell.

Credits: Producer, Fred W. Huntley.

IN THE DEAD O' NIGHT. Imp. 1916. 2 reels.

Credits: Willis Woods; director, Douglas Gerrard.

IN THE DEVILDOG HOUSE. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, George Crone.

IN THE DIPLOMATIC SERVICE. 1916. 5 reels.

Credits: John C. Clymer, Hamilton Smith; adapted and produced by Francis X. Bushman.

IN THE DOG HOUSE. 1934. 2 reels, sd.

Credits: Director, Arthur Ripley; story and screenplay, Richard Smith, Arthur Ripley; film editor, William A. Lyon.

IN THE DOUGH. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley.

IN THE DRAGON'S CLAWS. 1915. 2,000 feet.

IN THE FIRST DEGREE. Presented by Sterling Productions, Inc. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Reginald Wright Kaufman.

IN THE GARDEN. 1913. 1 reel.

Credits: William Brede.

IN THE GARDEN OF CHARITY. SEE Tides of Passion.

IN THE GLASS HOUSE. 1926. 1 reel.

IN THE GOOD OLD DAYS. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

IN THE GOOD OLD SUMMER TIME. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

IN THE GRASP OF THE LAW. Laemmle. 1915. 1 reel.

Credits: Written and produced by Frank Lloyd.

IN THE HEADLINES. 1929. 8 reels.

Credits: Director, John G. Adolfi; story, James A. Starr; screenplay, Joseph Jackson.

IN THE HEADLINES. Trailer. 1929. 1 reel.

IN THE HEART OF A FOOL. First National. 1921. 7 reels. From the novel by William Allen White.

Credits: Producer and director, Allan Dwan; adaptation, Lilian Ducey.

IN THE HEART OF A SHELL. Rex. 1916. 1 reel.

Credits: Producer, H. C. Matthews.

IN THE HEART OF CHINA. Powers. 1917. 1/2 reel.

IN THE HEART OF INDIA. 1917. 1 reel.

IN THE HEART OF INDIA, AS SEEN BY DR. DORSEY. Powers. 1916.

IN THE HEART OF NEW YORK. Gold Seal. 1916. 3 reels.

Credits: William Addison Lathrop; director, Ben Wilson.

IN THE HEART OF THE HILLS. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

IN THE HILLS BEYOND. Powers. 1915. 1 reel.

Credits: Scenario and production by Sydney Ayres.

IN THE HILLS OF KENTUCKY. 1914. 2,000 ft.

IN THE HOLLOW OF HER HAND. 1918. 5 reels. From the story by George Barr McCutcheon.

Credits: Scenario and direction, Charles Maigne.

IN THE HOUR OF DISASTER. 1916. 3 reels.

Credits: Written and directed by Romaine Fielding.

IN THE HOUSE OF THE CHIEF. 1916. 3 reels.

Credits: Director, T. N. Heffron.

IN THE KING'S SERVICE. 1915. 2 reels.

Credits: Director, Thomas Santschi.

IN THE LAND OF ARCADIA. 1914. 2 reels.

Credits: Director, Wilfred North.

IN THE LAND OF KING COTTON. Powers. 1916. 1 reel.

IN THE LAND OF LIGHT AND GLOOM. Powers. 1917. 1/2 reel.

IN THE LAND OF MANY TEMPLES. Powers. 1917. 1/2 reel.

IN THE LAND OF THE MIKADO. 1915. Split reel.

Credits: Homer Croy.

IN THE LAND OF THE SON OF HEAVEN, AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

IN THE LAP OF THE GODS. Victor. 1916. 1 reel.

Credits: Producer and director, Donald MacDonald; scenario, Constance Crawley, Arthur Maude.

IN THE LATIN QUARTER. 1914. 2 reels.

Credits: Director, Lionel Belmore.

IN THE LINE OF DUTY. 1914. 1 reel.

Credits: Producer, Colin Campbell.

IN THE MEXICAN QUARTER. SEE Border Cafe.

IN THE MIDST OF THE WILDS. 1915. 1 reel.

Credits: Producer, Lloyd B. Carleton.

IN THE MINES WITH VERNON RICKARD AND THE BLACK DIAMOND FOUR. 1928. 1 reel.

IN THE MONEY. 1933. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

IN THE MOON'S RAY. 1916. 2 reels.

IN THE MORNING. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

IN THE NAME OF LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,862 ft. From the play "The Lady of Lyons" by Bulwer Lytton.

Credits: Director, Howard Higgin; screenplay, Sada Cowan.

IN THE NAME OF THE CZAR. SEE The Nihilist's Daughter.

IN THE NAME OF THE LAW. 1922. 6 reels.

Credits: Producer and director, Emory Johnson; story, Emilie Johnson.

IN THE NEXT ROOM. First National and Vitaphone. 1930. 7 reels. Adapted from the play by Eleanor Robson Belmont and Harriet Ford, and based on the book "The Mystery of the Boule Cabinet" by Burton E. Stevenson.

Credits: Director, Edward Cline; screen version, Harvey Gates.

IN THE NEXT ROOM. Trailer. 1929. 1 reel, sd.

IN THE NICK OF TIME. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Robert Dillon.

IN THE NICK OF TIME. 1929. 2 reels, sd.

Credits: Director, Murray Roth; story, Edmund Joseph.

IN THE NIGHT. Victor. 1916. 3 reels.

Credits: H. W. Bergman.

IN THE OLD ATTIC. 1913. 1 reel.

Credits: Director, Frederick Tomson.

IN THE OLD DUTCH TIMES. 1913. 1 reel.

Credits: Richard Ridgely.

IN THE ORIENT, FEATURING TONY SARG'S MARIONETTES. 1930. 1 reel, sd.

Credits: Supervision, Tony Sarg; director, Basil Smith.

IN THE PALACE OF THE KING. 1915. 6 reels. From the novel by F. Marion Crawford.

Credits: Director, Fred P. Wright.

IN THE PALACE OF THE KING. 1923. 8 reels. From the story by F. Marion Crawford.

Credits: Director, Emmett Flynn; adaptation, June Mathis.

IN THE PARK. 1915. 1 reel.

IN THE PARK. (Topics of the Day, no. 2) 1930. 1 reel, sd.

Credits: Alfred T. Mannon.

IN THE PARK. (Tom and Jerry Cartoon) 1933. 750 ft.

Credits: Frank Sherman, George Rufle.

IN THE PARK. SEE Brown & Whitaker.

IN THE PAVILION. SEE The Glorious Fool.

IN THE PLUMBER'S GRIP. 1915. 1 reel.

Credits: Guy Cunningham.

IN THE RICE FIELDS OF JAPAN. SEE Rice Fields and Rice Fed Wrestlers of Japan.

IN THE ROCKS OF INDIA. Powers. 1917. 1/2 reel.

IN THE ROUGH. (Farrell Golf Series, no. 3) 1931. 1 reel, sd.

Credits: Producer, Terry Ramsaye; director, Clyde Elliott.

IN THE SECRET SERVICE. SEE Behind the Mask.

IN THE SHADE OF THE OLD APPLE SAUCE. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

IN THE SHADE OF THE OLD APPLE TREE. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer; director, Dave Fleischer.

IN THE SHADOW. 1913. 1 reel.

Credits: Director, James Lackaye.

IN THE SHADOW OF DEATH. 1915. 2 reels. Adapted from "Fate and the Pomegranate" by Mary Imlay Taylor.

IN THE SHADOW OF DISGRACE. 1914. 2 reels.

Credits: Richard Ridgely.

IN THE SHADOW OF THE HILLS. SEE Cold Steel.

IN THE SHADOW OF THE MOUNTAINS. 1913. 2 reels.

Credits: William Maxwell.

IN THE SHADOWS OF NIGHT. Special Rex. 1917. 1 reel.

Credits: Director, Otis B. Thayer; and scenario, Richard Goodall.

IN THE SOUTHERN HIGHLANDS. 1917. 1/2 reel.

IN THE SPOTLIGHT. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus B. Wood.

IN THE SULTAN'S POWER. 1913. 2 reels.

IN THE SUNSET COUNTRY. Bison. 1915. 3 reels.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

IN THE WEST. 1923. 5 reels.

Credits: Story and direction, George Holt.

IN THIS CORNER. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, George J. Bennett.

IN TOUCH WITH DEATH. 1913. 3 reels.

IN TUNE WITH THE WILD. 1914. 3 reels.

Credits: Written and produced by E. A. Martin.

IN VENICE. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 505 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

IN WALKED CHARLEY. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Warren Doane; dialogue, H. M. Walker; editor, Richard Currier.

Credits: Director, George Archainbaud.

IN WRONG. 1919. 5 reels.

Credits: Written and directed by James Kirkwood.

IN WRONG WRIGHT. 1920. 2 reels.

Credits: Producer, Albert Russell; story and scenario, Ford Beebe.

IN ZULULAND. 1915. 1,000 ft.

Credits: Written and produced by Will Louis.

INBAD THE SAILOR. Powers. 1917. 1/2 reel.

IN-BAD THE SAILOR. 1924. 2 reels.

Credits: Directors, Ben Stoloff, Clyde Carruth.

INCOME TACT. (Benny Rubin Talkie) 1929. 1 reel.

Credits: Story and direction, Benny Rubin.

THE INCOME TAX COLLECTOR. 1923. 2 reels.

Credits: Directed by Erle C. Kenton.

AN INCOMPETENT HERO. 1914. 1 reel.

Credits: Producer, Mack Sennett.

INCREASING THE PAY CHECK. 1926. 1 reel.

INDEPENDENCE B'GOSH! (Paramount-Flagg Comedy) 1918. 2 reels.

THE INDESTRUCTIBLE WIFE. 1919. 5 reels. From the play by Frederic Hatton and Fanny Hatton.

Credits: Scenario and direction, Charles Maigne.

INDIA ON PARADE. (FitzPatrick M. G. M. Traveltalk) 1937. 849 ft., sd., color.

Credits: Compiled by James A. FitzPatrick; music score, Jack Shilkret; photography, Winton C. Hoch.

INDIA SPEAKS. 1933. 8 reels, sd.

Credits: Producer, Walter A. Futter; dialogue, Norman Houston.

INDIA, THE BRIGHTEST JEWEL IN THE BRITISH CROWN, AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE INDIAN. 1914. 3 reels.

THE INDIAN. 1916. 3 reels.

AN INDIAN DURBAR. 1927. 1 reel.

INDIAN LIFE. 1918. 2 reels.

INDIAN LIFE. 1918. 4 reels.

INDIAN PUDDING. (Terrytoons) 1930. 1 reel.

Credits: Paul Terry, Frank Moser.

INDIAN SERENADE. (Color Rhapsody) Released by Columbia Pictures Corp. 1937. 732 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

Credits: Producer, Lem B. Parker.

INDIAN SUMMER. (Paramount-Post Nature Pictures) 1920. 1 reel.

THE INDIAN SUMMER OF DRY VALLEY JOHNSON. 1917. 4 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Katharine Reed.

INDIAN VILLAGE. (A Century of Progress) 1933. 100 ft.

INDIAN WHOOPEE. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 8 min., 1 reel, sd.

Credits: Mannie Davis.

INDIANAPOLIS SPEEDWAY. 1939. 10 reels, sd.

Credits: Director, Lloyd Bacon; story, Howard Hawks; screenplay, Sig Herzig, Wally Klein.

THE INDIANS ARE COMING. 1930. 2 reels each. Suggested by the story "The Great West That Was" by William F. Cody. © Universal Pictures Corp.

Credits: Director, Henry MacRae; continuity, George H. Plympton, Ford I. Beebe.

THE INDIAN'S LAMENT. Gold Seal. 1917. 3 reels.

Credits: Director, Henry McRae; story, Noble Johnson; scenario, Walter Woods.

THE INDIAN'S LAMENT. 1923. 2 reels. A re-issue.

Credits: Director, Henry McRae; story, Noble Johnson; scenario, Walter Woods.

THE INDIAN'S NARROW ESCAPE. 1915. 1 reel.

INDIA'S MILLIONS. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Basil Ruysdael.

AN INDIGO SUNDAY. 1921. 2 reels.

Credits: Story, Kingsley Benedict.

INDISCREET. United Artists. Presented by Joseph M. Schenck. 1931. 10 reels.

Credits: Director, Leo McCarey; film editor, Hal C. Kern.

INDISCREET PETE. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Harry Sweet.

INDISCRETION. 1915. 1,000 ft. Suggested by story "The Official Introducer" by Mary Rider Mechtold.

INDISCRETION. 1916. 5 reels.

Credits: Director, Wilfred North; story, William Addison Lathrop.

Credits: Producer, A. J. Bimberg; director, William Davis.

THE INDISCRETION OF THE DUCHESS. SEE The Naughty Duchess.

INDIVIDUAL DIFFERENCES IN ARITHMETIC. 1931. 2 reels.

Credits: Diagnostic studies by Guy T. Buswell.

INDIVIDUAL EXERCISES FOR GIRLS AND WOMEN. 1922. 1 reel.

Credits: Director, Edward Cave.

INDOOR GOLF. (A Stern Brothers Comedy) (Keeping up with the Joneses Series) 1927. From cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

INDUCED CURRENTS. 1930. 1,039 ft., 16 min.

INDUSTRIAL CHINA SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE INDUSTRIAL CITY—CITY OF SMOKE. SEE The City.

INDUSTRIAL WORKING CONDITIONS. (Ford Educational Library, Civics, and Citizenship, v. 3) Ford Motion Picture Laboratories. 1921. 1 reel.

THE INEVITABLE. 1915. 1 reel.

THE INEVITABLE. 1917. 5 reels.

Credits: Director, Ben Goetz; scenario, C. Doty Hobart.

THE INEVITABLE MILLIONAIRES. SEE Millionaires.

THE INEVITABLE PENALTY. 1915. 1,000 ft.

Credits: Producer, Percy Winter.

THE INEVITABLE RETRIBUTION. 1915. 1 reel.

INEZ FROM HOLLYWOOD. Presented by Sam E. Rork, Inc. 1924. 7 reels.

Credits: Producer, Alfred E. Green; story, Adela Rogers St. Johns; adaptation, J. G. Hawks.

THE INFAMOUS MISS REVELL. 1921. 5 reels.

Credits: Producer, Dallas M. Fitzgerald; story, William Carey Wonderley; adaptation, Arthur J. Zellner.

INFATUATION. First National Picture, Inc. 1925. 7 reels. Adapted from the play "Caesar's Wife" by W. Somerset Maugham.

Credits: Director, Irving Cummings.

INFERNAL MACHINE. 1933. 6,100 ft., sd. From the novel by Carl Sloboda.

Credits: Director, Marcel Varnel; screenplay, Arthur Kober; editor, Ralph Dixon.

THE INFERNAL TRIANGLE. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gordon Douglas; film editor, Ray Snyder.

THE INFIDEL. Presented by B. P. Schulberg. 1922. 6 reels.

Credits: Charles A. Logue; direction and scenario, James Young.

INFIDELITY. 1917. 5 reels.

Credits; Director, Ashley Miller.

INFLATION. 1933. 1 reel, sd.

Credits: Director, Zion Meyers; explained by Pete Smith.

INFORMATION PLEASE. SEE A Temperamental Wife.

THE INFORMER. 1935. 10 reels, sd. From the book by Liam O'Flaherty.

Credits: Producer and director, John Ford; screenplay, Dudley Nichols; editor, George Hively; music, Max Steiner.

INFUSORIA. 1924. 1 reel.

INGAGI. 1930. 8 reels, sd.

Credits: Screen adaptation, Adam Hull Shirk; editor, William J. Campbell.

THE INGÉNUES, SYNCOPATING SWEETIES. 1928. 1 reel, sd.

THE INGÉNUES, THE BAND BEAUTIFUL. 1928. 1 reel, sd.

INGOMAR OF THE HILLS. 1915. 1 reel.

THE INGRATITUDE OF LIZ TAYLOR. 1915. 2 reels.

Credits; Director, E. J. LeSaint.

INGUINAL HERNIA IN THE MALE. 1929. 3 reels.

INHERITANCE. 1915. 3 reels.

Credits; Joseph A. Roach; director, Clement Easton.

THE INHERITORS. SEE The Gaiety Girl.

INJUN FOOD. (Outdoor Sketches) 1927. 1 reel.

Credits: Robert C. Bruce.

INJUN TROUBLE. (Looney Tunes) 1938. 1 reel, sd.

Credits; Producer, Leon Schlesinger; supervision, Robert Clampitt; animation, Charles Jones, I. Ellis; music director, Carl W. Stalling.

THE INJUSTICE OF JUSTICE. Special Laemmle. 1916. 1 reel.

INKLINGS. 1933. 1 reel.

Credits: Charles J. Geigerich.

INKWELL IMPS. SEE

Koko Kicks.

Koko's Germ Jam.

Ko Ko's Klock.

Koko's Quest.

INLAWFULL. (Smart Set, no. 3) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, George Jeske; film editor, Lester C. Millbrook.

IN-LAWS ARE OUT. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Arthur Ripley, Carroll Graham; film editor, Edward Mann.

THE INN AT THE RHINE. SEE Die Lindenwirtin vom Rhein.

THE INNER BRUTE. 1915. 2 reels.

THE INNER CHAMBER. 1915. 3,000 ft.

Credits: Producer, Wilbert Melville.

THE INNER CHAMBER. 1921. 6 reels.

Credits: Director, Edward Jose; story, Charles Caldwell Dobie.

THE INNER GLOW. 1916. 3 reels.

Credits: Producer, Harry Davenport; picturized by A. Van Buren Powell.

Credits: Director, Hamilton Smith.

THE INNER RING. 1919. 2 reels.

Credits: Director, George W. Terwilliger; scenario, Calder Johnston.

THE INNER SHRINE. 1917. 5 reels. From the novel by Basil King.

Credits: Director, Frank Reicher; adaptation, Beatrice De Mille, Leighton Osmun.

THE INNER SOUL. Laemmle. 1916. 2 reels.

Credits: F. McGrew Willis; producer, Leon Kent.

THE INNER VOICE. 1920. 7 reels.

Credits: Director, R. William Neill; scenario, Elaine Sterne.

INNOCENCE. Presented by Columbia Pictures. 1924. 6 reels. Adapted from the magazine story "Circumstances Alter Divorce Cases" by Lewis Allen Browne.

Credits: Producer, Harry Cohn; director, Edward J. LeSaint; scenario. Jack Strumwasser.

THE INNOCENCE OF RUTH. 1916. 5 reels.

Credits: Director, John H. Collins.

AN INNOCENT ADVENTURESS. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Robert G. Vignola; story and continuity, Clara Genevieve Kennedy.

INNOCENT, BUT AWKWARD. 1914. 1 reel.

Credits: Director, Sidney Drew.

THE INNOCENT CHEAT. (Peter B. Kyne Series) 1922. 6 reels.

Credits: Director, Ben Wilson; adaptation, J. Grubb Alexander.

AN INNOCENT DELILAH. 1914. 2 reels.

Credits: Director, Ulysses Davis.

AN INNOCENT INFORMER. 1913. 1 reel.

Credits: Guthrie R. Kelly.

THE INNOCENT SINNER. 1917. For Fox Film Corp. 6 reels.

Credits: Direction and adaptation, R. A. Walsh; story, Mary Synon.

AN INNOCENT THIEF. 1915. 1 reel.

Credits: Olive B. Harms; director, Charles M. Seay.

AN INNOCENT VILLAIN. Joker. 1915. 1 reel.

Credits: Written and produced by Harry Wulze.

LES INNOCENTS. SEE The Apaches of Paris.

INNOCENTS OF PARIS. 1929. 7 reels, sd., si. Based on the story by C. E. Andrews.

Credits: Director, Richard Wallace; screenplay, Ethel Doherty; adaptation, Ernest Vajda.

THE INQUIRING (PAINT) REPORTER. 1936. 1 reel.

INSCRUTABLE JAPAN, THE RIDDLE OF THE WORLD. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

INSECT CELEBRITIES. 1915. 1/2 reel.

INSECT ODDITIES. 1915. 1/2 reel.

Credits: Raymond L. Ditmar.

INSIDE BASEBALL. (Bill Cunningham Sports Review) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Director, Howard C. Brown.

Credits: Producer, John L. Hawkinson.

INSIDE FACTS. Laemmle. 1915. 1 reel.

Credits: James Dayton; producer, Richard Stanton.

INSIDE INFORMATION. 1939. 7 reels, sd. Based on the story "47th Precinct" by Martin Mooney and Burnet Hershey.

Credits: Producer, Irving Starr; director, Charles Lamont; screenplay, Alex Gottlieb; film editor, Harry Keller.

INSIDE INFORMATION ABOUT MOTOR OILS. (Socony Screen Talks, no. 3) Presented by Standard Oil Company of New York. 1930. Filmstrip, 117 frames.

THE INSIDE OF THE CUP. 1921. 7 reels. From the story by Winston Churchill.

Credits: Director, Albert Capellani; scenario, Albert Capellani, George D. Proctor.

INSIDE OUT. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Albert Ray.

INSIDE STORY. 1939. 5,454 ft., sd.

Credits: Director, Ricardo Cortez; story, Ben Ames Williams; screenplay, Jerry Cady; music director, Samuel Kaylin.

THE INSIDE STORY OF THE WILLYS SIX. 1930. 1 reel.

INSIDE THE CAPITOL. (The Washington Parade, no. 3) 1939. 1 reel, sd.

Credits: Story, Harry Newman; narrator, Basil Ruysdael; editor, Harry Foster.

INSIDE THE LINES. 1930. 8 reels, sd. From the play by Earl Derr Biggers.

Credits: Producer, William LeBaron; screenplay, Ewart Adamson; adaptation and direction, Roy Pomeroy; dialogue, John Farrow.

INSIDE THE ROPES. (Sports with Bill Corum, no. 1) Released by RKO Radio Pictures. 1935. 1 reel, sd.

INSIDE THE WHITE HOUSE. (The Washington Parade) 1939. 987 ft., sd.

Credits: Story, Harry Newman; described by Dan Seymour.

THE INSIDE TRACK WITH THERMOID. 1936. For Thermoid Rubber Co. 1 reel, sd.

INSOMNIA. 1916. 1 reel.

Credits: Producer, Earle Metcalfe.

L'INSOUMISE. SEE Fazil.

THE INSPECTOR'S DOUBLE. Joker. 1916. 1 reel.

Credits: Harry Wulze, Charles J. Wilson, Jr.; director, W. W. Beaudine.

Credits: Poem and arrangements, Clay M. Greene.

INSPIRATION. Presented by Samuel Zierler. 1928. 7 reels.

Credits: Director, Bernard McEveety; story and continuity, Arthur Hoerl.

INSPIRATION. 1931. 10 reels, sd., b&w.

Credits: Producer and director, Clarence Brown; dialogue. Gene Markey; film editor, Conrad A. Nervig.

THE INSTALLMENT COLLECTOR. 1929. 1 reel.

Credits: Director, Fred Fleck; story, Fred Allen.

THE INSTALLMENT PLAN. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. De Vonde.

INSULTIN' THE SULTAN. (Willie Whopper Cartoon) 1934. 1 reel.

Credits: Animation, Grim Natwick, Benny Wolf.

INSURANCE. 1930. 1 reel, sd.

INSURE YOUR WIFE. SEE Asegure a Su Mujer!

INSURING CUTEY. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

THE INSURRECTION. 1915. 3,000 ft.

INTELLIGENT BUYING IS AS IMPORTANT AS INTELLIGENT SELLING. 1928. 1 reel.

AN INTERCEPTED VENGEANCE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

INTERESTING TAILS. (Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton.

INTERFERENCE. 1929. 6,643 ft., si. & 7,487 ft., sd. Based on the play by Roland Pertwee and Harold Dearden.

Credits: Director, Lothar Mendes; screenplay, Louise Long; adaptation, Hope Loring.

INTERFERENCE. SEE Without Regret.

INTERIOR DECORATION. 1924. 1 reel.

INTERIOR DECORATION AND THE USE OF LINOLEUM. Presented by W. & J. Sloane Mfg. Co. 1929. Filmstrip, 64 frames.

INTERLOCUTORY. SEE Tomorrow's Love.

Credits: Director, Oscar Apfel; story, Clara S. Beranger; scenario, Wallace C. Clifton.

THE INTERLUDE. SEE Stanton's Last Fling.

INTERMEZZO. Released through United Artists. 1939. 8 reels, sd.

Credits: Producer, David O. Selznick; director, Gregory Ratoff; original story, Gustav Molander, Gosta Stevens; screenplay, George O'Neil; supervising film editor, Hal C. Kern; film editor, Francis D. Lyon; music director, Lou Forbes.

INTERNATIONAL AUTO RACES, INDIANAPOLIS SPEEDWAY, MAY 20, 1914. 1914. 2 reels.

THE INTERNATIONAL BOXING CONTEST FOR THE HEAVYWEIGHT CHAMPIONSHIP OF THE WORLD BETWEEN JOE LOUIS OF DETROIT AND TOMMY FARR, HELD AT THE YANKEE STADIUM IN NEW YORK, AUGUST, 1937. © 1937. Sd., b&w., 35 mm.

INTERNATIONAL BRIDGE. SEE Fugitive Road.

THE INTERNATIONAL CRIME. Presented by Edward L. Alperson. 1938. 7 reels, sd.

Credits: Producers, Max and Arthur Alexander; director, Charles Lamont; screenplay, Jack Natteford; additional dialogue, Jack Krafft; film editor, Charles Henkel.

INTERNATIONAL HOUSE. 1933. 6,119 ft., sd.

Credits: Director, Edward Sutherland; story, Neil Brant, Louis E. Heifetz; screenplay, Frances Martin, Walter DeLeon; music and lyrics, Ralph Rainger, Leo Robin.

THE INTERNATIONAL JEWEL THIEVES. SEE Lieutenant Daring and the Mystery of Room 41.

AN INTERNATIONAL MARRIAGE. 1916. 5 reels.

Credits: Director, Frank Lloyd.

INTERNATIONAL NEWS. Volume 9, no. 73 to Volume 10, no. 78 released by Universal. 1923-28. 1 reel each.

1923.

1924.

1925.

1926.

1927.