letter L (motion-picture photoplays) or M (motion pictures other

Chapter 2281,190 wordsPublic domain

than photoplays), and 2) the letter P or U designating, respectively, published and unpublished works.

In the case of serial entries information relating to the entire serial precedes that relating to individual numbers or episodes of the serial. When the name, or the form of the name, of the copyright claimant of a serial changes, each name precedes its respective entries. The copyright symbol © always appears immediately before both the name of the copyright claimant and the copyright date. When duplicate numbers appear in a sequence of issues, arrangement of the duplicates is by copyright date. Omission of an item in a sequence does not necessarily mean that the item has not been registered for copyright; it may be included in the catalog under its specific title if the source information did not give the serial title.

Index

The second section of this catalog is a list of the names of the persons and organizations associated with the production of the motion pictures listed in the first section, and of the authors of the novels, dramas, or other works upon which these motion pictures have been based. The names of the persons listed in the statements of credits in the main entries are not included. The name of each person or organization is used as a heading, the form of which is either that appearing in the Official Catalog of the Library of Congress, or that most frequently found in the records of the Copyright Office. Similar names have been listed separately unless it is clear that they identify the same person or organization. Cross-references from different forms of the same name and from pseudonyms are included in the list.

Brief forms of names, particularly in the case of trade names, appear in the list when it has not been possible to identify exactly the full form of the name.

Under each heading are listed alphabetically the titles of the motion pictures associated with it, together with their respective year dates, or, for serials, the word _serial_, enclosed in parentheses, in lieu of a date. An asterisk preceding the title indicates that the name appearing in the heading is that of the copyright claimant.

Series List

The third section of this catalog lists the series titles which are contained in the main entries. The titles of the series are frequently given in varying forms. For each series, therefore, an established form, based on that most frequently used, is given as the heading. Following the heading are references to other series titles which appear to be related because the names are similar and the claimants are the same.

Listed below the headings are, first, the names of the claimants, and, second, the titles of the motion pictures. Dates of the respective motion pictures follow the titles. In the case of serials the word _serial_, enclosed in parentheses, is used in lieu of date.

The lists of titles under each series may be incomplete for the period covered by this catalog, because only those titles have been included which are so identified in the sources used in compiling this catalog. For some motion pictures two series titles are given, both of which are entered separately, since it has not been possible to differentiate between main series and subseries from the information available.

Abbreviations and Symbols

The following list includes abbreviations and symbols used in this catalog with specific copyright or bibliographic meanings. Definitions are not given for abbreviations in common use.

a.k.a. —also known as

b&w —black and white

d.b.a. —doing business as

descr. —description

ft. —feet

LP —published motion-picture photoplays

LU —unpublished motion-picture photoplays

min. —minutes

mm —millimeters

MP —published motion pictures other than photoplays

MU —unpublished motion pictures other than photoplays

pseud. —pseudonym

sd. —sound

si. —silent

t.a. —trading as

Motion Pictures 1912-1939

An alphabetical list, under title, of the complete entries for the motion pictures which were registered for copyright during the period covered by this catalog. For full information relating to the contents of the entries see _How To Use This Catalog_, pp. vii.

Credits: Director, Leonce Perret.

THE ABC OF POTTERY MAKING—THE COIL METHOD. 1938. 1 reel.

THE A. B. C. OF SAFETY. (Ford Educational Library) Ford Motion Picture Laboratories. 1922. 2 reels.

A 1 SOCIETY. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Ben Stoloff; story, Zion Myers.

THE ABANDONED ROOM. SEE Love Without Question.

L'ABBÉ CONSTANTIN. SEE Bettina Loved a Soldier.

ABE LYMAN & BAND. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

ABE LYMAN AND HIS ORCHESTRA. 1928. 1 reel each, sd.

ABIE'S IMPORTED BRIDE. 1925. 7 reels.

Credits: Written and directed by Roy Calnek.

ABIE'S IRISH ROSE. 1929. 12 reels. From the novel by Anne Nichols.

Credits; Producer and director, Victor Fleming; scenario, Jules Furthman.

ABOUT THE MURDER OF THE CIRCUS QUEEN. SEE The Circus Queen Murder.

ABOVE ALL LAW. 1922. 8 reels.

Credits: Director, J. May.

ABOVE THE ABYSS. 1915. 2 reels.

ABOVE THE CLOUDS. 1933. 7 reels.

Credits: Director, Roy William Neill; story, George B. Seitz; screenplay, Albert DeMond.

ABRAHAM LINCOLN. 1924. 12 reels.

Credits: Frances Marion; director, Philip Rosen.

ABRAHAM LINCOLN. Presented by Joseph M. Schenck. 1930. 10 reels, sd.

Credits: Director, D. W. Griffith; story and production, John W. Considine, Jr.; adaptation, Stephen Vincent Benet; continuity and dialogue, Stephen Vincent Benet, Garrit Lloyd.

ABRAHAM LINCOLN. 1933. 2 reels. Contents.—pt. 1. The Pioneer.—pt. 2. The Statesman.

ABROAD IN OLD KENTUCKY. SEE The Moonshiner's Daughter.

ABSCHIEDSWALZER (FAREWELL WALTZ). 1939. 9 reels, sd. Suggested in part by the novel by Jacques Thery as translated into English by Peter Olman; music by Frederick Chopin.

Credits: Ernst Marischka; director, Geza von Bolvary; music director, Alois Melichar.

ABSENT MINDED. (Bull's Eye Comedy) Bluebird. 1925. 1 reel.

Credits: Director, George S. Summerville.

ABSENT-MINDED. SEE Wallace Ford in Absent-Minded.

AN ABSENT-MINDED CUPID. 1914. 1 reel.

Credits: Ashley Miller.

Credits: Producer, Charles H. France.

ABSENT-MINDED MOTHER. 1914. 1 reel.

Credits: Charles H. France.

ABSOLUTE QUIET. 1936. 7 reels, sd., b&w.

Credits: Producer, John W. Considine, Jr.; director, George B. Seitz; story, George F. Worts; screenplay, Harry Clork; film editor, Conrad A. Nervig; music score, Franz Waxman.

ABSORBING JUNIOR. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

THE ABYSMAL BRUTE. Jewel. 1923. 8 reels. Suggested by the story by Jack London.

Credits: Director, Hobart Henley.

THE ABYSMAL BRUTE. SEE Conflict.

THE ABYSS. Released through General Film Co. 1914. 1 reel.

Credits: Director, Thomas Santschi.

THE ACADEMY AWARD REVIEW OF WALT DISNEY CARTOONS. 1937. 6 reels, sd., color.

ACCENT ON BEAUTY. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Commentary Justin Herman; editor, Leslie Roush; narrator, Alois Havrilla.

ACCENT ON GIRLS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

ACCENT ON YOUTH. Presented by Adolph Zukor. 1935. 8 reels, sd. From the play by Samson Raphaelson.

Credits: Producer, Douglas MacLean; director, Wesley Ruggles; screenplay, Claude Binyon; film editor, Otho Lovering.

ACCIDENT IS THE BEST POLICY. 1916. 1 reel.

AN ACCIDENT POLICY. 1915. 1,000 ft.

Credits: Written and produced by Edwin McKim.

AN ACCIDENTAL ALIBI. 1913. 1 reel.

Credits: John Adair.

THE ACCIDENTAL HONEYMOON. 1918. 5 reels.

Credits: Directed and written by Leonce Perret.

ACCIDENTAL WEALTH. (Star Comedy) 1922. 1 reel.

ACCIDENTS CAN HAPPEN. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

ACCIDENTS WILL HAPPEN. (Star Comedy) 1922. 1 reel.

ACCIDENTS WILL HAPPEN. 1930. 2 reels, sd.

Credits: Director, Morton Blumenstock; story, William K. Wells, David Freedman; dialogue director, Max E. Hayes.

ACCIDENTS WILL HAPPEN. 1937. 7 reels.

Credits: Director, William Clemens; story, George Bricker; screenplay, George Bricker, Anthony Coldeway.

THE ACCOMPLISHED MRS. THOMPSON. 1914. 1 reel.

Credits: Director, Wilfrid North.

ACCORDING TO SENIORITY. 1913. 1 reel.

Credits: Director, Harry Lambart.

ACCORDING TO THE CODE. 1916. 5 reels.

Credits: Charles Michelson; director, E. H. Calvert.

ACCORDING TO THEIR LIGHTS. 1915. 2,000 ft.

Credits: Scenario and direction, Eugene Nowland.

ACCORDING TO VALUE. Laemmle. 1915. 1 reel.

Credits; Producer, Frank Lloyd; scenario, Harvey Gates.

ACCORDION JOE. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Ted Sears, Grim Natwick.

THE ACCOUNTING. 1915. 3 reels.

AN ACCURSED INHERITANCE. SEE The Sins of the Fathers.

THE ACCURSED WOMAN. SEE In the Web of Intrigue.

ACCUSED. Released through United Artists. 1937. 8 reels, sd.

Credits: Producer, Marcel Hellman; director, Thornton Freeland; screenplay, Zoe Akins, George Barraud; dialogue, Zoe Akins; additional dialogue, George Barraud; music director, Percival Mackey.

ACCUSING EVIDENCE. Special Big U. 1916. 1 reel.

Credits: Director, Allen Dwan.

THE ACCUSING FINGER. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Director, James Hogan; screenplay, Madeleine Ruthven, Brian Marlow, John Bright, Robert Tasker; film editor, Chandler House.

THE ACCUSING PEN. 1915. 1,000 ft.

THE ACCUSING VOICE. 1916. 3 reels.

Credits: Director, Harry Davenport.

THE ACE. SEE Hell In the Heavens.

ACE DRUMMOND. 1936. 2 reels each. Based on the newspaper feature created by Captain Eddie Rickenbacker. © Universal Productions, Inc.

Credits: Directors, Ford Beebe, Cliff Smith; screenplay, Wyndham Gittens, Norman S. Hall, Ray Trampe.

1. Where East Meets West. © 11Sep36; LP6591.

2. The Invisible Enemy. © 11Sep36; LP6592.

3. The Doorway of Doom. © 16Sep36; LP6599.

4. The Radio Riddle. © 23Oct36; LP6656.

5. Bullets of Sand. © 30Oct36; LP6674.

6. Evil Spirits. © 9Nov36; LP6696.

7. The Trackless Trail. © 18Nov36; LP6715.

8. The Sign in the Sky. © 25Nov36; LP6729.

9. Secret Service. © 2Dec36; LP6742.

10. The Mountain of Jade. © 4Dec36; LP6756.

11. The Dragon Commands. © 14Dec36; LP6788.

12. The Squadron of Death. © 21Dec36; LP6795.

13. The World's Akin. © 29Dec36; LP6815.

ACE HIGH. 1918. 5 reels.

Credits: Direction, story, and scenario, Lynn Reynolds.

ACE HIGH. 1919. 2 reels.

Credits: Director, George Holt; story, W. Pigott; scenario, Karl Coolidge.

ACE OF ACES. 1933. 8 reels, sd. From the story "The Bird of Prey" by John Monk Saunders.

Credits: Associate producer, Sam Jaffe; director, J. Walter Ruben; screenplay, John Monk Saunders, H. W. Hanemann; editor, George Hively; music director, Max Steiner.

THE ACE OF CADS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels.

Credits: Associate producer, William LeBaron; director, Luther Reed; story, Michael Arlen; adaptation and screenplay, Forrest Halsey.

THE ACE OF CLUBS. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayers.

THE ACE OF DIAMONDS. 1915. 1 reel.

THE ACE OF HEARTS. 1921. 6 reels.

Credits: Gouverneur Morris; director, Wallace Worsley.

THE ACE OF SCOTLAND YARD. 1929. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story and continuity, Harold M. Atkinson.

1. The Fatal Circlet. © 25Jul29; LP544.

2. A Cry in the Night. © 5Aug29; LP582.

3. The Dungeon of Doom. © 20Aug29; LP634.

4. The Depths of Limehouse. © 24Sep29; LP720.

5. Menace of the Mummy. © 24Sep29; LP721.

6. Dead or Alive. © 14Oct29; LP783.

7. Shadows of Fear. © 18Oct29; LP784.

8. The Baited Trap. © 28Oct29; LP797.

9. A Battle of Wits. © 1Nov29; LP822.

10. The Final Judgment. © 9Nov29; LP847.

THE ACE OF SPADES. 1925. 2 reels each. © Universal Pictures Corp.

Credits: Director, Henry McRae; story, Isadore Bernstein, William Lord Wright.

1. The Fatal Card. © 20Aug25; LP21764.

2. No Greater Love. © 20Aug25; LP21765.

3. Whirling Waters. © 22Aug25; LP21747.

4. Fires of Sacrifice. © 30Sep25; LP21872.

5. Thundering Hoofs. © 7Oct25; LP21888.

6. Flung from the Sky. © 20Oct25; LP21929.

7. The Trail of Terror. © 28Oct25; LP21961.

8. The Lariat of Death. © 2Nov25; LP21969.

9. Fingers of Fate. © 20Nov25; LP22032.

10. The Road to Ruin. © 20Nov25; LP22033.

11. The Chasm of Peril. © 7Dec25; LP22091.

12. The Avalanche. © 12Dec25; LP22114.

13. The Fury of Fate. © 18Dec25; LP22159.

14. The Chasm of Courage. © 24Dec25; LP22175.

15. A Deal of Destiny. © 24Dec25; LP22176.

ACE OF SPADES. 1931. 1 reel.

Credits: Director, Dave Fleischer; story, Max Fleischer.

THE ACE OF THE SADDLE. 1919. 6 reels.

Credits; Director, Jack Ford; story, B. J. Jackson; scenario, George Hively.

ACES UP. (Toby the Pup Series) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

ACES WILD. (Tom Howard Comedies) Educational. Presented by E. W. Hammons. 1933. 10 min., sd.

Credits: Producer, Larry Kent; director, Aubrey Scotto; story, Tom Howard; dialogue staged by Max E. Hayes.

AN ACHING TOOTH IS NO EXCUSE. SEE A Tin Soldier.

ACHING YOUTH. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Director, Fred L. Guiol; story and supervision, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

Credits: Producer, E. A. Marlin.

THE ACID TEST. 1914. 2 reels.

THE ACID TEST. (Tom Howard Comedies) Educational Pictures. 1932. 11 min., sd.

Credits: Director, Aubrey Scotto; story, Tom Howard.

THE ACQUITTAL. Universal Jewel. 1923. 7 reels. From the play by Rita Weiman.

Credits: Director, Clarence Brown; adaptation, Raymond L. Schrock.

ACQUITTED. 1916. 5 reels. Adapted from the story by Mary Roberts Rinehart.

Credits: Scenario, Ray Somerville.

ACQUITTED. 1929. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Frank R. Strayer; screenplay and dialogue, Keene Thompson; film editor, Dave Berg.

ACROBATIC ACTS. Powers. 1916. 1/2 reel.

THE ACROBATS DREAM. Powers. 1915. 1/2 reel.

ACROSS SWIFTCURRENT PASS ON HORSEBACK. 1913. 1 reel.

ACROSS THE ATLANTIC. 1928. 7 reels.

Credits: Director, Howard Bretherton; story, John Ransom; adaptation, Harvey Gates.

ACROSS THE ATLANTIC VIA ZEPPELIN WITH LADY DRUMMOND HAY. (Movietone Act) 1929. Presented in conjunction with Hearst Newspapers. 3 reels, sd.

Credits; Nils T. Granlund.

ACROSS THE BORDER. SEE Sarah Padden in Across the Border.

ACROSS THE BURNING TRESTLE. 1914. 1 reel. An adaptation of "In Christmas Canyon."

Credits: Director, Richard R. Ridgely; adaptation, Francis Lynde.

ACROSS THE CONTINENT. 1922. 6 reels.

Credits: Director, Philip E. Rosen; story, Byron Morgan.

ACROSS THE DEAD LINE. 1922. 5 reels.

Credits: Producer, Jack Conway; story, Clarence B. Kelland; scenario, George C. Hull.

ACROSS THE DESERT. 1915. 1 reel.

Credits; Producer, Burton L. King; story, F. M. Willis.

ACROSS THE FOOTLIGHTS. Big U. 1915. 2 reels.

Credits: Producer, Burton King; scenario, Leonora Dowlan.

ACROSS THE GRAND CANYON. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

ACROSS THE GREAT DIVIDE, 1915. 1,000 ft. Adapted from the story "With Clear Rights" by Charles W. Tyler.

Credits: Direction and scenario, Edward C. Taylor.

ACROSS THE HALL. Nestor. 1916. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

ACROSS THE LINE. Victor. 1916. 1 reel.

Credits: Written and produced by Jacques Jaccard.

Credits: Written and produced by Edwin Carewe.

ACROSS THE PACIFIC. 1926. 8 reels. From the novel by Charles E. Blaney.

Credits: Director, Roy Del Ruth; adaptation, Darryl Francis Zanuck.

ACROSS THE PLAINS. 1939. 6 reels, sd.

Credits: Associate producer, Robert Tansey; director, Spencer Bennett; original screenplay, Robert Emmett; film editor, Robert Golden.

ACROSS THE RIO GRANDE. Bison. 1916. 3 reels.

Credits: Producer, Jacques Jaccard; story, George Marshall.

ACROSS THE ROCKIES TO THE PACIFIC. (Westward Movement, no. 5) 1921. 1 reel.

ACROSS THE SEA. (Romantic Journeys) Educational Pictures. Presented by E. W. Hammons. 1933. 907 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

ACROSS TO SINGAPORE. 1928. 7 reels, b&w, blue sequences. From the book "All the Brothers Were Valiant" by Ben Ames Williams.

Credits: Producer and director, William Nigh; adaptation, Ted Shane; continuity, Richard Schayer; film editor, Ben Lewis.

ACT YOUR AGE. (Kennedy, no. 1) 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, John Lockert.

ACTION. 1921. 5 reels.

Credits: Producer, Jack Ford; story, J. Allen Dunn; scenario, Harvey Gates.

Credits: Producer, John L. Hawkinson.

ACTION FOR SLANDER. Presented by Alexander Korda. Released through United Artists. 1937. 8 reels, sd. From the novel by Mary Borden.

Credits: Producer, Victor Saville; director, Tim Whelan; screenplay. Miles Malleson; additional dialogue, Ian Dalrymple; film editors, Hugh Stewart, Jack Dennis; music director, Muir Mathieson.

ACTIONS SPEAK LOUDER THAN WORDS. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

THE ACTIVE LIFE OF DOLLY OF THE DAILIES. 1914. 1 reel each. © Thomas A. Edison, Inc.

Credits: Acton Davies; director, Walter Edwin.

1. The Perfect Truth. © 10Jan14; LP1947.

2. The Ghost of Mother Eve. © 6Feb14; LP2111.

3. An Affair of Dress. © 21Feb14; LP2199.

4. Putting One Over. © 7Mar14; LP2290.

5. The Chinese Fan. © 21 Mar 14; LP2370.

6. On the Heights. © 4Apr14; LP2464.

7. The End of the Umbrella. © 18Apr14; LP2542.

8. A Tight Squeeze. © 2May14; LP2633.

[9] A Terror of the Night. © 25May14; LP2759.

[10] Dolly Plays Detective. © 8Jun14; LP2824.

[11] Dolly at the Helm. © 22Jun14; LP2905.

[12] The Last Assignment. © 3Jul14; LP2961.

THE ACTOR. (Benny Rubin Talkie) 1929. 1 reel, sd.

Credits: Director, Walter Fabian; story and dialogue, Benny Rubin.

THE ACTOR'S ADVICE TO HIS SON. SEE Lionel Atwill in The Actor's Advice to His Son.

THE ACTOR'S BOARDING HOUSE. 1915. Split reel.

ACTORS FROM THE JUNGLE. 1915. 1 reel.

THE ACTRESS. 1913. 1 reel.

Credits: Richard Ridgely.

THE ACTRESS. 1928. 8 reels, sd., b&w. From the play "Trelawney of the Wells" by Sir Arthur Wing Pinero.

Credits: Director, Sidney Franklin; screenplay, Albert Lewin, Richard Schayer; titles, Joe Farnham; film editor, Conrad A. Nervig.

AN ACTRESS'S ROMANCE. SEE Adrienne Lecouvreur.

ACUTE APPENDICITIS (LAY). 1930. 1 reel.

ACUTE APPENDICITIS (PROFESSIONAL). 1929. 2 reels.

AD MAN. SEE No Marriage Ties.

ADAM AND EVA. 1923. 8 reels.

ADAM AND EVE. 1920. 1 reel.

ADAM AND EVE A LA MODE. Presented by Rainbow Comedies. 1919. 2 reels.

Credits: Director, Jesse Robbins.

ADAM AND EVIL. 1927. 7 reels, b&w.

Credits: Director, Robert Z. Leonard; original screenplay, F. Hugh Herbert, Florence Ryerson; titles, Ralph Spence; film editor, Leslie F. Wilder.

ADAM BEDE. 1915. 2 reels.

ADAMS AND SOME EVES. 1918. 1 reel.

Credits: Written and directed by Chester M. DeVonde.

ADAM'S EVE. 1929. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Florence Ryerson, Colin Clements.

ADAM'S RIB. Paramount. Presented by Jesse L. Lasky. 1923. 10 reels.

Credits: Producer and director, Cecil B. De Mille; story and scenario, Jeanie Macpherson.

THE ADDED ITEM MAKES FOR PROFIT. 1931. 1 reel. Contents.—Friday Planning.—Featuring the Dairy Department.—Sell Extra Staples the Day Before a Holiday.—Party Menus Mean Big Orders.—Proper Care of Fresh Produce.

ADELE LENARR, JUVENILE SONGSTRESS AND ACROBATIC DANCER, SINGING AND DANCING: A. ROAD TO FAME [and others] 1927. 1 reel.

ADELE ROWLAND, STORIES IN SONG. 1928. 1 reel.

ADIOS. SEE The Lash.

ADMINISTERING THE LIFE INSURANCE ESTATE. (Educational Film Service, v. 24) 1931. 1 reel.

THE ADMIRABLE CRICHTON. SEE Male and Female.

THE ADMIRALS, FOUR BOYS AND A UKULELE OFFER A PROGRAM OF POPULAR SONGS: A. YANKEE ROSE [and others] 1927. 1 reel.

ADMISHUN TEN PINS. 1921. 2 reels.

ADMISSION 5¢. (Pepper Pot, no. 2) 1933. 1 reel, sd.

Credits: Narrator, Leo Donnelly.

ADMISSION FREE. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Rudolph Eggeman.

ADOBE BRICK MAKING. 1939. 1 reel.

Credits: Producer, Louis Myll.

THE ADOPTED SON. 1917. 6 reels.

Adapted from the story by Max Brand [pseud. of Frederick Faust].

Credits: Supervision, Maxwell Karger; director, Charles Brabin; adaptation, Albert Shelby Le Vino.

ADORABLE. 1933. 7,700 ft., sd.

Credits: Director, Wilhelm Dieterle; story, Paul Frank, Billie Wilder; screenplay, George Marion, Jr., Jane Storm; editors, Irene Morra, R. W. Bischoff.

THE ADORABLE DECEIVER. Released by F. B. O. 1926. 5 reels.

Credits: Director, Phil Rosen; story, Harry O. Hoyt; continuity, Doris Anderson.

ADORABLE DORA. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Director, Harry Sweet.

THE ADORABLE SAVAGE. 1920. 5 reels. From the novel by Ralph Stock.

Credits: Director, Norman Dawn; scenario, Doris Schroeder.

ADORATION. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer, Frank Lloyd; story, Lajos Biro; continuity, Winifred Dunn.

ADORATION. 1928. 2 reels.

Credits: Written and directed by Andrew L. Stone.

ADRIENNE LECOUVREUR; or, AN ACTRESS'S ROMANCE. 1913. 1,783 ft. Adapted from the play by Mme. Sarah Bernhardt.

Credits: Adaptation, Sarah Bernhardt.

ADRIENNE LECOUVREUR. SEE Dream of Love.

ADVANTAGES OF THE NEW SUPERIOR WHIPPET. 1929. 1 reel.

ADVENTURE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,602 ft. From the novel by Jack London.

Credits: Producer and director, Victor Fleming; screenplay, A. P. Younger, L. G. Rigby.

THE ADVENTURE HUNTER. 1915. 1 reel.

Credits: Producer, E. A. Martin; scenario, Wallace C. Clifton.

AN ADVENTURE IN HEARTS. Paramount-Artcraft. 1919. 5 reels. Adapted from the novel "Captain Dieppe" by Anthony Hope [pseud. of Anthony Hope Hawkins] and the play by Harrison Garfield Rhodes.

Credits: Director, James Cruze; scenario, Elmer Harris.

ADVENTURE IN MANHATTAN. 1936. 8 reels. Suggested by "Purple and Fine Linen" by May Edginton.

Credits: Director, Edward Ludwig; story, Joseph Krumgold; screenplay, Sidney Buchman, Harry Sauber, Jack Kirkland; film editor, Otto Meyer; music director, Morris Stoloff.

ADVENTURE IN SAHARA. 1938. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Sam Fuller; screenplay, Maxwell Shane; film editor, Otto Meyer; music director, M. W. Stoloff.

ADVENTURE MAD. U. F. A. Released by Paramount. 1928. 6 reels.

Credits: Director, Lothar Mendes; scenario, Robert Liebman.

THE ADVENTURE OF CHARLES AUGUSTUS MILVERTON. SEE The Adventure of the Missing Rembrandt.

THE ADVENTURE OF THE MISSING REMBRANDT. (Sherlock Holmes Series) 1932. 8 reels. Adapted from "The Adventure of Charles Augustus Milverton" by Sir Arthur Conan Doyle.

Credits: Director, Leslie S. Hiscott; screen adaptation, Cyril Twyford, H. Fowler Mear.

THE ADVENTURE OF THE RIVAL UNDERTAKERS. 1914. 1 reel.

THE ADVENTURE SHOP. 1918. 5 reels. Story adapted from "The Green Gullabaloo" by Bud Fisher.

Credits: Director, Kenneth Webb; scenario, George H. Plympton.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

Credits: Director, Alice Blaché; scenario, Harry Chandlee, Lawrence McCloskey.

THE ADVENTURER. 1917. 1 reel.

Credits: Written and produced by Charlie Chaplin.

THE ADVENTURER. 1920. 6 reels, b&w, tinted sequences.

Credits: Director, J. Gordon Edwards; adaptation, E. Lloyd Sheldon.

THE ADVENTURER. 1928. 5 reels, b&w.

Credits: Story, Leon Abrams; screenplay, Jack Cunningham; film editor, Sam S. Zimbalist.

THE ADVENTURER. SEE The Beautiful Mrs. Reynolds.

THE ADVENTURES AND EMOTIONS OF EDGAR POMEROY. Presented by Samuel Goldwyn. 1920-21. 2 reels each. From the stories by Booth Tarkington. © Goldwyn Pictures Corp.

Credits: Directors, Paul Bern, E. Mason Hopper, Mason N. Litson; scenario, Eleanor Flori, Barbara Kent.

1. Edgar and Teacher's Pet. © 11Mar20; LP14868.

2. Edgar's Hamlet. © 25Mar20; LP14922.

3. Edgar's Jonah Day. © 8May20; LP15105.

4. Edgar Takes the Cake. © 17Jul20; LP15371.

5. David and Goliath. © 1Sep20; LP15543.

5. Edgar's Sunday Courtship. © 1Sep20; LP15711.

6. Edgar Camps Out. © 15Oct20; LP15765.

7. Edgar's Little Saw. © 11Dec20; LP15910.

8. Get-Rich-Quick Edgar. © 24Dec20; LP15968.

9. Edgar The Explorer. © 18Jan21; LP16036.

10. Edgar's Country Cousin. © 12Jan21; LP16035.

11. Edgar's Feast Day. © 3Mar21; LP16221.

12. Edgar the Detective. © 8Apr21; LP16381.

ADVENTURE'S END. 1937. 7 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original story, Ben Ames Williams; screenplay, Ben Graumer Kohn, Scott Darling, Sid Sutherland; film editor, Charles Craft.

ADVENTURES IN THE JUNGLES. 1939. 3 reels, sd.

Credits: Producer, Edward Warren.

Credits: Producer, Hardee Kirkland.

ADVENTURES OF ANDY. 1913-14. 1 reel each. © Thomas A. Edison, Inc.

Credits: Alice Williams, Mark Swan; director, Charles H. France.

[1] Andy Gets a Job. © 13Dec13; LP1797.

2. Andy Plays Hero. © 29Dec13; LP1871.

3. Andy Goes on the Stage. © 26Jan14; LP2048.

4. Andy, the Actor. © 21Feb14; LP2195.

5. Andy and the Hypnotist. © 21Mar14; LP2369.

6. Andy Plays Cupid. © 27Apr14; LP2603.

[7] Andy Goes a-Pirating. © 25May14; LP2756.

[8] Andy Has a Toothache. © 22Jun14; LP2904.

[9] Andy Learns To Swim. © 25Jul14; LP3078.

[10] Getting Andy's Goat. © 22Aug14; LP3255.

[11] Andy and the Redskins. © 26Sep14; LP3433.

[12] Andy Falls in Love. © 24Oct14; LP3614.

THE ADVENTURES OF BUFFALO BILL (COL. WM. F. CODY). Released through Kleine-Edison-Selig-Essanay Service. 1917. 5 reels.

ADVENTURES OF BUNNY RABBIT. 1937. 1 reel.

Credits: Director, Harley Knoles; story, Julia Burnham.

ADVENTURES OF CHICO. 1937. 6 reels, sd.

Credits: Produced and directed by Stacy Woodard, Horace Woodard.

THE ADVENTURES OF FRANK MERRIWELL. 1935-36. 2 reels each. From the stories by Burt L. Standish [pseud. of Gilbert Patten].

Credits: Director, Cliff Smith; screenplay, George Plympton, Maurice Geraghty, Ella O'Neill. Basil Dickey.

1. College Hero. © 17Dec35; LP5999.

2. The Death Plunge. © 17Dec35; LP6000.

3. Death at the Cross Roads. © 17Dec35; LP6001.

4. Wreck of the Viking. © 26Dec35; LP6020.

5. Capsized in the Cataract. © 26Dec35; LP6021.

6. Descending Doom. © 30Dec35; LP6026.

7. Monster of the Deep. © 12Feb36; LP6130.

8. The Tragic Victory. © 18Feb36; LP6148.

9. Between Savage Foes. © 27Feb36; LP6166.

10. Imprisoned in a Dungeon. © 4Mar36; LP6184.

11. The Crash in the Chasm. © 13Mar36; LP6208.

12. The Winning Play. © 18Mar36; LP6219.

THE ADVENTURES OF HUCKLEBERRY FINN. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w. Based on the book by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Producer, Joseph L. Mankiewicz; director, Richard Thorpe; screenplay, Hugo Butler; music score, Frank E. Hull, Franz Waxman.

Credits: Lorimer Johnston.

THE ADVENTURES OF JANE ARDEN. 1939. 6 reels, sd. Based on the comic strip created by Monte Barrett and Russell E. Ross.

Credits: Director, Terry Morse; screenplay, Vincent Sherman, Lawrence Kimble, Charles Curran.

Credits: Producer, F. J. Grandon; scenario, Gilson Willets.

1. The Unwelcome Throne. © title, descr. & 116 prints, 26Dec13; LU1857.

2. The Two Ordeals. © title, descr. & 101 prints, 7Jan14; LU1920.

[3] In the Temple of the Lion. © title, descr. & 99 prints, 22Jan14; LU2000.

[4] The Royal Slave. © title, descr. & 79 prints, 4Feb14; LU2091.

5. A Colonel in Chains. © title, descr. & 98 prints, 19Feb14; LU2178.

[6] Three Bags of Silver. © title, descr. & 84 prints, 7Mar14; LU2279.

7. The Garden of Brides. © title, descr. & 90 prints, 21Mar14; LU2361.

[8] The Cruel Crown. © title, descr. & 99 prints, 6Apr14; LU2454.

9. The Spellbound Multitude. © title, descr. & 99 prints, 20Apr14; LU2538.

11. The Forged Parchment. © 14Apr14; LP2619.

12. The King's Will. © 6May14; LP2707.

13. The Court of Death. © 11May14; LP2792.

THE ADVENTURES OF MARCO POLO. 1938. 11 reels, sd.

Credits: Director, Archie Mayo; story, N. A. Pogson; screenplay, Robert E. Sherwood; film editor, Fred Allen; music director, Alfred Newman; music, Hugo Friedhofer.

THE ADVENTURES OF MAZIE. Released by F. B. O. 1925-26. 2 reels each. © R-C Pictures Corp.

Credits: Directors, Ralph Ceder, Jimmy Wilkinson; stories, Nell Martin; adaptation and continuity, Doris Anderson.

1. Amazing Mazie. © 13Sep25; LP21836.

2. The Constant Simp. © 27Sep25; LP21891.

3. Or What Have You. © 11Oct25; LP21898.

4. Mazies Won't Tell. © 25Oct25; LP21932.

5. So's Your Old Man. © 8Nov25; LP22013.

6. Pike's Pique. © 22Nov25; LP22082.

[7] The Vanishing Armenian. © 6Dec25; LP22234.

8. Tea for Toomey. © 11Dec25; LP22109.

9. High but Not Handsome. © 3Jan26; LP22219.

10. Little Andy Looney. © 8Jan26; LP22236.

11. A Snitch in Time. © 16Dec25; LP22270.

12. Mazie's Married. © 1Feb26; LP22343.

THE ADVENTURES OF PETER. 1930. 706 ft.

ADVENTURES OF POPEYE. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

ADVENTURES OF REX AND RINTY. Presented by Nat Levine. 1935. 2 reels each, sd. © Mascot Pictures Corp; no. 1-6, 25Aug35; LP5916; no. 7-12, 27Aug35; LP6035.

Credits: Supervision, Barney Sarecky; directors, B. Reeves Eason, Forde Beebe; original story, B. Reeves Eason, Maurice Geraghty, Ray Trampe; screenplay, John Rathmell, Barney Sarecky; film editor, Joseph Lewis.

THE ADVENTURES OF ROBIN HOOD. 1938. 11 reels. Based upon ancient Robin Hood legends.

Credits: Directors, Michael Curtiz, William Keighley; original screenplay, Norman Reilly Raine, Seton I. Miller; music, Erich Wolfgang Korngold.

ADVENTURES OF ROBINSON CRUSOE. Universal Special. 1922. 2 reels each. From the story by Daniel Defoe. © Universal Film Mfg. Co., Inc.

Credits: Director, Robert F. Hill; scenario, Emma Belle Clifton.

1. The Sea Raiders. © 16Mar22; LP17659.

2. Shipwrecked. © 29Mar22; LP17700.

3. The Cannibals' Captives. © 31Mar22; LP17711.

4. Hidden Gold. © 4Apr22; LP17729.

5. The Ship of Despair. © 11Apr22; LP17746.

6. Friday's Faith. © 20Apr22; LP17776.

7. The Swamp of Terror. © 26Apr22; LP17802.

8. Marooned. © 28Apr22; LP17812.

9. The Jaguar Trap. © 9May22; LP17864.

10. A Prisoner of the Sun. © 13May22; LP17908.

11. No Greater Love. © 1Jun22; LP18057.

12. The Island of Happiness. © 6Jun22; LP17944.

13. The Sword of Courage. © 12Jun22; LP17951.

14. The Buccaneers. © 15Jun22; LP17970.

15. The Jolly Roger. © 21Jun22; LP17988.

16. The Idol's Bride. © 3Jul22; LP18032.

17. When the Heart Calls. © 10Jul22; LP18042.

18. Back to the Primitive. © 17Jul22; LP18062.

1. The Wrong Countess. © title, descr. & 60 prints, 22Nov19; LU14454.

2. The Celestial Maiden. © title, descr. & 40 prints, 22Nov19; LU14455.

3. The Bewitching Spy. © title, descr. & 40 prints. 22Nov19; LU14518.

4. The Stolen Picture. © title, descr. & 40 prints, 31Jan20; LU14710.

5. The Bank Robbery. © title, descr. & 40 prints, 31Jan20; LU14711.

6. The Border Fury. © title, descr. & 40 prints, 31Jan20; LU14712.

7. The Substitute Messenger. © title, descr. & 40 prints, 31Jan20; LU14713.

8. The Harem Model. © title, descr. & 40 prints, 31Jan20; LU14714.

9. The Cellar Gangsters. © title, descr. & 40 prints, 31Jan20; LU14715.

10. The Forged Check. © title, descr. & 40 prints, 8Mar20; LU14836.

11. The Trap. © title, descr. & 40 prints, 8Mar20; LU14837.

12. The Vault of Terror. © title, descr. & 40 prints, 8Mar20; LU14838.

13. Within Hollow Walls. © title, descr. & 40 prints, 8Mar20; LU14839.

14. The Fighting Chance. © title, descr. & 40 prints, 8Mar20; LU14840.

15. The Key of Victory. © title, descr. & 40 prints, 8Mar20; LU14841.

THE ADVENTURES OF SHERLOCK HOLMES. SEE

The Beryl Coronet.

A Case of Identity.

The Copper Beeches.

The Devil's Foot.

The Dying Detective.

The Man with the Twisted Lip.

The Musgrave Ritual.

A Mystery of Boscombe Vale.

The Red Headed League.

The Resident Patient.

The Reygate Squires.

A Scandal in Bohemia.

Silver Blaze.

The Speckled Band.

The Stolen Papers.

The Yellow Face.

THE ADVENTURES OF TARZAN. 1921. 2 reels each, except no. 1 which is 3 reels. From "The Return of Tarzan" by Edgar Rice Burroughs. © Great Western Producing Co.

Credits: Director, Robert F. Hill; adaptation and continuity, Lillian Valentine, Robert F. Hill.

1. Jungle Romance. © 7Jun21; LP16867.

2. The City of Gold. © 7Jun21; LP16868.

3. The Sun Death. © 7Jun21; LP16869.

4. Stalking Death. © 7Jun21; LP16870.

5. Flames of Hate. © 7Jun21; LP16871.

6. The Ivory Tomb. © 25Aug21; LP16990.

7. The Jungle Trap. © 25Aug21; LP16991.

8. The Tornado. © 25Aug21; LP16992.

9. Fangs of the Lion. © 25Aug21; LP16993.

10. The Simoon. © 25Aug21; LP16994.

11. The Hidden Foe. © 25Aug21; LP16995.

12. Dynamite Trail. © 25Aug21; LP16996.

13. The Jungle's Prey. © 25Aug21; LP16997.

14. Flaming Arrows. © 25Aug21; LP16998.

15. The Last Adventure. © 25Aug21; LP16999.

ADVENTURES OF THE SUBSTITUTE WIDOW. Imp. 1915. 2 reels.

Credits: Hugh C. Weir; producer, Stuart Paton.

THE ADVENTURES OF THE YELLOW CURL PAPERS. Imp. 1915. 2 reels.

Credits: Hugh Weir.

THE ADVENTURES OF TOM SAWYER. 1938. 10 reels, sd., color. Based on the story by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, Norman Taurog; screenplay, John V. A. Weaver; continuity, Barbara Keon; film editor, Margaret Clancey; music director, Lou Forbes.

THE ADVENTURES OF TOM SAWYER. SEE Tom Sawyer.

THE ADVENTURES OF TOM THE TAMER AND KID KELLY. (Animated Grouch Chaser) 1916. 1,000 ft.

Credits: Raoul Barre.

ADVENTURES OF VAN BIBBER. SEE

The Fight.

A Fool and His Honey.

The Guest of Honor.

Hot House Hazel.

The Hunt.

The Kiss Doctor.

The Mad Racer.

The Race.

Rah! Rah! Heidelberg!

T-Bone for Two.

Too Many Cookies.

Credits: Director, Fred J. Balshofer; story, Charles Taylor, Tom J. Geraghty.

THE ADVENTURESS. SEE

The Desert Bride.

The Keyhole.

THE ADVENTURESS IN GREEN. Pasquali & Co., Italy.

ADVENTUROUS AMBROSE. 1918. 2 reels.

THE ADVENTUROUS BLONDE. 1937. 8 reels, sd.

Credits: Director, Frank McDonald; original screenplay, Robertson White, David Diamond; film editor, Frank Magee.

ADVERTISING DID IT. 1915. 1 reel.

Credits: Producer, Romaine Fielding.

ADVICE TO THE LOVELORN. Released through United Artists. 1933. 7 reels, sd. From a novel by Nathaniel West.

Credits: Producer, Darryl F. Zanuck; director, Alfred Werker; screenplay, Leonard Praskins; film editor, Alan McNeil; musical direction, Alfred Newman.

THE ADVISOR. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Harvey Gates.

THE AERIAL BUDS. Powers. 1916. 1/2 reel.

AN AERIAL JOY RIDE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Reed.

AERO NUTS. 1927. 1 reel. Adapted from the Krazy Kat cartoons by George Herriman.

Credits: Animation, Ben Harrison, Manny Gould.

AN AFFAIR FOR THE POLICE. 1914. 2 reels.

Credits: Director, William Humphrey.

THE AFFAIR OF SUSAN. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, David Diamond; director, Kurt Neumann; story, Mann Page; screenplay, Clarence Marks, Andrew Bennison, H. M. Walker; film editor, Phil Cahn; music direction, Bakalelnikoff.

AN AFFAIR OF THE FOLLIES. 1927. 7 reels. From the story "Here Y'Are Brother" by Dixie Willson.

Credits: Producer, Al Rockett; director, Millard Webb; scenario, Carey Wilson.

AFFAIRS OF A GENTLEMAN. 1934. 7 reels. From a play by Edith and Edward Ellis.

Credits: Director, Edward L. Marin; screenplay, Cyril Hume, Peter Ruric, Milton Krims.

THE AFFAIRS OF ANATOL. 1921. 9 reels. Suggested by the play by Arthur Schnitzler.

Credits: Jeanie McPherson; producer, Cecil B. De Mille.

THE AFFAIRS OF ANNABEL. 1938. 68 min., sd.

Credits: Producer, Lou Lusty; director, Ben Stoloff; story, Charles Hoffman; screenplay, Bert Granet, Paul Yawitz; editor, Jack Hively; music director, Roy Webb.

AFFAIRS OF CAPPY RICKS. 1937. 7 reels, sd.

Credits: Associate producer, Burt Kelly; director, Ralph Staub; story, Peter B. Kyne; original screenplay, Lester Cole.

THE AFFAIRS OF CELLINI. 1934. 9 reels, sd. From the play by Edwin Justus Mayer.

Credits: Associate producers, William Goetz, Raymond Griffith; director, Gregory La Cava; screenplay, Bess Meredyth.

THE AFFAIRS OF HANNERL. SEE Love Me and the World Is Mine.

THE AFFAIRS OF PIERRE. Presented by E. W. Hammons. 1937. 1,754 ft., sd.

Credits: Producer, Al Christie; story, Parke Levy, Marcy Klauber, Arthur Jarrett.

AFFINITIES. 1915. 2 reels. From the story by Mary Roberts Rinehart.

Credits: Director, E. H. Calvert.

AFLAME IN THE SKY. Released by F. B. O. 1927. 6 reels.

Credits: Director, J. P. McGowan; story, Mary Roberts Rinehart; screenplay and continuity, Ewart Adamson.

AFRAID TO FIGHT. 1922. 5 reels.

Credits: Director, William Worthington; story, Leete Renick Brown; scenario, Charles Sarver.

AFRAID TO LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels. Based on the play "The Marriage of Kitty" by Fred de Grésac and F. de Croisset.

Credits: Director, E. H. Griffith; adaptation, Doris Anderson; screenplay, Doris Anderson, Joseph Jackson.

AFRAID TO TALK. 1932. 8 reels. From the drama by George Sklar and Albert Maltz.

Credits: Director, Edward L. Cahn; screenplay, Tom Reed.

AFRICA. (A Walter Lantz Bill Nolan Cartoon) (An Oswald Cartoon) 1930. 1 reel.

Credits: Animation, Walter Lantz, Bill Nolan.

AFRICA BEFORE DARK. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

AFRICA, LAND OF CONTRAST. (M. G. M. Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

AFRICA SHRIEKS. 1931. 1 reel.

AFRICA SPEAKS. 1930. For Colorado African Expedition, Inc. 8 reels, sd.

Credits: Produced and filmed by Paul A. Hoefler and Walter A. Futter.

AFRICA SPEAKS ENGLISH. 1933. 1 reel, sd.

Credits: Director, Roy Mack; story, Burnet Hershey.

AFRICA SQUAWKS. 1931. 2 reels, sd.

Credits: Producer, Phil Goldstone.

AFRICA SQUAWKS. (A Terry-Toon) 1939. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

AFRICA SQUEAKS. (Flip the Frog Cartoon) 1932. 1 reel.

AN AFRICAN ADVENTURE. 1927. 1 reel.

AN AFRICAN BOMA. (Adventures in Africa, no. 2) 1931. 2 reels.

THE AFRICAN DODGER. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Tom Howard; dialogue staged by Max E. Hayes.

AN AFRICAN HUNT. 1915. 400 ft. On same reel with "Susie's Suitors."

Credits: Drawn by Vincent Whitman.

AFRICAN HUNT. SEE Paul J. Rainey's African Hunt.

AFRICAN LIONS AND AMERICAN BEAUTIES. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

AFRICAN SEA BIRDS. 1913. 1 reel.

AFTER A REPUTATION. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

AFTER ALL. SEE New Morals for Old.

AFTER BIG GAME OF THE SEA. Sterling. 1915. Split reel.

AFTER BUSINESS HOURS. 1925. 5,600 ft. Adapted from the story "Everything Money Can Buy" by Ethel Watts Mumford.

Credits: Director, Mal St. Clair; scenario, Douglas Doty; editor, Errol Taggard.

Credits: Screenplay, J. F. Natteford.

AFTER FIVE. SEE The Night Club.

AFTER HENRY. Metro-Drew. 1918. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

AFTER HIS OWN HEART. 1919. 5 reels. From the story by Ben Ames Williams.

Credits: Producer, Maxwell Karger; director, Harry L. Franklin; scenario, A. S. Le Vino.

AFTER MARRIAGE. Presented by J. G. Mayer. 1923. 5 reels.

Credits: Written and directed by Norman Dawn.

AFTER MIDNIGHT. 1921. 5 reels.

Credits: Producer, Ralph Ince; story, John Lynch.

AFTER MIDNIGHT. 1927. 7 reels, b&w.

Credits: Production, direction, and story, Monta Bell; scenario, Lorna Moon; titles, Joe Farnham; film editor, Blanche Sewell.

AFTER OFFICE HOURS. A Robert Z. Leonard production. 1935. 7 reels, sd., b&w.

Credits: Producer, Bernard H. Hyman; director, Robert Z. Leonard; story, Laurence Stallings, Dale Van Every; screenplay, Herman J. Mankiewicz; film editor, Tom Held.

AFTER SEBEN. 1929. 2 reels.

Credits: Director, S. Jay Kaufman; story, James Barton.

AFTER SIX DAYS. Presented by Weiss Brothers. 1922. 10 reels. From stories of the Old Testament.

Credits: Producers and directors, Armando Vay, Piero Antonio Gariazzo; edited and titled by Kathyrne Stuart.

Credits: Picturized and directed by Pierce Kingsley.

AFTER THE BALL. 1923. For Theatre Owners Distributing Corp. 7 reels. Adapted from the song by Charles K. Harris.

Credits: Director, Dallas M. Fitzgerald; story, Charles K. Harris; scenario, James Colwell.

AFTER THE BALL. 1929. 1 reel, sd.

Credits: Director, Dave Fleischer.

AFTER THE BALL. Gaumont-British, London. 1933. 6,454 ft., sd.

Credits: Director, Milton Rosmer; adaptation, H. M. Harwood.

AFTER THE BALLED-UP BALL. 1917. 2 reels.

Credits: Director, J. A. Howe; supervision, J. G. Blystone.

AFTER THE BATTLE. Special Big U. 1916. 2 reels.

AFTER THE CIRCUS. (Paramount-Briggs) 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario, Doty Hobart.

AFTER THE DANCE. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Harrison Jacobs; screenplay, Harold Shumate; additional dialogue, Bruce Manning; film editor, Otto Meyer; music, Harry Akst.

AFTER THE ORDER—THEN WHAT? 1928. 1 reel.

AFTER THE PLAY. Victor. 1916. 1 reel.

Credits: Producer, William Worthington; story, Robert McGowan; scenario, Ben Cohn.

AFTER THE RAIN. SEE The Painted Woman.

AFTER THE SHOW. 1921. 7 reels.

Credits: Director, William De Mille; story, Rita Weiman.

AFTER THE SHOW. (Melody Comedy) 1929. 2 reels, sd.

Credits: Production, direction and story, Harry Delmar; supervision, Philip Tannura; film editor, E. Pfitzenmeier.

AFTER THE SQUALL IS OVER. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.

AFTER THE STORM. 1915. 2 reels.

AFTER THE STORM. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, George B. Seitz; story, Harold Shumate; continuity, Will M. Ritchey.

AFTER THE THIN MAN. 1936. 12 reels, sd., b&w. From a story by Dashiell Hammett.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, Frances Goodrich, Albert Hackett; film editor, Robert J. Kern; music score, Herbert Stothart, Edward Ward.

AFTER THE WAR. 1919. 5 reels.

Credits: Director, Joseph DeGrasse; story, Kingsley Benedict; scenario, Harvey Gates.

AFTER THE WELSH RAREBIT. 1913. 1 reel.

Credits: William W. Hansom.

AFTER TOMORROW. 1932. 7,100 ft., sd. Based on the stage play by John Golden and Hugh S. Stange.

Credits: Director, Frank Borzage; screenplay, Sonya Levien; editor, Margaret Clancy.

AFTER TONIGHT. 1933. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; story, Jane Murfin; screenplay, Jane Murfin, Albert Shelby LeVino, Worthington Miner; editor, William Hamilton; music director, Max Steiner.

AFTER VACATION THERE IS A JOB TO BE DONE. 1930. 1 reel.

AFTER YOUR OWN HEART. 1921. 5 reels.

Credits: Director, George Marshall; story, William Wallace Cook; adaptation, Tom Mix; edited and titled by Ralph Spence.

AN AFTERNOON MIRACLE. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; scenario, Robert A. Sanborn.

AFTERNOON OF A FAUN. SEE L'Après-Midi d'un Faune.

AFTERWARDS. SEE Their Big Moment.

AGAINST ALL ODDS. 1924. 5 reels.

Credits: Director, Edmund Mortimer; story, Max Brand [pseud. of Frederick Faust]; scenario, Frederic Chapin.

AGAINST THE CURRENT. SEE Contra la Corriente.

AGAINST THE LAW. 1934. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Otto Meyer.

AGAINST THE RULES. (Rainbow Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; story and direction, Arch B. Heath; film editor, John Link; music director, Francis Groman.

AGATHA'S AUNT. SEE A Heart To Let.

THE AGE FOR LOVE. 1931. 9 reels. From the novel by Ernest Pascal.

Credits: Director, Frank Lloyd; adaptation, Ernest Pascal; dialogue, R. E. Sherwood.

THE AGE OF CONSENT. Presented by Radio Pictures. 1932. 7 reels, sd. From the play "Crossroads" by Martin Flavin.

Credits: Executive producer, David O. Selznick; director, Gregory Lacava; screenplay, Sarah Y. Mason, Francis Cockrell.

THE AGE OF DESIRE. First National. 1923. 6 reels. Adapted from the story by Dixie Willson.

Credits: Producer and director, Frank Borzage.

AGE OF INDISCRETION. 1935. 8 reels, sd.

Credits: Producer, Phillip Goldstone; director, Edward Ludwig; original story, Lenore Coffee; screenplay, Leon Gordon, Otis Garrett; film editor, Hugh Wynn.

THE AGE OF INNOCENCE. 1924. 7 reels. From the novel by Edith Wharton.

THE AGE OF INNOCENCE. 1934. 9 reels, sd. From the novel by Edith Wharton and the play by Margaret Ayer Barnes.

Credits: Producer, Pandro S. Berman; director, Philip Moeller; screenplay, Sarah Y. Mason, Victor Heerman; editor, George Hively; music director, Max Steiner.

THE AGELESS SEX. 1914. 1 reel.

AGGIE APPLEBY MAKER OF MEN. 1933. 8 reels, sd. From the play by Joseph O. Kesselring.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; screenplay, Humphrey Pearson, Edward Kaufman; editor, Basil Wrangell; music director, Max Steiner.

THE AGGRAVATIN' B'AR. (A Sports-Eye-View) 1933. 1 reel.

THE AGGRAVATIN' KID. Century. 1924. 2 reels.

Credits: Written and directed by Edw. I. Luddy.

AGGRAVATIN' MAMA. SEE The Gumps in Aggravatin' Mama.

AGGRESSIVENESS: ESTABLISHING OUTPOSTS. 1929. 1 reel.

AGHILEEN PINNACLES. 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Father Hubbard and Lowell Thomas.

Credits: Producer, John L. Hawkinson.

AGNES. SEE

A Million Bid.

A Woman's Experience.

THE AGONY COLUMN. SEE

The Blind Adventure.

The Second Floor Mystery.

THE AGONY OF FEAR. 1915. 3 reels.

Credits: Director, Giles R. Warren.

AGRICULTURAL OPPORTUNITIES IN WESTERN CANADA. 1918. 1 reel.

AH, GAY VIENNA. Bluebird. 1927. 1 reel.

Credits: Director, Harry Sweet.

AH, WILDERNESS! 1935. 10 reels, sd., b&w. From the play by Eugene O'Neill.

Credits: Producer, Hunt Stromberg; director, Clarence Brown; screenplay, Frances Goodrich, Albert Hackett; film editor, Frank E. Hull; musical score, Herbert Stothart.

A HAUNTING WE WILL GO. (A Walter Lantz Cartune) 1939. 1 reel, sd., color.

Credits: Director, Burt Gillett; story, Gil Burton, Kin Platt; animation, Fred Kopietz, Lester Kline.

A HUNTING WE WILL GO. 1932. 1 reel.

Credits: Director, Robert C. Bruce.

A HUNTING WE WILL GO. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Alfred Eugster, Rudolph Eggeman.

AIN'T HE GRAND? Imp. 1916. 1 reel.

Credits: Written and produced by Roy Clements.

AIN'T IT THE TRUTH? 1915. 1 reel.

AIN'T IT THE TRUTH. 1929. 2 reels, sd.

AIN'T LOVE AWFUL? Century. 1923. 2 reels.

AIN'T LOVE FUNNY? Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Kay Clement, Lela Gidley; adaptation and continuity, Doris Anderson.

AIN'T LOVE GRAND! 1921. 2 reels.

Credits: Director, Al. St. John.

AIN'T NATURE GRAND. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Stephen Roberts.

AIN'T NATURE WONDERFUL. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Lyons-Moran.

AIN'T SHE SWEET. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Thomas Johnson.

AIN'T WE GOT FUN. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Bob Clampett; musical score, Carl W. Stalling.

AIR. (General Science) 1937. Filmstrip.

Credits: Arranged and produced by Gerrit C. Zwart; drawings, Helen S. Zwart.

AIR ATTACK. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

THE AIR CIRCUS. 1928. 8 reels, b&w, tinted sequences.

Credits: Directors, Howard Hawks, Lew Seiler; story, Graham Baker, Andrew Bennison; scenario, Seton I. Miller, Norman Z. McLeod.

THE AIR DERBY. (Russ Farrell Aviator Series) 1929. 2 reels.

Credits: Producers, Charles R. Rogers, Harry J. Brown; director, Harry J. Brown; story, Thompson Burtis.

AIR DEVILS. 1938. 7 reels.

Credits: Associate producer, Paul Malvern; director, John Rawlins; original story, Harold Buckley; screenplay, Harold Buckley, George Waggner; film editor, Charles Craft.

THE AIR EXPRESS. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walt Lantz, Victor McLeod; artists, Lester Kline, Fred Kopietz, Laverne Harding.

AIR FRIGHT. (Hal Roach, Thelma Todd and Patsy Kelly Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

THE AIR HAWK. Released by F. B. O. 1924. 5 reels. From the novel by George W. Pyper.

Credits: Director, Bruce Mitchell; editor, Della M. King.

AIR HAWKS. 1935. 7 reels, sd.

Credits: Director, Albert Rogell; screenplay, Griffin Jay, Grace Neville; film editor, Richard Cahoon.

AIR HOSTESS. 1933. 7 reels, sd.

Credits: Director, Albert Rogell; story, Grace Perkins; screenplay, Keene Thompson, Milton Raison.

AIR HOSTESS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 703 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

THE AIR LEGION. 1929. 7 reels.

Credits: Director, Bert Glennon; story, James A. Creelman; continuity, Fred Mynton.

THE AIR MAIL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,976 ft.

Credits: Producer, Irvin Willat; story, Byron Morgan; screenplay, James Shelley Hamilton.

AIR MAIL. 1932. 9 reels.

Credits: Director, John Ford; screenplay, Dale Van Every, Frank Wead.

THE AIRMAIL MYSTERY. 1932. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story and dialogue, Ella O'Neill; continuity, Basil Dickey, George Plympton, George Morgan.

1. Pirates of the Air. © 14Mar32; LP2918.

2. Hovering Death. © 14Mar32; LP2919.

3. A Leap for Life. © 24Mar32; LP2938.

4. A Fatal Crash. © 29Mar32; LP2952.

5. The Hawk Strikes. © 6Apr32; LP2973.

6. The Bridge of Destruction. © 13Apr32; LP2986.

7. The Hawk's Treachery. © 21Apr32; LP2994.

8. The Aerial Third Degree. © 27Apr32; LP3002.

9. The Attack on the Mine. © 6May32; LP3019.

10. The Hawk's Lair. © 13May32; LP3035.

11. The Law Strikes. © 20May32; LP3052.

12. The Mail Must Go Through. © 8Jun32; LP3076.

AIR MANIACS. Treasure Chest. Presented by E. W. Hammons. 1933. 960 ft., sd.

Credits: Producer, Nate Watt.

AIR PARADE. Presented by E. W. Hammons. 1938. 1,743 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

THE AIR PATROL. (Thrill Series) 1927. 5 reels.

Credits: Director, Bruce Mitchell; story, Al Wilson; continuity, William Lester.

AIR POLICE. 1931. 6 reels, sd.

Credits: Director, Stuart Paton; story, continuity, and dialogue, Arthur Hoerl, Bennett Cohen.

THE AIR PRESSURE IN WHICH WE LIVE. 1924. 1 reel.

AIR THRILLS. (World of Sports) 1935. 1 reel, sd.

Credits: Producer, Sidney H. MacKean.

AIR TIGHT. (Bobby Vernon Comedies) Educational Pictures. 1925. 2 reels.

Credits: Director, Harold Beaudine.

AIR TIGHT. Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

AIR TONIC. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Joseph A. Fields, Walter Weems; film editor, Charles Kimball.

AIRHOPPERS. (A Sports Parade Subject) 1936. 1 reel, sd., b&w.

Credits: Director, Joseph Boyle; explanatory remarks by Pete Smith.

AN AIRPLANE TRIP. 1938. 1 reel, sd.

AL ABBOTT IN SMALL TOWN RAMBLES. 1929. 1 reel, sd.

AL HERMAN, THE ASSASSIN OF GRIEF AND REMORSE. 1928. 1 reel, sd.

AL JOLSON IN A PLANTATION ACT SINGS APRIL SHOWERS [and others]. 1927. 1 reel, sd.

AL JOLSON IN ANNOUNCEMENT TRAILER (BLACKFACE) FOR THE SINGING FOOL. 1928. 1 reel, sd.

AL. LYDELL AND BOBBY HIGGINS IN A FRIEND OF FATHER'S. 1928. 1 reel, sd.

AL LYONS AND HIS FOUR HORSEMEN. 1929. 1 reel, sd.

AL TRAHAN IN THE MUSICALE. 1930. 1 reel, sd.

AL WOHLMAN, BROADWAY'S DOCTOR OF MELODY [OFFERS] WHAT YOU GONNA DO NOW [and others]. (Movietone Act) 1929. 1 reel, sd.

Credits: Producer, Al Wohlman.

AN ALABASTER BOX. 1917. 5 reels.

Credits: A. Van Buren Powell; director, Chester Withey; story, Mary E. Wilkins Freeman, Florence Morse Kingsley.

ALADDIN AND HIS WONDERFUL LAMP. 1939. 2 reels, sd., color.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm, Nicholas Tafuri, Reuben Grossman.

ALADDIN AND THE WONDERFUL LAMP. 1917. For Fox Film Corp. 8 reels. Based on "The Arabian Nights."

Credits: Directors, S. A. and C. M. Franklin; scenario, Bernard McConville.

ALADDIN AND THE WONDERFUL LAMP. (ComiColor Cartoon) 1934. 1 reel, sd., color.

ALADDIN FROM BROADWAY. 1917. 5 reels.

Credits: Frederick Isham; director, William Wolbert; scenario. Helmer Walton Bergman.

ALADDIN-UP-TO-DATE. Black Cat. 1917. 30 min.

Credits: H. Tipton Steck; director, Arthur Berthelet.

ALADDIN'S LAMP. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 9 min.

Credits: Frank Moser, Paul Terry.

ALADDIN'S LAMP. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 543 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

ALADDIN'S LANTERN. (Our Gang Comedy) Presented by Metro-Goldwyn Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; screenplay, Hal Law, Robert McGowan; music director, David Snell.

ALADDIN'S OTHER LAMP. Presented by B. A. Rolfe. 1917. 5 reels. From the play "The Dream Girl" by Willard Mack.

Credits: Director, John H. Collins; adaptation, June Mathis.

THE ALARM. 1921. 2 reels.

Credits: Director, Robert Hill; story and scenario, George Morgan, George H. Plympton.

THE ALARM. 1922. 2 reels.

Credits: Director, Al St. John.

ALARM CLOCK ANDY. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story, Agnes C. Johnston.

ALAS AND ALACK. Rex. 1915. 1 reel.

Credits: Producer, Joseph de Grasse; scenario, Ida May Park.

Credits: Written and produced by Colin Campbell.

ALASKA. 1930. 1 reel.

ALASKA. (Oswald Cartoon) 1930. 1 reel.

Credits: Animation, Walter Lantz, William Nolan.

ALASKA. 1931. 1 reel.

ALASKA LOVE. (Educational's Comedies) 1932. 20 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Felix Adler.

ALASKA OR BUST. (Fables, no. 378) 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

ALASKA SWEEPSTAKES. 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz and Victor McLeod.

THE ALASKAN. Paramount. 1924. 6,736 ft. From the novel by James Oliver Curwood.

Credits: Producer, Herbert Brenon; screenplay, Willis Goldbeck.

Credits: Producer, John Morton Allen; director, Jack Robertson; edited and titled by Paul Hugon; photographed by Jack Robertson and Wylie Wells Kelly.

THE ALASKAN INDIANS. 1/2 reel. 1916.

Credits: Photographer, Edward S. Curtis.

AN ALASKAN INTERLUDE. 1914. 1 reel.

Credits: George Lessey.

ALASKAN NIGHTS. (Krazy Kat Comic) Winkler. 1930. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE ALBANY BRANCH. 1931. 20 min., sd.

Credits: Director, Max Sennett; story and dialogue, John A. Waldron, Earl Rodney, Del Lord, Walter Weems, Harry McCoy.

THE ALBANY NIGHT BOAT; 1928. 6 reels.

Credits: Director, Alfred Raboch; story and continuity, Wellyn Totman; editor, Byron Robinson.

ALBERT CARROLL IN IMPRESSIONS. 1930. 1 reel, sd.

ALBERT SPALDING. 1929. 1 reel, sd.

ALBERT SPAULDING, CONCERT VIOLINIST, PLAYING GYPSY AIRS BY SARASATE, SOUVENIR BY DRDLA. 1927. 1 reel, sd.

ALBERT SPAULDING, CONCERT VIOLINIST, PLAYING NOCTURNE NO. 12 IN G MAJOR BY CHOPIN, HARK, HARK, THE LARK BY FRANZ SCHUBERT. 1927. 1 reel, sd.

ALBERT SPAULDING PLAYING ALABAMA BY SPAULDING AND VALSE IN G FLAT BY CHOPIN. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING AVE MARIA BY SCHUBERT, WALTZ IN A BY BRAHMS. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING LEIBESLEID, CAVATINA, BY RAFF. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING MINUET IN D BY MOZART, LIEBESFREUD BY KREISLER. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING SCHUMANN'S TRAUMEREI AND SARASATE'S ROMANZA ANDALUZA. 1929. 1 reel, sd.

ALCATRAZ ISLAND. Cosmopolitan. First National. 1937. 6 reels, sd.

Credits: Director, William McGann; original screenplay, Crane Wilbur.

THE ALCHEMIST'S HOURGLASS. 1936. 2 reels, sd.

Credits: Director, Leo Lipp; score composed and conducted by S. B. Grimson.

ALEC LLOYD, COWPUNCHER. SEE Cupid, the Cowpuncher.

ALEX MORRISON, ASSISTED BY WALTER WEEMS IN A LESSON IN GOLF. 1927. 1 reel.

ALEX THE GREAT. 1928. 7 reels. From the novel by H. C. Witwer.

Credits: Adaptation, Dudley Murphy.

Credits: Director, Kenneth Webb; adaptation, Allen Johnson.

ALEXANDER HAMILTON. 1931. 8 reels, sd.

Credits: George Arliss, Mary Hamlin; director, John Adolfi; adaptation, Julian Josephson, Maude Howell.

ALEXANDER'S RAGTIME BAND. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

ALEXANDER'S RAGTIME BAND. 1938. 9,569 ft., sd.

Credits: Director, Henry King; screenplay, Kathryn Scola, Lamar Trotti; adaptation, Richard Sherman; music director, Alfred Newman.

ALEXANDRA. SEE Princess Charming.

ALEXANDRIA. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

ALEXIA'S STRATEGY. 1913. 2 reels.

Credits: Frank Dormedont.

ALFALFA LOVE. Century. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

ALFALFA'S AUNT. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan.

AL FALFA'S SCIENTIFIC DAIRY. 1916. 1 reel.

Credits: Paul Terry.

ALF'S BUTTON. First National. 1921. 6 reels. From the novel by W. A. Darlington.

Credits: Producer, Cecil M. Hepworth; adaptation, Blanche Macintosh.

ALGEBRA—PRE-VIEW. 1933. 1 reel.

ALGERIA OLD AND NEW. Powers. 1917. 1/2 reel.

ALGIERS. Released through United Artists. 1938. 10 reels, sd. From the novel by Detective Ashelbe [pseud. of Henri La Barthe].

Credits: Director, John Cromwell; screenplay, John Howard Lawson; additional dialogue, James M. Cain; film editors, Otho Lovering, William Reynolds; music, Vincent Scotto, Mohammed Igorbouchen.

ALGIE'S SISTER. 1914. 1 reel.

Credits: Producer, Gilmore Walker.

ALI BABA AND THE FORTY THIEVES. 1918. 5 reels.

Credits: Directors, C. M. Franklin, S. A. Franklin; scenario, Bernard McConville.

ALI BABA GOES TO TOWN. 1937. 7,402 ft., sd.

Credits: Director, David Butler; story, Gene Towne, Graham Baker, Gene Fowler; screenplay, Harry Tugend, Jack Yellen; music director, Louis Silvers.

ALI GAZAM. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

ALIAS BULLDOG DRUMMOND. 1935. 6 reels, sd.

Credits: Director, Walter Forde; original screenplay, J. O. C. Orton, Sidney Gilliat, Gerard Fairlie; collaboration, Sapper [pseud. of Herman Cyril McNeile]; basic idea and dialogue, Jack Hulbert; editor, Otto Ludwig; music director, Louis Levy.

ALIAS FRENCH GERTIE. Radio. 1930. 7 reels, sd. From the stage play "The Chatterbox" by Bayard Veiller.

Credits: Associate producer, Henry Hobart; director, George Archainbaud; screenplay, Wallace Smith.

ALIAS JANE JONES. Laemmle. 1916. 2 reels.

Credits: William Mong; producer, Cleo Madison.

ALIAS JIMMIE BARTON. 1916. 2 reels.

ALIAS JIMMY VALENTINE. 1920. 6 reels. From the play by Paul Armstrong.

Credits: Director general, Maxwell Karger; adaptation and scenario, Finis Fox.

ALIAS JIMMY VALENTINE. 1929. 10 reels, sd., b&w. From the play by Paul Armstrong.

Credits: Producer and director, Jack Conway; adaptation, A. P. Younger; continuity, Sarah Y. Mason; film editor, Sam S. Zimbalist.

ALIAS JULIUS CAESAR. Presented by Arthur S. Kane. 1922. 5 reels.

Credits: Richard Andrés; director, Charles Ray.

ALIAS LADYFINGERS. 1921. 5 reels. Based on a story by Jackson Gregory.

Credits: Producer and director, Bayard Veiller; scenario, Lenore J. Coffee.

ALIAS MARY DOW. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Director, Kurt Neumann; original story, Forrest Halsey, William Allen Johnston; screenplay, Gladys Unger, Rose Franken, Arthur Caesar; film editor, Phil Cohn.

ALIAS MARY FLYNN. Released by F. B. O. 1925. 6 reels.

Credits: Director, Ralph Ince; story, Frederick Kennedy Myton, Edward J. Montagne; scenario, Fred Myton.

ALIAS MIKE MORAN. 1919. 5 reels. From the story "Open Sesame" by Frederick Orin Bartlett.

Credits: Director, James Cruze; scenario, Will M. Ritchey.

ALIAS MISS DODD. 1920. 5 reels.

Credits: Director, Harry L. Franklin; story, Edgar Franklin [pseud. of Edgar Franklin Stearns]; scenario, Charles J. Wilson, Jr.

ALIAS MRS. JESSOP. 1917. 5 reels. Based on a story by Blair Hall.

Credits: Supervision, Maxwell Karger; director, William S. Davis; adaptation, Albert Shelby Le Vino.

ALIAS ST. NICK. (Happy Harmonies) 1935. 1 reel.

ALIAS THE BAD MAN. 1931. 66 min.

Credits: Director, Phil Rosen; story, Ford Beebe; continuity and dialogue, Earle Snell; editor, Martin G. Cohn.

ALIAS THE BANDIT. 1930. 2 reels.

Credits: Director, Jack Nelson; story and continuity, Harry A. Crist.

ALIAS THE DEACON. Universal-Jewel. 1927. 7 reels. From the play by John B. Hymer and Leroy Clemens.

Credits: Director, Edward Sloman; adaptation and continuity, Charles Kenyon.

ALIAS THE DEACON. SEE Half a Sinner.

ALIAS THE DOCTOR. First National and Vitaphone. 1932. 7 reels. Based on the play by Emric Foeldes.

Credits: Director, Michael Curtiz; adaptation, Houston Branch; dialogue, Charles Kenyon.

ALIAS THE LONE WOLF. 1927. 7 reels. Based on the story by Louis Joseph Vance.

Credits: Producer, Harry Cohn; director, E. H. Griffith; scenario, Dorothy Howell, Edward H. Griffith.

ALIAS THE NIGHT WIND. 1923. 5 reels, b&w, tinted sequences. Based on the story by Varick Vanardy [pseud. of Frederic Van Rensselear Dey].

Credits: Director, Joseph Franz; scenario, Robert N. Lee.

ALIAS THE PROFESSOR. (A Warren Doane Comedy) 1933. 2 reels.

Credits: Director, James W. Horne; story, James W. Horne, George Stevens.

THE ALIBI. Imp. 1915. 1 reel. Adapted from the story by Frank Condon.

Credits: Producer, Clem Easton; scenario, Dwight Cleveland.

THE ALIBI. 1916. 5 reels. From the story by George Allan England.

Credits: Producer, Paul Scardon; picturized by George H. Plympton.

ALIBI. 1929. Presented by Roland West. 10 reels. Based on the play "Nightstick" by John Wray, J. C. Nugent and Elaine Sterne Carrington.

Credits: Produced and directed by Roland West; adaptation and dialogue, Ronald West, C. Gardner Sullivan.

THE ALIBI. 1929. 2 reels, sd.

Credits: Scenario and dialogue, Marcel Achard.

THE ALIBI. SEE Broken Ties.

ALIBI BYE BYE. Presented by Radio Pictures. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnny Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film editor, Edward Mann.

ALIBI FOR MURDER. 1936. 6 reels.

Credits: Director, D. Ross Lederman; original screenplay, Tom Van Dycke; film editor, William A. Lyon.

ALIBI IKE. Warner Bros. Productions Corp. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1935. 8 reels, sd. From the story by Ring Lardner.

Credits: Director, Ray Enright; screenplay, William Wister Haines.

ALIBI MARK. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

ALIBI RACKET. (Crime Does Not Pay Series, no. 2) 1935. 2 reels, sd., b&w.

Credits: Director, George B. Seitz; story, Marty Brooks; screenplay, Richard Goldstone.

ALIBI TIME. 1937. 1 reel, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood.

ALICE ADAMS. 1935. 11 reels, sd. Based on the novel by Booth Tarkington.

Credits: Producer, Pandro S. Berman; director, George Stevens; screenplay, Dorothy Yost, Mortimer Offner, Jane Murfin; music director, Roy Webb.

ALICE AT THE CARNIVAL. Winkler Pictures, Inc. 1927. 1 reel.

ALICE BLUES. 1926. 2 reels.

Credits: Producer, Joe Rock.

ALICE CHARMS THE FISH. Presented by Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE CUTS THE ICE. 1926. 1 reel.

Credits: Walt Disney.

ALICE FOILS THE PIRATES. Winkler Pictures, Inc. 1927. 1 reel.

ALICE HELPS THE ROMANCE. Winkler Pictures, Inc. 1926. 1 reel.

ALICE IN MOVIELAND. 1928. 2 reels.

Credits: Producer, Louis Lewyn.

ALICE IN SOCIETY. 1916. 3 reels.

ALICE IN THE ALPS. Winkler Pictures, Inc. 1927. 1 reel.

ALICE IN THE BIG LEAGUE. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE IN THE KLONDIKE. Winkler Pictures, Inc. 1927. 1 reel.

ALICE IN THE WOOLY WEST. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE IN UNDERLAND. SEE Smiling All the Way.

ALICE IN WONDERLAND. 1933. 8 reels, sd. From the story by Lewis Carroll [pseud. of Charles Lutwidge Dodgson].

Credits: Producer, Louis D. Lighton; director, Norman McLeod; screenplay, Joseph L. Mankiewicz, William Cameron Menzies.

ALICE OF THE LAKE. 1915. 1 reel.

Credits: Director, Burton L. King.

ALICE SOLVES THE PUZZLE. 1925. 1 reel.

Credits: Walt Disney.

ALICE THE BEACH NUT. Winkler Pictures Corp. 1927. 1 reel.

ALICE THE COLLEGIATE. Winkler Pictures Corp. 1927. 1 reel.

ALICE THE FIRE FIGHTER. 1926. 1 reel.

Credits: Walt Disney.

ALICE THE GOLF BUG. Winkler Pictures, Inc. 1927. 1 reel.

ALICE THE LUMBER JACK. Winkler Pictures, Inc. 1926. 1 reel.

ALICE THE WHALER. Winkler Pictures, Inc. 1927. 1 reel.

ALICE WINS THE DERBY. 1925. 1 reel.

Credits: Walt Disney.

ALICE'S AUTO RACE. Winkler Pictures, Inc. 1927. 1 reel.

ALICE'S BROWN DERBY. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE'S CHANNEL SWIM. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S CIRCUS DAZE. Winkler Pictures Corp. 1927. 1 reel.

ALICE'S KNAUGHTY KNIGHT. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S MEDICINE SHOW. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S MONKEY BUSINESS. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE'S PICNIC. Winkler Pictures, Inc. 1927. 1 reel.

ALICE'S RODEO. Winkler Pictures Corp. 1927. 1 reel.

ALICE'S SPANISH GUITAR. Winkler Pictures, Inc. 1926. 1 reel.

ALICE'S THREE BAD EGGS. Winkler Pictures Corp. 1927. 1 reel.

Credits: Walter Disney.

ALICIA OF THE ORPHANS. SEE The Ragged Princess.

Credits: Producer, Thomas H. Ince.

Credits: Producer, John L. Hawkinson.

ALIEN SOULS. 1916. 5 reels.

Credits: Margaret Turnbull; story, Hector Turnbull.

THE ALIMENTARY TRACT. 1938. 1 reel, sd.

ALIMONY. 1924. 7 reels.

Credits: Director, James W. Horne; story, A. T. Locke; scenario, E. Magnus Ingleton; adaptation, Wyndham Gittens, E. M. Ingleton.

ALIMONY ACHES. 1935. 2 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Ewart Adamson; film editor, Charles Hochberg.

ALIMONY MADNESS. Presented by Golden Arrow, Ltd. 1933. 7 reels, sd.

Credits: Producer, Fanchon Royer; director, Breezy Eason; screenplay and dialogue, John Thomas Neville; editor, Jeanne Spencer.

ALL ABOARD. 1927. 7 reels.

Credits: Director, Charles Hines; story, Matt Taylor.

ALL ABOARD. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

ALL ABOARD FOR BRINDISI. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

ALL ABOARD FOR THE MOON. 1924. 1 reel.

ALL ABROAD. 1925. 2 reels.

Credits: Director, Albert Ray; story, Mabel Herbert Urner; scenario, Catherine Carr.

ALL ALIKE. 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, E. V. Durling, St. Elmo Boyce, W. H. Woodmansee, Pinto Colvig.

ALL AMERICA BLONDES. 1939. 1,505 ft.

Credits: Director, Del Lord; original screenplay, Elwood Ullman.

THE ALL AMERICAN. 1932. 9 reels.

Credits: Director, Russell Mack; story, Dale Van Every, Richard Schayer; screenplay, Frank W. Wead, Ferdinand Reyher.

ALL AMERICAN CHUMP. 1936. 7 reels, sd., b&w.

Credits: Producers, Lucien Hubbard, Michael Fessier; director, Edward L. Marin; original screenplay, Lawrence Kimble; film editor, Frank E. Hull; music score, William Axt.

ALL AMERICAN DRAWBACK. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

ALL AMERICAN KICKBACK. (Educational Comedies) 1931. 20 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

ALL AMERICAN SWEETHEART. 1937. 6 reels, sd.

Credits: Director, Lambert Hillyer; story, Robert E. Kent; screenplay, Grace Neville, Fred Niblo, Jr., Michael L. Simmons; film editor, James Sweeney; music, Ben Oakland; music director, Morris Stoloff.

AN ALL AMERICAN TOOTHACHE. (Hal Roach Comedy) (Thelma Todd & Patsy Kelly Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Jack Ogilvie.

ALL AMERICANS. 1929. 2 reels.

Credits: John Murray Anderson; director, Joseph Santley.

AN ALL AROUND CURE. Joker. 1916. 1 reel.

Credits: William W. Farmer; producer, Allen Curtis.

ALL AROUND FRYING PAN. Released by F. B. O. 1925. 6 reels.

Credits: Director, David Kirkland; story, Frank R. Pierce.

AN ALL AROUND MISTAKE. Imp. 1915. 2 reels.

Credits: Producer, George Lessey.

ALL AROUND WITH THE CAMERAMAN. 1921. 1 reel.

Credits: Producer, John L. Hawkinson.

ALL AT SEA. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank.

ALL AT SEA. 1929. 6 reels, sd., b&w.

Credits: Director, Alf Goulding; story, Byron Morgan; continuity, Ann Price, Byron Morgan; film editor, Basil Wrangell.

ALL AT SEA. Mentone. 1933. 2 reels, sd.

Credits: Director, E. H. Kleinert; story, Ballard McDonald.

ALL BALLED UP. (Star Comedy) 1922. 1 reel.

ALL BALLED UP. (Puffy Comedy) 1927. 2 reels.

Credits: Directors, Harry Sweet, Clarence Hennecke; original story, Octavus Roy Cohen; continuity, Frances Hyland.

ALL BETS OFF. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producers, Lyons, Moran.

ALL BOUND ROUND. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Direction, story and scenario, Lyons-Moran.

ALL BUSINESS. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story, Leslie Goodwins, Jean Yarbrough; film editor, Edward Mann.

ALL COLORED VAUDEVILLE SHOW. 1935. 1 reel, sd.

ALL COOKED UP. 1915. 1,000 ft.

Credits: Howard Lester; director, Charles Ranson.

ALL DOLLED UP. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, John Colton; scenario, A. P. Yonger.

ALL EXCITED. (Sidney-Murray Comedy) 1931. 2 reels.

Credits: Director, Charles Lamont; story, James Mulhauser, Francis J. Martin.

ALL FOR A HUSBAND. 1917. 6 reels.

Credits: Scenario and direction, Carl Harbaugh; story, George Scarborough.

ALL FOR A TOOTH. 1914. 1 reel.

Credits: Ruth M. Woodward; director, C. Jay Williams.

ALL FOR A WOMAN. First National. Presented by Andrew J. Callaghan. 1921. 7 reels.

Credits: Director, Dimitri Buchowetzki; adaptation, Johnstone Craig.

ALL FOR BUSINESS. 1914. 1 reel.

ALL FOR GERALDINE. (Let George Do It Series) (Stern Brothers Comedy) 1928. 2 reels. From cartoons by George McManus.

ALL FOR GOLD. 1918. 2 reels.

Credits: Story, T. Shelley Sutton.

ALL FOR HIS SAKE. 1914. 2 reels.

Credits: Anne Merwin and Bannister Merwin.

ALL FOR MABEL. (Campus Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; director, Harry Delmar; story, Bobby Carney; adaptation, Charles Diltz; film editor, Fred Allen; music director, Josiah Zuro.

ALL FOR NOTHING. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, James Parrott; titles, Reed Heustis; editor, Richard Currier.

ALL FOR OLD IRELAND. 1915. 3 reels.

Credits: Written and produced by Sidney Olcott.

ALL FOR ONE. (A Young Romance Comedy) Presented by E. W. Hammons. 1935. 1,665 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Arthur Jarrett.

ALL FOR PEGGY. Rex. 1915. 1 reel.

Credits: Ida May Park; producer, Joseph De Grasse.

ALL FOR THE BAND. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Rube Welch.

ALL FOR THE BOY. 1914. 1 reel.

ALL FOR THE DOUGH BAG. Rainbow. 1920. 2 reels.

Credits: Written and directed by J. A. Howe.

ALL FOR THE LOVE OF A GIRL. 1915. 1 reel.

Credits: Director, Sidney Drew.

ALL FOR THE LOVE OF A GIRL and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

ALL FOR UNCLE. (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Francis Corby.

THE ALL GIRL REVUE. 1929. 1 reel, sd.

A LL GUMMED UP. (Whoopee Comedies) 1931. 2 reels, sd., b&w.

Credits: Story and direction, Harry Sweet; film editor, Walter Thompson; musical direction, Francis Groman.

ALL IN A DAY. 1917. 15 min.

ALL IN FUN. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

ALL IN THE SAME BOAT. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

Credits: R. L. Herrick.

ALL IN THE SWIM. (Lyons-Moran Star Comedy) 1919. 1 reel.

ALL IS FAIR. (Eddie Lyons Comedy) 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene DeRue; scenario, Vincent Bryan.

ALL IS LOST. (Mirthquake Comedy) 1923. 2 reels.

Credits: Director, Eugene DeRue.

ALL JAZZED UP. 1919. 2 reels.

Credits: Director, Bill Watson.

Credits: Director, Emile Chautard; story, Willard Mack.

ALL MAN. 1918. 5 reels.

Credits: Donn Byrne; director, Paul Scardon; picturization, Garfield Thompson.

ALL MEN ARE ENEMIES. 1934. 7,193 ft., sd. From the novel by Richard Aldington.

Credits: Director, George Fitzmaurice; screenplay and dialogue, Samuel Hoffenstein, Lenore Coffee; music director, Louis de Francesco; editor, Harold Schuster.

ALL NIGHT. 1918. 5 reels. Adapted from the story "One Bright Idea" by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Paul Powell; scenario, Fred Myton.

ALL NIGHT LONG. SEE The Outside Woman.

ALL-OF-A-SUDDEN PEGGY. 1919. 5 reels. From the play by Ernest Denny.

Credits: Director, Walter Edwards; scenario, Edith Kennedy.

ALL OF ME. 1934. 8 reels, sd. Based on the play "Chrysalis" by Rose Albert Porter.

Credits: Producer, Louis D. Lighton; director, James Flood; screenplay, Sidney Buchman, Thomas Mitchell; music, Ralph Rainger.

ALL ON ACCOUNT OF A PHOTO. Victor. 1915. 1 reel.

ALL ON ACCOUNT OF A PORTRAIT. 1913. 1 reel.

Credits: Mark Swan.

ALL ON ACCOUNT OF A TRANSFER. 1913. 1 reel.

Credits: Henry W. Otto.

ALL ON ACCOUNT OF THE CHEESE. 1914. Split reel.

ALL ON ACCOUNT OF TOWSER. 1915. 1 reel.

Credits: Director, Ulysses Davis.

ALL ON DECK. 1934. 1 reel, sd.

ALL OUT. 1925. 2 reels.

Credits: Director, George "Slim" Summerville.

ALL OVER A STOCKING. Nestor. 1916. 1 reel.

Credits: Arthur (Sheriff) Mackley; producer, Al. E. Christie.

ALL OVER TOWN. 1937. 6 reels, sd.

Credits: Associate producer, Leonard Fields; director, James Horne; original story, Richard English; screenplay, Jack Townley, Jerome Chodorov; film editors, Murray Seldeen, Howard O'Neill; music director, Alberto Colombo.

ALL OVER TWIST. Century. 1923. 2 reels.

ALL PARTS. Presented by Hal Yates. 1928. 2 reels, b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

ALL PARTS. 1929. 2 reels, sd., b&w.

Credits: Director, Hal Yates; story and supervision, Leo McCarey; editor, Richard Currier.

ALL QUIET ON THE WESTERN FRONT. 1930. 14 reels. Based on the book by Erich Maria Remarque.

Credits: Director, Lewis Milestone; adaptation and dialogue, Maxwell Anderson.

ALL SCARLET. SEE Racing Lady.

ALL SEALED UP. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, Andrew Bennison.

ALL SEALED UP. 1934. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley.

ALL SET. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Harry Sweet.

ALL SIGNS POINT TO SALES. 1937. 1 reel.

ALL SOULS EVE. 1921. 6 reels. From the play by Anne Crawford Flexner.

Credits: Director, Chester Franklin; scenario, Elmer Harris.

ALL SQUARE. 1930. 2 reels.

ALL STAR VAUDEVILLE. 1935. 1 reel, sd.

ALL STEAMED UP. Presented by William Fox. 1929. 3 reels.

Credits: Director, Norman Taurog; story, Andrew Bennison; scenario, Andrew Bennison, Clark and McCullough.

ALL STUCK UP. 1915. 1 reel.

ALL STUCK UP. 1918. 1 reel.

Credits: Arranged and directed by Arthur D. Hotaling.

ALL STUCK UP. (A Checker Comedy) 1930. 2 reels, sd.

Credits: Producer and director, George Lemaire; story, George W. Barry, John Cantwell; adaptation, Daniel Kusell; film editor, Edward Pfitzenmeier.

ALL TEED UP. (Hal Roach Comedy) 1930. 1,891 ft., sd., b&w.

Credits: Director, Edgar Kennedy; story, Leo McCarey.

ALL THE BROTHERS WERE VALIANT. 1923. 7 reels. From the story by Ben Ames Williams.

Credits: Producer, Irvin V. Willat; scenario and adaptation, Julien Josephson.

ALL THE BROTHERS WERE VALIANT. SEE Across to Singapore.

ALL THE COMFORTS OF HOME. 1930. 1 reel.

ALL THE KING'S HORSES. Presented by Adolph Zukor. 1935. 10 reels, sd. Based on a play by Laurence Clark and Max Giersberg and a play by Frederick Herendeen and Edward Horan.

Credits: Producer, William LeBaron; director, Frank Tuttle; screenplay, Frank Tuttle, Frederick Stephani; music and lyrics, Sam Coslow.

ALL THE KING'S MEN. SEE Second Wife.

ALL THE WORLD TO NOTHING. 1918. 5 reels.

Credits: Director, Henry King; story, Wyndham Martyn; scenario, Stephen Fox.

ALL THE WORLD WONDERED. SEE The Last Mile.

ALL TIED UP. 1925. 2 reels.

Credits: Director, George "Slim" Summerville.

ALL TOGETHER. 1937. Filmstrip, 75 frames, sd.

Credits: Producer, John L. Hawkinson.

ALL WASHED UP. (Karnival Komedies, no. 2) 1928. 2 reels.

Credits: Producer, Larry Darmoor; director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

ALL WET. 1922. 2 reels.

Credits: Director, Al St. John.

ALL WET. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

ALL WET. 1930. 2 reels.

Credits: Director, Sam Newfield.

ALL WOMAN. 1918. 5 reels.

Credits: E. Lloyd Sheldon; director, Hobart Henley.

ALL WOMEN ARE BAD. SEE Don't Bet on Women.

ALL WOMEN HAVE SECRETS. 1939. 8 reels, sd.

Credits: Director, Kurt Neumann; story. Dale Eunson; screenplay, Agnes Christine Johnston; film editor, Arthur Schmidt.

Credits: Directors, William Worthington, Raymond West; story, Mildred Considine; scenario, Jack Cunningham.

ALL WRONG. 1921. 2 reels.

Credits: Director, J. Blystone.

ALL WRONG. (Mirthquake Comedy, no. 4) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Ralph Ceder.

ALLADIN FROM MANHATTAN. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Ewart Adamson; film editor, Edward Mann.

ALLADIN, JUNIOR. 1922. 1 reel.

ALLAH IL ALLAH. (U.F.A. Oddity) 1929. 1 reel.

ALLEGHENY UPRISING. 1939. 81 min., sd. Based on the story "The First Rebel" by Neil H. Swanson.

Credits: Pandro S. Berman in charge of production; production and screenplay, P. J. Wolfson; director, William A. Seiter; editor, George Crone; music, Anthony Collins.

AN ALLEY ROMANCE. SEE Dud Visits the Zoo.

ALLEZ-OOP. (A Sports Champion Picture) 1933. 911 ft.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

ALLEZ OOP. (An Educational Star Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Charles Lamont; story, Ernest Pagano, Ewart Adamson.

ALLIES. SEE Love In a Hurry.

ALL'S FAIR. 1938. 1 reel, sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

ALL'S FAIR IN LOVE. Goldwyn Studios. 1921. 5 reels. Adapted from the stage play "The Bridal Path" by Thompson Buchanan.

Credits: Directed and supervised by E. Mason Hopper; scenario, Arthur F. Statter.

ALL'S WET THAT ENDS WET. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

ALLURING BALI. 1936. 400 ft., si., 16 mm.

ALLURING BALI. 1936. 400 ft., sd., 16 mm.

Credits: Narrator, Harlow Wilcox.

THE ALMA MARTYR. 1933. 1 reel.

Credits: Director, Roy Mack.

Credits: Director, Robert Thornby; original story, and scenario, Eugenie Magnus Ingleton.

AN ALMOND-EYED MAID. 1913. 1 reel.

Credits: Dora M. Lynn.

ALMOST A GENTLEMAN. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Charles Diltz, Roy McCarey; editor. Earl Neville.

ALMOST A GENTLEMAN. 1939. 65 min., sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story, Harold Shumate; screenplay, David Silverstein, Jo Pagano; editor, Desmond Marquette; music director, Frank Tours.

ALMOST A HERO. 1915. 1 reel.

Credits: Director, Ulysses Davis.

ALMOST A HUSBAND. 1919. 5 reels. Founded on the story "Old Ebenezer" by Opie Read.

Credits: Director, Clarence G. Badger.

ALMOST A HUSBAND. Century. 1924. 2 reels.

Credits: Written and directed by Charles Lamont.

ALMOST A KING. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

ALMOST A KNOCKOUT. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, E. M. Campbell.

ALMOST A LADY. Released by Producers Distributing Corp. 1926. 6 reels. From the story "Skin Deep" by Frank R. Adams.

Credits: Director, E. Mason Hopper; screenplay and editorial supervision, F. McGrew Willis; adaptation, Anthony Coldewey.

ALMOST A PAPA. Imp. 1915. 1 reel.

Credits: Raymond L. Schrock; producer, Harry McRae Webster.

ALMOST A RANCHER. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story and scenario, W. Scott Darling.

ALMOST A WIDOW. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Robert McGowan.

THE ALMOST GOOD MAN. Gold Seal. 1917. 5 reels.

Credits: Director, Fred A. Kelsey; story, Shelley Sutton; scenario, Charles J. Wilson, Jr.

THE ALMOST GOOD MAN. 1923. 2 reels.

ALMOST GUILTY. Nestor. 1916. 1 reel.

Credits: Producer, Louis Chaudet; story, Walter H. Newman.

ALMOST HUMAN. De Mille Pictures Corp. Presented by William C. De Mille. 1927. 6 reels. Suggested by "The Bar Sinister" by Richard Harding Davis.

Credits: Director, Frank Urson; screenplay, Clara Beranger; film editor, Adelaide Cannon.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

ALMOST MARRIED. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Charles Swickard; story, E. V. Durling; scenario, Luther A. Reed, June Mathis.

ALMOST MARRIED. 1923. 2 reels.

Credits: Producer, Eddie Lyons.

ALMOST MARRIED. 1932. 4,700 ft. Based on the novel "The Devil's Triangle" by Andrew Soutar.

Credits: Directors, William C. Menzies, Marcel Varnel; screenplay, Wallace Smith, Guy Bolton; editor, Harold Schuster.

ALMOST WELCOME. 1918. 1 reel.

Credits: Story and direction, Eddie Lyons, Lee Moran.

ALOHA. Rogell Productions, Ltd. Released by Tiffany Productions, Inc. 1931. 9 reels, sd.

Credits: Production manager, Rudolph Flothow; director, Albert Rogell; story, Thomas H. Ince, J. G. Hawks; adaptation and continuity, Adele Buffington; dialogue, Leslie Mason, W. Totman; film editor, Richard Cahoon.

Credits: Supervision, Thomas H. Ince.

ALOHA OE. 1915. 5 reels.

ALOHA OE. 1933. 1 reel, sd.

Credits: Producer, Max Fleischer; director, Dave Fleischer.

ALOMA OF THE SOUTH SEAS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8,514 ft. From the play by John B. Hymer and Leroy Clemens.

Credits: Producer, Maurice Tourneur; screenplay, James A. Creelman.

ALONE AT LAST. 1924. 1 reel.

Credits: Producer, Colin Campbell.

ALONE IN THE WORLD. Special Laemmle. 1916. 1 reel.

Credits: Directors, Louis Weber, Phillips Smalley.

ALONE WITH YOU. SEE Cheer Up and Smile.

ALONG CAME A DUCK. (Burt Gillett's Toddle Tales) Presented by RKO Radio. 1934. 1 reel.

Credits: Directors, Burt Gillett, Steve Muffati.

ALONG CAME FIDO. (A Hot Dog Cartoon) Bray Studios. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

ALONG CAME LOVE. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, Richard A. Rowland; director, Bert Lytell; original screenplay, Austin Strong; continuity and additional dialogue, Arthur Caesar; music director, Borros Morros.

ALONG CAME RUTH. 1924. 5 reels. From the Henry W. Savage play adapted by Holman Day from the French "La Demoiselle de Magasin" by Fonson and Wicheler.

Credits: Director, Edward Cline; story, F. Fonson, F. Wicheler; scenario, Holman Day; screen adaptation, Winifred Dunn.

ALONG CAME RUTH. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Burnet Hershey, A. Dorian Otvos.

ALONG CAME YOUTH. 1930. 6,623 ft., sd. Suggested by the novel "Molinoff" by Maurice Bedel.

Credits: Directors, Lloyd Corrigan, Norman McLeod; story, George Marion, Jr.; scenario, Marion Dix.

ALONG FLIRTATION WALK. (Merrie Melodies, no. 6) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Bob McKimson, Paul Smith; music, Norman Spencer.

ALONG MAIN STREET. 1936. 1 reel.

ALONG THE BORDER. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

ALONG THE FRENCH RIVIERA. Released by Compagnie Générale Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

ALONG THE LIFE-LINE OF THE BRITISH EMPIRE—SUEZ, MALTA, GIBRALTAR. Released by Harold Auten. 1936. 1 reel.

ALONG THE MEDITERRANEAN. SEE E. M. Newman's Along the Mediterranean.

ALONG THE NILE. 1913. 1 reel.

ALONG THE RIO GRANDE. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

ALONG THE RIVIERA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

ALPINE ANTICS. Snappy. Winkler. 1929. 1 reel.

Credits: Tom Palmer.

ALPINE ANTICS. 1936. 1 reel.

Credits: Animation, Riley Thompson, Jack Carr.

ALPINE CABARET. Mentone. 1937. 10 min., sd.

Credits: Director, Milton Schwarzwald.

ALPINE CLIMBERS. (A Walt Disney Mickey Mouse) 1936. 1 reel.

ALPINE GRANDEUR. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Alan Kent.

ALPINE RENDEZVOUS. Educational Pictures. Presented by E. W. Hammons. 1936. 968 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Art Jarrett, William Watson.

AN ALPINE ROMANCE. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

THE ALPINE YODELER. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser and Paul Terry; scored and conducted by Philip Scheib.

AL'S TROUBLES. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

THE ALSTER CASE. 1915. 5 reels.

Credits: Rufus Gillmore; director, J. Charles Haydon.

THE ALTAR OF LOVE. 1915. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillord.

AN ALTAR ON LITTLE THUNDER. SEE His Divorced Wife.

THE ALTAR ON THE HILL. SEE The Silent Watcher.

THE ALTAR STAIRS. 1922. 5 reels.

Credits: Director, Lambert Hillyer; story, G. B. Lancaster; scenario, Doris Schroeder.

ALTARS OF DESIRE. 1926. 7 reels.

Credits: Director, Christy Cabanne; story, Maria Thompson Daviess; adaptation, Alice D. G. Miller, Agnes Christine Johnston; film editor, George Hively.

ALUM AND EVE. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, George Marshall; editor, Richard Currier.

ALWAYS A GENTLEMAN. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

ALWAYS AUDACIOUS. Presented by Jesse L. Lasky. 1920. 5 reels. Based on the story "Toujours de l'Audace" by Ben Ames Williams.

Credits: Director, James Cruze; scenario, Tom Geraghty.

ALWAYS FAITHFUL. SEE Blanche Sweet in Always Faithful.

ALWAYS GOODBYE. 1931. 5,400 ft.

Credits: Associate producer, John W. Considine, Jr.; directors, William C. Menzies, Kenneth MacKenna; original story, Kate McLaurin; continuity and dialogue, Lynn Starling; editor, Harold Schuster.

ALWAYS GOODBYE. 1938. 6,750 ft., sd.

Credits: Director, Sidney Lanfield; story, Gilbert Emery, Douglas Doty; screenplay, Kathryn Scola, Edith Skouras; music director, Louis Silvers.

ALWAYS IN THE WAY. Dyreda Art Films. 1915. 6 reels. A picturization of the song classic by Charles K. Harris.

ALWAYS KICKIN! (The Gleasons' Sports Featurettes) 1932. 20 min., sd.

Credits: Director, James Gleason; story, Charles W. Paddock.

ALWAYS KICKIN! (Color Classic) 1939. 1 reel, sd., color.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Arnold Gillespie.

ALWAYS LATE. (Monty Banks Comedy) 1923. 2 reels.

Credits: Director, Herman C. Raymaker.

ALWAYS THE WOMAN. 1922. 6 reels.

Credits: Adapted and directed by Arthur Rosson; story, Perley Poore Sheehan.

AM I DREAMING? (Star Comedy) 1920. 1 reel.

AM I HAVING FUN! 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Al Ray, Arthur Ripley.

AM TEETISCH. SEE Tea for Three.

AMARILLY OF CLOTHES-LINE ALLEY. 1918. 2 reels. Based on the book by Belle K. Maniates.

Credits: Director, Marshall A. Neilan; scenario, Frances Marion.

THE AMATEUR ADVENTURESS. 1919. 5 reels. From the Young's Magazine story by Thomas Edgelow.

Credits: Producer, Maxwell Karger; director, Henry Otto; adaptation, June Mathis, Luther A. Reed.

AMATEUR ANTICS. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

AMATEUR BROADCAST. (Oswald) (A Walter Lantz Cartoon) Snappy. 1935. 1 reel, sd.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation, Cecil Surry, Ray Abrams, Ed. Benedict.

THE AMATEUR CRACKSMAN. SEE Raffles.

AMATEUR DADDY. 1932. 6,300 ft., sd. From the novel "Scotch Valley" by Mildred Cram.

Credits: Director, John Blystone; screenplay, Doris Malloy, Frank Dolan; dialogue, William Conselman; editor, Louis Loeffler.

THE AMATEUR DETECTIVE. 1925. 2 reels.

Credits: Director, Robert P. Kerr; story, Richard Harding Davis; scenario, W. Scott Darling.

AN AMATEUR DEVIL. 1920. 5 reels. Adapted from the story "Wanted a Blemish" by Jessie E. Henderson and Henry J. Buxton.

Credits: Director, Maurice Campbell; scenario, Douglas Bronston.

THE AMATEUR GENTLEMAN. 1926. 8 reels. From the novel by Jeffery Farnol.

Credits: Director, Sidney Olcott; scenario, Lillie Hayward.

THE AMATEUR GENTLEMAN. Released through United Artists. 1936. 9 reels, sd. From the novel by Jeffery Farnol.

Credits: Producer, Marcel Hellman; director, Thornton Freeland; screen adaptation, Clemence Dane, Sergei Nolbandov; dialogue, Clemence Dane; film editor, Conrad von Molo; music score, Walter Goehr; music, Richard Addinsell.

THE AMATEUR HUSBAND. (Star Personality Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

THE AMATEUR LIAR. (Paramount-Drew Comedy) V. B. K. Film Corp. 1919. 2 reels.

Credits: Albert Payson Terhune; supervision, Mr. & Mrs. Sidney Drew.

AMATEUR NIGHT. 1927. 1 reel.

Credits: Murray Roth; director, Bryan Foy; music director, Bert Fiske.

AMATEUR NIGHT. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 532 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

AN AMATEUR PRODIGAL. 1915. 2 reels.

Credits: Albert Payson Terhune.

Credits: Director, Oscar Apfel; story, Joseph Franklin Poland.

THE AMATEUR WIFE. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 6 reels.

Credits: Director, Edward Dillon; story, Nalbro Bartley; scenario, Jane Murfin.

AMATURE NITE. (Oswald) 1929. 1 reel.

Credits: Animation, Walter Lantz.

THE AMAZING ADVENTURE. Rex. 1917. 2 reels.

Credits: Director, Burton George; story, Eleanor M. Ingram; adaptation, Harvey Gates.

THE AMAZING DR. CLITTERHOUSE. First National. 1938. 9 reels, sd. From the play by Barré Lyndon.

Credits: Director, Anatole Litvak; screenplay, John Wexley, John Huston.

THE AMAZING IMPOSTOR. 1919. 5 reels.

Credits: Director, Lloyd Ingraham; story, Joseph Franklin Poland; scenario, Frank Howard Clark.

THE AMAZING LIFE-SAVER TREAD. Presented by Goodrich. 1938. 1 reel, sd.

AMAZING LOVERS. U.F.A. 1928. 1 reel.

Credits: Editor, Edward Bowes.

Credits: Billy Beecher.

THE AMAZING MR. WILLIAMS. 1939. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Alexander Hall; story, Sy Bartlett; screenplay, Dwight Taylor, Sy Bartlett, Richard Maibaum; film editor, Viola Lawrence; music director, M. W. Stoloff.

THE AMAZING QUEST OF MR. ERNEST BLISS. SEE Romance and Riches.

THE AMAZING STORY OF MOHAIR. Presented by Lesher, Wittman & Co. and the Goodall Mills. 1929. Filmstrip, 52 frames (9 in color).

THE AMAZING VAGABOND. F. B. O. Pictures Corp. 1929. 6 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.

THE AMAZING WIFE. 1919. 6 reels. From the story "Whose Widow" by Eleanor Chipp.

Credits: Scenario and direction, Ida May Park.

Credits: Director, Lloyd B. Carleton.

THE AMAZONS. 1917. 5 reels.

Credits: Director, Joseph Kaufman.

AMBASSADOR BILL. 1931. 6,300 ft., sd.

Credits: Director, Sam Taylor; story and dialogue, Guy Bolton; editor, Harold Schuster.

AN AMBASSADOR FROM THE DEAD. 1915. 1,000 ft.

Credits: Written and produced by Paul Powell.

THE AMBASSADOR'S DAUGHTER. 1913. 1 reel.

Credits: Bannister Merwin.

THE AMBER VASE. Powers. 1915. 1 reel.

Credits: Scenario and production by Sydney Ayres.

AMBITION. 1916. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent; scenario, Mary Murillo.

THE AMBITION OF THE BARON. 1915. 2 reels. Adapted from The Smart Set Magazine.

AMBITIOUS PEOPLE. (A Colortone Novelty) 1931. 2 reels.

Credits: Director, Nick Grindé.

AMBROSE AND HIS WIDOW. 1918. 2 reels.

Credits: Supervision, J. G. Blystone; director, W. S. Fredericks.

AMBROSE THE LION-HEARTED. 1918. 2 reels.

Credits: Director, W. S. Fredericks.

AMBROSE'S FIRST FALSEHOOD. 1914. 1 reel.

Credits: Producer, Mack Sennett.

AMBROSE'S FURY. 1915. 1 reel.

Credits: Producer, Mack Sennett.

AMBROSE'S ICY LOVE. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, W. S. Frederick.

AMBROSE'S LITTLE HATCHET. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S LOFTY PERCH. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S NASTY TEMPER. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S SOUR GRAPES. 1915.

Credits: Producer, Mack Sennett.

THE AMBUSCADE. (Texas Ranger Series) 1928. 2 reels.

Credits: Director, Joseph Levigard; story and continuity, Basil Dickey.

AMBUSH. 1939. 6 reels, sd.

Credits: Director, Kurt Neumann; story, Robert Ray; screenplay, Laura and S. J. Perelman; film editor, Stuart Gilmore.

AMBUSH. SEE The Reckless Hour.

AMERICA. 1924. 14 reels.

Credits: Director, D. W. Griffith; story and titles, Robert W. Chambers; historical arrangement, John L. E. Pell.

AMERICA HONORS BRITAIN'S PRINCE. 1920. 1 reel.

AMERICA KNEELS. SEE The World Changes.

AMERICA OR BUST. 1930. 2 reels, sd., b&w.

Credits: Producer, E. B. Derr; director, Frank T. Davis; story, Paul Gerard Smith; film editor, John Link; music director, Josiah Zuro.

AMERICAN ARISTOCRACY. SEE The Blue Blood.

THE AMERICAN BEAUTY. 1916. 5 reels.

AMERICAN BEAUTY. 1927. 7 reels.

Credits: Director, Richard Wallace; story, Wallace Irwin: scenario, Carey Wilson.

AMERICAN BUDS. 1918. 6 reels.

Credits: Direction and scenario, Kenean Buel; story, M. Strauss.

THE AMERICAN CONSUL. 1917. 5 reels. From the story by Paul West.

Credits: Harvey F. Thew, Thomas J. Geraghty; producer, Rollin S. Sturgeon.

THE AMERICAN GOVERNMENT. SEE Uncle Sam at Work.

AN AMERICAN KING. 1914. 2 reels.

Credits: Mark Swan; director, George Lessey.

THE AMERICAN LEGION. 1919. 2 reels.

AMERICAN LEGION PARADE. (A Century of Progress Exposition) 1933. 1 reel.

AN AMERICAN LIVE WIRE. 1918. 5 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, William Addison Lathrop.

AMERICAN MADNESS. 1932. 8 reels.

Credits: Director, Frank R. Capra; story and dialogue, Robert Riskin; film editor, Maurice Wright.

AMERICAN MANNERS. 1924. 6 reels.

Credits: Director, James W. Horn; screen adaptation, Frank Howard Clark.

AMERICAN METHODS. 1917. For Fox Film Corp. 6 reels. From "The Ironmaster" by Georges Ohnet.

Credits: Adaptation and direction, Frank Lloyd.

AMERICAN PLAN. Century. 1922. 2 reels.

Credits: Written and directed by Al. Herman.

AMERICAN PLUCK. Presented by I. E. Chadwick. 1925. 6 reels. From the novel "Blaze Derringer" by Eugene P. Lyle, Jr.

Credits: Director, Richard Stanton; scenario, Ralph Spence.

AMERICAN SADDLE HORSES. (The Color Parade) 1939. 10 min., sd., color.

Credits: Written and directed by Del Frazier; narrator, John Deering.

THE AMERICAN SEX. SEE Meet the Prince.

AN AMERICAN TRAGEDY. 1931. 10 reels, sd. Based on the novel by Theodore Dreiser.

Credits: Producer and director, Joseph Von Sternberg; screenplay, Samuel Hoffenstein.

THE AMERICAN VENUS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7,931 ft., b&w, color sequences.

Credits: Townsend Martin; producer and director, Frank Tuttle; scenario, Frederick Stowers.

Credits: Director, Frank Reicher; story, Florence C. Bolles; scenario, Wallace C. Clifton.

AN AMERICAN WIDOW. 1917. 5 reels. From the play by Kellett Chambers.

Credits: Producer, Maxwell Karger; director, Frank Reicher; scenario, Albert Shelby Le Vino.

THE AMERICANO. 1915. 2 reels.

THE AMERICANO. 1923. 5 reels.

Credits: Story, John Emerson, Anita Loos.

AMERICANS AFTER ALL. 1916. 1 reel.

Credits: Director, Clay M. Greene.

THE AMERICANS COME. Tec-Art Corp. United Artists. Presented by Joseph M. Schenck. 1930. 1 reel, sd. Based on the song story by Fay Foster.

Credits: Supervision, Alfred Mannon, Elmer Clifton; story, Alfred Mannon.

AMERICA'S GREATEST COMPOSERS SERIES. SEE Morton Downey in America's Greatest Composers Series ...

AMERICA'S GREATEST DISASTER. SEE The Menace of the Mississippi.

AMERICA'S PRIDE. (Our World Today, no. 1869). 1928. 1 reel.

L'AMI FRITZ. SEE In Old Alsace.

Credits: Producer, John L. Hawkinson.

AMONG DANCING NATIONS. (Walter Futter's Travelaughs) Presented by Columbia Pictures Corp. 1932. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, Moe G. Miller.

AMONG THE COCOONS. (A Walter Futter Novelty) Columbia. 1934. 844 ft., sd.

Credits: Written and spoken by John P. Medbury.

AMONG THE GREAT OPEN FACES. (Walter Futter's Travelaughs) 1932. 1 reel.

Credits: Written and spoken by John P. Medbury; film editor, Moe G. Miller.

AMONG THE LATINS. Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

AMONG THE MARRIED. SEE Men Call It Love.

AMONG THE MISSING. 1934. 7 reels, sd.

Credits: Director, Albert Rogell; story, Florence Wagner; screenplay, Fred Niblo, Jr.; Herbert Asbury; film editor, John Rawlins.

AMONG THE MOURNERS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

AMONG THE SNOW-CAPPED CASCADES. 1917. 1/2 reel.

AMONG THOSE KILLED. 1915. 1 reel.

AMONG THOSE PRESENT. Black Cat. 1917. 30 min.

Credits: Charles Michelson; director, L. C. Windom.

AMONG THOSE PRESENT. 1919. 2 reels.

Credits: Directors, Erle Kenton, Ray Grey.

AMONG THOSE PRESENT. SEE The Headleys at Home.

AMOS JUDD. SEE The Young Rajah.

AMPHIBIAN ODDITIES. Powers. 1916 1/2 reel.

AMUSE YOURSELF. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

AMY JOLLY. SEE Morocco.

ANAESTHESIA. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Will Jason; screenplay, Jack Woodford.

Credits: L. DeLorme.

ANANIAS HAS NOTHING ON HOOLIGAN. 1917. 1/2 reel.

Credits: F. Opper; animation, Frank Moser.

AN ANCIENT ART. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

ANCIENT CITIES OF SOUTHERN FRANCE. Released by Compagnie Générale Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

ANCIENT EGYPT. (A Fitzpatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1938. 798 ft., sd., color.

Credits: Music score, Jack Shilkret; photographer, Hone M. Glendining.

ANCIENT GREECE. 1928. 1 reel.

THE ANCIENT HIGHWAY. 1925. 6,034 ft. From the story by James Oliver Curwood.

Credits: Producer and director, Irvin Willat; screenplay, James S. Hamilton, Eve Unsell.

THE ANCIENT MARINER. 1925. 6 reels, b&w, tinted sequences. Adapted from the poem "The Rime of the Ancient Mariner" by Samuel Taylor Coleridge.

Credits: Directors, Henry Otto, Chester Bennett; story, Eve Unsell.

THE ANCIENT ORDER OF GOOD FELLOWS. 1913. 2 reels.

Credits: Director, Harry Lambart.

ANCIENT ROME. 1928. 1 reel.

AND A LITTLE CHILD. SEE Gossip.

AND BY THESE DEEDS. 1915. 2 reels.

AND GEORGE DID! (Let George Do It) (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Scott Pembroke.

AND HOW, WITH ANN GREENWAY. 1930. 1 reel, sd.

AND MORNING CAME. (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by Rube Goldberg.

AND NOW—A 23 JEWEL MOTOR CAR. 1928. 1 reel.

Credits: Scenario, Bert Angeles.

AND SHE NEVER KNEW. 1914. 1 reel.

AND SO THEY WERE MARRIED. 1936. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Elliott Nugent; story, Sarah Addington; screenplay, Doris Anderson, Joseph Anthony, A. Laurie Brazee; film editor, Gene Milford; music director, Howard Jackson.

AND SO TO WED. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Monty Collins; film editor, John Lockert.

AND SUDDEN DEATH. Presented by Adolph Zukor. 1936. 7 reels.

Credits: Director, Charles Barton; story, Theodore Reeves, Madeleine Ruthven; screenplay, Joseph Moncure March.

AND THE BEST MAN WON. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, George Marshall; scenario, Al. E. Christie.

AND THE GREEN GRASS GREW ALL AROUND. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

AND THE PARROT SAID ...? 1915. 1,000 ft.

Credits: Producer, Earl Metcalfe.

AND THEN IT HAPPENED. 1915. 1 reel.

Credits: Director, Norval MacGregor.

AND THEY CALLED HIM HERO. Bison. 1915. 2 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

... AND WIFE. 1930. 1 reel, sd.

ANDERSON AND GRAVES IN FISHING AROUND. 1929. 1 reel, sd.

ANDY CLYDE GETS SPRING CHICKEN. 1939. 1,624 ft.

Credits: Producer and director, Jules White; story and screenplay, Clyde Bruckman, Felix Adler.

ANDY HARDY GETS SPRING FEVER. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w. Based on characters created by Aurania Rouverol.

Credits: Director, W. S. Van Dyke II; screenplay, Kay Van Riper; film editor, Ben Lewis; music score, Edward Ward, David Snell.

ANDY OF THE ROYAL MOUNTED. 1915. 1 reel.

ANGEL. Presented by Adolph Zukor. 1937. 9 reels. From the play by Melchior Lengyel.

Credits: Producer and director, Ernst Lubitsch; screenplay, Samson Raphaelson; English play adaptation, Guy Bolton, Russell Medcraft.

ANGEL CAKE. 1931. 2 reels.

ANGEL EYES. (Big Boy-Juvenile Comedy) 1928. 2 reels.

Credits: Director, Charles Lamont.

ANGEL FACE MOLLY. SEE The Heart Bandit.

THE ANGEL OF BROADWAY. De Mille Pictures Corp. 1927. 7 reels.

Credits: Director, Lois Weber; original story and continuity, Lenore J. Coffee; film editor, Harold MacLernon.

THE ANGEL OF CROOKED STREET. 1922. 5 reels.

Credits: Director, David Smith; story, Harry Dittmar.

ANGEL OF MERCY. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, Herman Boxer; film editor, Mildred Rich; music score, David Snell.

THE ANGEL OF PIETY FLAT. 1916. 2 reels.

THE ANGEL OF SPRING. 1915. 1 reel.

Credits: Producer, Guy Oliver; story, W. E. Wing.

THE ANGEL OF THE ATTIC. Imp. 1916. 2 reels.

Credits: Catherine Carr; director, Francis J. Grandon.

AN ANGEL OF THE SLUMS. SEE As a Man Sows, So Shall He Reap.

AN ANGEL PASSES. SEE Blonde or Brunette.

AN ANGELIC ATTITUDE. 1916. 1 reel.

Credits: Producer, Tom Mix.

ANGELINA; or, EL HONOR DE UN BRIGADIER. 1935. 8 reels, sd. From the comedy by Enrique Jardiel Poncela.

Credits: Director, Luis King; adaptation, screenplay, and dialogue, Enrique Jardiel Poncela; musical director, Edward Kileny.

ANGEL'S FEATHERS. 1921. 2 reels.

Credits; Kingsley Benedict.

ANGEL'S HOLIDAY. 1937. 6,565 ft., sd.

Credits: Director, James Tinling; original story and screenplay, Frank Fenton, Lynn Root; music director, Samuel Kaylin.

ANGELS OF DOOM. SEE The Saint Strikes Back.

ANGELS UNAWARES. 1915. 2 reels.

THE ANGELS WASH THEIR FACES. First National. 1939. 9 reels, sd.

Credits: Jonathan Finn; director, Ray Enright; screenplay, Michael Fessier, Niven Busch, Robert Buckner.

ANGELS WITH DIRTY FACES. First National. 1938. 10 reels, sd.

Credits: Director, Michael Curtiz; story, Rowland Brown; screenplay, John Wexley, Warren Duff; music, Max Steiner.

ANGIE, UPTOWN WOMAN. SEE Uptown New York.

Credits: Director, George M. Merrick; original story, Henry Warner, Roy Purdon; adaptation, Armine Von Tempski, Minnie F. Shrope.

ANGLES OF ANGLING. 1930. 1 reel.

Credits: Jack Eaton.

ANGORA LOVE. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; editor, Richard Currier.

ANIAKCHAK. 1933. 4 reels, sd.

Credits: Narrator and photographer, Father Hubbard.

ANIAKCHAK, THE STORY OF HELL ON EARTH. 1933. 10 reels, sd.

Credits: Editorial supervision, Truman Talley, Beverly Jones, Louis de Rochemont.

ANIMAL ANTICS. 1934. 1 reel, sd.

ANIMAL CATCHERS. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Written and directed by Robert B. Wilcox.

Credits: Producer, John L. Hawkinson.

THE ANIMAL CRACKER CIRCUS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

ANIMAL CRACKERS. 1930. 8,897 ft., sd. Based on the musical play by George S. Kaufman, Bert Kalmar, Morrie Ryskind and Harry Ruby.

Credits: Director, Victor Heerman; screenplay, Morrie Ryskind; continuity, Pierre Collings.

ANIMAL CUNNING. Treasure Chest. Presented by E. W. Hammons. 1936. 941 ft.

Credits: Story and narration, A. L. Alexander; editor, Sam Citron.

THE ANIMAL FAIR. (Aesop's Fable) 1931. 1 reel.

Credits: John Foster, Mannie Davis.

ANIMAL INTELLIGENCE. (Sportlight) 1935. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE ANIMAL KINGDOM. 1932. 9 reels, sd. From the play by Philip Barry.

Credits: Producer, David O. Selznick; director, Edward H. Griffith; screenplay, Horace Jackson; film editor, Daniel Mandell; music director, Max Steiner.

ANIMAL SNAPS. 1928. 1 reel.

Credits: Edited and titled by Beth Brown.

ANIMALS IN MODERN LIFE. 1937. 1 reel, sd.

ANIMALS OF THE CAT TRIBE. 1933. 1 reel.

ANIMALS OF THE ZOO. 1933. 1 reel.

ANIMATED CANDY SALES. Trailer. 1933. 103 ft.

Credits: Directors, Henry McCarty, Rudolph Bylek.

THE ANIMATED GROUCH CHASER. 1915. Split reel.

Credits: Raoul Barré.

AN ANIMATED MAP OF THE ELECTRIC FIELD ABOUT A 3-PHASE EQUILATERALLY SPACED TRANSMISSION LINE. 1936. 1 reel.

58. © title, descr. & 28 prints, 29Apr13; MU54.

59. © title, descr. & 26 prints, 29Apr13; MU55.

ANITA, THE ZINGARA. Société Générale des Cinématographes Éclipse, Paris.

ANKLES AWAY. 1938. 2 reels, sd.

Credits: Written and directed by Charlie Chase.

ANKLES PREFERRED. Presented by William Fox. 1927. 6 reels.

Credits: Producer and director, J. G. Blystone; story, Philip Klein, Kenneth Hawks; scenario, James Hamilton.

ANN. 1913. 1 reel.

Credits: Richard Ridgely.

ANN. SEE Her Winning Way.

ANN ANNINGTON. SEE Her Winning Way.

ANN BUTLER AND JAY BRENNAN, IN YOU DON'T KNOW THE HALF OF IT. 1929. 1 reel, sd.

ANN CARVER'S PROFESSION. 1933. 7 reels, sd. From the story "Rules for Wives" by Robert Riskin.

Credits: Director, Edward Buzzell; screenplay, Robert Riskin; film editor, Maurice Wright.

ANN CODEE AND FRANK ORTH IN A BIRD IN THE HAND. 1929. 1 reel.

ANN CODEE AND FRANK ORTH IN MUSIC HATH CHARMS. 1929. 1 reel, sd.

ANN CODEE AND FRANK ORTH IN TAKING WAYS. 1930. 1 reel, sd.

ANN CODEE AND FRANK ORTH IN ZWEI UND FIERZIGSTI STRASSE. 1929. 1 reel, sd.

ANN OF THE TRAILS. 1913. 1 reel.

Credits: Director, W. J. Bauman.

ANN PENNINGTON IN HELLO BABY. 1930. 2 reels, sd.

ANN SEYMOUR IN SONG PAINTINGS. 1930. 1 reel, sd.

ANN, THE BLACKSMITH. 1914. 2 reels.

Credits: Director, Ulysses Davis.

ANN VICKERS. 1933. 9 reels, sd. From the story by Sinclair Lewis.

Credits: Producer, Pandro S. Berman; director, John Cromwell; screenplay, Jane Murfin; editor, George Nicholls, Jr.; music director, Max Steiner.

ANNA ASCENDS. 1922. 6 reels.

Credits: Director, Victor Fleming; story, Harry Chapman Ford; adaptation, Margaret Turnbull.

ANNA CASE IN LA FIESTA, SOPRANO SOLO, ASSISTED BY THE CANSINOS, SPANISH DANCERS, AND THE METROPOLITAN OPERA CHORUS. 1927. 1 reel, sd.

ANNA CASE IN SWANEE RIVER, SUPPORTED BY ROY SMECK [AND] DIXIE JUBILEE SINGERS; FIVE GALLONS OF GAS AND NO MONEY TO PAY FOR IT. 1927. 1 reel, sd.

ANNA CHANDLER IN POPULAR SONGS. 1928. 1 reel, sd.

ANNA CHANG AND HATSU KUMA IN TWO LITTLE CHINESE MAIDS. Presented by Adolph Zukor and Jesse L. Lasky. 1929. 1 reel, sd.

ANNA CHRISTIE. 1923. 8 reels. From the play by Eugene O'Neill.

Credits: Director, John Griffith Wray; adaptation, Bradley King.

ANNA CHRISTIE. 1930. 10 reels; sd., lavender. Adapted from the play by Eugene O'Neill.

Credits: Producer and director, Clarence Brown; adaptation, Frances Marion; film editor, Hugh Wynn.

Credits: Producer, J. Gordon Edwards.

ANNA KARÉNINA. 1915. 5 reels. Adapted from the novel by Count Leo Tolstoi.

Credits: Director, J. Gordon Edwards; adaptation, Clara S. Beranger.

ANNA KARÉNINA. 1935. 9 reels, sd. From the novel by Count Leo Tolstoy.

Credits: Producers, Clarence Brown, David O. Selznick; director, Clarence Brown; screenplay, Clemence Dane, Saika Viertel; dialogue adaptation, S. N. Berman; film editor, Robert J. Kern; music, Herbert Stothart.

ANNA KARÉNINA. SEE Love.

ANNABEL TAKES A TOUR. 1938. 67 min., sd. Based on characters created by Charles Hoffman.

Credits: Producer, Louis Lusty; director, Lew Landers; story, Joe Bigelow, Bert Granet; screenplay, Bert Granet, Olive Cooper; editor, Harry Marker; music director, Russell Bennett.

ANNABELLE'S AFFAIRS. 1931. 6,800 ft., sd. From the stage play "Good Gracious Annabelle" by Clare Kummer.

Credits: Associate producer, William Goetz; director, Alfred Werker; adaptation and dialogue, Leon Gordon; editor, Margaret Clancy.

ANNAPOLIS. 1928. For Pathe Studios, Inc. 8 reels.

Credits: Director, Christy Cabanne; original story, Royal S. Pease; scenario and production, F. McGrew Willis; film editor, Claude Berkeley.

ANNAPOLIS FAREWELL. Presented by Adolph Zukor. 1935. 9 reels.

Credits: Producer, Louis D. Lighton; director, Alexander Hall; story, Stephen Morehouse Avery; screenplay, Dale Van Every, Frank Craven; adaptation, Grover Jones, William Slavens McNutt; film editor, Doane Harrison.

ANNAPOLIS SALUTE. 1937. 7 reels, sd.

Credits: Producer, Robert Sisk; direction and story, Christy Cabanne; screenplay, John Twist; editor, Ted Cheesman.

ANNE OF GREEN GABLES. 1919. 6 reels. Based on the four "Anne" books by L. M. Montgomery.

Credits: Director, William Desmond Taylor; scenario, Frances Marion.

ANNE OF GREEN GABLES. 1934. 9 reels, sd. From the books by L. M. Montgomery.

Credits: Director, George Nicholls, Jr.; screenplay, Sam Mintz; editor, Arthur Schmidt; music director, Max Steiner.

ANNE OF THE GOLDEN HEART. 1913. 1 reel.

Credits: Director, Ulysses Davis.

ANNE OF THE MINES. 1914. 2 reels.

ANNE'S BRIDGE. SEE The Fettered Woman.

Credits: Director, Albert Parker; story, Edgar Franklin.

ANNIE CRAWLS UPSTAIRS. 1912. 1 reel.

Credits: James Oppenheim.

ANNIE FOR SPITE. SEE Sally Shows the Way.

ANNIE LAURIE. 1927. 9 reels.

Credits: Director, John S. Robertson; story, Josephine Lovett; film editor, William Hamilton.

ANNIE LAURIE. (A Tabloid Musical) 1936. 1 reel, sd., b&w.

Credits: Director, Joseph Sherman; screenplay, Jean Plannette.

ANNIE LAURIE. SEE Charles Erwin ... in Annie Laurie.

ANNIE MOVED AWAY. (An Oswald Cartoon) Snappy. 1934. 1 reel.

Credits: Directed and animated by Walter Lantz, William Nolan.

ANNIE OAKLEY. 1935. 10 reels, sd.

Credits: Associate producer, Cliff Reid; director, George Stevens; screenplay, Joel Sayre, John Twist; story, Joseph A. Fields, Ewart Adamson; editor, Jack Hively; music director, Alberto Colombo.

ANNIVERSARY TROUBLE. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

ANNOUNCEMENT OF CREIGHTON HALE IN SEVEN FOOTPRINTS TO SATAN. Trailer. First National. 1929. 1 reel, sd.

ANNOUNCEMENT OF RICHARD BARTHELMESS IN WEARY RIVER. Trailer. 1929. 1 reel, sd.

ANNOUNCING QUEEN OF THE NIGHT CLUBS. Trailer. 1929. 1 reel, sd.

ANNOUNCING THE NEW WILLYS SIX DELUXE SEDAN. 1930. 1 reel.

ANN'S AN IDIOT. SEE Dangerous Innocence.

AN ANONYMOUS LETTER. (William J. Burns Detective Mysteries) 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

ANOTHER DAWN. 1937. 10 reels, sd.

Credits: Director, William Dieterle; original story and screenplay, Laird Doyle; music, Erich Wolfgang Korngold.

ANOTHER FACE. 1935. 7 reels, sd.

Credits: Associate producer, Cliff Ried; director, Christy Cabanne; original story, Thomas Dugan, Ray Mayer; screenplay, Garrett Graham, John Twist; editor, George Hively; music director, Roy Webb.

ANOTHER FINE MESS. Presented by Hal Roach. 1930. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

ANOTHER LANGUAGE. 1933. 8 reels, sd., b&w. From the Arthur J. Beckhard production of the play by Rose Franken.

Credits: Associate producer, Walter Wanger; director, Edward H. Griffith; screenplay, Herman J. Mankiewicz, Donald Ogden Stewart; film editor, Hugh Wynn.

ANOTHER MAN'S SHOES. 1922. 5 reels.

Credits: Director, Jack Conway; story, Victor Bridges; scenario, Arthur F. Statter.

ANOTHER MAN'S SHOES. SEE The Phantom Buccaneer.

ANOTHER MAN'S WIFE. 1924. 5 reels.

Credits: Director, Bruce Mitchell; story, Bruce Mitchell, Elliott Clauson.

ANOTHER ROMANCE OF CELLULOID. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

ANOTHER SCANDAL. Released by Hodkinson. 1924. 8 reels. From the novel by Cosmo Hamilton.

Credits: Director, E. H. Griffith; adaptation, G. Marion Burton.

ANOTHER SHADE OF GREEN. 1915. 1,000 ft.

ANOTHER THIN MAN. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke, II; original story, Dashiell Hammett; screenplay, Frances Goodrich, Albert Hackett; film editor, Fredrick Y. Smith; music, Edward Ward.

ANOTHER WILD IDEA. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Eddie Dunn; film editor, William Terhune.

ANSELO LEE. 1915. 3 reels.

Credits: Director, Harry Handworth.

Credits: Produced, arranged and conducted by Walter West.

AN ANSWER IN GRAND LARCENY. SEE Missing Millions.

ANSWERING OBJECTIONS. (Educational Film Service, v. 13) 1930. 1 reel, sd.

A.M. TO P.M. (Aesop's Film Fables) The Van Beuren Corp. 1933. 1 reel.

Credits: O. Soglow.

ANTHONY ADVERSE. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1936. 15 reels. From the book by Hervey Allen.

Credits: Director, Mervyn Le Roy; screenplay, Sheridan Gibney.

ANTHONY AND CLEOPATRA. (Hysterical History Comedies) 1924. 1 reel.

Credits: Director, Bryan Foy.

THE ANTHONY CASE. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Director, G. C. Reid; story, adaptation and dialogue, Russell Matson.

ANTHONY FIALA'S CANOE ON THE JURIANA. SEE Roosevelt Brazilian Expedition.

ANTHRACITE COAL. 1928. 1 reel.

THE ANTICS OF ANN. 1917. 5 reels.

Credits: Director, Edward Dillon; story, Frederic Chapin; scenario, Coolidge W. Streeler.

ANTIQUE ANTICS. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd. Adapted from the cartoon characters by George Herriman.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Eugster, Preston Blair; music score, Joe de Nat.

THE ANTIQUE BROOCH. 1913. 2 reels.

Credits: Bannister Merwin.

THE ANTIQUE ENGAGEMENT RING. 1914. 2 reels.

Credits: Director, Theodore Marsten.

THE ANTIQUE SHOP. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, George N. Burns; dialogue staged by Max E. Hayes.

ANTON THE TERRIBLE. Paramount. 1916. 5 reels. From the story by Thomas H. Uzell.

Credits: Director, William C. De Mille; story, Jules Eckert Goodman; prepared for the screen by Marian Fairfax, Charles Sarver.

ANTONIO MORENO VITAPHONE TRAILER ANNOUNCEMENT, MIDNIGHT TAXI. Presented by Vitaphone. 1928. 1 reel.

ANTS IN THE PANTRY. 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Al Giebler.

ANTWERP. (Vagabond Adventure Series) The Van Beuren Corp. 1933. 11 min., sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

Credits: Director, Charles Ransom.

ANY LITTLE GIRL THAT'S A NICE LITTLE GIRL. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

ANY MAN'S WIFE. 1937. 7 reels, sd. From the novel "Michael O'Halloran" by Gene Stratton-Porter.

Credits: Associate producer, Herman Schlom; director, Karl Brown; screenplay, Adele Buffington; cartoon sequence by courtesy of Walt Disney.

ANY OLD DUKE'LL DO. Victor. 1916. 1 reel.

Credits: R. A. Dillon; director, P. C. Hartigan.

ANY OLD PORT. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

ANY OLD PORT. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

ANY PORT IN A STORM. 1913. 1 reel.

Credits: Director, W. J. Bauman.

ANY RAGS. 1932. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

ANY WIFE. 1922. 5 reels.

Credits: Direction, Herbert Brenon; story, Julia Tolsva.

ANY WOMAN. Paramount. Presented by Robert Kane. 1925. 6 reels. From the story by Arthur Somers Roche.

Credits: Producer, Henry King; screenplay, Jack Furthman, Beatrice Van.

ANY YOUTH. Victor. 1916. 1 reel.

Credits: Written and produced by Allen J. Holubar.

ANYBODY HERE SEEN KELLY? Jewel. 1928. 7 reels.

Credits: Director, William Wyler; story, Leigh Jason; scenario, John B. Clymer.

ANYBODY'S GOAT. (Cameo Comedies) Educational Film Exchanges, Inc. 1932. 1 reel.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

ANYBODY'S WAR. 1930. 8,120 ft., sd. From the novel "The Two Black Crows in the A. E. F." by Charles E. Mack.

Credits: Director, Richard Wallace; screenplay, Lloyd Corrigan; adaptation, Hector Turnbull; added dialogue, Walter Weems.

ANYBODY'S WOMAN. 1930. 7,243 ft., sd. From the story by Gouverneur Morris.

Credits: Director, Dorothy Arzner; screenplay, Zoe Akins, Doris Anderson.

ANYTHING BUT HAM. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, David Freedman; dialogue staged by Max E. Hayes.

ANYTHING FOR A THRILL. (A World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator, Ford Bond.

ANYTHING GOES. Presented by Adolph Zukor. 1936. 10 reels, sd. From the play by Howard Lindsay and Russel Crouse.

Credits: Producer, Benjamin Glazer; director, Lewis Milestone; music and lyrics, Cole Porter; additional songs, Leo Robin, Richard A. Whiting, Frederick Hollander, Hoagie Carmichael, Edward Heyman; editor, Eda Warren.

ANYTHING ONCE. 1917. 5 reels.

Credits: Director, Joseph De Grasse; story, Isola Forester, Mann Page; scenario, William Parker.

L'APACHE. 1919. 6 reels.

Credits: Adele Buffington; director, Joseph DeGrasse; adaptation, John Lynch; picturized by R. Cecil Smith.

THE APACHE. 1929. 6 reels.

Credits: Producer, Jack Cohn; director, Philip Rosen; story, Ramon Romero; screenplay, Harriet Hinsdale.

THE APACHE KID. Winkler. 1930. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Animation, Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE APACHE RAIDER. 1928. 6 reels. From the story "The Border Raider" by W. D. Hoffman.

Credits: Adaptation, Ford I. Beebe.

Credits: Written and produced by William Duncan.

THE APACHES OF PARIS. Ufa. Presented by Ufa Films, Inc. 1929. 7 reels. Adapted from the novel "Les Innocents" by Francis Carco.

Credits: Director, Nicholas Malikoff; scenario, Robert Reinert.

THE APACHES REVENGE. SEE The Penalty of Folly.

APARTMENT HUNTING. Presented by Adolph Zukor and Jesse L. Lasky. 1929. 2 reels.

Credits: Thomas Gray.

APARTMENT HUNTING. SEE George Fisher and Honey Hurst in Apartment Hunting.

APARTMENT 29. 1917. 5 reels.

Credits: Written and adapted by Edward Montagne; director, Paul Scardon.

APARTMENT WANTED. Century. 1922. 2 reels.

Credits: Written and directed by Alf T. Goulding.

APHIDS. 1933. 1 reel.

Credits: Director, Laurence C. Windom; story, Horace Hazeltine [pseud. of Charles Stokes Wayne]; scenario, Clara S. Beranger.

APPEARANCES. 1921. 5 reels.

Credits: Edward Knoblock; director, Donald Crisp; adaptation, Margaret Turnbull.

APPLAUSE. 1930. Si. & 7,357 ft., sd.

Credits: Director, Rouben Mamoulian; story, Beth Brown; adaptation, Garrett Fort.

THE APPLE; or, MAKING ROSA STYLISH. 1914. 1 reel.

Credits: Director, Theodore Marston.

AN APPLE A DAY. (Lloyd Hamilton Comedy) 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

APPLE BUTTER. (Chronicles of Bloom Center) 1916. 1 reel.

Credits: Producer, Sidney Smith.

APPLE SAUCE. 1923. 2 reels.

Credits: Director, Noel Smith.

APPLESAUCE. SEE Brides Are Like That.

THE APPLE-TREE GIRL. 1917. 5 reels. Based on the novel by George Weston.

Credits: Director, Alan Crosland.

APPLES OF SODOM. 1913. 1 reel.

Credits: Bannister Merwin.

APPLES TO YOU! (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Leigh Jason; music score, William Jason, Val Burton; music director, Arthur Kay; film editor, William Terhune.

THE APPLICANT. 1921. 2 reels.

Credits: Directors, Jimmy Aubrey, Charles Avery; story. Bud Ross.

Credits: Director, Archer MacMackin.

THE APPRENTICE. SEE The Horrors of War.

L'APRÈS-MIDI D'UN FAUNE (AFTERNOON OF A FAUN). (Musical Moods) 1934. 1 reel, sd. Based on the musical score by Claude Achille Debussy.

Credits: Orchestra director, Hans Lange.

APRIL FOLLY. 1919.

Credits: Story, Cynthia Stockley.

Credits: Director, John K. Holbrook; story, Leopold D. Wharton.

APRIL ROMANCE. Presented by Alliance Films, Ltd. 1936. 8 reels, sd., b&w. Based on the music of Franz Schubert.

Credits: Director, Paul L. Stein; screenplay, dialogue, and lyrics, Franz Schulz, John Drinkwater, Roger Burford, G. H. Clutsam; film editor, Leslie Norman; music director, Idris Lewis; music adapted and composed by G. H. Clutsam.

APRIL SHOWERS. Presented by B. P. Schulberg. 1923. 6 reels.

Credits: Producer and director, Tom Forman; written and adapted by Hope Loring, Louis D. Lighton.

APRIL SHOWERS. (Fable, no. 419) 1929. 1 reel.

Credits: Paul Terry.

APRON STRINGS. SEE The Virtuous Husband.

AQUA-RHYTHM. (The Grantland Rice Sportlight) 1939. 1 reel, sd.

Credits: Producer, Jack Eaton; narrator, Ted Husing.

AQUABATS. (Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrated by Ted Husing.

AQUATIC ARTISTRY. (Sports Parade Subject) 1936. 1 reel.

Credits: Director, David Miller; explanatory remarks by Pete Smith.

THE ARAB. 1924. 8 reels. From the play by Edgar Selwyn.

THE ARAB. SEE One Stolen Night.

ARABIA. 1922. 5 reels.

Credits: Story, Lynn Reynolds, Tom Mix; scenario and direction, Lynn Reynolds; edited and titled by Hettie Grey Baker.

Credits: Producer, Oscar Eagle.

Credits: Oscar Eagle.

Credits: Producer, Oscar Eagle.

ARABIAN KNIGHTS. (Slim Summerville Comedy) 1931. 2 reels.

Credits: Director, Stephen Roberts; story, Francis J. Martin, James Mulhauser.

ARABIAN LOVE. 1922. 5 reels.

Credits: Director, Jerome Storm; story and scenario, Jules Furthman.

ARABIAN NIGHTS. SEE Aladdin and the Wonderful Lamp.

THE ARABIAN SHRIEKS. 1932. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Harry W. Conn, Aubrey Scotto.

ARABIAN TIGHTS. (A Charley Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Editor, William Terhune.

ARABIANTICS. SEE Felix the Cat in Arabiantics.

ARABIA'S LAST ALARM. 1923. 2 reels.

Credits: Director, Tom Buckingham.

ARABS WITH DIRTY FEZZES. (A Walter Lantz Cartune) 1939. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod, James Miele.

ARBOR DAY. (Hal Roach Comedy) (Our Gang Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Fred Newmeyer; film editor, Bert Jordan.

ARCADE VARIETIES. Nu-Atlas Productions. Mentone. Presented by RKO Radio Pictures, Inc. 1939. 11 min., sd.

Credits: Director, Milton Schwarzwald; dialogue, Alan Wilson; orchestrations, Jack Schaindlin.

ARCHIE AND THE BELL-BOY. 1913. 1 reel.

Credits: Alice Williams.

ARCHIE GOTTLER—HIS SONGS ARE IN MILLIONS OF HOMES. 1928. 1 reel, sd.

ARCHITECTURAL CEYLON. 1916. 1/4 reel.

THE ARCTIC. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

ARCTIC ANTICS. (Silly Symphony) (Walt Disney Comic) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

ARE ALL MEN ALIKE? 1920. 6 reels. Based on the novel "The Waffle Iron" by Arthur Stringer.

Credits: Director, Philip E. Rosen; adaptation, A. P. Younger.

ARE CROOKS DISHONEST? Rolin Film Co. 1918.

ARE HUSBANDS HAPPY? (Speed Comedy) Reggie Morris Productions, Inc. 1922. 2 reels.

Credits: Director, Reggie Morris.

ARE HUSBANDS PEOPLE? 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, W. H. Woodmansee, Pinto Colvig.

ARE MARRIED POLICEMEN SAFE? (Sunshine Comedies) 1918. 2 reels.

Credits: Production, supervision, story, and scenario, Henry Lehrman; director, Richard Jones.

ARE PARENTS PEOPLE? Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,586 ft. From the story by Alice Duer Miller.

Credits: Director, Malcolm St. Clair; screenplay, Frances Agnew.

ARE SCOTCHMEN TIGHT? 1929. 2 reels.

Credits: Direction and story, Neal Burns.

ARE THESE OUR CHILDREN? 1931. 10 reels, sd.

Credits: Associate producer, Louis Sarecky; story and direction, Wesley Ruggles; adaptation and dialogue, Howard Estabrook.

ARE WAITRESSES SAFE? (Paramount-Mack Sennett Comedies) 1923. 2 reels.

Credits: Director, Victor Heerman.

ARE WE CIVILIZED? 1934. 8 reels, sd.

Credits: Producer, Edwin Carewe; story and dialogue, Harold Sherman.

ARE YOU A FAILURE? Presented by B. P. Schulberg. 1923. 5,700 ft.

Credits: Producer and director, Tom Forman; story, Larry Evans; scenario, Eve Unsell.

ARE YOU AN ELK? Special Laemmle. 1916. 1 reel.

Credits: King Baggot; producer, Henry McRae Webster.

ARE YOU LISTENING? 1932. 8 reels, sd., b&w. From the novel by J. P. McEvoy.

Credits: Director, Harry Beaumont; adaptation, Dwight Taylor; film editor, Frank Sullivan.

ARE YOU LIVING OR JUST EXISTING? Rothacker Film Mfg. Co. 1918. 1 reel.

ARE YOU THERE? 1930. 5,000 ft., sd.

Credits: Director, Hamilton MacFadden; story, Harlan Thompson; editor, Al Degaetano.

AREN'T WE ALL? 1932. 8 reels. From the play by Frederick Lonsdale.

Credits: Director, Harry Lachman; adaptation, Gilbert Wakefield, Basil Mason.

AREN'T WE ALL? SEE A Kiss in the Dark.

ARGENTINA. 1933. 968 ft.

ARGENTINE ARGOSY. (Along the Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

ARGENTINE LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels.

Credits: Producer and director, Allan Dwan; story, Vicente Blasco Ibanez; scenario, Gerald Duffy; adaptation, John Russell.

THE ARGYLE CASE. 1917. 7 reels. From the play by Harriet Ford and Harvey J. O'Higgins, written with the cooperation of William J. Burns.

Credits: Director, Ralph W. Ince; scenario, Frederic Chapin, Ralph W. Ince.

THE ARGYLE CASE. 1929. 9 reels. From the play by Harriet Ford and Harvey J. O'Higgins, written with the cooperation of William J. Burns.

Credits: Director, Howard Bretherton; adaptation, Harvey Thew.

THE ARGYLE CASE. Trailer. 1929. 1 reel, sd.

ARIANE. 1931. 9 reels. From the novel by Claude Anet [pseud. of Jean Schopfer].

Credits: Director, Paul Czinner; story, Claude Anet.

THE ARID SOUTHWEST. 1929. 1 reel.

THE ARISTOCRATS. SEE Born and Lawrence in The Aristocrats.

ARIZONA. 1918. 5 reels. Adapted from the play by Augustus Thomas.

Credits: Director, Albert Park.

ARIZONA. 1931. 7 reels, sd. Based on the play by Augustus Thomas.

Credits: Director, George B. Seitz; adaptation and dialogue, Robert Riskin; continuity, Dorothy Howell; film editor, Gene Milford.

ARIZONA AMES. SEE Thunder Trail.

ARIZONA BOUND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5 reels.

Credits: Director, John Waters; story, Richard Allen Gates; scenario, John Stone, Paul Gangelin; adaptation, Marion Jackson.

Credits: Producer, Leon T. Osborne; director, William Bertram; story, Charles Mortimer Peck.

THE ARIZONA CYCLONE. 1927. 5 reels.

Credits: Director, Edgar Lewis; story and continuity, William Lester.

ARIZONA DAYS. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward Finney; director, Jack English; story and supervision, Lindsley Parsons; screenplay, Sherman L. Lowe.

THE ARIZONA EXPRESS. 1924. 7 reels.

Credits: Director, Thomas Buckingham; story, Lincoln J. Carter; scenario, Fred Jackson, Robert N. Lee.

THE ARIZONA GUNFIGHTER. 1937. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screenplay, George H. Plympton; film editor, S. Roy Luby.

THE ARIZONA KID. Presented by William Fox. 1930. 9 reels, sd.

Credits: Producer and director, Alfred Santell; story and dialogue, Ralph Block; film editor, Paul Weatherwax.

THE ARIZONA KID. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original story, Luci Ward; screenplay, Luci Ward, Gerald Geraghty; film editor, Lester Orlebeck; music director, Cy Feuer.

ARIZONA LEGION. 1939. 6 reels, sd.

Credits: Producer, Bert Gilroy; director, David Howard; story, Bernard McConville; screenplay, Oliver Drake; editor, Frederic Knudtson; music director, Roy Webb.

ARIZONA MAHONEY. Presented by Adolph Zukor. 1936. 6 reels. Based on the novel "Stairs of Sand" by Zane Grey.

Credits: Director, James Hogan; screenplay, Robert Yost, Stuart Anthony.

ARIZONA NIGHTS. 1927. 7 reels.

Credits: Director, Lloyd Ingraham; story, Stewart Edward White; adaptation and continuity, Hal Conklin.

THE ARIZONA RAIDERS. Presented by Adolph Zukor. 1936. 6 reels. Based on the novel "Raiders of Spanish Peaks" by Zane Grey.

Credits: Director, James Hogan; screenplay, Robert Yost, John Krafft.

THE ARIZONA ROMEO. 1924. 5 reels.

Credits: Director, Edmund Mortimer; story and scenario, Charles Kenyon.

THE ARIZONA STREAK. F. B. O. 1926. 5 reels.

Credits: Director, Robert De Lacy; story, F. A. E. Pine; continuity, Lanier Bartlett.

THE ARIZONA SWEEPSTAKES. Universal-Jewel. 1925. 6 reels.

Credits: Director, Clifford S. Smith; story, Charles Logue.

ARIZONA TO BROADWAY. 1933. 6,033 ft., sd.

Credits: Director, James Tinling; original screenplay, William Conselman, Henry Johnson; editor, Louis Loeffler.

THE ARIZONA WILDCAT. 1927. 5 reels.

Credits: Director, R. William Neill; story, Adela Rogers St. Johns; scenario, John Stone.

THE ARIZONA WILDCAT. 1939. 7 reels, sd.

Credits: Frances Hyland, Albert Ray; director, Herbert I. Leeds; screenplay, Barry Trivers, Jerry Cady; music director, Samuel Kaylin.

AN ARIZONA WOOING. 1915. 1 reel.

Credits: Producer, Tom Mix.

THE ARIZONIAN. 1935. 8 reels, sd.

Credits: Associate producer. Cliff Reid; director, Charles Vidor; story and screenplay, Dudley Nichols; editor, Jack Hively; music director, Roy Webb.

THE ARK ANGEL. SEE The Rowdy.

THE ARKANSAS TRAVELER. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Producer, George Arthur; director, Alfred Santell; story, Jack Cunningham; screenplay, Viola Brothers Shore, George Sessions Perry; film editor, Paul Weatherwax.

ARLEIGH FILM SLIDES: 125 MAPS FOR GEOGRAPHY AND HISTORY. 1927. Filmstrip.

ARLINE'S CHAUFFEUR. 1915. 1 reel.

Credits: Scenario, Edward Alexander.

ARMIES OF THE WORLD. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

ARMORED CAR. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; director, Lewis R. Foster; original story, William A. Pierce; screenplay, Lewis R. Foster, Robert N. Lee; film editor, Frank Gross.

ARMS AND LEGS. (Sport Pictorial) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

ARMS AND THE GIRL. 1917. 5 reels.

Credits: Director, Joseph Kaufman; story, Grant Stewart, Robert Baker; scenario, Charles E. Whittaker.

ARMS AND THE GIRL. SEE The Heart Raider.

ARMY GIRL. 1938. 10 reels, sd.

Credits: Associate producer, Armand Schaefer; director, George Nicholls, Jr.; story, Charles L. Clifford; screenplay, Barry Trivers, Samuel Ornitz; film editor, William Morgan; music score, Alberto Colombo.

THE ARMY-NAVY FOOTBALL GAME. 1930. Presented by Columbia Films. 1930. 100 ft., 16 mm.

THE ARNAUT BROTHERS (JOHNE AND RENE) IN THE FAMOUS LOVING BIRDS. 1927. 1 reel.

ARNOLD JOHNSON AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

Credits: Producer, Oscar Eagle.

AROUND CORNERS. 1921. 2 reels.

AROUND MALAYSIA. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Written and spoken by John P. Medbury.

AROUND THE CALENDAR. (A Grantland Rice Sportlight) 1933. 1 reel, sd.

AROUND THE CLOCK. (Broadway Brevities) 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Woods.

AROUND THE CORNER. Powers. 1915. 1 reel.

Credits: Producer, Le Viness; scenario, L. V. Jefferson.

AROUND THE CORNER. 1930. Si. & 69 min., sd.

Credits: Producer, Harry Cohn; director, Bert Glennon; story and dialogue, Jo Swerling; film editor, Gene Milford.

AROUND THE EQUATOR ON ROLLER SKATES. 1932. 2 reels.

Credits: Supervision and dialogue, Albert DeMond.

AROUND THE FAIR WITH BURTON HOLMES. (A Century of Progress) 1933. 1 reel.

AROUND THE FAIR WITH BURTON HOLMES. (A Century of Progress Exposition) New Version. 1933. 1 reel.

AROUND THE SAMOVAR. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Rube Welsh.

AROUND THE WORLD. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

AROUND THE WORLD IN EIGHT MINUTES. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story, A. Dorian Otvos, Stanley Rauh.

AROUND THE WORLD IN EIGHTEEN DAYS. Universal Special. 1922-23. 2 reels each.

Credits: Directors, Reaves Eason, Robert F. Hill; story, Robert Dillon; scenario, George Bronson Howard, Frank Howard Clark.

1. The Wager. © 14Nov22; LP18412.

2. Wanted by the Police. © 17Nov22; LP18427.

3. The Apaches of Paris. © 18Nov22; LP18461.

4. The Man who Broke the Bank at Monte Carlo. © 25Nov22; LP18455.

5. Sands of Doom. © 9Dec22; LP18474.

6. The Living Sacrifice. © 15Dec22; LP18528.

7. The Dragon's Claws. © 23Dec22; LP18536.

8. A Nation's Peril. © 5Jan23; LP18560.

9. Trapped in the Clouds. © 10Jan23; LP18576.

10. The Brink of Eternity. © 18Jan23; LP18594.

11. The Path of Peril. © 25Jan23; LP18620.

12. The Last Race. © 31Jan23; LP18639.

AROUND THE WORLD IN 18 MINUTES. 1932. 2 reels.

Credits: Supervision and dialogue, Albert DeMond.

AROUND THE WORLD IN EIGHTY MINUTES WITH DOUGLAS FAIRBANKS. 1931. 8 reels.

AROUND THE WORLD IN TEN MINUTES. Joker. 1915. Split reel.

AROUND THE WORLD IN THE PATH OF SPRINGTIME. 1924. 1 reel.

AROUND THE WORLD IN THE SPEEJACKS. 1923. 7 reels.

AN ARRANGEMENT WITH FATE. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, Ruth Ann Baldwin.

ARREST BULLDOG DRUMMOND! Presented by Adolph Zukor. 1938. 6 reels, sd. Based on "The Final Count" by H. C. (Sapper) McNeile.

Credits: Director, James Hogan; screenplay, Stuart Palmer; film editor, Stewart Gilmore.

THE ARRIVAL OF JOSIE. 1914. 1 reel.

Credits: Director, Lee Beggs.

ARROWSMITH. United Artists. 1932. 11 reels, sd. Based upon the novel by Sinclair Lewis.

Credits: Director, John Ford; adaptation, Sidney Howard; musical score, Alfred Newman.

Credits: Adapted and produced by George Loane Tucker.

ARSENE LUPIN. 1917. 6 reels.

Credits: Paul Potter; director, Paul Scardon; adaptation, Garfield Thompson.

ARSENE LUPIN. 1932. 9 reels, sd., b&w. From the play by Maurice Le Blanc and Francis de Croisset.

Credits: Director, Jack Conway; screenplay, Carey Wilson; dialogue, Bayard Veiller, Lenore Coffee; film editor, Hugh Wynn.

ARSENE LUPIN RETURNS. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. Based on the characters created by Maurice Le Blanc.

Credits: Producer, John W. Considine, Jr.; director, George Fitzmaurice; original story and screenplay, James Kelvin McGuinness, Howard Emmett Rogers, George Harmon Coxe.

ARSON GANG BUSTERS. 1938. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Joe Kane; original screenplay, Alex Gottlieb, Norman Burnstine; additional dialogue, Joseph Hoffman; film editor, Edward Mann; music director, Alberto Colombo.

ARSON RACKET SQUAD. 1938. 7 reels, sd.

ART ACHES. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, W. W. Beaudine.

THE ART BUG. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

ART FOR A HEART. 1914. 1 reel.

Credits: Elaine Sterne; directors, Wilfred North, Willie Van.

ART FOR ART'S SAKE. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producer, Eddie Lyons, Lee Moran.

ART FOR ART'S SAKE. (Aesop's Fable, no. 9) (The Little King) 1934. 1 reel. Based on "The Little King" cartoon by O. Soglow.

Credits: Director, George Stallings; animation, Jim Tyer.

ART FOR HEART'S SAKE. SEE Felix the Cat in Art for Heart's Sake.

ART GALLERY. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Hugh Harman.

ART IN THE RAW. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; story and direction, Harry Sweet; screenplay, Ben Holmes, Walter Weems; film editor, Daniel Mandell.

ART JARRETT; Nick Kenny's radio thrills with radio stars. 1932. 2 reels.

Credits: Producer, Rowland Brice; director, Monte Brice; story, William Rowland, Arthur Jarrett, Sr.

THE ART OF RUG WEAVING. Presented by Mohawk Carpet Mills. 1930. Filmstrip, 72 frames.

THE ART OF SELLING. 1936. 2 reels, sd.

ART TROUBLE. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Jack Henley, Dolph Singer.

AN ARTFUL ARTIST. 1915. 1 reel.

Credits: Producer, Arthur D. Hotaling.

ARTHUR & MORTON HAVEL IN PLAYMATES. 1929. 1 reel, sd.

ARTHUR BYRON AND COMPANY IN A FAMILY AFFAIR. 1929. 1 reel, sd.

ARTHUR PAT WEST IN SHIP AHOY. 1929. 1 reel, sd.

ARTHUR TRUMAN'S WARD. 1914. 1 reel.

Credits: Director, Wilfrid North.

ARTHUR'S DESPERATE RESOLVE. Victor. 1916. 1 reel.

Credits: E. J. Clawson; producer, William Garwood.

ARTHUR'S LAST FLING. Laemmle. 1916. 1 reel.

Credits: Written and produced by Rupert Julian.

ARTIE SHAW AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Roy Mack.

ARTIE SHAW'S CLASS IN SWING. (A Paramount Headliner) 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

ARTIE, THE MILLIONAIRE KID. 1916. 5 reels.

Credits: Director, Harry Handworth.

ARTIFICIAL RESPIRATION. 1927. 1 reel.

THE ARTIST. 1923. 2 reels.

Credits: Director, George Summerville.

THE ARTIST AND THE VENGEFUL ONE. Victor. 1915. 1 reel.

Credits: Producer, Harry C. Myers.

ARTISTIC CHINA AND JAPAN AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

ARTISTIC ENEMIES. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Harry Wulze.

ARTISTIC INTERFERENCE. Imp. 1916. 1 reel.

Credits: Anna D. Williams; producer, Lucius Henderson.

ARTISTIC MIMICRY. SEE Bruce Bowers in Artistic Mimicry.

ARTISTS AND MODELS. Presented by Adolph Zukor. 1937. 10 reels, sd.

Credits: Producer, Lewis E. Gensler; director, Raoul Walsh; story, Sig Herzig, Gene Thackrey; adaptation, Eve Greene, Harlan Ware; screenplay, Walter DeLeon, Francis Martin; film editor, Ellsworth Hoagland.

ARTISTS AND MODELS ABROAD. Presented by Adolph Zukor. 1938. 10 reels, sd.

Credits: J. P. McEvoy; producer, Arthur Hornblow; director, Mitchell Leisen; original story, Howard Lindsay, Russel Crouse; screenplay, Howard Lindsay, Russel Crouse, Ken Englund; film editor, Doane Harrison; musical numbers by LeRoy Prinz.

THE ARTIST'S MODEL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel, color.

Credits: Director, Jack Eaton.

THE ARTIST'S MODEL. (Pen and Ink Vaudeville) 1924. 1 reel.

Credits: Earl Hurd.

AN ARTIST'S MUDDLE. Rainbow. 1920. 2 reels.

Credits: Director, Noel Smith.

ARTIST'S MUDDLES. 1933. 20 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Phil Whitman, Ewart Adamson.

THE ARTIST'S REVERIE. 1930. 1 reel, sd.

Credits: Director, Frank Cambria.

THE ARYAN. 1916. 5 reels.

Credits: Producer, Fred Huntley.

AS A MATTER OF FACT. 1936. For the RCA Mfg. Co. 1 reel, sd.

AS A TALE THAT IS TOLD. SEE Under the Daisies.

AS FATE DECIDES. Laemmle. 1916. 1 reel.

Credits: M. De La Parelle; producer, Rupert Julian.

AS GOOD AS MARRIED. 1937. 8 reels, sd.

Credits: Associate producer, E. M. Asher; director, Edward Buzzell; original story, Norman Krasna; screenplay, F. Hugh Herbert, Lynn Starling.

AS HUSBANDS GO. 1933. 7,300 ft., sd. From the play by Rachel Crothers.

Credits: Director, Hamilton MacFadden; screenplay, Sonya Levien; additional dialogue, Sam Behrman.

AS IN A DREAM. Rex. 1916. 3 reels.

Credits: L. V. Jefferson.

Credits: Director, Frank H. Crane.

AS IT HAPPENED. 1915. 1 reel.

AS MAN DESIRES. 1925. 8 reels. From the novel "Pandora La Croix" by Gene Wright.

Credits: Director, Irving Cummings; adaptation and supervision, Earl Hudson; scenario, Marion Orth.

Credits: Director, George Archainbaud; story, Helen Beare.

AS MEN LOVE. 1917. 5 reels.

Credits: Director, E. Mason Hopper; story, Lois Zellner; scenario, Adele Harris.

AS NO MAN HAS LOVED. 1925. 8 reels. Based on "The Man Without a Country" by Edward Everett Hale.

Credits: Director, Rowland V. Lee; adaptation and scenario, Robert N. Lee.

AS OTHERS SEE US. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

AS THE CANDLE BURNED. Imp. 1916. 1 reel.

Credits: Directed and written by Joseph Le Brandt.

AS THE CROWS FLY. 1933. 19 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Jack Townley.

AS THE DEVIL COMMANDS. 1932. 7 reels.

Credits: Director, Roy William Neill; story, Keene Thompson; screenplay, Jo Swerling.

AS THE EARTH TURNS. 1934. 8 reels. Based on the novel by Gladys Hasty Carroll.

Credits: Director, Alfred E. Green; screenplay, Ernest Pascal.

AS THE SHADOWS FALL. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; story, Harvey Gates.

AS THE SUN WENT DOWN. 1919. 6 reels. Adapted from the stage drama by George D. Baker.

Credits: Director, E. Mason Hopper; adaptation, George D. Baker.

AS THE TOOTH CAME OUT. 1913.

Credits: Mark Swan.

AS THE TWIG IS BENT. 1915. 3,000 ft.

Credits: Producer, Wilbert Melville.

AS YE SOW. 1916. 2 reels.

Credits: Director, Burton L. King.

AS YOU DESIRE ME. 1932. 7 reels, sd., b&w. From the play by Luigi Pirandello.

Credits: Producer, George Fitzmaurice; adaptation and dialogue, Gene Markey; film editor, George Hively.

AS YOU LIKE IT. SEE Love in a Wood.

AS YOU MIKE IT. (H. C. Witwer Record Breaker Series) 1929. 2 reels.

Credits: Director, Albert Herman.

AS YOU WERE. 1919. 1 reel.

Credits: Director, Al Santell; story, Eleanor Fried.

THE ASBURY PARK MURDER MYSTERY. (William J. Burns Detective Mysteries) 1930. 1 reel.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

THE ASCENSION OF KING'S PEAK; known as Koenigspitze. Rex. 1917. 1/4 reel.

THE ASCENT OF THE MATTERHORN. (Paramount-Burlingham Adventure Pictures) 1919. 1 reel.

ASEGURE A SU MUJER! (INSURE YOUR WIFE!) 1935. 8 reels, sd. Based on the story by Julio Escobar.

Credits: Director, Lewis Seiler; screenplay, Enrique Jardiel Poncela, Robert Ellis, Helen Logan; music director, Sam Kaylin; songs, Ernesto Piedra, Troy Sanders, Raúl Roulien.

ASHAMED OF PARENTS. 1921. 6 reels. From the story "What Children Will Do" by Charles K. Harris.

ASHAMED OF THE OLD FOLKS. Victor. 1916. 2 reels.

Credits: Produced and written by Matt Moore.

ASH-CAN ALLEY. 1918. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE ASH CAN FLEET. Presented by Metro-Goldwyn-Mayer. 1939. 989 ft., sd., b&w.

Credits: Director, Fred Zinnemann; original screenplay, Herman Hoffman; film editor, Harry Komer; music, C. Bakaleinikoff, D. Amfitheatrof.

ASHENDEN. SEE Secret Agent.

ASHES. Gold Seal. 1916. 3 reels.

Credits: Written and directed by Robert F. Hill.

ASHES. 1916. 3 reels.

Credits: Producer, William Wolbert.

ASHES OF DESIRE. 1919. 6 reels.

Credits: Director, Frank Borzage; story, Sam Small, Jr.

ASHES OF GOLD. 1915. 1 reel.

Credits: Director, J. Le Saint.

ASHES OF HOPE. 1917. 5 reels.

ASHES OF INSPIRATION. 1915. 2 reels.

ASHES OF REMEMBRANCE. Rex. 1916. 2 reels.

Credits: Produced and written by Allan J. Holubar.

Credits: Producer, Harold Shaw.

ASHES OF VENGEANCE. First National. 1923. 10 reels. Based on the story by H. B. Somerville [pseud. of Ina Violet McComas]

Credits: Direction and adaptation, Frank Lloyd.

ASHES ON THE HEARTHSTONE. (Is Marriage Sacred?) 1917. 26 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

ASK DAD. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Sam Newfield.

ASK DAD. (Educational-Coronet Talking Comedy) 1929. 2 reels.

Credits: Joseph A. Jackson; supervision, Sidney Brennecke; director, Hugh Faulcon.

ASK DADDY. 1923. 3 reels.

Credits: Scenario, David S. Beyer.

ASK ME ANOTHER. 1927. 1 reel.

ASK UNCLE SOL. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 999 ft., sd.

Credits: Director, Raymond Kane; story, Arthur Jarrett, Marcy Klauber.

ASLEEP IN THE FEET. (Hal Roach Pitts-Todd Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; editor, Louis McManus.

ASSASSIN OF YOUTH. 1937. 8 reels, sd.

Credits: Producer, Leo J. McCarthy; director, Elmer Clifton; original story, Leo J. McCarthy, Elmer Clifton; screenplay, Elmer Clifton, Charles A. Brown.

Credits: Director, Reeves Eason.

ASSISTING ANANIAS. SEE Fools of Fortune.

ASSORTED BABIES. U. F. A., Germany. 1927. 1 reel.

Credits: Editor, Edward Bowes.

ASTRAY FROM THE STEERAGE. 1921. 2 reels.

Credits: Director, Frank Powell.

ASTRONOMEOWS. SEE Felix the Cat in Astronomeows.

AT A COUNTY FAIR. (A Walter Futter Novelty) Columbia. 1934. 810 ft., sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

AT A PREMIUM. Metro-Drew. 1916. 1 reel.

Credits: Epes Winthrop Sargent; producer and director, Sidney Drew.

AT A TALKIE STUDIO. 1929. 1 reel, sd.

Credits: Basil Smith.

AT BEAR TRACK GULCH. 1912. 1 reel.

Credits: R. P. Janette.

AT DEVIL'S GORGE. (Edmund Cobb, no. 2) 1923. 5 reels.

Credits: Director, Ashton Dearholt; story and scenario, Daniel F. Whitcomb.

AT EASE. (Hamilton Comedies) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

AT FIRST SIGHT. 1917. 5 reels.

Credits: Director, Robert Leonard; story, George Middleton.

AT HIS OWN TERMS. 1915. 1 reel.

Credits: Producer, Charles Giblyn; scenario, Calder Johnstone.

AT HOME. 1930. 1 reel, sd.

Credits: Director, Ray Cozine.

AT HOME IN THE WATER. 1912. 1 reel.

Credits: G. C. Corsan.

AT IT AGAIN. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine.

AT IT AGAIN. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; written and directed by Norman Taurog.

AT LARGE. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Harvey Gates.

AT LAST WE ARE ALONE. 1914. 1 reel.

Credits: Producer, N. MacGregor.

AT MIDNIGHT. 1913.

Credits: Mark Swan.

AT PINEY RIDGE. 1916. 5 reels. From the stage play by David K. Higgins.

Credits: Director, William Robert Daly; adapted & picturized by Gilson Willets.

AT SEA ASHORE. (A Hal Roach Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, William Terhune; film editor, Ray Snyder.

AT SWORDS' POINTS. 1918. 1 reel.

Credits: Arthur F. Statter; director, Al Sautell.

AT THE BALL GAME. SEE Leo Carillo ... in At the Ball Game.

AT THE BANQUET TABLE. Imp. 1915. 2 reels.

Credits: Producer, George A. Lessey; scenario, Harvey Gates.

AT THE BARN. SEE Two Weeks.

AT THE BEACH. (A McDougall Alley Comedy) 1926. 2 reels.

Credits: Supervision, Joe Rock.

AT THE BEACH INCOGNITO. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

AT THE BINGVILLE BOOSTERS BARBECUE. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Ben Cohn, Clarence G. Badger.

AT THE CHURCH FESTIVAL. SEE Dick Henderson in At the Church Festival.

AT THE CIRCUS. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w.

Credits: Producer, Mervyn LeRoy; director, Edward Buzzell; screenplay, Irving Brecher; film editor, William H. Terhune; music director, Franz Waxman; music, Harold Arlen.

AT THE COUNT OF TEN. Metro-Drew. 1916. 1 reel.

Credits: Charles Brown, Margaret Cameron.

AT THE DAMASCUS GATE OF OLD JERUSALEM. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

AT THE DENTIST'S. (George Le Maire Comedies) 1929. 2 reels.

Credits: Producer, Robert T. Kane; director, Basil Smith.

AT THE END OF A PERFECT DAY. 1915. 1 reel.

AT THE END OF THE WORLD. 1921. 6 reels. From the play by Ernest Klein.

Credits: Director, Penrhyn Stanlaws; scenario, Edfrid A. Bingham; adaptation, Adelaide Heilbron.

AT THE FLOOD-TIDE. 1915. 1 reel.

Credits: Producer, Guy Oliver; scenario, Wallace C. Clifton.

AT THE FRONT. (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Story and direction, Edward I. Luddy.

AT THE GATE. 1929. 1 reel, sd.

Credits: Director, Monte Brice.

AT THE HEADWATERS OF THE DALALVEN; the river of the Valley of Sweden. 1916. Split reel.

AT THE MASK-BALL. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Malcolm Douglas.

AT THE MASQUERADE BALL. 1912. 1 reel.

Credits: Screenplay, M. B. Havey.

AT THE MERCY OF FATE. SEE Lost Memory.

AT THE MERCY OF MEN. 1918. 5 reels.

Credits: Director, Charles Miller; scenario, Paul West.

AT THE MIKE. Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

AT THE NIGHT CLUB. (A Laemmle Movietone) 1929. 1 reel, sd.

AT THE PARTY. 1927. 1 reel, sd.

AT THE PARTY. SEE Bud Harris and Frank Radcliffe in At the Party.

AT THE POINT OF A GUN. 1919. 2 reels.

Credits: Director, Edward Kull; story, Dorothy Rockfort; scenario, Anthony W. Coldeway.

AT THE RACES. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery; story, Jack Henley.

AT THE RISK OF HIS LIFE. 1914. 1,000 ft.

Credits: Producer, Thomas Santschi.

AT THE ROAD'S END. 1915. 1 reel.

AT THE SIGN OF THE JACK O'LANTERN. Renco Film Co. Presented by H.J. Reynolds. 1922. 5,193 ft. From the story by Myrtle Reed.

Credits: Director, Lloyd Ingraham; scenario, David Kirkland; adaptation, Lloyd Ingraham, David Kirkland.

AT THE SIGN OF THE LOST ANGEL. 1913. 1 reel.

Credits: Director, Rollin S. Sturgeon.

AT THE STAGE DOOR. 1921. 6 reels.

Credits: Director, William Christy Cabanne.

AT THE TOP OF THE WORLD, ALASKA. 1916. 1/4 reel.

Credits: Producer, O. H. Martinek.

AT THE TRANSFER CORNER. 1914. 1,000 ft.

Credits; Producer, Norval MacGregor.

AT THE WAILING WALL. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

AT YALE. SEE Hold 'Em Yale.

AT YOUR SERVICE. 1930. 1 reel.

AT YOUR SERVICE. (An Oswald Cartoon), Snappy. 1935. 1 reel, sd.

Credits: Story and lyrics, Walter Lantz, Victor McLeod.

AT YOUR SERVICE MADAME. (Merrie Melodies) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Don Williams, Cal Dalton; music, Norman Spencer.

THE ATHLETE. Snappy. (Pooch the Pup Cartoon) 1932. 1 reel.

Credits: Animated and directed by Walter Lantz and William Nolan.

ATHLETIC AMBITIONS. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

ATHLETIC AND PHYSICAL CULTURE SERIES. 1915. 1 reel each. © Selig Polyscope Co.

1. © 25Mar15; MP299.

2. © 26Mar15; MP301.

ATHLETIC DAZE. (Sport Champions) 1932. 948 ft.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

THE ATHLETIC FAMILY. 1914. 1 reel.

Credits: Director, Stratton.

ATHLETIC ODDITIES. (Adventures of the Newsreel Cameraman) 1938. 1 reel.

Credits: Producer, Truman Talley; editor, Lew Lehr.

ATHLETIC YOUTH. (News World of Sports) 1938. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

ATLANTIC. 1930. 8,213 ft., sd. Adapted from the play "The Berg" by Ernest Raymond.

Credits: Producer and director, E. A. Dupont; music, John Reynders.

ATLANTIC ADVENTURE. 1935. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, Diana Bourbon; screenplay, John T. Neville, Nat N. Dorfman; film editor, Ted Kent.

ATLANTIC FLIGHT. 1937. 8 reels, sd.

Credits: Producer, William Berke; director, William Nigh; screenplay, Scott Darling, Erna Lazarus.

L'ATLANTIDE. SEE

Lost Atlantis.

Missing Husbands.

ATMOSPHERIC GRADATION. SEE The Work of the Atmosphere.

ATMOSPHERIC PRESSURE. 1928. 1 reel.

Credits: Louis Mercanton, Rene Hervil; director, Louis Mercanton.

Credits: Director, William Humphrey; scenario, George Edwards Hall, William Humphrey.

ATTA BABY. (Educational-Juvenile Comedy) 1927. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

ATTENTION SUCKERS. (An Oddity) 1934. 915 ft., sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

ATTIC OF TERROR. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

THE ATTIC PRINCESS. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story and scenario, Calder Johnstone.

THE ATTORNEY FOR THE DEFENSE. 1915. 3,000 ft.

Credits: Story, Edwin Balmer; adaptation, Harry Chandlee.

ATTORNEY FOR THE DEFENSE. 1932. 7 reels, sd.

Credits: Director, Irving Cummings; story, J. K. McGuinness; adaptation and dialogue, Jo. Swerling; film editor, Gene Havelick.

THE AUCTION BLOCK. 1917. 7 reels. Based on a story by Rex Beach.

Credits: Director, Lawrence Trimble; scenario, Gil Spear.

THE AUCTION BLOCK. 1926. 7 reels. From the novel by Rex Beach.

Credits: Director, Hobart Henley; scenario, Frederic and Fanny Hatton.

AUCTION OF SOULS. 1922. 8 reels.

Credits: Director, Oscar Apfel; scenario, Frederic Chapin.

Credits: Producer, Herbert Blaché; story, Joseph Poland.

THE AUCTION SALE OF RUN-DOWN RANCH. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Cornelius Shea.

THE AUCTIONEER. 1927. 6 reels. Based on the play by Charles Klein and Lee Arthur, and the stage production by David Belasco.

Credits: Director, Alfred E. Green; scenario, L. G. Rigby, John Stone.

AUDIOSCOPIKS. 1935. 755 ft., sd.

Credits: Producers, J. F. Leventhal, J. A. Norling; commentator, Pete Smith.

THE AUDITION. 1933. 1 reel, sd.

Credits: Director, Roy Mack.

AUF WIEDERSEHEN. SEE Six Hours To Live.

DIE AUGEN DES OLE BRANDIS. SEE The Eyes of Ole Brandis.

AUGUST WEEK-END. 1936. 7 reels, sd. From the story by Faith Baldwin.

Credits: Director, Charles Lamont; adaptation and screenplay, Paul Perez.

AUNT ELSA'S VISIT. 1913. 1 reel.

Credits: Charles M. Seay.

AUNT JEMIMA, THE ORIGINAL FUN FLOUR MAKER, ACCOMPANIED BY ART SORENSON AT THE PIANO [SINGING] A. ETHEL LEVEY'S VIRGINIA SONG [and others]. 1927. 1 reel.

AUNT MARY. 1915. 1 reel.

Credits: Producer, Thomas Santschi.

Credits: Photographed and produced by Angela M. Gibson.

AUNTIE. 1914. 1 reel.

Credits: Director, Burton King.

AUNTIE'S ANTE. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Sam Newfield.

AUNTIE'S MISTAKE. (Dorothy Devore Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

AUNTIE'S PORTRAIT. 1914. 1 reel.

Credits: Director, George D. Baker.

AUNT'S IN THE PANTS. 1930. 2 reels, sd.

Credits: Producer, Lou Brook; director, Mark Sandrich; story and dialogue, Mark Sandrich, Johnny Grey; film editor, Ted Cheesman.

AUNTY AND THE GIRLS. 1913. 1 reel.

AURIOLE CRAVEN OFFERS: A. SUPPOSE I HAD NEVER MET YOU [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

AURORA FLOYD. 1915. 2 reels. Adapted from the play of the same name.

THE AUTHOR. 1923. 2 reels.

Credits: Director, Al St. John.

THE AUTHOR. SEE Walter Weems & Co.

AUTO ANTICS. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Edward Cahn; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner.

THE AUTO BANDIT'S CAPTURE. SEE Reformation.

THE AUTO CLINIC. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

AUTO-INTOXICATION. 1931. 2 reels, sd.

Credits: Director, Albert Ray; story, Edwin Burke.

AUTO SUGGESTION. (Krazy Kat) 1929. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

AUTOBUYOGRAPHY. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; story and direction, Al Boasberg; film editor, George Crone.

THE AUTOCRAT OF FLAPJACK JUNCTION. 1913. 1 reel.

Credits: Director, George D. Baker.

THE AUTOGRAPH HUNTER. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe de Nat.

AUTOMANIACS. 1917. 2 reels.

Credits: Director, J. G. Blystone.

THE AUTOMATIC HOUSE. 1915. 1 reel.

AUTOMATIC SPRINKLER SYSTEM CONTROL OF AIRPLANE HANGAR FIRES. Films of Commerce, Inc. 1931. 3 reels.

Credits: Signal Corps of the U. S. Army; re-edited and titled by Films of Commerce, Inc.

THE AUTOMOBILE. 1929. 1 reel.

AN AUTOMOBILE—ITS PRINCIPLE AND OPERATION. 1927. 1 reel.

Credits: Narrator, Harold Isbell.

AUTUMN. Red Feather. 1916. 5 reels.

Credits: Written and produced by O. A. C. Lund.

AUTUMN. (A Walt Disney Silly Symphony Comic) 1930. 1 reel.

THE AVALANCHE. Presented by Adolph Zukor. 1919. 2 reels. Based on the novel by Gertrude Atherton.

Credits: Director, George Fitzmaurice; scenario, Ouida Bergere.

AVALANCHE. 1928. 6 reels. From the story by Zane Grey.

Credits: Director, Otto Brower; story, J. Walter Ruben, Sam Mintz.

AVALANCHE; an Epic of Mont Blanc. 1932. 7 reels.

Credits: Director, Arnold Fanck.

AVARICE. Imp. 1917. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

AVENGED BY A FISH. L-Ko. 1915. 1 reel.

Credits: Martin Jörgensen, Louis Levy.

THE AVENGER. 1916. 2 reels.

Credits: Director, Leon D. Kent.

THE AVENGER. 1931. 7 reels, sd.

Credits: Director, Roy William Neill; story, Jack Townley; adaptation and dialogue, George Morgan; film editor, Ray Snyder.

THE AVENGER. 1933. 8 reels, sd. From the novel by John Goodwin [pseud. of Sidney Floyd Gowing].

Credits: Director, Edward L. Marin; adaptation, Brown Holmes; dialogue, Tristram Tupper.

THE AVENGER. SEE The Crime in the Tunnel.

THE AVENGERESS. SEE Carouge the Ghoul.

Credits: Arthur Preston Hankins.

1. The Vow of Mystery. © title, descr. & 60 prints, 23Feb21; LU16159.

2. The Enemy Strikes. © title, descr. & 40 prints, 23Feb21; LU16160.

3. The Hand of Treachery. © title, descr. & 40 prints, 23Feb21; LU16161.

4. A Life in Jeopardy. © title, descr. & 40 prints, 23Feb21; LU16162.

5. The Message Stone. © title, descr. & 40 prints, 23Feb21; LU16163.

6. The Midnight Attack. © title, descr. & 40 prints, 23Feb21; LU16164.

7. The Double Game. © title, descr. & 40 prints, 14May21; LU16535.

8. The Strange Pact. © title, descr. & 40 prints, 14May21; LU16536.

9. The Auction Block. © title, descr. & 40 prints, 14May21; LU16537.

10. Outwitted. © title, descr. & 40 prints, 14May21; LU16538.

11. Dangerous Waters. © title, descr. & 40 prints, 14May21; LU16539.

12. The House of Treachery. © title, descr. & 40 prints, 14May21; LU16540.

13. © title, descr. & 40 prints, 2Jun21; LU16621.

14. © title, descr. & 40 prints, 2Jun21; LU16620.

15. © title, descr. & 40 prints, 7Jun21; LU16652.

AVENGING BILL. 1915. Split reel.

THE AVENGING RIDER. 1928. 6 reels. From the story "Dancing Hoofs" by Adele Buffington.

Credits: Director, Wallace W. Fox; screenplay, Frank Howard Clark; film editor, Della M. King.

THE AVENGING SEA. 1915. 1 reel.

THE AVENGING SHADOW. Fred J. McConnell Productions. 1928. 4,293 ft.

Credits: Director, Ray Taylor; story and continuity, Bennett Cohen.

THE AVENGING SHOT. 1915. 2 reels.

THE AVENGING TRAIL. Yorke Film Corp. 1917. 5 reels. From the novel "Gaston Olaf" by Henry Oyen.

Credits: Supervision, Fred J. Balshofer; director, Francis Ford; scenario, Mary Murillo.

AVENGING WATERS. 1936. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story and screenplay, Nate Gatzert; film editor, Dwight Caldwell.

AVERAGE HUSBAND. (Educational's Talking Comedies) Presented by Mack Sennett. 1930. 18 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Vernon Smith, Jack Jevne.

THE AVERAGE WOMAN. 1924. 6 reels. Suggested by a Saturday Evening Post story by Dorothy De Jagers.

Credits: Director, William Christy Cabanne.

THE AVIATOR. Vitaphone. 1929. 7 reels. From the play by James Montgomery.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Robert Lord, Arthur Caesar.

THE AVIATOR. Trailer. 1929. 1 reel, sd.

AVIATOR. SEE Going Wild.

AVIATOR SHORTY. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Marty May.

AW NURSE. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

THE AWAKENING. 1915. 2 reels.

Credits: Director, Ralph Ince.

Credits: Director, George Archainbaud.

THE AWAKENING. United Artists. 1928. 9 reels, sd.

Credits: Frances Marion; producer and director, Victor Fleming; scenario, Carey Wilson.

THE AWAKENING HOUR. 1915. 3 reels.

THE AWAKENING OF A MAN. 1913. 2 reels.

Credits: Bannister Merwin.

THE AWAKENING OF BARBARA DARE. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE AWAKENING OF HELENA MINOR. Metro-Drew. 1917. 1 reel.

Credits: Helena Laughton; producer, Sidney Drew.

THE AWAKENING OF HELENA RICHIE. 1916. 5 reels.

Credits: Margaret Deland; director, John W. Noble.

AWAKENING OF JIM BURKE. 1935. 7 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Michael Simmons; film editor, John Rawlins.

THE AWAKENING OF PATSY. (Little Stories of Real Life) Victor. 1915. 1 reel.

Credits: Written and produced by Jacques Jaccard.

THE AWAKENING OF RUTH. 1917. 5 reels.

Credits: Director, Edward H. Griffith; story, Lucien Hubbard.

AWAY GOES PRUDENCE. Paramount-Artcraft. Produced by Adolph Zukor. 1920. 5 reels.

Credits: Director, John S. Robertson; story, Josephine Lovett; scenario, Kathryne Stuart.

THE AWFUL ADVENTURES OF AN AVIATOR. 1915. Split reel.

Credits: Producer, Norval MacGregor; story, Roy L. McCardell.

AN AWFUL BULL. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes; story, Ward Hayes, Frank Kingsley.

THE AWFUL GOOF. 1939. 1,539 ft.

Credits: Director, Del Lord; story and screenplay, John Grey.

THE AWFUL TOOTH. (A Hal Roach Comedy) (Our Gang Comedy) 1938. 1 reel, sd., b&w.

Credits: Director, Nate Watt; film editor, William Ziegler.

THE AWFUL TRUTH. Presented by Elmer Harris. Released by Producers Distributing Corp. 1925. 6 reels. From the play by Arthur Richman.

Credits: Production and adaptation, Elmer Harris; director, Paul Powell.

THE AWFUL TRUTH. 1929. 8 reels. Based on the play by Arthur Richman.

Credits: Supervision, Maurice Revnes; director, Marshall Neilan; dialogue director, Rollo Lloyd; adaptation, Arthur Richman, Horace Jackson.

THE AWFUL TRUTH. 1937. 10 reels, sd. Based on the play by Arthur Richman.

Credits: Producer and director, Leo McCarey; screenplay, Vina Delmar; film editor, Al Clark; music, Ben Oakland; music director, Morris Stoloff.

AXE ME ANOTHER. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

AXELLE. SEE Surrender.

AY TANK AY GO. 1936. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, John Grey.

THE AZURE SHORE. SEE The Rush Hour.

B. SEE The Rail Rider.

BABBITT. 1924. 8 reels. From the novel by Sinclair Lewis.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

BABBITT. First National Productions Corp. 1934. 8 reels, sd. Based on the novel by Sinclair Lewis.

Credits: Director, William Keighley; screenplay, Mary McCall, Jr; adaptation, Tom Reed, Niven Busch; additional dialogue, Ben Markson; film editor, Jack Killifer.

BABBLING BOOK. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, George N. Burns.

BABBLING TONGUES. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; scenario, George E. Hall.

BABE COMES HOME. 1927. 6 reels. From the story "Said with Soap" by Gerald Beaumont.

Credits: Producer, Wid Gunning; director, Ted Wilde; scenario, Louis Stevens.

BABE O'MINE. 1932. 1 reel.

Credits: Director, Bert Frank.

BABES AND BOOBS. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

BABES AT SEA. (Color Rhapsody) Presented by Columbia Pictures Corp. 1934. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

BABES IN ARMS. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w. Based on the play by Richard Rodgers and Lorenz Hart.

Credits: Producer, Arthur Freed; director, Busby Berkeley; screenplay, Jack McGowan, Kay Van Riper; film editor, Frank Sullivan; music director, George Stoll; musical adaptation, Roger Edens; orchestral arrangements, Leo Arnaud, George Bassman.

BABES IN HOLLYWOOD. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Producer, George M. Arthur; written and directed by Robert McGowan.

BABES IN THE GOODS. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

BABES IN THE JUNGLE. 1926. 2 reels.

Credits: Director, Jess Robbins.

BABES IN THE SAWDUST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

THE BABES IN THE WOODS. 1917. 6 reels.

Credits: Directors, C M. and S. A. Franklin; adaptation, Bernard McConville.

BABES IN THE WOODS. (Silly Symphony, no. U. A. 6) 1932. 1 reel.

BABES IN TOYLAND. Presented by Hal Roach. 1934. 9 reels, sd., b&w. From the operetta composed by Victor Herbert with book and lyrics by Glen MacDonough.

Credits: Directors, Gus Melns, Charles Rogers; screenplay, Frank Butler, Nick Grinde; film editors, William Terhune, Bert Jordan; music director, Harry Jackson.

BABE'S SCHOOL DAYS. 1915. Split reel.

Credits: Written and produced by Will Louis.

BABETTE. 1917. 5 reels.

Credits: F. Berkeley Smith; director, Charles Brabin; scenario, A. Van Buren Powell.

BABIES IS BABIES. Okeh. 1919. 1 reel.

Credits: Director, Al Santell; story, Ben Cohen.

BABIES OF WILD ANIMALS. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1923. 1 reel.

BABOONA; an Aerial Epic Over Africa. 1935. 6,663 ft., sd.

Credits: Producers, Mr. and Mrs. Martin Johnson; supervision, Truman Talley; editors, Lew Lehr, Russell Sheilds.

BAB'S BURGLAR. 1917. 5 reels. Based on a story by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley.

BAB'S CANDIDATE. 1920. 5 reels.

Credits: Director, Edward Griffith; story, Forrest Crissey; scenario, Lucien Hubbard.

BAB'S DIARY. 1917. 5 reels. Based on the stories by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley.

BAB'S MATINEE IDOL. 1917. 5 reels. Based on a story by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley; scenario, Margaret Turnbull.

BABY. Victor. 1915. 2 reels.

Credits: Director, Harry C. Myers; scenario, S. Griener.

THE BABY. 1921. 2 reels.

Credits: Director, Harry Williams.

THE BABY AND THE LEOPARD. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, S. A. Van Patten.

THE BABY BANDIT. 1930. 1 reel.

BABY BE GOOD. (Juvenile Comedies) 1925. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

BABY BE GOOD. (A Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

BABY BEAVERS. 1930. 452 ft., 16 mm.

BABY BLUES. (Juvenile Comedies) Educational. 1925. 2 reels.

Credits: Director, Jules White.

BABY BLUES. 1934. 1 reel, sd.

Credits: Director, Robert F. McGowan.

THE BABY CYCLONE. 1928. 7 reels, b&w. From the play by George M. Cohan.

Credits: Producer and director, Edward Sutherland; adaptation and continuity, F. Hugh Herbert; film editor, Carl L. Pierson.

BABY DAZE. (Kennedy, no. 5) 1939. 15 min. sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, Les Millbrook.

A BABY DOLL BANDIT. Universal-Jewel. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

THE BABY ELEPHANT. 1913. 1 reel. On same reel with Mr. Pickwick.

BABY FACE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels.

Credits: Director, Alfred E. Green; story, Mark Canfield; screenplay, Gene Markey, Kathryn Scola.

BABY FACE HARRINGTON. 1935. 7 reels, sd., b&w. From a play by Edgar Selwyn and William Le Baron.

Credits: Director, Raoul Walsh; screenplay, Nunnally Johnson, Edwin H. Knopf; additional dialogue, Charles Lederer; film editor, William S. Gray.

BABY FEUD. (Krazy Kat Cartoon) 1928. 1 reel. From the cartoons of George Herriman.

Credits: Story, Ben Harrison, Manny Gould.

BABY FOLLIES. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color.

Credits: Staged by Gus Edwards; dialogue, Robert Hopkins; music, Gus Edwards.

BABY IN THE ICE-BOX. SEE She Made Her Bed.

BABY KITTENS. (A Walter Lantz Cartune) 1938. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Hicks Lokey, Merle Gilson.

Credits: Producer, Leon T. Osborne; director, William Bertram.

BABY MINE. 1917. 6 parts. Based on the play by Margaret Mayo.

Credits: Directors, John S. Robertson, Hugo Ballin.

BABY MINE. 1928. 6 reels, sd., b&w. Based on the play by Margaret Mayo.

Credits: Producer and director, Robert Z. Leonard; adaptation, Sylvia Thalberg; continuity, F. Hugh Herbert, Lew Lipton; titles, Ralph Spence; film editor, Sam S. Zimbalist.

BABY RABBIT IN I WANTED RED WINGS. 1939. 1 reel, sd.

BABY ROSE MARIE, THE CHILD WONDER. 1929. 1 reel, sd.

THE BABY SHOW. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

Credits: Producer, Lillian Delger Phillips; titles, H. I. Phillips.

THE BABY SPY. 1914. 2 reels.

Credits: Producer, Edward J. LeSaint.

BABY TAKE A BOW. 1934. 6,600 ft., sd. Based on a play by James P. Judge.

Credits: Director, Harry Lachman; screenplay, Philip Klein, E. E. Paramore, Jr.; music director, Samuel Kaylin.

BABY TALKS. (Sunny Jim Talkie) 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

BABYLON TO JERUSALEM. 1930. 2 reels.

A BABY'S DAY AT FORTY-EIGHT WEEKS. (Yale Films of Child Development) 1935. 1 reel.

A BABY'S DAY AT TWELVE WEEKS. (Yale Films of Child Development) 1935. 1 reel.

THE BABY'S FAULT. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Clyde C. Campbell.

A BABY'S SHOE. 1912. 1 reel.

Credits: Robert E. Coffey.

BABY'S TOOFS. Victor. 1916. 2 reels.

Credits: Directed and written by Harry C. Myers.

LA BACCARAT. SEE His Daughter Pays.

THE BACHELOR. SEE The Virtuous Vamp.

BACHELOR APARTMENT. 1931. 8 reels, sd.

Credits: Associate producer, Henry Hobart; director, Lowell Sherman; story, John Howard Lawson; adaptation and dialogue, J. Walter Ruben.

BACHELOR BAIT. 1934. 8 reels, sd.

Credits: Associate producer, Lou Brock; director, George Stevens; story, Edward and Victor Halperin; screenplay, Glenn Tryon; editor, James B. Morley; music director, Max Steiner.

BACHELOR BRIDES. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1926. 6 reels. From the play by Charles Horace Malcolm.

Credits: Producer and director, William K. Howard; adaptation, Garrett Fort.

THE BACHELOR DADDY. Paramount. 1922. 7 reels.

Credits: Director, Alfred E. Green; story, Edward Peple; adaptation, Olga Printzlau.

THE BACHELOR FATHER. 1931. 10 reels, sd., b&w. From the play by Edward Childs Carpenter.

Credits: Producers, Robert Z. Leonard, Marion Davies; screenplay, Laurence E. Johnson; film editor, Harry Reynolds.

THE BACHELOR GIRL. 1929. 7 reels, sd., si.

Credits: Producer, Harry Cohn; director, Richard Thorpe; screenplay, Jack Townley.

BACHELOR MOTHER. 1939. 82 min., sd.

Credits: Producer, B. G. De Sylva; director, Garson Kanin; story, Felix Jackson; screenplay, Norman Krasna; editors, Henry Berman, Robert Wise; music score, Roy Webb.

BACHELOR OF ARTS. 1934. 6,820 ft., sd. From the novel by John Erskine.

Credits: Director, Louis King; screenplay, Lamar Trotti; music director, Samuel Kaylin.

BACHELOR'S AFFAIRS. 1932. 5,800 ft., sd. Based on the play "Precious" by James Forbes.

Credits: Director, Alfred Werker; screenplay, Barry Conners, Philip Klein; editor, Al De Gaetano.

BACHELORS' BABIES. (Juvenile comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

THE BACHELOR'S BABY. 1915. 1 reel.

THE BACHELOR'S BABY. 1927. 6 reels.

Credits: Director, Frank R. Strayer; story, Garrett Elsden Fort; screenplay, Julien Sands.

THE BACHELOR'S BURGLAR. 1915. 1 reel.

A BACHELOR'S CHILDREN. 1918. 5 reels.

Credits: Director, Paul Scardon; story and scenario, William Addison Lathrop.

A BACHELOR'S CHRISTMAS. Rex. 1915. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

BACHELOR'S FOLLY. 1932. 69 min., sd. From the play "The Calendar" by Edgar Wallace.

Credits: Director, T. Hayes Hunter; scenario, Angus McPhail, Robert Stevenson.

BACHELOR'S PARADISE. 1928. 7 reels.

Credits: Director, George Archainbaud; story, Curtis Benton; continuity, Frances Guihan, Vera Clark; editor, Robert J. Kern.

A BACHELOR'S WIFE. 1919. 2 reels.

Credits: Director, Emmett J. Flynn; story, Joseph Franklin Poland.

BACK DOOR TO HEAVEN. Presented by Bernard Steele. 1939. 9 reels, sd.

Credits: Story, production, and direction, William K. Howard; screenplay, John Bright, Robert Tasker; film editor, Jack Murray.

BACKFIRE. 1926. 2 reels.

BACK FROM ABROAD. SEE McKay and Ardine, Back from Abroad.

BACK FROM THE DEAD. SEE Back to Life.

BACK HOME AND BROKE. 1922. 6 reels.

Credits: Director, Alfred E. Green; story and adaptation, George Ade.

BACK IN CIRCULATION. First National. 1937. 9 reels, sd. From a story by Adela Rogers St. Johns.

Credits: Director, Ray Enright; screenplay, Warren Duff.

BACK IN CIRCULATION. SEE Bulldog Edition.

Credits: Scenario, Robert W. Daly.

THE BACK PAGE. (Mermaid Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

BACK PAGE. 1933. 7 reels.

Credits: Director, Anton Lorenze; original story, Harry E. Chandlee, Douglas W. Churchill; continuity and dialogue, F. McGrew Willis; editor, Fred Bain.

BACK PAY. 1922. 7 reels.

Credits: Director, Frank Borzage; story, Fannie Hurst.

BACK PAY. First National and Vitaphone. 1930. 7 reels. Based on the story by Fannie Hurst.

Credits: Producers, Walter Morosco, William Seiter.

BACK PAY. Trailer. 1930. 1 reel.

BACK STAGE. 1919. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

BACK STAGE. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, W. Scott Darling.

BACK STREET. 1932. 10 reels. From the novel by Fannie Hurst.

Credits: Director, John M. Stahl; screenplay, Gladys Lehman.

BACK TO BROADWAY. 1914. 2 reels.

Credits: Director, Ralph Ince.

BACK TO EARTH. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

BACK TO EDEN. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

BACK TO GOD'S COUNTRY. 1919. 6 reels. Adapted from the story "Wapi, the Walrus" by James Oliver Curwood.

BACK TO GOD'S COUNTRY. Jewel. 1927. 6 reels. Based on an original story by James Curwood.

Credits: Director, Irvin Willat.

BACK TO LIBERTY. Presented by Samuel Zierler. 1927. 7 reels.

Credits: Director, Bernard McEveety; story and continuity, Arthur Hoerl.

BACK TO LIFE. Presented by Associated Exhibitors, Inc. 1925. 6 reels. Founded on the novel "Back from the Dead" by Andrew Soutar.

Credits: Producer, Whitman Bennett; scenario, Harry Chandlee.

BACK TO MOTHER. Presented by William Fox. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Harry Sweet; story, Mabel Herbert Urner; adaptation, Murray Roth.

BACK TO NATURE. Bluebird. 1925. 1 reel.

Credits: Director, George Summerville.

BACK TO NATURE. Snappy. 1928. 1 reel.

Credits: Director, Ansel Friedberger; story and continuity, George H. Plympton.

BACK TO NATURE. 1936. 5,160 ft., sd. Based on characters created by Katharine Kavanaugh.

Credits: Director, James Tinling; original screenplay, Robert Ellis, Helen Logan; music, Samuel Kaylin.

BACK TO NATURE GIRLS. 1919. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, J. G. Blystone.

BACK TO THE FARM. 1915. 1 reel.

BACK TO THE KITCHEN. Joker. 1917. 1 reel.

Credits: Producer, Allen Curtis; story, Warren Schoene; scenario, Tom Gibson.

BACK TO THE KITCHEN. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Director, Reggie Morris.

BACK TO THE PRIMITIVE. 1915. 1 reel.

Credits: Director, Sidney Drew.

BACK TO THE RIGHT TRAIL. SEE Thieves' Gold.

BACK TO THE SIMPLE LIFE. 1914. 1 reel.

Credits: Jean Chamblin; director, Ashlay Miller.

BACK TO THE SOIL. (Fable, no. 404) 1929. 1 reel.

Credits: Paul Terry.

BACK TO THE SOIL. 1934. 2 reels, sd.

Credits: Director, Jules White; story and screenplay, Ewart Adamson.

BACK TO THE SUN. SEE The Nudists.

BACK TO THE WOODS. 1918. 5 reels.

Credits: J. Clarkson Miller; director, George Irving.

BACK TO THE WOODS. 1937. 2 reels.

Credits: Director, Preston Black; story, Searle Kramer; screenplay, Andrew Bennison.

BACK TO YELLOW JACKET. 1922. 6 reels.

Credits: Director, Ben Wilson; story, Peter B. Kyne; adaptation, J. Grubb Alexander.

THE BACK TRAIL. 1924. 5 reels.

Credits: Director, Clifford S. Smith; story, Walter J. Coburn; adaptation and continuity, Isadore Bernstein.

BACKBONE. 1923. 7 reels. Adapted from the Saturday Evening Post story by Clarence Budington Kelland.

Credits: Director, Edward Sloman; adaptation, Chas. E. Whittaker.

BACKFIELD. SEE The Band Plays On.

BACKFIELD ACES. (Rockne Football, reel 6) 1930. 1 reel.

Credits: Terry Ramsaye.

BACKFIELD PLAY. Snappy. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

BACKFIELD STRATEGY. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

BACKS TO NATURE. (Hal Roach-Thelma Todd and Patsy Kelly Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE BACKSLIDER. 1914. 1 reel.

BACKSTAGE. Tiffany Gem. 1927. 6 reels.

Credits: Director, Phil Stone; story, Sarah Y. Mason; continuity, John F. Natteford; film editor, Leroy O. Lodwig.

BACKSTAGE. 1936. 8 reels, sd.

Credits: Producer and director, Herbert Wilcox; story, Laura Whetter; music, Harry Woods; music director, Geraldo.

A BACKWARD CIVILIZATION. 1937. 2 reels, sd.

BACKWARD GEORGE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BACKWARD SONS AND FORWARD DAUGHTERS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Phil Dunham.

THE BACKYARD. 1920. 2 reels.

Credits: Author and director, Jess Robbins.

THE BACKYARD BROADCAST. (Broadway Brevity) 1936. 21 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

BACKYARD FOLLIES. 1931. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, J. P. Murray, Barry Trivers, Ben Oakland; staged by Max E. Hayes.

BACON GRABBERS. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; editor, Richard Currier.

BACTERIA. 1930. 1 reel.

THE BAD, BAD WOMAN. SEE Dora Maughan, The Bad, Bad Woman.

BAD BOY. Presented by Fox Film Corp. 1935. 5,030 ft., sd. From the story by Vina Delmar.

Credits: Director, John Blystone; screenplay, Allen Rivkin; music director, Arthur Lange.

A BAD BOY FROM A GOOD FAMILY. SEE Phil Baker, A Bad Boy from a Good Family.

BAD BREAKS. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Nate Watt.

BAD BUCK OF SANTA YNEZ. 1924. 2 reels.

BAD COMPANY. 1931. 8 reels, sd., b&w. Suggested by the story by Jack Lait.

Credits: Producer, Charles R. Rogers; director, Tay Garnett; screenplay and dialogue, Tom Buckingham, Tay Garnett; film editor, Claude Berkeley; musical director, Arthur Lange.

THE BAD GENIUS. (Scrappy) Presented by Columbia Pictures Corp. 1932. 1 reel, sd.

Credits: Producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

BAD GIRL. 1931. 8,046 ft., sd. From the play by Vina Delmar and Brian Marlowe, based upon the novel by Vina Delmar.

Credits: Director, Frank Borzage; continuity and dialogue, Edwin Burke; editor, Margaret Clancy.

BAD GUY. 1937. 8 reels, sd., b&w.

Credits: Producer, Tom Reed; director, Edward Cahn; story, J. Robert Bren, Kathleen Shepherd, Hal Long; screenplay. Earl Felton, Harry Ruskin; film editor, Ben Lewis; music score, Edward Ward.

BAD HOUSEKEEPING. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

THE BAD LANDS. Released by Producers Distributing Corp. 1925. 6 reels.

Credits: Director, Dell Henderson; story, Kate Corbaley; adaptation, Harvey Gates.

BAD LANDS. 1939. 70 min., sd.

Credits: Producer, Robert Sisk; director, Lew Landers; story and screenplay, Clarence Upson Young; editor, George Hively; music, Roy Webb.

BAD LITTLE ANGEL. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on a book by Margaret Turnbull.

Credits: Producer, Albert E. Levoy; director, William Thiele; screenplay, Dorothy Yost; film editor, Frank Sullivan; music, Edward Ward.

A BAD LITTLE GOOD MAN. Nestor. 1917. 1 reel.

Credits: Director, William W. Beaudine; story, King Vidor.

THE BAD MAN. First National. 1923. 7 reels. Based on the play by Porter Emerson Browne.

Credits: Producer and director, Edwin Carewe.

THE BAD MAN. 1930. 9 reels. Based on the play by Porter Emerson Browne.

Credits: Director, Clarence Badger.

THE BAD MAN. Trailer. First National. 1930. 1 reel.

BAD MAN BOBBS. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Edwin Ray Coffin.

THE BAD MAN OF BRIMSTONE. 1937. 9 reels, sd., sepia.

Credits: Producer, Harry Rapf; director, J. Walter Ruben; original story, J. Walter Ruben, Maurice Rapf; screenplay, Cyril Hume, Richard Maibaum; film editor, Frank Sullivan; music, William Axt.

THE BAD MAN OF CHEYENNE. Bison. 1916. 2 reels.

Credits: Scenario and direction, Fred A. Kelsey; story, Harry Carey.

BAD MEDICINE. (Headliner, no. 5) 1936. 15 min., sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story, Ewart Adamson, Jean Yarbrough; film editor, John Lockert.

BAD MONEY. 1915. 1 reel.

BAD NEWS. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran; director, Harry Edwards; story, Fred Palmer, Harry Edwards.

THE BAD ONE. United Artists Picture. 1930. 8 reels, sd.

Credits: Producer and director, George Fitzmaurice; supervision, John W. Considine, Jr.; original story, John Farrow; screen adaptation and dialogue, Carey Wilson, Howard Emmett Rogers; editor, Don Hays; music arrangement, Hugo Riesenfeld.

BAD SISTER. 1931. 7 reels.

Credits: Director, Hobart Henley; story, Booth Tarkington.

THE BADGE OF BRAVERY. 1930. 2 reels.

Credits: Director, Josef Levigard; story and continuity, William Lester.

BADGE OF HONOR. 1934. 7 reels, sd.

Credits: Producer, Lester F. Scott, Jr.; director, Spencer Gordon Bennet; story, Robert Emmett; continuity and dialogue, George Morgan; editor, Fred Bain.

THE BADGE OF POLICEMAN O'ROON. SEE Doctor Rhythm.

Credits: Director, Edwin August.

BADGERED. 1916. 1 reel.

Credits: Producer, T. N. Heffron; story, Wm. M. Henry.

BADGES. SEE The Ghost Talks.

BADLY BROKE. Bluebird. 1926. 1 reel.

Credits: Director, George (Slim) Summerville.

BAG AND BAGGAGE. 1923. 6 reels.

Credits: Director, Finis Fox; story, Finis Fox, Lois Zellner.

A BAG OF GOLD. 1915. 1 reel.

BAGS OF GOLD. 1915. 3,000 ft.

THE BAHAMA ISLANDS, NASSAU TO KINGSTON. (Ford Educational Library, Regional Geography, v. 6) Ford Motion Picture Laboratories. 1921. 1 reel.

BAILEY AND BARNUM IN THE GLOBE TROTTERS. 1928. 1 reel, sd.

BAILEY AND BARNUM IN THE GLOBE TROTTERS. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

BAILEY AND BARNUM IN TWO WHITE ELEPHANTS. 1928. 1 reel, sd.

BAILEY AND BARNUM IN WITHOUT A BAND. 1928. 1 reel, sd.

THE BAIT. 1920. 5 reels.

Credits: Director, Maurice Tourneur; story, Sidney Toler; scenario, John Gilbert.

THE BAKERY. 1921. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

BALANCE. (Sports-Eye-View) 1933. 1 reel, sd.

BALANCED BRAKES FOR FLEET PROFITS. 1935. For U. S. Asbestos Co., Fleet Div. 1 reel, sd.

BALANCED SELLING. 1935. For the U. S. Rubber Co. 1 reel.

BALAOO. SEE The Wizard.

BALI. (Vagabond Adventure Series, no. 5) 1933. 1 reel, sd.

Credits: Text, Russel Spaulding; narrator, Alois Havrilla.

BALI—THE ISLAND PARADISE. (James A. FitzPatrick's Traveltalks, no. 2) 1932. 1 reel.

Credits: Photographer, B. S. Dawley.

Credits: Producer, John L. Hawkinson.

THE BALL GAME. 1932. 508 ft.

Credits: John Foster, Geo. Rufle.

THE BALL PARK. (Aesop Fable, 415) 1929. 1 reel.

Credits: Paul Terry.

BALL TOSSERS. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE BALLAD OF PADUCAH JAIL. (Hal Roach Comedy) (Irvin S. Cobb Comedy) 1934. 2 reels, sd., b&w.

BALLADS AND BOLOGNA. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Jerome N. Wilson.

BALLERINA. 1938. 10 reels, sd. From the novel "La Mort du Cygne" by Paul Morand.

Credits: Director, Jean Benoit-Levy; adaptation, Jean Benoit-Levy, Marie Epstein.

THE BALLET CLASS. 1930. 1 reel, sd.

Credits: Agnes De Mille; director, Frank Cambria.

BALLOON TIRED. (A Life Cartoon Comedy) 1926. 1 reel.

THE BALLOONATIC. 1923. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

BALLOONATICS. 1917. 2 reels.

Credits: Director, J. G. Blystone.

THE BALLYHOO BUSTER. 1928. 5 reels.

Credits: Director, Richard Thorpe; story, Robert Walker; continuity, Frank L. Inghram.

THE BALLYHOO'S STORY. 1913. 1 reel.

Credits: E. A. Brinistool; director, Rollin S. Sturgeon.

BALTIMORE AND THE OYSTER INDUSTRY. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

BALTO'S RACE TO NOME. (Educational Special) 1925. 2 reels.

Credits: Producer, Sol Lesser.

THE BANANA. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

BANANA GROWING IN THE FIJI ISLANDS. 1924. 1 reel.

BANCO. SEE Lost—A Wife.

THE BAND BEAUTIFUL. SEE The Ingénues. The Band Beautiful.

THE BAND CONCERT. 1935. 1 reel.

THE BAND LEADER. 1914. 1 reel.

Credits: Director, Edmond F. Stratton.

THE BAND PLAYS ON. 1934. 9 reels, sd., b&w. Based on the story "Backfield" by Byron Morgan and J. Robert Bren and on the story "The Gravy Game" by Harry Stuhldreher and W. Thornton Martin.

Credits: Producer, Ned Marin; director, Russel Mack; screenplay, Bernard Schubert, Ralph Spence, Harvey Gates; film editor, William Le Vanway; music score, Oscar Radin.

THE BANDIT AND THE BABY. 1915. 1 reel.

BANDITS AND BALLADS. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Frederick Hollander; story, Forman Brown; film editor, Edward Mann; music director, Roy Webb.

THE BANDIT'S BABY. Released by F. B. O. 1925. 5 reels.

Credits: Director, James P. Hogan; story, Leete Renick Brown; scenario, Marion Jackson.

BANDITS BEWARE. 1921. 2 reels.

Credits: Director, Lee Kohlmar; scenario, George Morgan.

THE BANDIT'S SON. 1928. 5 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.

THE BANDIT'S WAGER. Big U. 1916. 1 reel.

Credits: Written and produced by Grace Cunard and Francis Ford.

THE BANDMASTER. Winkler. 1930. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Animation, Ben Harrison; Manny Gould; musical score, Joe DeNat.

THE BAND MASTER. (Oswald Comedy) Snappy. 1931. 1 reel.

THE BANDOLERO. Presented by Louis B. Mayer. 1924. 8 reels, tinted. Adapted from the story by Paul Gwynne [pseud. of Ernest Slater].

Credits: Production and scenario, Tom Terriss; story, Paul Gwynne; editors, Winchell Smith, Don Bartlett.

BANFF NATIONAL PARK. 1917. 1 reel.

BANJO ON MY KNEE. 1936. 8,587 ft., sd. Based on the novel by Harry Hamilton.

Credits: Director, John Cromwell; screenplay, Nunnally Johnson; music director, Arthur Lange.

BANJOLAND. SEE Eddie Peabody Assisted by Jimmy Maisel in Banjoland.

BANJOMANIA. SEE Eddie Peabody in Banjomania....

THE BANK. 1915. 2 reels.

BANK ALARM. Condor. Presented by L. Alperson. 1937. 6 reels, sd.

Credits: Producer, George A. Hirliman; supervision, Sam Diege; director, Louis J. Gasnier; original story, Cynthia and Laurence Meade; screenplay, Griffin Jay, David S. Levy; film editor, Dan Milner; music supervision, Abe Meyer.

BANK HOLIDAY. SEE Three on a Week-End.

BANK NOTES. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

A BANK SWINDLE. (William J. Burns Detective Mysteries) 1931. 1 reel.

Credits: Story, adaptation and dialogue, Russell Matson.

THE BANKER AND THE THIEF. 1915. 1 reel.

THE BANKER'S DAUGHTER. 1914. 5 reels. Adapted from the play by Bronson Howard.

THE BANKER'S DAUGHTER. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

THE BANKER'S DAUGHTER. (Paul Terry-Toons) Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Music, Philip A. Scheib.

THE BANKER'S DOUBLE. 1914. 1 reel. Adapted from the Felix Boyd Series "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

A BANKRUPT HONEYMOON. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Louis Seiler; story, Murray Roth.

THE BANKRUPTCY OF BOGGS AND SCHULTZ. 1916. 1 reel.

THE BANTAM COWBOY. 1928. 6 reels.

Credits: Director, Louis King; original story, Robert North Bradbury; adaptation, Frank Howard Clark.

THE BAR-C MYSTERY. 1926. 2 reels each. © Pathe Exchange, Inc.

Credits: William Sherwood.

1. A Heritage of Danger. © 26Apr26; LP22643.

2. Perilous Paths. © 27Apr26; LP22644.

3. The Midnight Raid. © 28Apr26; LP22645.

4. Wheels of Doom. © 12May26; LP22747.

5. Thundering Hoofs. © 15May26; LP22748.

6. Against Desperate Odds. © 18May26; LP22749.

7. Back from the Missing. © 24May26; LP22804.

8. The Fight for a Fortune. © 29May26; LP22805.

9. The Wolf's Cunning. © 4Jun26; LP22806.

10. A Six-Gun Wedding. © 25Jun26; LP22842.

BAR MITZVAH. 1935. 8 reels, sd.

Credits: Screenplay and direction, Henry Lynn; story, Bores Thomashefsky.

BAR NOTHIN'. 1921. 5 reels, b&w.

Credits: Director, Edward Sedgwick; story, Jack Strumwasser, Clyde C. Westover.

THE BAR SINISTER. SEE Almost Human.

BAR 20 JUSTICE. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Producer, Harry Sherman; director, Lesley Selander; original story, Clarence E. Mulford; screenplay and dialogue, Arnold Belgard; additional dialogue and sequences, Harrison Jacobs; film editor, Robert Warwick.

BAR 20 RIDES AGAIN. Presented by Adolph Zukor. 1935. 7 reels, sd. From the novel by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; screenplay, Doris Schroeder, Gerald Geraghty; adaptation, Doris Schroeder.

BAR 20 THREE. SEE Three on the Trail.

BAR-Z BAD MEN. 1937. 6 reels.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, James P. Olsen; adaptation and screenplay, George H. Plympton.

BARBADOS & TRINIDAD; Gardens of the Caribbean. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Photographer, Frank A. Goodliffe.

BARBARA FRIETCHIE. 1915. 5 reels. Based on the poem by John Greenleaf Whittier and the play by Clyde Fitch.

BARBARA FRIETCHIE. Presented by Regal Pictures, Inc. Released thru Producers Distributing Corp. 1924. 8 reels. From play by Clyde Fitch.

Credits: Director, Lambert Hillyer.

Credits: Screen version, E. P. Heath.

THE BARBARIAN. 1933. 9 reels, sd., b&w.

Credits: Producer, Sam Wood; story, Edgar Selwyn; screenplay and dialogue, Anita Loos, Elmer Harris; film editor, Tom Held; music, Herbert Stothart.

BARBARY COAST. 1935. 10 reels, sd.

Credits: Director, Howard Hawkes; screenplay, Charles MacArthur, Ben Hecht; film editor, Edward Curtis; music director, Alfred Newman.

BARBARY SHEEP. 1917. 6 reels. From the novel by Robert Hichens.

Credits: Director, Maurice Tourneur; adaptation, Charles Maigne.

BARBED WIRE. 1927. 6,951 ft. Based on the novel "The Woman of Knockaloe" by Hall Caine.

Credits: Producer, Erich Pommer; direction and adaptation, Rowland V. Lee; screenplay, Jules Furthman.

THE BARBER SHOP. 1933. 2 reels, sd.

Credits: Director, Arthur Ripley; story, W. C. Fields.

BARBER SHOP BLUES. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE BARBER SHOP CHORD. 1929. 1 reel, sd.

BARBEROUS PLOTS. 1918. 2 reels.

Credits: Director, Jim Davis.

BARBERS' COLLEGE. (George Le Maire Comedies) 1929. 2 reels, sd.

Credits: Producer and director, George Le Maire; story, George Le Maire, Leo Donnelly, Dolph Singer; film editor, E. Pfitzenmeier.

THE BARBER'S DAUGHTER. (Educational-Mack Sennett Talking Comedy) 1929. 20 min., sd.

Credits: Director, Mack Sennett.

BARDELYS THE MAGNIFICENT. 1926. 9 reels. Based on the novel by Rafael Sabatini.

Credits: Director, King Vidor; scenario, Dorothy Farnum.

THE BARE COED. (A Whirlwind Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

BARE FISTS. 1919. 6 reels.

Credits: Director, Jack Ford; story, Bernard McConville; scenario, Eugene Lewis.

BARE FISTS. (Western Featurette) 1927. 2 reels.

Credits: Director, Josef Levigard; story and continuity, George Morgan.

BARE KNEES. Gotham. Presented by Sam Sax. 1928. 6 reels.

Credits: Adaptation and supervision, Harold Shumate; production manager, Carrol Sax; director, Erle C. Kenton; story, Adele Buffington; editor, Donn Hayes.

BARE KNEES. (A Capital Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Harry Fraser; story, David Silverstein; film editor, Joseph Kane; music director, Francis Gromon.

BARE KNUCKLES. 1921. 5 reels.

Credits: Story, A. Channing Edington.

A BARE LIVING. Victor. 1917. 1 reel.

Credits: W. Warren Schoene; director, Allen Curtis.

BAREE, SON OF KAZAN. 1918. 5 reels. From the story by James Oliver Curwood.

Credits: Director, David Smith.

BAREE, SON OF KAZAN. 1925. 7 reels.

Credits: James Oliver Curwood; director, David Smith.

THE BAREFOOT BOY. Presented by Mission Film Corp. 1924. 6 reels. Suggested by the poem by John Greenleaf Whittier.

Credits: Adapted and directed by David Kirkland; story, Wallace Clifton.

BAREFOOT BOY. 1938. 7 reels, sd. Suggested by the poem by John Greenleaf Whittier.

Credits: Producer, E. B. Derr; director, Karl Brown; original story and screenplay, John T. Neville; film editor, Finn Ullback.

BARELY REASONABLE. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

THE BARFLY. Nestor. 1916. 1 reel.

Credits: Producer, Louis William Chaudet; scenario, Virginia Kirtley.

THE BARGAIN. 1914.

Credits: Producer, Thomas H. Ince.

THE BARGAIN. 1923. 5 reels.

Credits: Director, Reginald Barker.

THE BARGAIN. 1931. 70 min., sd. Adapted from "You and I" by Phillip Barry.

Credits: Director, Robert Milton; screen adaptation, Robert Presnell.

BARGAIN DAY. (Our Gang Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

THE BARGAIN HUNT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John Waldron; director, Phil Whitman.

BARGAIN MATINEE. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

THE BARGAIN OF THE CENTURY. (A Pitts-Todd Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charley Chase; film editor, Jack Ogilvie.

A BARGAIN TABLE CLOTH. 1914. 600 ft.

A BARGAIN WITH SATAN. SEE The Student of Prague.

THE BARKER. 1917. 5 reels.

Credits: Charles K. Harris; director, J. A. Richmond.

THE BARKER. Presented by Richard A. Rowland. 1928. 8 reels. From the stage play by John Kenyon Nicholson.

Credits: Producer and director, George Fitzmaurice; screenplay, Benjamin Glazer.

THE BARKER. SEE Hoop-la.

BARKING DOGS. (Aesop's Sound Fables) 1933. 9 min.

Credits: Mannie Davis.

THE BARN DANCE. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1929. 1 reel, sd.

Credits: U. B. Iwerks.

BARN YARNS. SEE Felix the Cat in Barn Yarns.

BARNABETTA. SEE Erstwhile Susan.

Credits: Producer, Thomas Bentley.

BARNABY RUDGE. SEE Dolly Varden.

BARNACLE BILL. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer.

BARNEY GOOGLE. SEE Patch Mah Britches.

BARNEY GOOGLE AND SPARK PLUG. SEE Horsefeathers.

BARNEY RAPP & HIS NEW ENGLANDERS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

BARNEY ROSS OF CHICAGO, IN DEFENSE OF HIS WORLD'S CHAMPIONSHIP WELTERWEIGHT TITLE AGAINST HENRY ARMSTRONG, OF CALIFORNIA, FEATHERWEIGHT CHAMPION, HELD AT THE MADISON SQUARE GARDEN BOWL, LONG ISLAND CITY, NEW YORK. © 1938.

Credits: Supervised and edited by Jack Reiger.

THE BARNSTORMER. Charles Ray Productions, Inc. Presented by Arthur S. Kane. 1922. 6 reels.

Credits: Richard Andrés; director, Charles Ray.

THE BARNSTORMER. 1922. 2 reels.

Credits: Director, Slim Summerville.

BARNUM AND RINGLING, INC. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; titles, H. M. Walker; editor, Richard Currier.

BARNUM WAS RIGHT. (A Life Cartoon Comedy) 1926. 1 reel.

BARNUM WAS RIGHT. 1929. 5 reels.

Credits: Director, Del Lord; story, Philip Bartholomoe.

BARNUM WAS WRONG. 1930. 2 reels, sd.

Credits: Director, Mark Sandrich; story and dialogue, Mark Sandrich, Rube Welch.

THE BARNYARD. 1923. 2 reels.

Credits: Written and directed by Larry Semon.

BARNYARD AMATEURS. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser and Paul Terry; scored and conducted by Philip A. Scheib.

BARNYARD ARTISTS. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

BARNYARD BABIES. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

BARNYARD BATTLE. (Mickey Mouse Cartoon) 1929. 1 reel.

Credits: U. B. Iwerks.

BARNYARD BOSS. (Terry Toons) Presented by E. W. Hammons. 1937. 606 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

BARNYARD BRAT. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Anthony Pabian.

THE BARNYARD BROADCAST. (Mickey Mouse, no. 18) 1931. 1 reel.

BARNYARD BUNK. (Tom and Jerry) 1932. 6 min.

Credits: John Foster, George Rufle.

THE BARNYARD CONCERT. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

BARNYARD EGG-CITEMENT. (A Terry-Toon) 1939. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

THE BARNYARD FIVE. (An Oswald Cartoon) 1936. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod.

THE BARNYARD HAMLET. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, W. E. Stark.

BARN YARD LODGE NO. 1. 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

THE BARNYARD MELODY. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster.

A BARNYARD MIX-UP. 1915. 400 ft. On same reel with "A New Way to Win."

Credits: Drawn by Vincent Whitman.

A BARNYARD NIGHTMARE. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

BARNYARD OLYMPICS. (Mickey Mouse, no. 25) 1932. 1 reel.

BARN YARD POLITICS. (Fables, no. 393) 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

BARNYARD RIVALS. (A Whirlwind Comedy) 1928. 2 reels. From the cartoons by Walter Lantz.

Credits: Director, Stan Delay.

A BARNYARD ROMANCE. Rainbow. 1919. 2 reels.

Credits: Director, Jess Robbins.

BARNYARD ROMEO. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; animation, LaVerne Harding, George Dane.

THE BARONESS AND THE BUTLER. 1938. 7,201 ft., sd. Based on a play by Ladislaus Bus-Fekete.

Credits: Director, Walter Lang; screenplay, Sam Hellman, Lamar Trotti, Kathryn Scola; music director, Louis Silvers.

BAR-RACS NIGHT OUT. (A Pete Smith Specialty) 1937. 1 reel, sd.

Credits: Director, Earl Frank.

BARRED FROM THE BAR. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story and scenario, Karl Coolidge.

THE BARREL ORGAN. 1914. 1 reel.

Credits: Director, Edmond F. Stratton.

BARRETTS OF WIMPOLE STREET. 1934. 11 reels, sd., b&w. From the play by Rudolf Besier.

Credits: Director, Sidney Franklin; screenplay, Ernest Vajda, Claudine West, Donald Ogden Stewart; film editor, Margaret Booth; music score, Herbert Stothart.

THE BARRICADE. 1917. 5 reels.

Credits: Hamilton Smith; director, Edwin Carewe; scenario, June Mathis.

THE BARRICADE. 1921. 6 reels.

Credits: Director, William Christy Cabanne; story, Daniel Carson Goodman.

THE BARRIER. 1926. 7 reels. From the novel by Rex Beach.

Credits: Director, George Hill; scenario, Harvey Gates.

THE BARRIER. Presented by Adolph Zukor. 1937. 10 reels, sd. From the novel by Rex Beach.

Credits; Producer, Harry Sherman; director, Lesley Selander; screenplay, Bernard Schubert; additional dialogue, Harrison Jacobs, Mordaunt Shairp.

THE BARRIER BETWEEN. 1914. 1 reel.

Credits: Producer, John L. Hawkinson.

THE BARRIER OF FAITH. 1915. 1 reel.

Credit: Director, Van Dyke Brooks.

BARRIERS OF PREJUDICE. 1915. 2 reels.

Credits; Director, Ulysses Davis.

BARRIERS OF SOCIETY. Red Feather. 1916. 5 reels.

Credits: Director, Lloyd B. Carleton; story, Clarke Irvine; scenario, Fred Myton.

BARRY AND WHITLEDGE IN JEST FOR A WHILE. 1930. 1 reel, sd.

BARRYMORE TOMMY. Mustang. 1927. 2 reels.

Credits: Director, Ray Taylor; story. Rose Kurland.

BARRY'S BREAKING IN. 1913. 1 reel.

Credits: James Oppenheim.

BARS AND STRIPES. (A Krazy Kat Cartoon) 1931. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Al Rose; musical score, Joe De Nat.

BARS AND STRIPES. (A Tabloid Musical) 1937. 1 reel, sd., b&w.

Credits: Director, Joseph Sherman; screenplay, Jean Plannette, Mauri Grashin; music score, David Snell.

BARS AND STRIPES FOREVER. (Merrie Melodies) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, J. B. Hardaway, Cal Dalton; story, Jack Miller; animation, Rod Scribner; music director, Carl W. Stalling.

BARS OF HATE. Presented by Sam Katzman. 1936. 6 reels, sd. Adapted from the story "Vengeance of the Lord" by Peter B. Kyne.

Credits: Supervision, Sam Katzman; director, Al Herman; screenplay, Al Martin; film editor, Dan Milner.

BARS OF IRON. 1921. 6 reels. From the novel by Ethel M. Dell.

Credits: Adaptation, F. Martin Thornton.

BARTCH-A-KALLOOP. SEE Steve Freda and Johnny Palace.

BARTERED LIVES. 1915. 4 reels.

BARTERED YOUTH. Laemmle. 1917. 1 reel.

Credits: Written and directed by William V. Mong.

BARTRAM AND SAXTON IN THE LAND OF HARMONY. 1927. 1 reel, sd.

BASEBALL AND BLOOMERS. (Facts and Follies Series) 1919. 1 reel.

Credits: Director, B. MacFadden.

BASEBALL AND TROUBLE. 1914. 1,000 ft.

BASEBALL BATTER. (Models in Motion) 1931. 243 ft.

BASEBALL BILL. Laemmle. 1916. 1 reel each. © Universal Film Mfg. Co.

Credits: Al Russell; produced, directed, and written by Billy Mason.

1. © 22Jun16; LP8558.

2. Flirting with Marriage. © 6Jul16; LP8646.

BASEBALL MADNESS. Victor. 1917. 1 reel.

Credits: Billy Mason, Al Russell; director, Billy Mason.

BASEBALL PITCHER. (Models in Motion) 1931. 250 ft.

BASHFUL BALLERINA. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Art Jarrett.

BASHFUL BILLIE. 1915. 1 reel.

Credits: Producer, Earl Metcalfe.

THE BASHFUL BUCKAROO. Presented by E. W. Hammons. 1937. 1,753 ft., sd.

Credits: Director, William Watson; story, Tim Ryan; music, Patt Paterson.

BASHFUL BUDDIES. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1936. 1,550 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

BASHFUL CHARLIE'S PROPOSAL. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

BASHFUL GLEN. Imp. 1915. 1 reel.

Credits: Written and produced by John Adolfi.

THE BASHFUL SUITOR. 1921. 2 reels. Suggested by the painting by Jozef Israëls.

Credits: Director, Herbert Blache; story, Arthur Maude.

THE BASHFUL WHIRLWIND. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Pierre Loucks; continuity, Carl Krusada.

THE BASKET HABIT. 1914. 1 reel.

Credits: Mark Swan; director, C. Jay Williams.

BASKETBALL TACTICS AND PLAYS. (Basketball, no. 3) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman.

BASKETBALL TECHNIQUE. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

BASQUERIE. SEE Their Mad Moment.

THE BAT. 1926. 9 reels. From the play by Mary Roberts Rinehart and Avery Hopwood, as produced by Wagenhals and Avery.

Credits: Production, adaptation and direction, Roland West; continuity, Julien Josephson.

THE BAT. SEE The Bat Whispers.

THE BAT WHISPERS. Presented by Joseph M. Schenck. 1930. 10 reels, sd. Based on the play "The Bat" by Mary Roberts Rinehart and Avery Hopwood.

Credits: Adapted, directed and dialogued by Roland West; film editor, James Smith.

LA BATAILLE. SEE

The Battle.

Thunder in the East.

LA BATAILLE DES DAMES. SEE Devil May Care.

THE BATH BETWEEN. 1928. 2 reels, b&w.

Credits: Director, Ben Stoloff; story and adaptation, Sidney Lanfield.

BATH DAY. Century. 1922. 2 reels.

Credits: Story and direction, Fred Hibbard.

THE BATH HOUSE SCANDAL. Nestor. 1918. 1 reel.

Credits: Harry Wulze; director, Wallace Beery.

A BATH-HOUSE TANGLE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Harry Edwards.

A BATH HOUSE TRAGEDY. L-Ko. 1915. 2 reels.

BATH TIME. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

BATHING BEAUTY BABIES. (A McDougall Alley) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

BATHING PROHIBITED. 1920. 1 reel.

THE BATHING SUITOR. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; directors, Gene Forde, Zion Myers; story, Murray Roth.

A BATH TUB MYSTERY. 1916. 1,000 ft.

Credits: Written and produced by Edwin McKim.

BATH TUB PERILS. 1917. 2 reels.

THE BATTAK OF SUMATRA. 1929. 1 reel.

Credits: Edited by Harvard University, Dept. of Anthropology.

BATTER UP. (Mermaid Comedies) 1927. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

BATTER UP. 1936. 1 reel.

A BATTERY OF SONGS. SEE Waite Hoyt with J. Fred Coots in A Battery of Songs.

BATTERY POWER. Presented by Willard. 1938. 1 reel, sd.

THE BATTLE. Presented by Léon Garganoff. 1934. 9 reels, sd. From the novel "La Bataille" by Claude Farrère.

Credits: Producer, Léon Garganoff; director, Nicholas Farkas; scenario, Nicholas Farkas, Bernard Zimmer; dialogue, Robert Stevenson; music, Andre Gailhard.

THE BATTLE. SEE

The Danger Line.

The Money Master.

THE BATTLE AT ELDERBUSH GULCH. 1913.

THE BATTLE CRY. SEE Her Man.

THE BATTLE CRY OF PEACE. 1915. 9 reels. Adapted from the book "Defenceless America" by Hudson Maxim.

Credits: Compiled and arranged by J. Stuart Blackton.

THE BATTLE FOR CHILE CON CARNE. Nester. 1916. 1 reel.

Credits: Director, L. W. Chaudet; story, Eddie Lyons, Lee Moran; scenario, Charles J. Wilson, Jr.

THE BATTLE HYMN OF THE REPUBLIC. Vitagraph Company of America. 1917. 1 reel.

Credits: Beta Breuil; director, Lawrence Trimble.

BATTLE OF BROADWAY. 1938. 7,600 ft., sd.

Credits: Director, George Marshall; original story, Norman Houston; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE BATTLE OF FRENCHMAN'S RUN. 1915. 1 reel.

Credits: Director, Theodore Marston.

A BATTLE OF HEARTS. 1916. For Fox Film Corp. 5 reels. Adapted from "The Iron Man" by Francis Marion.

Credits: Produced and adapted by Oscar C. Apfel.

THE BATTLE OF LET'S GO. 1917. 2 reels.

Credits: Director, Craig Hutchinson.

THE BATTLE OF LIFE. 1916. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent; story, James R. Garey; scenario, Adrian Johnson.

THE BATTLE OF PARIS. 1929. 8 reels, sd.

Credits: Director, Robert Florey; story and dialogue, Gene Markey; music and lyrics, Cole Porter.

THE BATTLE OF RUNNING BULL. Sterling. 1915. 2 reels.

BATTLE OF THE BARN. (A Scrappy Cartoon) 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis.

THE BATTLE OF THE CENTURIES. (Battle for Life) 1932. 9 min.

Credits: Narration, Gayne Whitman.

THE BATTLE OF THE CENTURY. Presented by Hal Roach. 1928. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde Bruckman; story and production, Hal Roach; editor, Richard Currier.

THE BATTLE OF THE SEXES. United Artists. Presented by D. W. Griffith. 1928. 10 reels, sd.

Credits: Director, D. W. Griffith; story, Daniel Carson Goodman; adaptation, Gerrit J. Lloyd.

THE BATTLE OF THE WEAK. 1914. 1 reel.

Credits: Director, Theodore Marsten.

THE BATTLE OF TRUTH. 1916. 3 reels.

A BATTLE OF WITS. Big U. 1917. 2 reels.

A BATTLE OF WITS. 1921. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George Morgan, George H. Plympton.

A BATTLE OF WITS. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, George Morgan.

THE BATTLE ROYAL. 1918. 2 reels.

Credits: Director, Richard Jones.

BATTLE ROYAL. 1932. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Supervision, Lew Lipton; director, Harry Sweet; screenplay, Ralph Ceder; film editor, Fred Maguire.

BATTLE ROYAL. (Oswald) Snappy. 1936. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Ed Benedict, Fred Kopletz.

THE BATTLER. 1916. 1 reel.

Credits: Director, Lawrence Semon.

Credits: Director, Frank Reicher; story, Forrest Halsey; scenario, Harry O. Hoyt.

THE BATTLER VS. THE BOTTLER. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Scenario, Tom Bret; picturization, Albert K. Dawson.

BATTLING BATES. 1923. 5 reels.

Credits: Director, Webster Cullison; story and scenario, Daniel F. Whitcomb.

BATTLING BEAUTIES. 1920. 1 reel.

THE BATTLING BELLBOY. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, W. W. Beaudine.

THE BATTLING BUCKAROO. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Basil Dickey.

Credits: Director, Richard Thorpe; story, Elizabeth Burbridge.

BATTLING BUTLER. 1926. 7 reels. From a book by Stanley Brightman and Austin Melford.

Credits: Director, Buster Keaton; screen adaptation, Paul Gerard Smith, Albert Boasberg, Charles Smith, Lex Neal.

THE BATTLING DUET. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE BATTLING FOOL. Presented by Perfection Pictures. 1924. 5 reels.

Credits: Director, W. S. Van Dyke.

BATTLING JANE. Paramount. Presented by The New Art Film Co. 1918. 5 reels.

Credits: Director, Elmer Clifton; story, Arnold Bernot.

BATTLING JUSTICE. (Western Featurette) 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, George W. Pyper.

BATTLING KANGAROO. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jules White; story, Hewlett Benjamin, Edward Marshall.

THE BATTLING KID. (Western Featurette) 1930. 2 reels.

Credits: Director, Jack Nelson.

Credits: Directors, Ted Wilde, Fred Guiol.

BATTLING SILVER KINGS. (A Grantland Rice Sportlight) 1931. 1 reel.

BATTLING SISTERS. (Educational-Lupino Lane Comedy) 1929. 2 reels.

Credits: Director, Henry W. George.

BATTLING WITH BUFFALO BILL. 1931. 2 reels each. Suggested by "The Great West That Was" by William F. Cody (Buffalo Bill). © Universal Pictures Corp.

Credits: Director, Ray Taylor; story, Henry McRae; dialogue, Ella O'Neill; continuity, George Plympton.

1. Captured by Redskins. © 18Sep31; LP2500.

2. Circling Death. © 18Sep31; LP2501.

3. Between Hostile Tribes. © 18Sep31; LP2502.

4. The Savage Horde. © 15Oct31; LP2554.

5. The Fatal Plunge. © 20Oct31; LP2564.

6. Trapped. © 27Oct31; LP2592.

7. The Unseen Killer. © 6Nov31; LP2627.

8. Sentenced to Death. © 13Nov31; LP2630.

9. The Death Trap. © 19Nov31; LP2642.

10. A Shot from Ambush. © 30Nov31; LP2666.

11. The Flaming Death. © 3Dec31; LP2735.

12. Cheyenne Vengeance. © 11Dec31; LP2690.

BAVU. Jewel. 1923. 8 reels.

Credits: Director, Stuart Paton; story, Edward Carrol; scenario, Raymond L. Schrock, Albert Kenyon.

BAWLED OUT. 1918. 2 reels.

Credits: Director, James Davis.

THE BAY OF SEVEN ISLES. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, James Dayton.

BAZAARS OF CAIRO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

BE A LITTLE SPORT. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, Hale Merriman; scenario, Joseph A. Roach.

BE BRAVE! 1924. 2 reels.

Credits: Producer, Eddie Lyons.

BE CAREFUL. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1925. 2 reels.

Credits: Producer, Christie; director, Harold Beaudine.

BE CAREFUL DEARIE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Zion Myers.

BE HUMAN. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Lillian Friedman.

BE KIND TO AMINALS. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

BE LIKE ME. 1933. 1 reel, sd.

Credits: Written and directed by Aubrey Scotto.

BE MY BEST MAN. Black Cat. 1917. 30 min.

Credits: Director, Fred E. Wright; story, H. Tipton Steck.

BE MY GUEST. 1923. 1 reel.

BE MY KING. 1928. 2 reels.

Credits: Director, Henry W. George.

BE MY WIFE. 1921. 5 reels.

Credits: Written and directed by Max Linder.

BE MY WIFE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

BE REASONABLE. 1921. 2 reels.

Credits: Supervision, Mack Sennett; director, Roy Del Ruth.

BE REASONABLE. 1921. 2 reels.

Credits: Director, Roy Del Ruth.

BE UP TO DATE. (A Betty Boop Cartoon) 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

Credits: Supervision, F. Richard Jones; director, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

BE YOURSELF. (Broadway Comedy, no. 15) 1923. 2 reels.

BE YOURSELF. 1924. 2 reels.

Credits: Written and directed by Al St. John, Ben Stoloff.

BE YOURSELF. United Artists. 1930. 9 reels. Adapted from "The Champ" by Joseph Jackson.

Credits: Director, Thornton Freeland; adaptation, Max Marcin, Thornton Freeland; music arrangement, Hugo Riesenfeld; editor, Robert J. Kern.

BEACH AND SEA ANIMALS. 1931. 1 reel, sd.

Credits: Narrative, Clyde Fisher.

BEACH BABIES. (Variety Comedy) 1929. 2 reels.

Credits: Producer, Gordon Bostock; director, Bradley Barker; story, Joe Hayman, Gordon Bostock; film editor, E. Pfitzenmeier.

THE BEACH CLUB. 1928. 2 reels.

Credits: Director, Harry Edwards; story, Jefferson Moffitt, Harry McCoy.

BEACH MASTERS. (The Struggle to Live Series, no. 3) Presented by RKO Radio Pictures. 1935. 1 reel, sd.

Credits: Associate producers, Stacey Woodard, Howard Woodard; narrator, Gayne Whitman.

A BEACH NUT. Nestor. 1919. 1 reel.

Credits: Story, scenario, and direction, Wallace Beery.

THE BEACH NUT. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; staged by Max E. Hayes.

BEACH NUTS. 1917. 2 reels.

Credits: Director General, J. G. Blystone; director, Noel Smith.

BEACH PAJAMAS. (Traveling Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, story and adaptation, William Goodrich; film editor, Walter Thompson.

THE BEACH PARTY. (Mickey Mouse, no. 19) 1931. 1 reel.

BEACH PICNIC. (A Walt Disney Donald Duck) 1939. 1 reel, sd.

BEACH SPORTS. (Bill Corum, no. 11) 1937. 1 reel.

BEACH VAMPS. 1920. 1 reel.

THE BEACHCOMBER. 1916. 2 reels.

Credits: Charles J. McGuirk; director, L. C. Windom.

THE BEACHCOMBER. Mayflower. 1939. 9 reels, sd. Based on the story "Vessel of Wrath" by W. Somerset Maugham.

Credits: Producer and director, Erich Pommer; screenplay, Bartlett Cormack; film editor, Robert Hamer.

BEACH COMBERS. (An Oswald Cartoon) 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, Lester Kline.

BEACHES AND PEACHES. 1918. 2 reels.

Credits: Director, Archie Mayo.

BEACHES AND SCREAM. (Krazy Cat Cartoon) 1928. 1 reel.

Credits: Story and animation, Ben Harrison, Manny Gould.

Credits: Producer, E. A. Martin.

BEANED BY A BEANSHOOTER. 1916. 1 reel.

Credits: Director, Theodore Marston.

BEANS! 1918. 5 reels.

Credits: Director, Jack Dillon; story, Rex Taylor; scenario, John B. Clymer.

BEANS AND BULLETS. Joker. 1916. 1 reel.

Credits: Producer, W. W. Beaudine; story, Barney Fury; scenario, Harry Wulze.

BEANSTALK JACK. (Paul Terry-Toons) Educational. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

A BEAR, A BOY, AND A DOG. 1921. 2 reels.

Credits: Director, Bert Van Tuyle; story, Nell Shipman.

A BEAR AFFAIR. 1915.

Credits: Producer, Mack Sennett.

THE BEAR-CAT. 1922. 5 reels.

Credits: Director, Edward Sedgwick; story, F. R. Buckley; scenario, George Hively.

BEAR CATS. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

THE BEAR FACTS. 1914. 1 reel.

Credits: Director, Tefft Johnson.

BEAR FACTS. 1917. 2 reels. From the play by Charles Hoyt.

Credits: Director, J. A. Richmond.

BEAR FACTS. (Hal Roach Comedy) Presented by Hal Roach. 1938. 1 reel, sd.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

BEAR FACTS. SEE Judge Rummy in Bear Facts.

BEAR KNEES. Presented by William Fox. 1928. 2 reels, b&w.

Credits: Director, Mark Sandrich; story, Fred Spencer.

A BEAR OF A STORY. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

BEAR SKINNED BEAUTIES. Century. 1920. 2 reels.

Credits: Written and directed by F. C. Windemere.

THE BEAR TAMER'S DAUGHTER. SEE Revenge.

THE BEAR THAT COULDN'T SLEEP. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Rudolph Ising.

THE BEAR TRAP. SEE Excuse My Dust.

THE BEARDED LADY. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Addison Burkhart.

BEARS. 1933. 1 reel.

BEARS AND BAD MEN. 1918. 2 reels.

Credits: Written and directed by Lawrence Semon.

THE BEARS AND BEES. (Silly Symphony, no. U. A. 1) (A Mickey Mouse Cartoon) 1932. 1 reel.

THE BEARS AND BEES. (A Walt Disney Silly Symphony Cartoon, no. U. A. 1) 1932. 1 reel.

BEARS AND BULLETS. 1916. 1 reel.

BEASLEY'S CHRISTMAS PARTY. SEE Sophia's Imaginary Visitors.

THE BEAST. 1915. 2,000 ft.

THE BEAST. 1916. For Fox Film Corp. 5 reels.

Credits: Directed by Richard Stanton.

THE BEAST. SEE

The Awakening.

Irene Rich & Company.

THE BEAST OF BORNEO. 1934. 7 reels.

Credits: Director, Harry Garson; story, Alfred Hustwick, Frank J. Murray; screenplay, Alfred Hustwick.

A BEAST OF SOCIETY. Big U. 1916. 3 reels.

Credits: Harvey Gates; producer, Travers Vale.

THE BEAST OF THE CITY. 1932. 10 reels.

Credits: Director, Charles Brabin; story, W. R. Burnett; dialogue continuity, John L. Mahin.

BEASTS OF PARADISE. Universal Special. 1923. 2 reels each. © Universal Pictures Corp.

Credits: Director, William Craft; story and scenario, Val Cleveland.

1. The Mystery Ships. © 17Sep23; LP19427.

2. The Unseen Peril. © 22Sep23; LP19431.

3. The Typhoon. © 2Oct23; LP19463.

4. The Sea Raider. © 13Oct23; LP19501.

5. The Tidewater Trap. © 18Oct23; LP19508.

6. The Alligator Attacks. © 23Oct23; LP19534.

7. The Deluge. © 3Nov23; LP19573.

8. The Mutiny. © 7Nov23; LP19599.

9. Ship Aflame. © 13Nov23; LP19609.

10. The Mad Elephant Charge. © 17Nov23; LP19622.

11. Smothered in the Sand. © 22Nov23; LP19635.

12. Millions in Gold. © 1Dec23; LP19668.

13. Into the Bloodhound's Jaws. © 8Dec23; LP19695.

14. Into the Whirlpool. © 14Dec23; LP19726.

15. The Trail's End. © 24Dec23; LP19761.

Credits: Scenario editor, Lloyd Lonergan.

BEATING CHEATERS. Paramount. 1920. 2 reels.

Credits: Director, Charles Parrott; story, Keene Thompson; scenario, Bob McGowan.

Credits: Scenario, Scotty Beall.

BEATING HEARTS AND CARPETS. 1915.

Credits: Producer, Mack Sennett.

BEATING THE BURGLAR. 1914. 400 ft.

BEATING THE GAME. Goldwyn Studios. 1921. 6 reels.

Credits: Directed and supervised by Victor Schertzinger; story and continuity, Charles Kenyon.

BEATING THE GAME. 1921. 2 reels.

Credits: Producer, Lee Kohlmar; story, Evelyn McKinney; scenario, Robert Dillon.

BEATING THE LIMITED. 1918. 2 reels.

Credits: Story, George Marshall; scenario, Tom Gibson.

BEATING THE ODDS. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Irving R. Allen; scenario, Edward Montagne.

BEATRICE FAIRFAX. Wharton, inc. 1916. 2 reels each. © International Film Service, Inc.

Credits: Scenario, Basil Dickey.

1. The Missing Watchman. © 7Aug16; LP9411.

2. The Adventure of the Jealous Wife. © 14Aug16; LP9393.

3. Billie's Romance. © 21Aug16; LP9394.

4. The Stone God. © 28Aug16; LP9395.

5. Mimosa San. © 4Sep16; LP9396.

6. The Forbidden Room. © 11Sep16; LP9397.

7. A Name for the Baby. © 18Sep16; LP9398.

8. At the Ainsley Ball. © 25Sep16; LP9399.

9. Outside the Law. © 9Oct16; LP9412.

10. Play Ball. © 16Oct16; LP9464.

11. The Wages of Sin. © 23Oct16; LP9465.

12. Curiosity. © 23Oct16; LP9400.

13. The Ringer. © 30Oct16; LP9413.

14. The Hidden Menace. © 13Nov16; LP9492.

15. Wrist Watches. © 13Nov16; LP9493.

BEATRICE LILLIE AND HER BOY FRIENDS. 1930. 1 reel, sd.

BEATRICE LILLIE, MUSICAL COMEDY STAR OF SHE'S MY BABY, IN HER CHARACTERIZATION OF THE ROSES HAVE MADE ME REMEMBER. 1928. 1 reel.

Credits: Director, Marcel G. Silver.

BEAU AND ARROWS. (An Oswald Comedy) Snappy. 1932. 1 reel.

Credits: Walter Lantz, Bill Nolan.

BEAU BANDIT. 1930. 8 reels, sd.

Credits: Producer, William Le Baron; director, Lambert Hillyer; screenplay, Wallace Smith; editor, Archie F. Marshek.

BEAU BASHFUL. 1934. 2 reels.

Credits: Director, James W. Horne; story, Albert Austin, James W. Horne.

BEAU BEST. (Oswald Cartoon) Snappy. 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

BEAU BOSKO. (Looney Tunes, no. 3) 1933. 1 reel, sd.

Credits: Drawn by Rollin Hamilton, Norm Blackburn.

BEAU BROADWAY. 1928. 7 reels, b&w.

Credits: Story, production and direction, Malcolm St. Clair; adaptation, F. Hugh Herbert; continuity, George O'Hara; film editor, Harry Reynolds.

BEAU BRUMMEL. 1924. 10 reels. From the play by Clyde Fitch.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

BEAU CRUMMEL AND HIS BRIDE. 1913. 1 reel.

Credits: Mark Swan.

BEAU GESTE. 1927. 10,000 ft. From the novel by Percival Wren.

Credits: Director, Herbert Brenon; adaptation, John Russell; scenario, Paul Schofield.

BEAU GESTE. 1939. 12 reels, sd. Based on the novel by Percival Christopher Wren.

Credits: Producer and director, William A. Wellman; screenplay, Robert Carson; film editor, Thomas Scott.

BEAU HUNKS. (A Hal Roach Comedy) 1931. 4 reels, sd.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

BEAU IDEAL. 1930. 9 reels. Based on the novel by Percival C. Wren.

Credits: Director, Herbert Brenon; screenplay, Paul Schofield; adaptation, Elizabeth Meehan.

BEAU NIGHT. SEE El Brendell and Flo Bert in Beau Night.

BEAU REVEL. 1921. 6 reels.

Credits: Director, John Griffith Wray; story, Louis Joseph Vance.

BEAU SABREUR. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 6,704 ft. From the story by Percival Christopher Wren.

Credits: Director, John Waters; adaptation, Tom J. Geraghty.

THE BEAUTIES. (Rainbow Comedies) 1930. 2 reels, sd.

Credits: Hugh Cummings; producer, John C. Flinn; director, Frank T. Davis; film editor, Fred Maguire; music director, Josiah Zuro.

BEAUTIES BEWARE. (Ideal Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

BEAUTIES IN DISTRESS. 1920.

THE BEAUTIFUL ADVENTURE. Presented by Charles Frohman. 1917. 6 reels. Based on the play "La Belle Aventure" by R. De Flers and A. De Caillavet.

Credits: Director, Dell Henderson; scenario, Joseph F. Poland.

THE BEAUTIFUL AND DAMNED. 1922. 7 reels. From the story by F. Scott Fitzgerald.

Credits: Director, William A. Seiter; scenario and adaptation, Olga Printzlau.

BEAUTIFUL AND DUMB. (A Van Beuren Miniature) RKO-Van Beuren Corp. Presented by Radio Pictures. 1932. 1 reel, sd. A short story from Liberty Magazine by Walter Marquiss.

Credits: Associate producer, Nat Ross; adaptation and direction, Emmett Flynn; screenplay, Ruth Todd, Dick Smith; editor, Vera Wade.

BEAUTIFUL BANFF AND LAKE LOUISE. (A FitzPatrick Traveltalk) 1935. 1 reel, sd., color.

Credits: Director, Benjamin D. Sharpe; compiler, J. A. FitzPatrick; photography, W. C. Hoch.

BEAUTIFUL BELINDA. 1915. 1 reel.

Credits: Producer, E. A. Martin.

BEAUTIFUL BERMUDA. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

BEAUTIFUL BUDAPEST. (A FitzPatrick Traveltalk) 1938. 791 ft., sd., color.

Credits: Photographer, Winton C. Hoch; music score, Jack Shilkret.

THE BEAUTIFUL BULLET. SEE Danger Street.

BEAUTIFUL BUT DUMB. 1928. 7 reels.

Credits: Director, Elmer Clifton; story and continuity, John Francis Natteford; editor, Desmond O'Brien.

BEAUTIFUL, BUT DUMMIES. 1938. 1,536 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

BEAUTIFUL CALIFORNIA, 1914. 1 reel.

THE BEAUTIFUL CAVERNS OF LURAY, A WORLD OF ROCK-RIBBED DARKNESS. 1938. 30 min., sd., b&w., color sequences, 16 mm.

THE BEAUTIFUL CHEAT. Jewel. 1926. 7 reels.

Credits: Director, Edward Sloman; story, Nina Wilcox Putnam; scenario, A. P. Younger, Olga Printzlau.

THE BEAUTIFUL CITY. First National. 1925. 7 reels.

Credits: Director, Kenneth Webb; screenplay, Edmund Goulding.

THE BEAUTIFUL GAMBLER. Universal Special. 1921. 5 reels.

Credits: Producer, William Worthington; story, Peter B. Kyne; scenario, Hope Loring.

THE BEAUTIFUL IMPOSTOR. (Star Featurette) 1917. 2 reels.

Credits: Catherine Carr; director, Lucius Henderson.

THE BEAUTIFUL LADY. 1915. 1 reel.

THE BEAUTIFUL LIAR. Nestor. 1918. 1 reel.

Credits: Director, Ben Wilson; story, Rex Taylor.

THE BEAUTIFUL LIAR. First National. Presented by B. P. Schulberg. 1921. 5 reels.

Credits: George Marion, Jr.; director, Wallace Worsley.

THE BEAUTIFUL LIE. Rolfe Photoplays, Inc. 1917. 5 reels. From the poem "Reveries of a Station House" by Ella Wheeler Wilcox.

Credits: Director, John W. Noble; adaptation, June Mathis.

Credits: Director, Arthur Ashley; story, Samuel M. Weller.

THE BEAUTIFUL SINNER. Presented by Perfection Pictures. 1924. 5 reels.

Credits: Director, W. S. Van Dyke; story, Wilfred Lucas.

BEAUTIFUL SWITZERLAND. (A Columbia Tour, series 3, no. 1) 1939. 1 reel, sd.

Credits: Producer, André De La Varre; narrator, Len Sterling.

THE BEAUTIFUL TEMPLES OF CEYLON. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

BEAUTIFUL THOUGHTS. 1915. 1 reel.

Credits: Director, Sidney Drew.

BEAUTIFULLY TRIMMED. 1920. 5 reels.

Credits: Producer, Marcel DeLano; story, Marguerite C. Storrs; scenario, Douglas Doty, Marcel DeLano.

BEAUTY. SEE

Beauty for Sale.

The Bondage of Fear.

BEAUTY A LA MUD. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Harold Beaudine.

BEAUTY AND BOOTY. 1918. 2 reels.

Credits: Written and directed by J. A. Howe.

BEAUTY AND BULLETS. 1928. 5 reels.

Credits: Director, Ray Taylor.

BEAUTY AND THE BAD MAN. Released by Producers Distributing Corp. 1925. 6 reels. Adapted from the story "Cornflower Cassie's Concert" by Peter B. Kyne.

Credits: Producer, Frank E. Woods; director, William Worthington; adaptation, E. Richard Schayer.

BEAUTY AND THE BANDIT. 1921. 2 reels.

Credits: Producer, Edward Kull; story, Harry McArthur, George H. Plympton.

BEAUTY AND THE BANDIT. Mustang. 1925. 2 reels.

Credits: Director, Edward Kull; story, Henry McArthur, Geo. H. Plympton.

BEAUTY AND THE BEAST. (Merrie Melodies) 1934. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; animation, Jack King, Rollin Hamilton; music, Bert Kalmar, Harry Ruby; musical score, Norman Spencer.

BEAUTY AND THE BOOB. 1919. 2 reels.

BEAUTY AND THE BOSS. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels. Based on the play "Church Mouse" by Ladislaus Fodor.

Credits: Director, Roy Del Ruth; adaptation, Joseph Jackson.

BEAUTY AND THE BUMP. (A Skylark Comedy) 1927. 2 reels.

Credits: Written and directed by Craig Hutchinson.

BEAUTY AND THE BUS. (Hal Roach Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, William Terhune.

THE BEAUTY BUNGLERS. 1915.

Credits: Producer, Mack Sennett.

THE BEAUTY DOCTOR. Victor. 1917. 1 reel.

Credits: Director, John Steppling; scenario, James Dayton.

BEAUTY FOR SALE. 1933. 9 reels, sd. From the novel "Beauty" by Faith Baldwin.

Credits: Associate producer, Lucien Hubbard; director, Richard Boleslavsky; screenplay, Zelda Sears, Eve Greene; film editor, Blanche Sewell.

BEAUTY FOR THE ASKING. 1939. 68 min., sd.

Credits: Grace Norton, Adele Buffington; producer, B. P. Fineman; director, Glenn Tryon; story, Edmund L. Hartmann; screenplay, Doris Anderson, Paul Jarrico; editor, George Crone; music director, Roy Webb.

THE BEAUTY HUNTERS. 1916. 1 reel.

Credits: Producer, William Robert Daly.

BEAUTY IN CHAINS. Special Feature. 1918. 5 reels. Based on the book "Doña Perfecta" by B. Pérez Galdós.

Credits: Director, Elsie Jane Wilson; scenario, Elliott J. Clawson.

THE BEAUTY MARKET. First National. Presented by The Katherine MacDonald Pictures Corp. 1919. 6 reels. Adapted from "The Bleeders" by Margery Land May.

Credits: Director, Colin Campbell.

BEAUTY ON BROADWAY. Rowland-Brice. 1933. 2 reels.

Credits: Director, Monte Brice; story, Sig Herzig, H. O. Kusell.

THE BEAUTY PARADE. 1930. 2 reels.

Credits: Director, Samuel Newfield.

THE BEAUTY PARLOR. 1926. 2 reels. Suggested by the Cosmopolitan Magazine stories by H. C. Witwer.

Credits: Directors, Arvid E. Gillstrom, Reggie Morris; adaptation, Tom McNamara; continuity, Jean Dupont.

A BEAUTY PARLOR. 1926. 2 reels.

THE BEAUTY PRIZE. 1924. 6 reels.

Credits: Director, Lloyd Ingraham; story, Nina Wilcox Putnam; continuity, Winifred Dunn.

BEAUTY-PROOF. 1919. 5 reels.

Credits: Director, Paul Scardon; story, James Oliver Curwood; scenario, Edward J. Montagne.

BEAUTY SECRETS FROM HOLLYWOOD. 1931. 1 reel, sd.

THE BEAUTY SHOP. Cosmopolitan Productions. Paramount. Presented by Famous Players-Lasky Corp. 1922. 7 reels. From the play by Channing Pollock and Rennold Wolf.

Credits: Director, Edward Dillon.

THE BEAUTY SHOP. SEE Mary Haynes in The Beauty Shop.

BEAUTY SHOPPE. 1936. 1 reel.

Credits: Director, Walter Lantz; story, Walter Lantz, Victor McLeod.

BEAUTY SHOPPE. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

BEAUTY SHOPPERS. 1927. 6 reels.

Credits: Director, Louis J. Gasnier; story, Travers Lane; continuity, John F. Natteford.

THE BEAUTY SPOT. (A Folly Comedy) 1930. 2 reels, sd.

Credits: Director, Walter Brooks; story, Earle Mountain, Cliff Dixon; adaptation, Luther A. Yantis; film editor, E. Pfitzenmeier.

Credits: Producer, John L. Hawkinson.

BEAUTY SPOTS. 1933. 1 reel.

BEAUTY SPOTS IN CALIFORNIA. 1924. 1 reel.

BEAUTY TO LET. SEE Money Isn't Everything.

BEAUTY UNADORNED. 1913. 2 reels.

Credits: Directors, Messrs. Lytton and Young.

BEAUTY'S DAUGHTER. SEE Navy Wife.

BEAUTY'S WORTH. 1922. 7 reels.

Credits: Director, Robert G. Vignola; story, Sophie Kerr; scenario, Luther Reed.

BEAUX AND ERRORS. 1938. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story, Charles E. Roberts, George Jeske; film editor, John Lockert.

BEAVERS. 1930. 1 reel.

BECAUSE HE LOVED HER. 1916. 2 reels.

Credits: Supervision, Mack Sennett; director, Del Henderson.

THE BECKONING FLAME. 1916. 5 reels.

THE BECKONING TRAIL. Red Feather. 1916. 5 reels.

Credits: F. McGrew Willis; director, Jack Conway.

BECKY. Cosmopolitan. 1927. 7 reels.

Credits: Director, John P. McCarthy; story, Raynor Selig; scenario, Marian Constance Blackton; film editor, John W. English.

BECKY SHARP. 1935. 9 reels, sd., color. Based on the novel "Vanity Fair" by Thackeray and the play "Becky Sharp" by Langdon Mitchell.

Credits: Producers, Kenneth Macgowan, Reuben Mamoulian; screenplay, Francis Edwards Faragoh; editor, Archie F. Marshek; music director, Max Steiner.

BECOMING LINES SELL APPAREL. 1930. Filmstrip, 76 frames.

BED OF ROSES. 1933. 7 reels, sd.

Credits: Producer, Pandro S. Berman; director, Gregory La Cava; original story and screenplay, Wanda Tuchock; dialogue, Gregory La Cava, Eugene Thackrey; film editor, Basil Wrangle; music director, Max Steiner.

BED ROCK. SEE Coming Through.

BEDELIA. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

BEDLAM OF BEARDS. 1934. 2 reels, sd.

Credits: Director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, Charles L. Kimball.

THE BEDOUIN'S SACRIFICE. 1915. 1,000 ft.

Credits: Director, Harry Beaumont.

THE BEDROOM WINDOW. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Director, William De Mille; story, Clara Beranger.

BEDSIDE. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, Robert Florey; story, Manuel Seff, Harvey Thew; screenplay, Lillie Hayward, James Wharton; additional dialogue, Rian James.

BED TIME. SEE Hollingsworth and Crawford in Bed Time.

A BEDTIME STORY. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

A BEDTIME STORY. 1933. 9 reels, sd. From a novel by Roy Horniman.

Credits: Director, Norman Taurog; screenplay, Waldemar Young, Nunnally Johnson; adaptation, Benjamin Glazer; music and lyrics, Ralph Rainger, Leo Robin.

BED-TIME VAUDEVILLE. 1937. 11 min., sd.

Credits: Director, Joseph Henabery.

BEDTIME WORRIES. (Hal Roach Our Gang Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; film editor, William Terhune.

THE BEE AND THE FOX. SEE Harry Fox and Beatrice Curtis in The Bee and the Fox.

BEE BREAD. 1927. 1 reel.

BEE CAUSE. (Krazy Kat) 1927. 1 reel.

THE BEE THAT GETS THE HONEY. 1931. 1 reel.

BEEFSTEAKS. (Barney Google Series, no. 5) 1928. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling.

BEER AND BICYCLES. SEE Stolen by Gypsies.

BEER AND PRETZELS. (An M-G-M Revue) 1933. 913 ft., sd., b&w.

Credits: Music, Al Goodhart; lyrics, Gus Kahn.

BEER MUST GO DOWN. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producer, Eddie Lyons, Lee Moran.

THE BEER PARADE. (Scrappy) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

BEES AND HONEY. 1913. 1 reel.

THE BEES' BUZZ. (Educational-Mack Sennett Talking Comedy) 1929. 2 reels.

Credits: Director, Mack Sennett.

BEET AND CANE SUGAR. 1930. 1 reel.

BEETLES. 1931. 1 reel, sd.

Credits; Narrative, Clyde Fisher.

BEFORE AND AFTER TAKING. Metro-Drew. 1918. 1 reel.

Credits; Written and directed by Mr. and Mrs. Sidney Drew.

BEFORE DAWN. 1933. 6 reels, sd. From the story by Edgar Wallace.

Credits: Associate producer, Shirley Burden; director, Irving Pichel; screenplay, Garrett Fort; editor, William Hamilton; music director, Max Steiner.

BEFORE MIDNIGHT. 1925. 5 reels.

Credits: Director, John Adolfi; story, Jules Furthman.

BEFORE MIDNIGHT. 1933. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Robert Quigley; film editor. Otto Meyer.

BEFORE THE BAR. SEE Hurst and Vogt in Before the Bar.

BEFORE THE CIRCUS. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario. Doty Hobart.

BEG, BORROW, OR STEAL. 1937. 8 reels, sd., b&w. Suggested by a story by William C. White.

Credits: Producer, Frederick Stephani; director, William Thiele; screenplay, Leonard Lee, Harry Ruskin, Marion Parsonnet; film editor, Conrad A. Nervig; music score, William Axt.

THE BEGGAR KING. 1916. 2 reels.

Credits: Written and directed by Wilbert Melville.

THE BEGGAR MAID. 1921. 2 reels.

Credits: Supervision, Thos. H. Ince; director, Charles Swickard.

BEGGAR ON HORSEBACK. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 8 reels. From the play by George S. Kaufman and Marc Connelly.

Credits: Producer, James Cruze; screenplay, Walter Woods.

Credits: Director, Cheslar Subinsky.

BEGGARS IN ERMINE. 1934. 8 reels, sd. From the novel by Esther Lynd Day.

Credits: Producer, W. T. Lackey; director, Phil Rosen; screenplay and dialogue, Tristram Tupper.

BEGGARS OF LIFE. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7,504 ft. From the story by Jim Tully.

Credits: Producer and director, William A. Wellman; scenario, Benjamin Glazer.

BEGINNER'S LUCK. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

BEGINNING OF THE RAPIDS OF THE TAPAJOHS. SEE Roosevelt Brazilian Expedition.

BEGINNING THE SALE. 1932. Filmstrip.

THE BEHAVIOR OF LIGHT. 1930. 995 ft.

BEHAVIOR PATTERNS AT ONE YEAR. (Yale Films of Child Development) 1935. 1 reel.

BEHAVIOUR OF MRS. CRANE. SEE Uncertain Lady.

BEHIND CLOSED DOORS. 1915. 5 reels.

BEHIND CLOSED DOORS. 1929. 6 reels.

Credits: Producer, Harry Cohn; director, R. William Neill; story, Lilian Ducey, H. Milner Kitchin; scenario and adaptation, Howard J. Green.

BEHIND IN FRONT. SEE Felix the Cat—Behind in Front.

BEHIND JURY DOORS. Presented by George W. Weeks. 1933. 7 reels, sd.

Credits: Producer, Fanchon Royer; director, Breezy Eason; assistant director, Bill Billings; story, Frank E. Fenton; adaptation, John Thomas Neville.

BEHIND LIFE'S STAGE. Universal Special. 1916. 2 reels.

Credits: Allen J. Holubar.

BEHIND MASKS. 1921. 5 reels. Adapted from the story "Jeanne of the Marshes" by E. Phillips Oppenheim.

Credits: Director, Frank Reicher; scenario, Kathryn Stuart.

BEHIND OFFICE DOORS. 1931. 9 reels, sd.

Credits: Director, Melville Brown; story, Alan Brener Schultz; screenplay, Carey Wilson.

BEHIND PRISON GATES. 1939. 7 reels, sd.

Credits: Director, Charles Barton; original screenplay, Arthur T. Horman, Leslie T. White.

BEHIND THAT CURTAIN. 1929. 10 reels. From the story by Earl Derr Biggers.

Credits: Director, Irving Cummings; scenario, Sonya Levien, Clarke Silvernail.

BEHIND THE BROADCAST. 1936. For RCA Victor Co. 1 reel, sd.

BEHIND THE COUNTER. Presented by Hollywood Productions, 1928. 2 reels.

Credits: Director, J. A. Howe; story, T. J. Crizer, N. T. Barrows, James Davis.

BEHIND THE CRIMINAL. (A Crime Does Not Pay Subject) 1937. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, Winston Miller.

Credits: Narrator, Carroll Wilson; music score and direction, Aaron Gonzalez.

BEHIND THE CURTAIN. Rex. 1916. 1 reel.

Credits: Robert Thomas Hardy; producer, Henry Otto.

BEHIND THE CURTAIN. 1924. 5 reels.

Credits: Director, Chester M. Franklin; story, William J. Flynn; adaptation, Emile Forst.

BEHIND THE DOOR. Paramount-Artcraft. 1919. 7 reels. From the play by Gouverneur Morris.

Credits: Director, Irvin V. Willat; scenario, Luther Reed.

BEHIND THE EVIDENCE. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Richard Cahoon.

BEHIND THE FRONT. 1919. 2 reels.

BEHIND THE FRONT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From "Spoils of War" by Hugh Wiley.

Credits: Producer and director, Edward Sutherland; story, Hugh Wiley; screenplay, Ethel Doherty; adaptation, Monty Brice.

BEHIND THE GERMAN LINES. Ufa. Presented by Adolph Zukor and Jesse L. Lasky. 1929. Sd., si.

BEHIND THE GREAT WALL OF CHINA. Powers. 1917. 1/2 reel.

BEHIND THE GREEN LIGHTS. Presented by Nat Levine. 1935. 7 reels, sd. From the book by Capt. Cornelius W. Willemse.

Credits: Supervision, Colbert Clark; director, Christy Cabanne; screenplay, James Gruen, Colbert Clark; film editor, Joseph Lewis.

BEHIND THE GREEN PORTIERES. SEE The Way Women Love.

BEHIND THE HEADLINES. (A Pete Smith Specialty) 1936. Produced with the cooperation of the Los Angeles Times. 1 reel, sd.

Credits: Director, Edward Cahn.

BEHIND THE HEADLINES. 1937. 6 reels, sd.

Credits: Producer, Cliff Reid; director, Richard Rosson; story, Thomas Ahearn; screenplay, Edmund L. Hartmann, J. Robert Bren; editor, Harry Marker.

BEHIND THE LINE. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

BEHIND THE LINES. 1916. 5 reels.

Credits: Mary Rider; director, Henry McRae; adaptation, Walter Woods.

BEHIND THE MAKE-UP. 1930. 8 reels, si. & sd. From the story "The Feeder" by Mildred Cram.

Credits: Director, Robert Milton; adaptation, George Manker Watters, Howard Estabrook; film editor, Doris Drought.

BEHIND THE MAP. Joker. 1917. 1 reel.

Credits: Direction and story, William W. Beaudine; scenario, Tom Gibson.

BEHIND THE MASK. 1915. 1 reel.

Credits: Director, George Moore.

BEHIND THE MASK. Bison. 1916. 2 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

BEHIND THE MASK. 1932. 7 reels. Adapted from "In the Secret Service."

Credits: Director, John Francis Dillon; story, adaptation and dialogue, Jo Swerling; continuity, Dorothy Howell; film editor, Otis Garrett.

BEHIND THE MIKE. 1937. 7 reels, sd.

Credits: Producer, Lou Brock; director, Sidney Salkow; original story, Thomas Ahearn, Walton Butterfield; screenplay, Barry Trivers; film editor, Phil Cahn.

BEHIND THE PRISON BARS. SEE Sotto e Cancelle.

Credits: Directed and produced by George U. Wood.

BEHIND THE SCENES IN JAPAN. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

BEHIND THE SCREEN. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

BEHIND THE SCREEN. 1916. 2 reels.

Credits: Written and produced by Charles Chaplin.

BEHIND THE SECRET PANEL. Imp. 1916. 3 reels.

Credits: William Addison Lathrop; director, George Ridgwell.

BEHIND THE VEIL. Victor. 1916. 2 reels.

Credits: Producer, Lucius J. Henderson; story, Elizabeth R. Carpenter; adaptation, Catherine Carr.

BEHIND THE WHEEL. SEE The Speeding Venus.

BEHOLD MY WIFE. Paramount. Presented by Jesse L. Lasky. 1920. 7 reels. From the novel "The Translation of a Savage" by Sir Gilbert Parker.

Credits: Producer and director, George Melford; scenario, Frank Condon.

BEHOLD MY WIFE! Presented by Adolph Zukor. 1934. 9 reels, sd. From the novel "The Translation of a Savage" by Sir Gilbert Parker.

Credits: Producer, B. P. Schulberg; director, Mitchell Leisen; screenplay, Vincent Lawrence, Grover Jones; adaptation, William R. Lipman, Oliver La Farge.

BEHOLD THE WOMAN. 1924. 7 reels. From the novel "The Hillman" by E. Phillips Oppenheim.

Credits: Director, J. Stuart Oppenheim; adaptation, Marian Constance.

BEHOLD WE LIVE. SEE If I Were Free.

BEING RESPECTABLE. 1924. 6 reels.

Credits: Director, Phil Rosen; story, Grace Flandrau; scenario, Dorothy Farnum.

BELATED EVIDENCE. SEE Hard-Boiled Haggerty.

A BELATED HONEYMOON. 1915. 1,000 feet.

BELFLEX SHACKLES—A STEP AHEAD. 1926. 1 reel.

BELGIAN VILLAGE. (A Century of Progress) 1933. 100 ft.

BELIEVE IT OR ELSE. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Dave Monahan; animation, Virgil Ross; music director, Carl W. Stalling.

BELIEVE IT OR NOT! (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Jean Arlette; titles, Al Martin.

BELIEVE IT OR NOT. 1930. 1 reel.

Credits: Robert L. Ripley.

BELIEVE IT OR NOT. 1931. 1 reel.

Credits: Robert L. Ripley.

BELIEVE IT OR NOT. 1931. 1 reel.

Credits: Robert L. Carlson.

BELIEVE IT OR NOT. 1932. 1 reel.

Credits: Narrator, Leo Donnelly.

BELIEVE ME. 1925. 2 reels.

Credits: Director, George Jeske.

BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS. SEE The Supreme Passion.

BELIEVE ME XANTIPPE. 1918. 5 reels. From the play by Frederick Ballard.

Credits: Director, Donald Crisp; scenario, Olga Printzlau.

A BELIEVER IN DREAMS. 1914. 1 reel.

BELL AND COATES IN A SINGING ACT. 1928. 1 reel, sd.

THE BELL BOY. Paramount-Arbuckle Comedy. Presented by Joseph M. Schenck. 1918. 2 reels.

Credits: Director, Fatty Arbuckle.

BELLBOY THIRTEEN. 1923. 5 reels.

Credits: Director, William Seiter.

THE BELL-HOP. 1915. 1 reel.

THE BELL HOP. 1921. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

BELLA DONNA. Paramount. Presented by Adolph Zukor. 1923. 8 reels. From the novel by Robert Hichens.

Credits: Producer and director, Robert Hichens; scenario, Ouida Bergere.

BELLAMY THE MAGNIFICENT. SEE A Gentleman of Paris.

BELLAMY TRIAL. Hearst News Service, Inc. 1928. 8 reels, b&w. From the story by Frances Noyes Hart.

Credits: Film editor, Frank Sullivan.

BELLA'S ELOPEMENT. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE BELLE AND THE BELLHOP. Victor. 1916. 2 reels.

Credits: Written and produced by Roy Clements.

THE BELLE AND THE BILL. (Star Comedy) 1920. 1 reel.

Credits: Producer, Horace Davey; story and scenario, Ben Cohen.

LA BELLE AVENTURE. SEE The Beautiful Adventure.

Credits: Producer, Oscar Eagle.

THE BELLE OF BARNEGAT. 1915. 1,000 ft.

Credits: Written and produced by Clay M. Greene.

THE BELLE OF BROADWAY. 1926. 6 reels.

Credits: Director, Harry O. Hoyt; story, J. Grubb Alexander, Jean Peary.

THE BELLE OF NEW YORK. 1919. 5 reels. From the play by Hugh Morton [pseud. of Charles M. S. McLellan] and Gustave Kerker.

THE BELLE OF SAMOA. 1929. 2 reels, b&w.

Credits: Director, Marcel Silver.

BELLE OF THE NIGHT. Presented by Adolph Zukor and Jesse Lasky. 1930. 2 reels, sd.

Credits: Director, Morton Blumenstock.

BELLE OF THE NINETIES. Presented by Adolph Zukor. 1934. 8 reels, sd.

Credits: Producer, William Le Baron; director, Leo McCarey; original story and screenplay, Mae West; music and lyrics, Arthur Johnston, Sam Coslow.

THE BELLE OF THE SEASON. 1919. 5 reels. From the poem by Ella Wheeler Wilcox.

Credits: Producer, B. A. Rolfe; scenario and direction, S. Rankin Drew.

LA BELLE RUSSE. 1919. 6 reels. From the play by David Belasco.

Credits: Scenario and direction, Charles J. Brabin.

THE BELLED PALM. SEE Paradise Isle.

THE BELLES OF LIBERTY. 1918. 2 reels.

Credits: Director, James Davis.

Credits: Scenario and production, Grace Mel Murray.

THE BELLS. 1913. Suggested by the poem by Edgar Allan Poe.

Credits: Director, Ernest C. Warde; picturized by Gilson Willets, Jack Cunningham.

BELLS OF SAN JUAN. 1922. 5 reels.

Credits: Director, Scott Dunlap; story, Jackson Gregory; scenario, Rex Taylor.

BELONGING. SEE In Every Woman's Life.

BELOVED. 1934. 9 reels.

Credits: Director, Victor Schertzinger; original story, Paul Gangelin; screenplay, Paul Gangelin, George O'Neil.

THE BELOVED ADVENTURER. 1914. 1 reel each. © Lubin Mfg. Co. (Emmett Campbell Hall, author).

8. A Partner to Providence. © 26Oct14; LP3609.

9. Lord Cecil Plays a Part. © 28Oct14; LP3638.

10. Lord Cecil Keeps His Word. © 5Nov14; LP3665.

11. The Serpent Comes to Eden. © 13Nov14; LP3750.

12. Fate's Tangled Threads. © 20Nov14; LP3801.

13. Through Desperate Hazards. © 27Nov14; LP3850.

14. A Perilous Passage. © 7Dec14; LP3920.

15. In Port o' Dreams. © 10Dec14; LP3931.

Credits: Director, George Cowl; story, Frances Marion.

THE BELOVED BACHELOR. 1931. 8 reels, sd. Based on the play by Edward H. Peple.

Credits: Director, Lloyd Corrigan; adaptation, Raymond Griffith, Agnes Brand Leahy.

Credits: Director, Dell Henderson; story, Harry O. Hoyt; scenario, Clara S. Beranger, Lucien Hubbard.

THE BELOVED BRAT. 1938. 6 reels.

Credits: Director, Arthur Lubin; original story, Jean Negulesco; screenplay, Lawrence Kimble.

THE BELOVED BRUTE. 1924. 7 reels. From the novel by Kenneth Perkins.

Credits: Director, J. Stuart Blackton.

BELOVED ENEMY. Released through United Artists. 1937. 9 reels, sd.

Credits: Director, H. C. Potter; screenplay, John Balderston, Rose Franken, William Brown Meloney; additional dialogue, David Hertz; film editor, Sherman Todd; music director, Alfred Newman.

THE BELOVED IMPOSTER. 1918. 5 reels.

Credits: Director, Joseph Gleason; story, Elizabeth J. Mariani; scenario, A. Van Buren Powell.

BELOVED JIM. Butterfly. 1917. 5 reels.

Credits: Story, Joseph W. Girard.

THE BELOVED LIAR. Big U. 1916. 3 reels.

Credits: Producer, George Cochrane; story, D. M. Robinson, Calder Johnstone; scenario, Calder Johnstone.

THE BELOVED ROGUE. United Artists. 1927. 10 reels.

Credits: Director, Alan Crosland; scenario, Paul Bern.

THE BELOVED ROUGE. (Beauty Parlor Series, no. 10) Released by F. B. O. 1927. 2 reels.

Credits: Director, Edward I. Luddy; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean DuPont.

THE BELOVED TRAITOR. 1918.

Credits: Director, William Worthington; story, Frank L. Packard.

THE BELOVED VAGABOND. 1924. 6 reels. From the novel by William J. Locke.

Credits: Supervision, Carlyle Blackwell; director, Fred Leroy Granville; editor, S. K. Winston.

THE BELOVED VAGABOND. 1936. 7 reels, sd. Adapted from the novel by W. J. Locke.

Credits: Producer, Toeplitz; director, Kurt Bernhardt; scenario and dialogue, Hugh Mills, Walter Creighton, Arthur Wimperis; film editor, Dug Myers; music director, Leslie Bridgewater.

BELOW THE DEADLINE. Oscar Jacobs Productions. 1920. 5 reels. From the story by Arthur Henry Gooden.

Credits: Director, J. P. McGowan.

BELOW THE DEADLINE. 1936. 8 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Ewart Adamson.

BELOW THE DEAD LINE. SEE

The Banker's Double.

The Case of the Vanished Bonds.

Dickson's Diamonds.

The Man Who Vanished.

BELOW THE LINE. 1925. 7 reels.

Credits: Director, Herman Raymaker; story and adaptation, Charles A. Logue.

Credits: Adaptation and direction, Neal Hart.

BELOW THE SEA. 1933. 8 reels, sd., b&w, color sequences.

Credits: Director, Albert Rogell; story and screenplay, Jo Swerling; film editor, Jack Dennis.

BELOW THE SURFACE. 1920. 7 reels.

Credits: Director, Irvin Willat; story, Luther Reed; scenario, E. Magnus Ingleton.

Credits: Director, Robin H. Townley; story, Leopold D. Wharton.

BELOW ZERO. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Director, Norman Taurog.

BELOW ZERO. (Hal Roach Comedy) Presented by Hal Roach. 1930. 1,880 ft., sd., b&w.

Credits: Director, James Parrott; story, Leo McCarey; dialogue, H. M. Walker; editor, Richard Currier.

BEN BARD IN THE CHAMPION GOLFER. 1929. 1 reel, sd.

BEN BERNIE AND HIS ORCHESTRA. 1930. 1 reel, sd.

BEN BERNIE AND HIS ORCHESTRA PLAYING 1. A LANE IN SPAIN [and others]. 1928. 1 reel.

Credits: Director, Earl I. Sponable.

BEN BLAIR. 1916. 5 reels.

BEN BOLT. 1913. 3 reels.

BEN-HUR. 1927. 12 reels. From the story by General Lew Wallace.

Credits: Director, Fred Niblo; scenario, Carey Wilson; adaptation, June Mathis; continuity, Carey Wilson, Bess Meredyth.

BEN POLLACK AND HIS ORCHESTRA. 1934. 1 reel.

Credits: Director, Joseph Henabery.

BEN POLLACK AND HIS PARK CENTRAL ORCHESTRA. 1929. 1 reel.

BEN RYAN AND HARRIET LEE, WEBSTERIAN STUDENTS. 1930. 1 reel.

BEN, THE SAILOR. Powers Manikin. 1916. 1/2 reel.

Credits: Producers, R. F. Taylor, W. W. Wheatley; story, Olga Printzlau.

BENARES. 1927. 1 reel.

Credits: Duncan Underhill.

BENARES—THE HINDU HEAVEN. (A Fitzpatrick Traveltalk) 1931. 1 reel, sd.

BENEATH OUR FEET. (The Battle for Life Series) Presented by E. W. Hammons. 1933. 793 ft., sd.

Credits: Producers, Woodard and Fairbanks; biological supervision, Stacy Woodard; narrator, Gayne Whitman.

BENEATH THE CZAR. 1914. 4 reels.

Credits: Written and produced by Mme. A. Blache.

BENEATH THE LAW. 1929. 3 reels, sd., b&w.

Credits: Director, Harry Sweet; story, Paul Gerard Smith, Clark and McCullough; film editor, Albert C. Dripps.

BENEATH THE SEA. 1915. 2,000 feet.

BENEATH THE SEA. 1936. 1 reel, sd.

BENEATH THE SOUTHERN CROSS. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel, sd.

Credits: Supervision, Elmer Clifton.

BENEDICTION. 1931. 3 reels.

THE BENEFIT. SEE Joe Frisco in The Benefit.

BENEFITS FORGOT. SEE Of Human Hearts.

BENGAL TIGER. Warner Bros. Productions Corp. 1936. 8 reels.

Credits: Director, Louis King; story and screenplay, Roy Chanslor, Earl Felton.

BENIAMINO GIGLI AND GUISEPPE DE LUCA IN DUET FROM ACT 1 OF THE PEARL FISHERS (PESCATORI DI PERLE) [BY] BIZET. 1928. 1 reel.

BENIAMINO GIGLI, ASSISTED BY M. PICCO AND MINNA EGENER AND THE METROPOLITAN OPERA CHORUS IN THREE NUMBERS FROM CAVALLERIA RUSTICANA. 1927. 1 reel.

BENIAMINO GIGLI, OF THE METROPOLITAN OPERA CO. IN PROGRAM OF CONCERT FAVORITES [SINGS] BERGÈRE LÉGÈRE [and others]. 1927. 1 reel, sd.

BENIAMINO GIGLI, TENOR OF THE METROPOLITAN OPERA COMPANY, SINGING SELECTIONS FROM ACT 2 OF THE OPERA LA GIOCONDA. 1927. 1 reel, sd.

BENIGN PROSTATIC HYPERTROPHY. 1928. 1 reel.

BENJAMIN BUNTER-BOOK AGENT. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

BENNETT TWINS, LITTLE BARE-KNEED SYNCOPATORS, OFFER THEIR SONG AND DANCE RECITAL: TELLIN' THE BIRDS [and others]. 1927. 1 reel, sd.

BENNY FROM PANAMA. (Hal Roach Musical Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, Louis McManus.

BENNY MEROFF AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Roy Mack.

BENNY RUBIN [IN] SEVEN MINUTES OF YOUR TIME. 1928. 1 reel, sd.

BENNY'S FROM HEAVEN. Presented by General Foods. 1937. Filmstrip, 128 frames, sd.

THE BENSON MURDER CASE. 1930. 5,794 ft., sd. Based on the novel by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, Frank Tuttle; adaptation, Bartlett Cormack; film editor, Doris Drought.

LE BERCEAU. SEE The Cradle.

BERESFORD OF THE BABOONS. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Paul Harrison; story, James Montgomery Flagg.

THE BERG. SEE Atlantic.

BERKELEY SQUARE. 1933. 7,500 ft. From the play by John L. Balderston.

Credits: Director, Frank Lloyd; screenplay, Sonya Levien, John L. Balderston; editor, Harold Schuster.

BERLIN AFTER DARK. Ufa. 1929. 82 min.

Credits: Victor Abel, Alfred Zeisler; director, Constantin J. David.

BERMUDA, ISLANDS OF PARADISE. (A Columbia Tour) 1938. 944 ft., sd., color.

Credits: Producer, Ben K. Blake; narrative, I. A. Jacoby; narrator, Milton J. Cross; photographer, Frank C. Zucker.

BERNABETTA. SEE Erstwhile Susan.

BERNADO DEPACE IN THE WIZARD OF THE MANDOLIN PLAYS MORNING, NOON, AND NIGHT IN VIENNA [and others]. 1927. 1 reel, sd.

BERNARDO DEPACE, THE WIZARD OF THE MANDOLIN [PLAYS] CAPRICE VIENNOIS [and others]. (Movietone Act) 1929. 1 reel, sd.

BERNARDO DEPACE, THE WIZARD OF THE MANDOLIN [PLAYS] THAIS [and others]. (Movietone Act) 1929. 1 reel, sd.

BERNIE CUMMINS AND HIS BILTMORE ORCHESTRA. 1929. 1 reel.

BERT LAHR IN FAINT HEART. 1929. 2 reels, sd.

BERT LEWIS, ACCOMPANIED BY JACK CARROLL AT THE PIANO, SINGS: I WONDER HOW I LOOK WHEN I'M ASLEEP [and others]. 1927. 1 reel.

BERT LEWIS, POPULAR COMEDIAN, ACCOMPANIED BY JACK CARROLL AT THE PIANO, SINGS: IF MY BABY COOKS AS GOOD AS SHE LOOKS [and others]. 1927. 1 reel.

BERT SWOR IN A COLORFUL SERMON. 1928. 1 reel, sd.

BERT SWOR IN DUCKS AND DEDUCTS. 1928. 1 reel, sd.

BERT WHEELER IN SMALL TIMERS. 1929. 1 reel.

BERTH CONTROL. (Star Comedy) 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Leslie T. Peacocke.

BERTH MARKS. (Hal Roach Comedy) 1929. 2 reels, sd., b&w.

Credits: Director, Lewis R. Foster; story, Leo McCarey; story editor, H. M. Walker; film editor, Richard Currier.

BERTH QUAKES. 1938. 2 reels, sd.

Credits: Director, Jean W. Yarbrough; story, Jean W. Yarbrough, Charles Roberts; screenplay, George Jeske; film editor, John Lockert.

BERTHA, THE BUTTONHOLE-MAKER. 1914. Split reel.

BERTHA, THE SEWING MACHINE GIRL. Presented by William Fox. 1926. 6 reels, b&w, tinted sequences. From the story by Theodore Kremer.

Credits: Director, Irving Cummings; scenario, Gertrude Orr.

BERTIE'S STRATEGEM. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE BERYL CORONET. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

BESIDE A MOONLIT STREAM. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

BESIDE THE BONNIE BRIER BUSH. SEE The Bonnie Briar Bush.

THE BEST BAD MAN. 1919. 2 reels.

Credits: Karl Coolidge; director, Edward Kull.

THE BEST BAD MAN. 1925. 5 reels, b&w, tinted sequences.

Credits: Director, J. G. Blystone; story, Max Brand; scenario, Lillie Hayward.

THE BEST CELLAR. 1922. 1 reel.

THE BEST DRESSED WOMAN IN THE WORLD. (Our World Today) 1929. 1 reel.

THE BEST IN LIFE. SEE Fifth Avenue Models.

THE BEST MAN. 1914. 2 reels. Adapted from the novel by Grace L. H. Lutz.

Credits: Director, Charles J. Brabin.

THE BEST MAN. 1916. 1 reel.

Credits: Thos. J. Gray; producer, Harry Jackson.

THE BEST MAN. Falcon Features. 1917. 4 reels. From the story by George Cain.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Bertram Bracken; scenario, Douglas Bronston.

THE BEST MAN. 1923. 1 reel.

THE BEST MAN. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein.

THE BEST MAN. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards.

THE BEST MAN WINS. 1935. 7 reels, sd.

Credits: Directors, Erle Kenton, E. Roy Davidson; story, Ben G. Kohn; screenplay, Ethel Hill, Bruce Manning; film editor, Otto Meyer.

THE BEST MAN'S BRIDE. Gold Seal. 1916. 2 reels.

Credits: Producer, Wm. Worthington; story, Alice McGowan, Malcolm Strong.

Credits: Producer, Mack Sennett.

THE BEST OF ENEMIES. 1915. 2 reels.

BEST OF ENEMIES. 1933. 6,800 ft., sd.

Credits: Direction and dialogue, Rian James; screenplay, Sam Mintz; editor, Margaret Clancy.

THE BEST OF LUCK. Presented by Screen Classics, Inc. 1920. 6 reels. From the Arthur Collins production of the drama by Cecil Raleigh and Henry Hamilton.

Credits: Director-general, Maxwell Karger; director, Ray C. Smallwood; scenario, Albert Shelby Le Vino.

THE BEST PEOPLE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6 reels. From the play by David Grey and Avery Hopwood.

Credits: Producer and director, Sidney Olcott; screenplay, Bernard McConville.

THE BEST PEOPLE. SEE Fast and Loose.

THE BEST PEOPLE ON EARTH. 1915.

BEST WISHES. (Krazy Cat) Winkler Pictures, Inc. 1927. 1 reel.

BET YOUR LIFE [and] HELP THE GROCER GROW! 1937. 1 reel.

BETH. SEE Fortune's Child.

BETRAYAL. 1929. 6,492 ft., si., 8 reels, sd.

Credits: Director, Lewis Milestone; story, Victor Schertzinger, Nicholas Soussanin; screen playwright, Hans Kraly.

BETRAYED. 1917. For Fox Film Corp. 5 reels.

Credits: Written and directed by R. A. Walsh.

BETRAYED BY THE CAMERA. Powers. 1916. 1 reel.

Credits: Director general, William A. Brady; directors, Travers Vale, George Cowl; story, Henry A. Du Souchet.

BETTER DAYS. 1913.

Credits: Director, Van Dyke Brook.

THE BETTER HALF. 1918. 5 reels. From the novel "Michael Thwaite's Wife" by Miriam Michaelson.

Credits: Director, J. S. Robertson; scenario, Louis Sherwin.

BETTER LATE THAN NEVER. 1916. 2 reels.

THE BETTER MAN. Bison. 1916. 2 reels.

Credits: Ben Cohn; director, Jay Hunt.

THE BETTER MAN. Released by F. B. O. 1926. 5 reels.

Credits: Director, Scott R. Dunlap; story, Clifford Howard, Burke Jenkins; continuity, Arthur Statter.

A BETTER METHOD FOR TRAINING CHAIN STORE EMPLOYEES. 1931. 1 reel.

Credits: Producer, George Pearson.

THE BETTER 'OLE. 1926. 9 reels. Based on the play by Bruce Bairnsfather and Arthur Eliot.

Credits: Director, Charles Reisner; screen adaptation, Charles Reisner, Darryl Francis Zanuck.

THE BETTER 'OLE. SEE Carry On.

BETTER THAN A RODEO. SEE Trail of Courage.

BETTER THAN GOLD. (Tales of the Old West) 1923. 2 reels.

BETTER THAN GOLD. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George Bennett.

A BETTER UNDERSTANDING. 1914. 1 reel.

THE BETTER WAY. 1926. 6 reels.

Credits: Director, Ralph Ince; story, Harry Hoyt; continuity, Dorothy Howell.

THE BETTER WIFE. 1919. 5 reels. From the story "The Love Quest" by Lenore Coffee.

Credits: Director, William P. S. Earle.

THE BETTER WOMAN. 1915. 5 reels.

BETTINA LOVED A SOLDIER. 1916. 5 reels. Based on the story of "L'Abbé Constantin" by Ludovic Halévy.

Credits: Director, Rupert Julian; scenario, Elliott J. Clawson.

BETTY AND JERRY BROWNE IN LET'S ELOPE. 1930. 1 reel.

BETTY BOOP AND GRAMPY. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

BETTY BOOP AND LITTLE JIMMY. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Myron Waldman and Hicks Lokey.

BETTY BOOP AND THE LITTLE KING. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman and Hicks Lokey.

BETTY BOOP FOR PRESIDENT. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

BETTY BOOP IN I HEARD. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

THE BETTY BOOP LIMITED. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Bonfiglio.

BETTY BOOP M. D. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Goodson.

BETTY BOOP, WITH HENRY, THE FUNNIEST LIVING AMERICAN. 1935. 1 reel.

Credits: Director, Dave Fleischer; animation, Myron Waldman & Sam Stimson.

BETTY BOOP'S BAMBOO ISLE. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Bernard Wolf.

BETTY BOOP'S BIG BOSS. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Bernard Wolf, David Tendlar.

BETTY BOOP'S BIRTHDAY PARTY. 1933. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Myron Waldman.

BETTY BOOP'S BIZZY BEE. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer; animation, Seymour Kneitel, Bernard Wolf.

BETTY BOOP'S CRAZY INVENTIONS. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, William Bowsky, Ugo D'Orsi.

BETTY BOOP'S HALLOWE'EN PARTY. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

BETTY BOOP'S KER-CHOO. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

BETTY BOOP'S LIFE GUARD. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

BETTY BOOP'S LITTLE PAL. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

BETTY BOOP'S MAY PARTY. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Henning.

BETTY BOOP'S MUSEUM. 1932. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

BETTY BOOP'S PENTHOUSE. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard G. Bowsky.

BETTY BOOP'S PRIZE SHOW. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Lillian Friedman.

BETTY BOOP'S RISE TO FAME. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer.

BETTY BOOP'S TRIAL. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

BETTY BOOP'S UPS AND DOWNS. 1932. 1 reel.

Credits: Director, Dave Fleischer.

BETTY CO-ED. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

BETTY IN BLUNDERLAND. (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall, Thomas Johnson.

BETTY IN THE LIONS' DEN. 1913. 1 reel.

Credits: Director, Frederick A. Thomson.

BETTY OF GREYSTONE. 1916. 5 reels.

Credits: Scenario, F. M. Pierson.

BETTY, THE BOY AND THE BIRD. 1916. 1 reel.

Credits: Director, Tefft Johnson.

BETTY TO THE RESCUE. Released by Paramount Pictures Corp. 1917. 5 reels.

Credits: Beatrice C. De Mille, Leighton Osmun; producer, Frank Reicher; director general, Cecil B. De Mille.

Credits: Producer, George Earle.

BETTY'S AFFAIR. 1916. 1 reel.

BETTY'S BONDAGE. Rex. 1915. 2 reels.

Credits: Producer, Jos. De Grasse; scenario, Ida May Parke.

BETTY'S DREAM HERO. Laemmle. 1915. 2 reels.

Credits: Producer, Robert Leonard; story, Witt Cochrane; scenario, Calder Johnstone.

Credits: Director, Archer MacMackin.

BETTY'S HOBO. Big U. 1916. 1 reel.

Credits: Calder Johnstone; producer, R. H. Cochrane.

BETWEEN FATHER AND SON. 1915. 2 reels.

BETWEEN FIGHTING MEN. 1932. 62 min.

Credits: Director, Forrest Sheldon; story and continuity, Betty Burbridge, Forrest Sheldon.

BETWEEN FIRES. 1924. 2 reels.

Credits: Director, Wm. Craft; story, Carl Krusada.

BETWEEN FRIENDS. 1924. 7 reels. From the novel by Robert W. Chambers.

Credits: Director, J. Stuart Blackton.

BETWEEN JOBS. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

BETWEEN MATINEE AND NIGHT. 1915. 1 reel.

Credits: Screenplay, Wallace C. Clifton.

BETWEEN MEN. 1916. 5 reels.

BETWEEN MIDNIGHT. Powers. 1916. 1 reel.

Credits: Written and produced by Carter De Haven.

BETWEEN ONE AND TWO. Metro-Drew. 1916. 1 reel.

Credits: Blanche King; producer, Sidney Drew.

BETWEEN ORTON JUNCTION AND FALLONVILLE. 1913. 1 reel.

Credits: Charles M. Seay.

BETWEEN THE ACTS. 1919. 2 reels.

Credits: Written and directed by Larry Semon.

BETWEEN THE LINES. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood; editor, Bert Frank.

BETWEEN THE TWO OF THEM. 1915. 3 reels.

Credits: Director, Sidney Drew.

BETWEEN THE WORLD AND THE WEATHER. 1937. For the Barrett Co. 1 reel, sd.

BETWEEN TWO FIRES. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

BETWEEN TWO FIRES. SEE Carmencita's Last Dance.

BETWEEN TWO WOMEN. 1937. 9 reels, sd., b&w.

Credits: Director, George B. Seitz; original story, Erich Von Stroheim; screenplay, Frederick Stephani, Marion Parsonnet; film editor, W. Donn Hayes; music score, William Axt.

BEVERLY OF GRAUSTARK. 1914.

BEVERLY OF GRAUSTARK. 1916. 3 reels. From the novel by George Barr McCutcheon.

BEVERLY OF GRAUSTARK. Cosmopolitan. 1926. 7 reels. From the story by George Barr McCutcheon.

Credits: Director, Sidney Franklin; adaptation and scenario, Agnes Christine Johnston; film editor, Frank Hull.

BEVERLY'S BALANCE. SEE Food for Scandal.

BEWARE. (Mermaid Comedies) 1925. 2 reels.

Credits: Supervision, Jack White.

BEWARE OF BACHELORS. 1928. 8 reels, sd.

Credits: Director, Roy Del Ruth; story, Mark Canfield; scenario, Robert Lord.

BEWARE OF BACHELORS. Announcement Trailer. 1928. 1 reel, sd.

BEWARE OF BARNACLE BILL. (A Popeye Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

BEWARE OF BLONDES. A George B. Seitz Production. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, George B. Seitz; story, George Hull, Harvey Thew; continuity, Peter Milne; film editor, James McKay.

BEWARE OF BLONDES. (A Young Romance Comedy) Presented by E. W. Hammons. 1936. 1,834 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Arthur Jarrett.

BEWARE OF BOARDERS. 1918. 2 reels.

Credits: Director, Fred Fishback.

BEWARE OF LADIES. 1936. 7 reels.

Credits: Producer, Nat Levine; director, Irving Pichel; screenplay, L. C. Dublin.

BEWARE OF MARRIED MEN. 1928. 6 reels.

Credits: Director, Archie L. Mayo; story, Franz Jacques; screenplay, Edward T. Lowe, Jr.

BEWARE OF MENTAL-ITIS. 1937. 2 reels.

BEWARE OF THE BRIDE. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story, Edgar Franklin; scenario, Joseph Franklin Poland.

BEWARE OF WIDOWS. Universal-Jewel. 1927. 6 reels. From the play by Owen Davis.

Credits: Director, Wesley Ruggles; continuity, Beatrice Van.

BEWARE OF YOUR RELATIVES. Bluebird. 1925. 1 reel.

BEWARE SPOOKS! 1939. 7 reels, sd. Based on a play by Richard Flournoy.

Credits: Producer, Robert Sparks; director, Edward Sedgwick; screenplay, Richard Flournoy, Albert Duffy, Brian Marlow; film editor, James Sweeney; music director, M. W. Stoloff.

BEYOND. 1921. 5 reels.

Credits: Director, William D. Taylor; story, Henry Arthur Jones; scenario, Julia Crawford Ivers.

BEYOND ALL IS LOVE. 1915. 3 reels.

Credits: Producer, Clay M. Greene.

BEYOND BENGAL. Presented by Phra Abhaivongc. 1933. Produced with the cooperation of His Highness, the Sultan of Perak, F. M. S., Sir Alang Askader Shah. 7 reel, sd.

Credits: Written and directed by Harry Schenck.

BEYOND LONDON LIGHTS. 1928. 6 reels. From the story "Kitty Carstairs" by J. J. Bell.

Credits: Director, Tom Terriss; screenplay, Jean Dupont; adaptation, Beatrice Burton.

BEYOND PRICE. 1921. 6 reels.

Credits: Director, J. Searle Dawley; story and scenario, Paul H. Sloane.

BEYOND THE BLUE HORIZON. 1932. 1 reel.

BEYOND THE BORDER. Rogstrom Productions, Inc. Released by Producers Distributing Corp. 1925. 5 reels. Adapted from the story "When Smith Meets Smith" by Meredith Davis.

Credits: Supervision, Hunt Stromberg; director, Scott S. Dunlap; adaptation, Harvey Gates; film editor, Lou Ostrow.

BEYOND THE CARIBBEAN. 1936. 6 reels.

Credits: Producers, André Roosevelt, E. Erskine Loch; editor, Harry Foster.

BEYOND THE LAW. 1916. 3 reels.

BEYOND THE LAW. 1918. 6 reels. Based on the Wide World Magazine Serial story by Emmett Dalton.

Credits: Director, Theodore Marston; story, Emmett Dalton; scenario, William Addison Lathrop.

BEYOND THE LAW. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Mayer.

BEYOND THE LAW. SEE Flying Hoofs.

BEYOND THE RAINBOW. 1922. 7 reels. From the story "The Price of Fine Feathers" by Solita Solano.

Credits: Director, William Christy Cabanne; screen adaptation, Eustace Hale Ball, Loila Brooks.

BEYOND THE ROCKIES. (Custer Series, no. 4) Independent Pictures Corp. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story, J. Edward Leithead; screen adaptation, Wm. E. Wing.

BEYOND THE ROCKIES. 1932. 6 reels, sd.

Credits: Director, Fred Allen; story, John P. McCarthy; screenplay, Oliver Drake; film editor, William Clemens.

BEYOND THE ROCKS. Paramount. Presented by Jesse L. Lasky. 1922. 7 reels.

Credits: Producer and director, Sam Wood; adaptation, Jack Cunningham.

BEYOND THE SIERRAS. 1928. 6 reels, b&w.

Credits: Director, Nick Grindé; story, John Thomas Neville; screenplay, Robert Lord; film editor, William Le Vanway.

BEYOND THE SMOKE. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Arthur Henry Gooden.

BEYOND THE TRAIL. Bison. 1916. 2 reels.

Credits: Catherine Carr; producer, Ben Wilson.

BEYOND THE WALL. SEE The Madness of Helen.

BEYOND THE WAR ZONE IN FRANCE. Gold Seal. 1917. 1/2 reel.

BEYOND VICTORY. 1931. 8 reels, sd., b&w.

Credits: Horace Jackson, James Gleason; producer, E. B. Derr; director, John Robertson; film editor, Daniel Mandell; musical direction, Francis Gromon.

BIANCA. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

BIBLE. O. T. SEE After Six Days.

BIBLE. O. T. APOCRYPHA. JUDITH. SEE Judith of Bethulia.

BIBLE. O. T. ESTHER. SEE Blind Prejudice.

THE BICYCLE FLIRT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Director, Harry Edwards; story, Vernon Smith, Harry McCoy.

BIFF AND BANG [IN] WINNER BY A NOSE. 1927. 1 reel.

Credits: Director, Frank L. Ingraham.

BIG. SEE The Magnificent Brute.

THE BIG ADVENTURE. 1921. 5 reels.

Credits: Producer, Reeves Eason; story, James Edward Hungerford; scenario, George W. Pyper.

Credits: Producer, John L. Hawkinson.

THE BIG APPLE. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 835 ft., sd.

Credits: Director, Walter Graham; story, Arthur Jarrett, Marcy Klauber.

THE BIG BAD WOLF. (Silly Symphony Cartoon, no. 18) 1934. 1 reel, sd.

THE BIG BENEFIT. Mentone. 1933. 2 reels, sd.

Credits: Director, Lynn Shores; story, Ballard MacDonald.

BIG BERTHAS. 1928. 2 reels.

Credits: Producer, Larry Darmour; director, Earl Montgomery; story, E. V. Durling, Pinto Colvig, H. A. Woodmansee.

THE BIG BIRDCAST. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

BIG BLUFFS AND BOWLING BALLS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

BIG BLUFFS AND BOWLING BALLS. 1919. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

BIG BOB. 1921. 2 reels.

Credits: Story and production, Edward Laemmle; scenario, George Morgan.

BIG BOB WAITS. 1913. 1 reel.

BIG BOOBS AND BATHING BEAUTIES. 1918. 1 reel.

Credits: Director, Laurence Semon.

THE BIG BOW MYSTERY. SEE

The Crime Doctor.

The Perfect Crime.

BIG BOY. 1930. 9 reels. Based on a musical comedy by Harold Atteridge.

Credits: Director, Alan Crosland; screenplay and dialogue, William K. Wells, Rex Taylor.

THE BIG BRAIN. 1933. 8 reels, sd.

Credits: Associate producer, Samuel Bischoff; director, George Archainbaud; story and dialogue, Sy Bartlett; continuity, Warren B. Duff; film editor, Rose Loewinger.

THE BIG BROADCAST. 1932. 10 reels, sd. Based on the play "Wild Waves" by William Ford Manley.

Credits: Director, Frank Tuttle; screenplay, George Marion, Jr.; music, Ralph Rainger.

THE BIG BROADCAST OF 1936. Presented by Adolph Zukor. 1935. 10 reels.

Credits: Producer, Benjamin Glazer; director, Norman Taurog; screenplay, Walter DeLeon, Francis Martin, Ralph Spence; continuity, Jack Mintz; editor, Ellsworth Hoagland; music and lyrics, Ralph Rainger, Richard Whiting, Leo Robin, and others.

THE BIG BROADCAST OF 1937. Presented by Adolph Zukor. 1936. 10 reels, sd.

Credits: Producer, Lewis E. Gensler; director, Mitchell Leisen; story, Erwin Gelsey, Arthur Kober, Barry Trivers; screenplay, Walter DeLeon, Francis Martin; film editor, Stuart Heisler.

THE BIG BROADCAST OF 1938. 1938. 10 reels, sd.

Credits: Producer, Harlan Thompson; director, Mitchell Leisen; story, Frederick Hazlett Brennan; screenplay, Walter DeLeon, Francis Martin, Ken Englund; adaptation Howard Lindsay, Russel Crouse.

BIG BROTHER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1923. 7 reels. Based on the novel by Rex Beach.

Credits: Producer and director, Allan Dwan; adaptation, Paul Sloane.

BIG BROTHER. SEE Young Donovan's Kid.

BIG BROWN EYES. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the stories "Hahsit Babe" and "Big Brown Eyes" by James Edward Grant.

Credits: Producer, Walter Wanger; director, Raoul Walsh; screenplay, Raoul Walsh, Bert Hanlon.

THE BIG BURG. (Fable, no. 407) 1929. 1 reel.

Credits: Paul Terry.

BIG BUSINESS. 1926. 2 reels, b&w, tinted sequences.

Credits: Supervision, George E. Marshall; directors, Mark Sandrich, Lesley Selander; story, Murray Roth, Andrew Bennison.

BIG BUSINESS. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Supervision and story, Leo McCarey; director, J. Wesley Horne; editor, Richard Currier.

BIG BUSINESS. Presented by RKO Distributing Corp. 1932. 2 reels, sd. From the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, J. A. Duffy; story, Joseph Levering; editor, Dwight Caldwell; music director, Lee Zahler.

BIG BUSINESS. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Written and directed by Al Boasberg; lyrics and music, Lester Lee, Sam Ward.

BIG BUSINESS. SEE The Jones Family in Big Business.

BIG BUSINESS GIRL. 1931. 8 reels, sd. Based on the College Humor story by Patricia Reilly and H. N. Swanson.

Credits: Producer, William A. Seiter; screen adaptation, Robert Lord.

THE BIG CAGE. 1933. 8 reels, sd. From the book by Clyde Beatty and Edward Anthony.

Credits: Director, Kurt Neumann; screenplay, Edward Anthony, Ferdinand Reyher.

BIG CASINO. Mentone. 1933. 2 reels.

Credits: Written and directed by Ballard Macdonald.

THE BIG CAT AND THE LITTLE MOUSIE. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Alex Lovy; story, Victor McLeod, James Miele; animation, Frank Tipper, George Grandpre.

THE BIG CATCH. 1920. 2 reels.

Credits: Producer, Leo Maloney; story, Louis D. Lighton; scenario, Ford Beebe.

THE BIG CHEESE. (An Aesop Sound Fable) 1930. 1 reel, sd.

Credits: John Foster.

BIG CHIEF UGH-AMUGH-UGH. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

THE BIG CITY. Century. 1925. 2 reels.

Credits: Story, Ted Ross.

THE BIG CITY. 1928. 8 reels, sd., b&w.

Credits: Production, story, and direction, Tod Browning; scenario, Waldemar Young; titles, Joe Farnham; film editor, Harry Reynolds.

BIG CITY. A Frank Borzage Production. 1937. 8 reels, sd., b&w.

Credits: Production and original story, Norman Krasna; director, Frank Borzage; screenplay, Dore Schary, Hugo Butler; film editor, Frederick Y. Smith; music score, William Axt.

BIG CITY BLUES. First National and Vitaphone. Presented by First National Pictures, Inc. 1932. 7 reels. Based on a play by Ward Morehouse.

Credits: Director, Mervyn LeRoy; screenplay, Ward Morehouse, Lillie Hayward.

BIG CITY FANTASY. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE BIG COURTSHIP. Presented by E. W. Hammons. 1937. 1,571 ft., sd.

Credits: Director, William Watson; story, Tim Ryan, Lloyd Rosenmond.

BIG DAME HUNTING. 1932. 2 reels, sd.

Credits: Producer, Louis Brock; director, George Marshall; story, Thomas L. Lennon, George Marshall; film editor, Sam White.

BIG DAN. 1923. 6 reels, b&w, tinted sequences.

Credits: Director, William A. Wellman; story and scenario, Frederick Hatton, Fanny Hatton.

THE BIG DIAMOND ROBBERY. 1929. 7 reels.

Credits: Director, Eugene J. Forde; story, Frank Howard Clark; screenplay, John Stuart Twist.

THE BIG DITCH OF PANAMA. (A Fitzpatrick M. G. M. Traveltalk) 1933. 1 reel.

Credits: Photographer, Frank Goodliffe; compiler, James A. FitzPatrick.

THE BIG DOG HOUSE. (A Dogville Comedy) 1931. 2 reels, sd., b&w.

Credits: Directors, Jules White, Zion Myers.

BIG EARS. (Our Gang Comedies) (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

BIG EXECUTIVE. 1933. 7 reels.

Credits: Director, Erle C. Kenton; story, Alice Duer Miller; screenplay, Laurence Stallings.

THE BIG FIBBER. 1933. 2 reels, sd.

Credits: Director, George Marshall.

THE BIG FIGHT. Presented by James Cruze. 1930. 7 reels. From the David Belasco and Sam H. Harris stage success.

Credits: Milton Herbert Groffer, Max Marcin; director, Walter Lang; continuity and screen adaptation, Walter Woods.

BIG FISH. (News World of Sports) 1939. 1 reel, sd.

Credits: Narrative, Jack Kofoed; described by Dan Seymour; editor, Harry Foster.

THE BIG FLASH. 1932. 22 min., sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Robert Vernon, Frank Griffin.

THE BIG GAMBLE. 1931. 7 reels, sd., b&w.

Credits: Producer, Charles R. Rogers; director, Fred Niblo; story, Octavus Roy Cohen; screenplay, Walter DeLeon, F. McGrew Willis; film editor, Joseph Kane; music director, Arthur Lange.

BIG GAME. 1921. 5 reels.

Credits: Willard Robertson, Kilbourn Gordon; director, Dallas M. Fitzgerald; adaptation, Edmund Lowe, Jr.

BIG GAME. 1924. 2 reels.

Credits: Director, Charles Lamont.

THE BIG GAME. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

BIG GAME. (Fables, no. 384) 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

BIG GAME. (Aesop's Fable) Van Beuren Corp. 1931. 1 reel, sd.

THE BIG GAME. 1936. 75 min., sd. Based on the novel by Francis Wallace.

Credits: Producer, Pandro S. Berman; director, George Nicholls, Jr.; story, Francis Wallace; screenplay, Irwin Shaw; editor, Frederic Knudtson; music director, Nathaniel Shilkret.

BIG GAME FISHING. (Ed Thorgersen's Sports Review) 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Ed Thorgersen.

BIG GAME GEORGE. (Stern Bros. Comedy) (Let George Do It Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

THE BIG GAME HUNT. SEE Farmer Al Falfa In The Big Game Hunt.

THE BIG GAME HUNTER. 1925. 2 reels.

Credits: Director, George E. Marshall; story, Richard Harding Davis; scenario, Kenneth O'Hara.

THE BIG GUY. 1939. 8 reels. Based on the story "No Power on Earth" by Wallace Sullivan and Richard K. Polimer.

Credits: Director, Arthur Lubin; screenplay, Lester Cole.

BIG HAPPINESS. 1920. 7 reels. From the story by Pan [pseud. of Leslie Beresford].

Credits: Director, Colin Campbell; screen version, Jack Cunningham.

BIG HEARTED. (Whoopee Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; supervision, Bill Woolfenden; director, Robert De Lacy; story, Charles Diltz; adaptation, Hugh Cummings; film editor, John Link; music director, Josiah Zuro.

BIG HEARTED HERBERT. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 6 reels, sd. Based on a play adapted by Sophie Kerr and Anna Steese Richardson from a story by Sophie Kerr.

Credits: Director, William Keighley; screenplay, Lillie Hayward, Ben Markson.

BIG-HEARTED JIM. SEE Brotherly Love.

BIG HEARTED TOOTS. (Toots and Casper Series, no. 6) 1929. 2 reels. Suggested by Jimmy Murphy's newspaper comedy characters.

Credits: Producer, Larry Darmour; director, St. Elmo Boyce; story, E. V. Durling, Hal Davitt.

THE BIG HOUSE. Cosmopolitan. 1930. 10 reels, sd., b&w.

Credits: Director, George Hill; story and dialogue, Frances Marion; additional dialogue, Joe Farnham, Martin Flavin; film editor, Blanche Sewell.

THE BIG IDEA. (M-G-M Musical Revue) 1934. 2 reels, sd., b&w.

THE BIG JEWEL CASE. (Educational-Mermaid Talking Comedies) 1930. 16 min., sd.

Credits: Producer, Jack White; director, Stephen Roberts.

THE BIG KICK. (Hal Roach Comedy) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, Warren Doane; story, H. M. Walker; film editor, Richard Currier.

THE BIG KILLING. 1928. 5,805 ft.

Credits: Director, F. Richard Jones; story, Grover Jones; screenplay, Frank Butler, Gilbert Pratt.

BIG LEAGUE. (Bill Corum, no. 10) 1937. 1 reel.

BIG LEAGUERS. (RKO Pathe Sportscope, no. 9) 1939. 9 min., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan.

THE BIG LITTLE PERSON. 1919. 6 reels.

Credits: Director, Robert Z. Leonard; story, Rebecca Hooper Eastman; scenario, Bess Meredith.

THE BIG MEOW. (An Educational Screen Star Comedy) Presented by E. W. Hammons. 1934. 1,665 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett.

THE BIG MITTEN. SEE No Ransom.

BIG MONEY. 1930. 8 reels, sd.

Credits: Producer, E. B. Derr; director, Russell Mack; original story, Walter DeLeon; film editor, Joseph Kane; musical director, Josiah Zuro.

THE BIG MOUTHPIECE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Fred Guiol; story, Fred Guiol, Leslie Goodwins; film editor, Edward Mann.

BIG NEWS. 1929. 7 reels, sd.

Credits: Director, Gregory La Cava; director of dialogue, Frank Reicher; story, George S. Brooks; screenplay, Walter DeLeon; adaptation, Jack Jungmeyer.

THE BIG NIGHT. 1915. Split reel.

THE BIG NOISE. Presented by Robert Kane. 1928. 8 reels.

Credits: Producer and director, Allan Dwan; original story, Ben Hecht; adaptation and scenario, Tom J. Geraghty.

THE BIG NOISE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels.

Credits: Director, Frank McDonald; story, Edward Hartman; screenplay, George Bricker, William Jacobs.

BIG PAL. Presented by Royal Pictures. 1925. 5 reels.

Credits: Producer, William Russell; director, John G. Adolfi; story, Jules Furthman.

THE BIG PALOOKA. (Educational-Mack Sennett Talking Comedy) 1929. 2 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Hampton Del Ruth, Harry McCoy.

THE BIG PARADE. 1927. 13 reels, b&w, color sequences.

Credits: Producer and director, King Vidor; story, Laurence Stallings; scenario, Harry Behn; titles, Joseph W. Farnham; film editor, Hugh Wynn.

THE BIG PARADERS. 1929. 1 reel.

THE BIG PARTY. 1930. 6,200 ft., sd.

Credits: Director, J. G. Blystone; story and dialogue, Harlan Thompson; editor, Eddie Robbins.

THE BIG PIE RAID. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Stan De Lay.

THE BIG POND. 1930. 8 reels, sd. Based on the play by George Middleton and A. E. Thomas.

Credits: Producer, Monta Bell; director, Hobart Henley; continuity, Robert Presnell, Garrett Fort; dialogue, Preston Sturges.

THE BIG PUNCH. 1921. 5 reels.

Credits: Story, Jules Furthman; adaptation, direction and production, Jack Ford.

THE BIG RACE. Screencraft. 1933. 7 reels.

Credits: Director, Fred Newmeyer; original story, Hugh Cummings.

THE BIG RACE. (A Meany, Miny Moe Cartoon) Snappy. 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; animation, Manuel Moreno, George Nicholas, Ben Clapton.

THE BIG RANGER. 1922. 2 reels.

Credits: Director, Robert Hill; story, Jean F. Burtis; scenario, George Morgan.

THE BIG SCARE. 1929. 1 reel, sd.

Credits: Paul Terry.

THE BIG SCOOP. 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Harry Sweet; story, E. A. Brown, Hal Yates; film editor, Fred Maguire.

THE BIG SECRET. 1921. 2 reels.

Credits: Director, Ferris Hartman.

THE BIG SHAKEDOWN. 1933. 7 reels, sd. From the story "Cut Rate" by S. Engels and Niven Busch.

Credits: Director, John Francis Dillon; screenplay, Niven Busch, Rian James.

THE BIG SHOT. 1929. 1 reel.

Credits: Paul Terry.

THE BIG SHOT. 1931. 7 reels, sd., b&w.

Credits: Producer, Charles R. Rogers; director, Ralph F. Murphy; story, George Dromgold, Hal Conklin; screenplay and dialogue, Earl Baldwin, Joseph Fields; film editor, Charles Craft; musical director, Arthur Lange.

THE BIG SHOT. 1937. 6 reels, sd.

Credits: Director, Edward Killy; story, Lawrence Pohle, Thomas Ahearn; screenplay, Arthur T. Horman, Bert Granet; editor, Jack Hively.

Credits: Director, George Terwilliger; story, L. Case Russell.

THE BIG SHOW. 1936. 8 reels, sd.

Credits: Producer, Nat Levine; director, Mack V. Wright; screenplay and original story, Dorrell and Stuart E. McGowan.

Credits: Producer, George L. Tucker.

THE BIG SPLASH. 1931. 2 reels, sd.

Credits: Director, Ray Cozine; story, Walton Butterfield.

THE BIG SQUAWK. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Warren H. Doane; story, Leo McCarey; editor, Richard Currier.

THE BIG SQUEAL. 1933. 18 min., sd.

Credits: Director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson.

THE BIG SQUIRT. 1937. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullman, Al Giebler.

THE BIG STAMPEDE. Presented by Leon Schlesinger. 1932. 54 min.

Credits: Director, Tenny Wright; story, Marion Jackson; screenplay and dialogue, Kurt Kempler; editor, Frank Ware.

BIG TIMBER. 1917. 5 reels. From the novel by Bertrand W. Sinclair.

Credits: Director, William D. Taylor; scenario, Gardner Hunting.

BIG TIMBER. 1924. 5 reels. From the story "The Heart of Night Wind" by Vingie E. Roe.

Credits: Director, William Craft; adaptation, Isadore Bernstein.

BIG TIME. Presented by William Fox. 1929. 9 reels, sd. Based on the story "Little Ledna" by William Wallace Smith.

Credits: Producer, Kenneth Hawks; screenplay, Sidney Lanfield; dialogue, William K. Wells, Sidney Lanfield.

BIG TIME CHARLIE. (Manhattan Comedies) 1929. 2 reels, sd.

Credits: Produced and directed by George LeMaire; story, George LeMaire, Lew Hearn; film editor, E. Pfitzenmeler.

THE BIG TIMER. 1932. 7 reels.

Credits: Director, Eddie Buzzell; story, adaptation and dialogue, Robert Riskin; continuity, Dorothy Howell.

THE BIG TOP. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, Mannie Davis; music, Philip A. Scheib.

BIG-TOP CHAMPIONS. (Grantland Rice Sound Sportlight) 1930. 1 reel, si. & sd.

Credits: Jack Eaton.

BIG TOWN. 1932. 6 reels, sd.

Credits: Written and directed by Arthur Hoerl; editor, Bernard Rogan.

BIG TOWN COMMUTERS. (A Columbia Tour) 1939. 793 ft., sd., color.

Credits: Described by Dan Seymour.

BIG TOWN CZAR. 1939. 7 reels, sd. Based on the story "Czar of Broadway" by Ed Sullivan.

Credits: Associate producer, Ken Goldsmith; director, Arthur Lubin; screenplay, Edmund Hartmann; film editor, Philip Cahn.

BIG TOWN GIRL. 1937. 6,474 ft., sd.

Credits: Director, Alfred Werker; original stories, Darrell Ware, Frances Whiting Reid; screenplay, Lou Breslow, John Patrick, Robert Ellis, Helen Logan; music, Samuel Kaylin.

BIG TOWN IDEAS. 1921. 5 reels.

Credits: Director, Carl Harbaugh; story and scenario, John Montague.

BIG-TOWN ROUND-UP. 1921. 5 reels. Adapted from the book by William McLeod Raine.

Credits: Direction and scenario, Lynn Reynolds.

THE BIG TRAIL. 1930. 13,000 ft., sd.

Credits: Director, Raoul Walsh; story, Hal G. Evarts; editor, Jack Dennis.

THE BIG TREES OF CALIFORNIA. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1920. 1 reel.

THE BIG TREES OF CALIFORNIA. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1923. 1 reel.

BIG TREMAINE. 1916. For the Metro program. 5 reels. A picturization of the novel by Marie Van Vorst.

Credits: Director, Henry Otto.

THE BIGAMIST. Special Imp. 1916. 2 reels.

Credits: Director, Herbert Brennon.

THE BIGAMIST. 1922. 6 reels. From the novel by F. E. Mills Young.

Credits: Director, Guy Newall.

THE BIGAMISTS. SEE Naughty But Nice.

BIGGER AND BETTER. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, Edgar Kennedy; dialogue, H. M. Walker; editor, Richard Currier.

BIGGER AND BETTER. SEE Fanny and Kitty Watson in Bigger and Better.

THE BIGGER MAN. SEE The Bridge.

BIGGER THAN BARNUM'S. Released by F. B. O. 1926. 6 reels.

Credits: Director, Ralph Ince; story, Arthur Guy Empey; continuity, J. Grubb Alexander.

THE BIGGEST SHOW ON EARTH. 1918. 5 reels.

Credits: Director, Jerome Storm; story, Florence Vincent; picturized by Julien Josephson.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

THE BIKE PARADE. (A Paramount Paragraphic) Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; commentary, Justin Herman; narrator, Ted Husing; editor, Robert Blauvelt.

BILL APERSON'S BOY. 1919. 5 reels.

BILL BRENNAN'S CLAIM. Gold Seal. 1917. 3 reels.

Credits: Director, George Marshall; story, Shelley Sutton; scenario, Charles Wilson, Jr.

BILL BRENNAN'S CLAIM. 1919. 2 reels.

Credits: Director, George Marshall; story, Shelly Sutton.

BILL BRENNAN'S CLAIM, 1923. 2 reels.

BILL BURNHAM'S NEW FRIENDS. 1937. For Chicago & North Western Railway. 1 reel, sd.

BILL BURNHAM'S NEW JOB. 1937. For Chicago &. North Western Railway. 1 reel, sd.

BILL BURNHAM'S NEW RAILROAD. 1937. For Chicago & North Western Railway. 1 reel, sd.

THE BILL COLLECTOR. (Joe Rock Comedy) 1924. 2 reels.

Credits: Director, Reggie Morris.

BILL CRACKS DOWN. 1937. 6 reels.

Credits: Associate producer, William Berke; director, William Nigh; original story, Owen Francis, Morgan Cox; screenplay, Dorrell McGowan, Stuart McGowan.

BILL GRIMM'S PROGRESS. Released by F. B. O. 1926. 2 reels each. © R-C Pictures Corp.

Credits: Directors, Ralph Ceder, Arvid E. Gilstrom; story, H. C. Witwer; adaptation and continuity, Beatrice Van.

1. The Lady of Lyons, N. Y. © 2Aug26; LP22992.

2. The Fight That Failed. © 27Aug26; LP23049.

3. Where There's a Bill. © 28Aug26; LP23061.

4. The Last of His Face. © 30Aug26; LP23060.

5. When a Man's a Fan. © 10Oct26; LP23217.

6. The Midnight Son. © 15Oct26; LP23219.

7. Bruisers and Losers. © 2Nov26; LP23287.

8. Little Miss Bluffit. © 2Nov26; LP23285.

9. Ladies Prefer Brunettes. © 15Nov26; LP23330.

10. Assorted Nuts. © 19Nov26; LP23352.

11. Blisters Under the Skin. © 30Nov26; LP23384.

12. The Knight Before Christmas. © 13Dec26; LP23424.

BILL HAYWOOD, PRODUCER. 1915. 1 reel.

Credits: Director, Tom Mix.

BILL HENRY. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerry Storm; story, Lois Zellner; adaptation, Julien Josephson.

A BILL OF DIVORCEMENT. 1932. 8 reels, sd. From the play by Clemence Dane [pseud. of Winifred Ashton].

Credits: Director, George Cukor; screenplay, Harry Wagstaff Gribble; film editor, Arthur Roberts; music director, Max Steiner.

THE BILL OF RIGHTS. 1939. 20 min., sd.

Credits: Director, Crane Wilbur; original screenplay, Charles L. Tedford.

BILL PETERS' KID. 1916. 3 reels.

Credits: Director, Rollin S. Sturgeon.

THE BILL POSTER. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe De Nat.

BILLBOARD FROLICS (Merrie Melodies, Cartoon no. 13) 1936. 1 reel.

Credits: Animation, Cal Dalton, Sandy Walker.

BILLBOARD GIRL. (Educational Comedies) 1932. 21 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

BILLBOARD GIRL. (A Mack Sennett Talking Picture) Presented by E. W. Hammons. 1934. 1,919 ft., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster; film editor, William Hornbeck.

BILLETED. SEE The Misleading Widow.

BILLIE JOINS THE NAVY. 1915. 1,000 ft.

Credits: Arthur D. Hotaling.

BILLIE'S BABY. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, G. E. Jenks.

BILLIE'S DEBUT. 1915. 1 reel.

BILLIE'S DOUBLE. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

BILLIE'S HEADACHE. 1915. 1 reel.

Credits: Producer, Earl Metcalfe.

BILLIE'S HEIRESS. 1915. 1 reel.

BILLIE'S LUCKY BILL. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

BILLIE'S MOTHER. 1916. 1 reel.

Credits: Director, Lionel Belmore.

BILLIE'S REVENGE. 1916. 1 reel.

Credits: Producer, Earl Metcalfe; adaptation, Daniel Ellis.

THE BILLION DOLLAR SCANDAL. 1933. 8 reels.

Credits: Director, Harry Joe Brown; original story and screenplay, Gene Towne, Graham Baker; dialogue, Willard Mack, Beatrice Banyard.

THE BILLIONAIRE. 1914.

Credits: Director, La Verne Barber.

BILLIONS. 1920. 6 reels. From the drama by Jean-Jose Frappa and Henri Dupuy Mazuel.

Credits: Director, Ray C. Smallwood; scenario, Charles Bryant.

BILL'S ANNIVERSARY. Okeh. 1919. 1 reel.

Credits: Director, Roy Clements; story, Jessie McAllister.

BILL'S BLIGHTED CAREER. L-Ko. 1915. 2 reels.

BILL'S CAREER AS BUTLER. 1913. 1 reel.

Credits: Herbert Prior.

BILL'S FINISH. Okeh. 1919. 1 reel.

Credits: Director, Roy Clements.

BILL'S NARROW ESCAPE. 1916. 2 reels.

BILL'S PLUMBER AND PLUMBER'S BILL. Imp. 1915. 1 reel.

BILL'S SWEETHEART. 1913.

Credits: Helen Combes.

BILL'S WIFE. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

BILL'S WIFE. (Star Comedy) 1920. 1 reel.

BILLY AND ELSA NEWELL IN THEN AND NOW. 1930. 1 reel, sd.

BILLY & ELSA NEWELL, THOSE HOT TAMALES. 1928. 1 reel, sd.

BILLY AND THE BIG STICK. 1917. 4 reels. From a story by Richard Harding Davis.

Credits: Director, Edward H. Griffith; adaptation, Wallace M. Woody.

BILLY FORTUNE. SEE Water, Water Everywhere.

BILLY FORTUNE STORIES. SEE The Limit Game.

THE BILLY GOAT'S WHISKERS. Educational. Presented by E. W. Hammons. 1937. 595 ft., sd.

Credits: Paul Terry, John Foster; scored and conducted by Philip A. Scheib.

BILLY HILL. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

BILLY JIM. 1922. 5 reels.

Credits: Producer, Andrew J. Callaghan; director, Frank Borzage; story, Jackson Gregory; scenario, Frank Howard Clark.

BILLY LYTELL AND TOM FANT IN TWO OF A KIND. 1930. 1 reel, sd.

Credits: Scenario, Bert Angeles.

BILLY ROSE'S CASA MAÑANA REVUE. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Producer, Louis Lewyn; director, George Sidney.

BILLY SMOKE. 1916. 3 reels.

Credits: James Oliver Curwood; director, William Wolbert.

Credits: Scenario, Bert Angeles.

BILLY SWEDE HALL AND COMPANY IN HILDA. 1929. 1 reel.

BILLY THE BANDIT. Special Victor. 1916. 1 reel.

Credits: L. V. Waters; scenario and direction, John Steppling.

BILLY, THE BEAR TAMER. 1915. 1 reel.

Credits: Director, Lee Beggs.

BILLY THE KID. 1930. 11 reels, sd., b&w. From the book "Saga of Billy the Kid" by Walter Noble Burns.

Credits: Producer and director, King Vidor; continuity, Wanda Tuchock; dialogue, Laurence Stallings; additional dialogue, Charles MacArthur; film editor, Hugh Wynn.

BILLY THE KID RETURNS. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original screenplay, Jack Natteford; film editor, Lester Orlebeck; music director, Cy Feuer.

BILLY'S COLLEGE JOB. Imp. 1915. 1 reel.

Credits: Victor De Villiers; producer, Sidney Goldin.

BILLY'S HAT. Okeh. 1919. 1 reel.

Credits: Director, Roy Clements.

BILLY'S LOVE MAKING. Imp. 1915. 1 reel.

Credits: William Addison Lathrop; producer, William Garwood.

BILLY'S MELODRAMA. 1916. 1 reel.

Credits: Producer, Frank Currier.

BILLY'S REFORMATION. 1915. 2 reels.

Credits: Scenario, Bert D'Angeles.

BILLY'S WAGER. 1914. 1 reel.

Credits: Director, Lee Beggs.

BILLY'S WAR BRIDES. Imp. 1916. 1 reel.

Credits: Producer, William Garwood; story, Miriam S. Gluck; adaptation, Samuel Greiner.

BILLY'S WATERLOO. 1916. 1 reel.

THE BILTMORE TRIO IN COLLEGE ROMEOS. (Metro Movietone Act) 1929. 1 reel, b&w.

THE BILTMORE TRIO IN JAIL BIRDS. (Metro Movietone Act) 1930. 1 reel, b&w.

A BIMBEROO ON A BAMBOO ISLE. 1920. 1 reel.

BIMBO'S EXPRESS. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

BIMBO'S INITIATION. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

BING BANG. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Parrott.

BINGLE'S NIGHTMARE; or, IF IT HAD ONLY BEEN TRUE. 1913.

Credits: Director, Ralph Ince.

BINGO CROSBYANA. (Merrie Melodies) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Cal Dalton, Alexander Walker; music, Norman Spencer.

BIOGRAPHY OF A BACHELOR GIRL. 1934. 9 reels, sd., b&w. Based on a play by S. N. Behrman.

Credits: Producer and director, Edward H. Griffith; screenplay, Anita Loos; additional dialogue, Horace Jackson; film editor, William S. Gray; music score, Herbert Stothart.

BIRD DOGS. (Sportscope, no. 3) 1938. 917 ft., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan.

BIRD HOMES. 1930. 1 reel.

A BIRD IN THE HAND. 1929. 2 reels, sd.

Credits: Director, Walter Graham; story, E. Percy Heath.

A BIRD IN THE HAND. SEE Ann Codee and Frank Orth in A Bird in the Hand.

THE BIRD MAN. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story and animation, Ben Harrison, Manny Gould; musical direction, Joe de Nat; musical score, Charles Rosoff.

Credits: Written and produced by T. Walter Weiseman.

A BIRD OF BAGDAD. 1918. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Kenneth Webb.

BIRD OF PARADISE. 1932. 9 reels. Suggested by the stage play by Richard Walton Tully.

Credits: Producer, King Vidor; screenplay, Wells Root, Wanda Tuchock, Leonard Praskins.

THE BIRD OF PREY. 1918. 5 reels.

Credits: Charles & Albert G. Kenyon; director, E. J. Le Sainte.

THE BIRD OF PREY. SEE Ace of Aces.

THE BIRD ON NELLIE'S HAT. (A Walter Lantz Cartune) 1939. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod, James Miele; animation, George Grandpre, Hicks Lokey.

BIRD SCOUTS. (Rainbow Parade Cartoon) RKO Radio release. 1935. 1 reel.

Credits: Directors, Burt Gillett, Tom Palmer.

THE BIRD STORE. (Silly Symphony Cartoon, no. 26) 1932. 1 reel.

THE BIRD STUFFER. 1936. 565 ft., sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical direction, Joe de Nat.

BIRDLAND. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1935. 540 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

A BIRD'S A BIRD. 1915.

Credits: Producer, Mack Sennett.

THE BIRDS' CHRISTMAS CAROL. SEE A Bit o' Heaven.

BIRDS IN LOVE. (Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 684 ft., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

BIRDS IN THE SPRING. (Silly Symphony, no. U. A. 8) 1933. 1 reel.

BIRDS OF A FAR-OFF SEA. 1917. 1 reel.

BIRDS OF A FEATHER. Gold Seal. 1916. 3 reels.

Credits: Written and directed by William V. Mong.

BIRDS OF A FEATHER. (Silly Symphony, no. 16) 1931. 1 reel.

BIRDS OF A FEATHER. SEE Lonesome Luke in Birds of a Feather.

BIRDS OF PREY. 1927. 6 reels.

Credits: Director, William J. Craft; story, Dorothy Howell.

BIRDS OF PREY. 1931. 979 ft.

BIRDS OF PREY. 1938. 1 reel, sd.

BIRDS OF THE SEACOAST. 1931. 966 ft.

BIRDS OF THE SOUTHERN SEA COAST. 1913. 1 reel.

BIRTH AND EDUCATION OF A SEAL. Presented by Hancock Expeditions. 1935. 1 reel.

THE BIRTH OF A BABY. 1937. 7 reels, sd.

Credits: Producer, Jack H. Skirball; director, A. E. Christie; screen adaptation, Burke Symon, Arthur Jarrett; film editor, Sam Citron.

THE BIRTH OF A NATION. 1915. 12 reels. Based on the novel "The Clansman" by Thomas Dixon.

Credits: Director, David W. Griffith; scenario, D. W. Griffith, Frank E. Woods.

THE BIRTH OF A NEW AMERICA. 1934. 7 reels, sd.

Credits: Story and direction, Sidney B. Lust; narration, Alois Havrilla.

THE BIRTH OF A SOUL. 1920. 5 reels.

Credits: Director, Edwin L. Hollywood; adaptation, Arthur Edwin Krows.

THE BIRTH OF A TOOTHPICK. (A Walter Lantz Cartune) 1939. 1 reel, sd.

Credits: Director, Burt Gillett; story, Vic McLeod, Kin Platt; animation, Frank Tipper, LaVerne Harding.

Credits: Scenario, Henry Otto.

THE BIRTH OF JAZZ. (A Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by Geo. Herriman.

Credits: Ben Harrison; producer, Charles Mintz; musical score, Joe De Nat.

THE BIRTH OF OUR SAVIOUR. 1914. 1 reel.

Credits: Director, Charles J. Brabin; scenario, DeWitt L. Pelton.

THE BIRTH OF PATRIOTISM. 1917. 5 reels. From the story by I. A. R. Wylie.

Credits: Scenario and direction, E. Magnus Ingleton.

THE BIRTH OF THE EARTH. 1924. 1 reel.

Credits: Producer, D. W. Griffith; story arrangement, D. W. Griffith, Frank E. Woods; photography, William Bitzer.

THE BIRTH OF THE STAR SPANGLED BANNER. 1914. 2 reels.

Credits: J. W. Blake; director, George A. Lessey.

THE BIRTH OF WORDS. 1931. 1 reel.

BIRTHDAY. (Out of the Inkwell) 1922. 766 ft.

Credits: Director, Dave Fleischer; drawn by Max Fleischer.

BIRTHDAY BLUES. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Robert McGowan; editor, Richard Currier.

BIRTHDAY GREETINGS. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Gene Forde, Zion Myers; story, Edward P. Moran, J. Walter Ruben.

THE BIRTHDAY PARTY. (Mickey Mouse Cartoon, no. 10) 1931. 1 reel.

THE BIRTHDAY PARTY. (Oswald Rabbit) Snappy. 1937. 1 reel, sd.

Credits: Story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, Louis Zukor, George Dane.

A BIRTHDAY TANGLE. Century. 1920. 2 reels.

Credits: Written and directed by J. Davis.

THE BISHOP MISBEHAVES. 1935. 9 reels, sd., b&w. From the play by Frederick Jackson.

Credits: Producer, John Goldwyn; director, E. A. Dupont; screenplay, Leon Gordon; film editor, James E. Newcom; music score, Edward Ward.

THE BISHOP MURDER CASE. 1930. 9 reels, sd., b&w. From the book by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, Nick Grinde; adaptation, scenario and dialogue, Lenore J. Coffee; film editor, William Le Vanway.

THE BISHOP OF THE OZARKS. Released by Film Booking Offices of America. 1923. 6 reels. From the story by Melford W. Howard.

Credits: Production, direction and adaptation, Finis Fox.

THE BISHOP'S CANDLESTICKS. 1929. 2 reels. From an incident in "Les Miserables" by Victor Hugo.

Credits: Norman McKinnell.

Credits: Director, John B. O'Brien; adaptation, Frank S. Beresford.

BISKRA, THE BEAUTIFUL. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

BIT AND BRIDLE. (Sportscope, no. 6) 1938. 10 min., sd.

Credits: Frank R. Donovan; supervision. Frederic Ullman, Jr.; editor, Foster Travis; narrator, Andre Baruch.

A BIT O' HEAVEN. 1917. 5 reels. Adapted from the story "The Birds' Christmas Carol" by Kate Douglas Wiggin.

A BIT OF HEAVEN. Presented by Samuel Zierler. 1928. 7,000 ft.

Credits: Supervision, Burton King; director, Cliff Wheeler; story, Roland Kingston; scenario, Elsie Werner.

A BIT OF LACE. 1915. 3 reels.

A BIT OF LIFE IN JAVA. 1928. 1 reel.

Credits: Dept. of Anthropology, Harvard University.

A BIT OF SCOTCH. SEE Miss Kitty Doner in A Bit of Scotch.

A BIT OLD FASHIONED. 1921. 1 reel.

BITS OF AFRICA. (U. F. A. Oddity) 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

BITS OF AFRICA. (U. F. A. Oddity) U. F. A. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

BITS OF BRITTANY. Released by Harold Auten. 1936. 1 reel, sd.

BITS OF BROADWAY. (Metro Movietone Act) 1930. 1 reel, sd.

Credits: Director, Nick Grinde.

BITS OF LIFE. First National. Presented by Marshall Neilan. 1921. 6 reels. Adapted from stories by Hugh Wiley, Walter Trumbull, Thomas McMorrow and Marshall Neilan.

Credits: Director, Marshall Neilan, James Flood, William Scully; scenario, Lucita Squier.

BITS OF LIFE. 1939. 1 reel, sd.

Credits: Director, John P. McCarthy.

BITTER APPLES. 1927. 6 reels.

Credits: Story, Harold MacGrath; scenario and direction, Harry Hoyt.

BITTER FRIENDS. (Educational-Tuxedo Talking Comedies) 1930. 18 min., sd.

Credits: Production and supervision, Jack White; director, Stephen Roberts.

THE BITTER TEA OF GENERAL YEN. 1932. 9 reels. From the story by Grace Zaring Stone.

Credits: Director, Frank R. Capra; screenplay, Edward Paramore.

THE BITTER TRUTH. 1917. For the Fox Film Corp. 6 reels.

Credits: Director, Kenean Buel; story and scenario, Mary Murillo.

BITTERSWEET. 1916. 1 reel.

Credits: Director, Rollin S. Sturgeon.

BITTER SWEET. A British and Dominion Production. 1933. 10 reels, sd. Based on the operetta by Noel Coward.

Credits: Director, Herbert Wilcox; dialogue and lyrics, Noel Coward.

BITUMINOUS COAL. 1928. 1 reel.

BIXBY'S DILEMMA. 1915. 1 reel.

Credits: Director, Edmond Stratton.

BLACK. SEE Where Is My Father.

THE BLACK ACE. 1928. 6 reels.

Credits: Ford I. Beebe; director, Leo D. Maloney.

BLACK ACES. 1937. 6 reels, sd. From the novel by Stephen Payne.

Credits: Producer and director, Buck Jones; screenplay, Frances Guihan; film editor, Bernard Loftus.

BLACK AND BLUE EYES. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Producer, Joe Rock.

BLACK AND TAN. 1929. 2 reels, sd.

Credits: Supervision, Dick Currier; story and direction, Dudley Murphy; editor, Russell G. Shields.

BLACK AND WHITE. SEE Krazy Kat in Black and White.

THE BLACK AND WHITE SNOWBALL. 1915. 1 reel.

Credits: Director, Tefft Johnson.

BLACK ART. 1915. 400 ft.

THE BLACK BAG. 1922. 5 reels. From the story by Louis Joseph Vance.

Credits: Director, Stuart Paton; scenario, George Hively.

THE BLACK BANDIT. 1938. 6 reels, sd.

Credits: Producer, Trem Carr; director, George Waggner; original story and screenplay, Joseph West; music director, Frank Sanucci.

BLACK BEACH. SEE The Love Flower.

BLACK BEAUTY. 1921. 7 reels. From the novel by Anna Sewell.

Credits: Director, David Smith; adapted and edited by Mr. and Mrs. George Randolph Chester.

BLACK BEAUTY. 1933. 7 reels, sd. From the novel by Anna Sewell.

Credits: Producer, I. E. Chadwick; director, Phil Rosen; screenplay and adaptation, Charles Logue; editor, Carl Pearson.

BLACK BEAUTY. SEE Your Obedient Servant.

THE BLACK BOOK. 1929. 2 reels each. © Pathe Exchange, Inc.

Credits: Joseph Anthony Roach; directors, Spencer Gordon Bennet, Thomas L. Storey.

1. The Secret of the Vault. © 2Aug29; LP645.

2. The Death Rail. © 7Aug29; LP646.

3. A Shot in the Night. © 4Sep29; LP692.

4. The Danger Sign. © 7Sep29; LP693.

5. The Flaming Trap. © 10Sep29; LP694.

6. The Black Dam. © 10Sep29; LP710.

7. The Fatal Hour. © 14Sep29; LP698.

8. The Mystery Mill. © 18Sep29; LP711.

9. The Assassin Strikes. © 4Sep29; LP731.

10. Out of the Shadows. © 8Sep29; LP732.

THE BLACK BOX. 1915. 2 reels each. Based on the novel by E. Phillips Oppenheim. © Universal Film Mfg. Co., Inc.

Credits: Written and produced by Otis Turner.

1. The Apartment House Case. © 1Mar15; LP4538.

2. The Hidden Hands. © 4Mar15; LP4602.

3. The Pocket Wireless. © 16Mar15; LP4735.

4. An Old Grudge. © 19Mar15; LP4762.

5. © 29Mar15; LP4866.

6. © 5Apr15; LP4934.

7. The House of Mystery. © 12Apr15; LP5001.

8. The Inherited Sin. © 20Apr15; LP5078.

9. Lost in London. © 24Apr15; LP5122.

10. The Ship of Horror. © 28Apr15; LP5161.

11. A Desert Vengeance. © 10May15; LP5257.

12. Neath Iron Wheels. © 18May15; LP5327.

13. Tongues of Flame. © 22May15; LP5372.

14. A Bolt from the Blue. © 1Jun15; LP5452.

15. © 8Jun15; LP5493.

BLACK BUTTERFLIES. Presented by A. Carlos. 1928. 7 reels. From the novel by Elizabeth Jordan.

Credits: Producer, A. Carlos; director, James W. Horne; adaptation and continuity, Henry McCarty.

THE BLACK BUTTERFLY. 1916. 5 reels.

Credits: Directors, Burton L. King, L. Case Russell; story and scenario, Mme. Petrova, L. Case Russell.

BLACK BUTTES. SEE Hopalong Rides Again.

BLACK CAESAR'S CLAN. SEE Sunken Silver.

THE BLACK CAMEL. 1931. 6,560 ft.

Credits: Associate producer, William Sistrom; director, Hamilton MacFadden; original story, Earl Derr Biggers; screenplay and dialogue, Barry Conners, Philip Klein; adaptation, Hugh Stange; editor, Al. DeGaetano.

THE BLACK CAT, 1934. 7 reels. Suggested by the story by Edgar Allan Poe.

Credits: Director, Edgar G. Ulmer; story, Edgar G. Ulmer, Peter Ruric; screenplay, Peter Ruric.

Credits: Scenario, Giles R. Warren.

THE BLACK COUNTESS. 1913. 3 reels.

THE BLACK DIAMOND. (Blue Flame Series) 1915. 1 reel.

Credits: Director, Edward J. LeSaint.

THE BLACK DIAMOND EXPRESS. 1927. 7 reels.

Credits: Mark Canfield; director, Howard Bretherton; screenplay, Harvey Gates.

THE BLACK DOLL. 1938. 7 reels. From the novel by William Edward Hayes.

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Harold Buckley.

THE BLACK DUCK. 1929. 1 reel.

Credits: Paul Terry.

BLACK EAGLE. 1915. 1,000 ft.

Credits: George D. Parker.

BLACK EVIDENCE. Imp. 1917. 1 reel.

Credits: Written and directed by John McDermott.

BLACK EYES. 1915. 1,000 ft.

Credits: Lee Arthur; director, Will Louis.

BLACK FEAR. Rolfe Photoplays, Inc. 1915. 5 reels.

Credits: Director, John W. Noble.

BLACK FRIDAY. Red Feather. 1916. 5 reels. From the book by Frederic S. Isham.

Credits: Producer, Lloyd B. Carleton; adaptation, E. M. Ingleton.

BLACK FURY. Presented by First National Productions Corp. and The Vitaphone Corp. 1935. 10 reels, sd. From the story "Jan Volkanik" by Judge M. A. Musmanno and the play "Bohunk" by Harry R. Irving.

Credits: Director, Michael Curtez; screenplay, Abem Finkel, Carl Erickson.

THE BLACK GANG. SEE The Return of Bulldog Drummond.

THE BLACK GATE. 1919. 5 reels.

Credits: Director, Theodore Marston; story, Hilliard Booth; scenario, Lucien Hubbard.

BLACK GOLD-BRICKS. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard Smith.

THE BLACK HAND. Rolma Films, Inc. 1917. 1 reel.

Credits: T. J. Carrigan; director, William Quirk; scenario, June Mathis.

THE BLACK HORSE BANDIT. 1919. 2 reels.

Credits: Director, Harry Harvey; scenario, George Hively.

BLACK IS WHITE. 1919. 5 reels.

Credits: Director, Charles Giblyn; story, George Barr McCutcheon; adaptation, E. Magnus Ingleton.

BLACKJACK. 1927. 5 reels, b&w.

Credits: Director, Orville Dull; story, Johnston McCulley; scenario, Harold Shumate.

BLACK LEGION. 1936. 10 reels, sd.

Credits: Director, Archie L. Mayo; story, Robert Lord; screenplay, Abem Finkel, William Wister Haines.

THE BLACK LEOPARD. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; scenario, Wallace C. Clifton.

BLACK LIGHTNING. 1924. 6 reels.

Credits: Director, James P. Hogan; story, Frank F. Davis; adaptation, Dorothy Howell.

BLACK MAGIC. Victor. 1917. 3/4 reel.

BLACK MAGIC. 1929. 7 reels.

Credits: Produced and directed by George Seitz; story, Walter Archer Frost, Paul Dickey; adaptation and scenario, Beulah Marie Dix.

THE BLACK MANTILLA. Gold Seal. 1917. 3 reels.

Credits: Written and directed by Ruth Ann Baldwin.

BLACK MARRIAGE. SEE Her Man o' War.

BLACK MOON. 1934. 7 reel, sd.

Credits: Associate producer, Everett Riskin; director, Roy Williams Neill; story, Clements Ripley; screenplay, Wells Root.

BLACK NARCISSUS. 1929. 2 reels, sd. From "Wildcat" stories by Hugh Wiley.

Credits: Producer, Monte Brice; director, Paul Powell; adaptation, Sidney Lazarus.

THE BLACK NETWORK. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos.

THE BLACK NINE. Special Victor. 1917. 1 reel.

Credits: Written and produced by Billy Mason.

THE BLACK ORCHID. 1916. 3 reels.

Credits: Director, T. N. Heffron.

BLACK ORCHIDS. 1916. 5 reels.

Credits: Written and directed by Rex Ingram.

BLACK OXEN. Presented by Frank Lloyd Productions, Inc. 1923. 8 reels. Based on the novel by Gertrude Atherton.

Credits: Director, Frank Lloyd.

Credits: Story, Ethel Donoher; adaptation, Philip Bartholomae.

BLACK PARADISE. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, R. William Neill; story and scenario, L. G. Rigby.

BLACK PAWL. SEE Godless Men.

THE BLACK PEARL. Imp. 1915. 2 reels.

Credits: Written and produced by Stuart Paton.

THE BLACK PIRATE. 1926. 11 reels. From the story by Elton Thomas [pseud.]

Credits: Adaptation, Jack Cunningham.

THE BLACK RIDER. SEE The Cavalier.

THE BLACK ROOM. 1935. 7 reels, sd.

Credits: Director, Roy William Neill; story, Arthur Strawn; screenplay, Henry Myers, Arthur Strawn; film editor, Richard Cahoon.

BLACK ROSES. 1921. 6 reels.

Credits: Scenario and photoplay, E. Richard Schayer.

Credits: Director, George B. Seitz; scenario, Bertram Milhauser.

1. The Great Secret. © title, descr. & 60 prints, 23Aug19; LU14095.

2. Marked for Death. © title, descr. & 40 prints, 23Aug19; LU14096.

3. The Gas Chamber. © title, descr. & 40 prints, 23Aug19; LU14097.

4. © title, descr. & 40 prints, 23Aug19; LU14098.

5. © title, descr. & 40 prints, 23Aug19; LU14099.

6. © title, descr. & 40 prints, 23Aug19; LU14100.

7. The Betrayal. © title, descr. & 40 prints, 22Jul19; LU13978.

8. A Crippled Hand. © title, descr. & 40 prints, 15Jul19; LU13946.

9. Woes of Deceit. © title, descr. & 40 prints, 15Jul19; LU13947.

10. The Inn of Dread. © title, descr. & 40 prints, 15Jul19; LU13948.

11. The Death Studio. © title, descr. & 40 prints, 22Jul19; LU13979.

12. The Chance Trail. © title, descr. & 38 prints, 22Jul19; LU13980.

13. © title, descr. & 40 prints, 4Aug19; LU14027.

14. © title, descr. & 40 prints, 23Aug19; LU14101.

15. © title, descr. & 39 prints, 23Aug19; LU14102.

BLACK SHADOWS. 1920. 5 Reels.

Credits: Director, Howard M. Mitchell; story, Natalie S. Lincoln; scenario, J. Anthony Roach.

BLACK SHEEP. 1915. 2 reels.

A BLACK SHEEP. 1915. 5 reels.

Credits: Director, T. N. Heffron.

THE BLACK SHEEP. (A Scrappy Cartoon) 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

THE BLACK SHEEP. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1934. 514 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

BLACK SHEEP. 1935. 6,850 ft., sd.

Credits: Story and direction, Allan Dwan; screenplay, Allen Rivkin; music director, Samuel Kaylin.

BLACK SHEEP. SEE Guilty.

THE BLACK SHEEP OF THE FAMILY. Red Feather. 1916. 5 reels.

Credits: Frank M. Wiltermood, Jay Hunt; director, Jay Hunt.

THE BLACK SPIDER. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

BLACK-STEMMED CHERRIES. SEE Storm at Daybreak.

THE BLACK WALLET. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE BLACK WATCH. 1929. 10 reels.

Credits: Director, John Ford; story, Talbot Mundy; scenario, John Stone.

BLACK WATERS. 1930. 8 reels, sd.

Credits: John Willard; director, Marshall Neilan.

THE BLACK WIDOW. (William J. Burns Detective Mysteries) 1931. 11 min., sd.

Credits: Story, adaptation and dialogue, Russell Matson.

THE BLACK WOLF. 1917. 5 reels. From the story by Jean Barrymore.

Credits: Margaret Turnbull; producer, Frank Reicher.

THE BLACK BIRD. 1926. 7 reels.

Credits: Direction and story, Tod Browning; scenario, Waldemar Young; film editor, Errol Taggart.

BLACKBIRDS. 1920. 5 reels.

Credits: Harry James Smith; director, Jack Dillon; scenario, Clara Beranger.

BLACKBOARD & BLACKMAIL. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

THE BLACKFEET INDIANS IN GLACIER NATIONAL PARK. 1917. 1/2 reel.

BLACKIE'S REDEMPTION. 1919. 5 reels. From the Red Book Magazine stories "Boston Blackie's Mary" and "Fred the Count" by Jack Boyle.

Credits: Producer, Maxwell Karger; director, John Ince; scenario, Finis Fox.

A BLACKJACK BARGAINER. SEE A Splendid Scapegrace.

BLACKMAIL. Metro-Drew. 1917. 1 reel.

Credits: Epes Winthrop Sargent; producer, Sidney Drew.

BLACKMAIL. 1920. 6 reels. From the Saturday Evening Post story by Lucia Chamberlain.

Credits: Director, Dallas M. Fitzgerald; scenario, Albert Shelby LeVino.

BLACKMAIL. 1930. 8 reels, sd. From the play by Charles Bennett.

Credits: Directed and adapted by Alfred Hitchcock.

BLACKMAIL. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, John W. Considine, Jr.; director, H. C. Potter; story, Endre Bohem, Dorothy Yost; screenplay, David Hertz, William Ludwig; film editor, Howard O'Neill; music score, Edward Ward, David Snell.

BLACKMAIL IN A HOSPITAL. 1915. 1 reel.

THE BLACKMAILER. Laemmle. 1916. 1 reel.

Credits: Producer, Rupert Julian; story, R. Sabatini; scenario, Calder Johnstone.

THE BLACKMAILER. 1936. 7 reels.

Credits: Director, Gordon Wiles; screenplay, Joseph Krumgold, Lee Loeb, Harold Buchman; film editor, Al Clark.

BLACK'S MYSTERIOUS BOX and HICKS IN NIGHTMARELAND. (Animated Grouch Chaser) 1915. 600 ft.

Credits: Raoul Barre.

THE BLACKSMITH. Presented by Joseph M. Schenck. 1922. 2 reels, wash amber.

Credits: Written and directed by Buster Keaton and Mae St. Clair.

BLACKSMITH BEN. 1914. 1 reel.

THE BLACKSMITHS OFFER: A. ANVIL CHORUS [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

BLACKWELL'S ISLAND. First National. 1939. 8 reels, sd.

Credits: Director, William McGann; original story, Crane Wilbur, Lee Katz; screenplay, Crane Wilbur.

BLADE O' GRASS. 1915. 3,000 ft.

Credits: William Addison Lathrop; director, Burton George.

THE BLADE OF FAME. 1937. For J. I. Case Co. Filmstrip.

BLAKE OF SCOTLAND YARD. 1927. 2 reels each. © Universal Pictures Corp.

Credits: Written and directed by Robert F. Hill; adaptation, William Lord Wright.

1. The Castle of Fear. © 30Jun27; LP24139.

2. The Spider's Web. © 7Jul27; LP24167.

3. The Vanishing Heiress. © 12Jul27; LP24176.

4. The Room without a Door. © 30Jul27; LP24263.

5. Shots in the Dark. © 5Aug27; LP24271.

6. Ambushed. © 11Aug27; LP24300.

7. The Secret of the Cabin. © 18Aug27; LP24323.

8. Into the Web. © 30Aug27; LP24352.

9. The Baited Trap. © 30Aug27; LP24353.

10. The Lady in White. 10Sep27; LP24423.

11. The Closing Web. © 15Sep27; LP24424.

12. The Final Reckoning. © 21Sep27; LP24445.

BLAMED FOR A BLONDE. (Radio Flash, no. 1) 1939. 16 min., sd.

Credits: Producer, Bert Gilroy; director, Lou Brock; story, Stanley Rauh, Lou Brock; film editor, Les Millbrook.

BLAMING THE DUCK; or, DUCKING THE BLAME. 1915. 1 reel.

Credits: Producer, Earl Metcalfe.

BLANCHE SWEET IN ALWAYS FAITHFUL. 1929. 1 reel.

THE BLANK PAGE. Imp. 1915. 1 reel.

Credits: Ruth Ann Baldwin; producer, Lucius Henderson.

BLANKETING THE FIELD. 1930. 1 reel.

BLARNEY. 1926. 6 reels.

Credits: Director, Marcel De Sano; story, Donn Byrne; scenario, Marcel De Sano, Albert Lewin; titles, Joe Farnham; film editor, Lloyd Nosler.

THE BLASPHEMER. 1921. 7 reels.

Credits: Story, scenario and direction, O. E. Goebel.

A BLASTED EVENT. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Al Goulding; story, Leslie Goodwins, Norman Markwell; film editor, Edward Mann.

BLASTED HOPES. (Edmund Cobb, no. 5) 1924. 5 reels.

Credits: Director, Arthur Rosson; story, Daniel F. Whitcomb.

BLAU WEISSE STEINE. SEE Blue White Stones.

DIE BLAUE KÜSTE. SEE Monte Carlo.

BLAZE DERRINGER. SEE American Pluck.

BLAZE O' GLORY. SEE Sombras de Gloria.

A BLAZE OF GLORY. 1928. 1 reel.

Credits: Paul Terry and Mannie Davis.

BLAZING AWAY. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

BLAZING BARRIERS. 1937. 8 reels, sd.

Credits: Associate producer, Ken Goldsmith; director, Aubrey Scotto; original story and screenplay, Edwin C. Parsons; film editor, Russell Schoengarth.

BLAZING BARRIERS. SEE Jacqueline.

BLAZING DAYS. (Blue Streak Western) 1927. 5 reels.

Credits: Director, William Wyler; story, Florence Ryerson.

BLAZING LOVE. 1916. 6 reels.

Credits: Mary Murillo; producer, Keenan Buel.

THE BLAZING SECRET. Imp. 1917. 1 reel.

BLAZING SIXES. 1937. 6 reels, sd.

Credits: Director, Noel Smith; original story, Anthony Coldeway; screenplay, John T. Neville; music and lyrics, M. K. Jerome, Jack Scholl.

BLAZING THE WAY. 1920. 2 reels.

Credits: Written and produced by George H. Webster.

THE BLAZING TRAIL. 1921. 5 reels.

Credits: Producer, Robert Thornby; story, Izola Forrester, Mann Page; scenario, Lucien Hubbard.

THE BLEEDERS. SEE The Beauty Market.

Credits: Written, directed and produced by N. S. Minolfi.

BLESS THE LADIES. (Slim Summerville Comedy) 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, Sidney Levee.

BLESS YOU SISTER. SEE The Miracle Woman.

BLESSED EVENT. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 9 reels. Based on the play by Manuel Seff and Forrest Wilson.

Credits: Director, Roy Del Ruth; screenplay, Howard Green.

THE BLESSED MIRACLE. 1915. 3,000 ft.

THE BLIMP MYSTERY. 1930. 2 reels, sd.

Credits: Director, Sig Neufeld; story, Harry Fraser.

THE BLIND ADVENTURE. 1917. 5 reels. From the story "The Agony Column" by Earl Derr Biggers.

Credits: Director, Wesley H. Ruggles; adaptation, George H. Plympton.

BLIND ADVENTURE. 1933. 7 reels, sd.

Credits: Ruth Rose; associate producer, David Lewis; director, Ernest B. Schoedsack; editor, Ted Cheesman; music director, Max Steiner.

BLIND ALIBI. 1938. 7 reels, sd.

Credits: Producer, Cliff Reid; director, Lew Landers; original story, William Joyce Cowan; screenplay, Lionel Houser, Harry Segall, Ron Ferguson; editor Ted Cheesman.

BLIND ALLEY. 1939. 8 reels, sd. From a play by James Warwick.

Credits: Director, Charles Vidor; screenplay, Philip MacDonald, Michael Blankfort, Albert Duffy; film editor, Otto Meyer; music director, M. W. Stoloff.

BLIND ALLEYS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,597 ft.

Credits: Producer and director, Frank Tuttle; story, Owen Davis; screenplay, Emmet Crozier.

A BLIND BARGAIN. 1922. 5 reels. Adapted from the story "The Octave of Claudius" by Barry Pain.

Credits: Director, J. B. Hawkes; scenario, J. G. Hawks.

BLIND CHANCE. 1920. 2 reels.

Credits: Director, Edward Kull; story, Hugh J. Mee; scenario, Philip Hubbard.

BLIND DATE. 1934. 8 reels, sd. Based on the novel by Vida Hurst.

Credits: Director, Roy William Neill; screenplay, Ethel Hill; film editor, Gene Havlick.

THE BLIND FIDDLER. 1914. 1 reel.

Credits: George MacMullan; director, Richard R. Ridgely.

THE BLIND FIDDLER. 1917. 1 reel.

BLIND FURY. Laemmle. 1915. 1 reel.

Credits: Producer, Leon D. Kent; scenario, G. E. Jenks, Leon D. Kent.

THE BLIND GODDESS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels. From the novel by Arthur Train.

Credits: Producer and director, Victor Fleming; screenplay, Hope Loring, Louis Duryea Lighton.

BLIND HEARTS. 1921. 6 reels.

Credits: Emilie Johnson; director, Rowland V. Lee; scenario, Joseph Franklin Poland.

BLIND HUSBANDS. 1919. 8 reels. From the story "The Pinnacle" by Erich Von Stroheim.

Credits: Adaptation, scenario, and direction, Erich Stroheim; editors, Frank Laurence, Eleanor Fried.

BLIND JUSTICE. 1915. 3 reels.

BLIND JUSTICE. SEE The Last Hour.

Credits: Screenplay, M. B. Havey.

BLIND MAN'S BLUFF. Imp. 1916. 2 reels.

Credits: Harry Solter; producer, Matt Moore.

BLIND MAN'S BLUFF. (Western Featurette) (North West Mounted Police Series) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Henry Gooden.

THE BLIND MAN'S EYES. 1919. 5 reels. From the novel by William McHarg and Edwin Balmer.

Credits: Director-General, Maxwell Karger; director, John Ince; scenario, June Mathis.

BLIND MAN'S HOLIDAY. 1917. 4 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Katharine Reed.

BLIND MICE. SEE Working Girls.

A BLIND PIG. 1918. 2 reels.

Credits: Director, James Davis.

Credits: Director-General, Louis M. Allalre; assembled, edited and adapted by David G. Fischer.

BLIND TRAILS. SEE The Wild Horse Stampede.

BLIND WIVES. 1920. 9 reels. From the play "My Lady's Dress" by Edward Knoblock.

Credits: Scenario and direction, Charles J. Brabin.

BLIND YOUTH. 1920. 6 reels.

Credits: Director, Edward Sloman; story, Lou Tellegen, Willard Mack; adaptation, Katharine Reed.

BLINDFOLD. 1928. 6 reels, b&w.

Credits: Director, Charles Klein; story, Charles Francis Coe; screenplay, Ewart Adamson, Robert Horwood.

BLINDFOLDED. 1915. 2 reels.

Credits: Edward T. Lowe, Jr.

THE BLINDING TRAIL. 1919. 6 reels.

Credits: Scenario and direction, Paul Powell; story, Stuart Paton, John Clymer.

BLINDNESS. SEE Eyes of the Heart.

THE BLINDNESS OF DEVOTION. 1915. 5 reels.

Credits: Written and produced by J. Gordon Edwards.

THE BLINDNESS OF DIVORCE. 1918. 6 reels.

Credits: Directed and written by Frank Lloyd.

THE BLINDNESS OF LOVE. Rolfe Photoplays, Inc. 1916. 5 reels.

THE BLINDNESS OF VIRTUE. 1915. 6 reels.

Credits: Cosmo Hamilton.

BLINKY. 1923. 6 reels. Adapted from the story by Gene Markey.

Credits: Direction and scenario, Edward Sedgwick.

BLINKY. SEE Range Courage.

THE BLISS OF IGNORANCE. SEE Don't Let Mother Know.

A BLISSFUL CALAMITY. Victor. 1917. 2 reels.

Credits: James Douglas; director, T. N. Heffron.

THE BLIZZARD. 1921. 2 reels.

Credits: Story and direction, Jess Robbins.

THE BLIZZARD. A. B. Svensk Filmindustri, Stockholm. 1923. 7 reels. From the novel by Selma Lagerlof.

Credits: Director, Mauritz Stiller.

THE BLOCK SIGNAL. Gotham. Presented by Sam Sax. 1926. 6 reels.

Credits: Supervision, Renaud Hoffman; written and directed by Frank O'Connor; story, F. O. Crawford; continuity, Edward J. Meagher.

BLOCKADE. 1928. 7 reels.

Credits: Director, George B. Seitz; story, Louis Sareck; screenplay, Harvey Thew; adaptation, John Stuart Twist; film editor, Archie Marshek.

BLOCKADE. Released through United Artists. 1938. 9 reels, sd.

Credits: Director, William Dieterle; screenplay, John Howard Lawson; film editors, Otho Lovering, Dorothy Spencer; music, Werner Janssen; music director, Boris Morros.

BLOCK HEADS. (Hal Roach Feature Comedy) 1938. 6 reels, sd., b&w.

Credits: Associate producer, Hal Roach; director, John G. Blystone; original story and screenplay, Charles Rogers, Felix Adler, James Parrott, Harry Langdon, Arnold Belgard; film editor, Bert Jordan; music director, Marvin Hatley.

BLOCKS AND TACKLES. (A Sports Champion Picture) 1932. 904 ft.

Credits: Director, Ray McCarey; explanatory remarks by Pete Smith.

BLOND CHEAT. 1938. 7 reels, sd.

Credits: Producer, William Sistrom; director, Joseph Santley; original story, Aladar Lazlo; screenplay, Charles Kaufman, Paul Yawitz, Viola Brothers Shore, Harry Segall; editor, Jack Hively; music director, Roy Webb.

BLONDE BABY. SEE Three Wise Girls.

THE BLONDE BOMBER. (Broadway Brevity) 1936. 20 min., sd. Based on characters created by Ham Fisher.

Credits: Director, Lloyd French; story, Jack Henley, A. Dorian Otvos, Eddie Forman.

THE BLONDE CAPTIVE. 1931. 6 reels.

Credits: Narration, Lowell Thomas.

BLONDE CRAZY. 1931. 75 min., sd.

Credits: Director, Roy Del Ruth; story, Kubec Glasmon, John Bright.

A BLONDE FOR A NIGHT. De Mille Studio Production. 1928. 6 reels.

Credits: Supervision, F. McGrew Willis; director, E. Mason Hopper; story, Wilson Collison; screenplay, F. McGrew Willis, Rex Taylor; film editor, James Morley.

THE BLONDE LADY. SEE La Dame Blonde.

BLONDE OR BRUNETTE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the play "An Angel Passes" by Jacques Bousquet and Henri Falk.

Credits: Director, Richard Rosson; adaptation and screenplay, John McDermott.

BLONDE PRESSURE. (A Bed-Time Story for Grown-ups) 1931. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, Claude Binyon; film editor, William Lyon.

THE BLONDE SAINT. Presented by Samuel E. Rock. 1926. 7 reels. From the novel "The Isle of Life" by Stephen French Whitman.

Credits: Production and adaptation, Marion Fairfax; director, Svend Gade.

BLONDE TROUBLE. Presented by Adolph Zukor. 1937. 7 reels, sd. From the play "June Moon" by Ring Lardner and George S. Kaufman.

Credits: Director, George Archainbaud; screenplay, Lillie Hayward; film editor, Arthur Schmidt.

THE BLONDE VAMPIRE. 1922. 6 reels.

Credits: Director, Wray Physioc.

BLONDE VENUS. 1932. 10 reels.

Credits: S. K. Lauren, Jules Furthman; producer and director, Josef von Sternberg.

BLONDES AT WORK. 1937. 6 reels.

Credits: Director, Frank McDonald; original screenplay, Albert DeMond.

BLONDES BEWARE. (Tuxedo Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog; producer, Jack White.

BLONDES BY CHOICE. Presented by Sam Sax. 1927. 6 reels.

Credits: Supervision, Samuel Bischoff; director, Hampton Del Ruth; story and continuity, Josephine Quirk; editor, Edith Wakeling.

BLONDES BY PROXY. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Edgar Kennedy; story, Ewart Adamson; film editor, Walter Thompson.

BLONDES PREFER BONDS. (Louise Fazenda Series, no. 6) 1931. 2 reels.

Credits: Director, Lewis R. Foster; story and dialogue, Lewis R. Foster, E. V. Durling.

BLONDIE. 1938. 8 reels, sd. Based on the comic strip by Chic Young.

Credits: Director, Frank R. Strayer; screenplay, Richard Flournoy; film editor, Gene Havlick; music director, M. Stoloff.

BLONDIE BRINGS UP BABY. 1939. 7 reels, sd.

Credits: Director, Frank R. Strayer; story, Robert Chapin, Karen DeWolf, Richard Flournoy; screenplay, Gladys Lehman, Richard Flournoy; film editor. Otto Meyer; music director, M. W. Stoloff.

BLONDIE JOHNSON. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 67 min., sd.

Credits: Director, Ray Enright; dialogue director, Stanley Logan; story and screenplay, Earl Baldwin; film editor, George Marks.

BLONDIE MEETS THE BOSS. 1939. 8 reels, sd. Based on the comic strip created by Chic Young.

Credits: Director, Frank R. Strayer; story, Kay Van Riper, Richard Flournoy; film editor, Gene Havlick.

BLONDIE OF THE FOLLIES. 1932. 9 reels, sd.

Credits: Producer, Marion Davies; director, Edmund Goulding; story, Frances Marion; dialogue, Anita Loos; film editor, George Hively.

BLONDIE TAKES A VACATION. 1939. 7 reels, sd. Based on the comic strip created by Chic Young.

Credits: Director, Frank R. Strayer; story, Karen De Wolf, Robert Chapin, Richard Flournoy; screenplay, Richard Flournoy; film editor, Viola Lawrence; music director, M. W. Stoloff.

THE BLOOD. (Eastman Classroom Films. Health Series—Physiology) 1929. Made in Cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 1 reel.

BLOOD AND SAND. 1922. 8 reels. From the novel by Vincent Blasco Ibanez and the play by Tom Cushing.

Credits: Director, Fred Niblo; adaptation, June Mathis.

BLOOD AND STEEL. Presented by Jesse J. Goldburg. 1925. 5 reels.

Credits: Producer and director, J. P. McGowan; supervision, Jesse J. Goldburg; story, George Plympton; editor, Betty Davis.

BLOOD AND THUNDER. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

BLOOD HERITAGE. Imp. 1915. 3 reels.

Credits: William H. Lippert; producer, Brinsley Shaw.

BLOOD MONEY. Bison. 1916. 2 reels.

Credits: Harry Carey; director, Fred A. Kelsey.

BLOOD MONEY. Presented by Joseph M. Schenck and Darryl F. Zanuck. Released by United Artists. 1933. 7 reels, sd.

Credits: Written and directed by Rowland Brown; continuity, Hal Long; film editor, Lloyd Nosler; musical director, Alfred Newman.

THE BLOOD OF HIS BROTHER. Bison. 1915. 2 reels.

Credits: Scenario and production by Henry McRae.

THE BLOOD OF THE CHILDREN. Gold Seal. 1915. 2 reels.

Credits: Producer, Henry McRae; scenario, Bess Meredyth.

THE BLOOD OF THE TREVORS. SEE Heredity.

THE BLOOD RUBY. 1914. 2 reels.

Credits: Directors, Costello & Gaillard.

THE BLOOD SEEDLING. 1915. 3 reels. From the story by John Hay.

Credits: Director, Thomas Santschi.

THE BLOOD SHIP. 1927. 8 reels.

Credits: Story, Norman Springer.

THE BLOOD-STAINED HAND. Special Laemmle. 1917. 1 reel.

BLOOD WILL TELL. Rolin Films, Inc. 1917. 1 reel.

Credits: Director, William Quirk; story, A. T. Stillman.

BLOOD WILL TELL. 1927. 5 reels.

Credits: Director, Ray Flynn; story, Adele Buffington; scenario, Paul Gangelin.

THE BLOOD YOKE. 1915. 2 reels.

Credits: Producer, E. J. Le Saint; story, Catherine Henry.

THE BLOODHOUND. Presented by Jesse Goldberg. 1925. 5 reels.

Credits: Director, William Craft; story, H. H. Van Loan; continuity, Adele S. Buffington.

BLOODHOUNDS OF THE NORTH. Big U. 1917. 2 reels.

THE BLOOMING ANGEL. 1919. 5 reels.

Credits: Director, Victor Schertzinger; story, Wallace Irwin.

BLOSSOM SEELEY AND BENNIE FIELDS WITH THE MUSIC BOXES, CHAS. BOURNE AND PHIL ELLIS OFFERING: A. ALL THE STARS ARE SHINING [and others]. 1927. 1 reel.

BLOSSOMS ON BROADWAY. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer, B. P. Schulberg; director, Richard Wallace; screenplay, Theodore Reeves; music director, Boris Marros.

THE BLOT. 1921. 7 reels.

Credits: Written and directed by Lois Weber.

BLOTTO. (Hal Roach Comedy) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James Parrott; story, Leo McCarey; film editor, Richard Currier.

BLOW BY BLOW. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, James Parrott; titles, H. M. Walker; editor, Richard Currier.

BLOW FOR BLOW. 1915. 2 reels.

BLOW ME DOWN. (Popeye) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, William Sturm.

THE BLOW-OUT. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

THE BLOW-OUT. (Looney Tunes) 1936. 7 min., sd.

Credits: Producer, Leon Schlesinger; animation, Charles Jones and Sidney Sutherland; music, Bernard Brown.

BLOWOUTS TAKE NO HOLIDAY. Presented by Goodrich. 1938. 1 reel, sd.

BLOW YOUR OWN HORN. Released by Film Booking Offices of America. 1923. 6 reels. From the play by Owen Davis.

Credits: Director, James Wesley Horne; adaptation, Joseph Dubray.

BLOWN INTO CUSTODY. 1915. Split reel.

BLOWS AND DYNAMITE. 1924. 2 reels.

Credits: Director, Albert Ray.

THE BLUE AND THE GRAY. 1935. 1 reel, sd.

Credits: Narrative by John B. Kennedy; editor, Bert Frank.

THE BLUE ANGEL. 1931. 8,848 ft., sd. From a novel by Heinrich Mann.

Credits: Producer, Erich Pommer; director, Josef von Sternberg; adaptation, Carl Zuckmayer, Karl Vollmoller, Robert Liebmann.

BLUE BARRON AND HIS ORCHESTRA. 1938. 1 reel, sd.

Credits: Director, Joseph Henabery.

BLUE BLACK. (A Fistical Culture Comedy) 1927. 2 reels.

Credits: Director, Albert Herman; story, William Henry Cook.

BLUE BLACKBIRDS. 1933. 20 min., sd.

Credits: Director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson.

BLUE BLAZES. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Joseph Franz; story, Frank C. Robertson; screen adaptation, Frank Beresford.

BLUE BLAZES. (An Educational Top Notch Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, Raymond Kane; story, David Freedman.

BLUE BLAZES RAWDEN. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: J. G. Hawks; director, William S. Hart.

BLUE BLOOD. 1925. 2 reels.

Credits: Director, Noel Smith.

THE BLUE BLOOD. 1925. 6 reels. From the story "American Aristocracy" by Frank H. Clark.

Credits: Director, Scott R. Dunlop.

BLUE BLOOD AND RED. 1916. For Fox Film Corp. 5 reels.

Credits: Written and produced by R. A. Walsh.

BLUE BLOOD AND YELLOW BACKS. L-Ko. 1915. 2 reels.

BLUE BLOOD BUT BLACK SKIN. 1916. 2 reels.

THE BLUE BOTTLE. Presented by Mansfeld Productions. 1928. 2 reels.

Credits: Director, Jim R. Williams; story, Carl L. Wedekind.

THE BLUE BOY. 1926. 2 reels.

Credits: Written and directed by Arthur Maude.

THE BLUE COYOTE CHERRY CROP. 1914. 1 reel.

Credits: C. W. L. Ennis; director, Ashley Miller.

THE BLUE DANUBE. De Mille Pictures Corp. 1928. 7 reels.

Credits: Director, Paul Sloane; story, John Farrow; adaptation and continuity, Harry Carr, Paul Sloane; film editor, Margaret Darrell.

BLUE DANUBE. 1934. 7 reels, sd.

Credits: Director, Herbert Wilcox.

THE BLUE DANUBE WALTZ. Symphonie Films, Inc. 1939. 1 reel, sd. From the music by Johann Strauss.

Credits: Conducted and directed by Frederick Feher.

THE BLUE EAGLE. 1926. 7 reels, b&w, tinted sequences. Based on the story "The Lord's Referee" by Gerald Beaumont.

Credits: Director, John Ford; scenario, L. G. Rigby.

THE BLUE ENVELOPE MYSTERY. 1916. 5 reels. From the book "The Blue Envelope" by Sophie Kerr.

Credits: Producer, Wilfred North; picturized by A. Van Buren Powell.

BLUE-EYED MARY. 1918. For the Fox Film Corp. 5 reels.

Credits: Director, Harry Millarde; story, Frances Crowley; scenario, Adrian Johnson.

THE BLUE FLAME. 1914. 2 reels.

Credits: Producer, Edw. J. LeSaint.

THE BLUE FOX. 1921. 2 reels each.

Credits: Hope Loring, Joe Brandt; director, Duke Worne.

1. The Message of Hate. © 8Jul21; LP16764.

2. The Menace from the Sky. © 14Jul21; LP16765.

3. The Mysterious Prisoner. © 25Jul21; LP16799.

4. A Perilous Ride. © 25Jul21; LP16800.

5. A Woman's Wit. © 25Jul21; LP16801.

6. A Night of Terror. © 25Jul21; LP16802.

7. Washed Ashore. © 25Jul21; LP16803.

8. A Perilous Leap. © 25Jul21; LP16804.

9. Lost Identity. © 25Jul21; LP16805.

10. In Close Pursuit. © 2Aug21; LP16826.

11. The Wilds of Alaska. © 2Aug21; LP16827.

12. The Camp of the Charkas. © 2Aug21; LP16828.

13. The Secret Skull. © 2Aug21; LP16829.

14. The Desert Island. © 2Aug21; LP16830.

15. Home and Happiness. © 2Aug21; LP16831.

BLUE FRIDAY. 1921. 2 reels.

Credits: Kingsley Benedict; director, Mark Goldaine.

BLUE GRASS. (Sportscope, no. 4) 1938. 863 ft., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan; narrators, Andre Baruch, Clem McCarthy.

BLUE GRASS KINGS. (A Grantland Rice Sportlight) Van Beuren Corp. 1931. 1 reel, sd.

A BLUE-JACKET'S HONOR. 1922. 2 reels.

Credits: Producer, W. J. Craft; story and scenario, Robert Dillon, Thomas Berrien.

BLUE JEANS. Presented by B. A. Rolfe. 1918. 7 reels. Adapted from the melodrama by Joseph Arthur.

Credits: Director, John E. Collins; adaptation, June Mathis, Charles Taylor.

BLUE MONDAY. 1938. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

Credits: Supervision, William Hanna.

BLUE MONTANA SKIES. 1939. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, B. Reeves Eason; original story, Norman S. Hall, Paul Franklin; screenplay, Gerald Geraghty; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

THE BLUE MOON. "Flying A" Special. 1920. 6 reels. From the novel by David Anderson.

Credits: Director, George L. Cox; scenario, Daniel F. Whitcomb.

THE BLUE MOUNTAINS MYSTERY. 1922. 5 reels. From the book "The Mount Marunga Mystery" by Harrison Owen.

Credits: Scenario and direction, Raymond Longford, Lottie Lyell.

BLUE OF THE NIGHT. 1933. 2 reels, sd.

Credits: Director, Leslie Pearce.

Credits: Director, George Irving; scenario, Emma Bell Clifton.

THE BLUE PRINT MYSTERY. Laemmle. 1917. 1 reel.

BLUE RHYTHM. (Mickey Mouse, no. 16) 1931. 1 reel.

Credits: Walt Disney.

THE BLUE RIBBON. SEE The Girl and the Gambler.

A BLUE RIBBON MUTT. Century. 1920. 2 reels.

Credits: Written and directed by Chuck Reisner.

THE BLUE RIDGERS WITH CORDELIA MAYBERRY. 1929. 1 reel, sd.

THE BLUE ROSE. 1913. 2 reels.

Credits: Director, Van Dyke Brooke.

BLUE SKIES. 1929. 6 reels.

Credits: Director, Alfred Werker; story, Frederick Hazlitt Brennan; scenario, John Stone.

BLUE STEEL. (Lone Star Western) 1934.

Credits: Producer, Paul Malvern; story, screenplay, and direction, Robert N. Bradbury; editor, Carl Pierson.

THE BLUE STREAK. 1917. For Fox Film Corp. 5 reels.

Credits: Written and directed by William Nigh.

THE BLUE STREAK. Richard Talmadge Productions, Inc. Presented by A. Carlos. 1925. 5 reels.

Credits: Director, Mason Noel; story and continuity, James Bell Smith; editor, Doane Harrison.

BLUE STREAK MCCOY. 1920. 5 reels.

Credits: Director, Reaves Eason; story, H. H. Van Loan; scenario, Harvey Gates.

BLUE SUNDAY. Universal Jewel. 1921. 2 reels.

Credits: Story and production, Lyons, Moran; scenario, W. Scott Darling.

BLUE VELVET MUSIC. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky.

BLUE WING'S REVENGE. 1924. 2 reels.

Credits: Director, William Craft; story, Carl Krusada, William Craft.

BLUEBEARD, JR. 1922. 5 reels.

Credits: Producer, Scott Dunlap; story, Helen Van Upp; scenario, John W. Grey.

BLUEBEARD THE SECOND. 1914. 1 reel.

BLUEBEARD'S BROTHER. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

BLUEBEARD'S EIGHTH WIFE. 1923. 6 reels. From the adaptation by Charlton Andrews of the play "La Huitieme Femme de Barbe Bleue" by Alfred Savoir.

Credits: Director, Sam Wood; screen version, Sada Cowan.

BLUEBEARD'S EIGHTH WIFE. Presented by Adolph Zukor. 1938. 9 reels, sd. Based on a play by Alfred Savoir and the English adaptation by Charlton Andrews.

Credits: Producer and director, Ernest Lubitsch; screenplay, Charles Brackett, Billy Wilder; film editor, William Shea.

BLUEBEARD'S SEVEN WIVES. Presented by Robert Kane. 1925. 8 reels.

Credits: Director, Alfred A. Santell; story, Blanche Merrill, Paul Schofield.

THE BLUE BIRD. Presented by Adolph Zukor. 1918. 6 reels. Based on the play by Maurice Maeterlinck.

Credits: Director, Maurice Tourneur; adaptation, Charles Maigne.

BLUEBIRDS' BABY. (Scrappy) (A Color Rhapsody) 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

BLUES. (Paul Terry Toons) 1931. 6 min., sd.

Credits: Frank Moser, Paul Terry.

BLUFF. Paramount. Presented by Adolph Zukor and Jessie L. Lasky. 1924. 6 reels. From the story by Rita Wieman and Josephine L. Quirk.

Credits: Director, Sam Wood; screenplay, Willis Goldbeck.

Credits: Director, Travers Vale; story and continuity, Clara S. Beranger.

THE BLUFFER. 1930. Sd., 11 min.

Credits: Story and dialogue, John A. Waldron, Arthur Ripley, Walter Weems, Jack Jevne.

BLUFFING BLUFFERS. 1924. 1 reel.

Credits: Director, William H. Watson.

THE BLUSHING BRIDE. 1921. 5 reels.

Credits: Written and directed by Jules Furthman.

BOARDER TROUBLE. (Broadway Brevity) 1938. 20 min., sd. Based on characters originated by Ken Kling.

Credits: Director, Lloyd French; story, Eddie Forman, Willi Weil.

BOARDING BOAT ON SEPUTUBA RIVER. SEE Roosevelt Brazilian Expedition.

THE BOARDING HOUSE FEUD. 1915. 1 reel.

Credits: Director, Lee Beggs.

A BOARDING HOUSE HAM. 1916. 1 reel.

Credits: Producer, Thomas Pearsons; story, Wallace C. Clifton.

A BOARDING HOUSE ROMANCE. 1914. 1 reel.

Credits: Bliss Milford.

BOARDING THE EXPEDITION BOAT ON THE SEPUTUBA RIVER. SEE Roosevelt Brazilian Expedition.

BOASTS AND BOLDNESS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

THE BOAT. First National. Presented by Joseph M. Schenck. 1921. 2 reels.

Credits: Written and directed by Buster Keaton, Eddie Cline.

BOAT BUILDERS. (A Walt Disney Mickey Mouse) 1938. 1 reel, sd.

BOATS AND FISHERMEN OF THE ARCTIC AND THE TROPICS. 1928. 2 reels.

Credits: Dept. of Anthropology, Harvard University.

BOB CROSBY AND HIS ORCHESTRA. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

BOB HAMPTON OF PLACER. First National. Presented by Marshall Neilan. 1921. 88 min. From the story by Randall Parrish.

Credits: Producer, Marshall Neilan; scenario, Marion Fairfax.

BOB MACGREGOR, IN THE LASS O'GLESCA TOWN, BY HARRY LEE, ELSPETH BROWNELL AT THE PIANO, OFFERING: A. MY LUVE'S LIKE A RED, RED ROSE [and others]. 1927. 1 reel.

BOB NELSON, BROADWAY'S POPULAR SINGING COMEDIAN [OFFERS] EVERYTHING I DO, I DO FOR YOU [and others]. (Movietone Act) 1929. 1 reel, sd.

BOB NELSON, BROADWAY'S POPULAR SINGING COMEDIAN [OFFERS] THAT'S A DROP IN THE BUCKET COMPARED TO MY LOVE FOR YOU [and others]. (Movietone Act) 1929. 1 reel, sd.

BOB-WHITE. (A Grantland Rice Sportlight) The Van Beuren Corp. 1932. 1 reel.

BOBBED HAIR. 1922. 5 reels.

Credits: Director, Thomas N. Heffron; story, Hector Turnbull; screen version, Harvey Thew.

BOBBED HAIR. 1925. 8 reels. From the novel by twenty authors, Carolyn Wells, Alexander Woollcott, Louis Bromfield [and others].

Credits: Director, Alan Crosland; scenario, Lewis Milestone.

BOBBIE OF THE BALLET. 1916. 5 reels.

Credits: Producer, Joseph De Grasse; story, Grant Carpenter; scenario, Ida May Park.

BOBBIE'S LONG TROUSERS. 1913. 1 reel.

Credits: J. Hancock Collins.

BOBBY AND COMPANY. 1917. 1 reel.

Credits: Director, George Ridgwell; story, William Addison Lathrop.

BOBBY AND THE HELPING HAND. 1917. 1 reel.

Credits: Director, Charles M. Seay; story, A. Van Buren Powell.

BOBBY ARNST AND PEGGY ELLIS IN RHYTHMS IN BLUE. 1929. 1 reel, sd.

BOBBY BUMP'S ADVENTURES. 1915. Split reel.

BOBBY BUMPS AND CO. (Pen and Ink Vaudeville) 1925. 1 reel.

Credits: Earl Hurd.

BOBBY BUMPS GETS PA'S GOAT. 1915. Split reel.

BOBBY BUMPS IN THE GREAT DIVIDE. 1917. 1/2 reel.

Credits: Drawn by Earl Hurd.

BOBBY FOLSOM—A MODERN PRISCILLA. 1929. 1 reel, sd.

BOBBY GILLETTE WITH DORIS WALKER—SYNCOPATED BREEZES. 1929. 1 reel, sd.

BOBBY, MOVIE DIRECTOR. 1917. 1 reel.

Credits: Edward J. Montagne; director, Wesley Ruggles.

BOBBY, PHILANTHROPIST. 1917. 1 reel.

Credits: Anna M. Gobel; director, Wesley H. Ruggles.

BOBBY TAKES A WIFE. 1917. 1 reel.

Credits: Director, George Ridgwell; story, William Addison Lathrop.

BOBBY, THE BOY SCOUT. 1917. 1 reel.

Credits: Director, J. Raymond Kennedy.

BOBBY, THE MAGICIAN. 1917. 1 reel.

Credits: Director, George Ridgwell; story, Thomas Edgelow.

BOBBY, THE MAYOR OF KID CITY. 1917. 1 reel.

Credits: Written and directed by Charles M. Seay.

BOBBY, THE PACIFIST. 1917. 1 reel.

Credits: Graham Baker; director, Wesley Ruggles.

BOBBY TO THE RESCUE. 1917. 1 reel.

Credits: Director, George Ridgwell; story, William Addison Lathrop.

BOBBY VERNON IN CRY BABY. 1930. 1 reel.

BOBBY'S BARGAIN. 1915. 1 reel.

BOBBY'S BRAVERY. 1917. 1 reel.

Credits: Marie T. Jacobs; director, Wesley H. Ruggles; adaptation, Katharine Reed.

BOBBY'S COUNTRY ADVENTURE. 1917. 1 reel.

Credits: Director, George Ridgwell; story, William Addison Lathrop.

BOBBY'S DREAM. 1912. 1 reel.

BOBBY'S FAIRY. 1917. 1 reel.

Credits: Elizabeth Henderson; director, George Ridgwell.

BOBBY'S SECRET. 1917. 1 reel.

Credits: Written and directed by Charles M. Seay.

BOB'S LOVE AFFAIRS. 1915. 1 reel.

BODY AND SOUL. 1920. 6 reels. From the play by William Hurlbut.

Credits: Director, Charles Swickard; adaptation, Hayden Talbot, Marc Robbins.

BODY AND SOUL. 1927. 7 reels, b&w, blue sequences. From the story by Katharine Newlin Burt.

Credits: Director, Reginald Barker; screenplay, Elliott Clawson; titles, Joe Farnham; film editor, William LeVanway.

BODY AND SOUL. 1931. 7,400 ft., sd. From the play "Squadrons" by Elliott White Springs and A. E. Thomas.

Credits: Director, Alfred Santell; screenplay, Jules Furthman; editor, Paul Weatherwax.

BODY BUILDING. (A Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton; producers, Jack Eaton, Ernest Corts; music, Gene Rodemich.

BODY DEFENSES AGAINST DISEASE. 1937. 1 reel, sd.

BODY FRAMEWORK. (Eastman Classroom Films) 1931. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 1,004 ft.

THE BODY PUNCH. 1928. 5 reels.

Credits: Director, Leigh Jason.

THE BODY SLAM. 1930. 1 reel.

LA BOHÈME. 1923. 9 reels. From the novel "Scènes de la Vie de Bohème" by Henry Murger.

Credits: Scenario and direction, Gennaro Righelli.

LA BOHÈME. 1926. 9 reels. Suggested by "Life in the Latin Quarter" by Henri Murger.

Credits: Director, King Vidor; screenplay, Fred De Gresac; continuity, Ray Doyle, Harry Behn; titles, William Conselman, Ruth Cummings; film editor, Hugh Wynn.

Credits: Screenplay, Lawrence B. McGill.

THE BOHEMIAN GIRL. 1923. 7 reels. Adapted from the opera, music by Michael William Balfe, libretto by Alfred Bunn.

Credits: Producer and director, Harley Knoles; adaptation, Rosina Henley, Harley Knoles.

THE BOHEMIAN GIRL. (A Hal Roach Feature Comedy) 1936. 8 reels, sd. From the opera, music by Michael William Balfe, libretto by Alfred Bunn.

Credits: Directors, James W. Horne, Charles Rogers; film editors, Bert Jordan, Louis McManus.

THE BOHEMIAN GIRL. SEE A Swing Opera.

BOHUNK. SEE Black Fury.

BOILESK. 1933. 1 reel, sd.

Credits: Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

A BOLD BAD BREEZE. 1916. 1 reel.

THE BOLD, BAD BURGLAR. Rex. 1916. 1 reel.

Credits: Producer, H. C. Matthews.

THE BOLD CABALLERO. 1937. 8 reels.

Credits: Johnston McCully; producer, Nat Levine; direction and original screenplay, Wells Root.

BOLD EMMETT, IRELAND'S MARTYR. 1915. 3,000 ft.

Credits: Screenplay and production, Sidney Olcott.

BOLD KING COLE. (Rainbow Parade, no. 8) 1936. 1 reel, color.

Credits: Director, Burt Gillett.

A BOLD SHORE. SEE A Study of Shore Features.

BOLERO. 1934. 9 reels, sd.

Credits: Ruth Ridenour; director, Wesley Ruggles; story, Carey Wilson, Kubec Glasmon; screenplay, Horace Jackson; music, Ralph Rainger.

THE BOLERO. Trailer. 1936. 1 reel, sd.

BOLIVIA. 1931. 974 ft.

BOLO-MOLA LAND. (Walter Lantz Cartune) 1939. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod, James Miele; animation, Frank Tipper, Dick Marion.

BOLSHEVISM ON TRIAL. 1919. 6 reels. From the story "Comrades" by Thomas Dixon.

THE BOLTED DOOR. 1923. 5 reels. From the story by George Gibbs.

Credits: Director, William Worthington; scenario, George Randolph Chester.

THE BOLTED DOOR. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

THE BOMB. 1914. 2 reels.

BOMBARDED. 1914. 1 reel.

Credits: Producer, Harry Jackson.

THE BOMBAY BUDDHA. Imp. 1915. 3 reels.

Credits: Producer, Stuart Paton; scenario, John B. Clymer.

BOMBAY MAIL. 1934. 8 reels. From the novel by L. G. Blochman.

Credits: Director, Edwin L. Marin; screenplay, Tom Reed.

BOMBING OF THE U. S. S. PANAY. SEE Norman Alley's Bombing of the U. S. S. Panay.

BOMBS AND BANDITS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, A. Jaeschke.

BOMBS AND BANKNOTES. Victor. 1916. 1 reel.

Credits: Harry Wulze; director, Wallace Beery.

BOMBS AND BLUNDERS. 1917. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

BOMBS AND BLUNDERS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

BOMBSHELL. 1933. 10 reels, sd., b&w. From the play by Caroline Francke and Mack Crane.

Credits: Producer, Victor Flemming; screenplay, John Lee Mahin, Jules Furthman; film editor, Margaret Booth.

THE BON-BON PARADE. (A Color Rhapsody) 1935. 789 feet, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe De Nat.

A BON BON RIOT. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Hank Mann.

BON VOYAGE. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story and direction, Harry Sweet; film editor, Fred Maguire.

THE BOND BETWEEN. 1917. 5 reels.

Credits: Director, Donald Crisp; story and scenario, George Beban.

THE BOND OF BLOOD. 1916. 3 reels.

Credits: Written and produced by Van Dyke Brooke; picturized by Van Buren Powell.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

THE BOND SINISTER. 1914. 1 reel.

THE BOND WITHIN. 1916. 3,000 ft.

Credits: Producer, Edward Sloman.

BONDAGE. 1917. 5 reels.

Credits: Edna Kenton; scenario and direction, Ida May Park.

BONDAGE. 1933. 6,050 ft., sd. From the novel "The House of Refuge" by Grace Sothcote Leake.

Credits: Director, Alfred Santell; screenplay, Arthur Kober, Doris Malloy; editor, Jack Murray.

THE BONDAGE OF BARBARA. 1919. 5 reels.

Credits: Director, Emmett J. Flynn; story, Burk Symon.

Credits: Director, Travers Vale; story, Rosalind Ivan, Thomas J. Kelly.

THE BONDAGE OF FEAR. SEE The False Friend.

THE BONDBOY. 1922. 7 reels. From the story by George Washington Ogden.

Credits: Director, Henry King; adaptation, Charles E. Whittaker.

THE BONDED WOMAN. 1922. 6 reels. From "The Salving of John Somers" by John Fleming Wilson.

Credits: Director, Philip E. Rosen; adaptation, Albert Shelby LeVino.

THE BONDMAN. 1916. 6 reels. For Fox Film Corp. Based on the novel by Hall Caine.

Credits: Louise Keller; producer, Edgar Lewis.

THE BONDMAN. 1929. 8 reels. From the novel by Sir Hall Caine.

Credits: Produced and directed by Herbert Wilcox; scenario, T. A. Innes.

BONDS AND BANNERS. 1918. 1 reel.

Credits: Director, J. A. Howe; story, Earl Montgomery, Joseph Rock.

BONDS OF LOVE. 1919. 5 reels.

Credits: Director, Reginald Barker; story, Louis Sherwin.

BONDWOMEN. Kleine-Edison Feature Service. 1915. 5 reels.

THE BONE BENDER PARADE. (Adventures of the Newsreel Cameraman) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

BONE CRUSHERS. (A Sports Champion Picture) 1933. 1 reel, sd., b&w.

Credits: Director, Ward Wing; narrator, Paul Gerard Smith.

BONE DRY. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

THE BONEYARD BLUES. (Earl Hurd Cartoon Comedies) (Pen and Ink Vaudeville) 1924. 1 reel.

Credits: Earl Hurd.

BONNIE ANNIE LAURIE. 1918. 5 reels.

Credits: Director, H. Millarde; story, Hamilton Thompson; scenario, L. Liebrand.

BONNIE, BONNIE LASSIE. 1919. 6 reels.

Credits: Director, Tod Browning; story, Henry C. Rowland; scenario, Tod Browning, Violet Clark.

THE BONNIE BRIAR BUSH. 1921. 5 reels. Based on the book "Beside the Bonnie Brier Bush" by Ian Maclaren [pseud. of John Watson].

Credits: Director, Donald Crisp; adaptation, Margaret Turnbull.

BONNIE MAY. 1920. 5 reels. From the novel by Louis Dodge.

Credits: Director, Joseph De Grasse; screen adaptation, Bernard McConville.

BONNIE SCOTLAND. (Hal Roach Feature Comedy) Presented by Hal Roach. 1935. 9 reels, sd., b&w.

Credits: Director, James W. Horne; screenplay, Frank Butler, Jeff Moffitt; film editor, Bert Jordan.

BONZO. 1924. 1 reel.

BOO. 1932. 1 reel.

Credits: Supervision, dialogue and direction, Albert DeMond.

BOO. BOO, THEME SONG. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

THE BOOB. 1926. 6 reels.

Credits: Director, William A. Wellman; story, George Scarborough, Annette Westbay; scenario, Kenneth B. Clarke; film editor, Ben Lewis.

THE BOOB AND THE BAKER. 1915.

THE BOOB AND THE MAGICIAN. 1915. 1 reel.

A BOOB FOR LUCK. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, W. W. Beaudine.

BOOBLEY'S BABY. 1915. 1 reel.

Credits: Director, Sidney Drew.

BOOBS AND BUMPS. 1918. 2 reels.

Credits: Story and direction, Frank Donovan.

Credits: Producer, Bruce Mitchell.

A BOOB'S ROMANCE. Laemmle. 1915. 2 reels.

Credits: Written and produced by Robert Leonard.

THE BOOB'S VICTORY. Gold Seal. 1916. 2 reels.

Credits: Written and produced by Robert Leonard.

BOODLE AND BANDITS. 1918. 1 reel.

Credits: Directed and written by Lawrence Semon.

THE BOOK AGENT. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Otis Turner.

THE BOOK AGENT. Fox Film Corp. 1921. 2 reels.

THE BOOK AGENT'S ROMANCE. 1916. 2 reels.

BOOK BOZO. (Jimmy Aubrey Second Series, no. 11) 1925. 2 reels.

THE BOOK OF BOOKS. Willard Pictures. Presented by National Bible Press. 1939. 1 reel, sd.

Credits: Written and edited by Robert T. Furman, Jr.; commentary, Alwyn Bach.

THE BOOK OF CHARM. SEE The Boy Friend.

THE BOOK OF DANIEL DREW. SEE The Toast of New York.

THE BOOK OF ESTHER. SEE Blind Prejudice.

THE BOOK SHOP. SEE Puddy the Pup in The Book Shop.

BOOKLOVERS. Presented by Adolph Zukor and Jesse L. Lasky. 1929. 1 reel.

Credits: Story, Joseph Santley, Frank Tours.

THE BOOKWORM. (An M. G. M. Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Hugh Harman.

THE BOOK WORM. SEE Harry J. Conley.

BOOLOO. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Direction and story, Clyde E. Elliott; screenplay, Robert E. Welsh; film editor, Eda Warren.

BOOM DAYS. (E. M. Newman's See America First) 1935. 1 reel, sd.

Credits: Editor, Bert Frank; narrative, John B. Kennedy.

BOOM GOES THE GROOM. 1939. 2 reels, sd.

Credits: Director, Charley Chase; story, Churchill Ross.

BOOMER BILL GOES TO SEA. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

BOOMER BILL'S AWAKENING. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, George D. Clardy.

A BOOMERANG. 1916. Split reel.

Credits: Director, Bertram Bracker; scenario, Franklyn Hall.

THE BOOMERANG. SEE The Love Doctor.

BOOMERANG BILL. 1922. 6 reels.

Credits: Director, Tom Terriss; story, Jack Boyle; scenario, Doty Hobart.

A BOOMERANG SWINDLE. 1914. 1,000 ft.

THE BOONE TRAIL. 1931. 991 ft.

THE BOONTON AFFAIR. Bison. 1917. 2 reels.

Credits: Written and directed by King Baggot.

BOOP-OOP-A-DOOP. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

BOOS-EM FRIENDS. (Toonerville Trolley Series) Associated First National. 1921. 2 reels.

Credits: Director, Ira M. Lowry; story, Fontaine Fox.

THE BOOSTER. Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Supervision and story, Leo McCarey; director, Hal Yates; titles, H. M. Walker; editor, Richard Currier.

BOOSTING DAD. Presented by E. W. Hammons. 1934. 1,874 ft., sd.

Credits: Director, Charles Frederic; story, Charles Lamont, Glen Lambert.

BOOTHILL BRIGADE. 1937. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screen adaptation, George H. Plympton; film editor, S. Roy Luby.

THE BOOTLEGGERS. Al Gilbert Film Productions, Inc. 1922. 5 reels.

Credits: Director, Roy Sheldon; story, Thomas F. Fallon.

Credits: Producer, Harold Shaw; adaptation, Bannister Merwin.

BOOTLE'S BABY. 1914. 2 reels. An adaptation of the novel by John Strange Winter.

BOOTS. Paramount. 1919. 5 reels.

Credits: Director, Elmer Clifton; story, Martha Pittman; scenario, M. M. Stearns.

BOOTS & SADDLES. 1937. 6 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Joseph Kane; original story, Jack Natteford; screenplay, Jack Natteford, Oliver Drake; film editor, Lester Orlebeck; music director, Raoul Kraushaar.

BOOTS OF DESTINY. Condor. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, M. H. Hoffman; direction and screenplay, Arthur Rosson; original story, E. Morton Hough.

BORAH MINNEVITCH AND HIS HARMONICA RASCALS. 1934. 1 reel, sd.

Credits: Director, Roy Mack.

BORDEAUX TO LOURDES. (A Paramount-Burton Holmes Travel-Picture) 1920. 1 reel.

Credits: Edited and titled by Burton Holmes.

BORDER BRIGANDS. Presented by Carl Laemmle. 1935. 6 reels, sd.

Credits: Producer, Irving Starr; director, Nick Grinde; original story and screenplay, Stuart Anthony; editor, B. T. Loftus.

BORDER CABALLERO. 1936. 6 reels.

Credits: Producers, Sig Neufeld, Leslie Simmonds; director, Sam Newfield; original story, Norman S. Hall; continuity, Joseph O'Donnell; film editor, Holbrook Todd.

BORDER CAFE. 1937. 7 reels, sd. From the story "In the Mexican Quarter" by Thomas Gill.

Credits: Producer, Robert Sisk; director, Lew Landers; screenplay, Lionel Houser; editor, Jack Hively; music director, Nathaniel Shilkret.

THE BORDER CAVALIER. (Blue Streak Western) 1927. 5 reels.

Credits: Director, William Wyler; story, Basil Dickey.

BORDER FLIGHT. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, A. M. Botsford; director, Otho Lovering; story, Ewing Scott; screenplay, Stuart Anthony, Arthur J. Beckhard; film editor, Chandler House.

BORDER G-MAN. 1938. 6 reels, sd.

Credits: Producer, Bert Gilroy; director, David Howard; story, Bernard McConville; screenplay, Oliver Drake; music director, Roy Webb; editor, Frederic Knudtson.

BORDER JUSTICE. 1925. 42 min.

Credits: Director, Reeves Eason; story, William Lester.

BORDER LAW. 1931. 6 reels, sd.

Credits: Director, Louis King; story, adaptation and dialogue, Stuart Anthony; film editor, Otto Meyer.

THE BORDER LEGION. Released thru Goldwyn Distributing Corp. 1919. 6 reels. From the novel by Zane Grey.

Credits: Producer and director, T. Hayes Hunter; scenario, Victor de Viliers, Laurence Marston.

THE BORDER LEGION. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel by Zane Grey.

Credits: Director, William Howard; screenplay, George Hull.

THE BORDER LEGION. 1930. 6,088 ft., sd. Based on the novel by Zane Grey.

Credits: Directors, Otto Brewer, Edwin H. Knopf; screenplay and adaptation, Percy Heath, Edward E. Paramore, Jr.

THE BORDER LEGION. SEE The Last Round-Up.

THE BORDER LINE. 1916. 3 reels.

Credits: Charles Michelson; director, L. C. Windom.

THE BORDER PATROL. 1928. 5 reels.

Credits: Director, James P. Hogan; story and adaptation, Finis Fox.

THE BORDER PATROLMAN. Presented by Twentieth Century-Fox. 1936. 7 reels, sd.

Credits: Producer, Sol Lesser; director, David Howard; screenplay, Dan Jarrett, Ben Cohen.

BORDER PHANTOM. 1936. 6 reels.

Credits: Producer, A. W. Hackel; director, S. Roy Luby; original story and screenplay, Fred Myton.

THE BORDER RAID. 1924. 2 reels.

Credits: Director, William Craft.

THE BORDER RAIDER. SEE The Apache Raider.

Credits: Director, Stuart Paton; story, Frank Beresford, Jack Cunningham.

BORDER ROMANCE. 1930. 7 reels, sd.

Credits: Director, Richard Thorpe; story, John Francis Natteford; editor, Richard Cahoon; music director, Al Short; music and lyrics, Will Jason, Val Burton.

Credits: Written and directed by Aubrey M. Kennedy.

THE BORDER SHERIFF. (Blue Streak Western) 1926. 5 reels.

Credits: Direction and continuity, Robert North Bradbury; story, W. C. Tuttle.

THE BORDER TERROR. 1919. 2 reels. Founded on the story "The Caballero's Way" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Harry Harvey; scenario, H. Tipton Steck.

THE BORDER WHIRLWIND. Released by F. B. O. 1926.

Credits: Director, John P. McCarthy; story, James Ormont; continuity, Enid Hibbard.

THE BORDER WILDCAT. 1928. 5 reels.

Credits: Director, Ray Taylor; story and continuity, Carl Krusada, Vin Moore.

THE BORDER WIRELESS. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, William S. Hart; story, Howard E. Morton; screen adaptation, C. Gardner Sullivan.

THE BORDER WOLF. (Ted Carson Western) (Mounty Series) 1929. 2 reels.

Credits: Director, Josef Levigard.

BORDER WOLVES. Red Feather. 1917. 2 reels.

Credits: Direction and story, George Marshall; scenario, Karl A. Coolidge.

BORDER WOLVES. 1938. 6 reels.

Credits: Associate producer, Paul Malvern; director, Joseph H. Lewis; original story and screenplay, Norton S. Parker; film editor, Charles Craft.

BORDERLAND. 1922. 6 reels.

Credits: Director, Paul Powell; story, Beulah Marie Dix.

BORDERLAND. Presented by Adolph Zukor. 1937. 9 reels, sd. Based on the story "Bring Me His Ears" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Nate Watt; screenplay and dialogue, Harrison Jacobs.

BORDERTOWN. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 10 reels, sd. Suggested by the novel by Carroll Graham.

Credits: Director, Archie L. Mayo; story, Robert Lord; screenplay, Laird Doyle, Wallace Smith.

BORED OF EDUCATION. (Hal Roach Our Gang Comedy) Presented by Hal Roach. 1936. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

BORN AND LAWRENCE IN PIGSKIN TROUBLES. 1929. 1 reel, sd.

BORN AND LAWRENCE IN THE ARISTOCRATS. 1929. 1 reel, sd.

BORN AND LAWRENCE IN THE SIDE SHOW. 1929. 1 reel, sd.

BORN AND LAWRENCE, THE COUNTRY GENTLEMEN. 1929. 1 reel, sd.

BORN APRIL FIRST. 1934. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, James W. Horne; film editor, Harry Marker.

BORN FOR GLORY. 1935. 7 reels, sd.

Credits: Director, Walter Forde; story, C. S. Forester; adaptation and scenario, J. O. C. Orton; dialogue, Michael Hogan, Gerald Fairlie; editor, Otto Ludwig; music director, Louis Levy.

BORN OF THE PEOPLE. Gold Seal. 1916. 2 reels.

Credits: Written and produced by Grace Cunard.

BORN RECKLESS. 1930. 7,400 ft., sd. From the novel "Louis Beretti" by Donald Henderson Clarke.

Credits: Associate producer, J. K. McGuinness; director, John Ford; editor, Frank E. Hull.

BORN RECKLESS. 1937. 5,313 ft., sd.

Credits: Director, Malcolm St. Clair; story, Jack Andrews; screenplay, John Patrick, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

BORN RICH. Presented by Garrick Pictures Corp. 1924. 8 reels. From the novel by Hughes Cornell.

Credits: Producer, Will Nigh.

BORN TO BATTLE. F. B. O. 1926. 5 reels.

Credits: Director, Robert De Lacy; story and scenario, William E. Wing.

BORN TO BE BAD. Presented by Joseph M. Schenck. Released through United Artists. 1934. 7 reels.

Credits: Producer, Darryl F. Zanuck; director, Lowell Sherman; original story and screenplay, Ralph Graves; continuity, Harrison Jacobs; film editor, Maurice Wright; music director, Alfred Newman.

BORN TO BE WILD. 1938. 7 reels.

Credits: Associate producer, Harold Shumate; director, Joe Kane; original screenplay, Nathaniel West; film editor, William Morgan; music director, Alberto Colombo.

BORN TO DANCE. 1936. 11 reels, sd., b&w.

Credits: Producer, Jack Cummings; director, Roy Del Ruth; story, Jack McGowan, Sid Silvers, B. G. DeSylva; screenplay, Jack McGowan, Sid Silvers; film editor, Blanche Sewell; music director, Alfred Newman.

BORN TO DIE. (A Battle for Life Release) Educational Pictures. Presented by E. W. Hammons. 1934. 808 ft., sd.

Credits: Producers, Stacy Woodward, Horace Woodward; narrator, Gayne Whitman.

BORN TO GAMBLE. 1935. 8 reels, sd. Suggested by "The Greek Poropulos" by Edgar Wallace.

Credits: Director, Phil Rosen; story, continuity and dialogue, E. Morton Hough.

BORN TO LOVE. 1931. 9 reels, sd., b&w.

Credits: Director, Paul L. Stein; screenplay and dialogue, Ernest Pascal; film editor, Claude Berkeley; music director, Francis Groman.

BORN TO THE SADDLE. 1928. 5 reels.

Credits: Director, Joseph Levigard.

BORN TO THE WEST. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels.

Credits: Director, John Waters; story, Zane Grey; adaptation and screenplay, Lucien Hubbard.

BORN TO THE WEST. Presented by Adolph Zukor. 1937. 6 reels, sd. From a novel by Zane Grey.

Credits: Director, Charles Barton; screenplay, Stuart Anthony, Robert Yost; film editor, John Link.

BORNEO. Presented by Osa Johnson. 1937. 9 reels, sd.

Credits: Supervision, Truman Tally; narration, Lowell Thomas; continuity, Lew Lehr, Russell Shields.

BORO-BODOR AND THE BROMO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

Credits: Screenplay, Burton Holmes.

BORRAH MINEVITCH & HIS HARMONICA RASCALS. 1935. 1 reel, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos.

BORRAH MINEVITCH AND HIS MUSICAL RASCALS IN BOYHOOD DAYS. 1929. 2 reels, sd.

THE BORROWED BABY. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; story, Tom Gibson.

THE BORROWED BOOK. 1914. 1 reel.

BORROWED CLOTHES. Universal Special. 1918. 6 reels. From the story "Orange Blossoms" by Marlon Orth.

Credits: Lois Weber; director, Edward Langley.

THE BORROWED FINERY. 1914. 1 reel.

Credits: Alice Williams.

BORROWED FINERY. 1925. 7 reels. From the story by George Bronson Howard.

Credits: Director, Oscar Apfel.

BORROWED HUSBANDS. 1924. 7 reels. From the novel by Mildred K. Barbour.

Credits: Director, David Smith.

BORROWED LOVE. SEE Call of the West.

THE BORROWED NECKLACE. 1915. 1 reel.

BORROWED PLUMES. Rex. 1916. 1 reel.

Credits: Florence Blankenship; producer, Ben Wilson; scenario, Helmer W. Bergman.

BORROWED SUNSHINE. 1916. 2 reels.

Credits: Delos Avery; director, L. C. Windom; adaptation, Edw. T. Lowe, Jr.

BORROWED TROUBLE. Released by Film Booking Offices of America. 1923. 2 reels.

Credits: Director, Roy Clements; story, George Bartlett, Monte Brice; scenario, Walter McNamara; film editor, Hal Yates.

BORROWED WIVES. 1930. 7 reels, sd.

Credits: Director, Frank Strayer; dialogue director, Leander de Cordova; screenplay, Scott Darling; editor, Byron Robinson.

Credits: Producer, Charles H. France.

BORROWING TROUBLE. Metro-Drew. 1916. 1 reel.

Credits: Harry Gennel; producer, Sidney Drew.

BORROWING TROUBLE. 1937. 6 reels, sd. Based on characters created by Katharine Kavanaugh.

Credits: Director, Frank R. Strayer; original story and screenplay, Robert Chapin, Karen De Wolf; music, Samuel Kaylin.

BO'S GUEST. Released by F. B. O. 1927. 2 reels.

Credits: Philip Tannura; director, Gil Pratt; story, H. C. Witwer; supervising editor, James Wilkinson.

BOSKO IN DUTCH. Presented by Vitaphone. 1933. 1 reel, sd.

Credits: Drawn by Isadore Freleng and Thomas McKimson.

BOSKO IN PERSON. (Looney Tunes, no. 6) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawn by Rollin Hamilton, Bob McKimson; musical score, Frank Marsales.

BOSKO THE DRAWBACK. Presented by Vitaphone. 1933. 1 reel.

BOSKO THE MUSKETEER. (Looney Tunes, no. 12) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Rollin Hamilton, Robert Stokes; musical score, Frank Marsales.

BOSKO THE SHEEPHERDER. (Looney Tunes, Series 3, no. 9) 1933. 1 reel.

BOSKO THE SPEED KING. 1933. 1 reel.

Credits: Drawn by Isadore Freleng, Thomas McKimson.

BOSKO'S DIZZY DATE. Presented by Vitaphone. 1933. 1 reel.

BOSKO'S EASTER EGGS. 1937. 713 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

BOSKO'S KNIGHT-MARE. (Looney Tunes, no. 8) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Bob McKimson, Robert Stokes; music score, Frank Marsales.

BOSKO'S MECHANICAL MAN. (Looney Tunes, no. 11) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore Freleng and Thomas McKimson.

BOSKO'S PARLOR PRANKS. (Happy Harmonies) 1934. 735 ft., sd., color.

Credits: Producers, Hugh Harman, Rudolf Ising.

BOSKO'S PICTURE SHOW. (Looney Tunes, no. 13) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore Freleng, Max Maxwell; musical score, Frank Marsales.

BOSKO'S WOODLAND DAZE. 1933. 1 reel.

BOSOM FRIENDS. Treasure Chest. Educational Pictures. Presented by E. W. Hammons. 1934. 778 ft., sd.

Credits: Narration, F. J. Clemenger; editor, Sam Citron.

THE BOSS DIDN'T SAY GOOD MORNING. 1937. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, Douglas Foster; narrator, Carey Wilson.

THE BOSS OF BAR 20. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story and scenario, Arthur Henry Gooden.

THE BOSS OF CAMP FOUR. 1923. 5 reels.

Credits: Director, W. S. Van Dyke; story, Arthur P. Haskins; scenario, Paul Schofield.

THE BOSS OF COPPERHEAD. 1920. 2 reels.

Credits: Director, Ed. Feeney; story, A. W. Kruckeberg; scenario, R. A. Sanborn.

BOSS OF LONELY VALLEY. 1937. 6 reels, sd.

Credits: Producer, Buck Jones; director, Ray Taylor; story, Forrest Brown; screenplay, Frances Guihan.

THE BOSS OF POWDERVILLE. SEE The Grand Passion.

THE BOSS OF RUSTLER'S ROOST. Leo Maloney Productions. 1928. 4,833 ft.

Credits: Director, Leo Maloney; story, W. D. Hoffman; adaptation, Ford I. Beebe.

THE BOSS OF THE FAMILY. Joker. 1917. 1 reel.

Credits: C. B. Hoadley; director, William W. Beaudine.

BOSS OF THE RANCHO. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Arthur Henry Gooden.

THE BOSS RIDER OF GUN CREEK. 1936. 7 reels, sd.

Credits: Producer, Buck Jones; director, Lesley Selander; story, E. B. Mann; screenplay, Frances Guihan.

THE BOSS'S ORDERS. (Follies Comedies) 1930. 2 reels, sd.

Credits: Producer, E. B. Derr; written and directed by Fred Guiol; film editor, John Link; music director, Josiah Zuro.

LE BOSSU. SEE The Hunchback; or, The Little Parisian Lagardere.

BOSTON BLACKIE. 1923. 5 reels.

Credits: Director, Scott Dunlap; story, Jack Boyle; scenario, Paul Schofield.

BOSTON BLACKIE'S LITTLE PAL. 1918. 5 reels. From the Red Book Magazine story by Jack Boyle.

Credits: Director, E. Mason Hopper; adaptation, Albert Shelby Le Vino.

BOSTON BLACKIE'S MARY. SEE Blackie's Redemption.

THE BOSTON TEA PARTY. 1915. 2 reels.

Credits: Director, Eugene Nowland.

BOSTON TEA PARTY. Vitaphone Corp. 1935. 1 reel, sd.

THE BOSWELL SISTERS. 1933. 2 reels.

Credits: Producers, William Rowland, Monte Brice; director, Monte Brice; story, William Rowland; adaptation, Arthur Jarrett, Sr.

BOTH BARRELS. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Robert Dillon.

BOTH BARRELS. Mustang. 1925. 2 reels.

Credits: Director, Edward Laemmle; story and scenario, Robert Dillon.

BOTH BOOTHS. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, A. R. Thompson.

BOTH SIDES OF LIFE. Laemmle. 1915. 3 reels.

Credits: Producers, Robert Leonard, Lynn Reynolds; scenario, Louis V. Jefferson.

A BOTTLE BABY. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

THE BOTTLE IMP. 1917. 5 reels. Based on the story by Robert Louis Stevenson.

Credits: Producer, Marshall Neilan; adaptation, Paul West; scenario, Charles Maigne.

BOTTLES. (Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Sam B. Jacobson; director, Jacques Rollens.

BOTTLES. (Happy Harmonies) 1936. 1 reel, sd., color.

THE BOTTOM OF THE WELL. 1917. 5 reels.

Credits: Director, John Robertson; story, Frederick Upham Adams.

BOTTOMS UP. 1934. 10 reels, sd.

Credits: Director, David Butler; story and screenplay, B. G. DeSylva, David Butler, Sid Silvers; editor, Irene Morra; music director, Constantine Bakaleinikoff.

THE BOUDOIR BUTLER. 1932. 22 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, John Grey.

THE BOUDOIR DIPLOMAT. Presented by Carl Laemmle. 1930. 8 reels. From the play by Rudolph Lothar and Fritz Gottwald.

Credits: Producer, Carl Laemmle, Jr.; director, Malcolm St. Clair; screenplay and dialogue, Tom Reed.

BOUGHT. 1931. 9 reels, sd. Based on the novel "Jackdaws Strut" by Harriet Henry.

Credits: Director, Archie Mayo; adaptation and dialogue, Charles Kenyon, Raymond Griffith.

BOUGHT AND FOUGHT FOR. 1920. 2 reels.

Credits: Director, Martin Murphy; story, Alma Hearn; scenario, Harvey Gates.

Credits: Director, Harley Knoles.

BOUGHT AND PAID FOR. Presented by Adolph Zukor. 1922. 6 reels. From the play by George Broadhurst.

Credits: Producer and director, William De Mille; adaptation, Clara Beranger.

BOULDER DAM. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels, sd. Based on the story by Dan M. Templin.

Credits: Director, Frank McDonald; screenplay, Sy Bartlett, Ralph Block.

THE BOULEVARD SPEED HOUNDS. Nester. 1917. 1 reel.

Credits: Frederick A. Palmer; director, Burton George.

BOULEVARDIER FROM THE BRONX. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Cal Dalton, Paul Smith; music, Carl W. Stalling.

BOUNCING BABIES. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels, sd., b&w.

Credits: Story and production, Robert F. McGowan; story editor, H. M. Walker; film editor, Richard Currier.

1. The Wager. © title, descr. & 60 prints, 18Sep19; LU14195.

2. Overboard. © title, descr. & 40 prints, 18Sep19; LU14196.

3. Help, Help. © title, descr. & 40 prints, 18Sep19; LU14197.

4. An Unwilling Princess. © title, descr. & 40 prints, 18Sep19; LU14198.

5. Held for Ransom. © title, descr. & 40 prints, 18Sep19; LU14199.

6. Out Again, in Again. © title, descr. & 40 prints, 18Sep19; LU14200.

7. The Fatal Error. © title, descr. & 40 prints, 1Nov19; LU14358.

8. Arrested. © title, descr. & 40 prints, 1Nov19; LU14359.

9. A Harmless Princess. © title, descr. & 40 prints, 1Nov19; LU14360.

10. Hopley Takes the Liberty. © title, descr. & 40 prints, 1Nov19; LU14361.

BOUND BY THE LEOPARD'S LOVE. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; scenario, William H. Lippert.

BOUND IN MOROCCO. 1918. 4 reels.

Credits: Story and direction, Allan Dwan.

BOUND ON THE WHEEL. Rex. 1915. 3 reels.

Credits: Producer, Joseph De Grasse; story, Julius G. Furthmann; scenario, Ida May Park.

THE BOUNDARY BATTLE. 1928. 2 reels.

Credits: Director, Josef Levigard; story, Rose Kurland.

THE BOUNDARY LINE. Mustang. 1925. 2 reels.

Credits: Director, William Crinley; story, William Lester.

THE BOUNDING MAIN. (A Song Hit Story) Educational Films Corp. of America. Presented by E. W. Hammons. 1934. 939 ft., sd.

Credits: Director, William Watson; story, Art Jarrett.

THE BOUQUET. 1915. 1 reel.

Credits: Announcements, Norman Brokenshire.

BOW STRING. (Sportscope, no. 6) 1939. 872 ft., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan.

BOW WOW. 1922. 2 reels.

Credits: Director, Fred W. Jackman; editor, Allen McNeil.

THE BOWERY. Released by United Artists. 1933. 11 reels, sd. Based on the novel by Michael L. Simmons and Bessie R. Solomon.

Credits: Associate producers, William Goetz, Ray Griffith; director, Raoul Walsh; screenplay, Howard Estabrook, James Gleason; film editor, Allen McNeil; music director, Alfred Newman.

BOWERY BIMBOS. (An Oswald Animated Sound Cartoon) (A Walter Lantz Cartoon) Snappy. 1930. 1 reel, sd.

THE BOWERY BISHOP. 1924. 6 reels.

Credits: Director, Colin Campbell; story, Alexander Irvine.

A BOWERY CINDERELLA. Presented by Samuel Zierler. 1927. 7 reels.

Credits: Director, Bernard McEveety; story, Melvin Houston; adaptation and scenario by Adrian Johnson.

BOWERY DAZE. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe De Nat.

THE BOWL OF SACRIFICE. 1917.

BOWS AND ARROWS. (Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

BOWS AND ARROWS. (The World of Sports) 1939. 1 reel, sd.

Credits: Producer, Elmer G. Dyer; narrative by Jack Kofoed; narration, Dan Seymour; editor, Harry Foster.

BOX CAR BILL FALLS IN LUCK. 1917. 1 reel.

Credits: Pat Sullivan; animation, Bill Cause.

THE BOX OF BANDITS. 1915. 1 reel.

THE BOX OF CHOCOLATES. 1915. 1 reel.

A BOX OF TRICKS. Special Victor. 1917. 1 reel.

Credits: Harry Wulze; director, John Stepping.

BOXING GLOVES. (A Hal Roach Our Gang Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Supervision, production and story, Robert McGowan; director, Anthony Mack; dialogue, H. M. Walker; editor, Richard Currier.

A BOY AND A BAD MAN. (Pioneer Kid Series) 1929. 2 reels.

Credits: Director, Jack Nelson.

A BOY AND HIS DOG. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 629 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

BOY-CRAZY. 1922. 5 reels.

Credits: Director, William A. Seiter; story. Beatrice Van.

THE BOY FRIEND. 1926. 6 reels. From the play "The Book of Charm" by John Alexander Kirkpatrick.

Credits: Director, Monta Bell; adaptation, Alice D. G. Miller; film editor, Blanche Sewell.

THE BOY FRIEND. 1927. 1 reel.

Credits: Paul Terry and Harry Bailey.

THE BOY FRIEND. Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Supervision and story, Leo McCarey; director, Fred L. Guiol; editor, Richard Currier.

BOY FRIEND. 1939. 6,379 ft., sd.

Credits: Director, James Tinling; original story, Lester Ziffren, Louis Moore; screenplay, Joseph Hoffman, Barry Trivers; music director, Samuel Kaylin.

THE BOY FROM THE GILDED EAST. Nestor. 1916. 1 reel.

Credits: James Dayton; director, Louis William Chaudet.

THE BOY GIRL. 1917. 5 reels.

Credits: John C. Brownell; director, Edwin Stevens.

THE BOY IN BLUE. 1923. 2 reels.

Credits: Director, Harry Edwards.

BOY MEETS GIRL. 1938. 9 reels, sd. From the stage play by Bella and Samuel Spewack.

Credits: Director, Lloyd Bacon; screenplay, Bella and Samuel Spewack.

BOY MEETS JOY. 1939. 2 reels, sd.

Credits: Director, Ralph Staub; dialogue, Larry Rhine; film editor, Charles Maynard; music director, Charles Previn.

A BOY OF FLANDERS. 1924. 7 reels. From the story "A Dog of Flanders" by Ouida [pseud. of Louise De La Ramee].

Credits: Supervision, Jack Coogan, Sr.; director, Victor Schertzinger; continuity and scenario, Walter Anthony; adaptation, Marian B. Jackson; editor, Irene Morra.

BOY OF MINE. First National. Presented by J. K. McDonald. 1923. 7 reels. From the book by Booth Tarkington.

Credits: Director, William Beaudine; scenario, Hope Loring, Louis D. Lighton.

BOY OF THE STREETS. 1937. 9 reels, sd.

Credits: Director, William Nigh; original story, Rowland Brown; adaptation and dialogue, Gilson Brown, Scott Darling.

BOY, OH BOY. 1932. 22 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson, Phil Whitman, Clarence Hennecke.

BOY, OH BOY. (An Educational Top Notch Comedy) Presented by E. W. Hammons. 1936. 1,744 ft., sd.

Credits: Producer, Al Christie; story, David Freedman.

THE BOY RANGERS. 1912. 1 reel.

THE BOY RIDER. 1927. 5 reels.

Credits: Director, Louis King; story and continuity, Frank Howard Clark.

BOY SCOUTS TO THE RESCUE. Universal Special. 1918. 2 reels each. © Universal Film Mfg. Co., Inc.

1. Aids of the Nation. © 4Apr18; LP12269.

2. On the Trail. © 4Apr18; LP12274.

3. The Great Mine Disaster. © 11Apr18; LP12298.

4. The Spies' Nest. © 22Apr18; LP12326.

5. Treachery at Sea. © 22Apr18; LP12342.

BOY SLAVES. 1939. 7 reels, sd.

Credits: Producer and director, P. J. Wolfson; original story, Albert Bein; screenplay, Albert Bein, Ben Orkow; editor, Desmond Marquette; music director, Frank Tours.

THE BOY, THE GIRL, AND THE AUTO. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Neal Burns; scenario, Al. E. Christie.

BOY TROUBLE. 1939. 8 reels, sd.

Credits: Director, George Archainbaud; story, Lloyd Corrigan, Monte Brice; screenplay, Laura and S. J. Perelman; film editor, Alma Macrorie.

BOY WANTED. 1913. 1 reel.

Credits: Lucy S. Oppenheim.

BOY WANTED. 1929. 1 reel, sd.

Credits: Director, Basil Smith; story, Jack Lait.

THE BOY WHO CRIED WOLF. 1917. 2 reels. From the story by Richard Harding Davis.

Credits: Director, Edward H. Griffith; adaptation, E. Clement D'Art.

THE BOY WHO SAVED A NATION. (Strange as It Seems) Screen Classics. 1937. 874 ft., sd.

Credits: John Hix; director, Leonard M. Poole; editor, Charles Diltz; music, Lee Zahler.

BOYHOOD DAYS. Century. 1923. 2 reels.

Credits: Written and directed by Harry Edward.

BOYHOOD DAYS. SEE Borrah Minevitch and His Musical Rascals in Boyhood Days.

THE BOYHOOD HE FORGOT. Rex. 1917. 1 reel.

Credits: Producers, The Smalleys.

BOYHOOD MEMORIES. (Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton.

BOYS. (Sport Pictorial, no. 17) Town and Country Films, Inc. 1921. 1 reel.

Credits: Editor, Grantland Rice.

THE BOYS OF I. O. U. 1914. 1 reel.

BOY'S REFORMATORY. 1939. 6 reels, sd.

Credits: Associate producer, Lindsley Parsons; director, Howard Bretherton; original story, Ray Trampe, Norman S. Hall; screenplay, Ray Trampe, Wellyn Totman.

Credits: Director, Tom McNamara.

BOY'S TOWN. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., sepia.

Credits: Producer, John W. Considine, Jr.; director, Norman Taurog; original story, Dore Schary, Eleanore Griffin; screenplay, John Meehan, Dore Schary; film editor, Elmo Veron; music score, Edward Ward.

BOYS WILL BE BOYS. 1915. 3 reels.

Credits: Joseph Byron Totten.

BOYS WILL BE BOYS. Goldwyn Studios. 1921. 5 reels. Based on the story by Irvin S. Cobb and the play by Charles O'Brien Kennedy.

Credits: Director, Clarence G. Badger.

BOYS WILL BE BOYS. (Warren Doane Comedy) 1932. 2 reels.

Credits: Director, George Stevens; story, Fred Guiol.

BOYS WILL BE BOYS. 1935. 8 reels, sd. Based on the Narkover characterizations of Beachcomber [pseud. of John Bingham Morton].

Credits: Director, William Beaudine; screenplay, Will Hay, R. Edmunds; editor, A. Roome; music, Louis Levy.

BOYS WILL BE GIRLS. (The Beauty Parlor Series, no. 4) Released by F. B. O. 1927. 2 reels.

Credits: Director, Reggie Morris; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean Dupont; supervising editor, James Wilkinson.

BRACE UP. 1918. 5 reels.

Credits: Written and directed by Elmer Clifton.

BRAGA'S DOUBLE. 1915. 2 reels.

Credits: Henry C. Rowland.

BRAGG'S NEW SUIT. 1913. 1 reel.

Credits: Charles M. Seay.

A BRAHMIN'S DAUGHTER. (Kendall-de Vally Operalogue) Released by Educational Film Exchanges, Inc. 1933. 22 min., sd. Suggested by the opera "Lakme" by Leo Delibes.

Credits: Adaptation and supervision, Antoine De Vally; director, Howard Higgin.

THE BRAIN BUSTERS. (Coronet Comedies) Presented by E. W. Hammons. 1936. 1,580 ft., sd.

Credits: Director, Harry J. Edwards; story, Vernon Smith.

THE BRAINLESS HORSEMAN. 1925. 2 reels.

Credits: Director, Ralph Ceder.

BRAINSTORM. 1917. For Fox Film Corporation. 2 reels.

Credits: Written and directed by H. Edwards.

BRAIN STORMS. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Production and supervision. Jack White; director, Stephen Roberts.

THE BRAMBLE BUSH. 1919. 5 reels.

Credits: Director, Tom Terriss; story, Nalbro Bartley; scenario, Katharine S. Reed.

THE BRAND. Released through Goldwyn. 1919. 7 reels. From the story by Rex Beach.

Credits: Director, Reginald Barker.

THE BRAND OF CAIN. 1916. 2 reels.

Credits: Wallace C. Clifton; director, Colin Campbell.

THE BRAND OF COURAGE. 1921. 2 reels.

Credits: Director, Robert Hill; story and scenario, George H. Plympton.

BRAND OF COURAGE. 1928. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

THE BRAND OF COWARDICE. 1916. For the Metro program. 5 reels.

Credits: Charles M. Maigne; producer, John W. Noble.

THE BRAND OF DEATH. Big U. 1917. 1 reel.

THE BRAND OF HATE. Gold Seal. 1917. 3 reels.

Credits: Director, Edwin Stevens; story, Elizabeth Burbridge; scenario, John C. Brownell.

Credits: Director, George Archainbaud; story, Jere F. Looney.

BRANDED. 1931. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and dialogue, Randall Faye; film editor, Gene Milford.

BRANDED. SEE The Branded Woman.

BRANDED A BANDIT. 1924. 5 reels.

Credits: Written and directed by Paul Hurst.

Credits: Director, Neal Hart.

BRANDED FOUR. 1920. 2 reels each.

Credits: Director, Duke Worne; story and scenario, Hope Loring, George W. Pyper.

1. A Strange Legacy. © 20Jul20; LP15382.

2. The Devil's Trap. © 24Jul20; LP15385.

3. Flames of Revenge. © 12Aug20; LP15810.

4. The Blade of Death. © 30Aug20; LP15478.

5. Fate's Pawn. © 6Sep20; LP15515.

6. The Hidden Cave. © 31Aug20; LP15479.

7. Shanghaied. © 3Sep20; LP15506.

8. Mutiny. © 9Sep20; LP15526.

9. The House of Doom. © 2Oct20; LP15607.

10. The Ray of Destruction. © 3Oct20; LP15679.

11. Buried Alive. © 18Oct20; LP15977.

12. Lost to the World. © 28Oct20; LP15738.

13. The Valley of Death. © 24Oct20; LP15758.

14. From the Sky. © 28Oct20; LP15739.

15. Sands of Torment. © 5Nov20; LP15759.

THE BRANDED MAN. 1918. 2 reels.

BRANDED MEN. 1931. 7 reels, sd.

Credits: Producer, Phil Goldstone; director, Phil Rosen; story, continuity and dialogue, Earle Snell; editor, Earl Turner.

THE BRANDED SOMBRERO. 1927. 5 reels.

Credits: Story, Cherry Wilson; scenario and direction, Lambert Hillyer.

A BRANDED SOUL. 1917. 5 reels.

Credits: Director, Bertram Bracken; story, E. Lloyd Sheldon; scenario, Franklin Hall, Bertram Bracken.

THE BRANDED SOUL. 1921. 5 reels. From the novel "The Iron Stair" by Rita [pseud. of Eliza Margaret J. (Gollan) Humphreys].

Credits: Director, E. Martin Thornton.

Credits: Director, Albert Parker; adaptation, Anita Loos, Albert Parker.

THE BRANDED WOMAN. 1921. 7 reels. From the play "Branded" by Oliver D. Bailey.

Credits: Director, Albert Parker; adaptation, Anita Loos, Albert Parker.

BRANDING BROADWAY. Artcraft. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, William S. Hart; story and scenario, C. Gardner Sullivan.

THE BRANDING IRON. 1920. 7 reels. From the story by Katherine Newlin Burt.

Credits: Supervision and direction, Reginald Barker; adaptation, J. G. Hawks.

BRANDON'S LAST RIDE. 1914. 2 reels.

Credits: Director, Ulysses Davis.

BRAND'S DAUGHTER. Falcon Features. 1917. 4 reels.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Harry Harvey; story, Harry S. Stabler; scenario, Leslie T. Peacocke.

BRANNIGAN'S BAND. 1914. Split reel.

BRANSCOMBE'S PAL. Rex 1916. 2 reels.

Credits: Bannister Merwin; producer, Harold Shaw.

BRASS. 1923. 9 reels. Adapted from the novel by Charles G. Norris.

Credits: Producer, Henry Rapf; director, Sidney Franklin; scenario, Julian Josephson.

THE BRASS BOTTLE. 1923. 6 reels. Based on the novel by F. Anstey [pseud. of Thomas Anstey Guthrie].

Credits: Producer and director, Maurice Tourneur; scenario, Fred Kennedy Myton.

THE BRASS BOWL. 1914. 2 reels. Adapted from the novel by Louis Joseph Vance.

THE BRASS BOWL. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, Jerome Storm; story, Louis J. Vance; adaptation, Thomas Dixon, Jr.

THE BRASS BULLET. Universal Special. 1918. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Producer and director, Ben Wilson; story, Frank R. Adams; scenario, Walter Woods.

1. A Flying Start. © 17Jul18; LP12680.

2. The Muffled Man. © 19Jul18; LP12687.

3. The Mysterious Murder. © 3Aug18; LP12714.

4. Smoked Out. © 17Aug18; LP12756.

5. The Mock Bride. © 28Aug18; LP12784.

6. A Dangerous Honeymoon. © 26Aug18; LP12806.

7. Pleasure Island. © 4Sep18; LP12827.

8. The Magnetic Bug. © 5Sep18; LP12822.

9. The Room of Flame. © 18Sep18; LP12887.

10. A New Peril. © 24Sep18; LP12910.

11. Evil Waters. © 2Oct18; LP12952.

12. Caught by Wireless. © 8Sep18; LP12962.

13. $500 Reward. © 22Oct18; LP13003.

14. On Trial for His Life. © 9Nov18; LP13022.

15. In the Shadow. © 9Nov18; LP13023.

16. The Noose. © 15Nov18; LP13040.

17. The Avenger. © 18Nov18; LP13049.

18. The Amazing Confession. © 21Nov18; LP13061.

BRASS BUTTON. 1925. 2 reels.

Credits: Director, Ted Bursten.

BRASS BUTTONS. 1919. 5 reels.

Credits: Director, Henry King; story and scenario, Stephen Fox.

THE BRASS CHECK. 1918. 5 reels.

Credits: Supervision, Maxwell Karger; director, William S. Davis; story, George Allan England; scenario, June Mathis.

THE BRASS CHOIR. 1930. 1 reel.

THE BRASS CHOIR. 1938. 1 reel, sd.

BRASS COMMANDMENTS. 1923. 5 reels. Based on the novel by Charles A. Seltzer.

Credits: Director, Lynn Reynolds; scenario, Charles Kenyon.

THE BRASS GIRL. Victor. 1917. 2 reels.

Credits: Burk Symon; director, Matt Moore.

BRASS KNUCKLES. 1927. 7 reels.

Credits: Director, Lloyd Bacon; story and scenario, Harvey Gates.

A BRASS MONKEY. 1917. 2 reels. From the comedy by Charles Hoyt.

Credits: Director, J. A. Richmond.

THE BRAT. Presented by Richard A. Rowland and Maxwell Karger. 1919. 7 reels. Adapted from the play by Maude Fulton.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, June Mathis; adaptation, Charles Bryant.

THE BRAT. 1931. 6,000 ft., sd. From the play by Maude Fulton.

Credits: Director, John Ford; adaptation, continuity and dialogue, S. N. Behrman, Sonya Levien; editor, Alex. Troffey.

BRATS. (Hal Roach Comedy) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James Parrott; story, Leo McCarey; dialogue, H. M. Walker; editor, Richard Currier.

BRAVE AND BOLD. 1918. 5 reels. Based on the story "Four-forty at the Fort Penn" by Perley Poore Sheehan.

Credits: Direction and scenario, Carl Harbaugh.

BRAVE COWARDS. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

THE BRAVE DESERVE THE FAIR. 1915. 2 reels.

Credits: Written and directed by Tom Mix.

BRAVE LITTLE TAILOR. (A Walt Disney Mickey Mouse) 1938. 1 reel, sd.

BRAVE LITTLE WALDO. 1917. 1 reel.

THE BRAVE TIN SOLDIER. (A Comic Color Cartoon) 1934. 1 reel, color.

Credits: Animation, Jimmie Culhane, Al Eugster.

BRAVEHEART. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 7 reels. From the play "Strongheart" by William C. De Mille.

Credits: Producer and director, Alan Hale; adaptation, Mary O'Hara.

THE BRAVEST OF THE BRAVE. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; story, Thomas Delmar; scenario, Clarence Badger.

BRAVEST OF THE BRAVE. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, Herman Boxer; historical compilations, Charles E. Whittaker; narrator, Carey Wilson.

THE BRAVEST WAY. 1918. 5 reels.

Credits: Director, George H. Melford; story, Edith Kennedy.

Credits: James O. Walsh, Rex A. Taylor, Joseph A. Richmond.

BRAWN OF THE NORTH. First National. 1922. 8 reels.

Credits: Producers, Laurence Trimble, Jane Murfin; continuity, Philip E. Hubbard.

BRAY NOVELTY MAGAZINE. 1927. 1 reel each. © The Bray Productions, Inc.

THE BRAZEN BEAUTY. 1918. 5 reels.

Credits: Director, Tod Browning; story, Louise Winters; scenario, William E. Wing.

BRAZIL. 1932, 1933. 2 reels. Contents.—pt. 1. Amazonian lowlands.—pt. 2. Eastern highlands.

BREACH OF PROMISE. Presented by E. W. Hammons. 1932. 7 reels, sd. Based on the story "Obscurity" by Rupert Hughes.

Credits: Director, Paul L. Stein; screenplay, Ben Verschleiser; adaptation and continuity, John Goodrich; dialogue, Anthony Veiller; film editor, Charles Kraft.

BREAD. 1918. 6 reels.

BREAD. Presented by Louis B. Mayer. 1924. 7 reels. Based on the novel by Charles G. Norris.

Credits: Director, Victor Schertzinger; adaptation, Leonore Coffee; continuity, Albert Lewin.

BREAD ON THE WATERS. 1913. 1 reel.

Credits: Bannister Merwin.

BREAD UPON THE WATERS. 1914. 2 reels.

Credits: Director, Wilfrid North.

BREAD UPON THE WATERS. SEE Strange Wives.

BREAK AWAY. (Educational-Christie Comedies) 1927. 2 reels.

Credits: Director, Harold Beaudine; story, Frank Roland Conklin.

BREAK, BREAK, BREAK. SEE A Day That Is Dead.

THE BREAK OF DAY. (Fables, no. 399) 1929. 1 reel.

Credits: Paul Terry, Mannie Davis.

BREAK OF HEARTS. 1935. 9 reels, sd.

Credits: Producer, Pandro S. Berman; director, Philip Moeller; story, Lester Cohen; screenplay, Sarah Y. Mason, Victor Heerman, Anthony Veiller; music director, Max Steiner.

BREAK THE NEWS TO MOTHER. 1919. 5 reels. Founded on the song by Charles K. Harris.

BREAK THE TAPE FIRST! 1937. 1 reel.

THE BREAKER. Released thru Kleine-Edison-Selig-Essanay Service. 1916. 83 min. From the story by Arthur Stringer.

Credits: Arranged and directed by Fred E. Wright.

BREAKERS AHEAD. Presented by B. A. Rolfe. 1918. 5 reels.

Credits: Director, Charles Brabin; story and scenario, Charles J. Brabin, H. P. Keeler.

BREAKFAST AT SUNRISE. 1927. 7 reels. From the play by André Birabeau.

Credits: Director, Malcolm St. Clair; screen story, Fred de Gresac; adaptation, Gladys Unger.

BREAKFAST FOR TWO. 1937. 65 min., sd.

Credits: Producer, Edward Kaufman; director, Alfred Santell; story, David Garth; screenplay, Charles Kaufman, Paul Yawitz, Viola Brothers Shore; editor, George Hively.

BREAKFAST IN BED. (Rainbow Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, Fred Lalley; director, Fred Guiol; story, Robert Besche; screenplay, Charles Callahan; film editor, John Link.

BREAKIN' LOOSE. Mustang. 1925. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

BREAKING CAMP. SEE Roosevelt Brazilian Expedition.

BREAKING EVEN. 1932. 1 reel.

Credits: Director, Aubrey Scotto; story, Harry W. Conn.

BREAKING IN. 1915. 1 reel.

Credits: Director, Wilfrid North.

BREAKING INTO JAIL. 1914. 1 reel.

BREAKING INTO SOCIETY. 1923. 5 reels.

Credits: Written and directed by Hunt Stromberg.

THE BREAKING POINT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel and play by Mary Roberts Rinehart.

Credits: Director, Herbert Brenon; screenplay, Julie Herne, Edfrid Bingham.

BREAKING THE FAMILY STRIKE. Victor. 1917. 1 reel.

Credits: H. J. Shepard; director, Matt Moore.

BREAKING THE NEWS. (Paramount Paragraphics) 1939. 1 reel, sd.

Credits: Justin Herman; narrator, Ted Husing; editors, Leslie Roush, Robert Blanvelt.

BREAKING THE SHACKLES. 1915. 1 reel.

Credits: Frank Hart.

BREAKING THROUGH. 1921. 2 reels each. © Vitagraph Co. of America.

Credits: Director, Robert Ensminger; story and scenario, C. Graham Baker.

1. © 29Aug21; LP16917.

2. © 29Aug21; LP16918.

3. © 6Sep21; LP16929.

4. © 23Sep21; LP16982.

5. © 10Oct21; LP17061.

6. © 10Oct21; LP17062.

7. © 2Nov21; LP17137.

8. © 2Nov21; LP17138.

9. © 15Nov21; LP17183.

10. © 21Nov21; LP17219.

11. © 29Nov21; LP17246.

12. © 3Dec21; LP17282.

13. © 12Dec21; LP17351.

14. © 21Dec21; LP17382.

15. © 27Dec21; LP17406.

BREAKING THROUGH THE APPALACHIAN BARRIER. (Westward movement, no. 1) 1920. 1 reel.

THE BREAKS OF THE GAME. 1915. 1,000 ft.

Credits: Director, Eugene Nowland.

THE BREATH OF ARABY. 1915. 3 reels.

Credits: Director, Charles L. Gaskill.

A BREATH OF BROADWAY. SEE Jack Waldron in A Breath of Broadway.

THE BREATH OF SCANDAL. Preferred. 1925. 7 reels. Based on the story by Edwin Balmer.

Credits: Director, Gasnier; screen adaptation, Eve Unsell.

THE BREATH OF THE GODS. Jewel. 1920. 6 reels. From the story by Sydney McCall [pseud. of Mary McNeil Fenollosa].

Credits: Adaptation and direction, Rollin Sturgeon.

BREATHING. 1929. 1 reel.

THE BREATHLESS MOMENT. 1923. 6 reels.

Credits: Director, Robert F. Hill; story, Raymond C. Schrock, Harvey Gates; scenario, William S. Wing.

BREATHLESS MOMENTS. 1938. 2 reels, sd.

Credits: Produced & directed by Charles E. Ford; narrator, Graham McNamee; editor, Joseph O'Brien; musical adaptation, Milton Schwarzwald.

BRED IN OLD KENTUCKY. Released by F. B. O. 1926. 6 reels.

Credits: Director, Edward Dillon; story, Louis Weadock, C. D. Lancaster; scenario, Gerald C. Duffy.

BREED OF COURAGE. Released by F. B. O. 1927. 5 reels.

Credits: Director, Howard Mitchell; story, John Stuart Twist; adaptation, Leon D'Usseau.

BREED OF MEN. Artcraft. Presented by Thomas H. Ince. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Lambert Hillyer; story, J. G. Hawks.

THE BREED OF THE BORDER. Released by F. B. O. 1924. 5 reels.

Credits: Producer and director, Harry Garson; story, William D. Hoffman; continuity, Paul Gangelin, Dorothy Arzner.

BREED OF THE BORDER. 1933. 6 reels, sd.

Credits: Producers, Trem Carr, Paul Malvern; director, Robert N. Bradbury; story and continuity, Harry O. Jones.

BREED OF THE SEA. Released by F. B. O. 1926. 7 reels.

Credits: Director, Ralph Ince; story, Peter B. Kyne; adaptation, J. G. Hawks; continuity, J. Grubb Alexander.

BREED OF THE SUNSETS. 1928. 5 reels.

Credits: Director, Wallace W. Fox; story, S. E. V. Taylor; screenplay, Oliver Drake.

A BREEZE FROM THE SOUTH. SEE Gilbert Wells in A Breeze from the South.

BREEZING ALONG. (Educational-Hamilton Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

BREEZING HOME. 1937. 7 reels, sd.

Credits: Associate producer, Edmund Grainger; director, Milton Carruth; original story, Finley Peter Dunne, Jr., Philip Dunne; screenplay, Charles Grayson.

BREEZY RHYTHM. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity Milton Hocky, Fred Rath.

BRENNON O' THE MOOR. Universal Special. 1916. 2 reels. Based on an old Irish poem.

Credits: Produced and written by Grace Cunard, Francis Ford.

BREWSTER'S MILLIONS. 1921. 6 reels. From the novel by George Barr McCutcheon and the play by Winchell Smith.

Credits: Director, Joseph Henabery; scenario, Walter Woods.

BREWSTER'S MILLIONS. 1935. 9 reels, sd.

Credits: Director, Herbert Wilcox; screenplay, Arthur Wimperis.

BREWSTER'S MILLIONS. SEE Miss Brewster's Millions.

BRICK-A-BRAC. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Leslie Goodwins, Ewart Adamson; film editor, John Lockert.

BRICK DUST ROW. SEE Everybody's Girl.

BRICK TOP. Big U. 1916. 1 reel.

Credits: Directed and written by John McDermott.

BRIDAL BAIL. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Jean Yarbrough, Dick Smith; film editor, John Lockert.

BRIDAL GRIEFS. (Superba, no. 2) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story, Charles Roberts, George Jeske; film editor, John Lockert.

BRIDAL NIGHT. 1930. 1 reel.

THE BRIDAL PATH. SEE All's Fair in Love.

BRIDAL SUITE. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w.

Credits: Producer, Edgar Selwyn; director, William Thiele; story, Gottfried Reinhardt, Virginia Faulkner; screenplay, Samuel Hoffenstein; film editor, Frank E. Hull; music, Arthur Gutmann.

THE BRIDE. (James Montgomery Flagg's Girls You Know) 1917. 1 reel.

Credits: Director, Jack Eaton.

THE BRIDE. SEE The Danger Girl.

BRIDE AND GLOOMY. (Educational's Comedies) (Tuxedo Comedies) 1931. 20 min., sd.

Credits: Director, A. Leslie Pearce; story, John Kirkpatrick; dialogue, Walter DeLeon, Neal Burns.

THE BRIDE COMES HOME. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Director, Wesley Ruggles; story, Elizabeth Sanxay Holding; screenplay, Claude Binyon.

A BRIDE FOR HENRY. 1937. 7 reels, sd.

Credits: Producer, Dorothy Reid; director, William Nigh; story, Josephine Bentham; adaptation, Marion Orth.

THE BRIDE OF FEAR. 1918. 5 reels.

Credits: Direction and scenario, S. A. Franklin; story, Bennett Cohn.

BRIDE OF FRANKENSTEIN. A James Whale production. Presented by Carl Laemmle. 1935. 8 reels, sd. Suggested by the story by Mary Wollstonecraft Shelley.

Credits: Producer, Carl Laemmle, Jr.; director, James Whale; screenplay, William Hurlbut; adaptation, William Hurlbut, John L. Balderston; editorial supervision, Maurice Pivar; film editor, Ted Kent.

THE BRIDE OF HATE. 1924. 5 reels.

Credits: Director, Walter Edwards; story, John Lynch.

Credits: Arthur Maude.

THE BRIDE OF THE NANCY LEE. Laemmle. 1915. 2 reels.

Credits: Written and produced by Lynn Reynolds.

BRIDE OF THE REGIMENT. First National and Vitaphone. 1930. 12 reels, sd., color. Based on the operetta "The Lady in Ermine" by Rudolph Schanzer and Ernst Welisch.

Credits: Producer, John Francis Dillon; screen version, Humphrey Pearson.

THE BRIDE OF THE REVOLUTION; or, THE REVOLUTION MARRIAGE. 1913. 2 reels.

BRIDE OF THE STORM. 1926. 7 reels. From the novel "Maryland, My Maryland" by James Francis Dwyer.

Credits: Producer and director, J. Stuart Blackton; adaptation, Marian Constance.

BRIDE 13. 1920. 2 reels each. Adapted from the story by E. Lloyd Sheldon. © William Fox (Fox Film Corp., author).

Credits: Director, Richard Stanton; adaptation, Edward Sedgwick; scenario, Edward Sedgwick, assisted by Thomas F. Fallon.

1. Snatched from the Altar. © 5Sep20; LP15715.

2. The Pirate's Fangs. © 12Sep20; LP15750.

3. The Craft of Despair. © 19Sep20; LP15716.

4. The Vulture's Prey. © 26Sep20; LP15751.

5. The Torture Chamber. © 3Oct20; LP15717.

6. The Tarantula's Trail. © 10Oct20; LP15718.

7. Tongues of Flame. © 17Oct20; LP15719.

8. Entombed. © 24Oct20; LP15720.

9. Hurled from the Clouds. © 31Oct20; LP15752.

10. The Cavern of Terror. © 7Nov20; LP15832.

11. Greyhounds of the Sea. © 14Nov20; LP15833.

12. Creeping Peril. © 21Nov20; LP15834.

13. The Reefs of Treachery. © 28Nov20; LP15883.

14. The Fiendish Tribesmen. © 5Dec20; LP15892.

15. Thundering Vengeance. © 12Dec20; LP15922.

THE BRIDE WALKS OUT. 1936. 9 reels, sd.

Credits: Producer, Edward Small; director, Leigh Jason; original story, Howard Emmett Rogers; screenplay, P. J. Wolfson, Philip G. Epstein; editor, Arthur Roberts; music director, Roy Webb.

THE BRIDE WORE RED. 1937. 11 reels, sd., b&w. From a play by Ferenc Molnar.

Credits: Producer, Joseph L. Mankiewicz; director, Dorothy Arzner; screenplay, Tess Slesinger, Bradbury Foote; film editor, Adrienne Fazan; music score, Franz Waxman.

THE BRIDEGROOM. RCA Photophone, Inc. Presented by Radio Pictures. 1930. 1 reel, sd.

Credits: Supervision, Dick Currier; director, J. Leo Meehan; editor, Arthur F. Ellis.

BRIDEGROOM FOR TWO. 1932. 8 reels, sd.

Credits: Director, Richard Eichberg; story, Fred Thompson, E. Poulton; adaptation, Walter Mycroft, Frederick Jackson.

BRIDES ARE LIKE THAT. First National. 1936. 7 reels, sd. From the play "Applesauce" by Barry Connors.

Credits: Director, William McGann; screenplay, Ben Markson.

THE BRIDE'S AWAKENING. 1918. 6 reels.

Credits: Director, Robert Z. Leonard; scenario, F. McGrew Willis.

THE BRIDE'S BEREAVEMENT; or, THE SNAKE IN THE GRASS. 1932. 2 reels, sd.

Credits: Supervision, Edward Earle, Louis Brock; director, Robert F. Hill; story, Walter Weems, Edward Earle; film editor, John Lockert.

THE BRIDE'S MISTAKE. (Educational's Comedies) (Mack Sennett Comedies) 1931. 18 min., sd.

Credits: Director, Earle Rodney; story and dialogue, John A. Waldron, Harry McCoy, Ewart Adamson, Walter Weems, Jack Jevne.

THE BRIDE'S PLAY. 1922. 7 reels. From the story by Donn Byrne.

Credits: Director, George W. Terwilliger; scenario, Mildred Considine.

THE BRIDE'S RELATIONS. 1929. 2 reels.

Credits: Director, Mack Sennett.

THE BRIDESMAID'S SECRET. 1916. 2 reels.

THE BRIDGE; or, THE BIGGER MAN. 1915. 5 reels. Based on the play by Rupert Hughes.

BRIDGE. SEE

Name the Woman.

Social Hypocrites.

THE BRIDGE ACROSS. 1915. 2 reels.

BRIDGE AHOY! 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

BRIDGE IT IS. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto.

THE BRIDGE OF FANCY. (Do Children Count?) 1917. 25 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

THE BRIDGE OF SAN LUIS REY. 1929. 10 reels. From the story by Thornton Wilder.

Credits: Director, Charles Brabin; adaptation, Alice D. G. Miller; film editor, Margaret Booth; musical score, Carli Elinor.

THE BRIDGE OF SIGHS. 1915. 1,000 ft.

THE BRIDGE OF SIGHS. Union Cinematografica Italiana, Italy. 1922. 9 reels. From the novel by Michele Zevaco.

THE BRIDGE OF SIGHS. 1925. 7 reels.

Credits: Charles K. Harris; director, Phil Rosen; screen version, Hope Loring, Louis Duryea Lighton.

THE BRIDGE OF SIGHS. 1936. 7 reels, sd.

Credits: Director, Phil Rosen; story and screenplay, Arthur T. Horman.

Credits: Dramatized and produced by Mabel Ferris.

THE BRIDGE OF TIME. 1915. 3 reels.

Credits: Director, Frank Beal.

BRIDGE WIVES. (Cameo Comedies) 1932. 11 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

BRIDGES BURNED. 1917. 5 reels.

Credits: Mme. Petrova; director, Perry Vekroff; adaptation, Wallace C. Clifton.

Credits: Rex A. Taylor, James O. Walsh, Joseph A. Richmond, William Fables, James A. Harris and Horace G. Plimpton.

BRIDLE BYWAYS. (A Grantland Rice Sportlight) Presented by the Van Beuren Corp. 1929. 1 reel.

Credits: Jack Eaton.

THE BRIEF DEBUT OF TILDY. 1918. 2 reels. Adapted from a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, George Ridgwell; adaptation, A. Van Buren Powell.

BRIEF MOMENT. 1933. 7 reels, sd. From the stage play by S. N. Behrman.

Credits: Director, David Burton; adaptation, Edith Fitzgerald, Brian Marlow; screenplay, Brian Marlow; film editor, Gene Havlick.

BRIGADIER GERARD. Red Feather. 1916. 5 reels.

BRIGHT EYES. 1921. 2 reels.

Credits: Director, Mal St. Clair.

BRIGHT EYES. 1934. 7,741 ft., sd.

Credits: Director, David Butler; story, David Butler, Edwin Burke; screenplay, William Conselman; music director, Samuel Kaylin.

THE BRIGHT LIGHTS. 1916. 2 reels.

Credits: Director, Roscoe Arbuckle.

BRIGHT LIGHTS. (Bobby Vernon Comedies) 1924. 2 reels.

Credits: Director, Walter Graham.

BRIGHT LIGHTS. 1925. 7 reels, b&w, tinted sequences.

Credits: Producer, Robert Z. Leonard; story, Richard Connell; scenario and adaptation, Jessie Burns, Lew Lipton; editor, William Le Vanway.

BRIGHT LIGHTS. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

BRIGHT LIGHTS. 1930. 10 reels.

Credits: Director, Michael Curtiz; story, Humphrey Pearson.

BRIGHT LIGHTS. First National. 1935. 83 min., sd.

Credits: Director, Busby Berkeley; story, Lois Leeson; screenplay, Bert Kalmar, Harry Ruby; adaptation, Ben Markson, Benny Rubin; film editor, Herbert Lenard; music director, Leo F. Forbstein; music, Mort Dixon, Allie Wrubel.

THE BRIGHT LIGHTS DIMMED. Metro-Drew. 1918. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

BRIGHT LIGHTS OF BROADWAY. 1923. 7 reels, tinted.

Credits: Gerald C. Duffy; producer, B. F. Zeidman.

BRIGHT MOMENTS. SEE Jack Benny in Bright Moments.

THE BRIGHT SHAWL. First National. 1923. 8 reels. From the story by Joseph Hergesheimer.

Credits: Producer, John S. Robertson; scenario, Edmund Goulding.

BRILLIANT MARRIAGE. 1936. 7 reels, sd. From the novel by Ursula Parrott.

Credits: Director, Phil Rosen; screenplay, Paul Perez.

BRING 'EM BACK A LIE. (A Van Ronkel Comedy) 1935. 2 reels.

Credits: Director, Alf Goulding; story, Raymond Cannon.

BRING 'EM BACK A WIFE. Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Del Lord; editor, Richard Currier.

BRING 'EM BACK ALIVE. Presented by RKO Radio Pictures. 1932. 7 reels, sd. Suggested by the book by Frank Buck with Edward Anthony.

Credits: Director, Clyde E. Elliott; music, Gene Rodemich.

BRING 'EM BACK HALF SHOT. (Aesop's Sound Fables) The Van Beuren Corp. 1932. 7 min.

Credits: John Foster, Mannie Davis.

BRING 'EM BACK SOBER. (Mack Sennett Star Comedy) 1932. 2 reels, sd.

Credits: Director, Babe Stafford.

BRING HIM IN. 1921. 6 reels.

Credits: H. H. Van Loan; director, Earle Williams, Robert Ensminger; adaptation, Thomas Dixon, Jr.

BRING ME HIS EARS. SEE Borderland.

BRING ON THE GIRLS. (Broadway Brevity) (Big Time Vaudeville) 1937. 10 min., sd.

BRING ON THE GROOM. (Star Comedy) 1921. 1 reel.

Credits: Director, James Clemens; story, Frank Roland Conklin; scenario, W. Scott Darling.

Credits: Director, Richard Thorpe; story, Christopher B. Booth.

BRINGING HOME FATHER. 1917. 5 reels.

Credits: Director, William Worthington; scenario, Bess Meredyth.

BRINGING HOME THE PUP. 1912. 650 ft.

Credits: Todd Carson.

BRINGING THEM TO THE SALESROOM. 1927. 1 reel.

BRINGING UP BABY. 1938. 11 reels.

Credits: Director, Howard Hawks; story, Hagar Wilde; screenplay, Dudley Nichols, Hagar Wilde; editor, George Hively; music director, Roy Webb.

Credits: Director, Oscar Apfel; story, Charles Sarver; scenario, Clara Beranger.

BRINGING UP BUDDY. Century. 1923. 2 reels.

BRINGING UP FATHER. 1928. 7 reels, sd., b&w. Based on the newspaper cartoon feature by George McManus.

Credits: Producer and director, Jack Conway; story, George McManus; continuity, Frances Marion; film editor, Margaret Booth.

Credits: Screenplay, W. E. Wing.

THE BRINK. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

A BRINY BOOB. (Billy Dooley Comedies) 1926. 2 reels.

Credits: Director, William Watson; story, Sig Herzig.

BRITAIN'S CROWN JEWELS. 1937. 1 reel.

BRITISH AGENT. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 9 reels, sd. Suggested by the book by R. H. Bruce Lockhart.

Credits: Director, Michael Curtiz; screenplay, Laird Doyle; dialogue director, Frank McDonald.

BRITISH GUIANA. (A FitzPatrick Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

BRITT WOOD, THE BOOB, AND HIS HARMONICA. 1927. 1 reel.

Credits: Director, Bryan Foy; music director, Bert Fiske.

BRITTON OF THE SEVENTH. 1915. 4 reels.

Credits: Director, Lionel Belmore.

BROAD DAYLIGHT. 1922. 5 reels.

Credits: Director, Irving Cummings; story, Harvey Gates, George W. Pyper; scenario, Harvey Gates.

BROAD MINDED. 1931. 7 reels, sd.

Credits: Director, Mervyn LeRoy; story, Bert Kalmar, Harry Ruby.

BROADCASTING. (Pen and Ink Vaudeville) 1925. 1 reel.

Credits: Earl Hurd.

BROADENING YOUR MARKET. 1936. Filmstrip, sd.

BROADWAY. Super-Jewel. 1929. 12 reels. Based on the play by Philip Dunning and George Abbott.

Credits: Director, Paul Fejos.

BROADWAY AFTER DARK. 1924. 7 reels. Based on the play by Owen Davis.

Credits: Director, Monta Bell; adaptation, Douglas Z. Doty.

BROADWAY AND HOME. 1920. 5 reels.

Credits: John Lynch; director, Alan Crosland; scenario by the R. Cecil Smiths.

BROADWAY BAB. SEE Ruth of the Rockies. (Serial)

BROADWAY BABIES. Presented by Richard A. Rowland. 1929. 9 reels.

Credits: Producer, Robert North; director, Mervyn Le Roy; story, Jay Gelzer; screen version, Monte Katterjohn; dialogue, Monte Katterjohn, Humphrey Pearson; film editor, Frank Ware.

BROADWAY BABIES. Trailer. 1929. 1 reel, sd.

BROADWAY BAD. 1933. 5,365 ft., sd.

Credits: Director, Sidney Lanfield; story, William R. Lipman, A. W. Pezet; screenplay, Arthur Kober, Maude Fulton; editor, Paul Weatherwax.

BROADWAY BALLYHOO. 1936. 2 reels, sd.

Credits: Director, Roy Mack; continuity, A. Dorian Otvos.

BROADWAY BEAUTIES. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

BROADWAY BILL. Presented by Yorke Film Corp. 1918. 5 reels.

Credits: Written and directed by Fred J. Balshofer.

BROADWAY BILL. 1934. 11 reels, sd.

Credits: Director, Frank Capra; story, Mark Hellinger; screenplay, Robert Riskin; film editor, Gene Havlick.

BROADWAY BLUES. (Educational-Mack Sennett Talking Comedy) 1929. 2 reels.

Credits: Director, Mack Sennett.

BROADWAY BROKE. 1923. 6 reels. From the Saturday Evening Post story by Earl Derr Biggers.

Credits: Director, J. Searle Dawley; scenario, John Lynch.

THE BROADWAY BUBBLE. 1920. 5 reels. From the Young's Magazine story by Leigh Gordon Giltner.

Credits: Director, George L. Sargent.

THE BROADWAY BUCKAROO. (Broadway Brevity) 1939. 20 min., sd.

Credits: Jack Henley; director, Lloyd French.

A BROADWAY BUTTERFLY. 1925. 7 reels.

Credits: Director, William Beaudine; story and adaptation, Darryl Francis Zanuck.

BROADWAY DADDIES. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Fred Windermere; story, Victoria Moore; continuity, Anthony Coldewey; film editor, Arthur Roberts.

THE BROADWAY DRIFTER. Presented by Samuel Zierler. 1927. 6 reels.

Credits: Director, Bernard McEveety; story and continuity, William B. Laub.

THE BROADWAY DRIFTER. Presented by Samuel Zierler. 1927. 6 reels.

Credits: Director, Bernard McEveety; story and continuity, William B. Laub.

BROADWAY FEVER. 1928. 6 reels.

Credits: Director, Edward Cline; story, Viola Brothers Shore; continuity, Lois Leeson; editor, Byron Robinson.

BROADWAY FOLLY. (Walter Lantz Cartoon) 1930. 1 reel, sd.

BROADWAY GALLANT. Released by F. B. O. 1926. 6 reels.

Credits: Director, Mason Noel; story and continuity, Frank Howard Clark.

BROADWAY GOLD. 1923. 7 reels.

Credits: Directors, Edward Dillon, J. Gordon Cooper; story, W. Carey Wonderley; adaptation, Kathryn Harris.

BROADWAY GONDOLIER. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 11 reels, sd.

Credits: Director, Lloyd Bacon; story, Sig Herzig, E. Y. Harburg, Hans Kraly; screenplay, Warren B. Duff, Sig Herzig.

BROADWAY GOSSIP; columnist newsreel. Presented by E. W. Hammons. 1932-33. 1 reel each. © Frank M. Seltzer.

Credits: Reported by Leo Donnelly.

1. © 25Sep32; MP4023.

2. © 11Dec32; MP4009.

3. © 5Feb33; MP4045.

4. © 5Mar33; MP4010.

5. © 30Apr33; MP4226.

6. © 18Jun33; MP4220.

THE BROADWAY HANDICAP. 1935. 1 reel, sd.

BROADWAY HIGHLIGHTS. (Paramount Varieties) Presented by Adolph Zukor. 1935-36. 1 reel each, sd. Series title omitted on no. 6-8.

Credits: Editors, Fred Waller, Milton Hocky, Carl Timin, Fred Rath; narrator, Ted Husing.

1. © 16May35; MP5588.

2. © 27Jun35; MP5691.

3. © 8Aug35; MP5772.

4. © 26Sep35; MP5876.

6. © 3Apr36; MP6365.

[7.] © 4Sep36; MP6810.

8. © 11Dec36; MP7033.

BROADWAY HOOFER. 1929. 7 reels, sd.

Credits: Producer, Harry Cohn; director, George Archainbaud; story and dialogue, Gladys Lehman; film editor, Maurice Wright.

BROADWAY HOSTESS. First National Productions Corp. Presented by First National Productions Corp. and The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Frank McDonald; screenplay, George Bricker; music and lyrics, Allie Wrubel, Mort Dixon.

BROADWAY JONES. 1917. 6 reels. Based on the play by George M. Cohan.

Credits: Director, Joseph Kaufman.

BROADWAY KNIGHTS. 1934. 1 reel, sd.

BROADWAY LADY. F. B. O. 1925. 6 reels.

Credits: Director, Wesley Ruggles; story and continuity, Fred Myton.

BROADWAY LOVE. 1917. 5 reels.

Credits: Adaptation and direction, Ida May Park; story, W. Carey Wonderley.

BROADWAY MADNESS. 1927. 7 reels.

Credits: Director, Burton King; story and continuity, Harry Chandlee.

THE BROADWAY MADONNA. 1922. 6 reels.

Credits: Director, Harry Revier.

THE BROADWAY MALADY. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Rose, Harry Love; music score, Joe De Nat.

THE BROADWAY MELODY. 1929. 10 reels, sd., b&w.

Credits: Director, Harry Beaumont; story, Edmund Goulding; continuity, Sarah Y. Mason; dialogue, Norman Houston; James Gleason; film editor, Sam S. Zimbalist; music, Nacio Herb Brown.

BROADWAY MELODY OF 1936. 1935. 10 reels, sd., b&w.

Credits: Producer, John W. Considine, Jr.; director, Roy Del Ruth; original story, Moss Hart; screenplay. Jack McGowan, Sid Silvers; additional dialogue, Harry Conn; film editor, Blanche Sewell; music and lyrics, Nacio Herb Brown, Arthur Freed.

BROADWAY MELODY OF 1938. 1937. 12 reels, sd., b&w.

Credits: Producer, Jack Cummings; director, Roy Del Ruth; original story, Jack McGowan, Sid Silvers; screenplay, Jack McGowan; film editor, Blanche Sewell; music director, Georgie Stoll; music and lyrics, Nacio Herb Brown, Arthur Freed.

BROADWAY MUSKETEERS. 1938. 8 reels, sd.

Credits: Director, John Farrow; original screenplay, Don Ryan, Kenneth Gamet; film editor, Thomas Pratt; music and lyrics, M. K. Jerome, Jack Scholl.

BROADWAY NIGHTS. Presented by Robert Kane. 1927. 7 reels.

Credits: Director, Joseph C. Boyle; original story, Norman Houston; adaptation, Forrest Halsey.

BROADWAY OR BUST. 1924. 6 reels.

Credits: Director, Edward Sedgwick; story, Edward Sedgwick, Raymond L. Schrock.

THE BROADWAY PEACOCK. 1922. 5 reels, b&w, tinted sequences.

Credits: Director, Charles J. Brabin; story and scenario, Julia Tolsva.

A BROADWAY ROMEO. 1931. 2 reels, sd.

Credits: Director, Mort Blumenstock; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

BROADWAY ROSE. Presented by Robert Z. Leonard. 1922. 8 reels.

Credits: Director, Robert Z. Leonard; story and scenario, Edmund Goulding.

Credits: Director, Harry O. Hoyt; story, Forrest Halsey; scenario, Giles R. Warren.

A BROADWAY SCANDAL. 1918. 5 reels.

Credits: Director, Joseph De Grasse; story, Harvey Gates.

BROADWAY SCANDALS. 1929. 9 reels, sd.

Credits: Producer, Harry Cohn; director, George Archainbaud; story, Howard J. Green; continuity, Gladys Lehman; dialogue, Norman Houston; film editors, Leon Barsha, Ben Pivar.

BROADWAY SERENADE. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels, sd., sepia.

Credits: Original story, Lew Lipton, John Taintor Foote, Hans Kraly; screenplay, Charles Lederer; film editor, Harold F. Kress; music direction, Herbert Stothart.

THE BROADWAY SPORT. 1917. For Fox Film Corp. 5 reels.

Credits: Written and directed by Carl Harbaugh.

BROADWAY THRU A KEYHOLE. Released by United Artists. 1933. 10 reels, sd.

Credits: Associate producers, William Goetz, Raymond Griffith; director, Lowell Sherman; screenplay, Gene Towne, Graham Baker; film editor, Maurice Wright; music director, Alfred Newman; music, Mack Gordon, Harry Revel.

BROADWAY TO CHEYENNE. 1932. 6 reels.

Credits: Producer, Trem Carr; director, Harry Fraser; story and adaptation, Wellyn Totman, Harry Fraser.

BROADWAY TO HOLLYWOOD. 1933. 10 reels, sd., b&w.

Credits: Associate producer, Harry Rapf; director, Williard Mack; screenplay, Willard Mack, Edgar Allan Woolf; film editors, William S. Gray, Ben Lewis; musical arrangement, William Axt.

BROADWAY VARIETIES. Mentone Productions. Presented by Carl Laemmle. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

BROADWAY'S LIKE THAT. SEE Ruth Etting in Broadway's Like That.

BROKE BUT AMBITIOUS. Nestor. 1916. 1 reel.

Credits: Director, Louis William Chaudet; story, Harry Lyons; scenario, Charles F. Wilson.

BROKE OUT. (A Stern Brothers Comedy) (Mike and Ike Series) 1927. 2 reels. From the cartoons "Mike and Ike" by Rube Goldberg.

Credits: Director, Roland Asher.

BROKEN BARRIERS. 1919. 5 reels. Based on a story by Sholom Aleichem [pseud. of Shalom Rabinowitz].

BROKEN BARRIERS. 1924. 6 reels.

Credits: Story, Meredith Nicholson; scenario, Sada Cowan, Howard Higgin.

BROKEN BARRIERS. Presented by Samuel Zierler. 1928. 6,000 ft.

Credits: Director, Burton King; story, Carolyn F. Haywood; scenario and titles, Isadore Bernstein; editor, Lee Anthony.

BROKEN BLOSSOMS. 1919. 6 reels.

Credits: Director, D. W. Griffith; story, Thomas Burke.

Credits: Director, Robert Thornby; story, Clay M. Greene, Joseph R. Grismer; scenario, E. M. Ingleton.

BROKEN CHAINS. 1922. 7 reels.

Credits: Director, Allen Holubar; story, Winifred Kimball; scenario, Carey Wilson.

BROKEN CHINA. (Bobbie Vernon Comedies) Educational. 1926. 2 reels.

Credits: Director, Earle Rodney.

THE BROKEN COIN. 1915. 2 reels each.

Credits: Emerson Hough; producer, Francis Ford; scenario, Grace Cunard.

1. © 14Jun15; LP5559.

2. © 21Jun15; LP5623.

3. © 26Jun15; LP5671.

4. © 3Jul15; LP5730.

5. © 13Jul15; LP5815.

6. © 19Jul15; LP5861.

7. © 26Jul15; LP5917.

8. © 2Aug15; LP6003.

9. Room 22. © 7Aug15; LP6055.

10. © 16Aug15; LP6114.

11. © 23Aug15; LP6174.

12. A Cry in the Dark. © 30Aug15; LP6240.

13. © 4Sep15; LP6289.

14. © 15Sep15; LP6371.

15. The Deluge. © 23Sep15; LP6454.

16. Kitty in Danger. © 28Sep15; LP6508.

17. © 4Oct15; LP6545.

18. The Underground City. © 11Oct15; LP6636.

19. The Sacred Fire. © 18Oct15; LP6711.

20. Between Two Fires. © 26Oct15; LP6773.

21. A Timely Rescue. © 1Nov15; LP6848.

22. An American Queen. © 8Nov15; LP6870.

BROKEN COMMANDMENTS. 1919. 5 reels.

Credits: Director, Frank Beal; story, John Clymer, Ruth Ann Baldwin; scenario, Ruth Ann Baldwin.

BROKEN DISHES. SEE Too Young to Marry.

A BROKEN DOLL. 1921. 5 reels. From the story "Johnny Cucabod" by Wilbur Hall.

Credits: Director, Allan Dwan; adaptation, Lilian Ducey.

THE BROKEN DOLL. 1921. 2 reels. From a story in Cosmopolitan Magazine by Bruno Lessing [pseud. of Rudolph Edgar Block].

Credits: Director, Tom Terris; scenario, G. Marion Burton.

BROKEN DREAMS. 1934. 7 reels, sd.

Credits: Producer, Ben Verschleiser; director, Robert Vignola; story, Olga Printzlau; screenplay, Maude Fulton.

BROKEN FETTERS. 1916. 5 reels.

Credits: Written and produced by Rex Ingram.

THE BROKEN GATE. 1927. 6 reels. From the story by Emerson Hough.

Credits: Director, James C. McKay; continuity, John Francis Natteford; film editor, Merrill White.

THE BROKEN GATE. SEE One Hour of Love.

Credits: Producer, William Robert Daly; scenario, Grace H. Mathewson.

BROKEN HEARTS AND PLEDGES. L-Ko. 1915. 1 reel.

BROKEN HEARTS OF HOLLYWOOD. 1926. 8 reels.

Credits: Director, Lloyd Bacon; story, Raymond L. Schrock, Edward Clark; adaptation, C. Graham Baker.

BROKEN HOMES. 1926. 6 reels.

Credits: Director, Hugh Dierker; adaptation, Lewis Allen Browne.

THE BROKEN LAW. 1915. For Fox Film Corp. 5 reels.

Credits: Producer, Oscar C. Apfel; picturized by Monte M. Katterjohn.

BROKEN LAWS. Released by F. B. O. 1924. 7 reels.

Credits: Producer, Mrs. Wallace Reid; director, R. William Neill; story, Adela Rogers St. Johns; adaptation, Marion Jackson, Bradley King.

BROKEN LULLABY. 1932. 6,945 ft. From the play "The Man I Killed" by Maurice Rostand.

Credits: Producer and director, Ernst Lubitsch; screenplay, Samson Raphaelson, Ernest Vajda; adaptation, Reginald Berkeley.

A BROKEN MELODY. 1913. 1 reel.

Credits: Director, R. T. Thornby.

THE BROKEN MELODY. 1919. 5 reels.

Credits: Director, William P. S. Earle; story, Ouida Bergere, Dorothy Farnum; editor, Duncan Mansfield.

THE BROKEN PLEDGE. 1915. 1 reel.

THE BROKEN ROSE. 1914. 1 reel.

BROKEN SHADOWS. 1922. 5 reels. From the novel "Nance" by Charles Garvice.

Credits: Adapted and directed by Albert Ward.

THE BROKEN SILENCE. 1922. 6 reels.

Credits: Director, Dell Henderson; story, James Oliver Curwood; scenario, Thomas F. Fallon.

THE BROKEN SPUR. Bison. 1916. 2 reels.

Credits: Director, Ben Wilson; story, Phil Hunt; adaptation, J. Grubb Alexander.

BROKEN STATUES. (Benny Rubin Talkie) 1929. 1 reel, sd.

Credits: Director, Walter Fabian; story and dialogue, Benny Rubin.

Credits: Screenplay, Fritz Bernhardt.

BROKEN THREADS. SEE The Man from Funeral Range.

Credits: Director, Arthur Ashley; story, Woodbridge Clapp.

THE BROKEN TOY. Imp. 1915. 2 reels.

Credits: Olga Printzlau Clark; producer, Lucius Henderson.

BROKEN TOYS. (Silly Symphony) 1936. 1 reel.

Credits: Producer, Hardee Kirkland.

THE BROKEN VIOLIN. Presented by Arrow. 1923. 6 reels.

Credits: Director, Jack Dillon; story, George R. Rogan; scenario, L. Case Russell.

BROKEN WEDDING BELLS. 1930. 2 reels.

Credits: Story and direction, Lewis R. Foster.

THE BROKEN WING. Presented by B. P. Schulberg. 1923. 75 min. Adapted from the Broadway play by Paul Dickey and Charles W. Goddard.

Credits: Producer and director, Tom Forman; adaptation, Paul Dickey, Charles W. Goddard.

THE BROKEN WING. 1932. 8 reels, sd. From the play by Paul Dickey and Charles Goddard.

Credits: Director, Lloyd Corrigan; screenplay, Grover Jones, William Slavens McNutt.

THE BROKEN WORD. 1915. 1,000 ft.

Credits: W. Carey Wenderly; director, Frank McGlynn.

THE BROKEN WRIST. 1915. 1 reel.

THE BROKEN X. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

BROKERS' FOLLIES. Tru Pictures Co., Inc. 1937. 1 reel, sd.

Credits: Director, Ben K. Blake; story, I. A. Jacoby; music director, Milton Schwarzwald.

Credits: Supervision, Tom Collins; story and direction, David V. Wall.

THE BRONC STOMPER. 1928. 6 reels.

Credits: Director, Leo D. Maloney; story, Barr Cross; adaptation, Ford I. Beebe.

BRONCHO AND THE LAND GRABBER. 1915. 1 reel.

BRONCHO BILLY AND THE BABY. 1915. 1 reel.

BRONCHO BILLY AND THE CARD SHARP. 1915. 1 reel.

BRONCHO BILLY AND THE CLAIM JUMPERS. 1914. 1 reel.

BRONCHO BILLY AND THE ESCAPED BANDIT. 1914. 1 reel.

BRONCHO BILLY AND THE FALSE NOTE. 1915. 1 reel.

BRONCHO BILLY AND THE LUMBER KING. 1915. 1 reel.

BRONCHO BILLY AND THE POSSE. 1915. 1 reel.

BRONCHO BILLY AND THE SISTERS. 1914. 1 reel.

BRONCHO BILLY AND THE VIGILANTE. 1915. 1 reel.

BRONCHO BILLY BEGINS LIFE ANEW. 1915. 1 reel.

BRONCHO BILLY EVENS MATTERS. 1915. 1 reel.

BRONCHO BILLY MISLED. 1915. 1 reel.

BRONCHO BILLY, SHEEPMAN. 1915. 1 reel.

BRONCHO BILLY STEPS IN. 1915. 1 reel.

BRONCHO BILLY WELL REPAID. 1915. 1 reel.

BRONCHO BILLY'S BROTHER. 1915. 1 reel.

BRONCHO BILLY'S COWARDLY BROTHER. 1915. 1 reel.

BRONCHO BILLY'S GREASER DEPUTY. 1915. 1 reel.

BRONCHO BILLY'S LOVE AFFAIR. 1915. 1 reel.

BRONCHO BILLY'S MARRIAGE. 1915. 1 reel.

BRONCHO BILLY'S MEXICAN WIFE. 1915. 1 reel.

BRONCHO BILLY'S PARENTS. 1915. 1 reel.

BRONCHO BILLY'S PROTEGE. 1915. 1 reel.

BRONCHO BILLY'S SENTENCE. 1915. 1 reel.

BRONCHO BILLY'S TEACHINGS. 1915. 1 reel.

BRONCHO BILLY'S VENGEANCE. 1915. 1 reel.

BRONCHO BILLY'S WORD OF HONOR. 1915. 1 reel.

THE BRONCHO BUSTER. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Ernst Laemmle; story, Raymond Cannon.

THE BRONCHO KID. 1920. 2 reels.

Credits: Director, Mack V. Wright; story and scenario, Arthur Henry Gooden.

THE BRONCHO TWISTER. 1927. 6 reels.

Credits: Director, Orville Dull; story, Adela Rogers St. Johns; scenario, John Stone.

BRONCHO'S SURRENDER. 1915. 1 reel.

THE BRONCO BUSTER. 1927. 1 reel.

Credits: Paul Terry and Frank Moser.

BRONCO BUSTER. (A Walter Lantz Cartoon) Snappy. 1935. 1 reel, sd.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation, Fred Kopietz, Lester Kline, Bill Mason, La Verne Harding.

THE BRONZE BELL. Ince-Vance Paramount. 1921. 6 reels. From the book by Louis Joseph Vance.

Credits: Supervision and photoplay, Thomas H. Ince; director, James Horne; continuity, Del Andrews, Louis Stevens.

THE BRONZE BRIDE. Red Feather. 1917. 5 reels.

Credits: Director, Henry McRae; scenario, Maud Grange, W. B. Pearson.

BROODING EYES. 1926. 6 reels. From the novel "The Man with the Brooding Eyes" by John Goodwin.

Credits: Director, Edward Le Saint; adaptation and continuity, Mary Alice Scully, Pierre Gendron.

THE BROODING HEART. 1915. 1 reel.

THE BROOK. 1917. 1 reel. Based on the poem by Alfred, Lord Tennyson.

BROOK EVANS. SEE The Right to Love.

BROOKS AND ROSS, TWO BOYS AND A PIANO. 1928. 1 reel.

A BROTH OF A BOY. 1915. 1 reel.

Credits: Felicia Blake; director, Carlton King.

BROTHER COULD YOU SPARE A MILLION. 1933. 693 ft.

Credits: Director, Ralph Staub; story, Ken Murray.

BROTHER FOR SALE. (Sunny-Jim Comedy) 1930. 2 reels, sd.

Credits: Director, Harold Beaudine.

BROTHER GOLFERS. (Sportscope, no. 9) 1938. 11 min., sd.

Credits: Frank R. Donovan; supervision, Frederick Ullman, Jr.

BROTHER JIM. Big U. 1916. 1 reel.

Credits: Calder Johnstone.

BROTHER RAT. First National. 1938. 9 reels, sd. From the play by John Monks, Jr. and Fred F. Finklehoffe.

Credits: Director, William Keighley; screenplay, Richard Macaulay, Jerry Wald.

BROTHERLY LOVE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jess Robbins.

BROTHERLY LOVE. 1928. 7 reels, sd., b&w. Based on the story "Big-hearted Jim" by Pettersen Marzoni.

Credits: Director, Charles F. Riesner; screenplay, Earl Baldwin; continuity, Earl Baldwin, Lew Lipton; film editor, George Hively.

BROTHERLY LOVE. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

BROTHERS. 1930. 8 reels, sd. Based on the stage play by Herbert Ashton, Jr.

Credits: Producer, Harry Cohn; director, Walter Lang; adaptation and continuity, John Thomas Neville, Charles R. Condon; dialogue, Sidney Lazarus; film editor, Gene Havlick.

BROTHERS. SEE

The Forbidden Woman.

Woman Trap.

A BROTHER'S LOYALTY. 1916. 2 reels.

A BROTHER'S SACRIFICE. 1917. 1 reel.

Credits: C. Chester Wesley; director, F. J. Grandin.

BROTHERS UNDER THE SKIN. 1922. 6 reels.

Credits: Director, E. Mason Hopper; story, Peter B. Kyne.

BROUGHT HOME. 1915. 2 reels.

BROWN & WHITAKER IN A LAUGH OR TWO. 1928. 1 reel, sd.

BROWN & WHITAKER IN THE PARK. 1928. 1 reel, sd.

THE BROWN DERBY. Presented by C. C. Burr. 1926. 7 reels. From the musical comedy by F. S. Merlin and Brian Marlow.

Credits: Director, Charles Hines; story, Bert Wheeler.

THE BROWN DERBY. (Toby the Pup, no. 8) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

BROWN EYES AND BANK NOTES. 1919. 2 reels.

Credits: Director, Jim Davis.

BROWN GOLD. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

BROWN GRAVEY. 1929. 2 reels, sd.

Credits: Director, William Watson; dialogue and adaptation, Kendall Evans.

BROWN OF HARVARD. Presented by William N. Selig. 1917. 6 reels. From the play and book by Rida Johnson Young and Gilbert P. Coleman.

Credits: Arranged and directed by Harry Beaumont.

BROWN OF HARVARD. 1926. 8 reels. From the stage play by Rida Johnson Young.

Credits: Director, Jack Conway; screenplay, A. P. Younger; adaptation, Donald Ogden Stewart; film editor, Frank Davis.

BROWNIE THE PEACEMAKER. Century. 1920. 2 reels.

Credits: Director, W. Taylor.

BROWNIE'S BABY DOLL. Century. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

BROWNIE'S BUSY DAY. 1919. 2 reels.

Credits: Director, J. A. Howe.

BROWNIE'S DOGGONE TRICKS. 1919. 2 reels.

BROWNIE'S LITTLE VENUS. Century. 1921. 2 reels.

Credits: Story and direction, Fred Fishback.

BROWN'S COOK. 1914. Split reel.

Credits: Producer, Hardee Kirkland.

THE BROWNS SEE THE FAIR. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey.

BROWN'S SUMMER BOARDERS. 1915. 1 reel.

Credits: Director, George Ridgwell.

BRUCE BAIRNSFATHER IN A STUDIO SCENE; Creator of the Character Old Bill Sketching Old Bill While Talking. 1927. 1 reel, sd.

BRUCE BOWERS IN ARTISTIC MIMICRY. 1929. 1 reel, sd.

BRUIN TROUBLE. Nestor. 1918. 1 reel.

BRUNETTES PREFER GENTLEMEN. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Supervised and produced by Jack White; director, Charles Lamont.

THE BRUSH INDUSTRY. Powers. 1916. 1/2 reel.

Credits: Moe Tumpowsky.

THE BRUTE. 1913. 1 reel.

Credits: Director, Hardee Kirkland.

THE BRUTE. 1927. 7 reels. From the novel by W. Douglas Newton.

Credits: Director, Irving Cummings; scenario, Harvey Gates.

THE BRUTE BREAKER. 1919. 6 reels.

Credits: Director, Lynn F. Reynolds; scenario, Lynn F. Reynolds, D. Barrett.

BRUTE FORCE. Bison. 1917. 2 reels.

Credits: Director, A. W. Rice; story, Eustace Hale Ball; scenario, Earl R. Hewett.

THE BUBBLE OF LOVE. Rex. 1917. 2 reels.

Credits: Director, Douglas Gerrard; story, E. M. Ingleton; scenario, Alice Von Saxmar.

THE BUBBLE PARTY. 1930. 1 reel, sd.

BUBBLES. Special Imp. 1916. 1 reel.

Credits: Director, Herbert Brenon.

Credits: Basil Krieder; director, Wayne Mack.

BUBBLES. (Out of the Inkwell) 1922. 1 reel.

Credits: Director, Dave Fleischer; drawn by Max Fleischer.

BUBBLES AND TROUBLES. (Cubby Bear Cartoons) (Aesop's Sound Fables) 1933. 1 reel.

Credits: Mannie Davis.

BUBBLING OVER. Presented by Radio Pictures. 1934. 2 reels, sd.

Credits: Supervision, Monroe Shaff; director, Leigh Jason; story, Bert Branet, Burnet Hershey.

THE BUCCANEER. Presented by Adolph Zukor. 1938. 13 reels, sd. Based on an adaptation of "LaFitte the Pirate" by Lyle Saxon.

Credits: Producer and director, Cecil B. De Mille; screenplay, Edwin Justus Mayer, Harold Lamb, C. Gardner Sullivan; adaptation, Jeanie Macpherson; film editor, Anne Bauchens; music director, Boris Morros; music, George Antheil.

BUCHANAN'S WIFE. 1918. 5 reels. Based on the novel by Justus Miles Forman.

Credits: Director, Charles J. Brabin; scenario, Adrian Johnson.

BUCK PRIVATES. Jewel. 1927. 7 reels.

Credits: Direction and adaptation, Melville Brown; story, Stuart N. Lake; continuity, John B. Clymer.

Credits: Producer, Frederick Huntley.

BUCK ROGERS. 1939. 2 reels each, sd. Based on the newspaper feature by Phil Nowlan and Lt. Dick Calkins. © Universal Pictures Co., Inc.

Credits: Directors, Forde Beebe, Saul A. Goodkind; original story and screenplay, Norman S. Hall, Ray Trampe.

1. Tomorrow's World. © 6Feb39; LP8612.

2. Tragedy on Saturn. © 6Feb39; LP8613.

3. The Enemy's Stronghold. © 6Feb39; LP8614.

4. The Sky Patrol. © 6Feb39; LP8615.

5. The Phantom Plane. © 6Feb39; LP8616.

6. The Unknown. © 13Feb39; LP8636.

7. Primitive Urge. © 13Feb39; LP8637.

8. Revolt of the Zuggs. © 23Feb39; LP8660.

9. Bodies Without Minds. © 28Feb39; LP8680.

10. Broken Barriers. © 13Mar39; LP8704.

11. A Prince in Bondage. © 28Mar39; LP8738.

12. War of the Planets. © 28Mar39; LP8739.

BUCK SIMMONS, PUNCHER. Bison. 1916. 2 reels.

Credits: Written and produced by Leon Kent.

A BUCKAROO BROADCAST. 1938. 2 reels, sd.

Credits: Producer, Bert Gilray; director, Jean A. Yarbrough; story, George Jeske, Gay Stevens; film editor, John Lockert; music and lyrics, Earl Norman, Willie Phelps.

THE BUCKAROO KID. Jewel. 1926. 6 reels. From the story, "O Promise Me" by Peter B. Kyne.

Credits: Director, Lynn Reynolds.

BUCKIN' THE LINE. Century. 1923. 2 reels.

Credits: Written and directed by Al. Herman.

BUCKING BROADWAY. Butterfly. 1917. 5 reels.

Credits: Producer, Harry Carey; director, Jack Ford; story, George Hively.

BUCKING SOCIETY. 1916. 2 reels.

BUCKING THE BARRIER. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, Colin Campbell; story, George Goodchild; scenario, Jack Strumwasser.

BUCKING THE BIG FOUR. SEE Bringin' Home the Bacon.

BUCKING THE HANDICAP. (A Grantland Rice Sportlight) 1927. 1 reel.

Credits: Producer, John L. Hawkinson.

BUCKING THE LINE. 1921. 5 reels, b&w, tinted sequences.

Credits: Director, Carl Harbaugh; story, Francis Lynde.

BUCKING THE TIGER. Presented by Lewis J. Selznick. 1921. 6 reels.

Credits: Director, Henry Kolker; play, May Tully, Achmed Abdullah.

BUCKING THE TRUTH. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Milburn Morante; story and continuity, J. Inman Kane.

THE BUCKSHOT FEUD. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

BUCKSKIN DAYS. 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Basil Dickey.

THE BUCKSKIN SHIRT. 1915. 1 reel.

BUD COOPER AND SAMMY STEPT. 1927. 1 reel, sd.

BUD HARRIS AND FRANK RADCLIFFE IN AT THE PARTY. 1929. 1 reel, sd.

Credits: Producer, Colin Campbell.

BUDDHIST TEMPLES AND WORSHIPPERS. 1913. 1 reel.

BUDDIE THE DENTIST. (Looney Tunes) 1935. 7 min., sd.

Credits: Production, Leon Schlesinger; supervision, Ben Hardaway; animation, Jack King, Rollin Hamilton; musical score, Norman Spencer.

BUDDING YOUTH. Century. 1924. 2 reels.

BUDDY AND TOWSER. (Looney Tunes, no. 5) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; animation, Jack King, Bob McKimson; musical score, Norman Spencer.

BUDDY AT THE BAT. Century. 1923. 2 reels.

BUDDY DOYLE SINGING GEORGIANA [and others]. 1927. 1 reel, sd.

BUDDY DOYLE SINGING TAKE IN THE SUN [and others]. 1927. 1 reel, sd.

BUDDY IN AFRICA. (Looney Tunes, no. 6) Vitaphone. 1935. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway; animation, Jack Carr, Don Williams; music, Norman Spencer.

BUDDY OF THE APES. (Looney Tunes) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, J. B. Hardaway; animation, Paul Smith, Sandy Walker; musical score, Bernard Brown.

BUDDY OF THE LEGION. (Looney Tunes) Vitaphone. 1935. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway; animation, Charles Jones, Bob Clampett; music, Bernard Brown.

BUDDY STEPS OUT. (Looney Tunes) 1935. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Charles Jones, Bob Clampett; music, Bernard Brown.

BUDDY THE DETECTIVE. (Looney Tunes, no. 12) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Paul Smith, Don Williams; musical score, Bernard Brown.

BUDDY THE GEE MAN. (Looney Tunes, no. 10) 1935. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Sandy Walker, Cal Dalton; music, Norman Spencer.

BUDDY THE GOB. (Looney Tunes, no. 4) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; animation, Jack King, Ben Clopton; musical score, Norman Spencer.

BUDDY THE WOODSMAN. (Looney Tunes) 1934. 1 reel, sd.

Credits: Production, Leon Schlesinger; supervision, Jack King; animation, Paul Smith, Don Williams; musical score, Bernard B. Brown.

BUDDY TRAPS IN SOUND EFFECTS. 1930. 1 reel, sd.

BUDDY'S ADVENTURES. (Looney Tunes) 1935. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway; animation, Bob McKimson, Don Williams; musical score, Bernard B. Brown.

BUDDY'S BEARCATS. (Looney Tunes) 1934. 1 reel, sd.

Credits: Animation, Ben Clopton.

BUDDY'S BEER GARDEN. (Looney Tunes, no. 2) 1934. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; animation, Jack King, Tish Tash; musical score, Norman Spencer.

BUDDY'S BUG HUNT. (Looney Tunes, no. 8) Vitaphone. 1935. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Bob McKimson, Paul Smith; music, Norman Spencer.

BUDDY'S CIRCUS. (Looney Tunes, no. 11) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Bob McKimson, Ben Clopton; musical score, Norman Spencer.

BUDDY'S DAY OUT. (Looney Tunes, no. 1) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; animation, Bill Mason; musical score, Frank Marsales.

BUDDY'S DOWNFALL. 1914. 1 reel.

Credits: Director, Tefft Johnson.

BUDDY'S FIRST CALL. 1914. 1 reel.

Credits: Director, Tefft Johnson.

BUDDY'S GARAGE. (Looney Tunes, no. 6) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; animation, Jack King, Sandy Walker; musical score, Bernard Brown.

BUDDY'S LOST WORLD (Looney Tunes) 1936. 1 reel.

Credits: Animation, Rollin Hamilton, Sandy Walker.

BUDDY'S PONY EXPRESS. (Looney Tunes) Vitaphone. 1935. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway; animation, Cal Dalton, Ben Clopton; music, Bernard Brown.

BUDDY'S SHOW BOAT. (Looney Tunes, no. 3) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; animation, Jack King, James Fabian; musical score, Norman Spencer.

BUDDY'S THEATRE. (Looney Tunes) 1935. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway; animation, Don Williams, Sandy Walker; music, Norman Spencer.

BUDDY'S TROLLEY TROUBLES. (Looney Tunes, no. 7) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; animation, Ben Clopton, Frank Tipper; musical score, Norman Spencer.

BUESSER DER SCHULD. SEE The Atonement.

BUFFALO BILL'S LAST FIGHT. 1927. 2 reels, color. A story inspired by the deeds of Colonel William F. Cody.

Credits: Supervision, Samuel Bischoff; director, John W. Noble; story, Russell Hickson.

BUFFALO JIM. 1914. 1 reel.

BUG CARNIVAL. Presented by E. W. Hammons. 1937. 602 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

THE BUG HOUSE. (Toby the Pup Series) Winkler Film Corp. 1930. 1 reel.

THE BUG MAN. SEE Social Sinners.

BUGHOUSE COLLEGE DAYS. (Aesop's Sound Fable) 1929. 1 reel, sd.

Credits: Paul Terry.

THE BUGLE CALL. 1915. 1 reel.

Credits: Director, E. A. Martin.

THE BUGLE CALL. 1927. 6 reels, b&w.

Credits: Director, Edward Sedgwick; story, C. Gardner Sullivan; adaptation, Josephine Lovett; titles, Frederic Hatton, Fanny Hatton; film editor, Sam S. Zimbalist.

BUGLE FROM THE BLUE GRASS. (Sports with Bill Corum, no. 2) 1935. 1 reel.

THE BUGLER. Big U. 1917. 1 reel.

THE BUGLER OF ALGIERS. 1916. 5 reels. Based on the novel "We Are French" by Perley Poore Sheehan and Robert H. Davis.

Credits: Director, Rupert Julian; scenario, Elliott J. Clawson.

BUGS AND BOOKS. (Aesop's Sound Fable, no. 9) 1932. 7 min., sd.

Credits: John Foster, Mannie Davis.

BUGS BEETLE AND HIS ORCHESTRA. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, John Foster; music, Paul A. Scheib.

BUGS IN LOVE. (Silly Symphony, no. U. A. 4) 1932. 1 reel.

BUGS MY DEAR! (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank Conklin.

A BUGVILLE ROMANCE. (Aesop Fable) 1930. 1 reel.

Credits: John Foster, Harry Bailey.

BUICK BOWS TO THE PRESIDENT. 1936. 1 reel, sd.

THE BUILD-UP. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

THE BUILDERS. 1931. 2 reels.

BUILDERS OF BRIDGES. 1928. 1 reel.

Credits: Robert C. Bruce.

BUILDERS OF CASTLES. 1917. 5 reels.

Credits: Henry Albert Phillips; director, Ben Turbett.

BUILDING A BUDGET BUSINESS. 1937. For U. S. Tire Dealers Mutual Corp. Filmstrip, 128 frames, sd.

BUILDING A BUILDING. (Mickey Mouse, no. U. A. 8) 1932. 1 reel.

BUILDING A CLIENTELE. (Educational Film Service, v. 26) 1931. 1 reel.

BUILDING A PERMANENT BUSINESS OF YOUR OWN. 1930. Filmstrip, 67 frames.

BUILDING A SALES PRESENTATION. (Educational Film Service, v. 10) 1930. Filmstrip.

BUILDING CUSTOMER LOYALTY AND GOOD-WILL. 1937. 1 reel, sd.

BUILDING FOR QUALITY. Ford Motion Picture Laboratories. 1927. 2 reels.

THE BUILDING OF BOYS. 1939. Produced with the cooperation of the Boys' Clubs of America, Inc. 1 reel, sd.

Credits: Producer, T. W. Willard; narrator, Lowell Thomas; commentator, Clem McCarthy.

BUILDING THE SAN FRANCISCO-OAKLAND BAY BRIDGE. 1937. 35 mm.

BUILDING UP THE HEALTH OF A NATION, FEATURING BERNARR MCFADDEN. Powers. 1915-16. © Universal Film Mfg. Co., Inc.

1. © 29Dec15; MP478.

2. © 12Jan16; MP487.

3. © 26Jan16; MP502.

4. © 9Feb16; MP520.

BUILDING WINNERS. (Grantland Rice Sports-Eye-View, no. 1) 1932. 1 reel.

Credits: Director, Jack Eaton.

BUILT ON A BLUFF. 1924. 2 reels.

Credits: Director, Charles Lamont.

THE BULL FIGHT. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1935. 546 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE BULL THROWER. Rainbow. 1920. 2 reels.

Credits: Written and directed by J. A. Howe.

THE BULL THROWER. (Toby the Pup, no. 12) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

THE BULL TOSSER. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story, William E. Wing.

BULLDOG COURAGE. 1936. 6 reels, sd.

Credits: Producers, Sig Neufeld, Leslie Simmonds; director, Sam Newfield; story, Frances Guihan, Joseph O'Donnell; film editor, Roy Luby.

BULLDOG DRUMMOND. 1929. 10 reels. Based on the play by Sapper [pseud. of Herman Cyril McNeile].

Credits: Produced and directed by F. Richard Jones; scenario, Wallace Smith; dialogue, Sidney Howard; film editor, Viola Lawrence.

BULLDOG DRUMMOND AGAIN. SEE Bulldog Drummond Escapes.

BULLDOG DRUMMOND AND THE ORIENTAL MIND. SEE Bulldog Drummond's Bride.

BULLDOG DRUMMOND AT BAY. 1937. 7 reels, sd. Adapted from the novel by H. C. McNeile.

Credits: Director, Norman Lee; screenplay, James Parrish, Patrick Kirwan; film editor, J. Corbett.

BULLDOG DRUMMOND COMES BACK. Presented by Adolph Zukor. 1937. 6 reels, sd. Based on "The Female of the Species" by H. C. "Sapper" McNeile.

Credits: Director, Louis King; screenplay, Edward T. Lowe; film editor, Jimmy Smith.

BULLDOG DRUMMOND ESCAPES. Presented by Adolph Zukor. 1937. 7 reels, sd. Based on the play "Bulldog Drummond Again" by Sapper [pseud. of H. C. McNeile] and Gerard Fairlie.

Credits: Director, James Hogan; screenplay, Edward T. Lowe; film editor, William Shea.

BULLDOG DRUMMOND IN AFRICA. Presented by Adolph Zukor. 1938. 6 reels, sd. Based on the novel "Challenge" by H. C. "Sapper" McNeile.

Credits: Producer, Harold Hurley; director, Louis King; screenplay, Garnett Weston; film editor, Anne Bauchens.

BULLDOG DRUMMOND STRIKES BACK. 1934. 9 reels, sd. Based on the novel by Sapper [pseud. of Herman Cyril McNeile].

Credits: Director, Roy Del Ruth; screenplay, Nunnally Johnson; adaptation, Henry Lehrman.

BULLDOG DRUMMOND'S BRIDE. 1939. 6 reels, sd. Based on the novel "Bulldog Drummond and the Oriental Mind" by H. C. (Sapper) McNeile.

Credits: Director, James Hogan; screenplay, Stuart Palmer, Garnett Weston; film editor, Chandler House.

BULLDOG DRUMMOND'S PERIL. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on "The Third Round" by H. C. (Sapper) McNeile.

Credits: Director, James Hogan; screenplay, Stuart Palmer; film editor, Ed Dmytryk.

BULLDOG DRUMMOND'S REVENGE. Presented by Adolph Zukor. 1937. 6 reels, sd. Based on "The Return of Bulldog Drummond" by H. C. (Sapper) McNeile.

Credits: Director, Louis King; screenplay, Edward T. Lowe; film editor, Arthur Schmidt.

BULLDOG DRUMMOND'S SECRET POLICE. 1939. 6 reels, sd. Based on "Temple Tower" by H. C. (Sapper) McNeile.

Credits: Director, James Hogan; screenplay, Garnett Weston.

BULLDOG EDITION. 1936. 6 reels. Adapted from "Back in Circulation" by Danny Ahearn.

Credits: Producer, Nat Levine; supervision, William Berke; director, Charles Lamont; original story, Richard English; screenplay, Richard English, Karen De Wolf.

BULLDOG PLUCK. 1927. 5 reels. Adapted from the story "Hardwick of Hambone" by W. Bert Foster.

Credits: Director, Jack Nelson; continuity, Evanne Blasdale, Madeline Matzen.

BULLDOZING THE BULL. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

BULL-ERO. (Paul Terry-Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

THE BULLET MARK. 1928. 5 reels.

Credits: Director, Stuart Paton; story, Harry Wood; scenario, Joseph Roach.

BULLET PROOF. 1920. 5 reels.

Credits: Director, Lynn F. Reynolds; story, John Frederick.

BULLETIN 70. Bray Pictures Corp. 1920. 3 reels.

Credits: Director, Jamison Handy.

BULLETS AND BONEHEADS. 1917. 2 reels.

Credits: Director, Craig Hutchison.

Credits: Supervision, Thomas H. Ince; director, Scott Sidney; scenario, J. G. Hawks.

BULLETS AND BROWN EYES. 1916. 5 reels.

BULLETS OR BALLOTS. First National. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1936. 9 reels.

Credits: Director, William Keighley; story, Martin Mooney, Seton I. Miller; screenplay, Seton I. Miller.

BULLIES AND BULLETS. 1916. 1 reel.

Credits: Graham Baker, Lawrence Semon; director, Lawrence Semon.

BULLIES AND BULLETS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

Credits: Written and directed by Frank L. Donovan.

BULLMANIA. 1931. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Billy House; dialogue staged by Max E. Hayes.

BULL-ONEY. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Animation, Walt Lantz, Tom Palmer.

BULLONEY. (A Flip the Frog Cartoon) 1933. 1 reel, sd.

BULLS AND BEARS. (Educational-Mack Sennett Talking Comedies) 1930. 20 min., sd.

Credits: Director, Mack Sennett.

THE BULL'S EYE. Universal Special. 1917-18. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Director, James W. Horne; story, Blaine Pearson, Harvey Gates, Henry McRae, James W. Horne; scenario, Harvey Gates, Tom Gibson, Frank H. Clark.

1. First Blood. © 13Dec17; LP11837.

2. The Fearless One. © 13Dec17; LP11838.

3. Desperate Odds. © 5Jan18; LP11910.

4. Still in the Ring. © 17Jan18; LP11966.

5. The Swing of Death. © 17Jan18; LP11967.

6. On the Brink. © 17Jan18; LP11968.

7. Riding Wild. © 12Feb18; LP12048.

8. The Flaming Crisis. © 12Feb18; LP12065.

9. Dynamite. © 16Feb18; LP12066.

10. Coyotes of the Desert. © 18Feb18; LP12085.

11. Fired. © 27Feb18; LP12107.

12. Burning Sands. © 11Mar18; LP12180.

13. Sold at Auction. © 16Mar18; LP12181.

14. The Firing Squad. © 27Mar18; LP12240.

15. The Stained Face. © 4Apr18; LP12272.

16. Running Wild. © 18Apr18; LP12318.

17. In Irons. © 27Apr18; LP12345.

18. The Runaway. © 7May18; LP12394.

Credits: Producer, John L. Hawkinson.

BULL'S EYES FROM BREAKDOWNS. 1936. For Ward Baking Co. 1 reel.

THE BULLSHIVIKS. (Star Comedy) 1919. 2 reels.

Credits: Directed by Lyons-Moran.

THE BULLY. (A Flip the Frog Cartoon) 1932. 1 reel.

Credits: Director, James Douglass.

BULLY BEEF. 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

A BULLY FROG. (Terry Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; music, Philip A. Scheib.

A BULLY PAIR. (Star Comedy) 1922. 1 reel.

THE BULLY'S END. (Aesop's Fables) The Van Beuren Corp. 1933. 1 reel.

Credits: Harry Bailey.

THE BUM BANDIT. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

A BUM BOMB. Nestor. 1918. 1 reel.

Credits: Written and produced by John McDermott.

BUM-BUM-BUM. 1917. 15 min.

BUM GRAFTERS. 1923. 1 reel.

BUM SLICKERS. 1923. 1 reel.

A BUM STEER. (Krazy Kat) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

BUM VOYAGE. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Nick Grinde; film editor, Louis McManus.

BUMPING ALONG. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

BUMPING INTO HOLLYWOOD. (Mirthquake Comedy) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Glen Lambert.

BUMS AND BOARDERS. 1918. 2 reels.

Credits: Director, Gilbert Pratt; story, Montgomery and Rock.

BUN VOYAGE. 1932. 1 reel, sd.

Credits: Directors, Frank Cambria, Ray Cozine.

A BUNCH OF KEYS. 1915. 5 reels.

Credits: Charles Hoyt.

A BUNCH OF KISSES. Century. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

A BUNCH OF MATCHES. 1915. 1 reel.

BUNCO BILL'S VISIT; or, TEACHING HIM A LESSON. 1914. 1 reel.

Credits: Director, George Baker.

A BUNDLE OF BLUES. 1933. 1 reel, sd.

A BUNDLE OF TROUBLE. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Karl R. Coolidge.

BUNGALOW TROUBLES. 1920. 2 reels.

Credits: Director, Albert Austin.

BUNGALOWING. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Thomas J. Gray.

BUNGLED BUNGALOWS. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

BUNGS AND BUNGLERS. 1919. 2 reels.

Credits: Director, Noel Smith; story, Anthony W. Coldeway.

BUNKER BATTLERS. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

BUNKER BEAN. 1936. 7 reels, sd. From the play by Lee Wilson Dodd, based on the novel by Harry Leon Wilson.

Credits: Associate producer, William Sistrom; directors, William Hamilton, Edward Killy; screenplay, Edmund North, James Gow, Dorothy Yost.

BUNKERED. 1919. 2 reels.

Credits: Director, Mrs. Sidney Drew.

BUNNIES AND BONNETS. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. Adapted from the cartoon character by George Herriman. 1 reel.

Credits: Producer, Charles Mintz; adaptation, Ben Harrison, Manny Gould; animation, Al Eugster, Preston Blair; musical score, Joe De Nat.

BUNNY BACKSLIDES. 1914. 1 reel.

Credits: Director, George D. Baker.

BUNNY BUYS A HAREM. 1914. 1 reel.

BUNNY BUYS A HAT FOR HIS BRIDE. 1914. 1 reel.

BUNNY FOR THE CAUSE. 1913. 1 reel.

Credits: Director, Wilfrid North.

BUNNY IN BUNNYLAND. 1915. 1 reel.

BUNNY-MOONING. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

BUNNY'S BIRTHDAY. 1914. 1 reel.

Credits: Director, George D. Baker; screenplay, Frederick Piano.

BUNNY'S LITTLE BROTHER. 1914. 2 reels.

Credits: Director, George D. Baker.

BUNNY'S MISTAKE. 1913. 1 reel.

Credits: Director, George D. Baker.

BUNNY'S SCHEME. 1914. 1 reel.

Credits: Director, George D. Baker; story, E. R. Cooper.

BUNNY'S SWELL AFFAIR. 1914. 1 reel.

BUNTY PULLS THE STRINGS. 1920. 7 reels.

Credits: Supervision and direction, Reginald Barker; story, Graham Moffat; scenario, J. G. Hawks, Charles Kenyon.

THE BURDEN BEARER. Big U. 1915. 1 reel.

Credits: J. McGrew Willis; producer, Burton King.

THE BURDEN OF PROOF. 1918. 5 reels. Based on a novel by Victorien Sardou.

BUREAU OF MISSING PERSONS. 1933. 8 reels. Based on the story "Missing Men" by John H. Ayers and Carol Bird.

Credits: Director, Roy Del Ruth; screenplay, Robert Presnell.

THE BURGLAR. Victor. 1916. 1 reel.

Credits: R. A. Dillon; director, P. C. Hartigan.

Credits: Director, Harley Knoles; scenario, Virginia Tyler Hudson.

THE BURGLAR. 1924. 2 reels.

Credits: Director, George E. Marshall; story, Richard Harding Davis; scenario, Robert P. Kerr.

THE BURGLAR. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Dick Barrows, Frank Capra; screen editor, William Hornbeck.

THE BURGLAR. Presented by Radio Pictures. 1929. 2 reels, sd.

Credits: Supervision, Dick Currier; director, Dudley Murphy; editor, Russell Sheilds.

THE BURGLAR. SEE The Family Secret.

BURGLAR BY PROXY. 1919. 5 reels.

Credits: Jack Dillion.

A BURGLAR BY REQUEST. Nestor. 1917. 1 reel.

Credits: Fred Palmer, C. B. Hoadley; director, Louis William Chaudet.

THE BURGLAR GODFATHER. 1915. 1 reel.

BURGLAR PROOF. 1920. 5 reels.

Credits: Story, William Slavens McNutt.

A BURGLAR TO THE RESCUE. (Shadow Series) 1931. 2 reels.

Credits: Adapted and directed by George Cochrane; story, Herman Landon.

Credits: Producer, Lem B. Parker.

BURGLARIOUS BILLY. 1915. 1 reel.

Credits: Director, Lee Beggs.

BURGLARS. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario, Doty Hobart.

A BURGLAR'S BRIDE. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, Allen Curtis.

BURIED ALIVE. Big U. 1917. 1 reel.

BURIED ALIVE. SEE His Double Life.

A BURIED CITY. 1915. 1 reel.

BURIED LOOT. (Crime Does Not Pay Series, no. 1) 1935. 2 reels, sd., b&w.

Credits: Screenplay and direction, George B. Seitz; story, Marty Brooks.

BURIED TREASURE. 1919. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Scenario and direction, Kenneth Webb.

BURIED TREASURE. Cosmopolitan Productions. 1921. 7 reels.

Credits: Elaborated and directed by George D. Baker; story, F. Britten Austin.

BURIED TREASURE. (Scenic Novelties) 1927. 1 reel.

BURIED TREASURE. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

Credits: Supervision, Robert Allen.

THE BURIED TREASURE OF COBRE. 1915. 3 reels.

Credits: Director, Frank Beal.

THE BURIED TREASURES OF CEYLON, AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

BURKE AND DURKIN IN A TÊTE-A-TÊTE IN SONGS. 1929. 1 reel, sd.

BURKESES AMY. SEE The Hoodlum.

BURLESQUE. (Paul Terry Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

BURLESQUE. SEE The Dance of Life.

BURMA, RANGOON, INDIA. 1912. 350 ft.

BURN-'EM-UP BARNES. Presented by Nat Levine. 1934. 2 reels each, except no. 1 which is 3 reels.

Credits: Directors, Colbert Clark, Armand Schaefer; story, John Rathmell, Colbert Clark; screenplay, Al Martin, Armand Schaefer, Barney Sarekey, Sherman Lowe; supervising editor, Wyndham Gittens.

1. King of the Dirt Tracks.

2. The News Reel Murder.

3. The Phantom Witness.

4. The Celluloid Clue.

5. The Decoy Driver.

6. The Crimson Alibi.

7. Roaring Rails.

8. The Death Crash.

9. The Man Higher Up.

10. The Missing Link.

11. Surrounded.

12. The Fatal Whisper.

BURN 'EM UP O'CONNOR. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w. Based on a book by Sir Malcolm Campbell.

Credits: Director, Edward Sedgwick; screenplay, Milton Merlin, Byron Morgan; film editor, Ben Lewis; music score, David Snell.

BURN WITCH BURN. SEE The Devil Doll.

BURNED AT THE STEAK. (The Great Hokum Mystery) (A Johnnie Walker Novelty) Atlas Sound Studios. Educational Film Exchanges, Inc. Presented by E. W. Hammons. 1932. 1,622 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

THE BURNING BAND. (Is Marriage Sacred?) 1916. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

BURNING BRIDGES. 1928. 6 reels.

Credits: Director, James P. Hogan; story, Jack Boyle; adaptation, Edw. J. Meagher.

BURNING DAYLIGHT. C. E. Shurtleff, Inc. 1920. 6 reels. From the story by Jack London.

Credits: Director, Edward Sloman; scenario, A. S. Le Vino.

BURNING DAYLIGHT. Presented by Richard A. Rowland. 1928. 7 reels. From the story by Jack London.

Credits: Producers, Charles J. Brabin, Wid Gunning; adaptation and continuity, Louis Stevens.

BURNING GOLD. Presented by Winchester Pictures. 1936. 6 reels, sd.

Credits: Director, Sam Newfield; story, Stuart Anthony; screenplay, Earl Snell.

THE BURNING QUESTION. 1919. 8 reels.

Credits: Story, O. E. Goebel, Condé B. Pallen.

BURNING SANDS. 1922. 7 reels. From the novel by Arthur Weigall.

Credits: Adaptation, Olga Printzlau, Waldemar Young.

THE BURNING SILENCE. Bison. 1917. 2 reels.

Credits: Written and directed by A. W. Rice.

BURNING THE CANDLE. 1917. 72 min.

Credits: Turner White; arranged and directed by Harry Beaumont.

BURNING THE WIND. Jewel. 1928. 6 reels. Suggested by the novel "A Daughter of the Dons" by William MacLeod Raine.

Credits: Directors, Henry MacRae, Herbert Blache.

BURNING TIMBER. (Outdoor Sketches) Presented by E. W. Hammons. 1927. 1 reel.

Credits: Robert C. Bruce.

THE BURNING TRAIL. 1925. 5 reels. From the novel "Sundown Slim" by Henry Herbert Knibbs.

Credits: Director, Arthur Rosson.

BURNING UP. 1930. 5,251 ft.

Credits: Director, A. Edward Sutherland; story, William Slavens McNutt, Grover Jones.

BURNING UP BROADWAY. Presented by Sterling Productions, Inc. 1928. 66 mm.

Credits: Supervision and production, Joe Rock; director, Philip Rosen; story, Norman Houston; continuity, Frances Guiban.

BURNING WORDS. 1923. 5 reels.

Credits: Director, Stuart Paton; story and scenario, Harrison Jacobs.

BURNING YOUTH. (Sid Saylor Comedy) 1929. 2 reels.

Credits: Director, Gus Meins; story, T. Page Wright, Bill Weber.

BURNS AND ALLEN IN LAMBCHOPS. 1929. 1 reel, sd.

BURNS AND KISSEN IN DANK YOU. 1928. 1 reel, sd.

BURNT OFFERING. SEE A Passport to Hell.

BURNT UP. (Krazy Kat, no. 18) 1927. 1 reel.

BURNT WINGS. 1920. 5 reels. From the play "The Primrose Path" by Bayard Veiller.

Credits: Director, William Christy Cabanne; scenario, Percy Heath, William Christy Cabanne.

BURY THE HATCHET. 1937. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Al Ray.

THE BUSH LEAGUER. 1927. 7 reels.

Credits: Director, Howard Bretherton; story, Charles Gordon Saxton; scenario, Harvey Gates.

THE BUSHER. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerry Storm; story, Earle Snell; scenario, R. Cecil Smith.

THE BUSHRANGER. 1928. 7 reels, sd., b&w.

Credits: Director, Chet Withey; story, Madeleine Ruthven; continuity, George C. Hull; titles, Paul Perez; film editor, William Le Vanway.

BUSINESS AND PLEASURE. 1931. 7,158 ft., sd. From the play "The Plutocrat" by Arthur Goodrich, based on the novel by Booth Tarkington.

Credits: Associate producer, A. L. Rockett; director, Dave Butler; adaptation and dialogue, William Conselman; editor, Irene Morra.

BUSINESS BEFORE HONESTY. 1918. 2 reels.

Credits: Director, Charles Parott.

BUSINESS BEFORE PLEASURE. SEE In Hollywood with Potash and Perlmutter.

A BUSINESS ENGAGEMENT. 1925. 2 reels.

Credits: Director, Albert Ray; story, Mabel Herbert Urner; scenario, Catherine Carr.

BUSINESS IN GREAT WATERS. 1930. 2 reels, sd.

Credits: Direction and narration, Charles W. Barrell.

BUSINESS IS A PLEASURE. 1934. 2 reels, sd.

Credits: Director, Eddie Cline; story, Edmund Joseph, Barry Trivers.

BUSINESS IS AS GOOD AS YOU MAKE IT. 1928. 1 reel.

BUSINESS IS BEST. SEE The Girl from Chicago.

BUSINESS IS BUSINESS. Broadway Universal. 1915. 6 reels.

Credits: Producer, Otis Turner; story, Octave Mirabeau; scenario, F. McGrew Willis.

BUSINESS IS BUSINESS. 1921. 2 reels.

Credits: Director, Erie Kenton.

THE BUSINESS OF LIFE. 1918. 5 reels.

Credits: Director, Tim Terris; story, Robert W. Chambers.

BUSINESS RIVALS. 1915. 2 reels.

Credits: Henry C. Rowland.

Credits: Director, Twede-Dan [pseud. of F. Perez].

BUSINESS WORRIES. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

BUSSE RHYTHM. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

BUSTED BLOSSOMS. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1934. 1 reel, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

BUSTED HEARTS AND BUTTERMILK. Nestor. 1917. 1 reel. A burlesque "Just a Woman's Way" by Lincoln J. Carter.

A BUSTED HONEYMOON. 1916. 1 reel.

THE BUSTER. 1923. 5 reels.

Credits: Director, Colin Campbell; story, William Patterson White; scenario, Jack Strumwasser.

BUSTER AND HIS GOAT. 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

BUSTER BE GOOD. (Buster Brown Series) Special Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

BUSTER BROWN AND THE GERMAN BAND. (Buster Brown Cartoons) 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

Credits: Director, Charles H. France.

BUSTER BROWN CARTOONS. SEE Stop Barking.

BUSTER BROWN CAUSES A COMMOTION. 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

Credits: Director, Charles H. France.

BUSTER BROWN GETS THE WORST OF IT. 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

BUSTER BROWN ON THE CARE AND TREATMENT OF GOATS. 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

Credits: Director, Charles H. France.

BUSTER BROWN PICKS OUT THE COSTUMES. (Buster Brown Cartoons) 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

Credits: Director, Charles H. France.

BUSTER BROWN'S EDUCATION. 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

Credits: Director, Charles H. France.

BUSTER BROWN'S UNCLE. 1914. 1 reel. From the cartoons of "Buster Brown" by R. F. Outcault.

BUSTER COME ON. (Buster Brown Special) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Francis Corby.

BUSTER, DON'T FORGET. (Stern Brothers Comedy) 1926. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Gus Meins.

BUSTER HELPS DAD. (Stern Bros. Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER MINDS THE BABY. (A Stern Brothers Comedy) 1928. 2 reels. From cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

BUSTER SHOWS OFF. (Stern Brothers Comedy) (Buster Brown Special) 1927. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Roland Asher.

BUSTER STEPS OUT. (Stern Brothers Comedy) (Buster Brown Comedy) 1927. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Francis Corby.

BUSTER TRIMS UP. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

BUSTER, WATCH TIGE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER, WHAT'S NEXT? (Stern Brothers Comedy) 1927. 2 reels. From the cartoons of R. F. Outcault.

Credits: Director, Gus Meins.

BUSTER'S BIG CHANCE. (Buster Brown Series) (Stern Brothers Comedy) 1927. 2 reels. From the cartoons of R. F. Outcault.

Credits: Director, Francis Corby.

BUSTER'S BUST-UP. (Buster Brown Comedy) Century. 1925. 2 reels.

BUSTER'S DARK MYSTERY. (Stern Brothers Comedy) 1926. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Gus Meins.

BUSTER'S FRAME-UP. (Buster Brown Series) (Stern Brothers Comedy) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S GIRL FRIEND. (Stern Brothers Comedy) (Buster Brown Special) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S HANDICAP. (Stern Brothers Comedy) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S HEART-BEATS. (Stern Brothers Comedy) Century. 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S HOME LIFE. (Buster Brown Special) (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Francis Corby.

BUSTER'S HUNTING PARTY. (Buster Brown) (Stern Brothers Comedy) Century. 1925. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S INITIATION. (Buster Brown Series) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S MIX UP. (Buster Brown) Century. 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S NARROW ESCAPE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S NIGHTMARE. Century. 1925. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S NOSE DIVE. Century. 1925. 2 reels.

BUSTER'S ORPHAN PARTY. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S PICNIC. (Stern Bros. Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S PRIZE WINNER. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S SKYROCKET. Century. 1925. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S SLEIGH RIDE. (Stern Bros. Comedy) (Buster Brown Series) 1926. 2 reels.

Credits: Director, Gus Meins.

BUSTER'S SPOOKS. (Stern Bros. Comedy) 1929. 2 reels. From the "Buster Brown" cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

BUSTER'S WHIPPET RACE. (A Stern Brothers Comedy) (Buster Brown Series) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Francis Corby.

BUSTIN' THRU. (Blue Streak Western) 1925. 5 reels.

Credits: Director, Clifford S. Smith; story and continuity, Buckleigh Oxford.

BUSTING BUSTER. (A Stern Brothers Comedy) 1928. 2 reels. From cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

BUSTING IN AND OUT OF SOCIETY. 1916. 1 reel.

Credits: Produced and written by Ralph Whiting.

BUSTING INTO SOCIETY. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE BUSY BARBER. (Oswald Cartoon) Snappy. 1932. 1 reel.

BUSY BARCELONA. (Around the World with Burton Holmes) 1930. 1 reel, sd.

Credits: Narrator, Burton Holmes.

THE BUSY BEAVERS. (Silly Symphony Cartoon, no. 19) 1931. 1 reel.

THE BUSY BEE. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

THE BUSY BELL BOY. 1915. 1,000 ft.

BUSY BIRDS. SEE Krazy Kat in Busy Birds.

BUSY BODIES. (A Grantland Rice Sportlight) 1927. 1 reel.

Credits: Producer, John L. Hawkinson.

BUSY BODIES. (Hal Roach Comedy) (Laurel-Hardy Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordan.

BUSY BUS. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Preston Blair; musical score, Joe de Nat.

BUSY FINGERS. 1929. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

BUSY LITTLE BEARS. (Paramount Paragraphics) 1939. 1 reel, sd.

Credits: Director, John A. Haeseler; continuity, Justin Herman; editor, Leslie Roush; narrator, Frank Crumit.

BUSY LIZZIE. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Producer and supervisor, Jack White; director, James Jones.

BUT A BUTLER. (Broadway Comedy) 1922. 2 reels.

Credits: Producer, Morris R. Schlank; director, Al. Santell.

BUT THE FLESH IS WEAK. 1932. 8 reels, sd., b&w. From the play "Truth Game" by Ivor Novello.

Credits: Director, Jack Conway; continuity and dialogue, Ivor Novello; film editor, Tom Held.

THE BUTCHER BOY. 1917. 2 reels.

THE BUTCHER BOY. (Pooch the Pup Comedy) Snappy. 1932. 1 reel.

THE BUTLER. 1915. 1,000 ft.

Credits: William Addison Lathrop; director, George Ridgwell.

THE BUTLER. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

THE BUTLER'S BLUNDER. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; story, W. Warren Schoene.

THE BUTLER'S BUSTED ROMANCE. Sterling. 1915. 1 reel.

THE BUTLER'S FIRE. SEE Firing the Butler.

BUTTER AGAIN. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE BUTTER AND EGG MAN. Presented by Richard A. Rowland. 1928. 7 reels. From the play by George S. Kaufman.

Credits: Producer and director, Richard Wallace; adaptation, Adelaide Heilbron.

THE BUTTER AND EGG MAN. SEE

Dance Charlie Dance.

The Tenderfoot.

A BUTTER-IN YEGGMAN. 1931. 2 reels.

Credits: Direction and story, Henry Lehrman; screenplay, George Plympton.

BUTTERFLIES. 1931. 1 reel, sd.

BUTTERFLIES AND ORANGE BLOSSOMS. 1914. 1 reel.

BUTTERFLIES IN THE RAIN. Jewel. 1926. 8 reels. From the novel by Andrew Soutar.

Credits: Director, Edward Sloman.

THE BUTTERFLY. 1914. 2 reels.

Credits: Director, Charles L. Gaskill.

BUTTERFLY. Universal Jewel. 1924. 7 reels.

Credits: Director, Clarence Brown; scenario, Olga Printzlau.

THE BUTTERFLY MAN. 1925. 2 reels.

Credits: Director, Lewis Seiler; story, Andrew Bennison.

Credits: Story and screen adaptation, Neal Hart.

THE BUTTERFLY'S LESSON. 1915. 1 reel.

Credits: Director, William Humphrey.

THE BUTTERFLY'S WINGS. 1914. 1,000 ft.

Credits: Producer, Thomas Santschi.

BUTTING IN. 1914. 1 reel.

BUTTING IN ON BABY. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

BUTTON MY BACK. (Tired Business Man Series, no. 4) 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Phil Whitman, Jefferson Moffitt.

BUTTONS. 1927. 7 reels, sd., b&w.

Credits: Story, production, and direction, George Hill; adaptation, Hayden Talbot; continuity, Marian Constance Blackton; film editor, Sam S. Zimbalist.

Credits: Screenplay, C. C. Converse.

THE BUYER FROM CACTUS CITY. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; picturized by Stanley Olmstead.

BUYING A GUN. 1929. 1 reel, sd.

Credits: Harry Grattan; directed and adapted by Henry W. George.

BUYING BY COMPARISON. 1927. 1 reel.

BUYING THE USED CAR. 1927. 1 reel.

THE BUZZARD'S PREY. Special Imp. 1916. 1 reel.

BUZZIN' AROUND. 1933. 2 reels, sd.

BUZZY BOOP. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

BUZZY BOOP AT THE CONCERT. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

BY A STRANGE ROAD. 1914. 1 reel. Adapted from The Smart Set Magazine.

BY APPOINTMENT. 1930. 1 reel, sd.

Credits: Screen direction, Mort Blumenstock; dialogue direction, Max E. Hayes.

BY APPOINTMENT ONLY. 1933. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

BY CANDLELIGHT. Presented by Carl Laemmle. 1933. 7 reels, sd. From the stage play by Siegfried Geyer.

Credits: Producer, Carl Laemmle, Jr.; director, James Whale; screenplay, Hans Kraly, Karen De Wolf, F. Hugh Herbert, Ruth Cummings; additional dialogue, Karen De Wolf; film editor, David Berg.

BY CONSCIENCE'S EYE. Rex. 1916. 1 reel.

Credits: Producer, George Cochrane; story, A. Moore; scenario, Fred Myton.

BY CORRESPONDENCE. Snappy. 1928. 1 reel.

Credits: Director, Ansel Friedberger; story, Victor Potel; continuity, George H. Plympton.

BY DIVINE RIGHT. Released by Film Booking Offices of America, Inc. 1924. 7 reels.

Credits: Director, R. William Neill; adaptation, Adam Hall Shirk; scenario, Joseph Von Sternberg.

BY FIRE AND WATER. 1913. 1 reel.

Credits: Ashley Miller.

BY GEORGE. (Stern Brothers Comedy) (Let George Do It Series) 1926. 2 reels.

Credits: Director, Francis Corby.

BY GOLLY! 1920. 2 reels.

Credits: Director, Charles Murray.

BY HECK. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

Credits: Director, Dell Henderson; story, Harry O. Hoyt; scenario, Clara S. Beranger.

Credits: Producer, John L. Hawkinson.

BY INDIAN POST. 1919. 2 reels.

Credits: Director, Jack Ford; story, William Wallace Cook; scenario, H. Tipton Steck.

BY INJUNCTION. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, Lucian Hubbard.

BY LAND AND AIR. (Fable, no. 424) 1929. 1 reel.

Credits: John Foster.

BY LOVE REDEEMED. 1915. 3 reels.

Credits: Director, C. Jay Williams.

BY MIGHT OF HIS RIGHT. 1915. 1 reel.

Credits: Director, Sidney Drew.

BY MUTUAL AGREEMENT. 1913. 1 reel.

Credits: Lillian E. Sweetser.

BY PARCEL POST. 1914. 1 reel.

Credits: Harry G. Bates.

BY PERSONS UNKNOWN. (Minute Mysteries) 1934. 1 reel, sd. From the story "Death Back Stage" by H. A. Ripley.

Credits: Director, D. Ross Ledermann; screenplay, Harold Shumate.

BY REQUEST. (Melody Master) 1936. 10 min., sd.

Credits: Director, Roy Mack; continuity, Cyrus Wood.

BY RETURN MALE. Imp. 1915. 1 reel.

Credits: Written and produced by Mr. Clements.

BY RIGHT OF CONQUEST. SEE The Isle of Conquest.

BY RIGHT OF LOVE. 1916. 2 reels.

Credits: Director, Leon D. Kent.

BY RIGHT OF POSSESSION. 1917. 5 reels.

Credits: Alvah Milton Kerr; director, William Wolbert; adaptation, Garfield Thompson.

BY RIGHT OF PURCHASE. 1918. 6 reels.

Credits: Director, Charles Miller; story, Margery Land Mason.

BY SPESHUL DELIVERY. Victor. 1917. 1 reel.

Credits: Director, George L. Sargent; scenario, Karl Coolidge.

BY STORK DELIVERY. 1916. 2 reels.

BY THE BEAUTIFUL SEA. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

BY THE CAMP FIRE. SEE X. Cugat and Company in By the Camp Fire.

BY THE FLIP OF A COIN. 1915. 2 reels.

BY THE GOVERNOR'S ORDER. 1914. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillord.

BY THE LIGHT OF THE SILVERY MOON. 1931. 1 reel, sd.

Credits; Max Fleischer; director, Dave Fleischer.

BY THE SEA. 1915. 1 reel.

BY THE SEA. Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

BY THE SEA. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

BY THE WATERS OF MINNETONKA. (Musical Moods) 1934. 1 reel, sd., color. Based on the musical score by Thurlow Lieurance.

Credits: Producer, John L. Hawkinson.

BY THE WORLD FORGOT. 1918. 5 reels.

Credits: Director, Dave Smith; story, Cyrus Townsend Brady; scenario, F. R. Buckley.

BY THIS SIGN YOU WILL CONQUER. SEE In Hoc Signo Vinces.

Credits: Director, James Durkin; scenario, Channing Pollock, Rennold Wolf.

BY WHOSE HAND? 1927. 6 reels.

Credits: Producer, Harry Cohn; director, Walter Lang.

BY WHOSE HAND? 1932. 7 reels, sd.

Credits: Director, Ben Stoloff; story, Harry Adler; dialogue and continuity, Isadore Bernstein, Stephen Roe; film editor, Maurice Wright.

BY YOUR LEAVE. 1934. 9 reels, sd. From the play by Gladys Hurlbut and Emma B. C. Wells.

Credits: Producer, Pandro S. Berman; director, Lloyd Corrigan; screenplay, Allan Scott; editor, William Morgan; music director, Max Steiner.

BYE-GONES. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Glen Lambert, Jack Henley.

C. D. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

C'EST PAREE. 1932. 2 reels, sd., color.

Credits: Director, Roy Mack; story, Jack Henley, Glen Lambert.

C. O. D. 1914. 4 reels.

Credits: Director, Tefft Johnson.

CAB CALLOWAY'S HI-DE-HO. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Fred Waller; story, Milton Hocky, Fred Rath.

CAB CALLOWAY'S JITTERBURG PARTY. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller.

CAB WAITING. 1931. 2 reels, sd.

Credits: Director, Norman Taurog; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

THE CABALLERO'S WAY. SEE The Border Terror.

Credits: Director, Harley Knoles; story, J. U. Geisy; scenario, Virginia Tyler Hudson.

CABARET. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels.

Credits: Director, Robert G. Vignola; story, Owen Davis; screenplay, Becky Gardiner.

THE CABARET. (Fable, no. 429) 1929. 1 reel.

Credits: Paul Terry, Frank Moser.

CABARET. SEE Sensation Hunters.

THE CABARET GIRL. 1918. 5 reels.

Credits: Director, Douglas Gerrard; story, Hope Loring; scenario, Fred Myton.

THE CABARET SCRATCH. 1917. 1 reel.

Credits: Supervision, J. G. Blystone; director, Craig Hutchinson.

THE CABBAGE QUEEN. Century. 1918. 2 reels.

THE CABBY. Century. 1922. 2 reels.

Credits: Written and directed by Al. Herman.

THE CABIN IN THE COTTON. 1932. 8 reels. Based on the novel by Harry Harrison Kroll.

Credits: Director, Michael Curtiz; screenplay, Paul Green.

A CABINET MEETING. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery; story, Jack Henley.

THE CABINET OF DR. CALIGARI. 1921. 6 reels.

Credits: Director, Robert Wiene; story, Karl Mayer, Hans Janowitz.

CABIRIA. New Edition. Presented by Harry R. Raver. 1921. 9 reels.

Credits: Producer, Gabriele D'Annunzio; director, Giovanni Pastrone.

CABMAN KATE. 1915. 1 reel.

Credits: Director, C. J. Williams.

CACTUS CABALLEROS. Presented by E. W. Hammons. 1938. 2 reels, sd.

Credits: Director, William Watson; story, Billy K. Wells.

THE CACTUS CURE. 1925. 5 reels.

Credits: Director, Ward Hayes.

CACTUS JAKE, HEART-BREAKER. 1914. 1 reel.

Credits: Director, Tom Mix.

CACTUS JIM'S SHOP GIRL. 1915. 1 reel.

THE CACTUS KID. 1921. 2 reels.

Credits: Producer, Ed (Hoot) Gibson; story and scenario, George Morgan.

THE CACTUS KID. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1930. 1 reel.

THE CACTUS KING. (The Little King) 1934. 1 reel. Based on "The Little King" cartoon by O. Soglow.

Credits: Director, George Stallings; animation, Jim Tyler.

CACTUS TRAILS. Released by F. B. O. 1927. 5 reels.

Credits: Director, Percy Pembroke; story, W. Bert Foster; continuity, George Merrick.

A CAD. Rex. 1916. 1 reel.

Credits: Raymond L. Schrock; producer, Ben Wilson; scenario, Dwight Cleveland.

THE CADDY. Century. 1923. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

CADET CHAMPIONS. 1937. 841 ft., sd.

Credits: Narration, Jack Kofoed; described by Ford Bond.

CAESAR'S GHOST. (Star Comedy) 1922. 1 reel.

CAESAR'S WIFE. SEE Infatuation.

CAFE BOHEME. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

CAFE HOSTESS. 1939. 7 reels, sd.

Credits: Director, Sidney Salkow; story, Tay Garnett, Howard Higgin; screenplay, Harold Shumate; film editor, Al Clark; music director, M. W. Stoloff.

A CAFE IN CAIRO. Presented by Hunt Stromberg and Charles R. Rogers. Released by Producers Distributing Corp. 1924. 6 reels. From the novel by Izola Forrester.

Credits: Supervision, Hunt Stromberg; director, Chet Withey; adaptation, Harvey Gates; editor, Harry L. Decker.

CAFE METROPOLE. 1937. 7,496 ft., sd.

Credits: Director, Edward H. Griffith; original story, Gregory Ratoff; screenplay, Jacques Deval; music, Louis Silvers.

CAFÉ RENDEZVOUS. Nu-Atlas. Presented by RKO Radio Pictures, Inc. 1938. 1 reel, sd.

Credits: Director, Milton Schwarzwald; orchestrations, Jack Schaindlin.

CAFE SOCIETY. 1939. 9 reels, sd.

Credits: Producer, Jeff Lazarus; director, Edward H. Griffith; original story and screenplay, Virginia Van Upp; film editor, Paul Weatherwax.

THE CAGE MAN. Bison. 1916. 2 reels.

Credits: Story, Harold C Burr; scenario and production, Jacques Jaccard.

CAGEY LOVE. 1925. 2 reels.

Credits: Written and directed by Jess Robbins.

THE CAILLAUX CASE. 1918. 7 reels.

Credits: Director, Richard Stanton; scenario, Adrian Johnson.

CAIN AND MABEL. Cosmopolitan. 1936. 90 min., sd.

Credits: Director, Lloyd Bacon; story, H. C. Witwer; screenplay, Laird Doyle; film editor, William Holmes; music director, Leo F. Forbstein; music and lyrics, Harry Warren, Al Dubin.

CAIN AND MABEL. SEE The Great White Way.

CAIRO, CITY OF CONTRAST. (James A. Fitzpatrick's Traveltalks) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Jack Shilkret.

CAL MARVIN'S WIFE. 1915. 3 reels.

Credits: Director, Ulysses Davis.

Credits: Screenplay, Louise Lester.

CALCUTTA. 1927. 1 reel.

CALDERON'S PRISONER. SEE Something Different.

Credits: Director, Ernest Traxler; story and scenario, Tom Cushing.

CALEB WEST, MASTER DIVER. SEE Deep Waters.

THE CALENDAR. SEE Bachelor's Folly.

THE CALGARY STAMPEDE. Universal-Jewel. 1925. 6 reels.

Credits: Director, Hubert Blache; story, Raymond L. Schrock.

CALIBRE 38. 1919. 6 reels.

Credits: Story, Roy Middleton.

THE CALICO CAT. 1914. 1 reel. An adaptation of the novelette by Charles M. Thompson.

THE CALICO DRAGON. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

CALIENTE LOVE. 1933. 2 reels, sd.

Credits: Director, George Marshall.

CALIFORNIA. 1927. 6 reels. From the story by Peter B. Kyne.

Credits: Director, W. S. Van Dyke; continuity, Frank Davis; titles, Marian Ainslee, Ruth Cummings; film editor, Basil Wrangel.

CALIFORNIA. (The Spirit of the Campus) Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil.

CALIFORNIA ALLIGATOR INDUSTRY. 1914. 1 reel.

CALIFORNIA FRONTIER. Coronet Pictures, Inc. 1938. 6 reels, sd.

Credits: Director, Elmer Clifton; original story and screenplay, Monroe Shaff, Arthur Hoerl; film editor, Charles Hunt.

CALIFORNIA GIANTS. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Commentary, Justin Herman; editor, Leslie Roush; narrator, Alois Havrilla.

CALIFORNIA IN 1878. SEE Fighting Thru.

CALIFORNIA IN '49. 1924. 6 reels.

Credits: Director, Jacques Jaccard; story, Karl Coolidge.

THE CALIFORNIA MAIL. Presented by Charles R. Rogers. 1929. 6 reels.

Credits: Supervision, Harry J. Brown; director, Albert Rogell; story, Marion Jackson.

CALIFORNIA MAIL. 1936. 6 reels, sd.

Credits: Director, Noel Smith; original story, Harold Buckley; screenplay, Roy Chanslor, Harold Buckley.

CALIFORNIA MISSIONS. (World on Parade, no. 9) 1937. 1 reel.

Credits: Text, Harold McCracken; narration, Alois Havrilla.

CALIFORNIA OR BUST. Released by F.B.O. 1927. 7 reels.

Credits: Director, Phil Rosen; story and continuity, Byron Morgan.

Credits: Supervision, S. S. Hutchinson.

A CALIFORNIA ROMANCE. 1922. 5 reels, b&w, tinted sequences.

Credits: Director, Jerome Storm; story, Jules G. Furthman; scenario, Charles E. Banks.

THE CALIFORNIA SCRAP-BOOK. 1915. 1 reel.

Credits: Fred Wade.

CALIFORNIA STRAIGHT AHEAD. Universal Jewel. 1925. 8 reels.

Credits: Story, Harry A. Pollard, Byron Morgan.

CALIFORNIA STRAIGHT AHEAD. 1937. 7 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original story, Herman Boxer; screenplay, Scott Darling; film editors, Charles Craft, Erma Horsley; music director, Charles Previn.

THE CALIFORNIA TRAIL. 1933. 7 reels, sd.

Credits: Director, Lambert Hillyer; story, Jack Natteford.

CALIFORNIA WEATHER. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Joseph A. Fields; film editor, Charles Kimball.

THE CALIFORNIAN. 1937. 7 reels, sd. From the story by Harold Bell Wright.

Credits: Director, Gus Meins; screenplay, Gilbert Wright; adaptation, Gordon Newell.

A CALIPH OF THE NEW BAGDAD. 1916. 3 reels.

THE CALL. 1913. 2 reels.

Credits: Director, Ralph Ince; picturized by Marguerite Bertsch.

CALL A COP. 1921. 2 reels.

Credits: Director, Mal St. Clair.

CALL A COP. Educational Pictures. 1925. 2 reels.

Credits: Director, Walter Graham.

CALL A COP! (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

CALL A MESSENGER. 1939. 7 reels, sd.

Credits: Associate producer, Ken Goldsmith; director, Arthur Lubin; original story, Sally Sandlin, Michele Kraike; screenplay, Arthur T. Horman; film editor, Charles Maynard.

CALL AGAIN. 1928. 2 reels.

Credits: Director, Jay A. Howe; story, J. T. Crizer, James Davis.

THE CALL FOR HELP. Special Big U. 1917. 2 reels.

Credits: Written and directed by Henry McRae.

CALL HER SAUSAGE. (A Hal Roach Taxi Boys Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; editor, William Terhune.

CALL HER SAVAGE. 1932. 7,900 ft., sd. From the novel by Tiffany Thayer.

Credits: Director, John Francis Dillon; screenplay, Edwin Burke; editor, Harold Schuster.

CALL IT A DAY. Cosmopolitan. 1937. 10 reels. From the play by Dodie Smith.

Credits: Director, Archie L. Mayo; screenplay, Casey Robinson.

CALL IT LUCK. 1934. 5,850 ft., sd.

Credits: Director, James Tinling; story, Dudley Nichols, George Marshall; screenplay, Dudley Nichols, Lamar Trotti; adaptation, Joseph Cunningham, Harry McCoy; music director, Samuel Kaylin.

A CALL LOAN. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; scenario, Robert A. Sanborn.

THE CALL OF COURAGE. 1922. 2 reels.

Credits: Director, Albert Russell; story and scenario, George Morgan.

THE CALL OF COURAGE. (Blue Streak Western) 1925. 5 reels. From the story "Red Dawn" by Harold Shumate.

Credits: Director, Clifford S. Smith.

THE CALL OF DUTY. 1921. 2 reels.

Credits: Producer, Edward Kull; story, William Piggott; scenario, George H. Plympton.

THE CALL OF HAZARD. Mustang. 1925. 2 reels.

Credits: Director, William A. Crinley; story and continuity, George Hively.

THE CALL OF HER CHILD. 1915. 1 reel.

THE CALL OF HER PEOPLE. Columbia Pictures Corp. 1917. 7 reels. Adapted from the play "Egypt" by Edward Sheldon.

Credits: Director, John V. Noble; scenario, June Mathis.

THE CALL OF HOME. 1922. 6 reels.

Credits: Director, L. J. Gasnier; story, George Agnew Chamberlain; scenario, Eve Unsell.

THE CALL OF MOHAMMED. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel.

THE CALL OF MOTHERHOOD. 1915. 1,000 ft.

THE CALL OF THE BLOOD. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, George Morgan.

THE CALL OF THE CANYON. Paramount. Presented by Jesse L. Lasky. 1923. 7 reels. From the novel by Zane Grey.

Credits: Director, Victor Fleming; adaptation, Doris Schroeder, Edfrid Bingham.

THE CALL OF THE CITY. 1915. 1,000 ft.

Credits: Mark Swan; director, Harry Beaumont.

CALL OF THE CUCKOO. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde A. Bruckman; editor, Richard Currier.

THE CALL OF THE CUMBERLANDS. 1916. 5 reels.

THE CALL OF THE EAST. 1917. 5 reels.

Credits: Director, George H. Melford; story, Beulah Marie Dix.

CALL OF THE FLESH. 1930. 11 reels, sd.

Credits: Director, Charles Brabin; story, Dorothy Farnum; dialogue, John Colton; film editor, Conrad A. Nervig.

THE CALL OF THE FOOTLIGHTS. 1914. 1 reel.

Credits: Director, Charles H. France.

CALL OF THE HEART. 1927. 5 reels.

Credits: Director, Francis Ford; story and continuity, Basil Dickey.

THE CALL OF THE NORTH. 1914. 5 reels. Adapted from the novel "Conjuror's House" by Stewart Edward White and the play by George Broadhurst.

Credits: Producer, Jesse L. Lasky; director, Cecil B. De Mille.

THE CALL OF THE NORTH. 1921. 5 reels. From the novel "Conjuror's House" by Stewart Edward White.

Credits: Director, Joseph Henabery; adaptation, Jack Cunningham.

THE CALL OF THE PAST. Imp. 1916. 2 reels.

Credits: Harvey Gates; directors, William Lowery, Charles Mack.

CALL OF THE PRAIRIE. Presented by Adolph Zukor. 1936. 7 reels. From "Hopalong Cassidy's Protégé" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; screenplay, Doris Schroeder, Vernon Smith; adaptation, Doris Schroeder; film editor, Edward Schroeder; lyrics and music, Tot Seymour, Vee Lawnhurst.

CALL OF THE ROCKIES. Presented by Leon Goetz and Albert Dezel. Released by Road-Show Pictures, Inc. 1931. 8 reels.

Credits: Supervision, Leon Goetz, Albert Dezel; director, Raymond K. Johnston; film editor, George McQuire; music arrangement, Dell Youngmeyer.

CALL OF THE ROCKIES. 1938. 6 reels, sd.

Credits: Director, Allen James; original screenplay, Ed Earl Repp.

THE CALL OF THE SAVAGE. 1935. 2 reels each. From the story "Jan of the Jungle" by Otis Adelbert Kline. © Universal Pictures Corp.

Credits: Director, Louis Friedlander; screenplay, Nate Gazert, George Plympton, Basil Dickey.

1. Shipwrecked. © 19Mar35; LP5405.

2. Captured by Cannibals. © 19Mar35; LP5406.

3. Stampeding Death. © 2Apr35; LP5441.

4. Terrors of the Jungle. © 22Apr35; LP5493.

5. The Plunge of Peril. © 30Apr35; LP5506.

6. Thundering Waters. © 7May35; LP5518.

7. The Hidden Monster. © 14May35; LP5542.

8. Jungle Treachery. © 23May35; LP5555.

9. The Avenging Fire God. © 24May35; LP5568.

10. Descending Doom. © 6Jun35; LP5590.

11. The Dragon Strikes. © 11Jun35; LP5601.

12. The Pit of Flame. © 17Jun35; LP5620.

Credits: Scenario, Henry Otto.

THE CALL OF THE SEA. 1915. 3,000 ft.

THE CALL OF THE SOUL. 1919. 5 reels.

Credits: Director, E. LeSainte; story, Julia Burnham; scenario, Denison Clift.

THE CALL OF THE UNBORN. Imp. 1916. 2 reels.

Credits: Story and direction, M. K. Wilson; scenario, Douglas Bronston.

CALL OF THE WEST. 1930. 7 reels, sd. Adapted from the story "Borrowed Love" by Florence Ryerson and Colin Clements.

Credits: Producer, Harry Cohn; director, Albert Ray; continuity and dialogue, Colin Clements; film editor, Ray Snyder.

THE CALL OF THE WILD. Presented by Joseph M. Schenck. Released through United Artists. 1935. 10 reels, sd. Based on the novel by Jack London.

Credits: Producer, Darryl Zanuck; director, William Wellman; screenplay, Gene Fowler, Leonard Praskins; music, Alfred Newman.

CALL OF THE YUKON. 1938. 7 reels, sd. From the novel "Swift Lightning" by James Oliver Curwood.

Credits: Associate producer, Armand Schaefer; director, B. Reeves Eason; screenplay, Gertrude Orr, William Bartlett; film editor, Howard O'Neill; music director, Alberto Colombo.

THE CALL OF YESTERDAY. 1915. 1 reel.

THE CALL OF YOUTH. Paramount. 1921. 5 reels. Adapted from the play "James the Fogy" by Henry Arthur Jones.

Credits: Producer, Hugh Ford; scenario, Eve Unsell.

THE CALL OF YOUTH. 1921. 5 reels. From the play "James the Fogy" by Henry Arthur Jones.

Credits: Director, Hugh Ford; scenario, Eve Unsell.

CALL THE COPS. 1919. 2 reels.

Credits: Director, Joseph Le Brandt.

CALL THE MESQUITEERS. 1938. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, John English; original story, Bernard McConville; screenplay, Luci Ward; film editor, Lester Orlebeck; music director, Alberto Colombo.

CALL YOUR SHOTS. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE CALLAHANS AND THE MURPHYS. 1927. 7 reels, b&w. From the novel by Kathleen Norris.

Credits: Producer and director, George Hill; scenario, Frances Marion; titles, Ralph Spence; film editor, Hugh Wynn.

CALLED BACK. Gold Seal. 1914. 4 reels.

Credits: Producer, Otis Turner; scenario, James Dayton.

CALLING ALL CARS. Mayfair. 1934. 7 reels, sd.

Credits: Director, Spencer Gordon Bennet; story, Homer King Gordon; continuity, George Morgan; dialogue, Betty Burbridge.

CALLING ALL CARS. Presented by Willard. 1938. 1 reel, sd.

CALLING ALL CROONERS. Presented by E. W. Hammons. 1937. 945 ft., sd.

Credits: Director, Walter Graham; story, Arthur Jarrett, Marcy Klauber.

CALLING ALL CURS. 1939. 2 reels, sd.

Credits: Story, Thea Goodan; screenplay, Elwood Ullman, Searle Kramer.

CALLING ALL CURTAINS. 1937. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullmann, Al Giebler.

CALLING ALL DOCTORS. 1937. 2 reels, sd.

Credits: Associate producer, Jules White; director, Charles Lamont; story and screenplay, Al Giebler, Elwood Ullman, Charlie Melson; film editor, Charles Hochberg.

CALLING ALL KIDS. (Broadway Brevity) 1937. 17 min., sd. Based on characters created by Ham Fisher.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

CALLING ALL TARS. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

CALLING DR. KILDARE. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w. From the original story by Max Brand [pseud. of Frederick Faust].

Credits: Director, Harold S. Bucquet; screenplay, Harry Ruskin, Willis Goldbeck; film editor, Robert J. Kern; music score, David Snell.

CALLING HUBBY'S BLUFF. 1929. 2 reels.

Credits: Mack Sennett; director, Harry Edwards; story, Ewart Adamson, Jefferson Moffitt.

THE CALLING OF DAN MATTHEWS. 1935. Sd. 7 reels. From the novel by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Phil Rosen; screenplay, Dan Jarrett, Don Swift, Karl Brown; film editor, Robert Crandall.

CALLING ON THE SPHINX. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

CALM YOURSELF. 1935. 8 reels, sd., b&w. From the book by Edward Hope [pseud. of Edward Hope Coffey].

Credits: Producer, Lucian Hubbard; director, George B. Seitz; screenplay, Arthur Kober; film editor, Conrad A. Nervig; music, Douglas Maxwell.

CALVARY ALLEY. SEE Sunshine Nan.

CALVERT'S VALLEY. 1922. 5 reels.

Credits: Director, Jack Dillon; story, Margaret Prescott Montague; scenario, Jules Furthman.

THE CAMBRIC MASK. 1919. 5 reels. From the story by Robert W. Chambers.

Credits: Director, Tom Terriss; scenario, Eugene Muller, Tom Terriss.

CAME THE BRAWN. (A Hal Roach Our Gang Comedy) 1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

CAME THE DAWN. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Arch Heath; titles, H. M. Walker; editor, Richard Currier.

THE CAMEL'S HUMP. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

CAMEO KIRBY. 1923. 7 reels, b&w, tinted sequences. Based on the play by Booth Tarkington and Harry Leon Wilson.

Credits: Director, John Ford; scenario, Robert N. Lee.

CAMEO KIRBY. 1929. 5,910 ft., sd. From the play by Booth Tarkington and Harry Leon Wilson.

Credits: Director, Irving Cummings; adaptation and continuity, Marion Orth; editor, Alec Troffey.

THE CAMEO RING. Big U. 1915. 2 reels.

Credits: Producer, Charles Giblyn; scenario, Calder Johnstone.

CAMERA CRANKS. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jack Townley; story, Stanley Rauh; film editor, John Lockert; music director, Harry Jackson.

CAMERA HUNTING. (E. M. Newman's Our Own United States, no. 3) 1935. 11 min., sd.

Credits: Narrative by Paul Douglas; dialogue, Ira Genet; editor, Bert Frank.

CAMERA SHY. (Lloyd Hamilton Talking Comedies) 1930. 18 min., sd.

Credits: Producer, H. D. Edwards; director, Gilbert Pratt; story, George Bentley.

THE CAMERA SPEAKS. 1934. 1 reel, sd.

Credits: Story, Billy Bitzer; dialogue, Dolph Singer; editor, Bert Frank.

CAMERA THRILLS. Universal Special. Presented by Carl Laemmle. 1935. 1,870 ft.

Credits: Production and story, Charles E. Ford.

CAMERA TRAILS. 1930. 1 reel, sd.

Credits: Story and direction, Robert C. Bruce.

THE CAMERAMAN. 1928. 8 reels, b&w.

Credits: Producer, Buster Keaton; director, Edward Sedgwick; story, Clyde Bruckman, Lew Lipton; continuity, Richard Schayer; film editor, Hugh Wynn.

CAMERON OF THE ROYAL MOUNTED. 1921. 6 reels. Adapted from the story "Corporal Cameron" by Ralph Connor [pseud. of Charles William Gordon]

Credits: Director, Henry MacRae.

THE CAMERON SISTERS. 1915. Split reel.

Credits: Director, Albert Capellani.

CAMILLE. 1917. For Fox Film Corp. 6 reels. From the play by Alexandre Dumas.

Credits: Director, J. Gordon Edwards; scenario, Adrian Johnson.

CAMILLE. 1921. 6 reels. From the play "La Dame aux Camelias" ("Camille") by Alexandre Dumas.

Credits: Producer, Nazimova; director, Ray C. Smallwood; adaptation and scenario, June Mathis.

CAMILLE. First National. 1927. 9 reels. Based on the work by Alexandre Dumas.

Credits: Producer and director, Fred Niblo; story, Fred de Gresac.

CAMILLE. 1936. 12 reels, sd., b&w. From the play and novel by Alexandre Dumas.

Credits: Associate producer, David Lewis; director, George Cukor; screenplay, Zoe Akins, Frances Marion, James Hilton; film editor, Margaret Booth; music score, Herbert Stothart.

THE CAMOUFLAGE KISS. 1918. 5 reels. Based on a story by Julius Grinnell Furthmann.

Credits: Director, Harry Millarde; story and scenario, Ralph H. Spence, Stephen Fox.

CAMP MEETIN'. (Radio Musical, no. 1) 1936. 17 min., sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story and dialogue, George Randol; screenplay, Leslie Goodwins; film editor, John Lockert; choral direction, Hall Johnson.

CAMP ON THEIR DOORSTEPS. Presented by the D. L. & W. Coal Co. 1937. Filmstrip, 175 frames, sd.

THE CAMPANILE MURDERS. SEE Murder on the Campus.

THE CAMPBELLS ARE COMING. Broadway. 1915. 4 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

CAMPING. 1917. 1 reel.

Credits: Thomas J. Gray; director, Charles M. De Vonde.

CAMPING OUT. Paramount-Arbuckle. Presented by Joseph M. Schenck. 1918. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

CAMPING OUT. (Star Comedy) 1918. 1 reel.

Credits: Directors, Lyons-Moran.

CAMPING OUT. 1928. 2 reels.

Credits: Scenario, James J. Tynan, Milton Carruth.

CAMPING OUT. (Mr. Average Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story, adaptation and direction, Harry Sweet; film editor, Fred Maguire.

CAMPING OUT. (A Scrappy Cartoon) 1932.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

CAMPING OUT. (Walt Disney's Mickey Mouse, no. 21) 1934. 1 reel.

CAMPING TRIPS. © 1939. Si., b&w, 35 mm. Contents:—1. Thomas A. Edison, Guest of Honor, World's Fair, San Francisco, Calif., 1915.—2. The 1916 Vacation, Roxbury, N. Y.—3. Our Vacation Days of 1918 in the Land of Dixie.—4. Our 1919 Camping Trip Followed the Trail of the Minute Men in Historic Old New England.—5. Up in the Rip Van Winkle Country at Yama Farms, Catskill Mountains, N. Y., November 16th, 17th, 1920.—6. 1921 Camping Trip—Happy Days.

CAMPING WITH THE BLACKFEET ON THE BLACKFEET RESERVATION IN NORTHWESTERN MONTANA. 1913. 1 reel.

CAMPUS CAPERS. SEE The Collegiate Four in Campus Capers.

THE CAMPUS CARMEN. 1928. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jefferson Moffitt, Earle Rodney.

CAMPUS CHAMPS. (Campus Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Fred Guiol; story, Charles A. Callahan, Nat Carr; screenplay, Harry Fraser; film editor, Fred Maguire; music director, Francis Gromon.

CAMPUS CINDERELLA. 1938. 2 reels, sd.

Credits: Director, Noel Smith; story, George Ade; screenplay, Lee Katz.

CAMPUS CODES. 1933. 2 reels, sd.

Credits: Director, Fred Guiol; screenplay, Dick Smith; dialogue, Darrell Ware; editor, Chuck Craft; music, Lee Zahler.

CAMPUS CONFESSIONS. Presented by Adolph Zuker. 1938. 7 reels, sd.

Credits: Director, George Archainbaud; original story and screenplay, Lloyd Corrigan, Erwin Gelsey; film editor, Stuart Gilmore.

CAMPUS CRUSHES. 1930. 21 min., sd.

Credits: Director, Mack Sennett.

CAMPUS CUTIES. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

CAMPUS FAVORITES. (Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Editor, Jack Eaton.

THE CAMPUS FLIRT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels.

Credits: Director, Charles Badger; screenplay, Louise Long, Lloyd Corrigan; titles, Rube Goldberg.

THE CAMPUS HOOFER. (Frolics of Youth) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Alf Goulding; story, Glen Lambert.

CAMPUS ROMEOS. 1927. 2 reels.

Credits: Director, Albert Herman.

CAMPUS SWEETHEARTS. 1930. 3 reels, sd.

Credits: Supervision, Dick Currier; director, J. Leo Meehan; book, lyrics and music, Lester Lee, Charlie Lesison; editor, Russel C. Shields; music director, Alfred Newman.

THE CAMPUS VAMP. 1928. 2 reels.

Credits: Director, Harry Edwards.

CAN A WOMAN LOVE TWICE? Presented by R-C Pictures. 1922. 7 reels.

Credits: Director, James W. Horne; story, Wyndham Gittens; editor, J. B. Morley.

CAN IT BE DONE? 1936. 1 reel, sd.

Credits: Ray Gross; director, Lloyd French; story, Jack Henley, Burnet Hershey.

CAN THIS BE DIXIE? 1936. 6,500 ft., sd.

Credits: Director, George Marshall; story, Lamar Trotti, George Marshall; screenplay, Lamar Trotti; music director, Samuel Kaylin.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

CAN YOU IMAGINE? (E. M. Newman's Our Own United States) 1936. 10 min., sd.

Credits: Narration, Ray Saunders; dialogue, Ira Genet; editor, Bert Frank.

CAN YOU TAKE IT? 1934. 1 reel.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Thomas Johnson.

THE CANADIAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels. From the play "The Land of Promise" by W. Somerset Maugham.

Credits: Director, William Beaudine; adaptation, Arthur Stringer; scenario, J. Clarkson Miller.

CANADIAN CAPERS. (Paul Terry Toons) 1931. 5 min.

Credits: Frank Moser, Paul Terry.

CANALS IN UNITED STATES HISTORY. 1921. 1 reel.

CANALS OF ENGLAND. 1938. 2 reels, sd.

CANALS OF VENICE. 1913. 1 reel.

THE CANARY COMES ACROSS. 1938. 2 reels, sd., b&w.

Credits: Director, Will Jason; original story and music, Val Burton, Will Jason; screenplay, Richard Goldstone, Stanley Rauh; music, David Snell.

THE CANARY MURDER CASE. 1929. 7 reels, sd. From the story by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, Malcolm St. Clair; adaptation and screenplay, Albert Shelby LeVino, Florence Ryerson.

CANAVAN. SEE Hold Your Horses.

CANAVAN, THE MAN WHO HAD HIS WAY. SEE The Danger Signal.

THE CANBY HILL OUTLAWS. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

THE CANCELED MORTGAGE. 1915. 1 reel.

THE CANCELLED DEBT. 1927. 6 reels.

Credits: Director, Philip Rosen; story and continuity, Frances Guihan.

THE CANDID CAMERA. (Educational's Comedies) 1932. 19 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Del Lord.

CANDID CAMERAMANIACS. (A Pete Smith Specialty) 1937. 1 reel, sd., b&w.

Credits: Director, Hal Yates; original story and screenplay, Robert Lees, Fred Rinaldo.

THE CANDID CANDIDATE. 1937. 1 reel, sd.

THE CANDID KID. 1938. 2 reels, sd.

Credits: Jack Henley and Cyrus Wood; director, Roy Mack.

Credits: Story and direction, Robin H. Townley.

THE CANDIDATE'S PAST. 1915. 1 reel.

THE CANDLE. 1916. 2 reels.

Credits: Director, Leon D. Kent.

THE CANDY HOUSE. (An Oswald Cartoon) Snappy. 1934. 1 reel.

CANDYLAND. (Cartune Classics) Snappy. 1935. 1 reel, sd., color.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation, Manuel Moreno, Lester Kline, Fred Kopietz.

CANIMATED NOOZ PICTORIAL. 1915-17. Split reel, unless otherwise indicated. © Essanay Film Mfg. Co.

Credits: Wallace A. Carlson.

1. [With Scenic] 1,000 ft. © 1Oct15; MP426.

2. [With Scenic] © 10Nov15; LP6944.

3. [With Scenic] © 13Dec15; MP467.

4. © 12Jan16; MP491.

5. © 22Feb16; LP7701.

6. © 9Mar16; MP539.

7. © 23Mar16; MP562.

8. © 4Apr16; MP577.

9. 1 reel. © 24Apr16; MP593.

10. 1 reel. © 24May16; MP622.

11. © 7Jun16; MP642.

12. © 28Jun16; MP658.

13. © 19Jul16; MP685.

14. © 7Aug16; MP690.

15. © 2Sep16; MP714.

16. © 2Sep16; MP713.

17. © 5Oct16; MP734.

18. © 25Oct16; MP746.

19. © 8Nov16; MP754.

20. 1 reel. © 2Dec16; MP782.

21. © 27Dec16; MP808.

22. © 3Jan17; MP816.

23. 1 reel. © 20Jan17; MP831.

24. © 30Jan17; MP837.

25. 1 reel. © 17Feb17; MP855.

26. 1 reel. © 2Mar17; MP865.

27. 1 reel. © 17Mar17; MP882.

28. 1 reel. © 28Mar17; MP903.

CANINE CAPERS. (Bill Cunningham Sports Review) Educational Film Exchanges, Inc. 1931. 9 min.

Credits: Director, Howard C. Brown.

CANINE CAPERS. (Scrappy) 1937. 589 ft., sd.

Credits: Producer, Charles Mintz; director, Howard C. Brown; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

CANINE CHAMPIONS. (A Grantland Rice Sportlight) The Van Beuren Corp. 1931. 1 reel.

CANINE THRILLS. (A Sports-Eye-View) 1933. 1 reel, sd.

Credits: Director, Jack Eaton.

CANNED FISHING. (Hal Roach Comedy) Presented by Hal Roach. 1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

CANNED MUSIC. (Krazy Kat Cartoon) 1930. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Animation, Ben Harrison, Manny Gould; musical score, Rosario Bourdon.

CANNED THRILLS. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

CANNIBAL CAPERS. (Walt Disney Comic) 1930. 1 reel.

THE CANNIBAL ISLES. (Musical World Journeys) 1934. 1 reel.

Credits: Editor, Bert Frank.

THE CANNIBAL KING. 1915. 500 ft. On same reel with "Ping Pong Woo."

CANNIBALS AND CARNIVALS. 1917. 2 reels.

Credits: Director, Vin Moore.

CANNING THE CANNIBAL KING. Joker. 1917. 1 reel.

Credits: Charles J. Wilson, Jr.; director, William Beaudine; scenario, C. B. Hoadley.

THE CANNON BALL. 1915.

Credits: Producer, Mack Sennett.

THE CANNON BALL. 1923. 2 reels.

THE CANNONBALL. (Educational's Comedies) 1931. 19 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Del Lord.

THE CANNONBALL EXPRESS. Presented by George W. Weeks. 1932. 63 min., sd.

Credits: Producer, Fanchon Royer; director, Wallace W. Fox; scenario, Bernard McConville.

CANON WALLS. SEE Smoke Lightning.

CAN'T THINK OF IT. (Broadway Brevity) 1936. 18 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, A. Dorian Otvos, Eddie Forman.

A CANTOR ON TRIAL. 1931. 1 reel.

Credits: Director, Sidney M. Goldin; dialogue, Isidor Lillian.

THE CANTOR'S SON. Presented by Eron Pictures, Inc. 1937. 10 reels, sd.

Credits: Director, Ilya Motyleff; screenplay, Louis Freiman; dialogue, Mark Schweid; editor, Leonard Weiss; music and direction, Alexander Olshanetsky.

CANTRELL'S MADONNA. 1916. 3 reels.

Credits: Producer, Thomas R. Mills.

THE CANYON HOLD-UP. 1919. 2 reels.

Credits: Director, R. N. Bradbury; story, Alfred Henry Lewis; scenario, George H. Plympton.

THE CANYON MYSTERY. 1919. 2 reels.

Credits: Director, Harry Harvey; story, Shelly Sutton, George Hively; scenario, George Hively.

THE CANYON OF ADVENTURE. 1928. 6 reels.

Credits: Director, Albert Rogell; story, Marion Jackson.

THE CANYON OF LIGHT. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, Ben W. Stoloff; story, Kenneth Perkins; scenario, John Stone.

CANYON OF ROMANCE. (Romantic Journeys) Educational Pictures. Presented by E. W. Hammons. 1933. 893 ft., sd., color.

Credits: Howard C. Brown, Curtis F. Nagel.

THE CANYON OF THE FOOLS. 1922. 6 reels.

Credits: Story, Richard Matthews Hallet; scenario, John W. Grey.

LA CANZONE DEL SOLE. 1936. 8 reels, sd.

Credits: Directors, Alberto Giacalone, Angela Besozzi; adaptation, Ferruccio Biancini.

CAP FALLON, FIREFIGHTER. SEE Fire Fighters.

A CAPABLE LADY COOK. Nestor. 1916. 1 reel.

Credits: Harry Wulze; producer, Wallace Berry.

CAPE COD FOLKS. SEE Women Who Give.

CAPERS AND CROOKS. 1918. 1 reel.

Credits: Montgomery and Rock; director, J. A. Howe.

THE CAPITAL PRIZE. Imp. 1916. 2 reels.

Credits: Edwin Stevens, Norbet Lusk; producer, Edwin Stevens.

UN CAPITAN DE COSACOS (A CAPTAIN OF COSSACKS). 1934. 8 reels, sd.

Credits: Director, John Reinhardt; story, by Joaquin Artegas; screenplay, John Reinhardt, Stuart Anthony; dialogue, Jose Lopez Rubio; editor, Ernest Nims; music director, Sam Kaylin; music, Mojica and Sanders.

A CAPITOL IDEA. (Easy Aces Series, no. 2) Released by RKO Radio. 1935. 1 reel, sd.

THE CAPITULATION OF THE MAJOR. 1915. 1 reel.

Credits: Director, Wilfrid North.

CAP'N ABE, STOREKEEPER. SEE The Captain's Captain.

CAPPY RICKS. 1921. 6 reels. From the novel by Peter B. Kyne and the play by Edward Rose.

Credits: Director, Tom Forman; scenario, Albert LeVino, Waldemar Young.

CAPPY RICKS RETURNS. 1935. 7 reels, sd. From the novels by Peter B. Kyne.

Credits: Director, Mack Wright; dialogue director, Jo Graham; adaptation and screenplay, George Waggner; editor, Carl Pierson.

CAPRICE OF THE MOUNTAINS. 1916. For Fox Film Corp. 5 reels.

Credits: Director, John G. Adolfi; story, Clarence J. Harris.

CAPTAIN ALVAREZ. 1914. 6 reels.

Credits: Director, Rollin S. Sturgeon.

THE CAPTAIN AND THE KIDS. SEE

Blue Monday.

Buried Treasure.

The Captain's Christmas.

The Captain's Pup.

Cleaning House.

A Day at the Beach.

Mama's New Hat.

Old Smokey.

Petunia Natural Park.

Poultry Pirates.

The Pygmy Hunt.

Seal Skinners.

What a Lion.

The Winning Ticket.

CAPTAIN APPLEJACK. Warner Bros. & Vitaphone. 1931. 7 reels, sd. Based on the stage play by Walter Hackett.

Credits: Director, Hobart Henley; screenplay and dialogue, Maude Fulton.

CAPTAIN APPLEJACK. Trailer. 1930. 1 reel.

CAPTAIN APPLEJACK. SEE Strangers of the Night.

CAPTAIN APPLESAUCE. (Eddie Lyons, no. 14) 1923. 2 reels.

Credits: Director, Eddie Lyons.

CAPTAIN BLOOD. 1924. 11 reels. From the novel by Rafael Sabatini.

Credits: Director, David Smith; scenario, Jay Pilcher.

CAPTAIN BLOOD. Cosmopolitan. Released by First National Productions Corp. and The Vitaphone Corp. 1935. 12 reels, sd. From the novel by Rafael Sabatini.

Credits: Director, Michael Curtiz; screenplay, Casey Robinson.

CAPTAIN BLUE BLOOD. 1937. 2 reels, sd.

Credits: Director, Roy Mack; story and dialogue, Burnet Hershey.

CAPTAIN BOBBY OF THE HOME DEFENDERS. 1917. 1 reel.

Credits: Director, George Ridgwell; story, William Addison Lathrop.

CAPTAIN CALAMITY. Presented by Edward L. Alperson. 1936. 8 reels, sd., color.

Credits: Producer, George A. Hirliman; director, John Reinhardt; original story, Gordon Young; screenplay, Crane Wilbur.

CAPTAIN CARELESS. 1928. 6 reels.

Credits: Director, Jerome Storm; story, Bob Steele, Perry Murdock; screenplay, Perry Murdock.

CAPTAIN DIEPPE. SEE An Adventure in Hearts.

CAPTAIN FERREOL. SEE A Night of Mystery.

CAPTAIN-FLY-BY-NIGHT. 1922. 5 reels.

Credits: Director, William K. Howard; story, Johnston McCulley; scenario. Eve Unsell.

CAPTAIN FRACASSE. 1915. 2 reels.

CAPTAIN FURY. Presented by Hal Roach through United Artists. 1939. 9 reels, sd.

Credits: Director, Hal Roach; original story and screenplay, Grover Jones, Jack Jevne, William De Mille; film editor, William Ziegler; music score, Marvin Hatley.

THE CAPTAIN HATES THE SEA. 1934. 9 reels, sd. From the novel by Wallace Smith.

Credits: Director, Lewis Milestone; screenplay, Wallace Smith; continuity, Arnold Belgard; film editor, Gene Milford.

CAPTAIN HENRY'S RADIO SHOW. 1933. 1 reel, sd.

THE CAPTAIN HITS THE CEILING. 1935. 2 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Ewart Adamson; film editor, James Sweeney.

CAPTAIN HURRICANE. 1935. 8 reels, sd. From the novel "The Taming of Zenas Henry" by Sara Ware Bassett.

Credits: Associate producer, Frank O'Heron; director, John Robertson; screenplay, Josephine Lovett; editor, George Hively; music director, Roy Webb.

DER CAPTAIN IS EXAMINED FOR INSURANCE. (The Katzenjammer Kids) 1917. 1/2 reel.

Credits: George Gregory La Cava.

CAPTAIN JANUARY. 1936. 6,958 ft., sd. Based on the story by Laura E. Richards.

Credits: Director, David Butler; screenplay, Sam Hellman, Gladys Lehman, Harry Tugend; music director, Louis Silvers.

CAPTAIN JINKS' ALIBI. 1917. 1 reel.

Credits: Graham Baker; director, Van Dyke Brooke.

CAPTAIN JINKS AND HIMSELF. 1917. 1 reel.

Credits: Paul West; director, Marguerite Bertsch.

CAPTAIN JINKS AND HIS WIFE'S HUSBAND. 1917. 1 reel.

Credits: Written and directed by Van Dyke Brooke.

CAPTAIN JINKS' BABY. 1917. 1 reel.

Credits: Director, Van Dyke Brooke.

CAPTAIN JINKS' CURE. 1917. 1 reel.

Credits: Mrs. Walter Hitchcock; director, Van Dyke Brooke.

CAPT. JINKS' EVOLUTION. 1916. 1 reel.

Credits: Cyrus Townsend Brady; director, Arthur Ellery.

CAPTAIN JINKS' EXPLOSIVE TEMPER. 1917. 1 reel.

Credits: Van Dyke Brooke, Graham Baker; director, Van Dyke Brooke.

CAPTAIN JINKS' GETAWAY. 1916. 1 reel.

Credits: A. C. Lichty; director, Van Dyke Brooke.

CAPTAIN JINKS' GREAT EXPECTATIONS. 1917. 1 reel.

Credits: Written and directed by Van Dyke Brooke.

CAPTAIN JINKS' HIDDEN TREASURE. 1916. 1 reel.

Credits: C. Graham Baker; director, Charles Dickson.

CAPTAIN JINKS IN AND OUT. 1917. 1 reel.

Credits: Wesley H. Ruggles, Graham Baker; director, Wesley H. Ruggles.

CAPTAIN JINKS' KIDS. 1917. 1 reel.

Credits: Graham Baker; director, Van Dyke Brooke.

CAPTAIN JINKS' LOVE INSURANCE. 1916. 1 reel.

Credits: Edgar Mele; director, Van Dyke Brooke.

CAPTAIN JINKS' LOVE LETTERS. 1917. 1 reel.

Credits: Edward J. Montagne; director, Van Dyke Brooke.

CAPTAIN JINKS OF THE HORSE MARINES. 1916. 5 reels. From the comedy by Clyde Fitch.

Credits: Arranged and directed by Fred E. Wright.

CAPTAIN JINKS SHOULD WORRY. 1916. 1 reel.

Credits: Thomas J. Gray; producer, Arthur Ellery.

CAPTAIN JINKS' SPRAINED ANKLE. 1916. 1 reel.

Credits: Ross D. Whytock; producer, Arthur Ellery.

CAPTAIN JINKS THE COBBLER. 1916. 1 reel. Suggested by the incident of "The Shoemaker of Kopenick."

Credits: Director, Van Dyke Brooke.

CAPTAIN JINKS, THE DOCTOR. 1917. 1 reel.

Credits: Written and directed by Van Dyke Brooke.

CAPTAIN JINKS, THE PLUMBER. 1917. 1 reel.

Credits: Written and directed by Van Dyke Brooke.

CAPTAIN JINKS' WIDOW. 1917. 1 reel.

Credits: Director, Van Dyke Brooke; scenario, Graham Baker.

CAPTAIN KENT'S EDUCATED SEALS. Powers. 1915. Split reel.

CAPTAIN KIDD. 1922. 2 reels each. © Star Serial Corp.

Credits: Directors, J. P. McGowan, Burton King; dramatization, Anthony W. Coldewey, Philip Lonergan.

1. Shanghaied. © 7Apr22; LP17912.

2. The Pirate's Slave. © 7Apr22; LP17913.

3. Hidden Treasure. © 7Apr22; LP17914.

4. The Lost Fortune. © 12Jun22; LP17958.

5. Missing Plans. © 12Jun22; LP17959.

6. Trapped. © 12Jun22; LP17960.

CAPTAIN KIDD AND DITTO. 1915. 1,000 ft.

Credits: Producer, Arthur D. Hotaling.

CAPTAIN KIDD, JR. 1918. 5 reels. Based on the play by Mrs. Rida Young.

Credits: Director, William Desmond Aylor; adaptation, Frances Marion.

CAPTAIN KIDD'S FINISH. 1921. 2 reels.

Credits: Producer, Robert Hill; story and scenario, George H. Plympton, George Morgan.

CAPTAIN KIDD'S KITTENS. Presented by William Fox. 1927. 2 reels.

Credits: Director, Clyde Carruth; story and scenario, Al Fields, Sidney Levee.

CAPTAIN KIDD'S TREASURE. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Leslie Fenton; screenplay, Herman Boxer; historical compilations, Charles E. Whittaker.

CAPTAIN LASH. 1928. 6 reels, b&w.

Credits: Director, John Blystone; story, Laura Hasse, D. G. Tomlinson; scenario, John Stone, Andrew Bennison.

CAPTAIN MARJORIE'S ADVENTURE. Big U. 1917. 2 reels.

A CAPTAIN OF COSSACKS. SEE Un Capitan de Cosacos.

THE CAPTAIN OF HIS ROLL. (H. C. Witwer Record Breaker Series, no. 1) 1929. 2 reels.

THE CAPTAIN OF THE GRAY HORSE TROOP. 1917. 5 reels. From the novel by Hamlin Garland.

Credits: Director, William Wolbert; adaptation, A. Van Buren Powell.

CAPTAIN OF THE GUARD. Laemmle Special. 1930. 9 reels, sd.

Credits: Director, John S. Robertson; story, Houston Branch; adaptation, Arthur Ripley.

THE CAPTAIN OF THE TYPHOON. Big U. 1916. 2 reels.

Credits: Harry Ditmar; producer, Henry M. Webster.

CAPTAIN SALVATION. 1927. 8 reels. From the novel by Frederick William Wallace.

Credits: Producer and director, John S. Robertson; scenario, Jack Cunningham; film editor, William Hamilton.

CAPTAIN SAZARAC. SEE The Eagle of the Sea.

CAPTAIN SPANKY'S SHOW BOAT. Presented by Metro-Goldwyn-Mayer. 1939. 984 ft., sd., b&w.

Credits: Director, Edward Cahn; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner; music, David Snell.

CAPTAIN SUDS. Century. 1925. 2 reels.

Credits: Written and directed by Noel Smith.

CAPTAIN SWAGGER. 1928. 7 reels.

Credits: Producer, Hector Turnbull; director, Edward H. Griffith; original story, Leonard Praskins; adaptation, Adelaide Heilbron.

CAPTAIN SWIFT. 1920. 5 reels.

Credits: Director, Tom Terriss; story, C. Hadden Chambers; scenario, Lucien Hubbard.

CAPTAIN THUNDER. 1930. 7 reels.

Credits: Director, Alan Crosland; story, Pierre Couderc, Hall Davitt; screenplay, Gordon Rigby.

CAPTAIN THUNDER. Trailer. 1930. 1 reel.

THE CAPTAIN'S CAPTAIN. Blue Ribbon. Presented by Albert E. Smith. 1918. 5 reels. Adapted from the novel "Cap'n Abe, Storekeeper" by James A. Cooper.

Credits: Director, Tom Terriss; scenario, Tom Terriss, A. Van Buren Powell.

THE CAPTAIN'S CHAIR. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE CAPTAIN'S CHRISTMAS. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color. Based on the United Features comic "The Captain and the Kids."

CAPTAINS COURAGEOUS. A Victor Fleming Production. 1937. 12 reels, sd., b&w. From the novel by Rudyard Kipling.

Credits: Producer, Louis D. Lighton; director, Victor Fleming; screenplay, John Lee Mahin, Marc Connelly, Dale Van Every; film editor, Elmo Veron; music score, Franz Waxman.

THE CAPTAIN'S KID. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

THE CAPTAIN'S KID. First National Productions Corp. 1936. 8 reels, sd.

Credits: Director, Nick Grinde; original story, Earl Felton; screenplay, Tom Reed.

CAPTAINS OF TOMORROW. 1917. 1 reel.

THE CAPTAIN'S PUP. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

Credits: Supervision, Robert Allen.

THE CAPTIVE BRIDE. 1919. 2 reels.

Credits: Director, George Holt; story, William Pigott; scenario, Karl R. Coolidge.

CAPTURE OF A WILD CAT. 1913.

Credits: Producer, William Duncan.

CAPTURED! Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels. Based on the story "Fellow Prisoners" by Sir Philip Gibbs.

Credits: Director, Roy Del Ruth; screenplay, Edward Chodorov.

CAPTURED ALIVE. 1918. 2 reels.

Credits: Director, Henry Harvey; story, Alvin Neitz.

CAPTURED ALIVE. Mustang. 1925. 2 reels.

A CAPTURED SANTA CLAUS. SEE Within the Enemy's Lines.

CAPTURING BAD BILL. 1915. 500 ft.

CAPTURING LIVE SEALS AND WHALING IN THE TROPICS. 1929. Filmstrip, 100 frames, color, 35 mm.

Credits: Compiler, Harris Anderson.

CAPTURING THE COOK. 1915. 1,000 ft.

THE CAR AMERICA WILL BE PROUD TO OWN. SEE The New Pontiac for 1939.

CAR 99. Presented by Adolphe Zukor. 1935. 7 reels. From the Saturday Evening Post stories by Karl Detzer.

Credits: Producer, Bayard Veiller; director, Charles Barton; screenplay, Karl Detzer, C. Gardner Sullivan.

THE CAR OF CHANCE. 1917. 5 reels.

Credits: Director, William Worthington; story, Waldemar Young; scenario, Eugene B. Lewis, Waldemar Young.

CAR SHY. Presented by William Fox. 1927. 2 reels. From a Van Bibber story by Richard Harding Davis.

Credits: Supervision, George E. Marshall; director, O. O. Dull; scenario, Andrew Bennison, Phil Whitman.

THE CARAVAN. Universal Special. 1916. 2 reels.

Credits: Directed and written by Raymond Wells.

CARAVAN. 1934. 9,173 ft.

Credits: Director, Erik Charell; story, Melchior Lengyel; screenplay and dialogue, Samson Raphaelson; continuity, Robert Liebmann; music director, Louis de Francesco.

THE CARBON OXYGEN CYCLE. 1938. 1 reel.

THE CARBURETOR. 1925. 2 reels.

THE CARD OF DESTINY. 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Basil Dickey.

THE CARDBOARD LOVER. 1928. 8 reels, b&w. Adapted from the play "Dans Sa Candeur Naive" by Jacques Deval.

Credits: Director, Robert Z. Leonard; adaptation, Carey Wilson; continuity, F. Hugh Herbert; film editor, Basil Wrangell.

CARDIAC IRREGULARITIES. 1931. 1,029 ft.

CARDIGAN. 1922. 7 reels. From the novel by Robert W. Chambers.

Credits: Director, John W. Noble.

CARDINAL MERCIER. SEE The Cross Bearer.

CARDINAL RICHELIEU. A Darryl Zanuck Production. Presented by Joseph M. Schenck. Released by United Artists. 1935. 9 reels, sd. Based on a play by Sir Edward Bulwer-Lytton.

Credits: Director, Rowland V. Lee; screenplay, Maude Howell; adaptation, Cameron Rogers; dialogue, W. P. Lipscomb.

CARDS AND CUPID. (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story, and scenario, Ben Cohen.

CARE OF MINOR WOUNDS. SEE First Aid, Care of Minor Wounds.

CARE OF THE TEETH. (Eastman Classroom Films, Health Series. Hygiene) 1930. 997 ft. Made in cooperation with the Department of Biology and Public Health, Massachusetts Institute of Technology. Directed by the Rochester Dental Dispensary and approved by The American Dental Association.

CAREER. 1939. 79 min., sd. From the novel by Phil Stong.

Credits: Producer, Robert Sisk; director, Leigh Jason; screenplay, Dalton Trumbo; adaptation, Bert Granet; editor, Arthur E. Roberts; music director, Russell Bennett.

THE CAREER OF KATHERINE BUSH. Paramount-Artcraft Special. Presented by Adolph Zukor. 1919. 5 reels. Based on the novel by Elinor Glyn.

Credits: Director, Roy W. Neill; scenario, Kathryn Stuart.

CAREER WOMAN. 1936. 6,869 ft., sd.

Credits: Director, Lewis Seiler; story, Gene Fowler; screenplay, Lamar Trotti; music director, Samuel Kaylin.

CAREERS. Presented by Richard A. Rowland. 1929. 10 reels. From the play by Alfred Schirokauer and Paul Rosenhayn.

Credits: Produced and directed by John Francis Dillon.

CAREERS. Trailer. 1929. 1 reel, sd.

CAREFREE. 1938. 83 min., sd.

Credits: Marian Ainslee, Guy Endore; producer, Pandro S. Berman; director, Mark Sandrich; story and adaptation, Dudley Nichols, Hagar Wilde; screenplay, Allan Scott, Ernest Pagano; editor, William Hamilton; lyrics and music, Irving Berlin; music director, Victor Baravalle.

CAREFUL DRIVERS. Presented by Goodrich. 1938. 1 reel, sd.

CAREFUL PLEASE. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

THE CARELESS AGE. Vitaphone. Presented by Richard A. Rowland. 1929. 7 reels. Based on the play by John Van Druten.

Credits: Director, John Griffith Wray.

CARELESS AGE. Trailer. First National. 1929. 1 reel, sd.

THE CARELESS ANARCHIST. 1915. Split reel.

Credits: Producer, J. A. Murphy.

THE CARELESS COP. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, William W. Beaudine.

CARELESS HUBBY. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

CARELESS LADY. 1932. 6,000 ft., sd. From the story "Widow's Might" by Reita Lambert.

Credits: Director, Kenneth MacKenna; screenplay, Guy Bolton; editor, Alex Troffey.

THE CARELESS LEAD PENCIL. 1921. 1 reel.

THE CARETAKER'S DAUGHTER. (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordon.

CARETAKERS WITHIN. SEE Life's Darn Funny.

CAREW'S WIVES. SEE The Divine Sacrifice.

CARL (DEACON) MOORE & HIS BAND. 1938. 1 reel, sd.

Credits: Director, Lloyd French.

CARL EMMY AND HIS DOGS. Powers. 1915. Split reel.

CARL EMMY AND HIS PALS. (Movietone Act) 1929. 1 reel, sd.

CARL HOFF & HIS ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

CARL HOFF & ORCHESTRA. 1938. 1 reel, sd.

Credits: Director, Joseph Henabery.

CARLENA DIAMOND, HARPIST SUPREME. 1929. 1 reel.

CARLOS SEDANO [OFFERS] A. SPANISH DANCE [and others]. 1927. 1 reel.

CARMELITA'S REVENGE. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

CARMEN. 1915. For Fox Film Corp. 5 reels. From the story by Prosper Mérimée.

Credits: Adapted and produced by Raoul A. Walsh.

CARMEN. Star Comedy Cartoons. Released by the Herald Film Corp. 1916. 1 reel. A burlesque of the story by Prosper Mérimée.

Credits: Drawn by Hugh Michael Shields and John Colman Terry.

CARMEN. 1932. 7 reels. Adapted from the opera by Bizet.

Credits: Director, Cecil Lewis.

CARMEN. SEE

Chip's Carmen.

Gipsy Blood.

The Idol of Seville.

CARMEN, JR. Century. 1923. 2 reels.

CARMEN OF THE KLONDIKE. 1918. 7 reels.

Credits: Director, Reginald Barker; story and continuity, Monte M. Katterjohn.

CARMEN OF THE NORTH. 1920. 5 reels.

Credits: Direction and story, Maurits H. Binger.

THE CARNATION KID. 1929. 7 reels, si. & sd.

Credits: Director, E. Mason Hopper; story, Alfred A. Cohn; scenario, Henry McCarty.

UN CARNET DE BAL. SEE Life Dances On.

CARNIVAL. 1921. 7 reels. From the play by Matheson Lang and H. C. M. Hardinge.

Credits: Director, Harley Knoles; scenario, Adrian Johnson, Rosina Henley.

CARNIVAL. 1935. 8 reels, sd.

Credits: Director, Walter Lang; story and screenplay, Robert Riskin; film editor, Richard Cahoon.

CARNIVAL. SEE

The Ballet Girl.

Young Desire.

CARNIVAL BOAT. 1932. 7 reels.

Credits: Director, Albert Rogell; story, Marion Jackson, Don Ryan; screenplay, James Seymour.

CARNIVAL CAPERS. (An Oswald Cartoon) Snappy. 1932. 1 reel.

Credits: Walter Lantz, William Nolan.

CARNIVAL DAY. 1936. 2 reels.

Credits: Director, Ralph Staub; screenplay, Joe Traub.

Credits: Director, Cullen Tate; story, Raymond Cannon; editor, Donn Hayes.

CARNIVAL IN PARIS. (A Miniature Musical Comedy) 1937. 2 reels, sd., b&w.

Credits: Director, William Thiele; original story and music, Val Burton, Will Jason, Stanley Rauh; screenplay, Richard Goldstone; music score, David Snell.

THE CARNIVAL MAN. 1929. 2 reels.

Credits: Director, George Abbott.

CARNIVAL QUEEN. 1937. 7 reels, sd. Based on the novel "Love in the Mud" by Richard Wormser.

Credits: Associate producer, Robert Presnell; director, Nate Watt; screenplay, James Mulhauser, Harold Buckley.

CARNIVAL REVUE. 1930. 2 reels, sd.

Credits: Director, Wallace Fox; story, John Cantwell; continuity, Hugh Cummings; film editor, Joseph Kane; music director, Joseph Zuro.

CARNIVAL SHOW. Nu-Atlas. Presented by RKO Radio Pictures, Inc. 1938. 1 reel, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands and Wilson.

CARNIVAL TIME. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

CARNIVAL WEEK. 1927. 1 reel.

Credits: Paul Terry and John Foster.

CARNIVOROUS PLANTS. 1924. 1 reel.

CAROLINA. 1934. 7,600 ft., sd. From "The House of Connelly" by Paul Green.

Credits: Director, Henry King; screenplay, Reginald Berkeley; editor, Robert Bassler; music director, Louis de Francesco.

CAROLINA CAPERS. (Grantland Rice Sound Sportlight) 1929. 1 reel.

Credits: Producer, Jack Eaton.

CAROLYN SNOWDEN AND COMPANY. 1927. 1 reel.

THE CARPET FROM BAGDAD. 1915. 5 reels.

THE CARRIAGE AWAITS. 1926. 1 reel.

CARRIE JACOBS-BOND AS INTERVIEWED BY EDWIN C. HILL. (Edwin C. Hill, Human Side of the News) 1933. 1 reel, sd.

Credits: Producer, George Pearson; adaptation, George Pearson, T. A. Welsh.

CARRY ON. (Football, no. 5) (A Christy Walsh All-America Sportreel) 1931. 1 reel.

Credits: Director, Albert Kelly; story, Knute Rockne.

CARRYING THE INJURED. SEE First Aid, Carrying the Injured.

CARTER SERVICE FILM. 1936. 1 reel.

A CARTOONIST'S NIGHTMARE (Looney Tunes) 1936. 1 reel.

Credits: Animation, Paul Smith, Don Williams.

CARTOONS IN A SANITARIUM. (The Animated Grouch Chasers) 1915. 1,000 ft.

Credits: Written and directed by Raoul Barré.

CARTOONS IN A SEMINARY. 1915. 1 reel.

Credits: Written and directed by Raoul Barré.

CARTOONS IN THE BARBER SHOP. (Animated Grouch Chaser) 1915. 1,000 ft.

Credits: Director, Raoul Barre.

CARTOONS IN THE COUNTRY. 1915. 1,000 ft.

Credits: Written and directed by Raoul Barré.

CARTOONS IN THE HOTEL. (Animated Grouch Chasers) 1915. 1,000 ft.

Credits: Raoul Barré.

CARTOONS IN THE KITCHEN. (The Animated Grouch Chaser, no. 2) 1915. 1 reel.

Credits: Raoul Barré.

CARTOONS IN THE LAUNDRY. (Animated Grouch Chasers) 1915. About 1,000 ft.

Credits: Raoul Barré.

CARTOONS IN THE PARLOR. (Animated Grouch Chaser) 1915. 1,000 ft.

Credits: Director, Raoul Barré.

CARTOONS ON A YACHT. (Animated Grouch Chaser) 1915. 1,000 ft.

Credits: Written, directed and produced by Raoul Barré.

CARTOONS ON THE BEACH. (Animated Grouch Chasers) 1915. About 1,000 ft.

Credits: Raoul Barré.

CARTOONS ON TOUR. (Animated Grouch Chasers) 1915. 1 reel.

Credits: Raoul Barré.

A CAR-TUNE PORTRAIT. 1937. 1 reel.

Credits: Director, Dave Fleischer; animation, David Tendlar, Nicholas Tafuri.

CARYL OF THE MOUNTAINS. 1914. 1 reel.

Credits: Producer, Thomas Santschi.

CARYL OF THE MOUNTAINS. SEE Trails of the Wild.

LA CASA DE LA TROYA. SEE In Gay Madrid.

THE CASE AGAINST MRS. AMES. Presented by Adolph Zukor. 1936. 10 reels, sd. Based on the novel by Arthur Somers Roche.

Credits: Producer, Walter Wanger; director, William A. Seiter; screenplay, Gene Towne, Graham Baker.

CASE DISMISSED. 1924. 1 reel.

Credits: Director, Slim Summerville.

A CASE OF BEANS. Special Victor. 1916. 1 reel.

Credits: L. V. Jefferson; producer, Robert Daly.

THE CASE OF BECKY. 1921. 5 reels. From the play by Edward Locke.

Credits: Director, Chester Franklin.

THE CASE OF DOCTOR STANDING. Special Imp. 1917. 2 reels.

Credits: Written and produced by C. H. Weston.

A CASE OF EUGENICS. 1915. 1 reel.

Credits: Director, Sidney Drew.

A CASE OF IDENTITY. Presented by Stoll Picture Productions, Ltd. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Producer and director, Maurice Elvey; scenario, William J. Elliott.

THE CASE OF LENA SMITH. 1929. 7,229 ft. From the story of Samuel Ornitz.

Credits: Director, Josef Von Sternberg; adaptation, Jules Furthman.

THE CASE OF LUCKY LEGS. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 9 reels.

Credits: Director, Archie L. Mayo; screenplay, Brown Holmes, Ben Markson; adaptation, Jerry Chodorov.

THE CASE OF SERGEANT GRISCHA. 1930. 10 reels, sd. From the novel by Arnold Zweig.

Credits: Director, Herbert Brenon; adaptation, Elizabeth Meehan.

THE CASE OF THE BLACK CAT. First National. 1936. 8 reels.

Credits: Director, William McGann; story, Erle Stanley Gardner; screenplay, F. Hugh Herbert.

THE CASE OF THE CONSTANT GOD. SEE Love Letters of a Star.

THE CASE OF THE CURIOUS BRIDE. Presented by First National Productions Corp. and The Vitaphone Corp. 1935. 8 reels, sd. From the novel by Erle Stanley Gardner.

Credits: Director, Michael Curtiz; screenplay, Tom Reed; additional dialogue, Brown Holmes.

THE CASE OF THE HOWLING DOG. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1934. 8 reels, sd. From the story by Earle Stanley Gardner.

Credits: Director, Alan Crosland; screenplay, Ben Markson; dialogue director, Arthur Greville Collins.

THE CASE OF THE LOST SHEEP. (Oswald cartoon) (A Walter Lantz Cartoon) Snappy. 1935. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; animation, Manuel Moreno, Lester Kline.

THE CASE OF THE MISSING MAN. 1935. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Lee Loeb, Harold Buchman; film editor, Al Clark.

THE CASE OF THE STUTTERING BISHOP. First National. 1937. 8 reels, sd. From the novel by Erle Stanley Gardner.

Credits: Director, William Clemens; screenplay, Kenneth Garnet, Don Ryan.

THE CASE OF THE STUTTERING PIG. (Looney Tunes) 1937. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Melvin Millar; animation, Volney White; music, Carl W. Stalling.

THE CASE OF THE VANISHED BONDS. 1914. 1 reel. Adapted from "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

Credits: Director, Langdon West.

THE CASE OF THE VELVET CLAWS. Presented by First National Pictures, Inc. and the Vitaphone Corp. 1936. 7 reels, sd. From the story by Erle Stanley Gardner.

Credits: Director, William Clemens; screenplay, Tom Reed.

CASEY AT THE BAT. 1920. 1 reel.

CASEY AT THE BAT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the poem by Ernest L. Thayer.

Credits: Producer, Hector Turnbull; director, Monte Brice; screenplay, Jules Furthman; adaptation, Reginald Morris, Monte Brice.

CASEY OF THE COAST GUARD. 1926. 2 reels each. © Pathe Exchange, Inc.

Credits: Lewis Allen Browne; director, Will Nigh.

1. The Smugglers' Ruse. © 17Feb26; LP22406.

2. Shots in the Dark. © 17Feb26; LP22407.

3. Watchful Waiting. © 17Feb26; LP22408.

4. Under Suspicion. © 17Feb26; LP22409.

5. The Gas Chamber. © 17Mar26; LP22500.

6. Shot from the Depths. © 17Mar26; LP22501.

7. Contraband Channels. © 23Mar26; LP22581.

8. Smuggled Aliens. © 31Mar26; LP22582.

9. Meshes of the Law. © 7Apr26; LP22583.

10. Caught in the Net. © 17Apr26; LP22646.

CASEY'S BORDER RAID. Bison. 1917. 2 reels.

Credits: Story, direction, and production, George E. Marshall; scenario, Charles J. Wilson, Jr.

CASH. 1934. 7 reels, sd.

Credits: Director, Zoltan Korda; story and continuity, Anthony Gibbs, Dorothy Greenhill; dialogue, Anthony Gibbs.

CASH. 1934. 7 reels, sd.

Credits: Director, Zoltan Korda; scenario and continuity, Anthony Gibbs, Dorothy Greenhill; dialogue, Anthony Gibbs.

CASH AND CARRY. (Educational-Christie Comedy) 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank Roland Conklin.

CASH AND CARRY. 1937. 2 reels, sd.

Credits: Associate producer, Jules White; director, Del Lord; story, Clyde Bruckman; screenplay, Clyde Bruckman, Elwood Ullman; film editor, Charles Nelson.

CASH AND MARRY. 1930. 2 reels.

Credits: Director, Lewis Foster.

CASH CUSTOMERS. (A Stern Brothers Comedy) (Mike and Ike Series) 1927. 2 reels. From cartoons by Rube Goldberg.

Credits: Director, Roland Asher.

THE CASINO MURDER CASE. 1935. 8 reels, sd., b&w. From the book by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin; screenplay, Florence Ryerson, Edgar Allan Woolf; film editor, Conrad A. Nervig; synchronized score, Dimitri Tiomkin.

CASPER'S NIGHT OUT. (Toots and Casper Series, no. 7) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Basil.

CASPER'S WEEK END. (Toots and Casper Series, no. 4) 1928. 2 reels. Suggested by Jimmy Murphy's newspaper comedy characters.

Credits: Producer, Larry Darmour; director, St. Elmo Boyce; story, E. V. Durling, Hal Davit.

CASSIDY OF BAR 20. Presented by Adolph Zukor. 1938. 6 reels. Based on the story "Me 'an Shorty" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay and dialogue, Norman Houston.

THE CASTAWAY. (Mickey Mouse Cartoon, no. 12) 1931. 1 reel.

CASTE. 1913. 2 reels. Adapted from the comedy by T. W. Robertson.

CASTE. 1917. 5 reels. From the play by T. W. Robertson.

Credits: Director, Larry Trimble; adaptation, Benedict James, Larry Trimble.

A CASTILIAN GARDEN. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

CASTING FOR LUCK. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

CASTLE CRANEYCROW. SEE The Prisoner.

THE CASTLE OF DESPAIR. Gold Seal. 1916. 3 reels.

Credits: William A. Lathrop; director, Ben Wilson.

THE CASTLE OF DREAMS. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

CASTLES FOR TWO. 1917. 5 reels.

Credits: Producer, Frank Reicher; scenario, Beatrice De Mille, Leighton Osmun.

CASTLES IN THE AIR. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

CASTLES IN THE AIR. 1919. 5 reels. From the Saturday Evening Post story by Kate Jordan.

Credits: Adaptation and direction, George D. Baker.

CASUALTIES. (Metro Movietone Act) 1929. 2 reels, sd., b&w. Based on the play by Martin A. Flavin.

Credits: Director, Robert Ober; film editor, Frank Sullivan.

A CAT, A MOUSE, AND A BELL. (Color Rhapsody) 1935. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE CAT AND THE BELL. (Oswald the Rabbit) (Walter Lantz Cartoon) 1938. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod, Hicks Lokey.

THE CAT AND THE CANARY. Universal-Jewel. 1927. 8 reels. From the play by John Willard.

Credits: Director, Paul Leni; adaptation, Robert F. Hill, Alfreda Cohn.

THE CAT AND THE CANARY. 1939. 8 reels, sd. Based on the stage play by John Willard.

Credits: Producer, Arthur Hornblow, Jr.; director, Elliott Nugent; screenplay, Walter DeLeon, Lynn Starling; film editor, Archie Marshek.

THE CAT AND THE CANARY. SEE The Cat Creeps.

THE CAT AND THE FIDDLE. 1934. 9 reels, sd., color. From the play by Jerome Kern and Otto Harbach.

Credits: Director, William K. Howard; screenplay, Bella and Samuel Spewack; film editor, Frank Hull; music director, Herbert Stothart.

THE CAT CAME BACK. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freling; animation, Bob McKimson, Ben Clopton.

THE CAT CREEPS. Presented by Carl Laemmle. 1930. 8 reels. From the play "The Cat and the Canary" by John Willard.

Credits: Director, Rupert Julian; dialogue, Gladys Lehman, William Hurlburt; continuity, Gladys Lehman.

CAT, DOG & CO. (Hal Roach Comedy) (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels.

Credits: Production, supervision and story, Robert F. McGowan; director, Anthony Mack; editor, Richard Currier; titles, H. M. Walker.

A CAT-FISH ROMANCE. (Aesop's Sound Fable, no. 3) 1932. 7 min., sd.

Credits: John Foster, Mannie Davis.

CAT NIPPED. (An Oswald Comedy) Snappy. 1932. 1 reel.

CAT TALES. (A McDougall Alley Comedy) 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

CATALYSIS. 1937. 1 reel.

CATARACT EXTRACTION. 1931. 1 reel.

CATCH-AS-CATCH-CAN. Presented by Sam Sax. 1927. 5 reels.

Credits: Supervision, Sam Bischoff; director, Charles Hutchinson; story, L. V. Jefferson.

CATCH AS CATCH CAN. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, Marshall Neilan; dialogue, H. B. Walker; editor, Richard Currier.

CATCH 'EM YOUNG. (A Grantland Rice Sports-Eye-View) 1932. 1 reel, sd.

Credits: Director, Jack Eaton.

CATCH MY SMOKE. 1922. 5 reels.

Credits: Director, William Beaudine; story, Joseph B. Ames; scenario, Jack Strumwasser.

CATCHING TROUBLE. (Sportlight) 1936. 1 reel.

Credits: Narrator, Ted Husing.

CATCHING UP IN CANTON. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

CATCHING WHOPPERS. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

CATHERINE THE GREAT. Released through United Artists. 1934. 10 reels, sd. Based on events in the life of Catharine II, Empress of Russia.

Credits: Producer, Alexander Korda; director, Paul Czinner; story and dialogue, Lajos Biro, Arthur Wimperis, Melchior Lengyel; scenario and continuity, Arthur Wimperis, Marjorie Deans; film editor, Stephen Harrison; music director, Muir Mathieson.

CATHOLIC EDUCATION. 1931. 1 reel.

Credits: Patrick Cardinal Hayes.

CATS. 1915. 1 reel.

Credits: Director, Norval MacGregor.

CATS AND DOGS. (Pooch the Pup Cartoon) 1932. 1 reel.

Credits: Animation and direction, Walter Lantz.

THE CAT'S CANARY. (Aesop's Fables) 1932. 654 ft.

Credits: John Foster, Mannie Davis.

THE CAT'S NIGHTMARE. (A Walt Disney Comic) (Silly Symphony, no. 20) Presented by Columbia Pictures Corp. 1931. 1 reel, sd.

THE CAT'S NINE LIVES. (An Unnatural History Cartoon) 1927. 1 reel.

Credits: Animated, directed, and titled by Walter Lantz, Dave Hand, Clyde Geronimi.

THE CAT'S PAJAMAS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,790 ft.

Credits: Director, William A. Wellman; story, Ernest Vajda; scenario, Hope Loring, Louis D. Lighton.

THE CATSPAW. 1916. 5 reels.

Credits: Director, George Wright.

THE CAT'S PAW. (Daphne Pollard Universal Comedy) 1931. 2 reels.

Credits: Director, Harry Edwards; story, Dick Smith, Sidney Levee, Mitchell Rhein.

THE CAT'S-PAW. 1934. 12 reels, sd. Based on the book by Clarence Budington Kelland.

Credits: Direction and screenplay, Sam Taylor; music director, Alfred Newman.

THE CAT'S PAW. SEE Trapped.

THE CAT'S WHISKERS. Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

THE CAT'S WHISKERS. (Unnatural History Cartoon) 1926. 1 reel, sd.

Credits: Director, Walt Lantz.

CATTLE. 1928. 1 reel.

CATTLE RAIDERS. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; story, Folmer Blangsted; screenplay, Joseph T. Poland, Ed Earl Repp; film editor, Dick Fantl; music director, Morris Stoloff; music and lyrics, Bob Nolan.

A CATTLE RANCH. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

THE CATTLE THIEF. 1936. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story, J. A. Duffy; screenplay, Nate Gatzert; film editor, Dwight Caldwell.

Credits: Producer, William Duncan.

CAUGHT. 1915. 1 reel.

Credits: Charles Bradley.

CAUGHT. 1931. 6,117 ft., sd.

Credits: Director, Edward Sloman; story, Agnes Brand Leahy, Keene Thompson; additional dialogue, Bella Spewack, Sam Spewack.

CAUGHT BLUFFING. 1922. 5 reels.

Credits: Director, Lambert Hillyer; story, Jack Bechdolt; scenario, Charles Sarver.

CAUGHT BY A THREAD. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Tom Gibson.

CAUGHT CHEATING. 1931. 7 reels, sd.

Credits: Director, Frank Strayer; story and screenplay, W. Scott Darling.

CAUGHT COURTING. 1913. 1 reel.

Credits: Directors, Maurice Costello, Wilfrid North.

CAUGHT IN A CABARET. 1923. 2 reels.

Credits: Written and directed by Charles Chaplin.

CAUGHT IN A PARK. 1915.

Credits: Producer, Mack Sennett.

CAUGHT IN A TAXI. (Taxi Driver Series, no. 6) Mack Sennett, Inc. 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Del Lord; story, Del Lord, Ewart Adamson; film editor, William Hornbeck.

CAUGHT IN THE ACT. 1915.

Credits: Producer, Mack Sennett.

CAUGHT IN THE ACT. Victor. 1917. 2 reels.

Credits: Eugene B. Lewis; director, T. N. Heffron.

CAUGHT IN THE ACT. 1918. 5 reels.

Credits: Director, Harry Millarde; story, Fred Jackson; scenario, Raymond L. Schrock.

CAUGHT IN THE ACT. 1936. 2 reels, sd.

Credits: Director, Del Lord; story, Al Ray; screenplay, Al Ray, Arthur A. Greenlaw.

CAUGHT IN THE DRAFT. Nestor. 1917. 1 reel.

Credits: Written and directed by Craig Hutchinson; scenario, F. A. Statter.

CAUGHT IN THE DRAFT. 1928. 1 reel.

CAUGHT IN THE END. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

CAUGHT IN THE FOG. 1928. 7 reels.

Credits: Director, Howard Bretherton; story, Jerome Kingston; scenario, Charles R. Condon.

CAUGHT IN THE KITCHEN. (Tired Business Man Series, no. 1) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Jefferson Moffitt, Philip Whitman; film editor, William Hornbeck.

Credits: Holman Day.

CAUGHT ON A SKYSCRAPER. 1916. 2 reels.

CAUGHT PLASTERED. 1931. 7 reels, sd.

Credits: Associate producer, Douglas MacLean; director, William Seiter; story, Douglas MacLean; adaptation and dialogue, Ralph Spence.

CAUGHT SHORT. Cosmopolitan. 1930. 8 reels, sd., b&w.

Credits: Director, Charles F. Riesner; story, Willard Mack; dialogue and continuity, Willard Mack, Robert E. Hopkins; film editor, George Hively.

CAUGHT WITH THE GOODS. 1913. 2 reels.

Credits: Director, Ned Finley.

CAUGHT WITH THE GOODS. 1915. 500 ft.

CAUSE FOR DIVORCE. 1923. 7 reels.

Credits: Director, Hugh Dierker; story, Thelma Lanier.

A CAUSE FOR THANKFULNESS. 1913. 1 reel.

Credits: Mark Swan.

CAUSE FOR THANKSGIVING. 1914. 1 reel.

Credits: Director, Tefft Johnson.

CAVALCADE. 1933. 9,500 ft., sd. From the play by Noel Coward.

Credits: Director, Frank Lloyd; screenplay, Reginald Berkeley; continuity, Sonya Levien; editor, Margaret Clancey.

THE CAVALCADE OF MUSIC. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath; narrator, Harry Vonzell.

CAVALCADE OF STUFF. Presented by E. W. Hammons. 1938. 1 reel each, sd.

Credits: Director, Don Malkames.

1. © 18Nov38; MP8896.

2. © 6Dec38; MP8938.

THE CAVALIER. 1928. 7 reels. From "The Black Rider" by Max Brand [pseud. of Frederick Faust].

Credits: Director, Irvin Willat; continuity, Victor Irvin; titles, Walter Anthony; editor, Doane Harrison.

CAVALLERIA RUSTICANA. SEE Vendetta.

CAVALRY. 1936. 7 reels.

Credits: Producer, A. W. Hackel; original story and direction, Robert N. Bradbury; screen adaptation, George S. Plympton.

CAVANAGH OF THE FOREST RANGERS. 1918. Based on the novel "Cavanagh, Forest Ranger" by Hamlin Garland.

Credits: Director, William Wolbert.

THE CAVE CLUB. 1930. 1 reel, sd.

THE CAVE DWELLERS. 1914. 1 reel.

THE CAVE GIRL. 1921. 5 reels. From the play by Guy Bolton and George Middleton.

Credits: Director, Joseph J. Franz; screen version, William Parker.

THE CAVE GIRL. 1921. 5 reels. An adaptation of the stage play by Guy Bolton and George Middleton.

Credits: Scenario, William Parker.

THE CAVEMAN. 1915. 5 reels.

Credits: Director, Theodore Marston.

THE CAVEMAN. 1926. 7 reels.

Credits: Director, Lewis Milestone; story, Gelett Burgess; adaptation, Darryl Francis Zanuck.

THE CAVE MAN. (Willie Whopper Cartoon) 1934. 1 reel.

Credits: Animation, Grim Natwick, Berny Wolf.

CAVE MAN STUFF. Nestor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

CAVE MAN'S BUFF. Metro-Drew. 1917. 1 reel.

Credits: T. J. Geraghty; producer, Sidney Drew.

THE CAVE ON THUNDER CLOUD. 1915. 2 reels.

Credits: Mary Roberts Rinehart.

THE CAVELL CASE. Presented by Joseph L. Plunkett and Frank J. Carroll. 1918. 6 reels.

Credits: Director, John G. Adolfi; picturized by Anthony Paul Kelly.

CAVES AND COQUETTES. 1919. 2 reels.

Credits: Director, Gilbert Pratt; story, Montgomery & Rock.

CAVIAR. (Terrytoons) 1930. 1 reel.

CAVIARE FOR HIS EXCELLENCY. SEE The Magnificent Fraud.

CECIL LEAN AND CLEO MAYFIELD, HIS LUCKY DAY. (Metro Movietone Act) 1930. 1 reel, sd.

Credits: Director, Nick Grinde.

CECILIA LOFTUS IN HER FAMOUS IMPERSONATIONS. 1929. 1 reel, sd.

CECILIA OF THE PINK ROSES. 1918. 5 reels.

Credits: Katherine Haviland Taylor; director, Julius Steger; screen version, S. M. Weller.

THE CECROPIA MOTH. 1916. 4,000 ft.

CEILING WHACKS. Presented by Carl Laemmle. 1934. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, James W. Horne; editor, Harry Marker.

CEILING ZERO. Cosmopolitan. Released by First National Pictures Corp. and The Vitaphone Corp. 1936. 10 reels, sd. Based on the play by Frank Wead.

Credits: Director, Howard Hawks; screenplay, Frank Wead.

THE CELEBRATED JUMPING FROG OF CALAVERAS COUNTY. SEE The Jumping Frog.

A CELEBRATED SCANDAL. 1915. For Wm. Fox Vaudeville Co. 5 reels.

Credits: Picturized by J. Gordon Edwards.

CELEBRITY. 1928. 7 reels. From the stage play by Willard Keefe.

Credits: Producer, Ralph Block; director, Tay Garnett; screenplay, Tay Garnett, George Dromgold; adaptation, Elliott Clawson, George Dromgold.

CELESTE. Big U. 1915. 1 reel.

CELESTE. 1916. 2 reels.

CELESTE OF THE AMBULANCE CORPS. 1916. 3,000 ft.

Credits: William Addison Lathrop; director. Burton George.

THE CELESTIAL REPUBLIC. 1913. 1 reel.

THE CELLAR SPY. 1915. 1 reel.

Credits: Producer, Arthur Hotaling.

THE 'CELLO CHAMPION. 1915. 1,000 ft.

Credits: Producer, Arthur D. Hotaling.

CENTRAL AIRPORT. Presented by First National Pictures, Inc. and Vitaphone Corp. 1933. 8 reels, sd. Based on the story "Hawk's Mate" by Jack Moffitt.

Credits: Director, William A. Wellman; screenplay, Rian James, James Seymour; film editor, James Morley.

CENTRAL AMERICA. 1930. 1 reel.

CENTRAL AMERICA. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

THE CENTRAL DELIVERY DEPARTMENT. 1929. 3 reels.

CENTRAL PARK. 1932. 7 reels.

Credits: Director, John G. Adolfi; screenplay, Ward Morehouse, Earle Baldwin.

THE CENTRAL PLAINS. (Regional Geography) 1920. 2 reels.

THE CENTURY CHAMPIONSHIP. SEE Dead Man's Curve.

A CENTURY OF PROGRESS. (Ford Educational Library, Civics and Citizenship, v. 3, pts. 1 & 2) Ford Motion Picture Laboratories. 1921. 1 reel each.

A CENTURY OF PROGRESS—CHICAGO WORLD'S FAIR. 1933. 2 reels, sd.

'CEPTION SHOALS. SEE Out of the Fog.

CEREMONIES IN BALI. 1936. Released by Harold Auten. 1 reel.

A CERTAIN RICH MAN. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Director, Philip W. Masi; story, Herbert Kaufman; scenario, Merle Johnson.

A CERTAIN YOUNG MAN. 1928. 6 reels, sd., b&w.

Credits: Producer and director, Hobart Henley; continuity, Donna Barrell; titles, Marian Ainslee, Ruth Cummings; film editor, Basil Wrangell.

A CERTIFIED ROUTE-BUILDING PLAN, pt. 5. 1937. Filmstrip, sd.

THE CHADFORD DIAMONDS. 1915. 1 reel.

THE CHAIN GANG. (A Walt Disney Comic, Mickey Mouse Series) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

Credits: Producer, Frank E. Powell; book, Richard LeGallienne; scenario, Roy L. McCardell.

A CHAIN IS AS STRONG. 1935. 22 min.

CHAIN LETTER DIMES. (An Oddity) 1935. 1 reel, sd., b&w.

Credits: Director, Al Ray; explanatory remarks, Pete Smith.

CHAIN LETTERS. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 524 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

CHAIN LIGHTNING. 1922. 5 reels.

Credits: Supervision, Ben Wilson; story and scenario, J. Grubb Alexander, Agnes Parsons.

CHAIN LIGHTNING. 1927. 6 reels, b&w, tinted sequences.

Credits: Direction and scenario, Lambert Hillyer; story, Charles Alden Seltzer; titles, Malcolm Stuart Boylan; film editor, Louis Loeffler.

THE CHAIN OF EVIDENCE. 1916. 2 reels.

CHAIN STORES. 1931. 1 reel.

CHAINED. 1934. 8 reels, sd., b&w.

Credits: Producer, Hunt Stromberg; director, Clarence Brown; original story, Edgar Selwyn; screenplay, John Lee Mahin; film editor, Robert J. Kern; music score, Herbert Stothart.

CHAINED. (Your True Adventures) 1939. 12 min., sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

CHAINS OF EVIDENCE. 1919. 5 reels.

Credits: Director, Dallas M. FitzGerald; story, Leon D. Britton; scenario, J. Clarkson Miller.

THE CHALICE OF COURAGE. 1915. 6 reels.

Credits: Director, Rollin S. Sturgeon.

THE CHALICE OF SORROW. 1916. 5 reels.

Credits: Directed and adapted by Rex Ingram.

CHALK MARKS. Released by Producers Distributing Corp. 1924. 7 reels.

Credits: Producer, Frank E. Woods; director, John G. Adolfi.

CHALK UP. (Sport Champions) 1932. 1 reel, sd., b&w.

Credits: Director, Zion Myers; explanatory remarks, Pete Smith.

CHALKED OUT. SEE You Can't Get Away with Murder.

THE CHALLENGE. (Out of the Inkwell) 1922. 1 reel.

Credits: Director, David Fleischer; animation, Max Fleischer.

CHALLENGE. SEE Bulldog Drummond in Africa.

THE CHALLENGE OF CHANCE. 1919. 7 reels.

Credits: Director, Harry Revier; story and scenario, Roy Somerville.

THE CHALLENGE OF THE LAW. 1920. 5 reels.

Credits: Director, Scott Dunlap; story, Lloyd Sheldon; scenario, Dennison Clift, Scott Dunlap.

CHALLIS. SEE Shake It up.

THE CHAMP. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes; story, Ward Hayes, Frank Kingsley.

THE CHAMP. 1931. 10 reels, sd., b&w.

Credits: Producer, King Vidor; story, Frances Marion; dialogue continuity, Leonard Praskins; additional dialogue, Wanda Tuchock; film editor, Hugh Wynn.

THE CHAMP. (Paul Terry Toons) 1931. 6 min.

Credits: Frank Moser, Paul Terry.

THE CHAMP. SEE Be Yourself.

CHAMPAGNE CHARLIE. 1936. 5,300 ft., sd.

Credits: Director, James Tinling; screenplay, Allen Rivkin; music director, Samuel Kaylin.

CHAMPAGNE FOR BREAKFAST. 1935. 7 reels, sd.

Credits: Director, Melville Brown; story, E. Morton Hough; screenplay, George Waggner; film editor, Lou Sackin.

THE CHAMPAGNE MUSIC OF LAWRENCE WELK. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

CHAMPAGNE WALTZ. Presented by Adolph Zukor. 1937. 10 reels, sd.

Credits: Producer, Harlan Thompson; director, A. Edward Sutherland; story, Billy Wilder, H. S. Kraft; screenplay, Don Hartman, Frank Butler; film editor, Paul Weatherwax.

THE CHAMPION. 1915. 2 reels.

THE CHAMPION. 1923. 239 ft.

THE CHAMPION. SEE The World's Champion.

CHAMPION AIR-HOPPERS. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE CHAMPION BABY. 1917. 1 reel. Adapted from the poem by Nixon Waterman.

THE CHAMPION BEAR SLAYER. Released through General Film Co. 1914. 1 reel.

Credits: Director, E. A. Martin.

CHAMPION EXPERT PAPER HANGER OF THE WORLD. 1924. 1 reel.

THE CHAMPION GOLFER. SEE Ben Bard in The Champion Golfer.

THE CHAMPION LIAR. 1920. 2 reels.

Credits: Producer, Ed (Hoot) Gibson; story, Louis D. Lighton; scenario, Bob Horner.

THE CHAMPION LOSER. Rainbow. 1920. 2 reels.

Credits: Director, Chuck Reisner.

CHAMPION MAKERS. (Sound Sportlight) 1930. 1 reel, sd.

Credits: Editor, Jack Eaton.

CHAMPION OF LOST CAUSES. 1925. 5 reels.

Credits: Director, Chester Bennett; story, Max Brand [pseud. of Frederick Faust]; scenario, Thomas Dixon, Jr.

THE CHAMPION PROCESS SERVER. 1914. 1 reel.

Credits: Story, Joseph Bernard.

Credits: Producer, John L. Hawkinson.

THE CHAMPIONS. (World of Sports) 1933. 1 reel, sd.

CHAMPIONS IN THE NEWS. (Lawrence M. Rosenthal, author) 1938. 1 reel each, sd. © General Mills, Inc.

1. © 10Jul38; MP8591.

2. © 10Jul38; MP8592.

3. © 10Jul38; MP8593.

4. © 10Jul38; MP8594.

5. © 10Jul38; MP8595.

6. © 10Jul38; MP8596.

CHAMPIONS OF THE XTH OLYMPIAD, AQUATIC EVENTS. 1932. 200 ft.

THE CHAMP'S A CHUMP. 1936. 2 reels, sd.

Credits: Director, Sam White; story and screenplay, Jerome Gottler, Ewart Adamson.

CHANCE AT HEAVEN. 1933. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; director, William Seiter; story, Vina Delmar; screenplay, Julian Josephson, Sarah Y. Mason: editor, James B. Morley; music director, Max Steiner.

THE CHANCE MARKET. Gold Seal. 1916. 3 reels.

Credits: Produced and written by King Baggot.

CHANCES. 1931. 7 reels, sd.

Credits: Director, Alan Dwan; story, A. Hamilton Gibbs; adaptation, Waldemar Young.

CHANDU, THE MAGICIAN. 1932. 6,350 ft. From the radio drama by Harry A. Earnshaw, Vera M. Oldham and R. R. Morgan.

Credits: Directors, Marcel Varnel, William C. Menzies; screenplay, Barry Conners, Philip Klein; editor, Harold Schuster.

CHANG. 1927. 8 reels.

Credits: Producers, Merion C. Cooper, Ernest B. Schoedsack.

Credits: Wilson Mizner; director, Carl Harbaugh.

A CHANGE FOR THE BETTER. 1915. 1 reel.

A CHANGE IN BAGGAGE CHECKS. 1914. 1 reel.

Credits: Director, George D. Baker.

A CHANGE IN LOVERS, L-Ko. 1915. 1 reel.

Credits: Director, J. G. Blystone.

A CHANGE OF BUSINESS. 1914. 1 reel.

Credits: May Evers; director, Charles M. Seay.

A CHANGE OF HEART. 1916. 2,000 ft.

Credits: Director, Leon D. Kent.

CHANGE OF HEART. 1934. 6,937 ft., sd. From the story "Manhattan Love Song" by Kathleen Norris.

Credits: Director, John G. Blystone; screenplay, Sonya Levien, James Gleason; additional dialogue, Samuel Hoffenstein; music director, Louis de Francesco.

CHANGE OF HEART. 1938. 5,972 ft., sd.

Credits: Director, James Tinling; screenplay, Frances Hyland, Albert Ray; music director, Samuel Kaylin.

CHANGING HIDES INTO LEATHER. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1923. 1 reel.

CHANGING HUSBANDS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the story "Roles" by Elizabeth Alexander.

Credits: Supervision, Cecil B. De Mille; directors, Frank Urson, Paul Iribe; adaptation, Sada Cowan, Howard Higgin.

CHANGING OF THE GUARD. 1936. 2 reels, sd.

Credits: Director, Bobby Connolly; story and screenplay, Sig Herzig.

THE CHANGING WOMAN. 1918. 5 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith.

CHANLER RAO, CRIMINAL EXPERT. 1914.

Credits: Director, Ned Finley; story, Brinsley Moore.

CHANNING OF THE NORTHWEST. Presented by Lewis J. Selznick. 1922. 5 reels.

Credits: Producer, Ralph Ince; story, John Willard; scenario, Edward J. Montagne.

CHAP CALLED BARDELL. SEE The Sky Hawk.

A CHAPARRAL CHRISTMAS GIFT. SEE The Mexican's Gratitude.

THE CHAPERON. Released thru Kleine-Edison-Selig-Essanay Service. 1916. 5 reels. From the play by Marion Fairfax.

Credits: Director, Arthur Berthelet; arranger, H. S. Sheldon.

CHAPERONS. (A Stern Brothers Comedy) 1929. 2 reels. From cartoons by Rube Goldberg.

Credits: Director, Samuel Newfield.

A CHAPTER IN HER LIFE. Jewel. 1923. 6 reels. Based on the story "Jewel" by Clara Louise Burnham.

Credits: Adapted and directed by Lois Weber.

CHARACTER STUDIES. SEE Montague Love in Character Studies.

CHARADES. 1924. 1 reel each. © Bray Screen Products, Inc.

1. © 1Jun24; MP2695.

2. © 1Jun24; MP2685.

3. © 1Jun24; MP2686.

4. © 1Jun24; MP2687.

CHARGE IT TO ME. 1919. 5 reels.

Credits: Director, R. William Neill; story, L. V. Jefferson.

THE CHARGE OF THE GAUCHOS. Ajuria Productions. 1928. 6 reels.

Credits: Director, Albert Kelly; original story, Julian Ajuria.

THE CHARGE OF THE LIGHT BRIGADE. 1912. 1,025 ft.

THE CHARGE OF THE LIGHT BRIGADE. 1936. 115 min., sd.

Credits: Director, Michael Curtiz; original story, Michel Jacoby; screenplay, Michel Jacoby, Rowland Leigh; film editor, George Amy; music director, Leo F. Forbstein.

CHARGE OF THE LIGHT BRIGADE. SEE Jaws of Hell.

CHARIS. 1929. Filmslides. © Charis Corset Corporation (John L. Butler Advertising Agency, author).

1. Recruiting. © 23Feb29; MP105.

2. Confidence. © 23Feb29; MP106.

3. Training the Garment. © 23Feb29; MP107.

4A. Selling. © 23Feb29; MP108.

4B. Selling. © 23Feb29; MP109.

5. Measuring and Fitting. © 23Feb29; MP110.

CHARIS SERVICE. 1931. Filmstrip, 44 frames.

THE CHARITY BALL. 1914.

THE CHARLATAN. Jewel. 1929. 7 reels. Based on the play by Ernest Pascal and George Praskins.

Credits: Director, George Melford.

CHARLES AHEARN AND HIS MILLIONAIRES. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

CHARLES C. PETERSON, BILLIARD CHAMPION OF FANCY SHOTS. 1929. 1 reel.

CHARLES CHAPLIN IN A LIBERTY LOAN APPEAL. 1918. 1 reel.

CHARLES (CHIC) SALE IN THEY'RE COMING TO GET ME. 1928. 2 reels.

Credits: Director, Marcel G. Silver; story, Charles Sale.

CHARLES GOODYEAR. SEE Fools Who Made History.

CHARLES HACKETT IN FAUST, ASSISTED BY CHASE BAROMEO. 1929. 2 reels, sd.

CHARLES HACKETT OF THE CHICAGO OPERA CO. SINGS QUESTA Ó QUELLA AND LA DONNA É MOBILE FROM RIGOLETTO. 1927. 1 reel, sd.

CHARLES HACKETT OFFERS A. WHO IS SYLVIA [AND] B. A SERENADE BY FRANZ SCHUBERT. 1928. 1 reel, sd.

CHARLES HACKETT [SINGING] A. THE CALL OF THE NILE, B. CHANSON INDORE. 1927. 1 reel.

CHARLES HACKETT SINGING IL MIO TESORO INSTANTO [AND] O PARADISO. 1929. 1 reel.

CHARLES HACKETT, TENOR OF THE CHICAGO CIVIC OPERA COMPANY. 1929. 1 reel, sd.

CHARLES IRWIN, THE DEBONAIR HUMORIST [IN] ANNIE LAURIE, AN ANALYTIC DISSERTATION. 1928. 1 reel, sd.

CHARLES ROGERS IN THE ICE MAN. 1928. 1 reel, sd.

Credits: Charles Rogers; director, Murray Roth.

CHARLES ROGERS IN THE MOVIE MAN. 1928. 1 reel, sd.

Credits: Charles Rogers; director, Archie Mayo.

CHARLES RUGGLES AND COMPANY IN WIVES, ETC. 1928. 2 reels, sd.

Credits: Roy Briant; director, Bryan Foy.

THE CHARLESTON IN SIX LESSONS. 1926. 6 reels.

Credits: Producer, J. S. Bachmann; director, Joseph Schleiff; scenario, Morrie Ryskind.

CHARLEY AND THE BOOTLEGGER. 1920. 1 reel.

CHARLEY LOST HIS PANTS. 1920. 1 reel.

CHARLEY SEES A STAR. 1920. 1 reel.

CHARLEY'S AUNT. Presented by Al and Charles Christie in conjunction with Ideal Films, Ltd. Released by Producers Distributing Corp. 1925. 8 reels. From the comedy by Brandon Thomas.

Credits: Director, Scott Sidney; scenario, F. McGrew Willis; titles, Joseph Farnham.

CHARLEY'S AUNT. 1930. 9 reels, sd. From the play by Brandon Thomas.

Credits: Producers, Al Christie, Charles Christie; director, Al Christie; screen adaptation, F. McGrew Willis.

CHARLIE CHAN AT MONTE CARLO. 1938. 6,465 ft., sd. Based on characters created by Earl Derr Biggers.

Credits: Director, Eugene Forde; original story, Robert Ellis, Helen Logan; screenplay, Charles Belden, Jerry Cady; music director, Samuel Kaylin.

CHARLIE CHAN AT THE CIRCUS. 1936. 6,500 ft., sd. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, Harry Lachman; original screenplay, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

CHARLIE CHAN AT THE OLYMPICS. 1937. 6,400 ft., sd. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, H. Bruce Humberstone; original story, Paul Burger; screenplay, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

CHARLIE CHAN AT THE OPERA. 1936. 6,175 ft., sd. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, H. Bruce Humberstone; story, Bess Meredyth; screenplay, Scott Darling, Charles S. Belden; music director, Samuel Kaylin.

CHARLIE CHAN AT THE OPERA. 1937. 7 reels, sd. Based on the character created by Earl Derr Biggers.

Credits: Director, H. Bruce Humberstone; story, Bess Meredyth; screenplay, Scott Darling, Charles S. Belden; music director, Samuel Kaylin.

CHARLIE CHAN AT THE RACE TRACK. 1936. 6,300 ft., sd. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, H. Bruce Humberstone; story, Lou Breslow, Saul Elkins; screenplay, Robert Ellis, Helen Logan, Edward T. Lowe.

CHARLIE CHAN AT TREASURE ISLAND. 1939. 6,633 ft., sd. Based on the character created by Earl Derr Biggers.

Credits: Director, Norman Foster; original story and screenplay, John Larkin; music director, Samuel Kaylin.

CHARLIE CHAN CARRIES ON. 1931. 6,200 ft., sd. From the novel by Earl Derr Biggers.

Credits: Director, Hamilton MacFadden; screenplay and dialogue, Philip Klein, Barry Conners; editor, Al De Gaetano.

CHARLIE CHAN IN EGYPT. 1935. 6,600 ft. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, Louis King; original screenplay, Robert Ellis, Helen Logan; music, Samuel Kaylin.

CHARLIE CHAN IN HONOLULU. 1939. 6,074 ft., sd. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, H. Bruce Humberstone; screenplay, Charles Belden.

CHARLIE CHAN IN LONDON. 1934. 8 reels. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Producer, John Stone; director, Eugene Forde; original screenplay, Philip MacDonald; music director, Samuel Kaylin.

CHARLIE CHAN IN PARIS. 1935. 6,413 ft., sd. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, Lewis Seiler; story, Philip MacDonald; screenplay, Edward T. Lowe; Stuart Anthony; music director, Samuel Kaylin.

CHARLIE CHAN IN RENO. 1939. 6,379 ft., sd. Based on the story "Death Makes a Decree" by Philip Wylie.

Credits: Director, Norman Foster; screenplay, Frances Hyland, Albert Ray, Robert E. Kent; music director, Samuel Kaylin.

CHARLIE CHAN IN SHANGHAI. Presented by Fox Film Corp. 1935. 6,300 ft., sd.

Credits: Director, James Tinling; original story and screenplay, Edward T. Lowe, Gerard Fairlie; music director, Samuel Kaylin.

CHARLIE CHAN ON BROADWAY. 1937. 6,125 ft., sd. Based on the character Charlie Chan created by Earl Derr Biggers.

Credits: Director, Eugene Forde; original story, Art Arthur, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

CHARLIE CHAN'S CHANCE. 1931. 6,400 ft., sd. From a novel by Earl Derr Biggers.

Credits: Director, John Blystone; screenplay, Barry Conners, Philip Klein; editor, Alex Troffey.

CHARLIE CHAN'S COURAGE. 1934. 6,589 ft., sd. Based on the novel "The Chinese Parrot" by Earl Derr Biggers.

Credits: Director, George Hadden; screenplay, Seton I. Miller; music, Samuel Kaylin.

CHARLIE CHAN'S GREATEST CASE. 1933. 6,200 ft., sd. From the novel "The House Without a Key" by Earl Derr Biggers.

Credits: Director, Hamilton MacFadden; screenplay, Lester Cole, Marion Orth; editor, Alex Troffey.

CHARLIE CHAN'S SECRET. Presented by Fox Film Corp. 1936. 6,500 ft., sd.

Credits: Director, Gordon Wiles; original story, Robert Ellis, Helen Logan; screenplay, Robert Ellis, Helen Logan in collaboration with Joseph Hoffman; music director, Samuel Kaylin.

CHARLIE CHAPLIN'S BURLESQUE ON CARMEN. 1916. 4 reels.

CHARLIE CHAPLIN'S BURLESQUE ON CARMEN. SEE Chip's Carmen.

CHARLIE CUCKOO. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Elmer Perkins; story, Elviry Perkins.

CHARLIE GETS A JOB. 1919. 2 reels.

Credits: Written and directed by Jesse Robbins.

CHARLIE IN TURKEY. 1919. 1 reel.

CHARLIE MELSON'S SCREEN TEST. 1931. 1 reel.

Credits: Charles Melson.

CHARLIE THE HERO. 1919. 2 reels.

Credits: Director, A. Goulding.

CHARLIE THE LITTLE DAREDEVIL. 1918. 2 reels.

CHARLIE TREATS 'EM ROUGH. Nestor. 1919. 1 reel.

Credits: Pat Sullivan.

CHARM BRACELET. (A Phantasy Cartoon) Presented by Columbia Pictures Corp. 1939. 558 ft., sd.

Credits: Story, Harry Love; animation, Allen Rose; music, Joe De Nat.

THE CHARM SCHOOL. 1920. 5 reels. From the Saturday Evening Post story by Alice Duer Miller.

Credits: Director, James Cruze.

A CHARMED LIFE. 1922. 2 reels.

Credits: Written and directed by Vincent McDermott.

THE CHARMER. 1917. 5 reels.

Credits: Producer, Jack Conway; story, J. Grubb Alexander, Fred Myton.

THE CHARMER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,988 ft. From the novel "Mariposa" by Henry Baerlein.

Credits: Producer, Sidney Olcott; screenplay, Sada Cowan.

THE CHARMING DECEIVER. 1921. 5 reels.

Credits: Director, George L. Sargent; story, Mrs. Owen Bronson.

Credits: Julien Street; adaptation, Mrs. Sidney Drew.

CHARMING SINNERS. 1929. 8 reels, si. & 6,184 ft., sd.

Credits: Director, Robert Milton; story, W. Somerset Maugham; adaptation and screenplay, Doris Anderson; film editor, Verna Willis.

A CHARMING VILLAIN. Victor. 1916. 1 reel.

Credits: Harry Wulze; producer, John Steppling.

A CHASE ACROSS THE CONTINENT. 1912. 1 reel.

CHASE ME. 1920. 2 reels.

Credits: Director, Roy Del Ruth.

CHASE ME CHARLIE. Released through George Kleine System. 1918. 5 reels. British version of the Essanay Chaplin comedies.

CHASE YOURSELF. (Jimmie Adams Comedies) Educational. 1926. 2 reels.

Credits: Frank Roland Conklin; director, William Watson.

CHASED INTO LOVE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Parrott.

THE CHASER. 1928. 6 reels.

Credits: Director, Harry Langdon; story, Arthur Ripley; scenario, Clarence Hennecke, Robert Eddy, Harry McCoy.

THE CHASER. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd.

Credits: Producer, Frank Davis; director, Edwin L. Marin; original story, Chandler Sprague, Howard Emmett Rogers; screenplay, Everett Freeman, Harry Ruskin, Bella and Samuel Spewack; film editor, George Boemler.

THE CHASES OF PIMPLE STREET. (Hal Roach Comedy) (Charley Chase Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

CHASING AROUND. 1931. 2 reels, sd.

Credits: Producer, Phil Goldstone.

CHASING DANGER. 1939. 5,520 ft., sd.

Credits: Director, Ricardo Cortez; original story, Leonardo Bercovici; screenplay, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

CHASING HER FUTURE. 1919. 2 reels.

Credits: Director, Fred Fishback.

CHASING HUSBANDS. 1928. 2 reels, sd., b&w.

Credits: Supervision and story, Leo McCarey; director, James Parrott; film editor, Richard Currier.

CHASING RAINBOWS. 1919. 5 reels.

Credits: Director, Frank Beal; story, Karl Edwin Harriman; scenario, Ruth Ann Baldwin.

CHASING RAINBOWS. 1930. 11 reels, sd., b&w, color sequences.

Credits: Director, Charles F. Riesner; story and continuity, Bess Meredyth; adaptation, Wells Root; dialogue, Charles F. Riesner, Robert Hopkins, Kenyon Nicholson, Al Boasberg; film editor, George Hively; music and lyrics, Milton Ager, Jack Yellen; director of orchestra, Arthur Langs.

CHASING THE CHAMPIONS. (Adventures of the Newsreel Cameraman) 1934. 1 reel, sd.

CHASING THE LIMITED. Bison. 1915. 2 reels.

Credits: Julius Grinnel Furthmann; producer, Henry McRae.

CHASING THE MOON. 1922. 6 reels.

Credits: Director, Edward Sedgwick; story, Tom Mix, Edward Sedgwick; editor, Ralph Spence.

CHASING THROUGH EUROPE. Presented by William Fox. 1929. 6 reels, si. & sd.

Credits: Directors, David Butler, Alfred L. Werker; story, Andrew Bennison.

CHASING TROUBLE. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Milburn Morante; story and scenario, Frank Beresford.

CHASING TROUBLE. (Checker Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; story and direction, Fred Guiol; film editor, John Link; music director, Francis Gromon.

CHASING WEALTH. 1923. 1 reel.

Credits: Director, William Watson; story, Richard Smith.

CHASING YESTERDAY. Presented by Radio Pictures. 1935. 9 reels, sd. From the novel "The Crime of Sylvestre Bonnard" by Anatole France.

Credits: Associate producer, Cliff Reid; director, George Nicholls, Jr.; screenplay, Francis Edwards Faragoh; editor, Arthur Schmidt; music director, Alberto Colombo.

CHASMS. SEE Souls Adrift.

THE CHASTENING. SEE Humility, a Cardinal Virtue.

CHASTITY. First National. Presented by B. P. Schulberg. 1923. 6 reels.

Credits: Ernest Pascal; director, Victor Schertzinger.

THE CHATTEL. 1916. 5 reels.

Credits: Producer, Frederick A. Thomson.

CHATTERBOX. 1936. 7 reels, sd. From the play by David Carb.

Credits: Associate producer, Robert Sisk; director, George Nicholls, Jr.; screenplay, Sam Mintz; editor, Arthur Schmidt; music director, Alberto Colombo.

THE CHATTERBOX. SEE

Alias French Gertie.

Smooth as Satin.

Credits: Written and directed by Charles Parrott.

THE CHAUFFEUR. 1921. 2 reels.

Credits: Director, Jack Blystone.

CHAZ CHASE, THE UNIQUE COMEDIAN. 1928. 1 reel, sd.

CHEAP KISSES. Released by F. B. O. 1924. 7 reels.

Credits: Director, John Ince; story and scenario, C. Gardner Sullivan.

CHEAP SKATES. (Mermaid Comedies) 1925. 2 reels.

Credits: Written and directed by Norman Taurog.

CHEAP TRANSPORTATION. 1914. 600 ft.

A CHEAP VACATION. 1916. 1 reel.

Credits: Written and produced by P. D. Hugon.

CHEAPER TO MARRY. Presented by Louis B. Mayer. 1925. 7 reels. From the play by Samuel Shipman.

Credits: Producer, Robert Z. Leonard; assistant director, Dave Todd; scenario, Alice D. G. Miller; adaptation, Frederick and Fanny Hatton.

CHEAPER TO RENT. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; staged by Max E. Hayes.

Credits: Producer, Cecil B. De Mille.

THE CHEAT. Paramount. Presented by Adolph Zukor. 1923. 8 reels. A rewritten and modernized version of the story previously produced by Cecil B. De Mille.

Credits: Producer and director. George Fitzmaurice; story, Hector Turnbull; adaptation, Ouida Bergere.

THE CHEAT. 1931. 7 reels, sd. Based on the story by Hector Turnbull.

Credits: Director, George Abbott; screenplay, Harry Hervey.

CHEATED HEARTS. 1921. 5 reels.

Credits: Producer, Hobart Henley; story, William F. Payson; scenario, Wallace Clifton.

CHEATED LOVE. 1921. 5 reels.

Credits: Producer, King Baggot; story and scenario by Lucien Hubbard, Doris Schroeder.

THE CHEATER. Screen Classics, Inc. 1920. 2 reels. Based on the stage play "Judah" by Henry Arthur Jones.

Credits: Supervision, Maxwell Karger; director, Henry Otto; scenario, Lois Zellner.

THE CHEATER REFORMED. 1921. 5 reels.

Credits: Director, Scott Dunlap; story, Jules Furthman; scenario, Jules Furthman, Scott Dunlap.

CHEATERS. Gold Seal. 1916. 3 reels.

Credits: E. M. Ingleton; director, Lucius Henderson; adaptation, Catherine Carr.

CHEATERS. 1927. 6 reels.

Credits: Harry Kerr; director, Oscar Apfel; continuity, William Clifford; film editor, James C. McKay.

CHEATERS. Presented by M. H. Hoffman. 1934. 68 min., sd. Suggested by "The Peacock Screen" by Fanny Heaslip Lea.

Credits: Director, Phil Rosen; story, continuity and dialogue, Adele Buffington.

CHEATERS AT PLAY. 1932. 5,170 ft., sd.

Credits: Director, Hamilton MacFadden; story, Louis Joseph Vance; screenplay, Malcolm Stuart Boylan; editor, Irene Morra.

CHEATING CHEATERS. 1919. 5 reels. From the play by Max Marcin.

Credits: Director, Allan Dwan.

CHEATING CHEATERS. Jewel. 1927. 6 reels. From the play by Max Marcin.

Credits: Director, Edward Laemmle; continuity, James T. O'Donohue.

CHEATING CHEATERS. 1934. 7 reels, sd. From the play by Max Marcin.

Credits: Director, Richard Thorpe; screenplay, Gladys Unger, Allen Rivkin.

CHEATING HERSELF. 1919. 5 reels.

Credits: Scenario and direction, Edwin Laurence; story, Charles Mortimer Peck.

CHEATING THE PUBLIC. 1918. 7 reels.

Credits: Director, Richard Stanton; story, Mary Murillo; adaptation, Richard Stanton, Ed. Sedgwick.

CHEATING WIVES. SEE The Empty Cradle.

CHECK AND DOUBLE CHECK. 1930. 9 reels, sd.

Credits: Associate producer, Bertram Millhauser; director, Melville Brown; story, music and lyrics, Bert Kalmar, Harry Ruby; adaptation, J. Walter Ruben.

CHECK AND RUBBER CHECK. 1931. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, Harry Sauber; film editor, Gene Milford.

THE CHECK-UP. 1930. 1 reel.

CHECK YOUR CASH. 1937. 10 min., sd.

Credits: Director, Lloyd French; story, Ira Genet.

CHECK YOUR HAT, SIR? Released through General Film Co. 1918. 1 reel.

Credits: Arranged and directed by Arthur D. Hotaling.

CHECK YOUR SOMBRERO. 1936. 2 reels, sd.

Credits: Director, Roy Mack; continuity, A. Dorian Otvos, George J. Bennett.

THE CHECKERED FLAG. 1926. 6 reels. From the novel by John Mersereau.

Credits: Director, John G. Adolfi.

CHECKERS. 1919. 7 reels. From the story by Henry Blossom.

Credits: Director, Richard Stanton; scenario, Adrian Johnston.

CHECKERS. 1938. 7,050 ft., sd.

Credits: Director, H. Bruce Humberstone; original story, Lynn Root, Frank Fenton; screenplay, Lynn Root, Frank Fenton, Robert Chapin, Karen DeWolf; music director, Samuel Kaylin.

CHECKING OUT. Century. 1924. 2 reels.

Credits: Written and directed by Noel Smith.

THE CHEER LEADER. Presented by Sam Sax. 1927. 6 reels.

Credits: Lee Authmar; adaptation, continuity and direction, Alvin J. Neitz; story adaptation, Jack Casey.

THE CHEER LEADER. 1930. 1 reel, sd.

CHEER UP. (Cameo Comedy) 1924. 1 reel.

Credits: Director, Stephen Roberts.

CHEER UP AND SMILE. 1930. 5,730 ft., sd. From the story "Alone with You" by Richard Connell.

Credits: Associate producer, A. L. Rockett; director, Sidney Lanfield; adaptation and dialogue, Howard J. Green; editor, Ralph Dietrich.

CHEERFUL CREDIT. 1922. 2 reels.

Credits: Story and direction, Fred Hibbard.

THE CHEERFUL FRAUD. 1926. 7 reels. From the novel by K. R. G. Browne.

Credits: Director, William A. Seiter.

CHEERS OF THE CROWD. 1935. 7 reels, sd.

Credits: Producer, Trem Carr; director, Vin Moore; story and screenplay, George Waggner; editor, Ernest Leadlay.

THE CHEESE INDUSTRY. (Near-Educational Series) 1915. Split reel.

CHEESE IT. SEE Krazy Kat in Cheese It.

CHEESE MINING. 1914. 1 reel.

Credits: Director, Charles H. France.

CHEESE-NAPPERS. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod, James Miele; animation, Ray Fahringer, George Grandpre.

A CHEESE ROMANCE. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes.

THE CHEF AT CIRCLE G. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Edwin Ray Coffin.

CHEF'S REVENGE. Sterling. 1915. Split reel.

CHEMICAL EFFECTS OF ELECTRICITY. 1930. 1 reel.

CHEMICAL KO-KO. 1929. 1 reel.

THE CHEMIST. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, David Freedman.

CHERCHEZ LA FEMME. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Eddie Moran, A. Dorian Otvos.

CHERCHEZ LA FEMME. SEE Find the Woman.

CHERI-BIBI. SEE The Phantom of Paris.

THE CHEROKEE KID. 1927. 5 reels.

Credits: Director, Robert DeLacy; story, Joseph Kane; adaptation and continuity, Oliver Drake.

CHEROKEE ROSE. SEE The Fighting Hombre.

THE CHEROKEE STRIP. First National. 1937. 6 reels, sd.

Credits: Director, Noel Smith; story, Ed Earl Repp; screenplay, Joseph K. Watson, Luci Ward; music and lyrics, M. K. Jerome, Jack Scholl.

CHERRY. (Famous Author Series) 1914. 1 reel.

Credits: Director, James Young; story, Booth Tarkington.

CHERRY BLOSSOM TIME IN JAPAN. (A James A. FitzPatrick Traveltalk) 1936. 1 reel, sd., color.

Credits: Music director, Rosario Bourdon; music, Maria Grever.

THE CHERRY TREE. SEE George Washington Cohen.

CHERUB DEVINE. SEE Money to Burn.

CHESAPEAKE BAY. 1930. 1 reel.

Credits: Narrator, John Holbrook.

THE CHESAPEAKE BAY RETRIEVER. Treasure Chest. Presented by E. W. Hammons. 1936. 983 ft., sd.

Credits: Directors, Thomas Frelinghuysen, Alene Erlanger; narrator, John Holbrook; music, Marc Blitzstein.

CHESS-NUTS. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, James H. Culhane, William Henning.

CHESTER CONKLIN IN THE MASTER SWEEPER. 1930. 1 reel, sd.

THE CHEVAL MYSTERY. Victor. 1915. 3 reels.

CHEVROLET LEADER NEWS. SEE Leader News.

CHEYENNE. 1929. 6 reels.

Credits: Supervision, Harry J. Brown; director, Albert Rogell; story, Bennett Cohen.

CHEYENNE FRONTIER DAYS OF 1936. SEE The Daddy of 'Em All.

THE CHEYENNE KID. 1933. 6 reels, sd. From the story "Sir Piegan Passes" by W. C. Tuttle.

Credits: Associate producer, David Lewis; director, Robert Hill; screenplay, Jack Curtis.

THE CHEYENNE SUN DANCE; or, MEDICINE LODGE. 1934. 50 min., 16 mm.

Credits: Producer, Forrest E. Clements.

CHEYENNE'S PAL. (Star Featurette) 1917. 2 reels.

Credits: Written and directed by Jack Ford.

CHI HOUSE. SEE Sorority House.

CHIC SALE IN THE STAR WITNESS. (Movietone Number) 1928. 1 reel, sd.

Credits: Director, Marcel G. Silver.

CHICAGO. De Mille Pictures Corp. 1928. 9 reels. From the play by Maurine Watkins, produced upon the stage by Sam H. Harris.

Credits: Director, Frank Urson; screenplay, Leonore J. Coffee; film editor, Anne Bauchens.

CHICAGO AFTER MIDNIGHT. Released by F. B. O. Picture Corp. 1928. 7 reels.

Credits: Director, Ralph Ince; original story, Charles K. Harris; continuity, Enid Hibbard.

Credits: Produced and directed by V. M. Bowers.

CHICAGO WORLD'S FAIR. SEE A Century of Progress—Chicago World's Fair.

Credits: Director, M. H. Desfontaines.

CHICKEN. 1914. 1 reel.

CHICKEN. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Vernon Smith, Nick Barrows.

CHICKEN A LA CABARET. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, V. Heerman.

CHICKEN A LA KING. (Lyons-Moran Star Comedy) 1919. 1 reel.

CHICKEN A LA KING. 1928. 7 reels, b&w. From the play "Mister Romeo" by Harry Wagstaff Gribble and Wallace A. Mannheimer.

Credits: Director, Henry Lehrman; scenario, Izola Forrester, Mann Page.

CHICKEN A LA KING. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, Nicholas Tafuri.

CHICKEN CHASED AND HENPECKED. 1917. 2 reels.

Credits: Director General, J. G. Blystone; director, Vin Moore.

THE CHICKEN CHASER. (Krazy Kat) Winkler Pictures, Inc. 1926. 1 reel.

Credits: Story, Bill Nolan.

CHICKEN, COUNTRY STYLE. (Star Comedy) 1921. 1 reel.

Credits: Director, Vin Moore.

CHICKEN FEATHERS. (Educational-Christie Comedies) 1927. 2 reels.

Credits: Director, Walter Graham; story, Frank Roland Conklin.

CHICKEN FEED! 1922. 2 reels.

Credits: Director, Eugene De Rue.

CHICKEN-HEARTED JIM. Rex. 1916. 1 reel.

Credits: Production and scenario, Francis Ford.

THE CHICKEN IN THE CASE. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Written and directed by Victor Heerman.

THE CHICKEN INSPECTOR. 1914. 1 reel.

Credits: Directors, Wallie Van [pseud. of Wally Van Nostrand], Wilfrid North.

CHICKEN JITTERS. (Looney Tunes) 1939. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; animation, Vive Risto, Robert Cannon; music director, Carl W. Stalling.

THE CHICKEN PARADE. 1922. 2 reels.

Credits: Written and directed by John P. Smith and Mort Peebles.

CHICKEN REEL. (An Oswald Comedy) Snappy. 1933. 1 reel.

Credits: Walter Lantz, Bill Nolan.

THE CHICKEN THIEF. SEE Judge Rummy in The Chicken Thief.

CHICKEN-WAGON FAMILY. 1939. 5,786 ft., sd. Based on the novel by Barry Benefield.

Credits: Director, Herbert I. Leeds; screenplay, Viola Brothers Shore; music director, Samuel Kaylin.

THE CHICKEN-WAGON FAMILY. SEE The Dixie Merchant.

CHICKENS. 1921. 5 reels. From the story "Yanconna Yillies" by Hershel S. Hall.

Credits: Supervision, Thomas H. Ince; director, Jack Nelson; adaptation, Agnes Christine Johnston.

CHICKENS COME HOME. 1931. 3 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

CHICKIE. 1925. 8 reels.

Credits: Elenore Meherin; supervision, Earl Hudson; director, John Francis Dillon; scenario, Marion Orth.

THE CHIEF. 1933. 7 reels, sd., b&w.

Credits: Director, Charles F. Riesner; screenplay, Arthur Caesar, Robert E. Hopkins; film editor, William Gray.

CHIEF CAUPOLICAN, THE INDIAN BARITONE. 1928. 1 reel, sd.

THE CHIEF INSPECTOR. 1915. 2 reels.

CHIEFLY CONCERNING MALES. 1914. 1 reel.

Credits: Director, Tefft Johnson.

THE CHIEF'S GOAT. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand.]

THE CHIEF'S LOVE AFFAIR. 1914. 1 reel.

LE CHIFFONNIER DE PARIS. SEE The Rag Picker of Paris.

Credits: Written and directed by Ivan Abramson.

CHILD GROWTH; a Series of Demonstration Tests. 1930. 2 reels.

Credits: Charlotte M. Buehler.

A CHILD IN JUDGMENT. 1915. 3,000 ft.

Credits: Eleanor Lawson, Emelie Polini; director, Carlton King.

THE CHILD NEEDED A MOTHER. L-Ko. 1915. 1 reel.

A CHILD OF CIRCUMSTANCES. Rex. 1916. 1 reel.

A CHILD OF DESTINY. 1916. Produced for the Metro program. 5 reels.

Credits: Written and produced by William Nigh.

THE CHILD OF FATE. SEE The Mysteries of Paris.

CHILD OF MANHATTAN. 1933, sd. 7 reels. From the play by Preston Sturges.

Credits: Director, Edward Buzzell; screenplay, Gertrude Purcell.

A CHILD OF MYSTERY. Red Feather. 1916.

Credits: Director, Hobart Henley; story, Willard Mack.

A CHILD OF THE NORTH. 1915. 2 reels.

Credits: Director, Rollin S. Sturgeon.

A CHILD OF THE PRAIRIE. 1915. 2 reels.

Credits: Director, Tom Mix.

A CHILD OF THE WILD. 1917. For Fox Film Corp. 5 reels.

Credits: Director, John G. Adolfi.

THE CHILD, THE DOG AND THE VILLAIN. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Campbell MacCulloch.

THE CHILD THOU GAVEST ME. 1914. 1 reel.

THE CHILD THOU GAVEST ME. First National. Presented by Louis B. Mayer. 1921. 6 reels.

Credits: Producer and director, John M. Stahl; story, Perry N. Vekroff.

CHILDBIRTH. 1938.

Credits: Dialogue and editing, Samuel Cummins.

CHILDHOOD'S HAPPY DAYS. Metro-Drew. 1916. 1 reel.

Credits: Charles Brown.

THE CHILDREN. SEE The Marriage Playground.

CHILDREN NOT WANTED. 1920. 6 reels. From the play by Stuart Sinclair.

Credits: Director, Paul Scardon.

CHILDREN OF BANISHMENT. 1919. 5 reels. From the novel by Francis William Sullivan.

Credits: Scenario and direction, Norval MacGregor.

THE CHILDREN OF CAPTAIN GRANT. SEE In Search of the Castaways.

CHILDREN OF DESTINY. 1920. 6 reels. From the play by Sidney Rosenfeld.

CHILDREN OF DIVORCE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels. From the story by Owen Johnson.

Credits: Producer and director, Frank Lloyd; screenplay, Hope Loring, Louis D. Lighton.

CHILDREN OF DREAMS. 1931. 9 reels, sd. Based on the musical play by Oscar Hammerstein, 2d, and Sigmund Romberg.

Credits: Director, Alan Crosland.

CHILDREN OF DUST. 1923. 7 reels.

Credits: Producer and director, Frank Borzage; story, Tristram Tupper; scenario, Agnes Christine Johnston.

CHILDREN OF EVE. 1915. 5 reels.

Credits: John H. Collins.

CHILDREN OF JAZZ. 1923. 6 reels. From the play "Other Times" by Harold Brighouse.

Credits: Director, Jerome Storm; adaptation, Beulah Marie Dix.

CHILDREN OF LONELINESS. 1934. 7 reels.

Credits: Written and directed by Richard C. Kahn; screen adaptation, Howard Bradford.

CHILDREN OF PLEASURE. 1930. 9 reels, sd., b&w.

Credits: Director, Harry Beaumont; play and dialogue, Crane Wilbur; scenario, Richard Schayer; film editor, Blanche Sewell.

CHILDREN OF PLEASURE. SEE The Crash.

CHILDREN OF THE FEUD. 1913. 2 reels.

Credits: Director, Ned Finley.

CHILDREN OF THE GHETTO. 1915. 5 reels. Adapted from the novel and play by Israel Zangwill.

CHILDREN OF THE NIGHT. 1921. 5 reels.

Credits: Director, Jack Dillon; story, Max Brand [pseud. of Frederick Faust]; scenario, John Montague.

CHILDREN OF THE RITZ. 1929. 7 reels. From the story by Cornell Woolrich.

Credits: Director, John Francis Dillon; continuity, Adelaide Heilbron.

CHILDREN OF THE RITZ. Trailer. 1929. 1 reel, sd.

CHILDREN OF THE SUN. U. F. A. 1928. 1 reel.

Credits: Editor, Edward Bowes.

CHILDREN OF THE SUN. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel.

Credits: Supervision, Elmer Clifton.

CHILDREN OF THE SUN. 1934. 6 reels. Based on the French version "La Marche au Soleil."

CHILDREN OF THE WHIRLWIND. 1925. 7 reels.

Credits: Director, Whitman Bennett; story, Leroy Scott.

CHILDREN WANTED. 1924. 2 reels.

Credits: Director, Henry Lehrman.

THE CHILDREN'S HOUSE. 1915. 1 reel.

THE CHILDREN'S PARADISE. Powers. 1916. 1/2 reel.

CHILE. 1932. 1 reel.

CHILE. (Paramount Color Cruises) 1939. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

CHILE CON CARMEN. (Oswald Cartoon) 1930. 1 reel, sd.

Credits: Animation, Walter Lantz.

CHILE, LAND OF CHARM. (James A. FitzPatrick's Traveltalks) 1937. 1 reel, sd., color.

Credits: Photography, Winton C. Hoch; music score, Jack Shilkret.

CHILI AND CHILLS. 1932. 809 ft.

Credits: Director, Harold Austin; narrator, Paul Gerard Smith.

CHILLS AND CHICKENS. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Gale Henry.

Credits: Producer, John L. Hawkinson.

CHILLS AND FEVER. 1930. 2 reels, sd.

Credits: Story and direction by Arch B. Heath; film editor, Kathleen McIvor.

CHILLY DAYS. (Big Boy-Juvenile Comedy) 1928. 2 reels.

Credits: Director, Charles Lamont.

Credits: Director, Cecil B. De Mille.

Credits: Producer, Cecil B. De Mille; scenario, Cecil B. De Mille and Jeanne Macpherson.

THE CHIMNEY SWEEP. 1916. 2 reels.

Credits: Edward T. Lowe, Jr.; director, L. C. Windom.

THE CHIMNEY'S SECRET. Victor. 1915. 1 reel.

Credits: Milton Moore; producer, Lon Chaney.

THE CHIMP. (A Hal Roach Subject) Presented by Hal Roach. 1932. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

CHIMP CHAMPS. (Sportlight) 1936. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE CHIN HE LOVED TO LIFT. (Beauty Parlor Series, no. 7) Released by F. B. O. 1927. 2 reels.

Credits: Director, Reggie Morris; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean DuPont; supervising editor, James Wilkinson.

CHINA. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 1 reel.

Credits: Frank Moser, Paul Terry.

CHINA. (Oswald Cartoon) 1931. 1 reel.

Credits: Directed and animated by William Nolan, Walter Lantz.

CHINA AT WORK AND AT PLAY. Powers. 1917. 1/2 reel.

CHINA AWAKENED. (Travelaugh) Powers. 1917. 1 reel.

Credits: Hy Mayer.

CHINA BOUND. 1929. 7 reels, b&w.

Credits: Director, Charles F. Riesner; story, Sylvia Thalberg, Frank Butler; continuity, Peggy Kelly; titles, Robert Hopkins; film editor, George Hively.

CHINA CLIPPER. First National Productions Corp. 1936. 10 reels, sd.

Credits: Director, Raymond Enright; dialogue director, Gene Lewis; screenplay, Frank Wead.

CHINA PASSAGE. 1937. 7 reels, sd.

Credits: Associate producer, Cliff Reid; director, Edward Killy; story, Taylor Caven; screenplay, Edmund L. Hartmann, J. Robert Bren; editor, Desmond Marquette.

THE CHINA PLATE. (Silly Symphony, no. 18) 1931.

CHINA SEAS. 1935. 9 reels, sd., b&w. From the book by Crosbie Garstin.

Credits: Associate producer, Albert Lewin; director, Tay Garnett; screenplay, Jules Furthman, James Kevin McGuinness; film editor, William LeVanway; music, Herbert Stothart.

THE CHINA SHOP. (Walt Disney's Silly Symphony) 1933. 1 reel.

CHINA TODAY. (Color Parade) 1938. 1 reel.

Credits: Dialogue, Ira Genet; commentator, Dwight Weist.

A CHINAMAN'S CHANCE. (A Flip the Frog Cartoon) 1933. 1 reel, sd.

CHINA'S OLD MAN RIVER. (Around the World with Burton Holmes) 1930. 2 reels, sd., b&w.

Credits: Burton Holmes.

CHINA'S WONDERLAND AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

CHINATOWN CHARLIE. 1928. 7 reels.

Credits: Owen Davis; director, Charles Hines.

A CHINATOWN FANTASY. Presented by Adolph Zukor & Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Frank Cambria.

CHINATOWN MY CHINATOWN. 1929. 1 reel.

Credits: Director, Dave Fleischer; arranger, Max Fleischer.

THE CHINATOWN MYSTERY. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

CHINATOWN NIGHTS. 1929. 7,145 ft., si. & 7,481 ft., sd. From the story "Tong War" by Samuel Ornitz.

Credits: Director, William A. Wellman; screenplay, Ben Grauman Kohn; adaptation, Oliver H. P. Garrett.

CHINATOWN SQUAD. 1935. 7 reels, sd.

Credits: Director, Murray Roth; original story, Lawrence G. Blochman; screenplay, Dore Schary.

CHINESE JINKS. 1932. 564 ft.

Credits: John Foster, Harry Bailey.

THE CHINESE NIGHTINGALE. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

THE CHINESE ORANGE MYSTERY. SEE The Mandarin Mystery.

THE CHINESE PARROT. Universal Jewel. 1927. 7 reels. Based on the novel by Earl Derr Biggers.

Credits: Director, Paul Leni; adaptation and continuity, J. Grubb Alexander.

THE CHINESE PARROT. SEE Charlie Chan's Courage.

CHING, CHING, CHINAMAN. SEE Shadows.

CHINKS AND CHICKENS. 1915. 1,000 ft.

Credits: Epes Winthrop Sargent; director, Charles Ranson.

CHIP OF THE FLYING U. 1914. 3,000 ft. Based on the book by B. M. Bower [pseud. of Bertha Muzzy Sinclair].

Credits: Producer, Colin Campbell.

CHIP OF THE FLYING U. Universal-Jewel. 1926. 7 reels. From the story by B. M. Bower [pseud. of Bertha Muzzy Sinclair].

Credits: Director, Lynn Reynolds.

CHIP OF THE FLYING U. 1939. 6 reels. Based on the novel by B. M. Bower [pseud. of Bertha (Muzzy) Sinclair].

Credits: Director, Ralph Staub; screenplay, Larry Rhine, Andrew Bennison.

A CHIP OF THE OLD BLOCK. 1915. 1,000 ft.

Credits: Director, James W. Castle.

Credits: Adapted and produced by James A. FitzPatrick.

Credits: Written and directed by James A. FitzPatrick.

CHIPS OF THE OLD BLOCK. SEE The Foy Family in Chips of the Old Block.

CHIQUITA. SEE Paulo, Pequita and Chiquita.

CHIROPODY-PODIATRY VISUAL FOOT EDUCATION. 1936. 1 reel, 35 mm.

THE CHISELERS. Presented by Hal Roach. 1931. 3 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

CHISELERS OF HOLLYWOOD. 1930. 7 reels, sd.

Credits: Director, William O'Connor; story and continuity, Ida May Park.

CHIVALROUS CHARLEY. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Director, Robert Ellis; story, May Tully; scenario, Edward J. Montagne.

THE CHOICE. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE CHOKE'S ON YOU. 1936. 2 reels, sd. Based on characters created by Ham Fisher.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey, Eddie Forman.

CHOO-CHOO. (Our Gang Comedies) (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

CHOO CHOO LOVE. 1918. 2 reels.

Credits: Director, J. G. Blystone.

CHOOSE YOUR EXIT. 1918. 2 reels.

Credits: Director, Charles Parrott.

CHOOSE YOUR PARTNERS. Presented by E. W. Hammons. 1935. 1,822 ft., sd.

Credits: Director, Charles Lamont; story, Glen Lambert, Charles Lamont.

CHOOSE YOUR WEPPINS. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, George Germanetti.

CHOOSING YOUR VOCATION. 1931. 1 reel.

Credits: Harry D. Kitson.

CHOP SUEY. (Paul Terry Toons) 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

CHORDS OF MEMORY. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

Credits: Supervision, H. M. and E. D. Horkheimer.

THE CHORUS GIRL'S ROMANCE. 1920. 6 reels. From the story "Head and Shoulders" by F. Scott Fitzgerald.

Credits: Director, William C. Dowlan; scenario, E. Percy Heath.

THE CHORUS KID. Gotham. Presented by Sam Sax. 1928. 6 reels, sd.

Credits: Director, Howard Bretherton; story, Howard Rockey; scenario, Harold Shumate; adaptation, Adele Buffington.

Credits: Scenario, Marion Fairfax.

THE CHORUS LADY. Released by Producers Distributing Corp. 1924. 7 reels. From the play by James Forbes.

Credits: Director, Ralph Ince; adaptation, Bradley King.

CHRIS AND THE WONDERFUL LAMP. 1917. 4 reels.

Credits: Director, Alan Crosland; adaptation, Sumner Williams.

CHRIS COLUMBO. (Terry Toons) Presented by Paul Terry. 1938. 604 ft., sd.

Credits: Director, Ed Donnelly; music, Philip A. Scheib.

CHRIS COLUMBUS, JR. (An Oswald Cartoon) Snappy. 1934. 1 reel.

Credits: Walter Lantz.

CHRISS-CROSSED. 1931. 954 ft., sd., b&w.

Credits: Story written and directed by Eddie Buzzell; film editor, William Leon.

THE CHRISTIAN. 1914. 8 reels.

Credits: Director, Frederick Thomson; picturized by Eugen Mullen.

THE CHRISTIAN. 1923. 8 reels. From the story by Hall Caine.

Credits: Director, Maurice Tourneur.

CHRISTIAN CRUSADERS IN CONSTANTINOPLE. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel. Originally entitled "Constantinople."

CHRISTINA. 1929. 8 reels.

Credits: Director, William K. Howard; story, Tristram Tupper; scenario, Marion Orth.

CHRISTINE OF THE BIG TOPS. Presented by Banner Productions, Inc. 1926. 5,800 ft.

Credits: Director, Archie Mayo; scenario, adaptation and continuity, Sonya Levien.

CHRISTINE OF THE HUNGRY HEART. First National. 1924. 8 reels. From the novel by Kathleen Norris.

Credits: Supervision, Thomas H. Ince; director, George Archainbaud; adaptation, Bradley King.

CHRISTMAS. 1922. 2 reels.

Credits: Director, Mal St. Clair; story, Carter De Haven; scenario, Beatrice Van.

A CHRISTMAS ACCIDENT. 1912.

Credits: Annie Eliot Trumbull.

CHRISTMAS AMONG THE ANIMALS. 1927. 1 reel.

CHRISTMAS AND NEW YEAR'S LEADER. 1920. 1 reel.

A CHRISTMAS CAROL. Presented by Metro-Goldwyn-Mayer. 1938. 7 reels, sd., b&w. Based on a novel by Charles Dickens.

Credits: Producer, Joseph L. Mankiewicz; director, Edwin L. Marin; screenplay, Hugo Butler; film editor, George Boemler; music score, Franz Waxman.

A CHRISTMAS CAROL. SEE

The Right To Be Happy.

Scrooge.

CHRISTMAS CHEER. 1927. 1 reel.

Credits: Paul Terry, John Foster.

CHRISTMAS CHEER. (A Sunny Jim Comedy Talkie) 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

CHRISTMAS COMES BUT ONCE A YEAR. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

CHRISTMAS DREAM. 1928. 1 reel.

Credits: Direction, story and scenario, Marcel G. Silver.

CHRISTMAS KNIGHT. 1930. 1 reel.

Credits: C. B. Platts.

CHRISTMAS MEMORIES. Gold Seal. 1915. 3 reels.

Credits: Written and produced by Robert Z. Leonard.

THE CHRISTMAS PARTY. 1931. 1 reel, sd.

Credits: Director, Charles Riesner; skit and dialogue, Robert E. Hopkins.

A CHRISTMAS REVENGE. 1915. 2 reels.

A CHRISTMAS STORY. 1913. 1 reel.

Credits: Directors, James W. Castle, Teft Johnson.

CHRISTOPHER BEAN. 1933. 9 reels, sd., b&w. Based upon the play "The Late Christopher Bean," adapted by Sidney Howard from the play "Prenez Garde à la Peinture" by René Fauchois.

Credits: Associate producer, Harry Rapf; director, Sam Wood; screenplay, Sylvia Thalberg, Laurence E. Johnson; film editor, Hugh Wynn.

CHRISTOPHER STRONG. 1933. 9 reels, sd. From the novel by Gilbert Frankau.

Credits: Associate producer, Pandro S. Berman; director, Dorothy Arzner; screenplay, Zoe Akins; film editor, Arthur Roberts; music director, Max Steiner.

CHRISTUS. Societa Italiana Cines. Rome. 1917. 8 reels.

Credits: Director and arranger, Guilio Antamoro; narration, Maurice V. Samuels.

CHRONICLES OF AMERICA. SEE Jamestown.

THE CHRONICLES OF CLEEK. 1913-14. 1 reel each. Produced in collaboration with Short Stories. © Thomas A. Edison, Inc.

Credits: Thomas W. Hanshew; directors, George A. Lessey, Benjamin F. Wilson.

1. The Vanishing Cracksman. © 8Nov13; LP1552.

2. The Mystery of the Dover Express.

3. The Mystery of the Talking Wire.

4. The Mystery of the Ladder of Light.

5. The Mystery of the Laughing Death.

6. The Mystery of the Silver Snare.

7. The Mystery of the Amsterdam Diamonds. © 9May14; LP2669.

8. The Mystery of the Fadeless Tints.

[9] The Mystery of the Lost Stradivarius.

[10] The Mystery of the Octagonal Room. © 8Aug14; LP3176.

[11] The Mystery of the Glass Tubes.

[12] The Mystery of the Sealed Art Gallery. © 10Oct14; LP3516.

[13] The Heritage of Hamilton Cleek.

CHRYSALIS. SEE All Of Me.

CHU-CHIN-CHOW. Presented by Graham Wilcox Productions, Ltd. 1925. 7 reels.

Credits: Production, direction and scenario, Herbert Wilcox; story, Oscar Ashe, Frederic Norton.

CHU-CHIN-CHOW. 1934. 10 reels, sd. Based on the play by Oscar Asche [pseud. of Thomas Stanger Heiss].

Credits: Director, Walter Forde; screenplay and dialogue, Edward Knoblock, Sidney Gilliat, L. du Garde Peach; editor, D. N. Twist; music director, Louis Levy; music, Frederic Norton; orchestra conducted by Hubert Bath.

CHUBBY TAKES A HAND. Laemmle. 1917. 1 reel.

Credits: Director, William V. Mong; story, E. Magnus Ingleton; scenario, Harvey Gates.

THE CHUMP TAKES A BUMP. 1939. 2 reels, sd.

Credits: Director, Del Lord; story, Churchill Ross.

THE CHUMPS. (Educational's Talking Comedies) Presented by Mack Sennett. 1930. 21 min., sd. Adapted from the story "Sweet and Lowdown" by Ronald Millar.

Credits: Director, Mack Sennett.

CHUMPS AND CHANCES. 1917. 1 reel.

Credits: Graham Baker; director, Lawrence Semon.

CHUMPS AND COPS. 1918. 2 reels.

Credits: Montgomery & Rock; director, J. A. Howe.

CHUMS. 1921. 2 reels.

Credits: Written and directed by Fred Hibbard.

CHUMS. Treasure Chest. Educational Pictures. Presented by E. W. Hammons. 1935. 842 ft., sd.

Credits: Narrator, James F. Clemenger.

THE CHURCH MOUSE. 1934. 8 reels, sd. From the play by Paul Frank and Ladislaus Fodor.

Credits: Director, Monte Banks; adaptation, W. Scott Darling.

CHURCH MOUSE. SEE Beauty and the Boss.

THE CHURCH WITH AN OVERSHOT WHEEL. 1919. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Joseph Byron Totten.

Credits: J. de Jaron; producer, Madame G. Delac.

Credits: Richard Jäger.

A CIGARETTE, THAT'S ALL. Gold Seal. 1915. 2 reels.

Credits: Producer, Phillips Smalley; story, Helena Evans; scenario, Lois Weber.

CIMARRON. 1930. 13 reels, sd. Based on the novel by Edna Ferber.

Credits: Associate producer, Louis Sarecky; director, Wesley Ruggles; adaptation, dialogue and continuity, Howard Estabrook.

CINDER ALLEY. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe de Nat.

CINDERELLA. (Dinkey Doodle Cartoons, no. 6) 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

CINDERELLA. (A Krazy Kat Cartoon) Winkler. 1930. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

CINDERELLA. (Paul Terry-Toons) 1933. 6 min., sd.

CINDERELLA BLUES. (Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

THE CINDERELLA HUSBAND. 1917. 1 reel.

Credits: Director, Chester M. De Vonde; story, Thomas J. Gray.

THE CINDERELLA MAN. 1917. 6 reels. From Oliver Morosco's stage success by Edward Childs Carpenter.

Credits: Picturized and directed by George Loane Tucker; story, Edward Childs Carpenter.

CINDERELLA MEETS FELLA. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Ted Pierce; animation, Virgil Ross; music director, Carl W. Stalling.

CINDERELLA OF CRIPPLE CREEK. 1915. 1 reel.

Credits: Director, Ulysses Davis.

CINDERELLA OF THE HILLS. 1921. 5 reels.

Credits: Director, Howard M. Mitchell; story, John Breckenridge Ellis; scenario, Dorothy Yost.

CINDERELLA'S TWIN. 1921. 6 reels.

Credits: Producer, Bayard Veiller; director, Dallas M. Fitzgerald; original story and scenario, Luther Reed.

CINDERS. Imp. 1916. 1 reel.

Credits: Written and produced by Robert Hill.

CINDERS. 1920. 2 reels.

Credits: Producer, Edward Laemmle; story, W. C. Tuttle; scenario, George Hively.

CINDERS OF LOVE. 1916. 2 reels.

CINEMA CIRCUS. 1937. 2 reels, sd., color.

Credits: Producer, Louis Lewyn; director, Roy Rowland; dialogue, John Krafft.

THE CINEMA MURDER. 1919. 6 reels. From the novel by E. Phillips Oppenheim.

Credits: Director, George D. Baker; scenario, Frances Marion.

CIPHER BUREAU. Released by Grand National. 1938. 7 reels, sd.

Credits: Producer, Franklyn Warner; director, Charles Lamont; original story, Arthur Hoerl, Monroe Shaff; screenplay, Arthur Hoerl; film editor, Bernard Loftus.

THE CIPHER KEY. 1915. 3,000 ft.

CIRCE THE ENCHANTRESS. Presented by Robert Z. Leonard. 1924. 7 reels.

Credits: Director-general, Robert Z. Leonard; story, Vicente Blasco Ibanez; scenario, Douglas Doty.

THE CIRCLE. 1925. 6 reels. From the play by W. Somerset Maughan.

Credits: Adaptation, Kenneth B. Clarke.

THE CIRCLE. SEE Strictly Unconventional.

THE CIRCLE OF DEATH. Special Big U. 1916. 1 reel.

THE CIRCULAR PATH. 1915. 3 reels.

Credits: H. S. Sheldon.

THE CIRCULAR ROOM. Imp. 1916. 2 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

THE CIRCULAR STAIRCASE. 1915. 5 reels. Based on the novel by Mary Roberts Rinehart.

Credits: Director, Edward J. Le Saint.

CIRCULATION. (Eastman Classroom Films. Health Series—Physiology) 1929. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 1 reel.

CIRCULATORY CONTROL. 1930. 1 reel.

CIRCUMSTANCES ALTER DIVORCE CASES. SEE Innocence.

CIRCUMSTANCES MAKE HEROES. 1913. 1 reel.

Credits: Gertrude McCoy.

Credits: Written and directed by Tom Collins.

CIRCUMSTANTIAL EVIDENCE. 1935. 7 reels, sd.

Credits: Director, Charles Lamont; story, Tom Terriss; adaptation and screenplay, Ewart Adamson.

CIRCUMSTANTIAL GUILT. Imp. 1916. 2 reels.

Credits: Producer, George Cochrane; story, George Suprenant; scenario, Maie Havey.

CIRCUMSTANTIAL JUSTICE. Laemmle. 1916. 1 reel.

Credits: E. M. Ingleton; director, Fred A. Kelcey.

A CIRCUMSTANTIAL SCANDAL. Nestor. 1915. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

THE CIRCUS. Rex. 1915. 1 reel.

THE CIRCUS. 1928. 7 reels.

Credits: Written and directed by Charlie Chaplin.

CIRCUS. (Flip the Frog Cartoon) 1932. 1 reel.

THE CIRCUS ACE. Presented by William Fox. 1927. 5 reels.

Credits: Director, Ben Stoloff; story, Harold Shumate; scenario, Jack Jungmeyer.

THE CIRCUS AND THE BOY. 1914. 1 reel.

Credits: Director, Tefft Johnson.

CIRCUS BLUES. (Dorothy Devore Comedies) 1928. 2 reels.

Credits: Director, Charles Lamont.

CIRCUS CAPERS. (Mermaid Comedies) 1927. 2 reels.

Credits: Supervision, Jack White; director, James Jones.

CIRCUS CAPERS. (Fable) 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

THE CIRCUS CLOWN. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Ray Enright; story and screenplay, Bert Kalmar, Harry Ruby.

CIRCUS CLOWNS. Century. 1922. 2 reels.

Credits: Story and direction, Fred Hibbard.

CIRCUS CO-ED. (Paramount Paragraphics) 1939. 1 reel, sd.

Credits: Justin Herman; producers, Eddie M. Davis, Victor Fisher; director, Eddie M. Davis; narrator, Bud Hulick.

THE CIRCUS COMES TO TOWN. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Narration, Jack Kofoed; narrator, Ford Bone.

THE CIRCUS COWBOY. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, William A. Wellman; story, Louis Sherwin; scenario, Doty Hobart.

THE CIRCUS CYCLONE. (Blue Streak Western) 1925. 5 reels.

Credits: Story and direction, Albert Rogell.

CIRCUS DAY. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario, Doty Hobart.

THE CIRCUS DAY. (Organlogue, no. 16) 1931. 1 reel, sd.

Credits: Narration, Harry Von Zell.

CIRCUS DAYS. Presented by Sol Lesser. 1923. 6 reels. Adapted from "Toby Tyler" by James Otis [pseud. of James Otis Kaler].

Credits: Director, Eddie Cline; adaptation, Edward Cline, Harry Weil.

CIRCUS DAYS. (Paul Terry Toons) Presented by E. W. Hammons. 1935. 1 reel, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

CIRCUS DAZE. (Happy Harmonies) 1937. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

CIRCUS GIRL. 1937. 7 reels.

Credits: Producer, Nat Levine; director, John H. Auer; original story, Frank R. Adams; screenplay, Adele Buffington, Bradford Ropes; adaptation, Adele Buffington.

THE CIRCUS GIRL'S ROMANCE. Bison. 1915. 2 reels.

Credits: Producer, Henry McRae; scenario, Hugh Weir.

A CIRCUS HOODOO. 1934. 2 reels, sd.

Credits: Director, Arvid E. Gillstrom; story, Dean Ward, Vernon Dent; film editor, Jack English.

THE CIRCUS IMPS. 1920. 2 reels.

Credits: Philip Bartholomae.

THE CIRCUS KID. 1928. 7 reels.

Credits: Director, George B. Seitz; original story, James Ashmore Creelman; continuity, Melville Baker.

CIRCUS MARY. Victor. 1915. 3 reels.

Credits: William Addison Lathrop; producer, Lucius C. Henderson.

THE CIRCUS OF LIFE. Butterfly. 1917. 5 reels.

Credits: Director, Rupert Julian; story and scenario, Elliott J. Clawson.

CIRCUS PALS. Fox Film Corp. 1923. 2 reels.

Credits: Directors, Lou Seiler, Ben Stoloff.

THE CIRCUS QUEEN MURDER. 1933. 7 reels, sd. From the Liberty Magazine story by Anthony Abbot [pseud. of Fulton Oursler]. Published in book form under the title "About the Murder of the Circus Queen."

Credits: Director, Roy William Neill; screenplay, Jo Swerling; film editor, Richard Cahoon.

A CIRCUS ROMANCE. 1932. 643 ft.

Credits: John Foster, Harry Bailey.

CIRCUS ROOKIES. 1928. 6 reels, sd., b&w, blue sequences.

Credits: Producer and director, Edward Sedgwick; story, Edward Sedgwick, Lew Lipton; continuity, Richard Schayer; film editor, Frank Sullivan.

CIRCUS SARAH. Joker. 1917. 1 reel.

Credits: Written and directed by Allen Curtis; scenario, Tom Gibson.

THE CIRCUS SHOW-UP. (Shadow Detective Series) 1932. 2 reels.

Credits: Director, Lou Seiler; story, Leslie T. White; screen adaptation, Harold Tarshis.

CIRCUS TIME. 1929. 2 reels.

Credits: Director, Harry Edwards; scenario, James J. Tynan, Milton Carruth.

CIRCUS TIME. (Toby the Pup) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

CIRCUS WINTER QUARTERS. (World on Parade, no. 11) 1937. 1 reel.

Credits: Text, Harold McCracken; narration, Alois Havrilla.

THE CISCO KID. 1931. 5,533 ft., sd.

Credits: Associate producer, William Goetz; director, Irving Cummings; editor, Alex Troffey.

THE CITADEL. Presented by Metro-Goldwyn-Mayer. 1938. 11 reels, sd., b&w. Based on the novel by A. J. Cronin.

Credits: Producer, Victor Saville; director, King Vidor; screenplay, Ian Dalrymple, Frank Wead, Elizabeth Hill; additional dialogue, Emlyn Williams; film editor, Charles Frend; music score, Louis Levy.

CITADELS OF THE MEDITERRANEAN. (FitzPatrick M. G. M. Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick; photographed by B. S. Dawley, Ralph Donaldson.

CITIES OF NORTH AFRICA: TUNIS, ALGIERS, RABAT. 1936. Released by Harold Auten. 1 reel, sd.

Credits: Script collaborator, P. Paul Devlin.

Credits: Scenario and direction, Theodore W. Wharton.

THE CITY. 1926. 6 reels, b&w, tinted sequences. From the play by Clyde Fitch.

Credits: Director, R. William Neill; scenario, Gertrude Orr.

1. In the Beginning—New England.—

2. The Industrial city—City of Smoke.—

3. The Metropolis—Men into Steel.

4. The Highway—The Endless City.—

5. The Green City.

Credits: Associate producer, Henwar Rodakiewicz; supervision, Oscar Serlin; directors, Ralph Steiner, Willard Van Dyke; original outline, Pare Lorentz; scenario, Henwar Rodakiewicz; commentary, Lewis Mumford; film editor, Theodore Lawrence; narrator, Morris Carnovsky; music, Aaron Copland; music conductor, Max Goberman.

CITY BOUND. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Dick Smith.

THE CITY CHAP. 1922. 2 reels.

Credits: Director, Al St. John.

THE CITY DUDE. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

CITY GIRL. 1930. 2,700 ft., sd. From the play "The Mud Turtle" by Elliott Lester.

Credits: Producer, F. W. Murnau; adaptation and scenario, Berthold Viertel, Marion Orth; edited and titled by Katherine Hilliker, H. H. Caldwell; music, Arthur Kay.

CITY GIRL. 1938. 5,978 ft., sd.

Credits: Director, Alfred Werker; screenplay, Frances Hyland, Robin Harris, Lester Zeffren; music director, Samuel Kaylin.

THE CITY GONE WILD. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels.

Credits: Produced and directed by James Cruze; story, Charles and Jules Furthman; screenplay, Jules Furthman.

CITY LIGHTS. United Artists. 1931. 9 reels, sd.

Credits: Written and directed by Charles Chaplin.

CITY LIMITS. 1934. 7 reels, sd. From the novel by Jack Woodford [pseud. of Josiah Pitts Woolfolk].

Credits: Producer, William T. Lackey; director, William Nigh; screenplay, George Waggner; editor, Jack O'gilvie.

THE CITY OF ALGIERS. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

THE CITY OF COMRADES. Presented by Samuel Goldwyn. 1919. 5 reels. From the Saturday Evening Post story by Basil King.

Credits: Director, Harry Beaumont.

THE CITY OF DELUSION. SEE Cy Perkins in The City of Delusion.

THE CITY OF DIM FACES. 1918. 5 reels.

Credits: Director, George H. Melford; story, Frances Marion.

THE CITY OF FAILING LIGHT. 1916. 4,000 ft.

Credits: Producer, George Terwilliger.

Credits: Written and directed by Ivan Abramson.

THE CITY OF LITTLE MEN. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Music director, Edward Ward.

THE CITY OF MASKS. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the story by George Barr McCutcheon.

Credits: Director, Thomas N. Heffron; scenario, Walter Woods.

CITY OF MEXICO. (Ford Educational Library. Foreign Countries) 1925. 1 reel.

THE CITY OF SAN FRANCISCO. 1913. 1 reel.

THE CITY OF SILENT MEN. 1921. 6 reels. From the novel "The Quarry" by John A. Moroso.

Credits: Director, Tom Forman; scenario, Frank Condon.

CITY OF SONG. SEE Farewell to Love.

THE CITY OF TEARS. 1918. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Olga Printzlau.

CITY OF TERRIBLE NIGHT. Imp. 1915. 2 reels.

Credits: Mrs. George E. Hall; producer, George A. Lessey.

CITY OF THE GOLDEN GATE. (Magic Carpet of Movietone) 1934. 1 reel, sd.

CITY OF THE GOLDEN GATE. (Around the World) 1937. 868 ft., sd., color.

Credits: Producer, Robert B. Coleman; dialogue, Dolores Lamarr; narrative by Robert Sherwood.

THE CITY OF WASHINGTON. 1929.

CITY OF WAX. Educational Pictures. Presented by E. W. Hammons. 1934. 789 ft., sd.

Credits: Producer, Stacy Woodard, Horace Woodard; narrator, Gayne Whitman.

CITY PARK. 1934. 7 reels.

Credits: Director, Richard Thorpe; story and continuity, Karl Brown.

THE CITY RUBE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE CITY SLICKER. (Scrappy) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe de Nat.

CITY SLICKERS. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

A CITY SPARROW. Paramount. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Director, Sam Wood; story, Kate Jordan; scenario, Clara Genevieve Kennedy.

CITY STREETS. 1931. 9 reels, sd.

Credits: Director, Reuben Mamoulian; story, Dashiell Hammett; screenplay, Oliver H. P. Garrett; adaptation, Max Marcin.

CITY STREETS. 1938. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, I. Bernstein; screenplay, Fred Niblo, Jr., Lou Breslow; film editor, Viola Lawrence; music director, Morris Stoloff.

THE CITY THAT NEVER SLEEPS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,097 ft. Adapted from "Mother O'Day" by Leroy Scott.

Credits: Producer, James Cruze; screenplay, Walter Woods, Anthony Coldewey.

THE CITY TIGRESS. 1915. 3 reels.

Credits: Director, Lorrimer Johnston.

THE CITY'S SLICKER. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

CIVIC PARADE REPRESENTING ALL DEPARTMENTS OF NEW YORK CITY. 1913.

CIVIL WAR PERIOD. (Ford Educational Library, History, v. 2) Ford Motion Picture Laboratories. 1921. 1 reel.

CIVILIAN CLOTHES. Paramount. Presented by Jesse L. Lasky. 1920. 6 reels. From the play by Thompson Buchanan.

Credits: Director, Hugh Ford; scenario, Clara S. Beranger.

CIVILIZATION. 1916. 1 reel.

CIVILIZATION IN THE FAR EAST AS SEEN BY DR. DORSEY. 1916. 1/2 reel.

CIVILIZATION'S CHILD. 1916. 5 reels.

THE CLAIM. Presented by B. A. Rolfe. 1918. 5 reels. Based on the play by Charles Kenyon and Frank Dare.

Credits: Director, Frank Reicher; adaptation, June Mathis, Leighton Osmun.

THE CLAIM JUMPERS. 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, George W. Pyper.

THE CLAIM OF HONOR. 1915. 1 reel.

CLAIR OMAR MUSSER, ASSISTED BY THE VITAPHONE ORCHESTRA. 1928. 1 reel, sd.

THE CLAIRVOYANT. 1935. 7 reels, sd. Based on the novel by Ernst Lothar.

Credits: Charles Bennett; director, Maurice Elvey; screenplay, Charles Bennett, Brian Edgar Wallace; editor, Paul Capon; music director, Louis Levy; music, Arthur Benjamin.

THE CLAM-SHELL SUFFRAGETTES. 1915. 1 reel.

Credits: Director, Norval MacGregor.

CLANCY AT THE BAT. 1929. 22 min., sd.

Credits: Supervision, Mack Sennett; director, Earle Rodney.

CLANCY OF THE MOUNTED. 1933. 2 reels each. Suggested by Robert W. Service's poem. © Universal Pictures Corp.

Credits: Director, Ray Taylor; screenplay, Ella O'Neill, Basil Dickey, Harry Hoyt.

1. Toll of the Rapids. © 19Jan33; LP3594.

2. Brother Against Brother. © 24Jan33; LP3596.

3. Ambuscade. © 24Jan33; LP3597.

4. The Storm. © 2Mar33; LP3697.

5. A Desperate Chance. © 8Mar33; LP3706.

6. The Wolf's Fangs. © 15Mar33; LP3723.

7. The Night Attack. © 24Mar33; LP3752.

8. Crashing Timbers. © 28Mar33; LP3768.

9. Fingerprints. © 6Apr33; LP3784.

10. The Breed Strikes. © 14Apr33; LP3804.

11. The Crimson Jacket. © 19Apr33; LP3823.

12. Journey's End. © 26Apr33; LP3839.

CLANCY'S KOSHER WEDDING. 1927. 6 reels.

Credits: Al Boasberg; director, Arvid E. Gillstrom; screenplay, J. G. Hawks.

THE CLANSMAN. SEE The Birth of a Nation.

CLARENCE. 1922. 7 reels. From the play by Booth Tarkington.

Credits: Director, William De Mille; adaptation, Clara Beranger.

CLARENCE. Presented by Adolph Zukor. 1937. 7 reels, sd. Based on the play by Booth Tarkington.

Credits: Director, George Archainbaud; screenplay, Seena Owen, Grant Garrett; film editor, Arthur Schmidt.

CLARENCE AND PERCY'S SAILING PARTY. 1914. 1 reel.

Credits: Mark Swan.

CLARENCE TISDALE, SOUTHLAND'S SPIRITUAL TENOR. 1929. 1 reel, sd.

Credits: Director, James Durkin.

THE CLARION CALL. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, John B. Clymer.

CLARISSA AND THE POST ROAD. SEE Man Crazy.

CLARK AND MCCULLOUGH IN THE HONOR SYSTEM. 1928. 1 reel, sd.

Credits: Director, George W. Lane.

CLARK AND MCCULLOUGH IN THE INTERVIEW. (Movietone Number) 1928. 1 reel, sd.

CLARK'S FIELD. SEE Dangerous Money.

THE CLASH OF STEEL. (The Perils of the Secret Service, no. 2) Imp. 1917. 2 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

CLASH OF THE WOLVES. 1925. 7 reels.

Credits: Charles A. Logue; director, Noel Mason Smith.

CLASS. SEE You Never Can Tell.

CLASS PROPHECY. SEE When Love Is Young.

CLASSIFIED. First National. 1925. 7 reels. From the story by Edna Ferber.

Credits: Director, Alfred A. Santell.

CLASSMATES. 1914.

CLASSMATES. First National. 1924. 7 reels, tinted.

Credits: William C. De Mille, Margaret Turnbull; producer, John S. Robertson; scenario, Josephine Lovett; editor, William Hamilton.

CLAUDE GILLINGWATER [in] VITAPHONE TRAILER ANNOUNCEMENT, WOMEN THEY TALK ABOUT. 1928. 1 reel, sd.

CLAUDIA. Imp. 1916. 1 reel.

Credits: Written and produced by Robert F. Hill.

CLAUDIA COLEMAN. 1927. 1 reel.

THE CLAUSE IN THE CONSTITUTION. 1915. 3 reels.

Credits: Director, Edward J. Le Saint.

THE CLAW. 1918. 5 reels. From the novel by Cynthia Stockley.

Credits: Director, Robert G. Vignola; scenario, Charles E. Whittaker.

THE CLAW. Universal-Jewel. 1927. 6 reels. From the novel by Cynthia Stockley.

Credits: Director, Sidney Olcott.

THE CLAW. SEE The Washington Masquerade.

THE CLAWS OF THE HUN. 1918. 5 reels.

Credits: R. Cecil Smith; supervision, Thomas H. Ince; director, Victor Schertzinger.

CLAY DOLLARS. 1921. 5 reels.

Credits: Lewis Allen Browne; director, George Archainbaud.

THE CLEAN GUN. Falcon Features. 1917. 4 reels. Based on a story by Barr Moses.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Harry Harvey; scenario, Leslie T. Peacocke.

THE CLEAN HEART. 1924. 8 reels. Based on the novel by A. S. M. Hutchinson.

Credits: Director, J. Stuart Blackton.

CLEAN HOMES WITH PAYNE HEAT. 1938. 1 reel, sd.

CLEAN ODORLESS AIR. 1938. 1 reel, sd.

CLEAN PASTURES. (Merrie Melodies) 1937. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Paul Smith, Phil Monroe; musical score, Carl W. Stalling.

A CLEAN SHAVEN MAN. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel and Roland Crandall.

A CLEAN SKIN STAYS YOUNG. 1927.

A CLEAN SLATE. 1914. 1 reel.

Credits: Screenplay, Norbert Lusk.

A CLEAN SWEEP. 1915. 1 reel.

Credits: Elizabeth Miller.

A CLEAN SWEEP. 1918. 2 reels.

A CLEAN SWEEP. 1928. 2 reels.

Credits: Director, Walter Fabian; story, Dave Garber.

A CLEAN SWEEP. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, Jack Townley; film editor, John Lockert.

THE CLEAN-UP. 1917. 5 reels.

Credits: Director, William Worthington; story and scenario, Waldemar Young.

THE CLEAN UP. Century. 1921. 2 reels.

Credits: Written and directed by William Watson.

THE CLEAN UP. 1923. 5 reels.

Credits: Director, William Parke; story, H. H. Van Loan; scenario, Eugene B. Lewis, Harvey Gates.

THE CLEAN-UP. Presented by Samuel Zierler. 1929. 5,660 ft.

Credits: Supervision, Burton King; director, Bernard F. McEveety; story, Isadore Bernstein; screenplay, Carmelita Sweeney; editor, Betty Davis.

CLEAN-UP CANVASS. 1931. Filmstrip.

THE CLEAN-UP FUND. (Educational Film Service, v. 6) 1930. Filmstrip.

THE CLEAN UP MAN. 1927. 5 reels.

Credits: Director, Ray Taylor; story and continuity, George Morgan, Lola Moore.

A CLEAN-UP ON THE CURB. 1931. 2 reels.

Credits: Director, Lloyd French; story and dialogue, Mauri Grashin, Harold Schwartz, Lloyd French.

CLEANING HOUSE. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

Credits: Supervision, Robert Allen.

CLEANING TIME. 1915. 600 ft.

CLEANING UP. 1920. 2 reels.

Credits: Written and directed by Al St. John.

CLEANING UP. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

CLEANING UP. Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

CLEANING UP. 1930. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; production manager, Ray Heinz; director, Harry Edwards; story, Fred Palmer, George Cleethorpe; film editor, Arthur Huffsmith.

CLEANING UP. (Broadway Brevity) 1938. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, Jack Henley.

CLEANLINESS—BATHING. (Eastman Classroom Films, Health Series. Hygiene) 1931. 532 ft.

CLEANLINESS—CLEAN CLOTHES. (Eastman Classroom Films, Health Series. Hygiene) 1931. 574 ft.

CLEANLINESS—CLEAN FACE AND HANDS. (Eastman Classroom Films, Health Series. Hygiene) 1931. 450 ft.

CLEANLINESS—KEEPING THE HAIR CLEAN. (Eastman Classroom Films, Health Series. Hygiene) 1931. 531 ft.

CLEAR ALL WIRES. 1933. 8 reels, sd., b&w. From the play by Bella and Samuel Spewack.

Credits: Producer, George Hill; adaptation and dialogue, Bella Spewack, Samuel Spewack; continuity, Delmer Daves; film editor, Hugh Wynn.

CLEAR THE DECKS. Universal-Denny-Jewel. 1929. 6 reels. From the story "When the Devil Was Sick" by E. J. Rath [pseud.]

Credits: Director, Joseph E. Henabery; adaptation and continuity, Earl Snell, Gladys Lehman.

CLEAR THE WAY. Century. 1924. 2 reels.

Credits: Written and directed by Charles Lamont.

CLEAR TO THE BOTTOM. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

CLEARING THE TRAIL. (Western Featurette) 1927. 2 reels.

Credits: Director, Lew Collins; story and continuity, L. V. Jefferson.

CLEARING THE TRAIL. Jewel. 1928. 6 reels.

Credits: Director, Reaves Eason; story, Charles Maigne; continuity, Jack Natteford.

Credits: Producer, Herbert Brenon.

THE CLEMENCEAU CASE. 1915. For Fox Film Corp. 6 reels. Adapted from the novel by Alexandre Dumas.

Credits: Adapted and picturized by Herbert Brenon.

CLEO TO CLEOPATRA. SEE Daphne Pollard in Cleo to Cleopatra.

CLEOPATRA. 1917. For Fox Film Corp. 11 reels.

Credits: Director, J. Gordon Edwards; adapted by Adrian Johnson.

CLEOPATRA. Presented by Herbert T. Kalmus. 1928. 2 reels, sd., color.

Credits: Producer, Herbert T. Kalmus; director, R. William Neill; story, Natalie Kalmus; scenario, Leon Abrams; film editor, Aubrey Scotto.

CLEOPATRA. Presented by Adolph Zukor. 1934. 11 reels, sd.

Credits: Director, Cecil B. De Mille; screenplay, Waldemar Young, Vincent Lawrence; adaptation, Bartlett Cormack; music, Rudolph Kopp.

CLEOPATRA. SEE Helen Gardner in Cleopatra.

CLEO'S EASY MARK. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank; director, Ward Hayes.

CLEVER CRITTERS. Treasure Chest. Presented by E. W. Hammons. 1935. 743 ft., sd.

Credits: Narration, A. L. Alexander.

Credits: Producer, John L. Hawkinson.

THE CLEVER MRS. CARFAX. 1917. 5 reels.

Credits: Director, Donald Crisp; original story, Hector Turnbull, Gardner Hunting; scenario, Gardner Hunting.

THE CLEVER MRS. CARTER. Imp. 1916. 1 reel.

Credits: Catherine Carr; producer, George Ridgwell.

CLICK OF TRIANGLE T. SEE The Phantom Bullet.

THE CLIENTS OF AARON GREEN. 1918. 2 reels.

Credits: Director, George L. Sargent; story, Alfred Henry Lewis; adaptation, George H. Plympton.

CLIFF NAZARRO AND THE TWO MARJORIES. 1927. 1 reel.

Credits: Director, Bryan Foy.

CLIFFORD AND MARION IN JUST DUMB. 1929. 1 reel, sd.

CLIMATE CHASERS. 1931. 1 reel, sd.

Credits: Director, Robert C. Bruce.

THE CLIMAX. 1930. 6 reels. From the play by Edward Locke.

Credits: Director, Renaud Hoffman.

THE CLIMBER. Falcon Feature. 1917. 4 reels.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Henry King; story, George Foxhall.

THE CLIMBERS. 1915. 5 reels.

Credits: Clyde Fitch; scenario, Clay M. Greene.

THE CLIMBERS. 1919. 6 reels. Based on the play by Clyde Fitch.

THE CLIMBERS. 1927. 7 reels. From the play by Clyde Fitch.

Credits: Director, Paul L. Stein; screenplay, Tom Gibson.

CLIMBING MT. WASHINGTON. 1917. 565 ft.

CLIMBING THE GOLDEN STAIRS. (Gus Edwards' Colortone Revue) (Movietone Act) 1929. 1 reel.

CLINCHING A SALE. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, J. P. Murray, Barry Trivers, Ben Oakland; dialogue staged by Max E. Hayes.

THE CLINGING VINE. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 7 reels. From the play by Zelda Sears.

Credits: Supervision, C. Gardner Sullivan; director, Paul Sloane; screenplay, Jack Jevne; adaptation, Rex Taylor.

CLIPPED WINGS. SEE Hello Sister.

CLIVE OF INDIA. Presented by Joseph M. Schenck. Released through United Artists. 1935. 11 reels, sd. Based on the play by W. P. Lipscomb and R. J. Minney.

Credits: Producer, Darryl F. Zanuck; director, Richard Boleslawski; film editor, Barbara McLean; music score, Alfred Newman.

THE CLOCK. 1917. 5 reels.

Credits: Director, William Worthington; story, Aaron Hoffman; scenario, Maie B. Havey.

CLOCK CLEANERS. (A Walt Disney Mickey Mouse) 1937. 1 reel.

THE CLOCK GOES ROUND AND ROUND. (Scrappy) 1937. 607 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE CLOCK SHOP. 1930. 2 reels, sd., color.

Credits: Director, Marty Brooks; music, Louis Alter, Howard Johnson; music arrangements, Charles Maxwell; orchestra director, Arthur Lange.

THE CLOCK STRUCK ONE. Black Cat. 1917. 27 min.

Credits: Director, L. C. Windom; story, Edward T. Lowe, Jr.

THE CLOCK WENT WRONG. 1914. 1 reel.

Credits: Written and produced by Harry Jackson.

CLOCK WISE. 1939. 16 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, John Lockert.

CLOISTERED. 1936. 7 reels, sd. Based on "Realization" by Robert Alexandre.

Credits: English adaptation, I. E. Lopert; narration, Matthew Kelly.

A CLOSE CALL. 1914. 1 reel.

Credits: Director, Wilfrid North.

A CLOSE CALL. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

A CLOSE CALL. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, George Morgan.

A CLOSE CALL. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster, Harry Bailey.

A CLOSE CALL. (Western Featurette) (Tenderfoot Thriller Series) 1929. 2 reels.

Credits: Director, Walter Fabian.

A CLOSE CALL. SEE The Yellow Pawn.

CLOSE 'EM IN THE CLOSING ROOM. 1929. 1 reel.

CLOSE FARM-ONY. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, J. P. Murray, Barry Trivers, Ben Oakland.

CLOSE FIGURING. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1929. 1 reel.

Credits: Story, John Eaton.

CLOSE HARMONY. 1929. 6,271 ft.

Credits: Director, John Cromwell, A. Edward Sutherland; story, Elsie Janis, Gene Markey.

CLOSE RELATIONS. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Glen Lambert, Jack Henley.

A CLOSE RESEMBLANCE. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

A CLOSE SHAVE. Presented by William Fox. 1929. 1 reel.

Credits: Director, Marcel Silver; story and scenario, Paul Gerard Smith; film editor, Ralph Dietrich.

A CLOSE SHAVE. (Handy Andy Series, no. 6) Mack Sennett, Inc. 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; story, Harry Edwards, Curtis Benton; film editor, William Hornbeck.

A CLOSE SHAVE. (Terry Toons) Presented by E. W. Hammons. 1937. 593 ft., sd.

Credits: Paul Terry, Mannie Davis; scored and conducted by Philip A. Scheib.

A CLOSE SHAVE. SEE

Dreamy Dud in Lost in the Jungle.

Happy Hooligan in A Close Shave.

CLOSE SHAVES. (Tuxedo Comedies) 1926. 2 reels.

Credits: Director, Charles Lamont.

CLOSE SHAVES. (Let George Do It Series) (Stern Bros. Comedy) 1929. 2 reels. From the cartoons of George McManus.

Credits: Director, Francis Corby.

CLOSE UP VIEWS OF PRESIDENT WILSON. Universal Special. 1916. Split reel.

CLOSED DOORS. 1921. 5 reels.

Credits: Director, G. V. Seyffertitz; story, Harry Dittmar.

CLOSED GATES. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Manfred B. Lee; adaptation, Frances Guiban.

Credits: Directed, written and produced by Maurice Tourneur.

CLOSING BEGINS AT THE START. 1936. 1 reel.

THE CLOSING CHAPTER. Big U. 1915. 3 reels.

Credits: Producer, Murdock MacQuarrie; story, Clifford Howard; scenario, H. G. Stafford.

THE CLOSING OF THE CIRCUIT. 1915. 2 reels.

Credits: Director, Harry Davenport.

CLOSING TACTICS. (Educational Film Service, v. 14) 1930. 1 reel.

THE CLOSING WEB. 1914. 2 reels.

CLOTHES. 1920. 5 reels. From the play by Avery Hopwood and Channing Pollock.

Credits: Supervision, Maxwell Karger; director, Fred Sittenham; adaptation, Arthur J. Zellner.

CLOTHES AND OIL. 1923. 2 reels.

Credits: Director, Erie Kenton.

CLOTHES AND THE GAME. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

CLOTHES AND THE GIRL. 1920. 1 reel.

CLOTHES COUNT. 1915. 600 ft.

CLOTHES MAKE THE MAN. 1915. 1,000 ft.

Credits: Edwin Ray Coffin; director, Will Louis.

CLOTHES MAKE THE PIRATE. First National Pictures, Inc. 1925. 9 reels. From the novel by Holman Day.

Credits: Director, Maurice Tourneur; adapted and supervised by Marion Fairfax.

CLOTHES MAKE THE PIRATE. First National. 1925. 9 reels.

Credits: Director, Maurice Tourneur; adapted and supervised by Marion Fairfax.

CLOTHES MAKE THE WOMAN. 1928. 6 reels.

Credits: Director, Tom Terriss; editor, Desmond O'Brien; titles, Lesley Mason.

CLOTHES THAT MEN LIKE. 1936. 1 reel, sd.

Credits: Director, Gray O'Reilly; continuity, Jack Jamison; narrator, Kelvin Keech.

CLOTHING. 1937. 1 reel.

THE CLOUD. (Post Nature Pictures) 1920. 1 reel.

THE CLOUD DODGER. 1927. 5 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

THE CLOUD DODGER. 1928. 5 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

THE CLOUD PATROL. (Russ Farrell, Aviator Series) 1929. 2 reels.

Credits: Thomson Burtis; producers, Charles R. Rogers and Harry J. Brown; director, Harry J. Brown.

THE CLOUD PUNCHER. 1917. For Fox Film Corporation. 2 reels.

Credits: Written and directed by Charles Parrott.

THE CLOUD RIDER. Released by F. B. O. 1925. 5 reels.

Credits: Producer, Van Pelt Wilson; director, Bruce Mitchell; story, Al Wilson; adaptation, L. V. Jefferson.

Credits: Director, Caryl S. Fleming; story, L. Case Russell.

THE CLOUDHOPPER. (Larry Semon Comedies) Educational. 1925. 2 reels.

Credits: Written and directed by Larry Semon.

CLOUDS OVER EUROPE. 1939. 9 reels, sd.

Credits: Director, Tim Whelan; original story, Brock Williams, Jack Whittingham, Arthur Wimperis; scenario, Ian Dalrymple; film editor, Hugh Stewart; music director, Muir Mathieson.

A CLOUDY ROMANCE. 1925. 2 reels.

Credits: Director, Lew Seller.

Credits: Director, Cheslar Sabinsky; story, A. M. Pushkin.

CLOVER'S REBELLION. 1917. 5 reels.

Credits: James Oliver Curwood; director, Wilfrid North; picturized by Garfield Thompson.

CLOVER'S REBELLION. 1920. 5 reels.

Credits: Director, Wilfrid North; story, James Oliver Curwood; scenario, Garfield Thompson; editors, Mr. and Mrs. George Randolph Chester.

THE CLOWN. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Marian Fairfax.

THE CLOWN. 1927. 6 reels.

Credits: Director, William J. Craft; story, Dorothy Howell; continuity, Harry O. Hoyt.

THE CLOWN. Snappy. 1931. 1 reel.

THE CLOWN AND THE PRIMADONNA. 1913. 1 reel.

Credits: Directors, Maurice Costello, Wilfrid North.

THE CLOWN DIES. (Minute Mysteries) 1933. 1 reel, sd.

Credits: H. A. Ripley; director, Louis DeRochemont; adaptation, Russ Callaway.

CLOWN PRINCES. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner.

CLOWNING. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

CLOWNING THE GAME. (Sportlight) 1929. 1 reel, sd.

Credits: Director, Jack Eaton.

CLUB CONTINENTAL. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE CLUB PEST. 1915. Split reel.

CLUB SANDWICH. (Paul Terry Toons) 1931. 1 reel.

Credits: Frank Moser, Paul Terry.

CLUB-HOUSE PARTY. 1935. 2 reels.

Credits: Director, Milton Schwarzwald.

THE CLUBMAN. 1915. 1,000 ft.

CLUNKED ON THE CORNER. (Handy Andy Series, no. 3) 1928. 2 reels.

Credits: Supervision, John A. Waldon; director, Harry Edwards; story, Harry Edwards, Curtis Benton.

THE CLUTCH OF CIRCUMSTANCE. 1915. 2 reels.

THE CLUTCH OF CIRCUMSTANCE. 1918. 5 reels.

Credits: Leighton Graves Osmun; director, Henry Houry.

THE CLUTCH OF THE EMPEROR. Rex. 1915. 1 reel.

Credits: Scenario, Joseph Gollamb.

CLYDE COOK IN LUCKY IN LOVE. 1928. 1 reel.

Credits: Hugh Herbert, Murray Roth; director, Bryan Foy.

CLYDE DOERR AND HIS SAXOPHONE ENSEMBLE. (Metro Movietone Act) 1929. 1 reel, sd.

CLYDE LUCAS AND HIS ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

CLYDE LUCAS AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

CLYDE LUCAS AND ORCHESTRA. 1938. 1 reel, sd.

Credits: Director, Joseph Henabery.

CLYDE MCCOY AND HIS SUGAR BLUES ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE CLYDE MYSTERY. 1931. 2 reels, sd.

Credits: S. S. Van Dine; director, Arthur Hurley; adaptation and dialogue, Burnet Hershey.

THE COAL BIN OF AMERICA. 1936. 2 reels.

Credits: Director and editor, William O. Hurst; narration, Basil Ruysdael; music, Milton Schwarzwald.

THE COAL DUST TWINS. 1923. 1 reel.

COALS FOR THE FIRE. 1918. 1 reel.

Credits: Edward Earle; director, Graham Baker.

COASTGUARD. 1939. 7 reels, sd.

Credits: Director, Edward Ludwig; original screenplay, Richard Maibaum, Albert Duffy, Harry Segall; film editor, Gene Davidson; music director, M. W. Stoloff.

THE COAST OF CATALONIA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

Credits: Producer, Oscar Eagle.

COAST OF FOLLY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the novel by Coningsby Dawson.

Credits: Producer, Allan Dwan; screenplay, Forest Halsey; adaptation, James Creelman.

COAST TO COAST. 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

A COAT TALE. 1915. 1 reel.

COAT TALES. (Radio Flash, no. 2) 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; direction and story, Harry D'Arcy; film editor, John Lockert.

Credits: Director, Gilbert Hamilton; adaptation, Philip Lonergan, Will C. Murphey.

COBB GOES FISHING. 1930. 1 reel, sd.

Credits: Jack Eaton.

Credits: Director, Victor Sjöström.

COBRA. Presented by Ritz Carlton Pictures, Inc. Released by Paramount. 1925. 6,895 ft. From the play by Martin Brown.

Credits: Producer L. Lawrence Weber; director, Joseph Henabery; screenplay, Anthony Coldewey.

THE COBWEB HOTEL. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

A COCK AND BULL FIGHT IN MEXICO. 1929. 2 reels.

COCK O' THE WALK. 1930. 7 reels. From the story "Happiness Insurance" by Arturo S. Mom.

Credits: Production and supervision, James Cruze; director, R. William Neill; continuity, Nagene Searle, Frances Guihan; dialogue, Brian Marlow, Ralph Bell.

COCK O' THE WALK. (Silly Symphony) 1935. 1 reel.

COCK OF THE AIR. 1932. 8 reels.

Credits: Director, Tom Buckingham; story, Robert E. Sherwood, Charles Lederer; dialogue, Charles Lederer.

COCKEYED CAVALIERS. 1934. 8 reels, sd.

Credits: Edward Kaufman, Ben Holmes; associate producer, Lou Brock; director, Mark Sandrich; additional dialogue, Grant Garrett, Ralph Spence; editor, Jack Kitchen; music director, Roy Webb.

THE COCK-EYED NEWS. 1930. 1 reel, sd.

THE COCK-EYED WORLD. 1929. 12 reels.

Credits: Director, Raoul Walsh; story, Laurence Stallings, Maxwell Anderson; dialogue, William K. Wells.

COCKSURE JONES, DETECTIVE. 1915. 1 reel.

Credits: Producer, Burton L. King; story, B. L. Williams.

COCKTAIL HOUR. 1933. 8 reels, sd. From the story "Pearls and Emeralds" by James K. McGuinness.

Credits: Director, Victor Schertzinger; screenplay, Gertrude Purcell, Richard Schayer; additional dialogue, Richard Schayer; film editor, Jack Dennis.

COCKTAIL PARTY. Mentone. 1937. 1 reel.

Credits: Director, Milton Schwarzwald.

COCKY COCK ROACH. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

COCOANUT GROVE. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Producer, George Arthur; director, Alfred Santell; original story and screenplay, Sy Bartlett, Olive Cooper; film editor, Hugh Bennet.

THE COCOANUTS. 1929. 8,613 ft., sd.

Credits: Directors, Joseph Santley, Robert Florey; book, George S. Kaufman; adaptation, Morrie Ryskind; words and music, Irving Berlin.

THE CODE OF HIS ANCESTORS. Rex. 1916. 1 reel.

Credits: Catherine Carr, Harry Dittmar; producer, Raymond L. Schrock.

THE CODE OF MARCIA GRAY. 1916. 5 reels.

THE CODE OF THE HILLS. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; director, Melvin Mayo.

THE CODE OF THE MOUNTAINS. SEE A Woman's Power.

THE CODE OF THE MOUNTED. Gold Seal. 1916. 3 reels.

Credits: Directed and written by Jacques Jaccard.

THE CODE OF THE MOUNTED. 1923. 2 reels.

CODE OF THE MOUNTED. (Western Featurette) 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, William Lester.

CODE OF THE MOUNTED. 1935. 6 reels, sd. From the story "Wheels of Fate" by James Oliver Curwood.

Credits: Producers, Sig Neufeld, Maurice Conn; director, Sam Newfield; adaptation, George Sayre; film editor, Jack English.

CODE OF THE RANGE. 1938. 6 reels, sd.

Credits: Production and story, Peter B. Kyne; director, C. C. Coleman, Jr.; screenplay, Ford Beebe; film editor, William Lyon.

CODE OF THE RANGERS. 1938. 6 reels, sd.

Credits: Supervision, Maurice Conn; director, Sam Newfield; original story and screenplay, Stanley Roberts; music and lyrics, Connie Lee.

CODE OF THE SCARLET. Presented by Charles R. Rogers. 1928. 6 reels.

Credits: Director, Harry J. Brown; screen story, Bennett Cohen.

THE CODE OF THE SEA. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels.

Credits: Director, Victor Fleming; story, Byron Morgan; screenplay, Bertram Millhauser.

CODE OF THE SECRET SERVICE. First National. 1939. 6 reels, sd. Based on material compiled by W. H. Moran.

Credits: Director, Noel Smith; original screenplay, Lee Katz, Dean Franklin.

CODE OF THE STREETS. 1939. 8 reels, sd.

Credits: Director, Harold Young; original screenplay, Arthur T. Horman; film editor, Maurice Wright.

THE CODE OF THE WEST. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,777 ft. From the novel by Zane Grey.

Credits: Director, William K. Howard; screenplay, Lucien Hubbard.

CODE OF THE WEST. SEE Home on the Range.

THE CODE OF THE WILDERNESS. 1924. 7 reels.

Credits: Director, David Smith; story, Charles A. Seltzer; scenario, Jay Pilcher.

CODE OF THE YUKON. 1918. 6 reels.

Credits: Director, Betram Bracken; story, Anthony Paul Kelly.

THE CODE OF VICTOR JALLOT. SEE The Love Mart.

CODEE AND ORTH IN STRANDED IN PARIS. 1929. 1 reel, sd.

CODFISH BALLS. (Paul Terry-Toons) 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

COFFEE. 1931. 957 ft.

COFFEE AND ASPIRIN. 1932. 1 reel, sd.

Credits: Director, Casey Robinson; story, Edward C. Davis; dialogue, Max E. Hayes.

COFFEE—FROM BRAZIL TO YOU. 1938. 2 reels.

Credits: Producer, William B. Larsen; narration, John S. Martin.

COFFEE FROM THE CLOUDS. 1934. 2 reels. Presented by the National Federation of Coffee Growers of Colombia.

Credits: Adaptation, Leon Poirier.

COHEN ON THE TELEPHONE. Snappy. 1929. 1 reel.

Credits: Director, Robert Ross.

THE COHENS AND KELLYS. Universal-Jewel. 1926. 8 reels. From the play "Two Blocks Away" by Aaron Hoffman.

Credits: Director, Harry Pollard.

THE COHENS AND KELLYS IN AFRICA. 1930. 8 reels.

Credits: Director, Vin Moore; story, Edward Luddy, Lew Lipton; screenplay and dialogue, William K. Wells.

THE COHENS AND KELLYS IN ATLANTIC CITY. Jewel. 1929. 11 reels.

Credits: Director, William James Craft; story, Jack Townley; adaptation and continuity, Earle Snell.

THE COHENS AND KELLYS IN HOLLYWOOD. 1932. 8 reels.

Credits: Director, John Francis Dillon; original screenplay, Howard J. Green.

COHENS AND KELLYS IN TROUBLE. 1933. 7 reels, sd.

Credits: Director, George Stevens; story, Homer Croy, Vernon Smith; screenplay, Albert Austin, Fred Guiol, Jack Jungmeyer.

THE COHENS AND THE KELLYS IN PARIS. Universal Super-Jewel. 1928. 8 reels.

Credits: Director, William Beaudine; adaptation and continuity, Alfred A. Cohn.

THE COHENS AND THE KELLYS IN SCOTLAND. 1930. 8 reels, sd.

Credits: Director, William James Craft; story, John McDermott; adaptation and dialogue, Albert DeMond.

COHEN'S LUCK. 1915. 4,000 ft. An adaptation of the play.

Credits: Lee Arthur; director, John H. Collins.

COINCIDENCE. 1915. 2 reels.

COINCIDENCE. 1921. 5 reels.

Credits: Director, Chet Withey; story, Howard E. Morton; scenario, Brian Hooker.

COLD ALONE IS NOT ENOUGH. 1936. 1 reel.

THE COLD DECK. 1917. 5 reels.

COLD FACTS. 1934. Filmstrip.

COLD FEET. (An Oswald Cartoon) Snappy. 1930. 1 reel.

THE COLD FEET GETAWAY. (Itsky, the Inventor, no. 4) 1915. 1 reel.

Credits: Director, C. Jay Williams.

COLD HEARTS AND HOT FLAMES. 1916. 2 reels.

COLD SHIVERS. (Educational-Jack White Talking Comedy) 1929. 2 reels.

Credits: Director, Stephen Roberts.

COLD STEEL. 1921. 6 reels. From the novel "In the Shadow of the Hills" by George C. Shedd.

COLD STEEL. (Fable, no. 422) 1929. 1 reel.

Credits: Paul Terry.

COLD TURKEY. (A Walter Lantz Cartoon) 1929. 1 reel.

COLD TURKEY. 1933. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story, Mauri Grashin, Lloyd A. French; adaptation, Scott E. Cleethorpe; film editor, Francis Lyon.

COLETTA RYAN AND DUKE YELLMAN IN SONGOLOGY. 1929. 1 reel.

COLLAPSE OF NIAGARA'S HISTORIC BRIDGE. 1938. 1 reel, color, 8 mm.

COLLEEN. Presented by William Fox. 1927. 6 reels.

Credits: Director, Frank O'Connor; story and scenario, Randall H. Faye.

COLLEEN. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1936. 10 reels, sd.

Credits: Director, Alfred E. Green; story, Robert Lord; screenplay, Peter Milne, F. Hugh Herbert, Sig Herzig.

COLLEEN OF THE PINES. 1922. 5 reels.

Credits: Director, Chester Bennett; story and scenario, J. Grubb Alexander.

COLLEGE. 1927. 6 reels.

Credits: Director, James W. Horne; story, Carl Harbaugh, Bryan Foy; film editor, J. S. Kell.

COLLEGE. (Oswald Comedy) 1931. 1 reel.

THE COLLEGE BOOB. Released by F. B. O. 1926. 6 reels.

Credits: Director, Harry Garson; story, Jack Casey; screen adaptation, Gerald C. Duffy.

A COLLEGE BOOMERANG. Imp. 1916. 1 reel.

Credits: Catherine Carr; producer, Winthrop Kelley.

COLLEGE CAPERS. 1930. 1 reel, sd.

COLLEGE CAPERS. (Organlogue, no. 21) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

COLLEGE CAPERS. (Aesop's Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

COLLEGE CAPERS. Presented by E. W. Hammons. 1935. 996 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charles Williams.

COLLEGE COACH. 1933. 8 reels, sd.

Credits: Director, William A. Wellman; screenplay, Niven Busch, Manuel Seff.

THE COLLEGE COQUETTE. 1929. 6 reels, sd.

Credits: Producer, Harry Cohn; director, George Archainbaud; story, Ralph Graves; screenplay and dialogue, Norman Houston.

THE COLLEGE COWBOY. 1924. 2 reels.

Credits: Director, William Craft; story and continuity, Carl Krusada.

THE COLLEGE CUCKOO. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Craig Hutchinson.

COLLEGE CUTIES. (Vanity Comedies) 1931. 19 min., sd.

Credits: Producer, Al Christie; director, Nat Ross; story, Dick Smith, Neal Burns.

COLLEGE DADS. 1936. 2 reels, sd.

Credits: Roy Mack; story, Cyrus D. Wood, A. Dorian Otvos.

COLLEGE DAYS. 1926. 8 reels.

Credits: Story and supervision, A. P. Younger; director, Richard Thorpe; film editor, James C. McKay.

COLLEGE GIGOLOS. 1933. 2 reels.

Credits: Director, Lester Neilson; story, E. Lambert, H. Sauber; editor, Arthur Hilton.

COLLEGE GRAPPLERS. (A Grantland Rice Sportlight) The Van Beuren Corp. 1932. 1 reel.

THE COLLEGE HERO. 1927. 6 reels.

Credits: Supervised and produced by Harry Cohn; director, Walter Lang; story, Henry R. Symonds; continuity, Dorothy Howell; film editor, Arthur Roberts.

COLLEGE HOLIDAY. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, Harlan Thompson; director, Frank Tuttle; screenplay, J. P. McEvoy, Harlan Ware, Henry Myers, Jay Gorney; music director, Borros Morros.

COLLEGE HOUNDS. 1930. 1,492 ft., sd.

Credits: Directors, Jules White, Zion Myers.

COLLEGE HUMOR. 1933. 9 reels, sd.

Credits: Director, Wesley Ruggles; story, Dean Fales; screenplay, Claude Binyon, Frank Butler; music and lyrics, Sam Coslow, Arthur Johnston.

COLLEGE LOVE. Jewel. 1929. 8 reels.

Credits: Director, Nat Ross; story, Leonard Fields; continuity, John B. Clymer, Pierre Couderc.

COLLEGE LOVERS. 1930. 6 reels, sd.

Credits: Director, John G. Adolfi; story, Earl Baldwin.

COLLEGE LOVERS. Trailer. 1930. 1 reel.

THE COLLEGE ORPHAN. Broadway Universal. 1915. 6 reels.

Credits: Producer, William Dowlan; scenario, Louis V. Jefferson.

A COLLEGE RACKET. (Vanity Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, Harold Beaudine; story, Bill Weber; dialogue, Jack Townley, Ernest S. Pagano.

COLLEGE RHYTHM. Presented by Adolph Zukor. 1934. 9 reels, sd.

Credits: Producer, Louis D. Lighton; director, Norman Taurog; original story, George Marion, Jr.; screenplay, Walter DeLeon, John McDermott, Francis Martin; lyrics and music, Mack Gordon, Harry Revel.

COLLEGE ROMEOS. SEE The Biltmore Trio in College Romeos.

COLLEGE SCANDAL. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, Albert Lewis; director, Elliott Nugent; original story, Beulah Marie Dix, Bertram Millhauser; screenplay, Frank Partos, Charles Brackett, Marguerite Roberts; film editor, William Shea; music, Sam Coslow.

COLLEGE SPIRIT. (Paul Terry-Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

COLLEGE SWING. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Ted Lesser; producer, Lewis Gensler; director, Raoul Walsh; adaptation, Frederick Hazlitt Brennan; screenplay, Walter DeLeon, Francis Martin; film editor, Leroy Stone.

THE COLLEGE VAMP. (Educational's Comedies) (Mack Sennett Comedies) 1931. 22 min., sd.

Credits: Director, William Beaudine; story and dialogue, John A. Waldron, Earl Rodney, Walter Weems, Harry McCoy.

THE COLLEGE WIDOW. 1915. 5 reels. Adapted from the play by George Ade.

Credits: Producer, Barry O'Neil; adaptation, Clay M. Greene.

THE COLLEGE WIDOW. 1927. 7 reels. From the play by George Ade.

Credits: Director, Archie Mayo; adaptation, Paul Schofield, Peter Milne.

THE COLLEGIANS. Junior Jewel. 2 reels each. © Universal Pictures Corp.

Credits: Directors, Harry Edwards, Robert F. Hill, Wesley Ruggles, Nat Ross, Harry Fraser, Ben Holmes; story and production, Carl Laemmle, Jr.; continuity, George E. Plympton, Harry Fraser, Pierre Couderc, Phil Dunham. 1926/27.

1. Benson at Calford. © 30Sep26; LP23168.

2. Fighting To Win. © 12Oct26; LP23220.

3. Making Good. © 19Oct26; LP23264.

4. The Last Lap. © 8Nov26; LP23313.

5. Around the Bases. © 21Dec26; LP23457.

6. Fighting Spirit. © 22Dec26; LP23458.

7. The Relay. © 22Dec26; LP23459.

8. Cinder Path. © 31Jan27; LP23626.

9. Flashing Oars. © 10Feb27; LP23663.

10. Breaking Records. © 28Feb27; LP23707.

11. Crimson Colors. © 2May27; LP23922.

12. Winning Five. © 5Jul27; LP24169.

13. The Dazzling Coeds. © 12Jul27; LP24177.

14. A Fighting Finish. © 12Jul27; LP24178.

15. Samson at Calford. © 14Oct27; LP24519.

16. The Winning Punch. © 14Oct27; LP24516. 1926/27

17. Running Wild. © 18Oct27; LP24541.

18. Splashing Through. © 18Oct27; LP24542.

9. The Winning Goal. © 24Oct27; LP24583.

10. Sliding Home. © 24Oct27; LP24584.

1928.

1. The Junior Year. © 25Jul28; LP25487.

2. Calford v. Redskins. © 31Jul28; LP25506.

3. Kicking Through. © 22Aug28; LP25555.

4. Calford in the Movies. © 7Sep28; LP25616.

5. Paddling Co-eds. © 20Sep28; LP25639.

6. Fighting for Victory. © 11Oct28; LP25706.

7. Dear Old Calford. © 24Oct28; LP25767.

8. Calford on Horseback. © 14Nov28; LP25834.

9. The Bookworm Hero. © 24Nov28; LP25874.

10. Speeding Youth. © 19Dec28; LP25948.

11. The Winning Point. © 19Dec28; LP25949.

12. Farewell. © 19Dec28; LP25950.

1929.

1. King of the Campus. © 23Mar29; LP249.

2. The Rivals. © 5Apr29; LP293.

3. On Guard. © 19Apr29; LP324.

4. Junior Luck. © 20May29; LP405.

5. The Cross Country Run. © 7Jun29; LP462.

6. Sporting Courage. © 13Jun29; LP485.

7. The Varsity Drag. © 27Jun29; LP497.

8. Flying High. © 6Jul29; LP515.

9. On the Side Lines. © 25Jul29; LP541.

10. Use Your Feet. © 5Aug29; LP581.

11. Splash Mates. © 19Aug29; LP632.

12. Graduation Daze. © 5Sep29; LP670.

COLLEGIATE. Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Jean Dupont; adaptation, James Gruen.

COLLEGIATE. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, Louis D. Lighton; director, Ralph Murphy; story, Alice Duer Miller; screenplay, Walter DeLeon, Francis Martin; editor, Doane Harrison; music and lyrics, Mack Gordon, Harry Revel.

THE COLLEGIATE FOUR IN CAMPUS CAPERS. 1928. 1 reel, sd.

THE COLLEGIATE MODEL, RAH, RAH, ROSLYN. 1930. 2 reels, sd.

THE COLLIE. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Director, Adele Nathan.

THE COLLIE MARKET. (Paula Blackton's Country Life Stories) 1917. 2 reels.

Credits: Director, J. Stuart Blackton.

COLLOIDS. Erpi Picture Consultants, Inc. 1938. 1 reel, sd.

COLLUSION. SEE Midnight Lovers.

COLOMBA. 1915. 2 reels.

COLOMBIA. (Paramount Color Cruises) 1939. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

Credits: Scenario and direction, Howell Hansel.

COL. HEEZA LIAR AND THE GHOST. 1923. 1 reel.

COL. HEEZA LIAR, DETECTIVE. 1923. 1 reel.

COLONEL HEEZA LIAR IN THE AFRICAN JUNGLES. 1923. 1 reel.

Credits: Director, Vernon Stallings.

COLONEL HEEZA LIAR WINS THE PENNANT. 1916. 1 reel.

Credits: J. R. Bray.

COL. HEEZA LIAR'S BURGLAR. 1923. 1 reel.

Credits: Director, Vernon Stallings.

COL. HEEZA LIAR'S TREASURE ISLAND. 1922. 1 reel.

Credits: Written and directed by Vernon Stallings.

COLONEL HEEZA LIAR'S VACATION. 1923. 1 reel.

Credits: Director, Vernon Stallings.

THE COLONEL OF THE RED HUZZARS. 1914. 3 reels. Based on the novel by John Reed Scott.

Credits: Director, Richard Ridgely.

COLONEL PEPPER'S MOBILIZED FARM. Powers. 1917. 1/2 reel.

COLONEL STEELE, MASTER GAMBLER. Big U. 1915. 1 reel.

Credits: Walter Woods; producer, Murdock McQuarrie.

COLONIAL WILLIAMSBURG. Released by Harold Auten. 1936. 1 reel.

COLOR SCALES. (A Fisherman's Paradise Picture) 1932. 753 ft.

Credits: Director, Zion Myers; explanatory remarks by Pete Smith.

COLORADO. Broadway Universal. 1915. 5 reels. From the play by Augustus Thomas.

Credits: Producer, Norval MacGregor; scenario, Harvey Gates.

COLORADO. 1921. 5 reels. From the play by Augustus Thomas.

Credits: Producer, Reaves Eason; scenario, Wallace Clifton, Eleanor Fried.

THE COLORADO KID. 1937. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screen adaptation, Charles Francis Royal; film editor, S. Roy Luby.

COLORADO PLATEAU, THE GRAND CANYON OF THE COLORADO RIVER. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1920. 1 reel.

COLORADO PLUCK. 1921. 5 reels. From the novel by George Goodchild.

Credits: Adaptation and direction, Jules Furthman.

COLORADO SUNSET. 1939. 7 reels, sd.

Credits: Associate producer, William Berke; director, George Sherman; original story, Luci Ward, Jack Natteford; screenplay, Betty Burbridge, Stanley Roberts; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

THE COLORADO TRAIL. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Charles Francis Royal; film editor, William Lyon.

A COLORED GIRL'S LOVE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

COLORED VILLAINY. 1915.

Credits: Producer, Mack Sennett.

COLORFUL BOMBAY. (FitzPatrick M.G. M. Traveltalk) 1937. 1 reel, sd., color.

Credits: Compiled by James A. FitzPatrick; photography, Winton C. Hoch.

COLORFUL CURACAO. (A Fitzpatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Music score, Nathaniel Finston, Constantin Bakaleinikoff.

COLORFUL GUATEMALA. (A FitzPatrick Traveltalk) 1935. 1 reel, sd., color.

Credits: Photography, Wilfrid E. Cline.

COLORFUL ISLANDS—MADAGASCAR AND SEYCHELLES. (A FitzPatrick TravelTalk) 1936. 1 reel, sd., color.

Credits: Photographer, Winton Hoch; music, Jack Shilkret.

COLORFUL JAIPUR. (James A. FitzPatrick's Traveltalks) 1932. 1 reel.

Credits: Photographer, B. S. Dawley.

COLOR-FUL OCCUPATIONS. 1936. 1 reel, color.

Credits: E. M. Newman; editor, Bert Frank; narrator, Paul Douglas; dialogue, Ira Genet.

COLORFUL PORTS OF CALL. (FitzPatrick Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

A COLORFUL SERMON. SEE Bert Swor in A Colorful Sermon.

THE COLOSSEUM AT ROME. 1913. 1 reel.

COLOURFUL CAIRO. 1936. Released by Harold Auten. 1 reel, sd.

Credits: Music arranged and played by Lew White.

COLUMBUS. (The Chronicles of America, no. 1) 1923. 5 reels. Adapted from "The Spanish Conquerors" by Irving B. Richman.

Credits: Adaptation, Arthur E. Krows.

COLUMBUS AND ISABELLA. (Hysterical History Comedies) 1924. 1 reel.

Credits: Director, Bryan Foy.

THE COMBAT. 1916. 6 reels.

Credits: Producer, Ralph Ince.

THE COMBAT. 1919. 5 reels.

Credits: Director, Ralph Ince; story, Edward J. Montagne, Ralph Ince.

THE COMBAT. Jewel. 1926. 7 reels.

Credits: Director, Lynn Reynolds; story, J. G. Hawks, Edward Montagne; scenario, J. G. Hawks.

THE COMBINATION. 1915. 1 reel.

Credits: Director, Sidney Drew.

COME ACROSS. Jewel. 1929. 6 reels. From the story "The Stolen Lady" by William Dudley Pelley.

Credits: Director, Ray Taylor; adaptation and continuity, Peter Milne.

COME ACROSS. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; story and screenplay, John C. Higgins.

COME AND GET IT. 1929. 6 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.

COME AND GET IT! Released through United Artists. 1936. 11 reels, sd. Based on the novel by Edna Ferber.

Credits: Directors, Howard Hawks, William Wyler; screenplay, Jules Furthman, Jane Murfin; film editor, Edward Curtiss; music director, Alfred Newman.

THE COME-BACK. 1916. 5 reels.

Credits: Written and directed by Fred J. Balshofer.

THE COMEBACK. Bison. 1917. 2 reels.

Credits: Director, George Marshall; story, Charles E. Van Loan; scenario, Charles J. Wilson, Jr.

THE COME-BACK. SEE

The Knockout.

No Defense.

THE COME-BACK OF PERCY. (Chronicles of Bloom Center) 1915. 2 reels.

Credits: Written, produced and directed by Marshal Neilan.

COME BACK TO AARON. SEE The Matinee Idol.

COME BACK TO ERIN. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Compiler, James A. Fitzpatrick.

COME CLEAN. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Harvey Gates.

COME CLEAN. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

COME CLOSER, FOLKS. 1936. 7 reels, sd.

Credits: Director, D. Ross Lederman; story, Aben Kandel; screenplay, Lee Loeb, Harold Buchman; film editor, Byron Robinson.

COME EASY, GO SLOW. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould.

COME MEAL. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Pinto Colvig, H. A. Woodmansee; editor, Earl Neville.

THE COME ON. Nestor. 1916. 1 reel.

Credits: John C. Brownell; producer, Matt Moore.

COME ON COWBOYS! 1924. 5 reels.

Credits: Director, Ward Hayes; story and continuity, Dick Hatton, Ward Hayes.

COME ON COWBOYS. 1937. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, Sol C. Siegel; director, Joseph Kane; original screenplay, Betty Burbridge.

COME ON DANGER. Presented by Radio Pictures. 1932. 6 reels, sd.

Credits: Director, Robert Hill; story, Bennett Cohen; screenplay, David Lewis, Lester Ilfeld.

Credits: Story and direction, Edward I. Luddy.

COME ON IN. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Written and produced by John Emerson and Anita Loos; director, John Emerson.

COME ON LEATHERNECKS. 1938. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, James Cruze; original story, Sidney Salkow; screenplay, Sidney Salkow, Dorrell and Stuart McGowan; film editor, Edward Mann.

COME ON MARINES! 1934. 7 reels, sd.

Credits: Producer, Albert Lewis; director, Henry Hathaway; story, Philip Wylie; adaptation and screenplay, Byron Morgan, Joel Sayre; music, Ralph Rainger.

COME ON OVER. 1922. 6 reels.

Credits: Director, Alfred E. Green; written and adapted by Rupert Hughes.

COME ON RANGERS. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original screenplay, Gerald Geraghty, Jack Natteford; film editor, Edward Mann; music director, Cy Feuer.

COME ON TARZAN. 1932. 64 min.

Credits: Direction, story, and continuity, Alan James.

COME OUT OF THE KITCHEN. Paramount. Presented by Adolph Zukor. 1919. 5 reels. From the story by Alice Duer Miller.

Credits: Director, John S. Robertson; dramatization, A. E. Thomas; scenario, Clara Beranger.

COME OUT OF THE KITCHEN. SEE Honey.

COME 'ROUND AND TAKE THAT ELEPHANT AWAY. 1915. 1 reel.

Credits: Director, Norval MacGregor.

COME TAKE A TRIP IN MY AIRSHIP. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

COME THROUGH. 1917. 7 reels.

Credits: Director, Jack Conway; story, George Bronson Howard; scenario, Fred Myton.

COME TO DINNER. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Eddie Moran.

COME TO MY HOUSE. 1927. 6 reels. Based on the story by Arthur Somers Roche.

Credits: Director, Alfred E. Green; scenario, Marion Orth; adaptation, Philip Klein.

COME TO PAPA. (Big Boy-Juvenile Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

COME TO PAPA. (Educational's Comedies) (Gayety Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, William Watson; story, George Bentley; dialogue, Leon Berry.

COME WATCH WITH ME THE PASSING NIGHT. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

THE COMEDIAN'S DOWNFALL. 1913. 1 reel.

Credits: Maurice Lewis.

THE COMEDIENNE'S STRATEGY. 1914. 1 reel.

Credits: Producer, Harry C. Myers.

COMEDY AND TRAGEDY. 1914. 2 reels.

Credits: Director, Walter Edwin.

COMET OVER BROADWAY. First National. 1938. 7 reels, sd. From the story by Faith Baldwin.

Credits: Director, Busby Berkeley; screenplay, Mark Hellinger, Robert Buckner.

COMFORT FOR YOUR HOME. 1938. 1 reel, sd.

COMIC ARTIST'S HOME LIFE. Presented by E. W. Hammons. 1937. 1,626 ft., sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

COMIN' ROUND THE MOUNTAIN. 1936. 6 reels, sd.

Credits: Producer, Nat Levine; supervision, Armand Schaefer; director, Mack Wright; original story, Oliver Drake; screenplay, Oliver Drake, Dorrell McGowan, Stuart McGowan; film editor, Lester Orlebeck; music supervision, Harry Grey.

COMING BACK. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story and scenario, George Hively.

THE COMING OF AMOS. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 6 reels. From the novel by William J. Locke.

Credits: Director, Paul Sloane; adaptation, James Creelman, Garrett Fort.

COMING OF FARO NELL. 1918. 2 reels.

Credits: Director, Allen Watt; story, Alfred Henry Lewis; adaptation, George H. Plympton.

THE COMING OF THE LAW. Fox Film Corp. 1919. 5 reels. From the story by Charles Alden Seltzer.

Credits: Scenario, Denison Clift.

THE COMING-OUT OF MAGGIE. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Will Courtney.

COMING OUT PARTY. 1934. 7,224 ft., sd.

Credits: Director, John Blystone; story, Becky Gardiner, Gladys Unger; screenplay, Gladys Unger, Jesse Lasky, Jr.; music, Louis de Francesco; editor, Dorothy Spencer.

COMING THROUGH. Paramount. 1925. 7 reels. From the novel "Bed Rock" by Jack Bethea.

Credits: Director, Edward Sutherland; screenplay, Paul Schofield.

THE COMMA BUTTERFLY. (Bray Nature) Presented by the Bray Studios. 1926. 1 reel.

Credits: Edited and titled by Don Carlos Ellis.

THE COMMAND PERFORMANCE. Released by Tiffany. 1931. 8 reels, sd. From the play by C. Stafford Dickens.

Credits: Producers, James Cruze, Samuel Zierler; director, Walter Lang; adaptation and dialogue, Maude Fulton, Gordon Rigby.

THE COMMITTEE ON CREDENTIALS. Bison. 1916. 3 reels.

Credits: Producer, Harry Carey; story, Peter B. Kyne; scenario, Harvey Gates.

THE COMMITTEE ON CREDENTIALS. 1922. 2 reels.

Credits: Director, George E. Marshall; story, Peter B. Kyne.

COMMON BEASTS OF AFRICA. 1914.

THE COMMON CAUSE. Presented by Albert E. Smith. Released by Vitagraph. 1918. 7 reels.

Credits: Director, J. Stuart Blackton; story, J. Hartley Manners, Ian Hay Beith; scenario, Anthony P. Kelly.

COMMON CLAY. Presented by William Fox. 1930. 9 reels, sd. From the play by Cleves Kinkead.

Credits: Producer and director, Victor Fleming; screenplay, Jules Furthman; film editor, Irene Morra.

COMMON GROUND. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Marion Fairfax; director, William C. De Mille.

THE COMMON LAW. 1916. 7 reels. Based on the novel by Robert William Chambers.

THE COMMON LAW. 1923. 8 reels. From the novel by Robert W. Chambers.

Credits: Adaptation, Edward J. Montagne.

THE COMMON LAW. 1931. 8 reels, sd., b&w. Adapted from the novel by Robert W. Chambers.

Credits: Producer, Charles R. Rogers; director, Paul L. Stein; screen story, John Farrow; dialogue, Horace Jackson; film editor, Charles Craft; music director, Arthur Lange.

THE COMMON LAW. 1931. 8 reels, sd., b&w. Adapted from the novel by Robert W. Chambers.

Credits: Producer, Charles R. Rogers; director, Paul L. Stein; screen story, John Farrow; dialogue, Horace Jackson; film editor, Charles Craft; music director, Arthur Lange.

COMMON PROPERTY. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elliot J. Clawson.

COMMON SALT. 1930. 1 reel.

COMMON SENSE. 1920. 5 reels.

Credits: Story, Leota Statten Morgan; scenario and direction, Louis William Chaudet.

THE COMMON SIN. Gold Seal. 1917. 3 reels.

Credits: Written and directed by Charles L. Gaskill.

COMMUNITY SING. 1937-39. 1 reel each, sd.

Credits: Directors, Charles Lamont, Del Lord, Sam Nelson; film editor, Arthur Seid.

[Series 1], 1937.

1. © 8Feb37; MP7148.

2. © 12Feb37; MP7204.

3. © 11May37; MP7426.

4. © 8Jun37; MP7530.

5. © 21Jul37; MP7630.

6. © 23Aug37; MP7710.

Series 2, 1937/38.

2. © 7Sep37; MP7836.

3. © 18Sep37; MP7773.

4. © 10Dec37; MP8000.

5. © 8Feb38; MP8151.

6. © 23Feb38; MP8210.

7. © 16Mar38; MP8238.

8. © 5May38; MP8394.

9. © 10Jun38; MP8512.

10. © 14Jun38; MP8516.

11. © 6Sep38; MP8741.

12. © 15Sep38; MP8758.

Series 3, 1938/39.

1. © 28Sep38; MP8777.

2. © 17Oct38; MP8816.

3. © 16Nov38; MP8900.

4. © 6Jan39; MP9016.

5. © 16Jan39; MP9027.

6. © 6Feb39; MP9158.

7. © 20Mar39; MP9256.

8. © 18Apr39; MP9332.

9. © 15May39; MP9405.

10. © 26May39; MP9410.

1. © 4Aug39; MP9574.

2. © 21Aug39; MP9614.

3. © 16Oct39; MP9720.

4. © 14Nov39; MP9760.

THE COMMUTERS. 1915. 5 reels. Founded on the stage play by James Forbes.

COMMUTING. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Rex Taylor.

THE COMPANIONATE MARRIAGE. Presented by the C. M. Corp. 1928. 7 reels. Adapted from stories and theme of the book by Judge Ben Lindsey and Wainwright Evans.

Credits: Supervision, Harold Shumate; director. Earl C. Kenton; adaptation, Beatrice Van.

COMPANIONATE MARRIAGE. Presented by the C. M. Co. 1928. 7 reels. From the story by Judge Ben B. Lindsey and Wainwright Evans.

Credits: Director, Erle C. Kenton.

A COMPANIONATE MIRAGE. (Krazy Kat) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

COMPANIONATE SERVICE. (Dorothy Devore Comedies) 1928. 2 reels.

Credits: Director, Charles Lamont.

COMPANY. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John Joseph Harvey; story, Ruth Owen.

COMPETITION. SEE Stranger in Town.

COMPLETE DENTURE RESTORATION. 1933. 3,000 ft.

THE COMPLETE LIFE. 1926. 2 reels. A jazz version of the story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Robert P. Kerr; adaptation, Andrew Bennison.

A COMPLETE LIFE INSURANCE ESTATE. 1932. Filmstrip.

COMPLETING THE SALE. 1932. Filmstrip.

COMPLIMENTS OF THE SEASON. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, Stanley Olmstead.

COMPRESSED AIR. 1928. 1 reel.

COMPROMISE. 1925. 7 reels. From the novel by Jay Gelzer.

Credits: Screen story, Edward T. Lowe, Jr.

COMPROMISED. 1931. 7 reels, sd. From the play by Edith Fitzgerald.

Credits: Director, John G. Adolfi; adaptation, Florence Ryerson.

COMRADE KITTY. 1914. 2 reels.

COMRADES. SEE Bolshevism on Trial.

Credits: Director, Henry Otto.

COMRADESHIP. SEE Kameradschaft.

THE CON IN ECONOMY. (Paramount-Flagg Comedy) Town and Country Films, Inc. 1919. 2 reels.

Credits: James Montgomery Flagg.

Credits: Written and produced by Ivan Abramson.

CONCEIT. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Director, Burton George; story, Michael J. Phillips; scenario, Edward J. Montagne.

CONCENTRATE. 1929. 1 reel.

Credits: Paul Terry.

THE CONCENTRATIN' KID. 1930. 6 reels.

Credits: Harold Tarshis, Charles Saxton; producer, Hoot Gibson; director, Arthur Rosson; scenario and dialogue, Harold Tarshis.

THE CONCERT. Goldwyn Studios. 1921. 6 reels. From the story by Hermann Bahr.

Credits: Director, Victor L. Schertzinger; scenario, J. E. Nash.

THE CONCERT. SEE Fashions in Love.

THE CONCERT KID. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

A CONCERTO FOR VIOLIN. 1913. 1 reel.

Credits: Anne Story Allen.

CONCHITA. SEE Love Comes Along.

CONCRETE BISCUITS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

THE CONDEMNATION. 1916. 2 reels.

Credit: Ed. T. Lowe, Jr.

CONDEMNED. 1924. 6 reels.

Credits: Producer, Ben Wilson; director, Arthur Rosson; story, Jules Furthman.

CONDEMNED. United Artists. 1929. 10 reels, sd. Based on the book "Condemned to Devil's Island" by Blair Niles.

Credits: Director, Wesley Ruggles; screenplay, Sidney Howard.

CONDEMNED TO DEATH. A First Division release. Presented by Julius Hagen. 1932. 8 reels. From the play "Jack O' Lantern" by George Goodchild.

Credits: Director, Walter Forde; screen adaptation, H. Fowler Mear, Bernard Merrivale; film editor, Jack Harris.

CONDEMNED TO DEATH. SEE The Black Hand.

CONDEMNED TO DEVIL'S ISLAND. SEE Condemned.

CONDEMNED TO LIVE. 1935. 7 reels, sd.

Credits: Director, Frank R. Strayer; story, Karen DeWolf.

CONDEMNED WOMEN. 1938. 8 reels, sd.

Credits: Producer, Robert Sisk; director, Lew Landers; story and screenplay, Lionel Houser; editor, Desmond Marquette; music director, Roy Webb.

THE CONDEMNING CIRCUMSTANCE. 1915. 1 reel.

CONDITIONING. (Grantland Rice Sportlight) Presented by the Van Beuren Corporation. 1929. 1 reel.

Credits: Jack Eaton.

CONDUCTOR 1492. 1923. 7 reels.

Credits: Johnny Hines; directors, Charles Hines, Frank Griffen.

CONDUCTOR KATE. 1916. 1 reel.

Credits: Producer, Edmond Stratton.

CONEY ISLAND. 1917. 2 reels.

CONEY ISLAND. 1928. 7 reels.

Credits: Director, Ralph Ince; story, Joseph Jefferson O'Neil, Adele Buffington, Maxine Alton; screenplay, Enid Hibbard.

A CONEY ISLAND NIGHTMARE. 1914. 2 reels.

Credits: Director, Lee Beggs.

A CONEY ISLAND PRINCESS. Released by Paramount Pictures Corp. 1916. 5 reels. Based upon "The Princess Zim-Zim" by Edward Sheldon.

Credits: Director, Dell Henderson.

THE CONFESSION. 1915. 2 reels.

CONFESSION. 1918. 5 reels.

Credits: Direction, story, and scenario, S. A. Franklin.

CONFESSION. 1929. 2 reels, sd., b&w.

Credits: Kenyon Nicholson; director, Lionel Barrymore.

CONFESSION. First National. 1937. 10 reels, sd.

Credits: Director, Joe May; original screenplay, Hans Rameau; English adaptation, Julius J. Epstein, Margaret LeVino.

CONFESSION. SEE

The Whirl of Life.

The Wife Trap.

The Woman on Trial.

THE CONFESSION OF MADAME BARASTOFF. 1915. 3 reels.

Credits: Director, Charles L. Gaskill.

CONFESSIONS OF A CO-ED. 1931. 6,770 ft. Based on the diary of an anonymous college girl.

Credits: Directors, David Burton, Dudley Murphy.

CONFESSIONS OF A NAZI SPY. First National. 1939. 11 reels, sd. Based on the articles of Leon G. Turrou.

Credits: Director, Anatole Litvak; screenplay, Milton Krims, John Wexley.

CONFESSIONS OF A QUEEN. 1925. 7 reels. From the novel "Kings in Exile" by Alphonse Daudet.

Credits: Adaptation, Agnes Christine Johnston.

CONFESSIONS OF A WIFE. Presented by Samuel Zierler. 1928. 6,047 ft. From the play by Owen Davis.

Credits: Supervision, Burton King; director, Albert Kelley.

CONFIDENCE. 1913. 1 reel.

Credits: Bannister Merwin.

CONFIDENCE. 1922. 5 reels.

Credits: Story, Bernard Hyman; scenario and direction, Raymond Schrock.

CONFIDENCE. 1930. Filmstrip, 62 frames.

CONFIDENCE. (An Oswald Comedy) Snappy. 1933. 1 reel.

THE CONFIDENCE MAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 8 reels. From the novel by Laurie York Erskine.

Credits: Director, Victor Heerman; story, Laurie York Erskine, Robert H. Davies; screenplay, Paul Sloane.

CONFIDENTIAL. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Supervision, Victor Zobel; director, Edward L. Cahn; story, John Rathwell, Scott Darling; screenplay, Wellyn Totman; dialogue, Olive Cooper; film editor, Ray Curtis.

THE CONFLICT. 1915. 2 reels.

Credits: Joseph A. Roach.

THE CONFLICT. 1916. 3 reels.

Credits: Director, William Robert Daly.

THE CONFLICT. 1916. 5 reels.

Credits: Producer, Ralph W. Ince.

THE CONFLICT. Universal-Jewel. 1921. 7 reels. From the story by Clarence Budington Kelland.

Credits: Producer, Stuart Paton; scenario, George Hull.

CONFLICT. 1936. 6 reels, sd. Taken from "The Abysmal Brute" by Jack London.

Credits; Producer, Trem Carr; supervision, Paul Malvern; director, David Howard; adaptation, Charles Logue, Walter Weems; film editor, Jack Ogilvie; music director, Herman Heller.

A CONFLICTING CONSCIENCE. Victor. 1916. 1 reel.

Credits: Producer, C. D. Bennett; story, G. E. Jenks; scenario, F. McGrew Willis.

CONFOUNDED INTEREST. 1930. 1 reel, sd.

Credits: Director, Mort Blumenstock.

CONGORILLA. 1932. 7 reels, sd.

Credits: Producers, Mr. and Mrs. Martin Johnson; editorial supervision, Truman Talley; photography, Martin Johnson, Richard Maedler.

CONGRESS DANCES. 1932. 9 reels.

Credits: Director, Eric Charell; story, Norbert Falk, Robert Liebmann.

CONJUROR'S HOUSE. SEE The Call of the North.

CONLIN AND GLASS IN SHARPS AND FLATS. 1928. 1 reel, sd.

A CONNECTICUT YANKEE. 1931. 8,700 ft., sd.

Credits: Director, David Butler; adaptation and dialogue, William Conselman; editor, Irene Morra.

THE CONNECTICUT YANKEE AT KING ARTHUR'S COURT. 1920. 8 reels. From the novel by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, Emmett J. Flynn; adaptation, Bernard McConville.

THE CONNECTING LINK. Bison. 1915. 2 reels.

Credits: Producer, Joseph Franz; story, Burton Wilson; scenario, Harvey Gates.

CONOHAN. SEE The Silent Lie.

THE CONQUERING HORDE. 1931. 6,596 ft., sd. From a story by Emerson Hough.

Credits: Director, Edward Sloman; screenplay, Grover Jones, William Slavens McNutt.

THE CONQUERING POWER. 1921. 7 reels. Adapted from the story "Eugenie Grandet" by Balzac.

Credits: Producer and director, Rex Ingram; adaptation, June Mathis.

CONQUERING THE JUNGLE. Educational Division of the Universal Film Mfg. Co., Inc. 1920. 1 reel.

Credits: Producer, King Vidor.

THE CONQUEROR. 1916. 5 reels.

THE CONQUEROR. 1917. For Fox Film Corp. 8 reels. Based on the life of Sam Houston.

Credits: Scenario and direction, R. A. Walsh; story, Henry Christeen Warnack.

THE CONQUERORS. 1932. 9 reels.

Credits: Director, William A. Wellman; story, Howard Estabrook; screenplay, Robert Lord.

CONQUEST. Trailer announcement, 1928. 1 reel, sd.

Credits: Musical director, Louis Silvers.

CONQUEST. 1928. 8 reels. From the novel by Mary Imlay Taylor.

Credits: Director, Roy del Ruth; screenplay, C. Graham Baker; adaptation, Eve Unsell.

CONQUEST. A Clarence Brown production. 1937. 6 reels, sd., b&w. Based on a book by Waclaw Gasiorowski and a dramatization by Helen Jerome.

Credits: Producer, Bernard H. Hyman; director, Clarence Brown; screenplay, Samuel Hoffenstein, Salka Viertel, S. N. Behrman; film editor, Tom Held; music score, Herbert Stothart.

THE CONQUEST OF CANAAN. 1921. 7 reels. From the story by Booth Tarkington.

Credits: Director, R. William Neill; scenario, Frank W. Tuttle.

THE CONQUEST OF CONSTANTIA. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

THE CONQUEST OF NEW FRANCE. SEE The Gateway to the West. Wolfe and Montcalm.

CONRAD IN QUEST OF HIS YOUTH. 1920. 6 reels. From the novel by Leonard Merrick.

Credits: Director, William De Mille; scenario, Olga Printzlau.

CONRAD NAGEL [in] VITAPHONE TRAILER ANNOUNCEMENT, CAUGHT IN THE FOG. 1928. 1 reel, sd.

CONRAD NAGEL [in] VITAPHONE TRAILER ANNOUNCEMENT, LIGHTS OF NEW YORK. 1928. 1 reel, sd.

CONSCIENCE. Imp. 1915. 4 reels.

Credits: Curtis Benton; production and scenario, Stuart Paton.

CONSCIENCE. 1917. For Fox Film Corp. 6 reels.

Credits: Director, Bertram Bracken; story, J. Searle Dawley, E. Lloyd Sheldon; scenario, Adrian Johnson.

CONSCIENCE. SEE Trust Your Wife.

CONSCIENTIOUS CAROLINE. 1914. 1 reel.

Credits: Ashley Miller.

CONSCRIPTION. SEE Her Boy.

CONSERVATION OF NATURAL RESOURCES. 1938. 1 reel.

CONSERVING THE INSURANCE ESTATE. 1932. Filmstrip.

CONSOLATION MARRIAGE. 1931. 9 reels, sd.

Credits: Associate producer, Myles Connolly; director, Paul Sloane; original story, Bill Cunningham; screenplay and dialogue, Humphrey Pearson.

THE CONSPIRACY. Bison. 1916. 2 reels.

Credits: William Parker; director, Henry McRae.

CONSPIRACY. 1930. 7 reels, sd. From the stage play by Robert Baker and John Emerson.

Credits: Producer, William LeBaron; director, Christy Cabanne; assistant director, Dewey Starkey; screenplay, continuity and dialogue, Beulah Marie Dix; film editors, Artie Roberts, Sam White.

CONSPIRACY. 1939. 59 min., sd.

Credits: Production executive, Lee Marcus; producer, Cliff Reid; director, Lew Landers; story, John McCarthy, Faith Thomas; screenplay, Jerome Chodorov; film editor, George Hively; music director, Frank Tours.

THE CONSPIRACY AT THE CHATEAU. 1915. 2 reels.

Credits: Edwin Balmer.

Credits: Robert Gage.

THE CONSTABULE. 1929. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron.

THE CONSTANT NYMPH. Gaumont British Picture Corp. 1934. 7,666 ft., sd. From the novel by Margaret Kennedy.

Credits: Director, Basil Dean; screenplay, Dorothy Farnum; dialogue, Margaret Kennedy, Basil Dean; music directors, Eugene Gossen, John Greenwood.

THE CONSTANT WOMAN. World Wide. Presented by E. W. Hammons. 1933. 76 min., sd. From the play "Recklessness" by Eugene O'Neill.

Credits: Director, Victor Schertzinger; screenplay, Warren Duff; adaptation, F. Hugh Herbert.

CONSTANTINOPLE. SEE Christian Crusaders in Constantinople.

CONTACT. 1932. 1 reel.

Credits: Director, Joseph Henabery; story, Sig Herzig, Burnet Hershey.

CONTENT. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Herbert Kaufman; director, Wray Physioc; scenario, Merle Johnson.

CONTENTED CALVES. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Joseph A. Fields, Rolly Asher; film editor, Edward Mann.

CONTENTED WIVES. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

A CONTENTED WOMAN. 1917. 2 reels. From the play by Charles Hoyt.

Credits: Director, J. A. Richmond.

THE CONTENTS OF THE SUITCASE. 1913. 1 reel.

THE CONTINENT OF SOUTH AMERICA. 1931. 962 ft.

A CONTINENTAL EVENING. 1930. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

CONTRA LA CORRIENTE (AGAINST THE CURRENT). 1935. 11 reels.

Credits: Direction, text and continuity, Ramon Novarro.

CONTRABAND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,773 ft. From the novel by Clarence Budington Kelland.

Credits: Producer, Alan Crosland; screenplay, Jack Cunningham.

CONTRACEPTIVE METHOD AND TECHNIQUE. 1935. 2 reels.

Credits: Producer and director, Marie Pichel Warner.

CONTRARY MARY. SEE The Summer Girl.

CONTRARY MARY WITH BOBBY WATSON. 1930. 1 reel, sd.

CONTRASTS IN CHINA. (Vagabond Adventure Series) 1933. 10 min., sd.

Credits: Text, Russel Spaulding; narrator, Alois Havrilla.

CONTROL YOURSELF. 1925. 2 reels.

Credits: Supervision, George E. Marshall; director, Robert P. Kerr; story, Andrew Bennison.

CONVENTION CITY. 1933. 8 reels, sd.

Credits: Director, Archie Mayo; story, Peter Milne; screenplay, Robert Lord.

CONVERGING PATHS. 1916. 2 reels.

Credits: Director, Burton L. King.

THE CONVERSION OF SMILING TOM. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Emma Bell.

CONVERTING TIME INTO MONEY. 1931. Filmstrip.

CONVICT, COSTUMES, AND CONFUSION. 1914. 2 reels.

Credits: Director, Leo Beggs.

THE CONVICT KING. 1915. 3,000 ft.

Credits: Producer, Edward Sloman.

Credits: Director, William Parke; story, Wallace Clifton.

CONVICT 13. 1920. 2 reels.

Credits: Written and directed by Buster Keaton, Eddie Cline.

CONVICTED. 1938. 6 reels, sd.

Credits: Director, Leon Barsha; story, Cornell Woolrich; screenplay, Edgar Edwards; film editor, William Austin.

CONVICT'S CODE. 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; original screenplay, John W. Krafft.

THE CONVICT'S THREAT. 1915. 2,000 ft.

CONVINCE 'EM FROM OVERTURE TO FINALE. 1930. 1 reel.

CONVOY. Presented by Robert Kane, in conjunction with Victor H. and Edward R. Halperin. 1927. 8 reels. From the story "The Song of the Dragon" by John Taintor Foote.

Credits: Director, Joseph C. Boyle; scenario, Willis Goldbeck.

COO COO NEWS. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel, sd.

COO-COO, THE MAGICIAN. (A Flip the Frog Cartoon) 1933. 1 reel, sd.

COOCOONUT GROVE. (Merrie Melodies) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, Sandy Walker; music director, Carl E. Halling.

THE COOK. Released by Paramount. 1918. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

THE COOK OF CANYON CAMP. 1917. 5 reels.

Credits: Story and direction, Donald Crisp; scenario, Donald Crisp, Julia Crawford Ivers.

COOK, PAPA, COOK. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Wallace McDonald.

THE COOKIE CARNIVAL. (Silly Symphony) 1935. 1 reel, sd.

COOKING THE GOOSE. SEE The Runaway Bride.

COOKS AND CROOKS. 1918. 2 reels.

Credits: Director, James Davis.

THE COOK'S MISTAKE. 1915. 1 reel.

Credits: Director, W. F. Smith.

COOKS VERSUS CHEFS. 1916. 1 reel.

COOL OFF! Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, William Watson; story, Sig Herzig.

A COORIAL ON THE ORINOCO. 1918. 1 reel.

THE COP. 1928. Produced by Ralph Block for De Mille Pictures Corp. 8 reels.

Credits: Producer and director, Donald Crisp; story, Elliott Clawson; screenplay, Tay Garnett; film editor, Barbara Hunter.

THE COP AND THE ANTHEM. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Edward J. Montagne.

COPENHAGEN. (A Fitzpatrick Traveltalk) 1937. 817 ft., sd., color.

Credits: Director, Ralph E. Donaldson; music score, Jack Shilkret.

COPPER. Imp. 1915. 2 reels.

COPPER MINES AT BINGHAM, UTAH. 1912. 400 ft.

THE COPPERHEAD. 1919. 7 reels. From the play by Augustus Thomas, founded on the novel "The Glory of His Country" by Frederick Landis.

Credits: Direction and scenario, Charles Maigne.

COPS. Presented by Joseph M. Schenck. 1922. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

COPS AND CUSSEDNESS. 1917. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

COPS AND CUSSEDNESS. 1920. 1 reel.

Credits: Director, Graham Baker; story, Lawrence Semon, Graham Baker.

COPS! AND ROBBERS! (Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE COP'S BRIDE. 1929. 1 reel.

Credits: Paul Terry.

COPS IS ALWAYS RIGHT. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

COPY. (Metro Movietone Act) 1929. 2 reels, sd., b&w.

Credits: Kendall Banning, Harold Kellock; director, Norman Houston.

COQUETTE. 1929. 9 reels. Based on the Jed Harris stage production of the play by George Abbott and Ann Preston Bridgers.

Credits: Adaptation, John Grey, Allen McNeil; dialogue, Sam Taylor.

THE COQUETTE'S AWAKENING. 1915. 2 reels.

Credits: Director, Frank Beal.

CORA. 1915. 5 reels.

CORA GREEN, THE FAMOUS CREOLE SINGER. 1929. 1 reel.

CORAL. Bison. 1915. 4 reels.

Credits: Producer, Henry McRae; scenario, Olga P. Clark.

CORAL ISLE OF THE ATLANTIC. (World on Parade, no. 6) 1936. 1 reel.

Credits: Russell Spalding.

CORDELIA THE MAGNIFICENT. 1923. 7 reels. Based on the novel by Leroy Scott.

Credits: Director, George Archainbaud.

THE CO-RESPONDENT. Advanced Motion Pictures. 1917. 6 reels. Based on the stage play by Alice Leal Pollock and Rita Weiman.

Credits: Director, Ralph W. Ince.

Credits: Producer, Charles E. Bartlett.

A CORN-FED SLEUTH. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

CORN GROWING. 1928. 1 reel.

CORN ON THE COP. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Jack Henley, Dolph Singer.

CORNELL. (The Spirit of the Campus) Presented by E. W. Hammons. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil.

THE CORNER. 1916. 5 reels.

Credits: Director, George Cowl; story, Adolph Phillips; scenario, Lawrence McCloskey.

A CORNER IN COTTON. Quality Pictures Corp. 1916. 5 reels.

Credits: Director, Fred J. Balshofer.

A CORNER IN SMITH'S. Black Cat. 1917. 29 min.

Credits: Director, Henry Beaumont; story, Edward T. Lowe, Jr.

A CORNER IN WATER. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

THE CORNER STORE. SEE Fred Ardath in The Corner Store.

CORNERED. 1924. 8 reels. Based on the play by Dodson Mitchell and Zelda Sears.

Credits: Director, William Beaudine; adaptation, Hope Loring, Louis Duryea Lighton.

CORNERED. 1932. 6 reels, sd.

Credits: Director, Reeves Eason; story, William Colt MacDonald; screenplay, Ruth Todd; film editor, Otto Meyer.

CORNERED. SEE Road to Paradise.

THE CORNET. 1915. 1,000 ft.

CORNFLOWER CASSIE'S CONCERT. SEE Beauty and the Bad Man.

CORNWALL, THE ENGLISH RIVIERA. (British Beauty Spots) 1913. 1 reel.

CORONADO. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, William Le Baron; director, Norman McLeod; story, Brian Hooker, Don Hartman; screenplay, Don Hartman, Frank Butler; editor, Hugh Bennett; music and lyrics, Richard A. Whiting.

CORONATION OF POPE PIUS XII. 1939. 1 reel.

THE CORONATION OF THE SHAH OF PERSIA. 1914. 660 ft.

THE CORONATION OF THEIR MAJESTIES KING GEORGE VI AND QUEEN ELIZABETH. 1937. 1 reel.

Credits: Editor, Eugene W. Castle.

CORPORAL BILLY'S COMEBACK. Big U. 1916. 2 reels.

Credits: Producer, George Cochrane; story, Harry Leon Wilson; scenario, Calder Johnstone.

CORPORAL CAMERON. SEE Cameron of the Royal Mounted.

CORPORAL KATE. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 8 reels.

Credits: Supervision, C. Gardiner Sullivan; director, Paul Sloane; story, Zelda Sears, Marion Orth; scenario, Albert Shelby LeVino.

THE CORPORAL'S DAUGHTER. 1915. 1,000 ft.

Credits: Jack Crawford; director, Langdon West.

THE CORPSE. SEE Atonement.

CORRECT SHORTHAND TECHNIQUE. School, Business Administration of the State College of Washington. 1934. 500 ft., 16 mm.

Credits: Director, Eleanor Skimin.

CORSAIR. United Artists. 1931. 8 reels. From a novel by Walton Green.

Credits: Producer, Roland West; adaptation, Josephine Lovett.

THE CORSAIR'S SON. SEE Le Fils du Filibustier.

THE CORSICAN BROTHERS. Imp. 1915. 3 reels. Adapted from the novel by Alexander Dumas.

Credits: Producer, George A. Lessey.

COSCIA AND VERDI IN MUSIC-GLORIFIED, CLASSIFIED, AND MORTIFIED. 1928. 1 reel.

COSETTE. SEE The Rise of Susan.

THE COSSACK WHIP. 1916. 5 reels, tinted.

Credits: James Oppenheim; director, John H. Collins.

THE COSSACKS. 1928. 10 reels, b&w. From the novel by Lyof N. Tolstoi.

Credits: Producer and director, George Hill; adaptation and continuity, Frances Marion; film editor, Blanche Sewell.

THE COST. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 6 reels.

Credits: Director, Harley Knoles; story, David Graham Phillips; scenario, Ctara S. Beranger.

THE COST OF HATRED. 1917. 5 reels.

Credits: Producer, George H. Melford; scenario, Beulah Marie Dix.

THE COST OF HIGH LIVING. 1916. 1 reel.

Credits: Director, William Wolbert.

THE COST OF LIVING. SEE Money Means Nothing.

COSTA RICA. (Paramount Color Cruises) Presented by Adolph Zukor. 1938. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

THE COSTELLO CASE. 1930. 7 reels, sd.

Credits: Producers, James Cruze, Sam Zierler; supervision, James Cruze; director, Walter Lang; story, F. McGrew Willis.

A COSTUME PIECE. 1914. 1 reel.

COSTUMES OF THE WORLD. (World Adventures, no. 11) 1933. 1 reel.

Credits: E. M. Newman; editor, Bert Frank.

COTTON—FROM SEED TO CLOTH. (Harvard Series on Commerce and Industry) 1931. Prepared in cooperation with Nashua Mfg. Co. and produced in collaboration with Harvard University, Dept. of Geology and Geography. 2 reels.

Credits: Kirtley F. Mather.

COTTON GOODS. 1930. 1 reel.

COTTON GROWING. 1928. 1 reel.

COTTON, THE FABRIC OF FASHION. Presented by Aberfoyle Mfg. Co. 1929. Filmstrip, 68 frames.

COTTON, THE HOUSEHOLD FABRIC. Presented by Cannon Mills, Inc. 1930. Filmstrip, 80 frames (11 in color)

COTTONWOOD GULCH. SEE North of the Rio Grande.

THE COUGAR'S MISTAKE. (Camera Adventures) Educational Pictures. 1933. 9 min.

Credits: Producer, Harold Austin; narrator, Felix Adler.

COUNSEL FOR CRIME. 1937. 7 reels, sd.

Credits: Director, John Brahm; story, Harold Shumate; screenplay, Fred Niblo, Jr., Grace Neville; Lee Loeb, Harold Buchman; film editor, Otto Meyer; music director, Morris Stoloff.

Credits: Supervision, Edward S. Silton; director, Burton King.

COUNSEL ON DE FENCE. 1934. 2 reels, sd.

Credits: Director, Arthur Ripley; story and screenplay, Harry McCoy.

COUNSELITIS. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; story, and direction, Al Boasberg; film editor, Tholen Gladden.

COUNSELLOR AT LAW. 1933. 9 reels. From the play by Elmer Rice.

Credits: Director, William Wyler; screenplay, Elmer Rice.

THE COUNT. 1916. 2 reels.

Credits: Producer, Charles Chaplin.

THE COUNT AND THE WEDDING GUEST. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Katharine Reed.

COUNT—EM. 1915. 1 reel.

Credits: Director, Ralph Ince.

COUNT MACARONI. 1915. 1,000 ft.

Credits: Allan Davis; director, Will Louis.

COUNT ME OUT. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Zion Myers.

COUNT ME OUT. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway, Cal Dalton; story, Melvin Millar; animation, Herman Cohen; music director, Carl W. Stalling.

THE COUNT OF LUXEMBOURG. 1925. 7 reels. Adapted from the operetta of Franz Lehár, with libretto by A. M. Willner and Robert Bodanzky.

Credits: Supervision, Hampton Del Ruth; director, Arthur Gregor; adaptation, John F. Natteford, Arthur Gregor.

COUNT OF MONTE CRISTO. 1912. 5 reels.

THE COUNT OF MONTE CRISTO. Released through United Artists. 1934. 13 reels, sd. Based on the novel by Alexandre Dumas.

Credits: Supervision, Edward Small; director, Rowland V. Lee; screenplay and dialogue, Philip Dunne, Dan Totheroh, Rowland V. Lee; film editor, Grant Whytock; music director, Alfred Newman.

THE COUNT OF MONTE CRISTO. SEE Monte Cristo.

THE COUNT OF TEN. Universal Jewel. 1927. 7 reels.

Credits: Director, James Flood; original story, Gerald Beaumont; continuity, Harry Hoyt.

THE COUNT TAKES THE COUNT. (Hal Roach Comedy) (Charley Chase Comedy) 1936. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Harold Law; film editor, William Ziegler.

COUNT TWENTY. 1915. 2 reels.

THE COUNTER INTRIGUE. 1915. 3 reels.

THE COUNTER JUMPER. 1922. 2 reels.

Credits: Written and directed by Larry Semon.

A COUNTER PLOT. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Harry Wulze.

COUNTERFEIT. Paramount-Artcraft. Presented by Adolph Zukor. 1919. 5 reels.

Credits: Director, George Fitzmaurice; story, Robert Baker; scenario, Ouida Bergere.

COUNTERFEIT. 1936. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Erle C. Kenton; story, William Rankin; screenplay, William Rankin, Bruce Manning; film editor, Richard Cahoon; music director, Howard Jackson.

COUNTERFEIT. SEE Flirting with Love.

COUNTERFEIT LADY. 1936. 7 reels.

Credits: Director, D. Ross Lederman; story, Harold Shumate; screenplay, Tom Van Dycke; film editor, James Sweeney.

THE COUNTERFEIT TRAIL. 1919. 2 reels.

Credits: Director, Edward Kull; story, Dorothy Rochfort; scenario, Phil Hubbard.

THE COUNTERFEIT TRAIL. 1924. 2 reels.

Credits: Director, Edward Hall; story, Dorothy Rochfort; scenario, Phil Hubbard.

THE COUNTERFEITERS. 1914. 1 reel.

Credits: Edward W. Townsend.

THE COUNTERFEITER'S DAUGHTER. 1914. 1 reel.

THE COUNTESS CHARMING. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Gelett Burgess, Carolyn Wells; scenario, Gardner Hunting.

THE COUNTESS OF MONTE CRISTO. 1934. 8 reels, sd.

Credits: Director, Karl Freund; story, Walter Fleisher; screenplay, Karen De Wolf and Gene Lewis; dialogue, Gladys Unger.

COUNTESS VESCHI'S JEWELS. 1914. 2 reels.

COUNTESS VESCHI'S JEWELS. 1915. 2 reels.

Credits: Charles Belmont Davis.

COUNTING OUT THE COUNT. Sterling. 1915. 1 reel.

COUNTING OUT THE COUNT. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Phil Dunham.

A COUNTLESS COUNT. 1915. 1 reel.

THE COUNTRY BEYOND. 1926. 6 reels, b&w, tinted sequences. From the story by James Oliver Curwood.

Credits: Director, Irving Cummings.

THE COUNTRY BEYOND. 1936. 6,887 ft., sd. From the novel by James Oliver Curwood.

Credits: Director, Eugene Forde; screenplay, Lamar Trotti, Adele Comandini; music director, Samuel Kaylin.

COUNTRY BLOOD. 1915. 2 reels.

COUNTRY BOY. (Merrie Melodies) 1935. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Bob McKimson, Paul Smith; music, Norman Spencer.

THE COUNTRY CIRCUS. Victor. 1915. 1 reel.

THE COUNTRY COUSIN. 1919. 5 reels. From the play by Booth Tarkington and Julian Street.

Credits: Director, Alan Crosland; scenario, R. Cecil Smith.

THE COUNTRY COUSIN. (Walt Disney Symphony) 1936. 1 reel.

THE COUNTRY DOCTOR. De Mille Pictures Corp. Presented by Bertram Millhauser. 1927. 8 reels. Adapted from stories by Izola Forrester and Mann Page.

Credits: Supervision, Bertram Millhauser; producer and director, Rupert Julian; screenplay, Beulah Marie Dix; film editor, Claude Berkeley.

THE COUNTRY DOCTOR. 1936. 8,680 ft., sd. Story idea suggested by Charles E. Blake.

Credits: Director, Henry King; screenplay, Sonya Levien; music director, Louis Silvers.

THE COUNTRY FLAPPER. 1922. 5,000 ft. From the story "Cynic Effect" by Nalbro Bartley.

Credits: Director, F. Richard Jones; scenario, Harry Carr; titles and dialogue, Joseph Farnham.

COUNTRY GENTLEMEN. 1936. 8 reels.

Credits: Producer, Nat Levine; director, Ralph Staub; original story, Milton Raison, Jack Harvey, Jo Graham; screenplay, Joseph Hoffman, Gertrude Orr.

THE COUNTRY GIRL. Imp. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Clem Easton.

THE COUNTRY HEIR. Century. 1921. 2 reels.

Credits: Written and directed by William Watson.

A COUNTRY HERO. 1920. 2 reels.

Credits: Director, Fatty Arbuckle.

THE COUNTRY KID. 1923. 6 reels.

Credits: Director, William Beaudine; story, Julien Josephson.

Credits: Editor, Russell Doubleday.

COUNTRY LIFE IN BOHEMIA. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

THE COUNTRY MOUSE. (Merrie Melodies) 1935. 1 reel.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Don Williams, Jack Carr; music, Bernard Brown.

THE COUNTRY PARSON. 1915. 3 reels.

COUNTRY SCHOOL. (An Oswald Comedy) Snappy. 1931. 1 reel.

THE COUNTRY STORE. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Laverne Hording, Jack Dunham, Leo Salkin.

THE COUNTRY THAT GOD FORGOT. Red Seal. 1916. 5 reels.

Credits: Directed and written by Marshall Neilan.

COUNTRYSIDE MELODIES. (Paramount Varieties) (Musical Moods) Presented by Adolph Zukor. 1935. 1 reel, sd., color.

Credits: Orchestra director, Rosario Bourdon.

COUNTS AND NO COUNTS. 1918. 1 reel.

Credits: Earl Montgomery, Joseph Rock; director, J. A. Howe.

THE COUNTY CHAIRMAN. 1935. 7,100 ft., sd. Based on the play by George Ade.

Credits: Director, John Blystone; screenplay, Sam Hellman, Gladys Lahman; music director, Arthur Lange.

THE COUNTY FAIR. 1920. 4,600 ft. From the play by Neil Burgess and Charles Barnard.

Credits: Supervision, Maurice Tourneur; scenario, J. Grubb Alexander.

THE COUNTY FAIR. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE COUNTY FAIR. (An Oswald Comedy) Snappy. 1934. 1 reel.

Credits: Walter Lantz, Bill Nolan.

COUNTY FAIR. Crescent Pictures. 1937. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Howard Bretherton; screenplay, John T. Neville; film editor, Donald Barratt.

COUNTY HOSPITAL. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

THE COUNTY SEAT. 1931. 2 reels.

Credits: Director, Mark Sandrich; story and dialogue, Ben Holmes, Mark Sandrich.

A COUPLE OF SIDE-ORDER FABLES. 1915. 1 reel.

A COUPLE OF SKATES. Bluebird. 1926. 1 reel.

Credits: Director, Edgar L. Kennedy.

COUPON COLLECTORS. 1914. 1 reel.

COURAGE. Big U. 1915. 1 reel.

Credits: Producer, Lloyd Ingraham; scenario, Phil Walsh.

COURAGE. Presented by Albert A. Kaufman. 1921. 75 min. Based on the story by Andrew Soutar.

Credits: Producer and director, Sidney A. Franklin; scenario, Sada Cowan; editor, Billy Shea.

COURAGE. Warner Brothers Vitaphone. 1930. 8 reels. Based on the play by Tom Barry.

Credits: Director, Archie Mayo; screenplay and dialogue, Walter Anthony.

COURAGE. Trailer. 1930. 1 reel.

COURAGE. SEE

My Bill.

Satan and the Woman.

COURAGE AND THE MAN. 1915. 3,000 ft.

Credits: Director, Dell Henderson; story, Hamilton Smith.

THE COURAGE OF COLLINS. Mustang. 1927. 2 reels.

Credits: Director, Ray Taylor; story and continuity, George H. Plympton.

THE COURAGE OF MARGE O'DOONE. 1920. 7 reels. From the story by James Oliver Curwood.

Credits: Director, David Smith; picturized by Robert North Bradbury.

THE COURAGE OF SILENCE. Blue Ribbon. 1917. 5 reels.

Credits: Milton Nobles; director, William P. S. Earle.

COURAGE OF THE COMMONPLACE. 1913. 1 reel.

Credits: Director, Rollin S. Sturgeon.

THE COURAGE OF THE COMMONPLACE. 1917. 5 reels.

Credits: Director, Ben Turbett; story, Mary Raymond Shipman Andrews.

COURAGE OF THE WEST. 1937. 6 reels, sd.

Credits: Associate producer, Paul Malvern; director, Joseph H. Lewis; original story and screenplay, Norton S. Parker; film editor, Charles Craft.

THE COURIER OF THE CZAR. SEE Michael Strogoff.

COURT HOUSE CROOKS. 1915.

Credits: Producer, Mack Sennett.

COURT-MARTIAL. A George B. Seitz production. 1928. 6,017 ft., color.

Credits: Producer, Harry Cohn; director, George B. Seitz; story, Elmer Harris; continuity, Anthony Coldewey; film editor, Arthur Roberts.

THE COURT OF ST. SIMON. SEE The Silent Master.

COURT PLASTER. 1924. 2 reels.

Credits: Director, Gil Pratt.

COURT PLASTERED. 1931. 1 reel, sd.

COURTIN' CALAMITY. SEE Courtin' Wildcats.

COURTIN' WILDCATS. 1929. 6 reels, sd. From the story "Courtin' Calamity" by William Dudley Pelley.

Credits: Director, Jerome Storm.

COURTING BETTY'S BEAU. 1914. 1 reel.

COURTING TROUBLE. 1915. 1 reel.

COURTING TROUBLE. 1932. 2 reels.

Credits: Director, Leslie Pearce.

COURTMARTIALED. Imp. 1915. 4 reels.

Credits: Raymond L. Schrock; producer, Stuart Paton.

COURTS AND CONVICTS. 1918. 1 reel.

Credits: Joseph Rock, Earl Montgomery; director, J. A. Howe.

THE COURTSHIP OF THE COOKS. 1914. 1 reel.

Credits: Jay Barrett Botsford; director, Charles Ranson.

THE COURTSHIP OF THE NEWT. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

COUSIN KATE. 1920. 5 reels. From the play by Hubert Henry Davies.

Credits: Director, Mrs. Sidney Drew; adaptation, L. Case Russell.

COUSIN KATE. SEE Strictly Modern.

COUSIN PONS. 1914. 2 reels.

COUSIN WILBUR. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner.

LA COUTURIÈRE DE LUNÉVILLE. SEE Dressed to Thrill.

COVER CHARGE. (Sound Topics) 1930. 1 reel.

Credits: Alfred T. Mannon.

THE COVERED SCHOONER. (Monty Banks Comedy) 1923. 2 reels.

Credits: Director, Harry Edwards.

THE COVERED WAGON. Paramount. Presented by Jesse L. Lasky. 1923. 10 reels. From the Saturday Evening Post story by Emerson Hough.

Credits: Producer and director, James Cruze; scenario, Jack Cunningham.

COVERING GROUND. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: John L. Hawkinson.

COW BELLES. (Krazy Kat) 1929. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

COW CAMP BALLADS. 1929. 1 reel.

Credits: Story and direction, Robert C. Bruce.

THE COW JUMPED OVER THE MOON. 1917. 1 reel.

Credits: Director, Chester M. De Vonde; story, Thomas J. Gray.

Credits: Producer, Thomas H. Ince.

THE COWARD. 1915. 3 reels.

THE COWARD. 1915. 6 reels.

THE COWARD. Released by F. B. O. 1927. 7 reels.

Credits: Director, Alfred Raboch; story, Arthur Stringer; adaptation, J. G. Hawks; continuity, Edfrid Bingham, Enid Hibbard.

THE COWARD. SEE The Man Who Found Himself.

THE COWARD AND THE MAN. 1914. 1 reel.

Credits: Ashley Miller.

COWARDICE COURT. 1919. 5 reels. Based on the story by George Barr McCutcheon.

Credits: Director, William C. Dowlan; scenario, Joseph Anthony Roach.

THE COWARD'S CODE. 1916. 3 reels.

Credits: J. H. O'Mara; director, Frank McGlynn.

THE COWBOY AND THE COUNTESS. 1926. 6 reels, b&w., tinted sequences.

Credits: Director, R. William Neill; story, Maxine Alton, Adele Buffington; scenario, Charles Darnton.

THE COWBOY AND THE GIRL. SEE Ray Mayer and Edith Evans in The Cowboy and the Girl.

THE COWBOY AND THE KID. Buck Jones Productions. Presented by Carl Laemmle. 1936. 6 reels, sd.

Credits: Director, Ray Taylor; story, Buck Jones; screenplay, Frances Guihan; film editor, Bernard Loftus.

THE COWBOY AND THE LADY. 1915. 5 reels. From the play by Clyde Fitch.

THE COWBOY AND THE LADY. 1922. 5 reels. From the play by Clyde Fitch.

Credits: Director, Charles Maigne; adaptation, Julien Josephson.

THE COWBOY AND THE LADY. Released through United Artists. 1938. 9 reels, sd.

Credits: Director, H. C. Potter; original story, Leo McCarey, Frank R. Adams; screenplay, S. N. Behrman, Sonya Levien; film editor, Sherman Todd; music director, Alfred Newman.

COWBOY BLUES. (Aesop Fable) 1931. 1 reel.

Credits: John Foster, Harry Bailey.

COWBOY CABARET. (Aesop Sound Fable) 1931. 1 reel, sd.

Credits: John Foster, Mannie Davis.

THE COWBOY CAVALIER. 1928. 5 reels.

Credits: Director, Richard Thorpe; story, Betty Burbridge; continuity, Frank L. Inghram.

THE COWBOY CHAPERONE. Mustang. 1927. 2 reels.

Credits: Director, Ernst Laemmle; story, Lou Collins; continuity, George Morgan.

THE COWBOY COP. Released by F. B. O. 1926. 5 reels.

Credits: Director, Robert Delacy; story, Frank Richardson Pierce; continuity, F. A. E. Pine.

THE COWBOY COUNSELLOR. 1932. 6,157 ft.

Credits: Director, George Melford; story, Jack Natteford.

COWBOY FROM BROOKLYN. Cosmopolitan. 1938. 8 reels. From the play "Howdy Stranger" by Robert Sloane and Louis Pelletier, Jr.

Credits: Director, Lloyd Baron; screenplay, Earl Baldwin; music, Richard Whiting, Johnny Mercer.

COWBOY GRIT. 1925. 5 reels.

Credits: Story and continuity, Victor Roberts.

A COWBOY I WOULD BE. SEE Benny the Bear in A Cowboy I Would Be.

THE COWBOY KID. 1928. 5 reels, b&w, lavender sequences.

Credits: Director, Clyde Carruth; story, Seton I. Miller; scenario, James J. Tynan.

THE COWBOY MILLIONAIRE. A Fox Film Release. 1935. 7 reels, sd.

Credits: Producer, Sol Lesser; director, Edward F. Cline; screenplay, George Waggner, Dan Jarrett.

THE COWBOY MUSKETEER. Released by F. B. O. 1925. 5 reels.

Credits: Buckleigh Oxford; director, Bob De Lacy.

A COWBOY PASTIME. 1914. 1,000 ft.

COWBOY PLUCK. 1929. 2 reels.

Credits: Direction, story, and continuity, Walter Fabian.

THE COWBOY PRINCE. 1924. 5 reels.

Credits: Director, Francis Ford.

THE COWBOY QUARTERBACK. First National. 1939. 6 reels, sd. From a play by Ring Lardner and George M. Cohan.

Credits: Director, Noel Smith; screenplay, Fred Niblo, Jr.

COWBOY SHORTY. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Editor, Leslie Roush; narrator, Ward Wilson; commentator, Justin Herman.

THE COWBOY STAR. 1936. 6 reels.

Credits: Director, David Selman; story, Frank Melford, Cornelius Reece; screenplay, Frances Guihan; film editor, William Lyon.

THE COWBOYS. 1924. 2 reels.

Credits: Directors, Lou Seiler, Clyde Carruth.

THE COWBOY'S CONQUEST. 1915. 1 reel.

COWCATCHER'S DAUGHTER. 1931. 22 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Ewart Adamson, Harry McCoy.

THE COWDREY DYNAMIC BRAKE TESTER. 1928. 2 reels.

THE COWPUNCHER'S COMEBACK. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Robert Dillon.

A COWPUNCHER'S COMEBACK. Mustang. 1925. 2 reels.

Credits: Director, Edward Laemmle; story and scenario, Robert Dillon.

THE COWPUNCHER'S PERIL. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

A COW'S HUSBAND. Presented by William Fox. 1928. 2 reels, b&w.

Credits: Director, Mark Sandrich; story, Arthur Greenlaw.

THE COW'S HUSBAND. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

COWS IS COWS. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

COWSLIPS. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story and continuity, Ben Holmes, Mark Sandrich; film editor, Ted Cheesman.

COYLE AND WEIR IN SONGS AND DANCES. 1928. 1 reel, sd.

THE COYOTE. 1915. 1 reel.

Credits: Producer, Guy Oliver; scenario, James Oliver Curwood.

THE CRACK O' DOOM. See Graft.

CRACK-UP. 1936. 6,341 ft., sd.

Credits: Director, Malcolm St. Clair; original story, John Goodrich; screenplay, Charles Kenyon, Sam Mintz; music director, Samuel Kaylin.

CRACKED ICE. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Jack Miller; animation, Robert McKimson; music director, Carl W. Stalling.

THE CRACKED ICE MAN. (Hal Roach-Charley Chase Comedy) 1933. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Eddie Dunn; film editor, William Terhune.

CRACKED NUTS. 1931. 8 reels, sd.

Credits: Associate producer, Douglas MacLean; director, Edward Cline; screenplay, Al Boasberg; dialogue, Ralph Spence, Al Boasberg.

CRACKED SHOTS. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Fred Guiol, Jack Townley; film editor, John Lockert.

CRACKED WEDDING BELLS. 1923. 1 reel.

THE CRACKERJACK. Presented by C. C. Burr. 1925. 6,500 ft.

Credits: Director, Charles Hines; story, Dick Freil; scenario, Victor Grandin, Argyll Campbell.

CRACKPOT CRUISE. (A Walter Lantz Cartune) 1939. 6 min., sd.

Credits: Director, Alex Lovy; story, Carl Howard; animation, Frank Zipper; George Grandpre.

THE CRADLE. 1921. 5 reels. Adapted from the play "Le Berceau" by Eugene Brieux.

Credits: Director, Paul Powell; adaptation, Olga Printzlau.

THE CRADLE BUSTER. 1922. 6 reels.

Credits: Scenario and direction, Frank Tuttle.

CRADLE OF CIVILIZATION. SEE E. M. Newman's Cradle of Civilization.

THE CRADLE OF COURAGE. 1920. 5 reels.

Credits: Direction and scenario, Lambert Hillyer; story, Frederick Bradbury.

THE CRADLE SNATCHERS. Presented by William Fox. 1927. 7 reels. From the play by Russell Medcraft and Norma Mitchell.

Credits: Director, Howard Hawks; scenario, Sarah Y. Mason.

CRADLE SONG. 1933. 8 reels, sd. From the play by G. M. Martinez Sierra.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; screenplay, Marc Connelly; continuity, Franke Partos, Robert Sparks.

CRADLES OF CREED. (A FitzPatrick TravelTalk) 1932. 1 reel.

Credits: Photographer, B. S. Dawley.

CRAIG CAMPBELL, SINGING THERE'LL NEVER BE ANOTHER ONE LIKE YOU [and others]. (Metro Movietone Act) 1929. 658 ft., sd., b&w.

CRAIG'S WIFE. 1928. 7 reels. From the play by George Kelly.

Credits: Producer and director, William C. De Mille; adaptation, Clara Beranger; film editor, Anne Bauchens.

CRAIG'S WIFE. 1936. 8 reels, sd. From the play by George Kelly.

Credits: Director, Dorothy Arzner; screenplay, Mary C. McCall, Jr.; film editor, Viola Lawrence; music director, Morris Stoloff.

THE CRASH. 1916. 2 reels.

Credits: Written and directed by Wilbert Melville.

THE CRASH. Presented by Richard A. Rowland. 1929. 7 reels.

Credits: Director, Eddie Cline; story, Frank L. Packard; continuity, Charles Kenyon.

THE CRASH. 1932. 8 reels. Based on the novel "Children of Pleasure" by Larry Barretto.

Credits: Director, William Dieterle; screenplay, Earl Baldwin, Larry Barretto.

CRASH DONOVAN. 1936. 6 reels, sd.

Credits: Associate producer, Julius Bernheim; director, William Nigh; story, Harold Shumate; screenplay, Eugene Solow, Charles Grayson, Karl Detzer; film editors, Byron Robinson, H. T. Fritch.

CRASHIN' BROADWAY. 1933. 6 reels, sd.

Credits: Producer, Paul Malvern; supervision, Trem Carr; director, John P. McCarthy; story and adaptation, Wellyn Totman.

CRASHIN' THRU. Released by Film Booking Offices of America. 1923. 6 reels.

Credits: Director, Val Paul; story, Elizabeth Dejeans; adaptation, Beatrice Van.

CRASHING HOLLYWOOD. (Educational's Comedies) (Ideal Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story, Ernest Pagano, Jack Townley.

CRASHING HOLLYWOOD. 1938. 6 reels, sd. From the play by Paul Dickey and Mann Page.

Credits: Producer, Cliff Reid; director, Lew Landers; screenplay, Paul Yawitz, Gladys Atwater; editor, Harry Marker.

CRASHING RENO. (Manhattan Comedies) 1931. 2 reels, sd., b&w.

Credits: Director, William Watson; story, Nick Barrows; adaptation, Chas. A. Callahan; film editor, Russell Schoengarth.

CRASHING THE GATE. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, Burnet Hershey.

CRASHING THROUGH. 1928. 5 reels.

Credits: Director, Tom Buckingham; story, Jack Stevens; continuity, Wyndham Gyttens.

CRASHING THROUGH TO BERLIN. 1918. 7 reels.

Credits: Scenario, S. H. Mackean.

CRASHING TO ETERNITY. (Battling Brewster, no. 1) 1924. 3 reels.

Credits: Supervision, George Blaisdell; producer and director, Dell Henderson; story, Robert Dillon.

THE CRATERS OF FIRE. Imp. 1915. 3 reels.

THE CRAVING. 1918. 5 reels.

Credits: Story and direction, Frances Ford.

CRAWFISHING IN SWEDEN. 1913. 1 reel.

CRAZY AUCTIONEER. Trailer. 1939. 148 ft., sd.

CRAZY COMPOSITIONS. 1931. 1 reel, sd.

Credits: Written and directed by Walton Butterfield.

CRAZY DOINGS. (A Paramount-Christie Comedy) 1929. 2 reels.

Credits: Director, Eddie Baker; story, Frank R. Conklin.

CRAZY FEET. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Warren Doane; story, Leo McCarey; story editor, H. M. Walker; film editor, Richard Currier.

CRAZY HOUSE. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; titles, H. M. Walker; editor, Richard Currier.

CRAZY HOUSE. (Colortone Novelty) 1931. 2 reels, sd., color.

Credits: Ballet music, Dimitri Tiomkin.

THE CRAZY NUT. (Mermaid Talking Comedies) 1929. 2 reels, sd.

Credits: Producer, Jack White; director, Charles Lamont.

CRAZY THAT WAY. 1930. 5,800 ft., sd.

Credits: Associate producer, George Middleton; director, Hamilton MacFadden; editor, Ralph Dietrich.

CRAZY TO FLY. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Harold Beaudine; story, Sig Herzig; titles, Al Martin.

CRAZY TO MARRY. 1921. 5 reels.

Credits: Director, James Cruze; story, Frank Condon; scenario, Walter Woods.

CRAZY TOWN. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, James H. Culhane, David Tendlar.

CREAKING STAIRS. 1919. 6 reels.

Credits: Scenario and direction, Rupert Julian; story, Evelyn Campbell.

CREATING LIFE FROM A DEAD LEAF. Educational and Scientific Co. Powers. 1916. 1/2 reel.

CREATION'S TEARS. SEE A Woman There Was.

THE CREATIVE APPROACH TO EDUCATION. 1931. 2 reels.

Credits: Hughes Mearns.

CREDITS AND COLLECTIONS. 1931. 1 reel. Contents.—Supporting advertising at the counter.—Selling more canned foods.—Steady all-year profits in staple fruits.—Special sales made profitable.—How to build community prestige.—Unnecessary waste kills profit.

THE CREED OF THE CLAN. 1915. 1 reel.

CREEPIN' TIN TYPES. SEE Just Cowboys.

Credits: Director, Marshall Farnum.

CREEPING TIDES. SEE The Tides of Fate.

CREEPS. (Mermaid Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

CREW RACING. (A Sports Parade Subject) 1936. 1 reel, sd.

Credits: Director, David Miller; commentary, Pete Smith.

THE CRICKET. Butterfly. 1917. 5 reels.

Credits: Director, Elsie Jane Wilson; story, E. J. Clawson.

THE CRICKET ON THE HEARTH. 1914. 2 reels. Based on the story by Charles Dickens.

THE CRICKET ON THE HEARTH. 1923. 7 reels. Adapted from the story by Charles Dickens.

Credits: Director, Lorimer Johnston; scenario, Caroline Frances Cooke.

CRIME AND PUNISHMENT. 1935. 9 reels, sd. Based on the novel by Fyodor Dostoievsky.

Credits: Producer, B. P. Schulberg; director, Josef Von Sternberg; screenplay, S. K. Lauren, Joseph Anthony; film editor, Richard Cahoon; music director, Louis Silvers.

THE CRIME DOCTOR. 1934. 8 reels, sd. From the story "The Big Bow Mystery" by Israel Zangwill.

Credits: Associate producer, David Lewis; director, John Robertson; screenplay, Jane Murfin; music director, Max Steiner; editor, William Hamilton.

CRIME FIGHTERS. (A Paramount Paragraphic) Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Charles T. Trego; commentary, Justin Herman; editor, Leslie Roush; narrator, Alois Havrilla.

THE CRIME NOBODY SAW. 1937. 6 reels. Based on a play by Ellery Queen [pseud.] and Lowell Brentano.

Credits: Director, Charles Barton; screenplay, Bertram Millhauser.

THE CRIME OF ANOTHER. SEE Auto Suggestion.

THE CRIME OF CAIN. 1914. 1 reel.

Credits: Director, Mr. Marston.

THE CRIME OF CARELESSNESS. 1912. Produced in cooperation with the National Association of Manufacturers. 1,000 ft.

Credits: James Oppenheim.

THE CRIME OF CARELESSNESS. 1912. 1 reel.

Credits: James Oppenheim.

THE CRIME OF DOCTOR CRESPI. 1935. 66 min., sd. Suggested by the story "The Premature Burial" by Edgar Allan Poe.

Credits: Story and direction, John H. Auer; adaptation, Lewis Graham, Edwin Olmstead; editor, Leonard Wheeler.

THE CRIME OF DOCTOR CRESPI. 1935. 7 reels, sd. Suggested by the story "The Premature Burial" by Edgar Allan Poe.

Credits: Associate producer, Herb Hayman; story and direction, John H. Auer; adaptation, Lewis Graham, Edwin Olmstead; editor, Leonard Wheeler.

THE CRIME OF DR. FORBES. 1936. 7,000 ft., sd.

Credits: Director, George Marshall; original screenplay, Frances Hyland, Saul Elkins; music director, Samuel Kaylin.

THE CRIME OF DOCTOR HALLETT. 1938. 7 reels.

Credits: Producer, Edmund Grainger; director, S. Sylvan Simon; original story, Lester Cole, Carl Dreher; screenplay, Lester Cole, Brown Holmes.

THE CRIME OF HELEN STANLEY. 1934. 6 reels, sd.

Credits: Director, Ross Lederman; story, Charles R. Condon; screenplay, Harold Shumate; film editor, Otto Meyer.

THE CRIME OF SYLVESTRE BONNARD. SEE Chasing Yesterday.

THE CRIME OF THE CENTURY. 1933. 8 reels, sd. From the play "The Grootman Case" by Walter Maria Espe.

Credits: Producer, B. P. Schulberg; director, William Beaudine; screenplay, Florence Ryerson, Brian Marlow.

THE CRIME PATROL. 1936. 7 reels, sd.

Credits: Producer, Harry S. Knight; director, Eugene Cummings; story, Arthur T. Horman; continuity and dialogue, Betty Burbridge; editor, Earl Neville.

CRIME RAVE. 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; screenplay, Ben Roberts, Berne Giler; film editor, John Lockert.

CRIME RING. 1938. 7 reels, sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story, Reginald Taviner; screenplay, J. Robert Bren; Gladys Atwater; music director, Roy Webb; editor, Desmond Marquette.

CRIME SCHOOL. 1938. 9 reels.

Credits: Director, Lewis Seiler; story, Crane Wilbur; screenplay, Crane Wilbur, Vincent Sherman; music, Max Steiner.

CRIME TAKES A HOLIDAY. 1938. 6 reels, sd.

Credits: Director, Lewis D. Collins; story, Henry Altimus; screenplay, Jefferson Parker, Henry Altimus, Charles Logue; film editor, Dwight Caldwell.

CRIME WITHOUT PASSION. 1934. 8 reels, sd.

Credits: Written, produced, and directed by Ben Hecht and Charles MacArthur.

CRIMES SQUARE. 1931. 1 reel.

CRIME'S TRIANGLE. Imp. 1915. 3 reels.

Credits: Written and produced by King Baggot.

THE CRIMINAL. 1915. 3 reels.

Credits: Director, Van Dyke Brooke.

THE CRIMINAL CODE. 1931. 10 reels, sd. From the stage play by Martin Flavin.

Credits: Producer, Harry Cohn; director, Howard Hawks; adaptation and added dialogue, Fred Niblo, Jr., Seton I. Miller; film editor, Edward Curtis.

A CRIMINAL IS BORN. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Leslie Fenton; original story and screenplay, Karl Kamb.

CRIMINAL LAWYER. 1937. 7 reels, sd.

Credits: Associate producer, Cliff Reid; director, Christy Cabanne; story, Louis Stevens; screenplay, C. V. Atwater, Thomas Lennon; editor, Jack Hively.

CRIMINALS OF THE AIR. 1937. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; story, Jack Cooper; screenplay, Owen Francis; film editor, Dick Fantl; music director, Morris Stoloff; original music, Ben Oakland.

THE CRIMSON ARROW. Special. Big U. 1917. 2 reels.

THE CRIMSON BLADE. (The Perils of the Secret Service, no. 4) Imp. 1917. 2 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

THE CRIMSON CANYON. 1928. 5 reels.

Credits: Director, Ray Taylor; story and continuity, Hugh Nagrom.

THE CRIMSON CHALLENGE. 1922. 5 reels. From the story "Tharon of Lost Valley" by Vingie E. Roe.

Credits: Director, Paul Powell; adaptation, Beulah Marie Dix.

THE CRIMSON CITY. 1928. 7 reels.

Credits: Director, Archie Mayo; story, Anthony Coldeway.

CRIMSON COPPERS. (Star Comedy) 1923. 1 reel.

CRIMSON COURAGE. 1930. 2 reels.

Credits: Director, Josef Levigard.

Credits: Director, Romaine Fielding.

THE CRIMSON FLASH. 1927. 2 reels each. © Pathe Exchange, Inc.

Credits: Director, Arch B. Heath; story, George Arthur Gray; scenario, Paul Fairfax Fuller.

1. A Shot in the Night. © 27May27; LP24040.

2. The Ghost Takes a Hand. © 31May27; LP24041.

3. When Thieves Fall Out. © 6Jun27; LP24042.

4. Decoyed. © 26Jun27; LP24143.

5. Held in Bondage. © 29Jun27; LP24144.

6. Checkmate. © 2Jul27; LP24145.

7. The Shadow of Menace. © 20Jul27; LP24233.

8. Into the Trap. © 23Jul27; LP24234.

9. The Flaming Menace. © 25Jul27; LP24235.

10. The End of the Trail. © 27Jul27; LP24236.

THE CRIMSON GARDENIA. 1919. 6 reels. From the story by Rex Beach.

Credits: Director, Reginald Barker.

THE CRIMSON MOTH. 1914. 2 reels.

CRIMSON ROMANCE. Presented by Nat Levine. 1934. 8 reels, sd.

Credits: Director, David Howard; original story, Al Martin, Sherman Lowe; screenplay, Milton Krims; additional dialogue, Doris Schroeder; film editor, Doris Draught.

THE CRIMSON RUNNER. Presented by Hunt Stromberg and Charles R. Rogers. Released by Producers Distributing Corp. 1925. 6 reels.

Credits: Supervision, Hunt Stromberg; director, Tom Forman; original story and adaptation, Harvey Gates; editor, Harry L. Decker.

THE CRIMSON STAIN MYSTERY. Erbograph Co. 1916. 2 reels each.

Credits: Director, T. Hayes Hunter; story, Albert Payson Terhune.

1. The Brand of Satan. © 29Jul16; LP8832.

2. In the Demon's Power. © 11Aug16; LP8938.

3. The Broken Spell. © 18Aug16; LP8964.

4. The Mysterious Disappearance. © 2Sep16; LP9066.

5. The Figure in Black. © 11Sep16; LP9128.

6. The Phantom Image. © 25Sep16; LP9206.

7. The Devil's Symphony. © 25Sep16; LP9234.

8. In the Shadow of Death. © 10Oct16; LP9303.

9. The Haunting Specter. © 15Oct16; LP9356.

10. The Infernal Fiend. © 1Nov16; LP9472.

11. The Tortured Soul. © 10Nov16; LP9555.

12. The Restless Spirit. © 10Nov16; LP9556.

13. Despoiling Brutes. © 25Nov16; LP9664.

14. The Bloodhound. © 20Nov16; LP9665.

15. The Human Tiger. © 2Dec16; LP9737.

16. The Unmasking. © 9Dec16; LP9738.

THE CRIMSON TRAIL. Imp. 1916. 2 reels.

Credits: Written and produced by Winthrop Kelley.

THE CRIMSON TRAIL. 1935. 6 reels.

Credits: Director, Al Raboch; original story, Wilton West; screenplay, Jack Natteford.

THE CRIMSON WING. 1915. 6 reels. From the novel by Hobart C. Chatfield-Taylor.

THE CRIMSON YOKE. Rex. 1916. 2 reels.

Credits: Producers, Cleo Madison, W. V. Mong; story, C. E. Hall, Harvey Gates.

CRINOLINE AND ROMANCE. 1923. 6 reels.

Credits: Producer, Harry Beaumont; story and adaptation, Bernard McConville.

CRINOLINE CLASSICS. SEE Helen Yorke and Virginia Johnson in Crinoline Classics.

THE CRIPPLED HAND. 1916. 5 reels.

Credits: Producers, Robert Leonard, David Kirkland; scenario, Calder Johnstone.

THE CRISIS. 1916. 12 reels. From the book by Winston Churchill.

Credits: Director, Colin Campbell.

THE CRITICAL YEAR. SEE For Wives Only.

Credits: Directors, A. Boutet, A. Traversa.

CROOK BUSTER. Mustang. 1925. 2 reels.

Credits: Director, William Wyler; story, and scenario, Leigh Jacobson.

Credits: Director, Oscar Apfel; story, Forrest Halsey; scenario, George Du Bois Proctor.

CROOKED. (Fragment of Life) 1926. 2 reels.

Credits: Director, F. Herrick-Herrick.

CROOKED ALLEY. 1923. 5 reels.

Credits: Story, Jack Boyle; adaptation, Robert F. Hill.

THE CROOKED CIRCLE. Presented by E. W. Hammons. 1932. 70 min., sd.

Credits: Producer, William Sistrom; director, H. Bruce Humberstone; screenplay, Ralph Spence; additional dialogue, Tim Whelan.

CROOKED FROM THE START. 1916. 2 reels.

A CROOKED MIXUP. Joker. 1916. 1 reel.

Credits: Producer, W. W. Beaudine; story, W. M. Baker; scenario, Charles J. Wilson, Jr.

CROOKED STRAIGHT. 1919. 5 reels.

Credits: Director, Jerome Storm; story, Julien Josephson.

CROOKED STREETS. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the story "Dinner at Eight" by Samuel Merwin.

Credits: Director, Paul Powell; scenario, Edith Kennedy.

CROOKED TO THE END. 1915. 2 reels.

Credits: Supervision, Mack Sennett; directors, Edwin Frazee, Walter C. Reed.

CROOKED TRAILS. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

CROOKED TRAILS. (Ted Carson Western) 1930. 2 reels, si.

Credits: Director, Josef Levigard; story and continuity, Basil Dickey.

CROOKS AND CROCODILES. 1917. 1 reel.

CROOKS CAN'T WIN. 1928. 7 reels.

Credits: Director, George M. Arthur; story, J. J. O'Neill.

CROOK'S TOUR. (Hal Roach All Star Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Robert McGowan; film editor, Bert Jordan.

CROOKY. 1915. 5 reels.

Credits: Director, C. Jay Williams.

CROON CRAZY. (Aesop's Fables) (Cubby Bear) 1933. 1 reel.

Credits: Steve Muffati.

THE CROONADERS IN JUST CROONING ALONG. 1928. 1 reel, sd.

THE CROONADERS IN MELODIOUS MOMENTS. 1928. 1 reel, sd.

CROONER. First National and Vitaphone. 1932. 7 reels. Based on the story by Rian James.

Credits: Director, Lloyd Bacon; screenplay, Charles Kenyon; film editor, B. Bretherton.

CROP CHASERS. (A Color Rhapsody) Released by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Director, U. B. Iwerks; music, Eddie Kilfeather; music director, Joe De Nat.

THE CROSBY CASE. 1934. 7 reels.

Credits: Director, Edwin L. Marin; screenplay, Warren B. Duff, Gordon Kahn.

CROSBY'S CORNERS. (A Golden Rooster Comedy) 1930. 2 reels, sd.

Credits: Producer, C. B. Maddock; director, Philip Tannura; story, Harry B. Watson; film editor, E. Pfitzenmeier.

THE CROSBY'S REST CURE. Metro-Drew. 1916. 1 reel.

Credits: Elizabeth Jordan; producer, Sidney Drew.

Credits: Director, George Archainbaud; story, Anne Maxwell.

CROSS-COUNTRY BUNION RACE. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

CROSS COUNTRY CRUISE. 1934. 8 reels.

Credits: Director, Edward Buzzell; story, Stanley Rauh; screenplay, Elmer Harris.

A CROSS-COUNTRY RUN. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

CROSS CURRENTS. 1915. 5 reels.

THE CROSS-EYED CHILD'S PROBLEM. 1938. 800 ft., 16 mm.

THE CROSS-EYED SUBMARINE. 1917. 3 reels.

Credits: Jack Cunningham; director, W. W. Beaudine.

CROSS FIRE. 1933. 6 reels, sd.

Credits: Associate producer, David Lewis; director, Otto Brower; story and screenplay, Harold Shumate; additional dialogue, Tom MacNamara; film editor, Fred Knudtson.

THE CROSS PULL. SEE The Silent Call.

CROSS PURPOSES. Rex. 1916. 1 reel.

Credits: Bess Meredyth; producer, William Worthington.

CROSS ROADS. (Romantic Journeys) Educational Film Exchanges, Inc. 1931. 11 min.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

CROSSROADS. SEE The Age of Consent.

THE CROSSROADS OF NEW YORK. Presented by Mack Sennett. 1922. 6 reels.

Credits: Director, F. Richard Jones; story, Mack Sennett.

THE CROSSROADS OF SCIENCE. Frank R. Church Film Co. 1936. 1 reel.

CROSSROADS OF THE ORIENT. SEE E. M. Newman's Crossroads of the Orient.

CROSSROADS OF THE WORLD. (Along the Royal Road to Romance upon the Magic Carpet of Movietone) 1934. 1 reel, sd.

CROSS STREETS. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; story, Gordon Morris; continuity and dialogue, Anthony Coldewey.

THE CROSS WORD PUZZLE FILM. 1924. 1 reel.

CROSS WORDS. SEE Newhoff and Phelps in Cross Words.

CROSSED CLUES. 1921. 2 reels.

Credits: Producer, W. J. Craft; story, James Edward Hungerford; scenario, George Morgan.

CROSSED LOVE AND SWORDS. 1915.

Credits: Producer, Mack Sennett.

CROSSED WIRES. 1923. 5 reels.

Credits: Director, King Baggot; story, King Baggot, Raymond Schrock; scenario, Hugh Hoffman.

CROSSED WIRES. SEE Fast Express.

CROSSING THE SAHARA. (E. M. Newman Colortour Adventure) 1937. 10 min., sd., color.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

THE CROW. 1919. 2 reels.

Credits: Director, Reaves Eason; story, Alvin J. Neitz, Neal Hart; scenario, Karl Coolidge.

THE CROWD. 1928. 9 reels, sd., b&w.

Credits: Producer and director, King Vidor; screenplay, King Vidor, John V. A. Weaver; titles, Joe Farnham; film editor, Hugh Wynn.

Credits: Producer, John L. Hawkinson.

THE CROWD ROARS. Warner Bros. and Vitaphone. 1932. 9 reels, sd.

Credits: Story and direction, Howard Hawks; dialogue and screen adaptation, Kubec Glasmon, John Bright, Seton I. Miller, Nevin Busch.

THE CROWD ROARS. Presented by Metro-Goldwyn-Mayer. 1938. 10 reels, sd., b&w.

Credits: Producer, Sam Zimbalist; director, Richard Thorpe; story, George Bruce; screenplay, Thomas Lennon, George Bruce, George Oppenheimer; music score, Edward Ward; film editor, Conrad A. Nervig.

THE CROWD SNORES. (Pooch the Pup Comedy) (A Walter Lantz Cartoon) Snappy. 1932. 1 reel.

THE CROWDED HOUR. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,558 ft. From the play by Channing Pollock and Edgar Selwyn.

Credits: Director, E. Mason Hopper; screenplay, John Russell.

CROWN ME. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Henry W. George.

THE CROWN OF LIES. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,016 ft.

Credits: Producer and director, Dimitri Buchowetzki; story, Ernest Vajda; screenplay, Hope Loring, Louis Duryea Lighton.

CROWN PRINCE OF SWEDEN AND PARTY AT BUFFALO ROUNDUP IN YELLOWSTONE PARK, JULY 2, 1926. 1927. 1 reel.

THE CROWN PRINCE'S DOUBLE. 1915. 5 reels.

Credits: Gordon MacLaren; director, Van Dyke Brooke.

CROWNED HEADS. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

THE CROWNED PRINCE. (Bulls Eye Comedy) Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

CROWNING THE COUNT. Century. 1925. 2 reels.

Credits: Written and directed by Jess Robbins.

Credits: Director, Robert T. Thornby.

THE CRUCIBLE OF FATE. 1914. 2 reels.

Credits: Director, Harry Lambart; story, Mrs. L. Case Russell.

THE CRUCIFIX OF DESTINY. 1920. 6 reels.

Credits: Story and direction, R. Dale Armstrong; scenario, Agnes Parsons.

THE CRUCIFIXION OF PHILIP STRONG. SEE The Martyrdom of Philip Strong.

THE CRUEL TRUTH. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Frances Guihan.

THE CRUISE OF THE JASPER B. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 6 reels. From the novel by Don Marquis.

Credits: Supervision, William Sistrom; director, James W. Horne; adaptation, Zelda Sears, Tay Garnett.

THE CRUISE OF THE MAKE-BELIEVES. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels.

Credits: Tom Gallon; director, George Melford; adaptation, Edith Kennedy.

THE CRUISE TO VERA CRUZ. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

CRUISING IN THE SOUTH SEAS. (FitzPatrick M. G. M. Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

CRUISING THE ARCTIC. 1928. 2 reels.

Credits: Producer, George Palmer Putnam.

Credits: Scenario, Frank E. Montgomery.

THE CRUSADER. 1922. 5 reels.

Credits: Director, Howard Mitchell; story, Alan Sullivan; scenario, William K. Howard, J. Strumwasser.

THE CRUSADES. Presented by Adolph Zukor. 1935. 13 reels.

Credits: Director, Cecil B. De Mille; screenplay, Harold Lamb, Waldemar Young, Dudley Nichols.

CRUSE BROTHERS, THE ARKANSAW TRIO. 1927. 1 reel, sd.

CRUSE BROTHERS, THE MISSOURI SHEIKS, IN: A. ARKANSAS TRAVELER [and others]. 1927. 1 reel.

CRUSHED. (Hamilton Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Fred Hibbard.

CRUSHED HATS. (A Let George Do It Comedy) 1928. 2 reels. From the cartoons by George McManus.

THE CRY BABY. 1924. 1 reel.

CRY BABY. SEE Bobby Vernon in Cry Baby.

Credits: Charles Decroix.

THE CRY OF CONSCIENCE. Gold Seal. 1916. 2 reels.

Credits: Director, Clifford S. Elfelt; scenario, Olga Printzlau.

THE CRY OF ERIN. Rex. 1916. 1 reel. Based on the Irish ballad "Shemus O'Brien" by R. P. S. Lefann.

Credits: Scenario, Francis Ford.

THE CRY OF THE FIRST-BORN. Laemmle. 1915. 3 reels.

Credits: Producer, Normand MacDonald; scenario, Olga Printzlau Clark.

THE CRY OF THE UNBORN. SEE Maternity.

Credits: Director, George Fitzmaurice; story and scenario, Ouida Bergere.

THE CRY OF WINTER. (Outdoor Sketches) Presented by E. W. Hammons. 1927. 1 reel.

Credits: Robert C. Bruce.

CRYING FOR LOVE. Century. 1925. 2 reels.

Credits: Written and directed by Noel Smith.

CRYSTAL BALLET. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1937. 1,006 ft., sd.

Credits: Producer, B. E. Norrish; director, Gordon Sparling; scenario, Margot Blaisdell.

CRYSTAL CHAMPIONS. (Sportlight) 1929. 1 reel, sd.

Credits: Director, Jack Eaton.

THE CRYSTAL CUP. 1927. 7 reels. From the story by Gertrude Atherton.

Credits: Producer, Henry Hobart; director, John Francis Dillon; scenario, Gerald C. Duffy.

THE CRYSTAL GAZABO. (Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1932. Adapted from the cartoon character by George Herriman. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Rose, Harry Love; musical score, Joe De Nat.

THE CRYSTAL GAZER. 1917. 5 reels.

Credits: Director, George H. Melford; story, Eve Unsell, Edna Riley; scenario, Marion Fairfax.

THE CRYSTAL GAZER. 1930. 1 reel, sd.

Credits: Harold Atteridge, Nicholas Copeland; director, Eddie Buzzell; film editor, Leon Barsha.

Credits: Scenario, Anthony W. Coldewey.

CRYSTALS AND THEIR BEAUTIES. 1917. 1 reel.

CRYSTALS; THEIR MAKING, HABITS, AND BEAUTY. 1914. 1 reel.

THE CRYSTAL'S WARNING. Gold Seal. 1916. 3 reels.

Credits: J. Grubb Alexander; director, Robert F. Hill.

CSARDASFURSTIN. 1933. 10 reels, sd. Adapted from the operetta by Emmerich Kalman.

Credits: Producer, Max Pfeiffer; director, Georg Jacoby; scenario, Hans Zerlett, B. E. Luethge, Georg Jacoby; musical adaptation, Hans Otto Borgmann.

Credits: Picturized by Maurice Tourneur.

THE CUB. SEE Rainbow Riley.

THE CUB AND THE DAISY CHAIN. 1915. 1 reel.

Credits: Director, Sidney Drew.

CUBA. (Vagabond Adventure Series) 1933. 10 min., sd.

Credits: Narrator, Alois Havrilla.

CUBA, THE LAND OF RHUMBA. (A Fitzpatrick-M. G. M. Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. Fitzpatrick; music, Nathaniel Shilkret; photographer, Frank Goodliffe.

THE CUBAN LOVE SONG. 1931. 10 reels, sd., b&w.

Credits: Director, W. S. Van Dyke; screenplay, C. Gardiner Sullivan, Bess Meredyth; adaptation, John Lynch; additional dialogue, John Colton, Gilbert Emery, Robert E. Hopkins, Paul Hervey Fox; film editor, Margaret Booth; music, Herbert Stothart.

CUBBY'S PICNIC. (Aesop's Fables) RKO Radio Release. 1933. 1 reel.

Credits: Steve Muffati, Ed Donnelly.

CUBBY'S STRATOSPHERE FLIGHT. (Aesop's Fables, no. 8) 1934. 1 reel.

Credits: Director, George Stallings; animation, Steve Muffati.

CUBBY'S WORLD FLIGHT. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 7 min., sd.

LA CUCARACHA. Presented by RKO Radio. 1934. 2 reels, sd.

Credits: Producer, Kenneth MacGowan; director, Lloyd Corrigan; story, Lloyd Corrigan, Carly Wharton; screenplay, Jack Wagner, John Twist; music director, Roy Webb.

CUCKOO. 1923. 1 reel.

THE CUCKOO BIRD. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., b&w.

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

THE CUCKOO BIRD. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

THE CUCKOO MURDER CASE. (A Flip the Frog Cartoon) 1931. 1 reel.

CUCKOORANCHO. 1938. 2 reels, sd.

Credits: Director, Ben K. Blake; story, I. A. Jacoby.

THE CUCKOOS. Radio. 1930. 1 reel, sd. Based on "The Ramblers" by Guy Bolton, Harry Ruby, and Bert Kalmar.

Credits: Supervised, Louis Sarecky; director, Paul Sloane; adaptation, Cyrus Wood; music director, Victor Baravalle.

CUESTA ABAJO. Paramount. 1934. 8 reels, sd.

Credits: Director, Louis Gasnier; story and screen adaptation, Alfredo Le Pera; music director, Alberto Castellanos.

CULINARY CARVING. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist; story, Thornton Sargent; screenplay, Robert Lees, Fred Rinaldo; film editor, Philip Anderson.

CULTIVATING PLYMOUTH OWNERS. Audivision, Inc. 1936. For the Plymouth Division of Chrysler Corporation. 1 reel, sd.

CULTIVATING THE PROSPECT. 1926. 1 reel.

A CUMBERLAND ROMANCE. 1920. 6 reels. From the novel "A Mountain Europa" by John Fox, Jr.

Credits: Scenario and direction, Charles Maigne.

THE CUP OF FURY. 1919. 7 reels.

Credits: Director, T. Hayes Hunter; story, Rupert Hughes.

THE CUP OF LIFE. 1915.

Credits: Producer, Thomas H. Ince.

THE CUP OF LIFE. Presented by Thomas H. Ince. 1921. 6 reels.

Credits: Supervision, Thomas H. Ince; director, Rowland V. Lee; story, Carey Wilson; scenario, Joseph Franklin Poland.

CUPID A LA CARTE. 1925. 2 reels, sd. Based on the story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Robert P. Kerr; adaptation, Beatrice Van.

CUPID AND THE CLOCK. Presented by William Fox. 1927. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Eugene J. Forde; scenario, Andrew Bennison, Lew Breslow; titles, Harold E. Tarshis.

CUPID AND THE SCRUB LADY. L-Ko. 1915. 1 reel.

CUPID AT THE POLO GAME. 1916. 1 reel.

CUPID ENTANGLED. 1915. 1 reel.

CUPID FORECLOSES. 1919. 5 reels.

Credits: Director, David Smith; story, Florence Moore Kingsley; scenario, Edward J. Montagne, Stanley Olmstead.

CUPID GETS HIS MAN. (Rainbow Parade Cartoons, no. 11) 1936. 1 reel.

Credits: Director, Tom Palmer.

CUPID GETS SOME NEW DOPE. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

CUPID PUTS ONE OVER ON THE SHATCHEN. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

CUPID RIDES THE RANGE. 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Lou Brock; story, Gilbert Wright, Lou Brock; film editor, John Lockert.

CUPID TAKES A HOLIDAY. Presented by E. W. Hammons. 1938. 1,358 ft., sd.

Credits: Director, William Watson; story, Billy K. Wells.

Credits: Director, Archer MacMackin.

CUPID, THE COWPUNCHER. 1920. 5 reels. From the novel "Alec Lloyd, Cowpuncher" by Eleanor Gates.

Credits: Director, Clarence G. Badger; scenario, Edfrid A. Bingham.

CUPID TRIMS HIS LORDSHIP. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. E. Christie.

CUPID TURNS THE TABLES. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

CUPID VS. ART. 1918. 2 reels.

Credits: Director, Vin Moore.

CUPID VS. MONEY. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

CUPID VERSUS WOMEN'S RIGHTS. 1913. 1 reel.

Credits: Director, Maurice Costello.

CUPID'S BATH. 1915. 1 reel.

CUPID'S COLUMN. 1915. 1 reel.

Credits: Director, Lee Beggs.

CUPID'S DAY OFF. 1918. 2 reels.

Credits: Director, Edward Cline.

CUPIDS ELEPHANT. 1922. 2 reels.

Credits: Director, Noel Smith.

CUPID'S FIREMAN. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, William A. Wellman; story, Richard Harding Davis; scenario, Eugene B. Lewis.

CUPID'S KNOCKOUT. Presented by Peter Kanellos. 1926. 5 reels.

Credits: Producer, Frank Marrill; director, Bruce Mitchell; story and scenario, Grover Jones.

CUPID'S ROUNDUP. 1918. 5 reels.

Credits: Director, Edward Le Sainte; story, George Scarborough; scenario, Charles Kenyon.

CUPID'S RUSTLER. 1924. 5 reels.

Credits: Written and directed by Francis Ford.

CUPID'S TARGET. 1915. 600 ft.

Credits: Screenplay, Edwin Ray Coffin.

CUPID'S THUMB-PRINT. 1917. 2 reels.

Credits: L. V. Jefferson; director, Otis B. Thayer.

CUPID'S TOUCHDOWN. 1917. 1 reel.

Credits: Marjorie B. Cooke; director, Frank Beal.

CUPID'S VICTORY. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

Credits: Producer, John L. Hawkinson.

LA CURA DE REPOSO. SEE Te Quiero con Locura.

A CURABLE DISEASE; a Story of the Union Printers' Home, Colorado Springs, Colorado. 1912. 1 reel.

THE CURE. 1913. 1 reel.

Credits: Directors, Ned Finley, James W. Castle.

THE CURE. 1917. 2 reels.

CURE IT WITH MUSIC. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

CURE OR KILL. (Fables, no. 383) 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

CURED. 1916. 1,000 ft.

Credits: Director, Earl Metcalfe.

CURED. Century. 1922. 2 reels.

Credits: Written and directed by Al Herman.

CURED BY RADIO. (Star Comedy) 1922. 1 reel.

Credits: Story and direction, Reggie Morris.

Credits: Producer, Charles H. France.

CURFEW AT SIMPTON CENTER. 1916. 1 reel.

Credits: Director, William Wolbert.

THE CURING OF MYRA MAY. 1914. 1 reel.

CURING THE COOK. 1914. 1 reel.

Credits: William Fables.

CURIO SHOP. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe De Nat.

CURIOSITIES. Presented by Columbia Pictures Corp. 1930-32. 1 reel each, sd.

Credits: New dialogue, Joe Traub, Paul Gerard Smith, John P. Medbury; editor, David Miller.

1. Curiosity. © 22Aug30; MP1928.

2. © 29Sep30; MP1947.

215C. © 10Nov30; MP2059.

C213A. © 15Dec30; MP2153.

C216. © 3Jan31; MP2246.

C217. © 8Jan31; MP2271.

C218. © 31Jan31; MP2315.

C219. © 27Feb31; MP2363.

C220. © 1Apr31; MP2451.

C221. © 3Jun31; MP2623.

C222. © 29Jun31; MP2669.

C223. © 2Jul31; MP2670.

C224. © 10Aug31; MP2738.

C-225. © 4Sep31; MP2780.

C-226. © 11Sep31; MP2781.

C-227. © 8Oct31; MP2860.

C-228. © 11Oct31; MP2861.

C-229. © 7Dec31; MP2969.

C-230. © 16Jan32; MP3034.

C-231. © 23Feb32; MP3156.

C-232. © 14Apr32; MP3248.

C-233. © 25Apr32; MP3288.

C-234. © 14May32; MP3303.

C-235. © 13Jun32; MP3374.

C-236. © 4Aug32; MP3444.

C-237. © 6Sep32; MP3516.

CURIOSITIES. Presented by the Amédée J. Van Beuren Corp. 1928-29. 1 reel each.

1. Believe it or Not. © 26Sep28; MP5487.

2. Fishing and How. © 10Oct28; MP5488.

3. Pets. © 24Oct28; MP5610.

4. Facts or Fancies. © 7Nov28; MP5603.

5. The Grab Bag. © 21Nov28; MP5588.

6. The Landlord Blues. © 5Dec28; MP5686.

7. Cash and Carry. © 19Dec28; MP5791.

8. Seeing's Believing. © 2Jan29; MP5722.

9. Potpourri. © 16Jan29; MP5840.

10. Actualities. © 30Jan29; MP5994.

11. Birds and Beasts. © 13Feb29; MP5841.

12. Novelties. © 27Feb29; MP40.

13. Orienta. © 10Mar29; MP424.

14. Nifties. © 24Mar29; MP275.

15. Odd Facts. © 7Apr29; MP306.

16. Faces. © 21Apr29; MP494.

17. Here and There. © 5May29; MP283.

19. Follies of Fashion. © 19Mar29; MP276.

19. Odds and Ends. © 5Jun29; MP516.

19. Money Makers. © 16Jun29; MP602.

20. Wanderings. © 30Jun29; MP584.

21. Far and Near. © 14Jul29; MP583.

22. Gleanings. © 28Jul29; MP637.

23. Women Only. © 11Aug29; MP638.

24. Pedal Power. © 29Aug29; MP703.

26. This and That. © 11Sep29; MP749.

CURIOSITIES, THE MOVIE SIDESHOW. 1926-28. 1 reel each. Title varies: "Rare Bits" has series title "Walter Futter's Curiosities Series."

Whatnots. © 11Oct26; LP23201.

All-Star Freaks. © 12Oct26; LP23213.

Rare Bits. © 12Oct26; LP23215.

Then and Nows. © 19Nov26; LP23358.

Nic-Nax. © 9Dec26; LP23410.

Highlights. © 18Jan27; LP23565.

Fiddlesticks. © 16Feb27; LP23680.

Growing Money. © 2May27; LP23904.

Pick a Pet. © 27Aug27; LP24375.

Back Home. © 10Oct27; LP24497.

For Men Only. © 16Nov27; MP4456.

Lovingly Yours. © 16Jan28; MP4638.

Rubbernecking. © 5Feb28; MP4731.

Mother Bird. © 4Mar28; MP4942.

Penny Postal. © 10Apr28; LP25142.

All Bear. © 29Apr28; MP4979.

Just for Art. © 11Jun28; MP5063.

CURIOSITY. 1915. 1 reel.

CURIOUS CUSTOMS OF THE WORLD. 1932. 1 reel.

Credits: Editor, Bert Frank.

CURIOUS INDUSTRIES. (E. M. Newman's Our Own United States, no. 1) 1935. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

CURIOUS SCENES IN INDIA. 1913. 1 reel.

CURIOUS SCENES IN INDIA. 1917. 1 reel.

CURLYTOP. 1924. 6 reels.

Credits: Director, Maurice Elvey; story, Thomas Burke; adaptation and scenario, Frederick and Fannie Hatton.

CURLY TOP. 1935. 6,775 ft., sd.

Credits: Director, Irving Cummings; screenplay, Patterson McNutt, Arthur Beckhard; music director, Oscar Bradley.

CURRENT FLASHES. 1936. 1 reel, sd.

THE CURSE OF A BROKEN HEART. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Al. Martin.

THE CURSE OF A FLIRTING HEART. Victor. 1917. 1 reel.

Credits: C. B. Hoadley; director, Craig Hutchinson.

THE CURSE OF A NAME. L-Ko. 1915. 1 reel.

THE CURSE OF CAPISTRANO. SEE The Mark of Zorro.

THE CURSE OF DRINK. 1922. 6 reels. From the play by Charles E. Blaney.

Credits: Producer, Joseph M. Shear; adaptation and direction, Harry O. Hoyt.

THE CURSE OF GREED. 1914. 4 reels.

Credits: Scenario, J. C. Whitcomb.

THE CURSE OF THE FOREST. 1916. 1 reel.

Credits: Producer, William P. S. Earle.

THE CURSE OF THE GOLDEN LAND. SEE Father and Son.

THE CURSE OF WORK. L-Ko. 1915. 2 reels.

CURSED BY HIS BEAUTY. 1914.

Credits: Producer, Mack Sennett.

CURSES. (Tuxedo Comedies) Educational. 1925. 2 reels.

Credits: Director, Grover Jones.

CURSES. 1930. 2 reels.

CURSES, CURSES, CURSES. 1931. 1 reel, sd.

Credits: Harry Sauber; director, Bryan Foy; editor, William Austin.

CURSES! JACK DALTON. 1915. 600 ft.

CURSES! THEY REMARKED. 1914.

Credits: Producer, Mack Sennett.

CURTAIN. Presented by Sam E. Rork. 1921. 5 reels. From the Saturday Evening Post story by Rita Weiman.

Credits: Adaptation and direction, James Young.

THE CURTAIN FALLS. 1934. 7 reels, sd.

Credits: Director Lamont; story, Karl Brown.

CURTAIN PRESENTATION. 1919.

THE CUSTARD CUP. 1922. 7 reels, b&w, tinted sequences. From the story by Florence Bingham Livingston.

Credits: Director, Herbert Brenon; scenario, G. Marion Burton.

CUSTARD PIES. (Aesop Fable) 1929. 1 reel.

Credits: Paul Terry.

CUSTARD'S LAST STAND. Century. 1921. 2 reels.

Credits: Story and direction, William Watson.

CUSTARD'S LAST STAND. (A Physical Culture Comedy) 1927. 2 reels.

Credits: Director, Glen Lambert; story, Adele DeMotte.

CUSTER'S LAST FIGHT. 1925. 5 reels.

Credits: Supervision, Thomas H. Ince; story, Richard V. Spencer; editor, Inez A. Ridgway.

THE CUSTOMARY TWO WEEKS. 1917. 4 reels.

Credits: Director, Saul Harrison; story, E. Clement D'Art.

CUSTOMER'S GIRL. SEE She Had To Say Yes.

CUT LOOSE. (Cameo Comedy) 1924. 1 reel.

CUT OUT FOR LOVE. 1937. 2 reels, sd.

CUT PRICE GLORY. (A Life Cartoon Comedy) 1926. 1 reel.

CUT RATE. SEE The Big Shakedown.

THE CUT-UPS. (Let George Do It Series) (Stern Brothers Comedy) 1929. 2 reels. From the cartoons of George McManus.

Credits: Director, Francis Corby.

CUT YOURSELF A PIECE OF CAKE. SEE Val and Ernie Stanton in Cut Yourself a Piece of Cake.

CUTE CRIME. Presented by E. W. Hammons. 1938. 2 reels, sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

A CUTE LITTLE BEAR. 1915. 1 reel.

CUTEY AT COLLEGE. SEE How To Do It and Why.

CUTEY BECOMES A LANDLORD. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

CUTEY, THE FORTUNE HUNTER. 1915. 1 reel.

Credits: Producer, Wally Van [pseud. of Wally Van Nostrand].

CUTEY'S AWAKENING. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

CUTEY'S SISTER. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

CUTEY'S VACATION. 1913. 1 reel.

Credits: Director, Harry Lambert.

CUTEY'S WATERLOO. 1913. 1 reel.

Credits: Director, James Lackaye.

CUTEY'S WIFE. 1914. 1 reel.

CUTIE. (Dorothy Devore Comedy) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

CUTTING DOWN EXPENSES. 1915. 1,000 ft.

Credits: Written and produced by Edward McKim.

CUTTING OUT HIS VACATION. (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story and scenario, Ben Cohen.

CUTTING UP. (A McDougall Alley Comedy) 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

CY PERKINS IN THE CITY OF DELUSION. Joker. 1915. 1 reel.

Credits: Producer, Roy McCray; story, C. M. Stevens; scenario, H. G. Stafford.

CY WHITTAKER'S PLACE. SEE Cy Whittaker's Ward.

CY WHITTAKER'S WARD. 1917. 5 reels. Based on the novel "Cy Whittaker's Place" by Joseph C. Lincoln.

Credits: Director, Ben Turbett; adapted by Samuel Greiner.

THE CYCLE OF FATE. 1916. 5 reels.

Credits: Written and directed by Marshal Neilan.

THE CYCLIST. 1923. 2 reels.

Credits: Director, George Summerville.

CYCLOMANIA. (World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator, Ford Bond.

THE CYCLONE. 1920. 5 reels.

Credits: Director, Clift Smith; scenario, J. Anthony Roach.

Credits: Direction and story, Alvin J. Neitz.

CYCLONE HIGGINS, D. D. 1918. 5 reels.

Credits: Directed and written by William Christy Cabanne.

THE CYCLONE KID. 1931. 6 reels, sd.

Credits: Director, J. P. McGowan; story and continuity, George Morgan.

CYCLONE OF THE RANGE. Released by F. B. O. 1927. 5 reels.

Credits: Director, Robert De Lacy; story, Oliver Drake; continuity, Arthur Statter.

THE CYCLONE RIDER. 1924. 7 reels.

Credits: Story, Lincoln J. Carter; scenario and direction, Thomas Buckingham.

CYCLONE SMITH PLAYS TRUMPS. Universal Special. 1919. 2 reels.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively.

CYCLONE SMITH'S COMEBACK. (Eddie Polo-Cyclone Smith Series) 1919. 2 reels.

Credits: Written and directed by Jacques Jaccard.

CYCLONE SMITH'S PARTNER. (Cyclone Smith Adventure Series, no. 9) Universal Special. 1919. 2 reels.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively; scenario, George Hively.

CYNARA. 1932. 9 reels. Based on the drama by H. M. Harwood, Robert Gore-Browne.

Credits: Director, King Vidor; adaptation, Frances Marion, Lynn Starling.

CYNIC EFFECT. SEE The Country Flapper.

CYNTHIA, PET-NAMED ORIGINAL SIN. 1918. 2 reels.

Credits: Director, G. L. Sargent; story, Alfred Henry Lewis; adaptation, George H. Plympton.

CYPRIENNE. SEE Don't Tell the Wife.

Credits: Scenario, J. F. O'Brien.

CYTHEREA. First National. Presented by Samuel Goldwyn. 1924. 8 reels. From the novel by Joseph Hergesheimer.

Credits: Producer, George FitzMaurice; adaptation, Frances Marion.

CZAR OF BROADWAY. 1930. 8 reels, sd.

Credits: Director, William James Craft; original story, dialogue and continuity, Gene Towne.

CZAR OF BROADWAY. SEE Big Town Czar.

THE CZARINA. SEE Forbidden Paradise.

THE CZARINA'S SECRET. Presented by Herbert T. Kalmus. 1928. 2 reels, sd., color.

Credits: Producer, Herbert T. Kalmus; director, R. William Neill; story and supervision, Aubrey Scotto; scenario, Leon Abrams.

CZECHOSLOVAKIA ON PARADE. (A James A. Fitzpatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Winton C. Hoch; music score, Jack Shilkret.

DA IL MIO DIARIO DI GUERRA. SEE From My War Diary.

DABBLING IN ART. 1920. 2 reels.

Credits: Director, Erle Kenton.

DABBLING IN SOCIETY. 1919. 2 reels.

Credits: Director, R. Morris.

DABNEY TODD. SEE Down Home.

DAD FOR A DAY. Presented by Metro-Goldwyn-Mayer. 1939. 993 ft., sd., b&w.

Credits: Director, Edward Cahn; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner.

DAD KNOWS BEST. (Educational-Jack White Talking Comedies) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

DAD MINDS THE BABY. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

DADDIES. 1924. 7 reels. From the play by John L. Hobble.

Credits: Director, William A. Seiter; scenario, Julien Josephson.

Credits: Producer, Thomas Bentley.

DADDY. First National. 1923. 6 reels.

Credits: Director, E. Mason Hopper.

DADDY AND I. SEE Make Way for a Lady.

DADDY KNOWS BEST. 1933. 2 reels, sd.

Credits: Director, Leslie Pearce.

DADDY LONG LEGS. 1919. 7 reels. From the story and play by Jean Webster.

Credits: Director, Marshall A. Neilan.

DADDY LONG LEGS. 1931. 7,171 ft., sd.

Credits: Director, Alfred Santell; story, Jean Webster; screenplay and dialogue, Sonya Levlen; editor, Ralph Dietrich.

THE DADDY OF THEM ALL. 1914.

Credits: Director, William Bertram.

DADDY'S GONE A-HUNTING. Presented by Louis B. Mayer. 1925. 6 reels. From the play by Zoe Akins.

Credits: Producer and director, Frank Borzage; adaptation, Kenneth B. Clarke; film editor, Frank Sullivan.

DADDY'S GONE A-HUNTING. SEE Women Love Once.

DADDY'S SOLDIER BOY. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

DAD'S AWFUL DEED. Joker. 1915. 1 reel.

Credits: Written and produced by Allen Curtis.

DAD'S BOY. Century. 1923. 2 reels.

Credits: Written and directed by Harry Edwards.

DAD'S CHOICE. 1928. 2 reels.

Credits: Director, J. A. Howe; story, N. T. Barrows, T. J. Crizer.

DAD'S DAY. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

DAD'S DOLLARS AND DIRTY DOINGS. 1916. 2 reels.

DAD'S GIRL. SEE The Ideal Love.

Credits: Producer, Lem B. Parker.

THE DAFFY DILL. Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, William Watson; story, Keene Thompson.

THE DAFFY DOC. (Looney Tunes) 1938. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; animation, John Carey, Vive Risto; music director, Carl W. Stalling.

DAFFY DUCK AND EGGHEAD. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, J. B. Hardaway; animation, Virgil Ross; music score, Carl W. Stalling.

DAFFY DUCK AND THE DINOSAUR. (Merry Melody) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Charles M. Jones; story, Dave Monahan; animation, A. C. Gamer.

DAFFY DUCK IN HOLLYWOOD. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Dave Monahan; animation, Virgil Ross; music director, Carl W. Stalling.

A DAILY DIET OF DANGER. (Adventures of the Newsreel Cameraman) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

DAINTY DAMSELS AND BOGUS COUNTS. 1919. 2 reels.

Credits: Written and directed by Walter Stevens.

DAISIES WON'T YELL. Presented by William Fox. 1928. 2 reels, b&w.

Credits: Director, Jasper Blystone; story, Lou Breslow, Sidney Levee.

DAISY BELL. 1929. 1 reel.

Credits: Director, Dave Fleischer; story, Max Fleischer.

DALECARLIA—THE HEART OF SWEDEN. 1938. 10 min., sd.

Credits: Director, Adrian Bjurman; narration, John Martin; dialogue, Ola Bannbers.

DALLA THE LION-CUB. SEE The Female.

A DAM CATASTROPHE. 1918. Produced in cooperation with Outing. 1 reel.

Credits: Producer, C. L. Chester.

DAMAGED GOOD. (Star Comedy) 1918. 1 reel.

DAMAGED GOODNESS. Special Victor. 1917. 1 reel.

Credits: Harry Wulze; director, P. Hartigan.

DAMAGED HEARTS. Released by Film Booking Offices. 1924. 6,154 ft.

Credits: Producer and director, T. Hayes Hunter; story, Basil King; adaptation, Barbara Kent.

DAMAGED LIVES. 1933. 8 reels.

Credits: Director, Edgar G. Ulmer; story, Don Davis, Edgar G. Ulmer; dialogue, Don Davis.

DAMAGED LOVE. Presented by Louis Weiss. 1931. 70 min., sd. From the stage play by Thomas W. Broadhurst.

Credits: Director, Irvin Willat; adaptation, Frederic and Fanny Hatton.

DAMAGED—NO GOODS. Sunshine Comedies, Inc. 1917. 2 reels.

Credits: Supervision, Henry Lehrman; directors, Jack White, Jay Howe.

DAMASCUS. (Vagabond Adventure Series, no. 7) 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

DAMASCUS AND JERUSALEM. Released by Harold Auten. 1936. 1 reel.

Credits: Music arranged and played by Lew White.

DAMASCUS AND THE RUINS OF BAALBEK. 1913. 1 reel.

LA DAME AUX CAMELIAS (CAMILLE). SEE Camille.

DAME CHANCE. David Hartford Productions. 1926. 6,769 ft. From the novel by Frances Nordstrom.

Credits: Supervision, David Hartford; director, Bertram Bracken; written and adapted by Frances Nordstrom.

DAME SHY. (An Educational Tuxedo Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson.

DAMES. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 10 reels, sd.

Credits: Director Ray Enright; story, Robert Lord, Delmar Daves; screenplay, Delmar Daves.

DAMES AHOY. 1930. 6 reels.

Credits: Director, William James Craft; story, Sherman Lowe; adaptation, Matt Taylor.

DAMES AND DENTISTS. 1920. 2 reels.

Credits: Director, Noel M. Smith; story, Anthony W. Coldeway.

Credits: Supervision, Albert Capellani.

A DAMSEL IN DISTRESS. 1937. 11 reels, sd. From the story by P. G. Wodehouse.

Credits: Producer, Pandro S. Berman; director, George Stevens; screenplay, P. G. Wodehouse, Ernest Pagano, S. K. Lauren; editor, Henry Berman; music, George Gershwin; music director, Victor Baravalle; orchestral arrangements, Russell Bennett.

DAMSELS AND DANDIES. 1919. 2 reels.

Credits: Director, Gil Pratt; story, Montgomery & Rock.

DAN CUPID, FIXER. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, George D. Cochrane.

THE DANCE AT ALECK FONTAINE'S. 1915. 1 reel. Adapted from Adventure Magazine.

Credits: Henry Oyen.

DANCE BAND. Alliance Films. 1935. 7 reels, sd.

Credits: Director, Marcel Varnel; scenario and dialogue, Roger Busford, Jack Davies, Jr., Denis Waldack; film editor, S. Cole; music director, Harry Acres.

DANCE CHARLIE DANCE. First National. 1937. 8 reels, sd. Based on the play "The Butter and Egg Man" by George S. Kaufman.

Credits: Director, Frank McDonald; screenplay, Crane Wilbur, Williams Jacobs; music and lyrics, M. K. Jerome, Jack Scholl.

THE DANCE CONTEST. (A Popeye Cartoon) 1934. 1 reel.

Credits: Director, Dave Fleischer.

DANCE, FOOLS, DANCE. 1931. 9 reels, sd., b&w.

Credits: Director, Harry Beaumont; story and dialogue, Aurania Rouverol; continuity, Richard Schayer; film editor, George Hively.

DANCE, GIRL, DANCE. 1933. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

DANCE HALL. Radio. 1929. 7 reels, sd. From the story by Viña Delmar.

Credits: Supervision, Henry Hobart; director, Melville Brown; screenplay, Jane Murfin, J. Walter Ruben; film editor, Ann McKnight.

DANCE HALL HOSTESS. Golden Arrow. Presented by George W. Weeks. 1833. 8 reels, sd.

Credits: Supervision, Lester F. Scott, Jr.; director, Breezy Eason; story, Tom Gibson; continuity and adaptation, Betty Burbridge; editor, Byron Robinson.

DANCE HALL MARGE. (Educational's Comedies) 1931. 21 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earl Rodney, Walter Weems, Jack Jevne.

DANCE MADNESS. 1926. 7 reels.

Credits: Director, Robert Z. Leonard; story, S. J. Kaufman; screenplay, Alice D. G. Miller, Frederica Sagor; film editor, William Levanway.

DANCE MAGIC. Presented by Robert Kane. 1927. 7 reels. Adapted from the novel by Clarence Budington Kelland.

Credits: Director, Victor Halperin; continuity, Earle Roebuck.

THE DANCE OF LIFE. 1929. 13 reels, si., 10,619 ft., sd., color. From the play "Burlesque" by George Manker Watters and Arthur Hopkins.

Credits: Directors, John Cromwell, A. Edward Sutherland; story and adaptation, George Manker Watters and Arthur Hopkins; screenplay, Benjamin Glazer; dialogue, George Manker Watters.

THE DANCE OF LOVE. Powers. 1916. 1/2 reel.

Credits: Directors, The Smalleys.

DANCE OF 7 VEILS. 1920. 1 reel.

THE DANCE OF THE CAPES. 1936. 1 reel, sd.

DANCE OF THE HOURS. (Musical Moods) Released by First Division. 1934. 1 reel, sd., color.

Credits: Music, Amilcare Ponchielli; director of orchestra, Hans Lange.

DANCE OF THE MILLIONS. SEE Parole Girl.

DANCE OF THE VIRGINS. SEE Legong.

DANCE OR DIE. 1923. 2 reels.

Credits: Director, Erie C. Kenton.

DANCE TEAM. 1931. 7,500 ft., sd.

Credits: Director, Sidney Lanfield; novel, Sarah Addington; screenplay and dialogue, Edwin Burke; editor, Margaret Clancy.

DANCE WITH ME. (Melody Comedy) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; story, Arthur Wanzer; screenplay and direction, Hugh Cummings; film editor, Charles Craft.

THE DANCER. 1913. 1 reel.

Credits: James Oppenheim.

THE DANCER. Gold Seal. 1915. 3 reels.

Credits: Producer, Charles Giblyn; scenario, Ida May Parke.

THE DANCER OF BARCELONA. 1927. 7 reels.

Credits: Director, Robert Wiene.

THE DANCER OF PARIS. Presented by Robert Kane. 1926. 7 reels. From the story by Michael Arlen.

Credits: Producer, Alfred Santell.

THE DANCER OF THE NILE. Released by Film Booking Offices of America. 1923. 6 reels. From the novel by Blanche Taylor Earle.

Credits: Adapted and directed by William P. S. Earle.

THE DANCERS. 1925. 7 reels. From the play by Gerald Du Maurier and Viola Tree.

Credits: Director, Emmett J. Flynn; scenario, Edmund Goulding.

THE DANCERS. 1930. 7,500 ft., sd.

Credits: Director, Chandler Sprague; editor, Alexander Troffey.

DANCERS IN THE DARK. 1932. 8 reels, sd. From the play "Jazz King" by James Ashmore Creelman.

Credits: Director, David Burton; screenplay, Herman J. Mankiewicz; adaptation, Brian Marlow, Howard Emmett Rogers.

Credits: Director, Travers Vale; story, Harriet Morris.

THE DANCER'S RUSE. 1915. 1 reel.

DANCES OF THE AGES. 1913. 1 reel.

THE DANCIN' FOOL. A Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Henry Payson Dowst; director, Sam Wood; scenario, Clara Genevieve Kennedy.

DANCING AROUND. (George LeMaire Comedies) Sound Studios, Inc. 1929. 2 reels, sd.

Credits: Director, Basil Smith; story, George LeMaire; editor, E. Pfitzenmeier.

DANCING AROUND THE WORLD. 1932. 1 reel, sd.

THE DANCING BEAR. (Terry Toons) Presented by E. W. Hammons. 1937. 587 ft., sd.

Credits: Paul Terry; scored and conducted by Philip A. Scheib.

THE DANCING CHEAT. 1924. 5 reels.

Credits: Director, Irving Cummings; story, Calvin Johnson.

DANCING CO-ED. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, Edgar Selwyn; director, S. Sylvan Simon; story, Albert Treynor; screenplay, Albert Mannheimer; film editor, W. Donn Hayes; music, Edward Ward, David Snell.

DANCING DADDIES. 1932. 2 reels.

Credits: Story and direction, Del Lord.

DANCING DADDY. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, Harry Beaudine; story, Sig Herzig.

DANCING DAISIES. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

DANCING DAYS. Presented by J. G. Bachmann. 1926. 6 reels. From the novel by J. J. Bell.

Credits: Director, Albert J. Kelley; adaptation, Dorothy Carns.

DANCING FEET. 1936. 8 reels, sd. Adapted from the novel by Rob Eden [pseud.]

Credits: Supervision, Colbert Clark; director, Joseph Santley; original story, Dave Silverstein; screenplay, Jerry Chodorov, Olive Cooper, Wellyn Totman; film editor, Ralph Dixon; music, Sammy Stept; music director, Harry Grey.

A DANCING FOOL. (Mirthquake Comedy) 1923. 2 reels.

Credits: Director, Eugene De Rue.

THE DANCING FOOL. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Bernard Wolf.

DANCING FOOLS. (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Francis Corby; story, Roland Asher.

THE DANCING GOB. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Vernon Smith.

DANCING HOOFS. SEE The Avenging Rider.

DANCING LADY. 1933. 10 reels, sd., b&w. From the novel by James Warner Bellah.

Credits: Director, Robert Z. Leonard; screenplay, Allen Rivkin, P. J. Wolfson; film editor, Margaret Booth.

DANCING LOVE. 1923. 1 reel.

Credits: Director, William Watson.

DANCING MAN. 1934. 8 reels, sd. From the novel by Beulah Poynter.

Credits: Producer, Rose Judell Reisman; screenplay and direction, Albert Ray; music supervision, Abe Meyer; film editor, Dan Milner.

THE DANCING MASTER. SEE Odette Myrtil in The Dancing Master.

THE DANCING MILLIONAIRE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Fred Guiol, Jack Townley, Leslie Goodwins; film editor, John Lockert.

DANCING MOTHERS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels. From the play by Edgar Selwyn and Edmund Goulding.

Credits: Producer and director, Herbert Brenon; screenplay, Forrest Halsey.

DANCING ON THE CEILING. (A Tabloid Musical) 1937. 807 ft., sd., b&w.

Credits: Director, Murray Roth; story, Jack Barton Loeb.

DANCING ON THE MOON. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

DANCING PARTNER. SEE Just a Gigolo.

DANCING PIRATE. 1936. 85 min., sd., color.

Credits: Producer, John Speaks; director, Lloyd Corrigan; story, Emma Lindsay-Squier; screenplay, Ray Harris, Francis Edwards Faragoh; adaptation, Jack Wagner, Boris Ingster; editor, Archie F. Marshek; music director, Alfred Newman.

DANCING SWEETIES. Warner Brothers Vitaphone. 1930. 7 reels, sd. Based on the story "Three Flights Up" by Harry Fried.

Credits: Director, Ray Enright; adaptation and dialogue, Gordon Rigby, Joseph A. Jackson.

DANCING SWEETIES. Trailer. 1930. 1 reel.

THE DANCING TOWN. (Great Stars and Authors Series, no. 3) 1928. 2 reels.

Credits: Director, Edmund Lawrence; screenplay, Rupert Hughes.

DANCING VIENNA. Defu. 1929. 7 reels, sd.

Credits: Director, Friedrich Zelnik.

DANCING WITH FOLLY. (Is Marriage Sacred?) 1916. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

DANDY DAN. 1922. 2 reels.

Credits: Director, Noel Smith.

DANDY LIONS. Century. 1921. 2 reels.

Credits: Written and directed by William Watson.

DANGER. 1930. 1 reel, sd.

DANGER. SEE The Fighting Stranger.

DANGER AHEAD. 1918. 2 reels.

Credits: L. Canfield; director, James Davis.

DANGER AHEAD. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, Sara Ware Bassett; scenario, A. P. Younger.

DANGER AHEAD. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Basil Dickey.

DANGER AHEAD. 1935. 6 reels, sd. Adapted from the story "One-eighth Apache" by Peter B. Kyne.

Credits: Supervision, Sam Katzman; director, Al Herman; screenplay, Al Martin; film editor, Dan Milner.

THE DANGER CLAIM. 1930, 2 reels.

Credits: Director, Jack Nelson; story and continuity, Basil Dickey.

DANGER FLIGHT. 1939. 7 reels, sd.

Credits: Producer, Paul Malvern; director, Howard Bretherton; original story, Hal Forrest; screenplay, Byron Morgan, Edwin C. Parsons; film editor, Edward Schroeder.

THE DANGER GAME. 1918. 5 reels.

Credits: Director, Harry Pollard; story, Roy Somerville.

THE DANGER GIRL. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the play "The Bride" by Stuart Olivier and George Middleton.

Credits: Director, Edward Dillon; adaptation, Finis Fox; editor, George Bertholon.

DANGER, GO SLOW. 1918. 6 reels.

Credits: Producer, Robert Leonard; scenario, Robert Leonard, Mae Murray.

DANGER! HIGH VOLTAGE. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

DANGER ISLAND. 1931. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story, Henry MacRae; continuity, Basil Dickey; dialogue, Ella O'Neill.

1. The Coast of Peril. © 9Jul31; LP2330.

2. Death Rides the Storm. © 13Jul31; LP2339.

3. Demons of the Pool. © 13Jul31; LP2340.

4. Devil Worshippers. © 27Jul31; LP2357.

5. Mutiny. © 30Jul31; LP2364.

6. The Cat Creeps. © 13Aug31; LP2396.

7. The Drums of Doom. © 17Aug31; LP2401.

8. Human Sacrifice. © 24Aug31; LP2423.

9. The Devil Bird. © 2Sep31; LP2434.

10. Captured for Sacrifice. © 10Sep31; LP2458.

11. The Lion's Lair. © 12Sep31; LP2473.

12. Fire God's Vengeance. © 12Sep31; LP2474.

DANGER ISLAND. 1939. 6,230 ft., sd. Based upon a novel by John W. Vandercook and upon the character "Mr. Moto" created by J. P. Marquand.

Credits: Director, Herbert I. Leeds; story idea, John Reinhardt, George Bricker; screenplay, Peter Milne; music director, Samuel Kaylin.

DANGER LIGHTS. 1930. 8 reels, sd.

Credits: Producer, William LeBaron; director, George B. Seitz; story and dialogue, James Ashmore Creelman; dialogue director, Hugh Herbert; editor, Archie Marshek.

THE DANGER LINE. Victor. 1915. 1 reel.

Credits: Producer, Harry C. Myers.

THE DANGER LINE. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.; director, Charles Ashley.

THE DANGER LINE. Released by Film Booking Offices of America, Inc. 1924. 6 reels. Based on the novel "The Battle" by Claude Farrère.

Credits: Director, E. E. Violet; adaptation, Margaret Turnbull.

THE DANGER LINE. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Lola D. Moore.

DANGER—LOVE AT WORK. 1937. 7,330 ft., sd.

Credits: Director, Otto Ludwig Preminger; story, James Edward Grant; screenplay, James Edward Grant, Ben Markson; music director, David Buttolph.

Credits: Producer, John L. Hawkinson.

THE DANGER MAN. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, George Morgan.

THE DANGER MARK. 1918. 5 reels.

Credits: Robert W. Chambers.

THE DANGER OF BEING LONESOME. 1915. 2 reels.

DANGER ON THE AIR. Crime Club. 1938. 8 reels. From the novel "Death Catches Up with Mr. Kluck" by Xantippe [pseud.]

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Betty Laidlaw, Robert Lively; film editor, Maurice Wright.

THE DANGER PATH. SEE The Narrow Path.

DANGER PATROL. 1937. 9 reels, sd.

Credits: Director, Lew Landers; story, Helen Vreeland, Hilda Vincent; screenplay, Sy Bartlett; editor, Ted Cheesman.

THE DANGER POINT. 1922. 5,807 ft.

Credits: Director, Lloyd Ingraham; story, Victor Hugo Halperin.

THE DANGER RIDER. Universal-Jewel. 1928. 6 reels.

Credits: Director, Henry MacRae; story, Wynn James, Arthur Statter.

THE DANGER SIGNAL. 1915. 5 reels. Based on "Canavan, the Man Who Had His Way" by Rupert Hughes.

THE DANGER SIGNAL. 1925. 6 reels.

Credits: Director, Erle C. Kenton; story, Douglas Z. Doty.

DANGER STREET. 1928. 6 reels. From the story "The Beautiful Bullet" by Harold MacGrath.

Credits: Director, Ralph Ince; screenplay, Enid Hibbard.

DANGER TAKES A HOLIDAY. Presented by Goodrich. 1938. 1 reel, sd.

THE DANGER TRAIL. 1917. 5 reels. Based on the novel by James Oliver Curwood.

Credits: Director, Frederick A. Thompson.

THE DANGER TRAIL. 1928. 2 reels.

Credits: Director, Josef Levigard; story, Rose Kurland; continuity, Basil Dickey.

DANGER VALLEY. 1937. 6 reels, sd.

Credits: Producer and director, Robert N. Bradbury; original screenplay, Robert Emmett; music and lyrics, Johnny Lange, Fred Stryker.

DANGER WITHIN. 1918. 5 reels.

Credits: Director, Rea Berger; story, Charles T. Dazey, Frank Dazey; scenario, Frank Howard Clark.

THE DANGER ZONE. 1918. 5 reels.

Credits: Director, Frank Beal; story, Marshall Bruce Bennington; scenario, Adrian Johnson.

DANGEROUS. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 8 reels, sd.

Credits: Director, Alfred E. Green; story and screenplay, Laird Doyle.

A DANGEROUS ADVENTURE. 1922. 2 reels each, except no. 1 which is 3 reels. © Warner Bros.

Credits: Frances Guihan; directors, S. L. Warner, J. L. Warner; supervision, S. L. Warner.

1. The Jungle Storm. © 5May22; LP17835.

2. The Sacrifice. © 5May22; LP17836.

3. The Lion Pit. © 5May22; LP17837.

4. Brandon's Revenge. © 5May22; LP17838.

5. At the Leopard's Mercy. © 5May22; LP17839.

6. The Traitor. © 5May22; LP17840.

7. The Volcano. © 5May22; LP17841.

8. The Escape. © 5May22; LP17873.

9. The Leopard's Cave. © 15May22; LP17874.

10. The Jungle Water Hole. © 15May22; LP17875.

11. The Hippopotamus Swamp. © 25May22; LP17921.

12. The Lion's Prey. © 5Jun22; LP17937.

13. In the Tiger's Lair. © 12Jun22; LP17954.

14. The Treasure Cave. © 12Jun22; LP17955.

15. The Rescue. © 12Jun22; LP17956.

A DANGEROUS ADVENTURE. 1937. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Owen Francis; screenplay, John B. Rathmell, Owen Francis; film editor, Gene Havlick; music director, Morris Stoloff.

A DANGEROUS AFFAIR. Presented by Frank G. Hall. 1919. 5 reels.

Credits: Director, Charles Miller; story, Val Cleveland; scenario, Garfield Thompson; supervising editor, Albert Cowles.

A DANGEROUS AFFAIR. 1931. 8 reels.

Credits: Director, Edward J. Sedgwick; story and dialogue, Howard J. Green.

THE DANGEROUS AGE. First National. 1922. 7 reels.

Credits: Producer and director, John M. Stahl.

THE DANGEROUS BLONDE. 1924. 5 reels.

Credits: Director, Robert F. Hill; story, Hulburt Footner.

DANGEROUS BUSINESS. First National. 1921. 5 reels.

Credits: Producers, John Emerson, Anita Loos; director, R. William Neill.

DANGEROUS CORNER. 1934. 7 reels, sd. From the play by J. B. Priestley.

Credits: Associate producer, Arthur Sibcom; director, Phil Rosen; screenplay, Anne Morrison Chapin, Madeleine Ruthven; editor, Archie Marshek; music director, Max Steiner.

THE DANGEROUS COWARD. Released by Film Booking Offices. 1924. 5 reels.

Credits: Producer, Harry J. Brown; director, Albert Rogell; story, Marion Jackson.

DANGEROUS CROSSROADS. 1933. 6 reels, sd.

Credits: Director, Lambert Hillyer; screenplay, Horace McCoy; film editor, Gene Havlick.

DANGEROUS CURVE AHEAD. Goldwyn Studios. 1921. 6 reels.

Credits: Director, E. Mason Hopper; original story, Rupert Hughes; continuity, Julian Josephson.

DANGEROUS CURVES. 1924. 2 reels.

Credits: Director, William Campbell.

DANGEROUS CURVES. 1929. 8 reels, si., 7,278 ft., sd.

Credits: Director, Lothar Mendes; story, Lester Cohen; adaptation, Donald Davis, Florence Ryerson; dialogue, Viola Brothers Shore.

DANGEROUS DAN MCFOO. (Merrie Melodies) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Rich Hogan; animation, Paul Smith; music director, Carl W. Stalling.

DANGEROUS DAPPER DAN. 1931. 1 reel, sd.

Credits: Director, Lou Breslow; story, Harry Sauber.

DANGEROUS DAYS. An Eminent Authors Production. Presented by Samuel Goldwyn and Rex Beach. 1920. 7 reels. From a novel by Mary Roberts Rinehart.

Credits: Director, Reginald Barker.

DANGEROUS DAYS. (Pioneer Kid Series) 1929. 2 reels.

Credits: Director, Jack Nelson.

DANGEROUS DAZE. (Red Star Comedy) 1931. 2 reels.

Credits: Director, William Nye; story, Douglas Doty, Nick Barrows.

A DANGEROUS DOUBLE. Imp. 1917. 2 reels.

Credits: Harry Dittmar; producer, Robert F. Hill.

A DANGEROUS DOUBLE. 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, George Morgan.

Credits: Director, Richard Thorpe; story, James Madison; continuity, Frank L. Inghram.

DANGEROUS EYES. (Sunshine Comedy) 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, J. G. Blystone.

DANGEROUS FEMALES. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Florence Ryerson, Colin Clements.

THE DANGEROUS FLIRT. Released by F. B. O. 1924. 6 reels.

Credits: Director, Tod Browning; story, Julie Herne; scenario, E. Richard Schayer.

DANGEROUS FRIENDS. Presented by Banner Productions, Inc. 1926. 6 reels.

Credits: Director, Finis Fox; story and continuity, Charles A. Logue.

A DANGEROUS GAME. 1922. 5 reels.

Credits: Director, King Baggot; story, Louis Dodge; scenario, Hugh Hoffman.

DANGEROUS HOLIDAY. 1937. 6 reels, sd.

Credits: Associate producer, William Berke; direction and screenplay, Nicholas Barrows; original story, Karen DeWolf, Barry Shipman.

DANGEROUS HOURS. 1919. 7 reels. Founded on the story "A Prodigal in Utopia" by Donn Byrne.

Credits: Director, Fred Niblo; scenario, C. Gardner Sullivan.

THE DANGEROUS INHERITANCE. SEE How Women Love.

DANGEROUS INNOCENCE. Jewel. 1925. 7 reels. From the novel "Ann's an Idiot" by Pamela Wynne [pseud. of Winifred Mary (Watson) Scott].

Credits: Director, William A. Seiter; scenario, James O. Spearing.

DANGEROUS INTRIGUE. 1935. 6 reels, sd.

Credits: Director, David Selman; story, Harold Shumate; screenplay, Grace Neville; film editor, Al Clark.

DANGEROUS JOBS. (Paramount Varieties) Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Narrator, Ted Husing; commentary, Fred Rath.

DANGEROUS LIES. 1921. 6 reels.

Credits: Director, Paul Powell; story, E. Phillips Oppenheim; adaptation, Mary O'Connor.

THE DANGEROUS LITTLE DEMON. 1922. 5 reels.

Credits: Director, Clarence G. Badger; story, Mildred Considine; scenario, Doris Schroeder.

THE DANGEROUS MAID. First National. 1923. 8 reels. From the novel by Elizabeth Ellis.

Credits: Director, Victor Heerman; continuity, C. Gardner Sullivan.

THE DANGEROUS MOMENT. 1921. 5 reels.

Credits: Producer, Marcel De Sano; story, Douglas Z. Doty; scenario, Wallace Clifton.

DANGEROUS MONEY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,864 ft. Based on the novel "Clark's Field" by Robert Herrick.

Credits: Director, Frank Tuttle; story, John Russell; scenario, Julie Herne.

DANGEROUS NAN MCGREW. 1930. 7 reels, sd.

Credits: Director, Malcolm St. Clair; story, Charles Beahan and Garrett Fort; screenplay, Paul Gerard Smith, Pierre Collings.

DANGEROUS NUMBER. 1937. 8 reels, sd., color.

Credits: Director, Richard Thorpe; story, Leona Dalrymple; screenplay, Carey Wilson; film editor, Blanche Sewell; music score, David Snell.

DANGEROUS OCCUPATIONS. 1933. 1 reel, sd.

Credits: Editor, Bert Frank.

THE DANGEROUS PARADISE. 1920. 5 reels.

Credits: Edmund Goulding; director, William P. S. Earle; picturized by Lewis Allen Browne.

DANGEROUS PARADISE. 1930. 6 reels. Based upon incidents in a novel by Joseph Conrad.

Credits: William Slavens McNutt, Grover Jones; director, William A. Wellman.

DANGEROUS PATHS. 1921. 5 reels.

Credits: Director, Duke Worne; story and scenario, Joseph W. Girard.

A DANGEROUS PEACH. Century. 1924. 2 reels.

Credits: Written and directed by Jess Robbins.

THE DANGEROUS TALENT. 1920. 6 reels.

Credits: Director, George L. Cox; story, Daniel F. Whitcomb.

DANGEROUS TO KNOW. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on a play by Edgar Wallace.

Credits: Director, Robert Florey; screenplay, William R. Lipman, Horace McCoy; film editor, Arthur Schmidt.

DANGEROUS TO MEN. 1920. 6 reels. From the play "Eliza Comes To Stay" by H. V. Esmond.

Credits: Director general, Maxwell Karger; director, William C. Dowlan; adaptation, A. P. Younger.

A DANGEROUS TRAIL. 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Wallace Clifton.

DANGEROUS WATERS. Presented by Carl Laemmle. 1936. 7 reels, sd. Based on the story "Glory Hole" by Theodore Reeves.

Credits: Producer, Fred S. Meyer; director, Lambert Hillyer; screenplay, Richard Schayer, Hazel Jamieson, Malcolm Stuart Boylan; film editor, Murray Seldeen.

A DANGEROUS WOMAN. 1929. 6,643 ft.

Credits: Director, Rowland V. Lee; story, Margery H. Lawrence; adaptation, John Farrow.

THE DANGEROUS YOUTH. (Melody Comedy) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, Fred Lalley; director, Arch B. Heath; story, Guy Voyer; screenplay, Monte Carter; film editor, Fred Maguire.

DANGEROUSLY YOURS. 1933. 6,480 ft., sd.

Credits: Director, Frank Tuttle; story, Paul Hervey Fox; screenplay, Horace Jackson; editor, Harold Schuster.

DANGEROUSLY YOURS. 1937. 5,613 ft., sd.

Credits: Director, Mal St. Clair; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE DANGERS OF DORIS. 1916-17. 1 reel each. © Broadway Star Feature Co., Inc.

Credits: A. Van Buren Powell, Graham Baker, Garfield Thompson, Edward J. Montayne, Stanley Olmstead, Will Courtney; director, David Smith.

1. The Bit of Bent Wire. © 13Dec16; LP9730.

2. The Luck Charm. © 16Dec16; LP9757.

3. The Twin Fedoras. © 11Jan17; LP10078.

4. One Good Turn. © 9Jan17; LP9938.

5. The Suitor from Siam. © 25Jan17; LP10071.

6. The Footlight Lure. © 7Feb17; LP10181.

7. The Gang. © 14Feb17; LP10205.

8. Up and Down. © 23Feb17; LP10264.

9. The Old Fourth Ward. © 8Mar17; LP10341.

10. The Road to Eternity. © 17Mar17; LP10402.

DANGERS OF THE DEEP. SEE Scarlet Streak. (Serial)

DANGERS OF THE STREET. 1913. 1 reel. Taken in cooperation with the Public Service Corporation of New Jersey.

DANIEL. 1913. 2 reels.

Credits: Director, Fred Thomson.

Credits: Director, Claude H. Mitchell; adaptation, Esther Willard Bates.

DANIEL BOONE. 1936. 77 min., sd.

Credits: Producer, George A. Hirliman; director, David Howard; original story, Edgecumb Pinchon; screenplay, Daniel Jarrett; film editor, Ralph Dixon; music directors, Hugo Riesenfeld, Arthur Kay.

DANIEL DERONDA. SEE Gwendolin.

DANIELA HERZ. SEE The Governor's Daughters.

DANK YOU. SEE Burns and Kissen in Dank You.

DANS SA CANDEUR NAIVE. SEE The Cardboard Lover.

DANTE ALIGHIERI. SEE The Life of Dante.

DANTE'S INFERNO. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, Henry Otto; story, Cyrus Wood; adaptation, Edmund Goulding.

DANTE'S INFERNO. 1935. 8,000 ft., sd.

Credits: Director, Harry Lachman; screenplay, Philip Klein, Robert M. Yost; musical director, Samuel Kaylin.

DAPHNE AND THE PIRATE. 1916. 5 reels.

Credits: Director, William Christy Cabanne; scenario, Granville Warwick.

DAPHNE POLLARD IN CLEO TO CLEOPATRA. 1928. 1 reel, sd.

DAPHNE POLLARD, THE ENGLISH COMEDIENNE, IN WANTED A MAN. 1928. 1 reel, sd.

DARCY OF THE NORTHWEST MOUNTED. Gold Seal. 1916. 3 reels.

Credits: Producer, William Worthington; scenario, Walter Woods.

THE DAREDEVIL. Gail Kane Productions. 1918. 5 reels. Based on the book by Maria Thompson Daviess.

Credits: Director, Francis J. Grandon; scenario, J. Clarkson Miller.

THE DAREDEVIL. 1920. 5 reels.

Credits: Story, scenario, and direction, Tom Mix.

DAREDEVIL BILL. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

THE DAREDEVIL CRIMINAL. SEE Dr. Gar El Hama.

DARE DEVIL DAISY. Century. 1926. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

DAREDEVIL DAN. Victor. 1917. 1 reel.

Credits: Story and direction, Ruth Stonehouse; scenario, Charles Wilson, Jr.

THE DAREDEVIL DRIVERS. 1938. 6 reels.

Credits: Director, B. Reeves Eason; original story, Charles R. Condon; screenplay, Sherman L. Lowe.

Credits: Story, Frederic Chapin, Harry Hoyt.

1. The Mysterious Bracelets, © title, descr. & 60 prints, 8Mar20; LU14829.

2. The Ball of Death. © title, descr. & 40 prints, 8Mar20; LU14830.

3. Wheels of Fate. © title, descr. & 40 prints, 8Mar20; LU14831.

4. Shanghaied. © title, descr. & 40 prints, 8Mar20; LU14832.

5. The Race for Glory. © title, descr. & 40 prints, 8Mar20; LU14833.

6. A Skirmish of Wits. © title, descr. & 40 prints, 8Mar20; LU14834.

7. A Blow in the Dark. © title, descr. & 40 prints, 8Mar20; LU14835.

8. Blinding Hate. © title, descr. & 40 prints, 11Mar20; LU14848.

9. Phantoms of Treachery. © title, descr. & 40 prints, 6Apr20; LU14962.

10. Paths of Destruction. © title, descr. & 40 prints, 6Apr20; LU14963.

11. Flames of Wrath. © title, descr. & 40 prints. 13Apr20; LU15002.

12. The Unseen Menace. © title, descr. & 40 prints, 13Apr20; LU14998.

13. Bating the Trap. © title, descr. & 40 prints, 15Jun20; LU15251.

14. A Terrible Vengeance. © title, descr. & 40 prints, 15Jun20; LU15252.

15. The Triple Chase. © title, descr. & 40 prints, 15Jun20; LU15253.

DARE-DEVIL KATE. 1916. For Fox Film Corp. 6 reels. From the play by Philip Bartholomae.

Credits: Producer, Keenan J. Buel; adaptation, Clarence J. Harris.

DARE DEVIL O'DARE. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Dolph Singer, Jack Henley.

DAREDEVILS OF THE RED CIRCLE. 1939. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Associate producer, Robert Beche; directors, William Witney, John English; original screenplay, Barry Shipman, Franklyn Adreon, Rex Taylor, Ronald Davidson, Sol Shor; film editors, Edward Todd, William Thompson; music score, William Lava.

1. The Monstrous Plot.

2. The Mysterious Friend.

3. The Executioner.

4. Sabotage.

5. The Ray of Death.

6. Thirty Seconds To Live.

7. The Flooded Mine.

8. S. O. S.

9. Ladder of Peril.

10. The Infernal Machine.

11. The Red Circle Speaks.

12. Flight to Doom.

DARE DEVILS OF WAR. Imp. 1916. 2 reels.

DAREDEVIL'S REWARD. 1928. 5 reels.

Credits: Director, Eugene Forde; story and scenario, John Stone.

DARE-DEVILTRY. (A Sports Parade Subject) 1936. 1 reel, b&w.

Credits: Director, David Miller; explanatory remarks, Pete Smith.

DARING AND DYNAMITE. 1918. 2 reels.

Credits: Direction and story, Walter Hall.

DARING CHANCES. 1924. 5 reels.

Credits: Director, Clifford S. Smith; story, Isadore Bernstein; continuity, Wyndham Gittens.

THE DARING CHANGE. Bison. 1917. 2 reels.

Credits: Harvey Gates; director, William V. Mong.

DARING DANGER. 1922. 5 reels.

Credits: Director, Cliff Smith; story and scenario, L. V. Jefferson.

DARING DANGER. 1932. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, William Colt MacDonald; continuity, Michael Trevelyan; film editor, Otto Meyer.

DARING DANGERS. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Harvey Gates.

DARING DAYS. (Blue Streak Western) 1925. 5 reels.

Credits: Director, John B. O'Brien; story, George Hull.

A DARING DUDE. 1929. 2 reels.

Credits: Director, Walter Fabian; story, Lois Kennedy; continuity, Basil Dickey.

DARING HEARTS. 1919. 6 reels.

Credits: Director, Henri-Houry; story, Albert E. Smith, Cyrus Townsend Brady; scenario, Graham Baker.

DARING LIONS AND DIZZY LOVERS. 1919. 2 reels.

Credits: Written and directed by William H. Watson.

DARING LOVE. Presented by M. H. Hoffman. 1924. 6 reels. From the story "Driftwood" by Albert Payson Terhune.

Credits: Director, R. G. Edwards; adaptation, Roland West, Willard Mack.

THE DARING OF DIANA. 1916. 5 reels.

Credits: Producer, S. Rankin Drew.

THE DARING YEARS. 1923. 7 reels.

Credits: Director, Kenneth Webb; story and adaptation, Daniel Carson Goodman.

DARING YOUNG MAN. 1935. 9 reels, sd.

Credits: Director, William A. Seiter; story, Claude Binyon and Sidney Skolsky; screenplay, William Hurlbut; additional dialogue, Sam Hellman, Glenn Tryon; musical director, Arthur Lange.

DARK AFRICA. (E. M. Newman's Musical Journeys) The Vitaphone Corp. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

THE DARK ANGEL. First National. 1925. 8 reels. From the stage play by H. B. Trevelyan.

Credits: Producer, George Fitzmaurice; scenario, Frances Marlon.

THE DARK ANGEL. Presented by Samuel Goldwyn. 1935. 11 reels, sd. From a play by Guy Bolton.

Credits: Director, Sidney Franklin; screenplay, Lillian Hellman, Mordaunt Shairp; music director, Alfred Newman.

DARK CORNERS. Special. Rex. 1916. 1 reel.

DARK DAYS. SEE The Two Doves.

A DARK DEED. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Jack Cunningham; scenario, Frederick A. Palmer.

DARK HAZARD. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels. From the novel by W. R. Burnett.

Credits: Director, Alfred E. Green; screenplay, Ralph Block, Brown Holmes.

A DARK HORSE. 1922. 2 reels.

Credits: Written and directed by Jess Robbins.

THE DARK HORSE. 1932. 8 reels, sd.

Credits: Melville Crossman; director, Alfred E. Green; screenplay, Joseph Jackson, Wilson Mizner.

THE DARK HOUR. 1936. 7 reels, sd. From the novel "The Last Trap" by Sinclair Gluck.

Credits: Director, Charles Lamont; screenplay, Ewart Adamson.

DARK JOURNEY. Released through United Artists. 1937. 8 reels, sd.

Credits: Producer and director, Victor Saville; screenplay, Lajos Biro; scenario and dialogue, Arthur Wimperis; editors, William Hornbeck, Hugh Stewart; music, Richard Addinsell; music director, A. W. Watkins.

A DARK KNIGHT. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Gil. Pratt.

A DARK LANTERN. 1920. 6 reels. From the story by Elizabeth Robins.

Credits: Director, John S. Robertson; scenario, Burns Mantle.

A DARK LOVER'S PLAY. 1915. 1 reel.

Credits: Producer, Mack Sennett.

DARK MAGIC. (Robert Benchley Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd.

Credits: Director, Roy Rowland; film editor, Philip Anderson.

THE DARK MIRROR. 1920. 5 reels. From the novel by Louis Joseph Vance.

Credits: Supervision, Thomas H. Ince; director, Charles Giblyn.

DARK RAPTURE. 1938. 8 reels, sd.

Credits: Producers, Armand Denis, Leila Roosevelt; director, Armand Denis; editors, Leroy G. Phelps, Gunther Von Fritsch; photographer, Leroy G. Phelps; music director, John Rochetti.

DARK SECRETS. Paramount. Presented by Adolph Zukor. 1923. 6 reels.

Credits: Director, Victor Fleming; story, Edmund Goulding.

Credits: Director, Albert Capellani; story, Paul West; scenario, Gardner Hunting.

DARK STAIRWAYS. 1924. 5 reels.

Credits: Director, Robert F. Hill; story, Marion Orth; scenario, L. J. Rigby.

THE DARK STAR. Cosmopolitan. Paramount-Artcraft Special. Presented by Famous Players-Lasky Corp. 1919. 7 reels. Based on the novel by Robert W. Chambers.

Credits: Director, Allan Dwan.

DARK STAR. SEE Min and Bill.

DARK STREETS. Presented by Richard A. Rowland. 1929. 6 reels.

Credits: Producer and director, Frank Lloyd; screen version, Bradley King.

DARK STREETS. Trailer. First National. 1929. 1 reel, sd.

A DARK SUSPICION. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

THE DARK SWAN. 1924. 7 reels. From the story by Ernest Pascal.

Credits: Director, Millard Webb; adaptation, Fred Jackson.

THE DARK SWAN. SEE Wedding Rings.

THE DARK TOWER. SEE The Man with Two Faces.

DARK VICTORY. First National. 1939. 11 reels, sd., b&w. From the play by George Emerson Brewer, Jr. and Bertram Bloch.

Credits: Director, Edmund Goulding; screenplay, Casey Robinson; music, Max Steiner.

DARKENED ROOMS. 1929. Si. & 6,066 ft., sd. Based on the novel by Philip Gibbs.

Credits: Director, Louis Gasnier; adaptation and dialogue, Patrick Kearney, Melville Baker.

THE DARKENING TRAIL. 1915.

Credits: Producer, Thomas H. Ince.

DARKEST AFRICA. (A Century of Progress Exposition) 1933. 1 reel.

DARKEST AFRICA. 1936. 2 reels each, except no. 1 which is 3 reels. © Republic Pictures Corp.; no. 1-5, 15Feb36; LP6431; no. 6-10, 15Feb36; LP6440; no. 11-15, 15Feb36; LP6460.

Credits: Supervision, Barney Sarecky; directors, B. Reeves Eason, Joseph Kane; original story, John Rathmell, Tracy Knight; screenplay, John Rathmell, Barney Sarecky, Ted Parsons.

THE DARKEST HOUR. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Jane Dixon, Roma Raymond; scenario, Garfield Thompson, Edward J. Montagne.

Credits: Director, Travers Vale.

THE DARKNESS BEFORE DAWN. 1915. 3,000 ft.

DARKTOWN FOLLIES. 1930. 2 reels, sd. From the Wildcat stories by Hugh Wiley.

Credits: Producer, Monte Brice; adaptation and direction, Nat Nazarro.

DARLING DANDY. 1915. 3,000 ft.

DARLING ENEMY. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvas, Eddie Moran.

A DARLING IN BUCKSKIN. Victor. 1917. 1 reel.

Credits: Director, William V. Mong; story, Joe Ryan.

DARLING MINE. Presented by Louis J. Selznick. 1920. 5 reels.

Credits: John Lynch, Laurence Trimble; director, Laurence Trimble.

THE DARLING OF NEW YORK. Universal Jewel. 1923. 6 reels.

Credits: Director, King Baggot; story, King Baggot, Raymond Schrock.

THE DARLING OF PARIS. 1917. For Fox Film Corporation. 6 reels. From the novel "The Hunchback of Notre Dame" by Victor Hugo.

Credits: Director, J. Gordon Edwards; adaptation, Adrian Johnson.

DARN THAT STOCKING! National Film Corp. of America. 1920. 2 reels.

Credits: Director, Jack Laver.

Credits: Director, Charles Swickard; adaptation, J. G. Hawks.

D'ARTAGNAN. 1916. 5 reels.

D'ARTAGNAN OF KANSAS. SEE A Modern Musketeer.

DARTMOUTH DAYS. (An Oddity) 1934. 958 ft., sd., b&w.

Credits: Director, Maurice Rapf; explanatory remarks, Pete Smith.

THE DARTMOUTH MURDERS. SEE A Shot in the Dark.

DARWIN WAS RIGHT. 1924. 5 reels.

Credits: Director, Lewis Seiler; story and scenario, Edward Moran.

DASHES, HURDLES, AND RELAYS. 1938. 2 reels.

DASHING. SEE A Six Shootin' Romance.

DASSAN. London. 1930. 5 reels, sd.

THE DATE PALM. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

A DATE TO SKATE. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Orestes Calpini.

DATED. SEE The Last Card.

DATES AND NUTS. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Director, Robert Hall; story, Parke Levy.

DATES FOR TWO. (Stern Brothers Comedy) (Mike and Ike) 1927. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

THE DAUGHTER OF A MAGNATE. SEE The Love Special.

THE DAUGHTER OF DAWN. Texas Film Co. 1920. 6 reels.

Credits: Written and directed by Norbert Myles.

DAUGHTER OF DESTINY. 1918. 6 reels.

Credits: Director, George Irving.

A DAUGHTER OF DIXIE. Special Big U. 1916. 2 reels.

A DAUGHTER OF EARTH. 1915. 2 reels.

A DAUGHTER OF FRANCE. 1918. 5 reels.

Credits: Director, Edmund Lawrence; story, Benjamin S. Kutler; scenario, Betta Breuil, Adrian Johnson.

DAUGHTER OF FU MANCHU. SEE Daughter of the Dragon.

A DAUGHTER OF ISRAEL. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

A DAUGHTER OF ISRAEL. SEE The Faith of Her Fathers.

A DAUGHTER OF LUXURY. Paramount. Presented by Adolph Zukor. 1922. 5 reels. From the play "The Imposter" by Leonard Merrick and Michael Morton.

Credits: Director, Paul Powell; adaptation, Beulah Marie Dix.

DAUGHTER OF MINE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Clarence G. Badger; story, Hugo Ballin.

THE DAUGHTER OF MOTHER MCGINN. SEE Through the Dark.

A DAUGHTER OF PENANCE. Bison. 1916. 2 reels.

Credits: Producer, Henry Otto; story, Charles Saxby; scenario, Olga Printzlau.

A DAUGHTER OF ROMANY. 1913. 1 reel.

Credits: Anne and Bannister Merwin.

DAUGHTER OF SHANGHAI. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Director, Robert Florey; story, Garnett Weston; screenplay, Gladys Unger, Garnett Weston; editor, Ellsworth Hoagland.

A DAUGHTER OF THE CITY. 1915. 5 reels. From the play by H. S. Sheldon.

Credits: Producer, Hardee Kirkland.

Credits: Director, Henry Kabierske.

A DAUGHTER OF THE DONS. SEE Burning the Wind.

DAUGHTER OF THE DRAGON. 1931. 8 reels, sd. From "Daughter of Fu Manchu" by Sax Rohmer [pseud. of Arthur Sarsfield Ward].

Credits: Director, Lloyd Corrigan; adaptation, Lloyd Corrigan, Monte M. Katterjohn; dialogue, Sidney Buchman.

A DAUGHTER OF THE GODS. 1916. For Fox Film Corp. 10 reels. From the story by Herbert Brenon.

Credits: Adapted and produced by Herbert Brenon; supervision, J. Gordon Edwards.

A DAUGHTER OF THE JUNGLES. Bison. 1915. 2 reels.

Credits: Written and produced by Henry McRae.

A DAUGHTER OF THE LAW. 1921. 5 reels.

Credits: Director, Jack Conway; story, Wadsworth Camp; scenario, Harvey Gates.

A DAUGHTER OF THE NIGHT. Imp. 1916. 1 reel.

Credits: Written and produced by Francis Powers.

A DAUGHTER OF THE NILE. Victor. 1915. 3 reels.

Credits: Producer, Lucius Henderson; scenario, Elaine Stern.

A DAUGHTER OF THE OLD SOUTH. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Emile Chautard; story, Alicia Ramsay, Rudolph De Cordova; scenario, Margaret Turnbull.

Credits: Story, Frances Marion; scenario, Russell E. Smith.

A DAUGHTER OF THE SIOUX. 1925. 5 reels.

Credits: Director, Ben Wilson; story, Charles King; screen adaptation, George W. Pyper.

A DAUGHTER OF THE WILDERNESS. 1913. 1 reel.

Credits: Frank McGlynn.

A DAUGHTER OF THE WOLF. 1919. 5 reels. Based on the short story by Hugh Pendexter.

Credits: Director, Irvin Willat; scenario, Marion Fairfax.

A DAUGHTER OF TWO WORLDS. First National. 1920. 6 reels. From the novel by Leroy Scott.

Credits: Director, James L. Young.

THE DAUGHTER PAYS. 1920. 6 reels.

Credits: Director, Robert Ellis; story, Mrs. Baillie Reynolds; scenario, Edward J. Montagne.

DAUGHTERS COURAGEOUS. First National. 1939. 12 reels, sd. Suggested by a play by Dorothy Bennett and Irving White.

Credits: Director, Michael Curtiz; original screenplay, Julius J. and Phillip G. Epstein; music, Max Steiner.

DAUGHTERS OF DESIRE. 1928. 6 reels.

Credits: Director, Burton King; story, Janet Vale.

Credits: Producer, George W. Terwilliger; adapter, Lawrence S. McCloskey.

DAUGHTERS OF THE NIGHT. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, Elmer Clifton; story, R. T. Barrett; scenario, Willard Robertson.

DAUGHTERS OF THE RICH. Gasnier. Presented by B. P. Schulberg. 1923. 6 reels. From the novel by Edgar Saltus.

Credits: Adaptation, Olga Printzlau, Josephine Quirk.

DAUGHTERS OF THE SEA—NORWAY, SWEDEN, AND DENMARK. (A FitzPatrick Traveltalk) 1933. 1 reel, sd.

Credits: Compiler, James A. FitzPatrick; photographer, Ralph Donaldson.

DAUGHTERS OF TODAY. 1924. 7 reels.

Credits: Director, Rollin Sturgeon; story, Lucien Hubbard.

A DAUGHTER'S STRANGE INHERITANCE. 1915. 3 reels.

Credits: Director, Van Dyke Brooke.

DAUGHTERS WHO PAY. 1925. 6 reels.

Credits: Director, George Terwilliger; story, William B. Laub.

DAVE APOLLON AND HIS CLUB CASANOVA ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

DAVE APOLLON AND HIS ORCHESTRA. (Melody Master) 1938. 11 min., sd.

Credits: Director, Roy Mack.

DAVE APOLLON AND HIS RUSSIAN STARS. 1929. 1 reel.

DAVE BERNIE'S ORCHESTRA. 1929. 1 reel.

DAVE DREY WITH NORA SCHILLER. TIN PAN ALLEY. 1929. 1 reel, sd.

DAVID AND JONATHAN. 1922. 5 reels. From the play and novel by E. Temple Thurston.

DAVID COPPERFIELD. SEE The Personal History, Adventures, Experience, and Observations of David Copperfield, the Younger.

DAVID CRAIG'S LUCK. Rex. 1917. 2 reels.

DAVID GARRICK. 1914. 2 reels.

Credits: Directed and picturized by James Young.

DAVID GARRICK. 1916. 5 reels.

DAVID HARUM. 1934. 7,605 ft., sd. From the novel by Edward Noyes Westcott.

Credits: Director, James Cruze; screenplay and dialogue, Walter Woods; music director, Louis de Francesco; editor, Jack Murray.

DAVID MENDOZA & HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Lloyd French.

DAVID'S IDOL DREAM. Imp. 1917. 2 reels.

Credits: Adele Farrington; director, Walter Morton; scenario, Malcolm Strong.

DAVY CROCKETT. 1916. 5 reels.

Credits: Director, William D. Taylor.

DAVY JONES' LOCKER. (Willie Whopper Cartoon) 1934. 1 reel.

DAWN. 1914. 1 reel.

Credits: Producer, Edward J. LeSaint.

DAWN. Presented by Archie Selwyn. 1928. 7 reels. From the story by Reginald Berkeley.

Credits: Producer and director, Herbert Wilcox; scenario, Herbert Wilcox, Robert Cullen.

DAWN. SEE Nurse Edith Cavell.

DAWN GLORY. SEE Page Miss Glory.

THE DAWN OF A NEW DAY. 1937. For Metropolitan Co-operative Milk Producers' Bargaining Agency, Inc. Filmstrip, 142 frames, sd.

THE DAWN OF A TOMORROW. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel and play by Frances Hodgson Burnett.

Credits: Director, George Melford; screenplay, Harvey Thew.

THE DAWN OF COURAGE. 1915. 1 reel.

THE DAWN OF DECENCY. Big U. 1917. 1 reel.

THE DAWN OF FREEDOM. 1916. 5 reels.

Credits: Producers, Theo. Marston, Paul Scardon; picturized by Marguerite Bertsch.

THE DAWN OF LOVE. 1916. For the Metro Program. 5 reels.

Credits: Channing Pollock, Rennold Wolf; producer, Edwin Carewe.

THE DAWN OF MY TOMORROW. SEE Framed.

THE DAWN OF PASSION. 1912.

DAWN OF THE EAST. 1921. 5 reels.

Credits: Director, E. H. Griffith; story and scenario, E. Lloyd Sheldon.

THE DAWN OF UNDERSTANDING. 1915. 2 reels.

Credits: Director, Van Dyke Brooke.

THE DAWN OF UNDERSTANDING. Blue Ribbon. Presented by Albert E. Smith. 1918. 6 reels. From "The Judgment of Bolinas Plains" by Bret Harte.

Credits: Director, David Smith; scenario, Edward J. Montagne.

THE DAWN PATROL. 1930. 12 reels. From the story "The Flight Commander" by John Monk Saunders.

Credits: Director, Howard Hawks; adaptation and dialogue, Howard Hawks, Dan Totheroh, Seton Miller.

THE DAWN PATROL. Trailer. First National. 1930. 1 reel.

THE DAWN PATROL. 1938. 12 reels, sd.

Credits: Director, Edmund Goulding; original story, John Monk Saunders; screenplay, Seton I. Miller, Dan Totheroh; music, Max Steiner.

THE DAWN ROAD. 101 Bison. 1915. 2 reels.

Credits: Producer, Joseph Franz; scenario, Ben Cohn, Joseph Franz.

THE DAWN TRAIL. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Christy Cabanne; story, Forrest Sheldon; adaptation and dialogue, John Thomas Neville; film editor, James Sweeney.

A DAY AND A NIGHT. 1917. 2 reels. From the comedy by Charles Hoyt.

Credits: Director. J. A. Richmond.

A DAY AT CONEY ISLAND. (Organlogue, no. 11) 1931. 1 reel, sd.

Credits: Announcements, Norman Brokenshire.

A DAY AT MIDLAND BEACH. Joker. 1915. 1 reel.

Credits: Written and produced by Tweedledum.

A DAY AT SANTA ANITA. (Broadway Brevity) 1937. 18 min., sd.

Credits: Director, Bobby Connolly; original screenplay, Crane Wilbur.

A DAY AT THE BEACH. (A Captain and the Kids Cartoon) 1938. 1 reel, sd., sepia. Based upon the United Features comic "The Captain and the Kids."

Credits: Supervision, Isadore Freleng.

A DAY AT THE RACES. (Organlogue, no. 13) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

A DAY AT THE RACES. 1937. 12 reels, sd., b&w.

Credits: Producer and director, Sam Wood; original story, Robert Pirosh, George Seaton; screenplay, Robert Pirosh, George Seaton, George Oppenheimer; film editor, Frank E. Hull; music director, Franz Waxman.

A DAY AT THE SAN DIEGO FAIR. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

A DAY AT THE ZOO. (Merrie Melodies) 1939. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Melvin Millar; animation, Rollin Hamilton; music director, Carl S. Stalling.

A DAY IN THE LIFE OF A DOG. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Will Anderson.

A DAY IN VENICE. (FitzPatrick Traveltalk) 1933. 1 reel, sd. Inspired by the musical composition by Ethelbert Nevin.

Credits: Compiled by James A. FitzPatrick.

DAY NURSE. (An Oswald Comedy) Snappy. 1932. 1 reel.

A DAY OF A MAN OF AFFAIRS. 1929. 1 reel, sd.

Credits: Director, Basil Smith; story, Paul Porter.

THE DAY OF FAITH. 1923. 7 reels. From the story by Arthur Somers Roche.

Credits: Director, Tod Browning; adaptation, June Mathis, Katharine Kavanaugh.

A DAY OF HAVOC. 1915. 1 reel.

DAY OF RECKONING. 1933. 7 reels, sd., b&w. From the novel by Morris Lavine.

Credits: Associate producer, Lucien Hubbard; director, Charles Brabin; screenplay, Zelda Sears, Eve Greene; film editor, Adrienne Fazan.

THE DAY OF REST. Presented by Metro-Goldwyn-Mayer. 1939. 850 ft., sd., b&w.

Credits: Director, Basil Wrangell; film editor, Adrienne Fazan.

THE DAY OF SOULS. SEE The Show.

THE DAY OF THE CONFEDERACY. SEE Dixie.

THE DAY OF THE DOG. 1914. 1 reel.

A DAY OFF. (Fables, no. 392) 1928. 1 reel.

Credits: Paul Terry, John Foster.

A DAY ON THE FORCE. 1915. 1,000 ft.

A DAY ON THE TRAP LINE. 1930. 1 reel.

Credits: Edward Breck.

A DAY ON TREASURE ISLAND. (A Fitzpatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer and narrator, James A. Fitzpatrick; photographer, Robert Carney; music score, Nathaniel Finston, Constantin Bakaleinikoff.

THE DAY RESURGENT. 1919. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Joseph Byron Totten; scenario, A. Van Buren Powell.

THE DAY SHE PAID. 1919. 5 reels. Adapted from the story "Oats for the Woman" by Fannie Hurst.

Credits: Director, Rex Ingram.

A DAY THAT IS DEAD. 1913. 1 reel. Adapted from the poem "Break, Break, Break" by Tennyson.

THE DAY THE BOOKIES WEPT. 1939. 64 min., sd.

Credits: Producer, Robert Sisk; director, Leslie Goodwins; story, Daniel Fuchs; screenplay, Bert Granet, George Jeske; editor, Desmond Marquette; music director, Arthur Morton.

A DAY TO LIVE. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

DAYBREAK. 1917. 6 reels. Adapted from the play by Jane Cowl and Jane Murfin.

Credits: Supervision, Maxwell Karger; director, Albert Capellani; adaptation, June Mathis, Albert Capellani.

DAYBREAK. 1931. 9 reels, sd., b&w. From the book by Arthur Schnitzler.

Credits: Director, Jacques Feyder; adaptation, Ruth Cummings; continuity, Zelda Sears; film editor, Tom Held.

DAYDREAMS. 1918. 5 reels.

Credits: Director, Clarence G. Badger; story, Cosmo Hamilton.

DAY DREAMS. First National. Presented by Joseph M. Schenck. 1922. 3 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

DAY-DREAMS. Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

DAY DREAMS. Treasure Chest. Educational Pictures. Presented by E. W. Hammons. 1933. 986 ft., sd.

Credits: Directed and conceived by Howard Milton; music, Henry King, Walter Scharf.

A DAY'S ADVENTURE. 1915. 1 reel.

A DAY'S JOURNEY. (E. M. Newman's Our Own United States) 1936. 11 min., sd.

Credits: Narration, Harlan Eugene Reed.

DAYS OF DARING. 1929. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Norman W. Lacey; film editor, Richard H. Cahoon.

THE DAYS OF '49. 1924. 2 reels each. © Arrow Film Corp.

Credits: Directors, Jacques Jaccard, J. Marchand; story, Karl Coolidge.

1. Soldiers of Fortune. © 12Mar24; LP19981.

2. Red Men and White. © 14Mar24; LP19999.

3. A Night of Terror. © 5Apr24; LP20049.

4. The Empire Builders. © 5Apr24; LP20050.

5. A Web of Lies. © 28Apr24; LP20135.

6. Demetroff's Vow. © 25Apr24; LP20144.

7. Facing Death. © 14May24; LP20206.

8. Under the Bear Flag. © 18May24; LP20223.

9. A Ride of Peril. © 28May24; LP20257.

10. Yellow Metal and Blue Blood. © 6Jun24; LP20283.

11. Gold Madness. © 16Jun24; LP20304.

12. Crimson Nights. © 19Jun24; LP20322.

13. Vigilantes Justice. © 30Jun24; LP20361.

14. For Life and Love. © 8Jul24; LP20377.

15. Trail's End. © 15Jul24; LP20396.

THE DAYS OF REAL SPORT. SEE

After the Circus.

Before the Circus.

Burglars.

Circus Day.

The City Dude.

Company.

Fire! Fire!

Housecleaning.

New Folks in Town.

Saturday.

Secret S'ciety.

Skinnay, School and Scandal.

Skinny's Sick.

Those Distant Cousins.

A DAY'S PLEASURE. 1919. 2 reels.

Credits: Written and produced by Charles Chaplin.

DAYTIME WIVES. 1923. 7 reels.

Credits: Story, Leonore Coffee, John Goodrich; adaptation, Wyndham Gittins, Helmer Bergman.

DAZE AND KNIGHTS. SEE Felix the Cat in Daze and Knights.

THE DAZE OF '49. (A Skylark Comedy) 1928. 2 reels.

Credits: Written and directed by Glen Lambert.

DAZE OF THE WEST. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, Billy Engle; continuity, William Lester.

DEACON BILLINGTON'S DOWNFALL. 1913. 2 reels.

Credits: Clyde Morey; director, Charles H. France.

THE DEACON STOPS THE SHOW. Joker. 1916. 1 reel.

Credits: Director, Allen Curtis; scenario, Ben Cohn.

THE DEACON'S SON. 1914. 1 reel.

THE DEACON'S WATERLOO. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. E. Christie.

THE DEAD ALIVE. 1913. 3 reels.

THE DEAD DON'T CARE. SEE The Last Warning.

DEAD EASY. (Bobby Vernon Comedies) 1927. 2 reels.

Credits: Producer, Christie; director, Harold Beaudine.

DEAD END. 1937. Released through United Artists. 10 reels, sd. Based on the play by Sidney Kingsley as produced by Norman Bel Geddes.

Credits: Associate producer, Merritt Hulburd; director, William Wyler; screenplay, Lillian Hellman; film editor, Daniel Mandell; music director, Alfred Newman.

THE DEAD END KIDS ON DRESS PARADE. First National. 1939. 7 reels.

Credits: Director, William Clemens; original screenplay, Tom Reed.

DEAD GAME. 1922. 2 reels.

DEAD GAME. 1923. 5 reels.

Credits: Story, scenario, and direction, Edward Sedgwick.

THE DEAD LETTER. 1915. Split reel.

Credits: Producer, Will Louis.

THE DEAD LINE. 1920. 5 reels.

Credits: Director, Del Henderson; story and scenario by Paul H. Sloane.

THE DEAD LINE. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story and continuity, Barr Cross.

THE DEAD LINE. 1929. 1 reel, sd.

DEADLINE. 1931. 7 reels.

Credits: Story and direction by Lambert Hillyer; film editor, Maurice Wright.

DEADLINE AT ELEVEN. 1920. 5 reels.

Credits: Director, George Fawcett; story, Ruth Byers; scenario, Lucien Hubbard.

THE DEAD MAN THAT KILLS. SEE Eye for an Eye.

DEAD MAN'S CURVE. 1928. 6 reels. From the story "The Century Championship" by Frank Richardson Pierce.

Credits: Director, Richard Rosson; continuity, Ewart Adamson.

DEAD MEN TELL NO TALES. 1920. 7 reels. From the novel by E. W. Hornung.

Credits: Director, Tom Terriss; editors, Mr. & Mrs. George Randolph Chester.

DEAD OR ALIVE WITH HUGH O'CONNELL. 1929. 1 reel.

THE DEAD SHOT. 1918. 2 reels.

Credits: Director, Harry Harvey; story, Alvin J. Neitz.

DEAD SHOT BAKER. 1917. 5 reels. From the "Wolfville Stories" by Alfred Henry Lewis.

Credits: George H. Plympton; director, William Duncan.

THE DEAD SOUL. 1915. 3,000 ft.

A DEAD YESTERDAY. Rex. 1916. 2 reels.

Credits: Tom Lewis; producer, Charles Giblyn.

THE DEADLY DESPATCH. 1914. 1 reel.

DEADLY FEMALES. (The Struggle to Live Series, no. 2) 1936. 1 reel.

A DEADLY HATE. 1915. 3 reels. An adaptation of the play by George Roberts.

Credits: Director, Richard Ridgely.

THE DEADWOOD COACH. 1924. 7 reels, b&w, tinted sequences.

Credits: Direction and scenario, Lynn Reynolds; story, Clarence Mulford.

Credits: Director, Frank Cooley.

A DEAL IN STATUARY. 1914. 1 reel.

Credits: Richard Neill; director, Charles M. Seay.

DEALERS IN BABIES. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

DEAN OF PASTEBOARDS. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Director, Lloyd French.

THE DEAN'S DAUGHTERS. 1913. 1 reel.

Credits: Bannister Merwin.

DEAR LITTLE OLD TIME GIRL. Laemmle. 1915. 1 reel.

Credits: Producer, William Dowlan; story, Leonora Ainsworth; scenario, Calder Johnstone.

DEAR ME. SEE The Purple Highway.

DEAR OLD DAD. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

DEAR OLD GIRL. 1914. 2 reels.

THE DEAR PRETENDER. SEE On Thin Ice.

DEAR SEASON. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Nate Watt.

THE DEAR SLAYER. 1930. 2 reels.

Credits: Director, Phil Whitman.

DEAR SOOKY. SEE Sooky.

DEAR TEACHER. Presented by Adolph Zukor and Jesse Lasky. 1929. 2 reels.

DEAR VIVIAN. 1929. 2 reels.

Credits: Director, Raymond Kane; story, Waldemar Young; screen adaptation, Alfred A. Cohn.

DEARIE. 1927. 7 reels.

Credits: Director, Archie Mayo; story, Carolyn Wells; scenario, Anthony Coldewey.

Credits: J. de Bonnefon.

DEATH ATTENDS A PARTY. Produced and presented by Columbia Pictures Corp. 1933. 1 reel. Based on one of the "Minute Mysteries" by H. A. Ripley.

Credits: Director, Lynn Shores; adaptation, H. Ross Callaway.

DEATH BACK STAGE. SEE By Persons Unknown.

DEATH CATCHES UP WITH MR. KLUCK. SEE Danger On the Air.

THE DEATH DANCE. 1918. 5 reels.

Credits: Marie Eve; director, J. Searle Dawley; scenario, Paul West.

DEATH FLIES EAST. 1935. 7 reels, sd.

Credits: Director, Phil Rosen; story, Phillip Wylie; screenplay, Albert Demond, Fred Niblo, Jr.; film editor, John Rawlins.

DEATH FROM A DISTANCE. 1935. 7 reels, sd.

Credits: Director, Frank R. Strayer; story and screenplay, John W. Kraft.

DEATH GOES NORTH. 1939. 7 reels, sd.

Credits: Director, Frank McDonald; screenplay, Edward R. Austin.

DEATH HOPS THE BELLS. SEE Irish Luck.

THE DEATH HOUSE. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Director, G. C. Reid.

DEATH IN THE DEEP SOUTH. SEE They Won't Forget.

DEATH IN THE OFFICE. SEE Hidden Evidence.

Credits: Director, Victor Sjöström.

THE DEATH KISS. World Wide. Presented by E. W. Hammons. 1933. 75 min. From the novel by Madelon St. Dennis.

Credits: Director, Edwin L. Marin; screenplay, Barry Barringer, Gordon Kahn.

DEATH MAKES A DECREE. SEE Charlie Chan In Reno.

DEATH OF A CHAMPION. 1939. 7 reels, sd.

Credits: Director, Robert Florey; story, Frank Gruber; screenplay, Stuart Palmer, Cortland Fitzsimmons; editor, Archie Marshek.

THE DEATH OF A DREAM. SEE The Mirage.

DEATH ON THE DIAMOND. 1934. 7 reels, sd., b&w. From the novel by Cortland Fitzsimmons.

Credits: Producer, Lucien Hubbard; director, Edward Sedgwick; screenplay, Harvey Thew, Joe Sherman, Ralph Spence; film editor, Frank Sullivan.

THE DEATH SHIP. SEE Mitchell Lewis in The Death Ship.

DEATH TAKES A HOLIDAY. 1934. 9 reels. From the play by Alberto Casella.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; screenplay, Maxwell Anderson, Gladys Lehman.

Credits: Frank Howard Clark.

DEATH TRAP OF THE AGES. 1929. 2 reels.

DEATH VALLEY THRILLS. (The Grantland Rice Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE DEATH WEB. 1915. 1 reel.

Credits: Producer, Leon D. Kent.

THE DEATH'S HEAD. 1928. 2 reels.

Credits: Director, Walter Fabian; story, Norman W. Lacey.

DEBONAIR NEW ORLEANS. (Easy Aces, no. 7) 1936.

THE DEBT. 1917. 5 reels.

Credits: Director, Frank Powell; original scenario, Clara S. Beranger; adaptation, Kilbourn Gordon.

A DEBT OF HONOR. Columbia Pictures Corp. 1916. 5 reels.

Credits: Written and directed by William Nigh.

THE DEBT OF HONOR. 1918. 5 reels.

Credits: Direction and scenario, O. A. C. Lund; story, Eve Unsell.

DEBUNKING BIG GAME HUNTING IN AFRICA. 1930. 1 reel.

DEBURAU. SEE The Lover of Camille.

DECATHLON CHAMPION—THE STORY OF GLENN MORRIS. (A Pete Smith Specialty) 1937. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist; screenplay, Robert Lees, Fred Rinaldo.

THE DECEIVER. 1931. 7 reels, sd. From the story "Unwanted" by Bella Muni and Abem Finkel.

Credits: Director, Louis King; adaptation, Charles Logue; dialogue, Jo Siverling; continuity, Jack Cunningham; film editor, Gene Havelick.

THE DECEIVERS. Gold Seal. 1915. 2 reels.

Credits: F. McGrew Willis; producer, Charles Giblyn.

THE DECEIVERS. 1915. 1 reel.

Credits: Director, Sidney Drew.

DECEPTION. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THE DECEPTION. 1915. 1 reel.

Credits: Shannon Fife; producer, Joseph Kaufman.

DECEPTION. Paramount. Presented by Adolph Zukor. 1921. 8 reels.

Credits: Director, Ernest Lubitsch.

DECEPTION. 1932. 7 reels, sd.

Credits: Producer, Bryan Foy; supervision, Ben Stoloff; director, Lew Seller; assistant director, Sam Katzman; story, Nat Pendleton; screenplay, Harold Tarshis; film editor, William Austin.

THE DECIDING KISS. 1918. 5 reels. From the novel by Ethel M. Kelly.

Credits: Director, Tod Browning; adaptation, Bernard McConville.

THE DECISION OF JIM O'FARRELL. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

A DECISION OF THE COURT. 1915. 2 reels.

DECKS AWASH. (World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator. Ford Bond.

Credits: Director, Kenneth Webb; adaptation, William Basil Courtney.

THE DECLARATION OF INDEPENDENCE. 1938. 2 reels, sd.

Credits: Director, Crane Wilbur; original screenplay. Charles L. Tedford.

DÉCLASSÉ. First National. 1925. 8 reels From the play by Zoe Akins.

Credits: Director, Robert Vignola; screen version, Charles E. Whittaker, Bradley King.

DECORATION DAY AT THE NATIONAL SOLDIER'S HOME, AT SAWTELLE. CALIFORNIA. 1914. 1 reel.

THE DECORATOR. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

THE DECOY. 1915. 1,000 ft.

THE DECOY. Imp. 1916. 1 reel.

Credits: Director, William Garwood; story. E. M. Ingleton; scenario, Bess Meredyth.

Credits: Adaptation, Elfrid A. Bingham, Charles A. Taylor.

DEEP C MELODIES. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

DEEP END. (Sportscope, no. 2) 1938. 10 min., sd.

Credits: Producer, Frederick Ullman, Jr.; supervision. Frank R. Donovan.

Credits: Producer, James Young.

Credits: Director, James Young.

THE DEEP PURPLE. 1920. 7 reels. Based on the play by Paul Armstrong and Wilson Mizner.

Credits: Director, R. A. Walsh; scenario, Earle Brown.

A DEEP SEA PANIC. 1924. 2 reels.

Credits: Director, Roy Del Ruth.

DEEP SEAS AND DESPERATE DEEDS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

DEEP SEATED QUALITY OF THE WILLYS-SIX. 1930. 1 reel.

DEEP SOUTH. (Song Sketch, no. 6) 1930. 1 reel, sd.

Credits: Story and direction, Oscar Lund.

DEEP SOUTH. (Radio Musical, no. 2) 1936. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, George Randol; film editor, Edward Mann; choral direction, Hall Johnson.

DEEP WATERS. Paramount. Presented by Maurice Tourneur. 1920. 5 reels. From the novel "Caleb West, Master Diver" by F. Hopkinson Smith and the play by Michael Morton.

Credits: Director, Maurice Tourneur.

THE DEFEAT OF THE CITY. 1917. 4 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adapted by Will Courtney.

DEFECTIVE DETECTIVES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, J. A. Howe.

DEFENCELESS AMERICA. SEE The Battle Cry of Peace.

THE DEFENSE RESTS. 1934. 7 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Jo Swerling; film editor, John Rawlins.

DEFENSIVE PLAY. (Basketball, no. 2) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman.

DEFIANCE. Big U. 1917. 1 reel.

THE DEFICIT. Gold Seal. 1915. 3 reels.

Credits: Producer, Leon J. Kent; story, Peter B. Kyne.

THE DEFINITE OBJECT. SEE Manhattan.

DEFYING DEATH. (Your True Adventures) 1938. 12 min., sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

DEFYING DESTINY. 1923. 6 reels.

Credits: Director, Louis William Chaudet; story, Grace Sanderson Michie.

DEFYING THE LAW. Presented by William B. Brush Productions. 1924. 5 reels.

Credits: Director, Bertram Bracken; story, Bertram Bracken, John T. Prince; titles, Andrew Bennison.

DE LA PLAZA AND JUANITA WITH THEIR SPANISH SERENADERS. 1928. 1 reel, sd.

DELAYED IN TRANSIT. 1917. 2 reels.

Credits: Gilson Willets; director, E. A. Martin.

A DELAYED REFORMATION. 1915. 2,000 ft.

DELENDA CARTHAGE. SEE The Destruction of Carthage.

DELICATESSEN. SEE It Must Be Love.

THE DELICATESSEN KID. (Benny Rubin Talkie) Snappy. 1929. 1 reel, sd.

Credits: Director, Walter Fabian; story and dialogue, Benny Rubin.

DELICIOUS. 1931. 9,564 ft., sd.

Credits: Director, David Butler; story, Guy Bolton; adaptation, Guy Bolton, Sonya Levien; editor, Irene Morra.

DELICIOUS AND REFRESHING. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

THE DELICIOUS LITTLE DEVIL. 1919. 6 reels.

Credits: Director, Robert Z. Leonard; story, Harvey Thew, John Clymer; scenario, Harvey Thew.

THE DELIGHTFUL ROGUE. Radio. 1929. 6,532 ft., sd. From the story "A Woman Decides" by Wallace Smith.

Credits: Pictorial direction, Lynn Shores; dialogue direction, A. Leslie Pearce; adaptation and dialogue, Wallace Smith; music, Oscar Levant, Sidney Clare.

THE DELIGHTFUL ROGUE. Radio. 1929. 6,532 ft., sd. From the story "A Woman Decides" by Wallace Smith.

Credits: Pictorial direction, Lynn Shores; dialogue direction, A. Leslie Pearce; adaptation and dialogue, Wallace Smith; music, Oscar Levant, Sidney Clare.

DELINQUENT PARENTS. 1938. 7 reels, sd.

Credits: Associate producer, Melville Shyer; director, Nick Grinde; original screenplay, Nick Barrows, Robert St. Clair; film editor, Roy Luby.

DELIRIUM. 1918. 5 reels.

Credits: Story and direction, Francis Ford, Jack Ford.

DELIVERANCE. Stanley Advertising Co. 1928. 6 reels. Based on the books "Prohibition at its Worst" and "Prohibition Still at its Worst" by Irving Fisher.

Credits: Director, B. K. Blake; screen story, Duncan Underhill.

DELIVERING GOOD WILL. Presented by The D. L. and W. Coal Co. 1937. Filmstrip. 173 frames, sd.

DELIVERING THE GOODS. Century. 1924. 2 reels.

DELIVERING THE GOODS. (A Buster Brown Comedy) (A Stern Bros. Comedy) 1929. 2 reels. From the cartoons of R. F. Outcault.

DELIVERING THE NEW CAR. 1927. 1 reel.

THE DELIVERY BOY. (Mickey Mouse, no. 14) 1931. 1 reel.

DELUGE. 1933. 8 reels, sd. From the book by S. Fowler Wright.

Credits: Producer, Kelly Bischoff Saal; director, Felix E. Felst; screenplay, John Goodrich, Warren B. Duff; film editor, Rose Loewinger; music director, Val Burton.

DE LUXE ANNIE. 1918. 7 reels. From the play by Edward Clark.

Credits: Director, Roland West; picturized by Paul West.

DEMETRIOUS CONTOS. SEE The Devil's Skipper.

THE DEMI-BRIDE. 1927. 8 reels.

Credits: Producer and director, Robert Z. Leonard; story and continuity, F. Hugh Herbert, Florence Ryerson; film editor, William Le Vanway.

DEMI-TASSE. (A Warren Doane Brevity) 1934. 2 reels.

Credits: Story and direction, Warren Doane.

Credits: Director, William Nigh; scenario, William Nigh, Nina Wilcox Putnam.

DEMOCRACY. 1920. 7 reels.

Credits: Director, William Nigh; drama theme, Lee Francis Lybarger; scenario, Nina Wilcox Putnam.

DEMOCRACY IN EDUCATION. (Ford Educational Library, Civics, and Citizenship of the United States) Ford Motion Picture Laboratories. 1922. 1 reel.

LA DEMOISELLE DE MAGASIN. SEE Along Came Ruth.

THE DEMON. 1918. 5 reels. From the novel by C. N. and A. M. Williamson.

Credits: Directed and adapted by George D. Baker.

THE DEMON. (Blue Streak Western) 1925. 5 reels.

Credits: Director, Clifford S. Smith; story, W. C. Beale; continuity, Buckleigh Oxford.

THE DEMON RIDER. 1925. 5 reels.

Credits: Director, Paul Hurst; story, Jay Inman Kane.

DEMONS OF THE DEEP. (News World of Sports) 1938. 1 reel, sd.

Credits: Narrator, Jack Kofoed; described by Ford Bond.

A DEMONSTRATION OR JUST A RIDE? 1928. 1 reel.

DEMOS. SEE Why Men Forget.

DEMPSEY, JACK. SEE The Rise and Fall of Jack Dempsey. The World's Heavyweight Championship Contest Between Jack Dempsey and Georges Carpentier.

DENIAL. Presented by Louis B. Mayer. 1925. 5 reels. From the play "A Square Peg" by Lewis Beach.

Credits: Producer and director, Hobart Henley; adaptation, Agnes Christine Johnston; film editor, Frank Davis.

DENMARK. 1934. 985 ft.

DENTAL EDUCATION FOR THE PATIENT BY THE BURTENSHAW DENTAL DEMONSTRATOR. 1938. 10 reels.

DENTAL FOLLIES. Educational Film Corp. of America. Presented by E. W. Hammons. 1937. 980 ft., sd.

Credits: Director, William Watson; story, Mort Lewis.

THE DENTIST. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

THE DENTIST. 1919. 2 reels.

Credits: Director, Richard Jones.

THE DENTIST. 1932. 2 reels.

Credits: Director, Leslie Pearce.

THE DENTIST'S JANITOR. 1914. Split reel.

THE DENVER DUDE. Universal-Jewel. 1927. 6 reels.

Credits: Director, Reaves Eason; story, Earle Snell.

A DEPARTMENTAL CASE. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Harry Southwell.

A DEPOT ROMEO. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

THE DEPUTY'S DOUBLE CROSS. 1921. 2 reels.

Credits: Producer, Robert Hill; story and scenario, George H. Plympton.

THE DEPUTY'S DUTY. 1915. 1 reel.

THE DERBY DECADE. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Alf Goulding; story, Joseph A. Fields; film editor, Charles L. Kimball.

THE DERELICT. 1917. For Fox Film Corp. 5 reels.

Credits: Written and directed by Carl Harbaugh.

DERELICT. 1930. 6,702 ft., sd.

Credits: Producer and director, Rowland V. Lee; story, William Slavens McNutt, Grover Jones; dialogue, Max Marcin; film editor, George Nichols.

THE DERELICTS. 1914. 2 reels.

DERELICTS OF THE SEA. 1927. 1 reel.

DERICKSON AND BROWN IN A SONG DRAMA. 1929. 1 reel, sd.

DES VOLKES HELDENGANG. SEE The Great War.

A DESERT ADVENTURE. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

DESERT BLOOMS. 1937. 1 reel, sd.

DESERT BLOSSOMS. 1921. 5 reels.

Credits: Director, Arthur Rosson; story, Kate Corbaley; scenario, Arthur J. Zellner.

DESERT BLUES. (Cameo Comedy) 1924. 1 reel.

Credits: Director, Albert Ray.

THE DESERT BREED. Rex. 1915. 2 reels.

Credits: Producer, Jos. De Grasse; scenario, Tom Forman.

THE DESERT BRIDE. 1929. 6 reels. From the story "The Adventuress."

Credits: Producer, Harry Cohn; director, Walter Lang; story, Ewart Adamson, Elmer Harris; film editor, Arthur Roberts.

A DESERT BRIDEGROOM. (Jack Hoxie Series) 1922. 5 reels.

Credits: Story and direction, Roy Clements.

THE DESERT CALLS ITS OWN. 1916. 1 reel.

Credits: Producer, Tom Mix.

THE DESERT CRUCIBLE. SEE The Rainbow Trail.

DESERT DEATH. (Crime Does Not Pay Series, no. 3) 1935. 2 reels, sd., b&w.

Credits: Director, George B. Seitz; story, Albert Ottenheimer.

DESERT DEMONS. (The Battle for Life Series) 1932. 9 min.

DESERT DRIVEN. 1923. 6 reels. From the story "The Man from the Desert" by Wyndham Martin.

Credits: Director, Val Paul; adaptation, Wyndham Gittens.

DESERT DUST. 1927. 5 reels.

Credits: Director, William Wyler; story and continuity, William Lester.

THE DESERT FIDDLER. SEE Percy.

THE DESERT FLOWER. 1925. 7 reels.

Credits: Director, Irving Cummings; screenplay, June Mathis.

THE DESERT GHOST. Big U. 1917. 1 reel.

Credits: E. B. Lewis; director, George Marshall.

DESERT GOLD. Zane Grey Pictures, Inc. Presented by Benjamin B. Hampton and Eltinge F. Warner. 1919. 7 reels. From the novel by Zane Grey.

Credits: Director, T. Hayes Hunter; scenario, Fred Myton.

DESERT GOLD. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6,900 ft. From the story by Zane Grey.

Credits: Producer and director, George B. Seitz; scenario, Lucien Hubbard.

DESERT GOLD. Presented by Adolph Zukor. 1936. 6 reels, sd. From a novel by Zane Grey.

Credits: Producer, Harold Hurley; supervision, William T. Lackey; director, James Hogan; screenplay, Stuart Anthony, Robert Yost; editor, Chandler House.

DESERT HARMONIES. Mentone. 1935. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Ballard Macdonald.

THE DESERT HARVEST. 1924. 1 reel.

THE DESERT HAWK. 1924. 5 reels.

Credits: Director, Leon de la Mothe; story, Inman Kane, Robert B. McKenzie; continuity, Daniel F. Whitcomb.

THE DESERT HEALER. SEE Old Loves and New.

A DESERT HERO. Paramount. Comique Film Corp. Presented by Joseph M. Schenck. 1919. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

A DESERT HONEYMOON. 1915. 3,000 ft.

Credits: Written and produced by Romaine Fielding.

DESERT LOVE. 1920. 5 reels.

Credits: Story, Tom Mix; scenario and direction, Jacques Jaccard.

DESERT MADNESS. SEE The Trail of the Horse Thieves.

DESERT NIGHTS. 1929. 7 reels, sd., b&w.

Credits: Producer and director, William Nigh; story, John Thomas Neville, Dale Van Avery; adaptation, Endre Bohem; continuity, Lenore Coffee; film editor, Harry Reynolds.

THE DESERT OF THE LOST. 1927. 5 reels.

Credits: Director, Richard Thorpe; story, Walter J. Coburn; continuity, Frank L. Inghram.

THE DESERT OF WHEAT. SEE Riders of the Dawn.

THE DESERT OUTLAW. 1924. 6 reels.

Credits: Director, Edmund Mortimer; story and scenario, Charles Kenyon.

DESERT PATROL. 1938. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story and screenplay, Fred Myton; film editor, Roy Claire.

THE DESERT PIRATE. 1927. 5 reels.

Credits: Frank Howard Clark; director, James Dugan; adaptation and continuity, Oliver Drake.

THE DESERT RAT. Bison. 1916. 2 reels.

Credits: Gertrude Mason; director, Romaine Fielding.

DESERT REGATTA. (Sports Champions) 1932. 858 ft.

Credits: Director, Jules White; explanatory remarks, Pete Smith.

THE DESERT RIDER. 1929. 6 reels.

Credits: Director, Nick Gríndé; story, Ted Shane, Milton Bren; screenplay, Oliver Drake; film editor, William Le Vanway.

THE DESERT SHEIK. An A. C. & R. C. Bromhead production. 1924. 6 reels. From the story "The Tragedy of the Korosko" by Sir A. Conan Doyle.

Credits: Producer, Tom Terriss; scenario, Alicia Ramsey; edited and titled by Arthur Hoerl.

THE DESERT SONG. 1929. 13 reels. Based on the musical play by Otto Harbach, Oscar Hammerstein, 2d, and Frank Mandel.

Credits: Director, Roy Del Ruth; adaptation, Harvey Gates; film editor, Ralph Dawson.

THE DESERT SONG. Trailer. 1929. 1 reel.

DESERT SONG. SEE The Red Shadow.

DESERT SUNK. Winkler. 1930. 1 reel. Adapted from cartoons by George Herriman.

Credits: Animation, Ben Harrison, Manny Gould.

DESERT THRILLS. 1930. 1 reel, sd.

DESERT VALLEY. Presented by William Fox. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, Scott Dunlap, story, Jackson Gregory; scenario, Randall Faye.

DESERT VENGEANCE. 1931. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Louis King; story and dialogue, Stuart Anthony; film editor, Ray Snyder.

A DESERT WOOING. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: J. G. Hawks; supervision, Thomas H. Ince; director, Jerome Storm.

THE DESERTER. 1916. 5 reels.

Credits: Director. Thomas H. Ince.

THE DESERTER. SEE Sacred Silence.

DESERTION AND NONSUPPORT. (Is Marriage Sacred?) 1917. 27 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

THE DESERT'S CRUCIBLE. (Jack Hoxie Series) 1922. 5 reels.

Credits: Scenario and direction, Roy Clements.

THE DESERT'S PRICE. 1925. 6 reels, tinted. Based on the novel by William McLeod Raine.

Credits: Director, William S. Van Dyke; scenario, Charles Darnton.

THE DESERT'S TOLL. Presented by The Big Horn Ranch. 1926. 6 reels.

Credits: Director, Clifford Smith; editor, Richard Currier.

DESIGN FOR LIVING. 1933. 10 reels, sd. From the play by Noel Coward.

Credits: Producer and director, Ernst Lubitsch; screenplay, Ben Hecht.

A DESIGNING HUSBAND. 1921. 2 reels.

Credits: Producer, Norman Manning; director, Bruce Mitchell; story, Bert Glassmire.

A DESIGNING WOMAN. Special Laemmle. 1916. 1 reel.

DESIRABLE. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Archie L. Mayo; story and screenplay, Mary McCall, Jr.

DESIRE. 1923. 6,500 ft.

Credits: Director. Rowland V. Lee; story and scenario, John B. Clymer, Henry R. Symonds.

DESIRE. Presented by Adolph Zukor. 1936. 10 reels, sd. Based on a play by Hans Szekely and R. A. Stemmle.

Credits: Supervision, Ernst Lubitsch; director, Frank Borzage; screenplay, Edwin Justus Mayer, Waldemar Young, Samuel Hoffenstein; music and lyrics, Frederick Hollander, Leo Robin.

THE DESIRE OF THE MOTH. 1917. 5 reels.

Credits: Director, Rupert Julian; story, Eugene Manlove Rhodes; scenario, Elliott J. Clawson.

THE DESIRED WOMAN. 1918. 5 reels.

Credits: Director, Paul Scardon; story, Will N. Harben.

THE DESIRED WOMAN. 1927. 7 reels.

Credits: Director, Michael Curtiz; story, Mark Canfield; adaptation, Anthony Coldewey.

DESORDRE ET GÉNIE. SEE A Stage Romance.

DE SOTO WAS A PIONEER. 1936. 1 reel, sd.

DESPAIR. 1915. 3 reels.

Credits: Written and directed by J. Charles Haydon.

THE DESPERADO. Laemmle. 1916. 1 reel.

Credits: Producer, Rupert Julian; story, Hugh Johnson; scenario, Calder Johnstone.

A DESPERATE ADVENTURE. 1938. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original story, Hans Kraly, M. Coates Webster; screenplay, Barry Trivers; film editor, Ernest Nims.

THE DESPERATE CONDITION OF MR. BOGGS. 1913. 1 reel.

Credits: Herbert Prior.

DESPERATE COURAGE. 1928. 5 reels.

Credits: Director, Richard Thorpe; story, Grant Taylor; continuity, Frank L. Inghram.

DESPERATE DAN. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

DESPERATE GAME. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Joseph Franz; story, George C. Jenks.

THE DESPERATE HERO. Presented by Lewis J. Selznick. 1920. 5 reels.

Credits: Director, Wesley Ruggles; story, Edgar Franklin; scenario, Zelda Crosby.

A DESPERATE LEAP. Bison. 1915. 2 reels.

Credits: Helen Holmes; producer, J. P. McGowan.

A DESPERATE MOMENT. Royal. 1926. 6 reels.

Credits: Director, Jack Dawn; story, Coral Burnett; editor, Joe Basil.

A DESPERATE REMEDY. Imp. 1916. 1 reel.

Credits: Charles J. Wilson; director, Charles E. Bartlett.

DESPERATE SAM. 1930. 2 reels, sd.

Credits: Director, Ray Cozine.

DESPERATE TRAILS. 1921. 5 reels.

Credits: Producer, Jack Ford; story, Courtney Ryley Cooper; scenario, Elliott Clawson.

DESPERATE TRAILS. 1939. 6 reels, sd.

Credits: Producer and director, Albert Ray; original screenplay, Andrew Bennison; film editor, Louis Sackin.

DESPERATE YOUTH. 1921. 5 reels.

Credits: Producer, Harry B. Harris; story, F. Hopkinson Smith; scenario, George Hull.

DESPERATION. Gold Seal. 1917. 3 reels. Adapted from the play of the same name from the novel "The Evolution of Katherine" by E. Temple Thurston.

Credits: Director, Maurice Elvey.

DESPERATION. 1922. 2 reels.

Credits: Producer, Robert Hill; story, George Morgan, Robert Hill; scenario, George H. Plympton.

THE DESPOILER. 1916. 3 reels.

DESTINATION UNKNOWN. 1933. 7 reels.

DESTINY. 1916. 3 reels.

DESTINY. 1919. 6 reels. From the story by Charles Neville Buck.

Credits: Director, Rollin S. Sturgeon; scenario, Elliott J. Clawson.

DESTINY; or, THE SOUL OF A WOMAN. 1915. 5 reels.

Credits: Anthony P. Kelly.

DESTINY DECIDES. 1915. 1 reel.

DESTINY'S ISLE. Presented by William P. S. Earle. 1922. 6 reels.

Credits: Producer and director, William P. S. Earle; story, Margery Land May; scenario, Tilford Cinema Studios.

DESTINY'S SKEIN. 1915. 3,000 ft.

DESTINY'S TRUMP CARD. Imp. 1915. 1 reel.

Credits: Robert F. Hill; producer, William Garwood.

THE DESTROYER. 1915. 3 reels.

Credits: Edward T. Lowe, Jr.; director, Lawrence Windon.

THE DESTROYERS. 1916. 5 reels. Adapted from the story "Peter God" by James Oliver Curwood.

Credits: Director, Ralph Ince; picturized by Edward J. Montagne.

THE DESTROYING ANGEL. 1915. 5 reels. Based on the work by Louis J. Vance.

Credits: Scenario and direction, Richard Ridgely.

DESTRUCTION. 1915. For Fox Film Corp. 5 reels.

Credits: Written and produced by Will S. Davis.

DESTRY RIDES AGAIN. Presented by Carl Laemmle. 1932. 6 reels. From the story by Max Brand [pseud. of Frederick Faust].

Credits: Director, Ben Stoloff; continuity, Isadore Bernstein; dialogue, Robert Keith.

DESTRY RIDES AGAIN. 1939. 10 reels. Suggested by the novel by Max Brand [pseud. of Frederick Faust].

Credits: Director, George Marshall; original story, Felix Jackson; screenplay, Felix Jackson, Henry Myers, Gertrude Purcell.

THE DETECTIVE. 1923. 2 reels.

Credits: Written and directed by John P. Smith.

THE DETECTIVE. (Oswald) Snappy. 1930. 1 reel, sd.

DETECTIVE AND MATCHMAKER. 1914. 1 reel.

Credits: Director, Ulysses Danis.

Credits: Director, Henry Otto.

DETECTIVE HAYES' SIXTH CASE. SEE The Dare-Devil Detective.

DETECTIVE LLOYD. 1931-32. 2 reels each. © Mutual Pictures, Ltd.

Credits: Story and direction, Henry MacRae; dialogue, Ella O'Neill.

1. The Green Spot Murder. © 23Dec31; LP2721.

2. The Panther Strikes. © 30Dec31; LP2732.

3. The Trap Springs. © 30Dec31; LP2733.

4. Tracked by Wireless. © 15Jan32; LP2773.

5. The Death Ray. © 20Jan32; LP2782.

6. The Poison Dart. © 27Jan32; LP2803.

7. The Race with Death. © 9Feb32; LP2837.

8. The Panther's Lair. © 16Feb32; LP2859.

9. Imprisoned in the North Tower. © 19Feb32; LP2867.

10. The Panther's Cunning. © 2Mar32; LP2889.

11. The Panther at Bay. © 8Mar32; LP2902.

12. Heroes of the Law. © 8Mar32; LP2916.

DETECTIVE TOM HOWARD OF THE SUICIDE SQUAD. 1933. 1 reel, sd.

Credits: Director, Eddie Cline; story, H. O. Kussel.

DETECTIVES. 1928. 7 reels, sd., b&w.

Credits: Director, Chester M. Franklin; story and continuity, Robert Lord, Chester M. Franklin; titles, Robert Hopkins; film editor, Frank Sullivan.

DETECTIVES WANTED. Presented by William Fox. 1929. 3 reels.

Credits: Director, Norman Taurog; story, Andrew Bennison; scenario, Clark, McCullough, Andrew Bennison.

DETOURING AMERICA. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Jack Miller; animation, Rollin Hamilton; music director, Carl W. Stalling.

THE DEUCE. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Stan De Lay.

THE DEUCE OF HEARTS. SEE Take the Stand.

THE DEUCE OF SPADES. Presented by Arthur S. Kane. 1922. 5 reels.

Credits: Director, Charles E. Ray; story, Charles E. Van Loan.

1. Flowers of Paris.

2. Into the Cataract.

3. Diamond Cut Diamond.

4. Back from the Grave.

5. Across the Gay City.

6. Tested by Acid.

7. The Wonderful Ocean.

8. Thrown to the Wolves.

9. The Covenant.

10. Through the Dark Valley.

11. Mounds of Mystery.

12. The Golden Sunset.

DEVELOPING A FOOTBALL TEAM. (Pop Warner Series) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman, Glenn S. "Pop" Warner.

DEVELOPING THE NEW CUSTOMER; Selling the Brand You Want to Sell. 1931. 1 reel.

DEVELOPING YOUR PERSONALITY. (Educational Film Service, v. 23) 1931. 1 reel.

DEVELOPING YOUR PERSONALITY. 1933. Filmstrip.

THE DEVELOPMENT OF A BIRD EMBRYO. 1932. 1,014 ft.

THE DEVELOPMENT OF THE TESTIS AND ITS ASSOCIATED STRUCTURES. 1938. 1 reel.

THE DEVELOPMENT OF TRANSPORTATION. 1931. 1 reel, sd.

THE DEVIL. 1915.

Credits: Producer, Thomas H. Ince.

THE DEVIL AND IDLE HANDS. Laemmle. 1915. 1 reel.

Credits: Leonora Ainsworth; producer, William C. Dowlan.

DEVIL AND THE DEEP. 1932. 8 reels.

Credits: Director, Marion Gering; story, Harry Hervey; screenplay, Benn W. Levy.

Credits: Producer, Hardee Kirkland.

THE DEVIL AT HIS ELBOW. 1916. For the Metro Program. 5 reels.

Credits: Director, Burton L. King.

THE DEVIL DANCER. 1927. 8 reels.

Credits: Harry Hervey; producer and director, Fred Niblo; scenario, Alice D. G. Miller.

DEVIL DOGS OF THE AIR. Cosmopolitan. Released by Warner Bros. Productions Corp. and The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Lloyd Bacon.

THE DEVIL DOLL. 1936. 8 reels. Based on the novel "Burn Witch Burn" by Abraham Merritt.

Credits: Story, Tod Browning; screenplay, Garrett Fort, Guy Endore, Eric Von Stroheim; musical score, Franz Waxman; film editor, Frederick Y. Smith.

DEVIL DRIVERS. (RKO Pathe Sportscope, no. 11) 1939. 9 min., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan.

THE DEVIL-IN-CHIEF. 1915. 3 reels.

Credits: Director, Colin Campbell.

THE DEVIL IS A SISSY. 1936. 9 reels, sd., b&w.

Credits: Producer, Frank Davis; director, W. S. Van Dyke; story, Rowland Brown; screenplay, John Lee Mahin, Richard Schayer; film editor, Tom Held; music score, Herbert Stothart.

THE DEVIL IS A WOMAN. 1935. 10 reels, sd. From "The Woman and the Puppet" by Pierre Louÿs.

Credits: Director, Josef von Sternberg; adaptation, John Dos Passos; continuity, S. K. Winston; music, Ralph Rainger; lyrics, Leo Rubin.

THE DEVIL IS DRIVING. 1932. 7 reels.

Credits: Director, Benjamin Stoloff; story, Frank Mitchell Dazey; screenplay, Louis Weitzenkorn; adaptation, P. J. Wolfson, Allen Rivkin.

THE DEVIL IS DRIVING! 1937. 7 reels, sd.

Credits: Director, Harry Lachman; story, Lee Loeb, Harold Buchman; screenplay, Jo Milward, Richard Blake; film editor, Al Clark; music director, Morris Stoloff.

DEVIL MAY CARE. 1930. 11 reels, sd., b&w. Based on the drama "La Bataille de Dames" by Eugène Scribe and Ernest Legouvé.

Credits: Director, Sidney Franklin; scenario, Hans Kraly; dialogue, Zelda Sears; adaptation, Richard Schayer; film editor, Conrad A. Nervig; music, Herbert Stothart.

DEVIL OF THE DEEP. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, John Foster; music, Philip A. Scheib.

THE DEVIL ON DECK. Presented by George W. Weeks. 1932. 6 reels.

Credits: Director. Wallace W. Fox; scenario, Bernard McConville.

THE DEVIL ON HORSEBACK. Presented by Edward L. Alperson. 1936. 8 reels, sd., color.

Credits: Producer, George A. Hirliman; direction, story, and screenplay, Crane Wilbur; editor, Joe Lewis; music director, Hugo Riesenfeld.

DEVIL SEA. 1931. 1 reel, sd.

Credits: Written and directed by Mort Blumenstock; musical arrangements, Al Siegel.

THE DEVIL-STONE. 1917. 6 reels.

Credits: Director, Cecil B. De Mille; story, Beatrice De Mille, Leighton Osmun; adaptation, Jeanie MacPherson.

THE DEVIL, THE SERVANT, AND THE MAN. 1916. 3 reels.

Credits: Director, Frank Beal.

DEVIL TIGER. 1934. 6 reels, sd.

Credits: Director, Clyde Elliott; story and continuity, James O. Spearing, Russell Shields, Lew Lehr; editor, Truman Talley.

THE DEVIL TO PAY. United Artists. 1931. 8 reels, sd.

Credits: Director, George Fitzmaurice; story and dialogue, Frederick Lonsdale; adaptation, Benjamin Glazer; film editor, Grant Whyttoch.

THE DEVIL WAS SICK. SEE God's Gift to Women.

A DEVIL WITH THE WIMMIN. Nestor. 1918. 1 reel.

Credits: Written and directed by Craig Hutchinson.

A DEVIL WITH WOMEN. 1930. 7 reels, sd.

Credits: Associate producer, George Middleton; director, Irving Cummings; dialogists, Dudley Nichols, Henry M. Johnson.

THE DEVIL WITHIN. 1921. 6 reels.

Credits: Director, Bernard J. Durning; story, George Allan England; scenario, Arthur J. Zellner.

DEVILED HAMS. (Nu-Atlas Musical) Presented by RKO Radio Pictures, Inc. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald; orchestrations, Jack Schaindlin.

THE DEVIL-FISH. 1927. 1 reel.

Credits: Producer, Bruce Mitchell; scenario, G. C. Peterson.

A DEVILISH ROMEO. 1921. 2 reels.

Credits: Director, Frank Griffin.

THE DEVIL'S APPLE TREE. 1929. 7 reels.

Credits: Director, Elmer Clifton; story and continuity, Lillian Ducey.

THE DEVIL'S BONDWOMAN. Red Feather. 1916. 5 reels.

Credits: Willis Woods, Fred Myton; director, Lloyd B. Carleton; scenario, Fred Myton.

Credits: Directed and prepared for screen by Neal Hart.

THE DEVIL'S BROTHER. 1933. 9 reels, sd., b&w. From the comic opera "Fra Diavolo" by Auber.

Credits: Producer and director, Hal Roach; adaptation, Jeanie Macpherson; film editors, William Terhune, Bert Jordan; music director, LeRoy Shield.

THE DEVIL'S CABARET. (Colortone Novelty) 1931. 2 reels, color.

Credits: Director, Nick Grindé.

THE DEVIL'S CARGO. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 8 reels. Based on the story "The River Boat" by Charles E. Whittaker.

Credits: Producer, Victor Fleming; screenplay, A. P. Younger.

THE DEVIL'S CIRCUS. 1926. 7 reels.

Credits: Story, direction, and adaptation, Benjamin Christianson.

DEVIL'S CROSS. SEE Cruz Diablo.

THE DEVIL'S DAUGHTER. 1915. 5 reels. From Joseph H. Trant's translation of "La Gioconda" by Gabriel D'Annunzio.

Credits: Frank Powell; adaptor, Garfield Thompson.

DEVIL'S DICE. Presented by Banner Productions, Inc. 1926. 6 reels. From the novel by Frank R. Adams.

Credits: Director, Tom Forman; adaptation, Charles A. Logue.

THE DEVIL'S DICE. SEE The Purple Lily.

THE DEVIL'S DOORYARD. 1923. 5 reels. From the story in Adventure Magazine by W. C. Tuttle.

Credits: Director, Lewis King.

THE DEVIL'S DRUM. 1934. 2 reels.

Credits: Narrative, Frank Nelson; film editor, Herbert Lieker.

THE DEVIL'S FOOT. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

THE DEVIL'S FOOT. Presented by Stoll Picture Productions, Ltd. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Producer and director, Maurice Elvey; scenario, William J. Elliott.

THE DEVIL'S GARDEN. 1920. 7 reels. From the story by W. B. Maxwell.

Credits: Director, Kenneth Webb; scenario, Violet Clark.

THE DEVIL'S GARDEN. First National. 1921. 7 reels. From the novel by W. B. Maxwell.

Credits: Director, Kenneth Webb; adaptation, Kenneth Webb, Whitman Bennett.

THE DEVIL'S GULCH. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story, Arthur Preston Hankins; continuity, Barr Cross.

THE DEVIL'S HOLIDAY. 1930. 6,743 ft., sd.

Credits: Direction, story, screenplay, and music, Edmund Goulding.

THE DEVIL'S IMAGE. Imp. 1916. 2 reels.

Credits: J. Grubb Alexander; producer, Hal Clarendon.

THE DEVIL'S IN LOVE. 1933. 6,300 ft., sd.

Credits: Director, Wilhelm Dieterle; story, Harry Hervey; screenplay, Howard Estabrook; editor, Ralph Dietrich.

DEVIL'S ISLAND. 1939. 6 reels, sd.

Credits: Director, William Clemens; original story, Anthony Coldewey, Raymond L. Schrock; screenplay, Don Ryan, Kenneth Gamut.

DEVIL'S LOTTERY. 1932. 6,640 ft., sd. From the novel by Nalbro Bartley.

Credits: Director, Sam Taylor; screenplay, Guy Bolton; editor, Harold Schuster.

DEVIL'S MATE. 1933. 7 reels, sd.

Credits: Producer, Ben Verschleiser; director, Phil Rosen; story and screenplay, Leonard Fields, David Silverstein.

THE DEVIL'S NEEDLE. 1923. 5 reels.

Credits: Director, Chester Withey.

THE DEVIL'S OWN. Big U. 1916. 1 reel.

Credits: Director, George E. Marshall; scenario, George E. Marshall, W. B. Pearson.

DEVIL'S PARADE. 1930. 1 reel, sd.

THE DEVIL'S PARTY. 1938. 7 reels. Based on the novel "Hell's Kitchen Has a Pantry" by Borden Chase.

Credits: Associate producer, Edmund Grainger; director, Ray McCarey; screenplay, Roy Chanslor.

THE DEVIL'S PASSKEY. Jewel. 1920. 7 reels.

Credits: Director, Erich von Stroheim; story, Baroness de Meyer, Erich von Stroheim.

THE DEVIL'S PAWN. 1922. 5 reels.

Credits: John Brennert, John Kraly.

THE DEVIL'S PAY DAY. 1917. 5 reels.

Credits: Director, William Worthington; story, George Hively; scenario, Fred Myton.

THE DEVIL'S PIT. 1930. 6 reels.

Credits: Director, Lew Collins.

DEVIL'S PLAYGROUND. 1933. 5 reels.

Credits: Joe Cunningham.

DEVIL'S PLAYGROUND. 1937. 8 reels, sd.

Credits: Director, Erle C. Kenton; story, Norman Springer; screenplay, Liam O'Flaherty, Jerome Chodorov, Dalton Trumbo; film editor, Viola Lawrence; music director, Morris Stoloff.

THE DEVIL'S PLAYGROUND. SEE The Lady Who Dared.

THE DEVIL'S PRAYER-BOOK. Presented by Kleine-Edison Feature Service. 1916. 5 reels.

THE DEVIL'S PRIZE. 1916. 5 reels.

Credits: Written and directed by Marguerite Bertsch.

THE DEVIL'S RIDDLE. 1920. 5 reels.

Credits: Directors, Frank Beal; story, Edwin Levin; scenario, Ruth Ann Baldwin.

THE DEVIL'S SADDLE. 1927. 6 reels.

Credits: Director, Albert Rogell; story, Kenneth Perkins; adaptation, Marion Jackson.

THE DEVIL'S SADDLE LEGION. 1937. 6 reels, sd.

Credits: Director, Bobby Connolly; story and screenplay, Ed. Earl Repp.

THE DEVIL'S SKIPPER. 1928. 6 reels. Suggested by the story "Demetrious Contos" by Jack London.

Credits: Director, John G, Adolfi; scenario, John F. Natteford; adaptation, Robert Dillon.

DEVIL'S SQUADRON. 1936. 8 reels, sd.

Credits: Directors, Erle C. Kenton; story, Richard V. Grace; screenplay, Howard J. Green, Bruce Manning, Lionel Houser; film editor, John Rawlins; music director, Howard Jackson.

Credits: Director, Harley Knoles.

THE DEVIL'S TRADEMARK. 1928. 7 reels. From the story "Pedigree" by Calvin Johnson.

Credits: Director, Leo. Meehan; continuity, Dorothy Yost.

THE DEVIL'S TRIANGLE. SEE Almost Married.

Credits: Production management, Don F. Osborne.

THE DEVIL'S WHEEL. 1918. 5 reels.

Credits: Director, E. Le Sainte; story and scenario, Charles Kenyon.

DEVOTION. 1921. 6 reels.

Credits: Director, Burton George.

DEVOTION. 1931. 9 reels, sd., b&w. From the novel "A Little Flat in the Temple" by Pamela Wynne [pseud. of Winifred Mary (Watson) Scott].

Credits: Producer, Charles R. Rogers; director, Robert Milton; screenplay, Horace Jackson, Graham John; film editor, Daniel Mandell; music director, Arthur Lange.

DEW DROP INN. 1919. 2 reels.

Credits: Story and direction, Lawrence Semon.

DEXTERITY. (A Pete Smith Specialty) 1937. 1 reel, sd.

Credits: Director, David Miller.

EL DIA QUE ME QUIRAS. Released by Paramount. 1935. 9 reels, sd.

Credits: Director, John Reinhardt; story and dialogue, Alfredo Le Pera; music, Carlos Gardel; music director, Tereg Tucci.

DIAGNOSIS AND TREATMENT OF INFECTIONS OF THE HAND. 1927. 3 reels.

THE DIAMOND BANDIT. 1924. 5 reels.

Credits: Written and directed by Francis Ford.

THE DIAMOND CROWN. (Kate Kirby's Cases) 1913. 1 reel.

Credits: J. Searle Dawley.

DIAMOND DUST. (The Grantland Rice Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

DIAMOND EXPERTS. (Sportlight) Van Beuren Corp. 1931. 1 reel, sd.

1. © title, descr. & 210 prints, 22May15; LU5360.

2. © title, descr. & 117 prints, 22May15; LU5361.

3. © title, descr. & 129 prints, 22May15; LU5362.

4. © title & descr., 19Jun15; 123 prints, 18Jun15; LU5598.

5. © title & descr., 19Jun15; 126 prints, 18Jun15; LU5605.

6. © title & descr., 19Jun15; 138 prints, 18Jun15; LU5602.

7. © title & descr., 19Jun15; 118 prints, 18Jun15; LU5600.

8. © title & descr., 19Jun15; 121 prints, 18Jun15; LU5604.

9. © title & descr., 19Jun15; 148 prints, 18Jun15; LU5597.

10. © title, descr. & 148 prints, 29Jul15; LU5955.

11. © title, descr. & 150 prints, 29Jul15; LU5950.

12. © title, descr. & 160 prints, 29Jul15; LU5949.

13. The Man in the Mask. © title, descr. & 170 prints, 14Aug15; LU6226.

14. For Love and Money. © title, descr. & 176 prints, 14Aug15; LU6227.

15. Desperate Chances. © title, descr. & 143 prints, 13Sep15; LU6367.

16. The Path of Peril. © title, descr. & 141 prints, 13Sep15; LU6363.

DIAMOND HANDCUFFS. 1928. 7 reels, sd., b&w. Based on "Pin Money" by Henry C. Vance.

Credits: Director, John P. McCarthy; original story, Carey Wilson; adaptation, Willis Goldbeck; continuity, Bradley King; titles, Joe Farnham; film editor, Sam S. Zimbalist.

DIAMOND JIM. Presented by Carl Laemmle. 1935. 10 reels. Based on the book by Parker Morell.

Credits: Producer, Edmund Grainger; director, A. Edward Sutherland; screenplay, Preston Sturges; adaptation, Doris Malloy, Harry Clork; film editor, Daniel Mandell; music, Ferdinand Grofe, Franz Waxman.

THE DIAMOND LURE. Rex. 1916. 1 reel.

Credits: Written and directed by John McDermott.

THE DIAMOND MASTER. 1928-29. 2 reels each. From the novel by Jacques Futrelle. © Universal Pictures Corp.

Credits: Director, Jack Nelson.

1. The Secret of the Night. © 16Nov28; LP25838.

2. The Diamond of Death. © 16Nov28; LP25839.

3. The Tunnel of Terror. © 24Nov28; LP25872.

4. Trapped. © 21Jan29; LP54.

5. The Diamond Machine. © 7Feb29; LP94.

6. The Wolf Pack. © 13Feb29; LP123.

7. The Death Trap. © 13Feb29; LP124.

8. Into the Flames. © 18Feb29; LP140.

9. The Last Stand. © 18Feb29; LP141.

10. The Reckoning. © 18Feb29; LP142.

THE DIAMOND MASTER. SEE Diamond Queen.

THE DIAMOND QUEEN. 1921. 2 reels each. From the novel "The Diamond Master" by Jacques Futrelle. © Universal Film Mfg. Co., Inc.

Credits: Director, Edward Kull; scenario, George W. Pyper; adaptation, Robert F. Roden, George W. Pyper.

1. The Vow of Vengeance. © 21Jan21; LP16045.

2. The Plunge of Doom. © 27Jan21; LP16072.

3. Perils of the Jungle. © 29Jan21; LP16073.

4. Fires of Hate. © 7Feb21; LP16121.

5. The Tide of Destiny. © 16Feb21; LP16157.

6. The Colossal Game. © 25Feb21; LP16189.

7. An Amazing Ultimatum. © 3Mar21; LP16259.

8. In Merciless Clutches. © 12Mar21; LP16277.

9. A Race with Rogues. © 16Mar21; LP16294.

10. The Betrayal. © 25Mar21; LP16331.

11. In Torture's Grip. © 1Apr21; LP16344.

12. The Kidnapping. © 7Apr21; LP16375.

13. Weird Walls. © 12Apr21; LP16404.

14. The Plunge. © 20Apr21; LP16421.

15. The Decoy. © 27Apr21; LP166440.

16. The Dip of Death. © 6May21; LP16496.

17. The Hand of Hate. © 14May21; LP16553.

18. The Hour of Reckoning. © 21May21; LP16571.

THE DIAMOND THIEVES. Special Imp. 1917. 1 reel.

DIAMOND TIL. SEE Grace Hayes and Neville Fleeson in Diamond Til.

DIAMOND TRAIL. 1933. 6 reels, sd.

Credits: Producer, Paul Malvern; supervision, Trem Carr; director, Harry Fraser; story and adaptation, Sherman Lowe.

DIAMONDS ADRIFT. 1920. 5 reels.

Credits: Director, Chester Bennett; story and scenario, Frederick J. Jackson.

Credits: Director, George Archainbaud.

DIAMONDS ARE TRUMPS. 1916. 3 reels.

Credits: Director, William Robert Daly.

DIAMONDS IN THE ROUGH. Presented by E. W. Hammons. 1936. 1,683 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

DIAMONDS OF DESTINY. Imp. 1917. 1 reel.

Credits: Director, Maxwell Ryder; story, Beverly Griffith; scenario, Maxwell Ryder, Jack Cunningham.

DIAMONDS OF FATE. Powers. 1915. 1 reel.

Credits: Producer, Sydney Ayres; scenario, Calder Johnstone.

DIANA ARDWAY. SEE Satan Junior.

DIANA'S DRESS REFORM. 1913. 1 reel.

Credits: Director, Ralph Ince.

Credits: Producer, Lillian Delger Powers; titles, H. I. Phillips.

THE DIARY OF A PUPPY. (Paula Blackton's Country Life Stories) 1917. 1 reel.

Credits: Director, J. Stuart Blackton.

Credits: John Moroso.

THE DICE WOMAN. Presented by John C. Flinn. Released by Producers Distribution Corp. 1926. 6 reels.

Credits: Director, Edward Dillon; story, Percy Heath.

DICK HENDERSON IN AT THE CHURCH FESTIVAL. 1929. 1 reel, sd.

DICK HENDERSON IN THE MUSIC SHOP. 1929. 1 reel, sd.

DICK POTTER'S WIFE. 1914. 1 reel.

Credits: Frank Hart; director, Ashley Miller.

DICK RICH AND HIS MELODIOUS MONARCHS. 1928. 1 reel, sd.

DICK RICH AND HIS SYNCO SYMPHONISTS. 1928. 1 reel, sd.

DICK TRACY. 1937. 2 reels each, except no. 1 which is 3 reels, sd. Based on the cartoon strip by Chester Gould.

Credits: Associate producer, J. Laurence Wickland; directors, Ray Taylor, Alan James; original story, Morgan Cox, George Morgan; screenplay, Barry Shipman, Winston Miller.

DICK TRACY RETURNS. 1938. 2 reels each, except no. 1 which is 3 reels, sd. Based on a cartoon strip by Chester Gould.

Credits: Associate producer, Robert Beche; directors, William Witney, John English; original screenplay, Barry Shipman, Franklyn Adreon, Ronald Davidson, Rex Taylor, Sol Shor; film editors, Helene Turner, Edward Todd.

1. The Sky Wreckers.

2. The Runaway of Death.

3. Handcuffed to Doom.

4. Four Seconds To Live.

5. Death in the Air.

6. Stolen Secrets.

7. Tower of Death.

8. Cargo of Destruction.

9. The Clock of Doom.

10. High Voltage.

11. The Kidnapped Witness.

12. The Runaway Torpedo.

13. Passengers to Doom.

14. In the Hands of the Enemy.

15. G-Men's Dragnet.

DICK TRACY'S G-MEN. 1939. 2 reels each, except no. 1 which is 3 reels, sd. Based on cartoon strips by Chester Gould.

DICK TURPIN. 1925. 7 reels.

Credits: Director, John G. Blystone; story, Charles Darnton, Charles Kenyon; scenario, Charles Kenyon.

DICK TURPIN'S RIDE TO YORK. 1923. 7 reels.

Credits: Story, Harrison Ainsworth; scenario, Leslie H. Gordon.

DICKSON'S DIAMONDS. 1914. 1 reel. Adapted from the Felix Boyd Series, entitled "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

Credits: Director, Langdon West.

THE DICTATOR. 1922. 6 reels. From the play by Richard Harding Davis.

Credits: Director, James Cruze; adaptation, Walter Woods.

THE DICTIONARY OF SUCCESS. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Director, Wray Physioc; story, Herbert Kaufman; scenario, Merle Johnson.

DID HE, OR DID HE NOT? 1916. 1 reel.

Credits: Producer, Frank Currier.

DID IT EVER HAPPEN TO YOU? 1917. 1 reel.

Credits: Anthony P. Kelly; producer, Harry Jackson.

DID SHE CURE HIM? 1914. 1 reel.

Credits: Producer, Norval MacGregor.

DID THIS EVER HAPPEN TO YOU? 1922. 1 reel.

DID THIS EVER HAPPEN TO YOU? 1925. 1 reel.

Credits: Produced and directed by Ralph B. Staub.

A DIFFERENCE OF OPINION. 1915. 2 reels.

THE DIFFICULTIES OF A BASHFUL COWBOY. SEE An Assisted Proposal.

DIGESTION. 1929. Made in cooperation with the Department of Biology and Public Health, Massachusetts Institute of Technology. 1 reel.

DIGESTION OF FOODS. 1938. 1 reel, sd.

A DIGNIFIED FAMILY. 1915. 3 reels.

DILLINGER, PUBLIC ENEMY NO. 1. Midland Film Co. 1934. 2 reels.

Credits: Story, H. C. Hoagland.

DIME A DANCE. Presented by E. W. Hammons. 1937. 1,762 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

THE DIMMIT COUNTY SMUGGLERS. 1914. 3 reels.

DIMPLES. Columbia Pictures Corp. 1916. 5 reels.

Credits: Director, Edgar Jones; adaptation, Harry O. Hoyt.

DIMPLES. 1936. 7,108 ft., sd.

Credits: Director, William A. Seiter; screenplay, Arthur Sheekman, Nat Perrin; music director, Louis Silvers.

DIMPLES AND THE RING. 1915. 1 reel.

Credits: Director, Wilfrid North.

DIMPLE'S BABY. 1917. 2 reels.

Credits: A. Van Buren Powell; director, Wilfred North.

DIMPLES, THE AUTO SALESMAN. 1915. 1 reel.

Credits: Director, Wilfrid North.

DIMPLES, THE DIPLOMAT. 1917. 2 reels.

Credits: Joseph Poland; director, Wilfrid North; adaptation, A. Van Buren Powell.

DINAH. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Henning.

DINES AND PINES. SEE Felix the Cat Dines and Pines.

DING DONG DOGGIE. (Betty Boop Cartoon) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

DINKLESPIEL'S BABY. 1914. 1 reel.

Credits: Dan Mason.

DINKY. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Directors, D. Ross Lederman, Howard Bretherton; story, John Fante, Frank Fenton, Samuel Gilson Brown; screenplay, Harry Sauber.

DINKY DOODLE AND THE BAD MAN. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE AND THE LITTLE ORPHAN. 1926. 1 reel.

Credits: Written and directed by Walt Lantz, Clyde Geronimi.

DINKY DOODLE IN EGYPT. 1926. 1 reel.

Credits: Written and directed by Walt Lantz.

DINKY DOODLE IN LOST AND FOUND. 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE IN THE ARCTIC. 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE IN THE ARMY. 1926. 1 reel.

Credits: Director, Walter Lantz.

DINKY DOODLE IN THE CIRCUS. Released by F. B. O. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE IN THE HUNT. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE IN THE RESTAURANT. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE IN THE WILD WEST. 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE IN UNCLE TOM'S CABIN. 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

DINKY DOODLE'S BED TIME STORY. 1926. 1 reel.

Credits: Written and directed by Walt Lantz.

DINNER AT EIGHT. 1933. 11 reels, sd., b&w. From the Sam H. Harris stage play by George S. Kaufman and Edna Ferber.

Credits: Producer, David O. Selznick; director, George Cukor; screenplay, Frances Marion, Herman J. Mankiewicz; additional dialogue, Donald Ogden Stewart; film editor, Ben Lewis.

DINNER AT EIGHT. SEE Crooked Streets.

DINNER AT THE RITZ. 1937. 8 reels, sd.

Credits: Director, Harold D. Schuster; screenplay, Roland Pertwee, Romney Brent; scenario and dialogue, Roland Pertwee.

DINNER TIME. 1928. 1 reel.

Credits: Paul Terry, John Foster.

THE DINOSAUR AND THE MISSING LINK. 1917. 1 reel.

Credits: Staged by Willis H. O'Brien.

DINTY. First National. 1921. 79 min.

Credits: Directors, Marshall Neilan, John MacDermott; story, Marshall Neilan; scenario, Marion Fairfax.

DIOGENES WEEKLY. 1914-15. Split reels. © Biograph Co.

No. 13. © 5Dec14; LP3908.

No. 23. © 18Jan15; LP4250.

No. 4-11-44. © 24Dec14; LP4018.

DIONNE QUINTUPLETS. 1934. 3 reels.

THE DIONNE QUINTUPLETS. 1934. 1 reel, sd.

A DIP IN THE WATER. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence Badger.

DIP RIGHT INTO YOUR FROZEN PROFITS. Presented by the Ice Cream Merchandising Institute. 1937. Filmstrip, 121 frames, sd.

DIPHTHERIA. 1930. 1 reel.

THE DIPLOMA. SEE A Man's Past.

DIPLOMACY. 1916. Powers. 1/2 reel.

DIPLOMACY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6,959 ft. From the play by Victorien Sardou.

Credits: Director, Marshall Neilan; scenario, Benjamin Glazer.

DIPLOMANIACS. 1933. 7 reels, sd.

Credits: Associate producer, Sam Jaffe; director, William A. Seiter; original story, Joseph L. Mankiewicz; screenplay, Joseph L. Mankiewicz, Henry Meyers; film editor, William Hamilton; music director, Max Steiner; music and lyrics, Henry Akst, Edward Eliscu.

DIPLOMATIC HENRY. 1915. 1 reel.

Credits: Director, Sidney Drew.

A DIPLOMATIC MISSION. 1918. 5 reels.

Credits: Director, Jack Conway; story, Don Bartlett.

THE DIPLOMATS. 1929. 4 reels, b&w.

Credits: Director, Norman Taurog; story and scenario, Arthur Caesar, Clark and McCullough.

THE DIPLOMATS, HIGH HAT SYNCOPATORS OF JAZZ, OFFER: A. OH, BABY, DON'T WE GET ALONG? [and others]. 1927. 1 reel.

DIPPY DAN'S DOINGS. 1917. 2 reels.

Credits: Director, J. G. Blystone.

A DIPPY TAR. (Billy Dooley Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, William Watson.

DIRECT MAIL AND DIRECT SALES. 1928. 1 reel.

DIRIGIBLE. 1931. 10 reels, sd.

Credits: Producer, Harry Cohn; director, Frank R. Capra; story, Frank Wilber Wead; adaptation and dialogue, Jo Swerling; continuity, Dorothy Howell; film editor, Maurice Wright.

Credits: Producer, Bruce Mitchell; scenario, Anthony W. Coldewey.

DIRTY HANDS. (Juvenile Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Fred Hibbard.

DIRTY WORK. (Hal Roach, Laurel-Hardy Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordan.

DIRTY WORK IN A BEANERY. 1916. 1 reel.

DIRTY WORK IN A LAUNDRY. 1915.

Credits: Producer, Mack Sennett.

THE DISAPPEARING GROOM. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Al. Cawood; scenario, Al. E. Christie.

Credits: Written and produced by Bruce Mitchell.

DISARMAMENT CONFERENCE. (Krazy Kat) Winkler. 1931. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE DISASTROUS DARDANELLES EXPEDITION. Powers Special, 1916. 1 reel.

DISBARRED. 1939. 7 reels, sd.

Credits: Director, Robert Florey; story, Harry Sauber; screenplay, Lillie Hayward, Robert R. Presnell; film editor, Arthur Schmidt.

THE DISCARD. 1916. 5 reels.

Credits: Charles Michelson; director, Lawrence Window.

THE DISCARDED WOMAN. 1920. 6 reels. From the story "The Hidden Path" by Lawrence McCloskey and A. W. Tillinghast.

Credits: Director, Burton King.

Credits: Producer, William S. Hart; supervision, Thomas H. Ince; scenario, Thomas H. Ince, S. Barret McCormick.

THE DISCIPLE. 1915. 5 reels.

Credits: S. Barret McCormick.

A DISCIPLE OF PLATO. 1915. 1 reel.

Credits: Director, Lee Beggs.

DISCIPLINE & GENEVRA. SEE The Talk of the Town.

DISCONTENT. Gold Seal. 1916. 2 reels.

Credits: Lois Weber; producers, The Smalleys.

THE DISCONTENTED CANARY. (M-G-M Cartoon) 1934. 802 ft., sd., color.

Credits: Producers, Hugh Harman, Rudolf Ising.

DISCONTENTED COWBOYS. (Sidney-Murray, no. 3) 1930. 2 reels.

Credits: Director, Albert Ray; story, Ralph Ceder, James Mulhauser.

DISCONTENTED HUSBANDS. Presented by Columbia Pictures. 1924. 6 reels.

Credits: Producer, Harry Cohn; director, Edward J. LeSaint; story, Evelyn Campbell.

THE DISCONTENTED MAN. 1915. 1,000 ft.

DISCORD IN A FLAT. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

THE DISCOUNTERS OF MONEY. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Robert A. Sanborn.

DISCOVERED. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, William K. Wells; dialogue staged by Max E. Hayes.

DISGRACED. 1933. 7 reels, sd.

Credits: Producer, Bayard Veiller; director, Erle C. Kenton; story, Alice D. G. Miller; screenplay, Alice D. G. Miller, Francis Martin.

DISGUISED BUT DISCOVERED. L-Ko. 1915. 1 reel.

THE DISH RAN AWAY WITH THE SPOON. (Merrie Melodies, no. 12) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Rollin Hamilton, Bob McKimson; musical score, Frank Marsales.

DISHONORED. 1931. 10 reels, sd.

Credits: Direction and story, Josef von Sternberg; screenplay, Daniel N. Rubin.

A DISMANTLED BEAUTY. L-Ko. 1915. 1 reel.

THE DISMISSAL OF SILVER PHIL. 1918. 2 reels.

Credits: Director, Allen Watt; story, Alfred Henry Lewis; adaptation, George H. Plympton.

THE DISOBEDIENT MOUSE. (A Walter Lantz Cartune Comedy) 1938. 1 reel, sd.

Credits: Director, Lester Kline; story, Victor McLeod; animation, George Dane, Ralph Somerville.

DISORDER IN THE COURT. 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Felix Adler.

A DISORDERED ORDERLY. (Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

DISORDERLY CONDUCT. 1932. 7,400 ft., sd.

Credits: Director, John W. Considine, Jr.; story and dialogue, William Anthony McGuire; continuity, Del Andrews; editor, Frank Hull.

DISPOSING OF MOTHER. (American Home Life Series, no. 2) 1923. 2 reels. Suggested by a Woman's Home Companion story.

Credits: Director, Arthur J. Zellner; adaptation, Evelyn Kenyon.

DISPUTED DECISIONS. (News World of Sports) 1936. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

DISPUTED PASSAGE. 1939. 10 reels, sd. Based on the novel by Lloyd C. Douglas.

Credits: Producer and director, Frank Borzage; screenplay, Anthony Veiller, Sheridan Gibney; film editor, Jimmy Smith.

Credits: Producer, Percy Nash.

DISRAELI. United Artists. 1921. 7 reels. From the play by Louis N. Parker.

Credits: Director, Henry Kolker; scenario, Forrest Halsey.

DISRAELI. Vitaphone. 1929. 9 reels. From the play by Louis N. Parker.

Credits: Director, Al Green; adaptation, Julian Josephson.

DISRAELI. Trailer. 1929. 1 reel, sd.

DISTANCE RACES. 1938. 1 reel.

DISTRIBUTING HEAT ENERGY. 1938. 1 reel, sd.

THE DISTRICT ATTORNEY. 1915. 5 reels.

Credits: Charles Klein, Harrison Grey Fiske; director, Barry O'Neil; adaptation, Clay M. Greene.

DITTO. Presented by E. W. Hammons. 1937. 1,537 ft., sd.

Credits: Director, Charles Lamont; story, Paul Gerard Smith.

DIVE IN. (A Sports Champions) 1932. 930 ft.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

THE DIVER. 1913. 2 reels.

Credits: Director, Harry Lambart.

THE DIVER. (Bray Nature) Presented by the Bray Studios. 1926. 1 reel.

Credits: Titled by Don Carlos Ellis.

THE DIVIDED LOCKET. 1915. 1 reel.

Credits: Director, Henry Otto.

THE DIVINE LADY. Presented by Richard A. Rowland. 1929. 12 reels. From the story by E. Barrington [pseud. of Lily Moresby Adams Beck].

Credits: Produced and directed by Frank Lloyd; adaptation, Forrest Halsey; continuity, Agnes Christine Johnston.

THE DIVINE LADY. Trailer. 1929. 1 reel, sd.

Credits: Director, George Archainbaud; story, Alma Spear Benzing.

THE DIVINE WOMAN. 1928. 8 reels, b&w. Based on the play "Starlight" by Gladys Unger.

Credits: Producer and director, Victor Seastrom; story and treatment, Gladys Unger; scenario, Dorothy Farnum; titles, John Colton; film editor, Conrad A. Nervig.

DIVING. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

A DIVING FOOL. 1924. 2 reels.

Credits: Director, Charles Lamont.

DIVING RHYTHM. (News World of Sports) 1939. 892 ft., sd.

Credits: Editor, Harry Foster; narrator, Jack Kofoed; described by Dan Seymour.

DIVORCE. 1923. 6 reels.

Credits: Director, Chester Bennett; story, Andrew Bennison.

DIVORCE A LA CARTE. (Sidney-Murray Comedy) 1931. 2 reels.

Credits: Director, Charles Lamont; story, Andrew Bennison, Henry Johnson.

DIVORCE A LA MODE. (Educational's Comedies) 1932. 21 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Jefferson Moffitt, John Grey.

DIVORCE AMONG FRIENDS. Warner Bros. and Vitaphone. 1930. 9 reels, sd.

Credits: Director, Roy Del Ruth; story, Jack Townley; screen adaptation, Harvey Thew.

DIVORCE COUPONS. 1922. 6 reels.

Credits: Director, Webster Campbell; story, Ethel Watts Mumford; scenario, William B. Courtney.

A DIVORCE COURTSHIP. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, George Stevens; story, Jack Townley, Fred Guiol; film editor, John Lockert.

DIVORCE EVIDENCE. SEE Evidence.

Credits: Director, Travers Vale.

DIVORCE IN THE FAMILY. 1932. 9 reels, sd.

Credits: Director, Charles F. Riesner; story, Maurice Rapf, Delmer Daves; screenplay, Delmer Daves; film editor, William Gray.

DIVORCE MADE EASY. 1929. 5,270 ft., si., 5.386 ft., sd.

Credits: Producer, Al Christie; silent version director, Neal Burns; talking version director, Walter Graham; play, Wilson Collison; screen adaptation, Alfred A. Cohn.

A DIVORCE OF CONVENIENCE. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Victor Heerman; director, Robert Ellis; scenario, Sarah Y. Mason.

DIVORCE SWEETS. Presented by E. W. Hammons. 1933. 1,636 ft., sd.

Credits: Producer, Al Christie; story, Sid Herzig, William Watson; editor, Barney Rogan.

THE DIVORCE TRAP. 1919. 5 reels.

Credits: Director, Frank Beal; story, Jasper Ewing Brady; scenario, Denison Clift.

DIVORCED. 1915. 5 reels.

Credits: Edwin Archer; producer, Joseph A. Golden.

DIVORCED SWEETHEARTS. (Educational-Mack Sennett Talking Comedies) 1930. 2 reels, sd.

Credits: Director, Mack Sennett.

THE DIVORCÉE. 1917. 5 reels.

Credits: Rufus Steele; director, William Wolbert.

THE DIVORCÉE. 1919. 5 reels. From the play "Lady Frederick" by W. Somerset Maugham.

Credits: Director general, Maxwell Karger; director, Herbert Blache; scenario, June Mathis, Katharine Kavanaugh.

THE DIVORCÉE. 1930. 9 reels, sd., b&w. Based on the novel by Ursula Parrott.

Credits: Producer, Robert Z. Leonard; continuity and dialogue, John Meehan; treatment, Nick Grinde, Zelda Sears; film editor, Hugh Wynn.

DIVORÇONS. 1915. 4 reels. Based on the play by Victorien Sardou.

DIVORÇONS. SEE

Don't Tell the Wife.

Let's Get a Divorce.

DIVOT DIGGERS. (Hal Roach Comedy) (Our Gang Comedy) 1936. 2 reels, sd., b&w.

Credits: Producer, Hal Roach; director, Robert McGowan; film editor, Louis McManus.

DIXIANA. 1930. 12 reels, sd.

Credits: Directed and adapted by Luther Reed; story, dialogue, and lyrics, Anne Caldwell; music director, Victor Baravalle; music, Harry Tierney; orchestrator, Max Steiner.

DIXIE. (The Chronicles of America) Presented by Yale University Press. 1924. 3 reels. Adapted from "The Day of the Confederacy" by Nathaniel W. Stephenson.

Credits: Director, Webster Campbell; adaptation, Martha Tucker Stephenson.

DIXIE. 1929. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

THE DIXIE CHASE. (Sportlight) 1930. 1 reel.

Credits: John Eaton.

DIXIE DAYS. 1928. 1 reel, sd.

DIXIE DAYS. (An Aesop Sound Fable) 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

Credits: Producer, John L. Hawkinson.

THE DIXIE HANDICAP. Presented by Louis B. Mayer. 1925. 7 reels.

Credits: Assistant director, Harry Schenck; story, Gerald Beaumont; adapted by Waldemar Young; film editor, Daniel Gray.

THE DIXIE MADCAPS. 1920. 2 reels.

THE DIXIE MERCHANT. 1926. 6 reels, tinted. Adapted from "The Chicken-Wagon Family" by Barry Benefield.

Credits: Director, Frank Borzage; scenario, Kenneth B. Clarke.

THE DIXIE WINNER. 1916. 2 reels.

Credits: Producer, Hardee Kirkland.

DIXIELAND. 1935. 1 reel, sd.

DIXIE'S DAY OFF. Joker. 1915. 1 reel.

Credits: Scenario and production, Archer McMackin.

DIZZY AND DAFFY. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Dolph Singer, Jack Henley.

DIZZY DAMES. 1935. 9 reels, sd. Suggested by the story "The Watchdog" by P. G. Wodehouse.

Credits: Producer, M. H. Hoffman; director, William Nigh; story, continuity, and dialogue, George Waggner; film editor, Mildred Johnston; musical score, Howard Jackson.

DIZZY DANCERS. 1926. 2 reels.

Credits: Director, Jules White; story, Henry Johnson, Sydney Lanfield.

DIZZY DATES. 1930. 2 reels.

Credits: Director, Lewis R. Foster; dialogue and continuity, E. V. Durling, Marty Martin.

A DIZZY DAY. (Aesop's Sound Fables) 1933. 1 reel.

Credits: Harry Bailey.

DIZZY DISHES. 1930. 1 reel.

Credits: Director, Dave Fleischer.

THE DIZZY DIVER. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

DIZZY DIVERS. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Harold Walker.

DIZZY DOCTORS. 1937. 2 reels, sd.

Credits: Director, Del Lord; story, Charlie Melson; screenplay, Al Ray.

DIZZY DUCKS. Presented by Columbia Pictures Corp. 1936. 594 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE DIZZY DWARF. Snappy. (An Oswald Cartoon) 1934. 1 reel.

Credits: Bill Nolan; artists, Cecil Surry, Ed. Benedict, Victor McLeod, Ernest Smythe.

DIZZY HEIGHTS AND DARING HEARTS. 1916. 2 reels.

Credits: Supervision, Mack Sennett; director, Walter Wright.

DIZZY RED RIDING HOOD. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

DIZZY SIGHTS. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, William Watson; story, Hal Conklin; scenario, Sig Herzig.

DO A GOOD DEED. (Oswald the Lucky Rabbit) Snappy. 1935. 1 reel.

DO AND DARE. Fox Film Corp. 1922. 5 reels.

Credits: Direction and scenario, Edward Sedgwick; story, Marion Brooks.

DO GENTLEMEN SNORE? (Roach Star Comedies) Presented by Hal Roach. 1928. 2 reels, b&w, tinted sequences.

Credits: Supervision and story, Leo McCarey; director, Arch Heath; editor, Richard Currier.

DO IT NOW. 1930. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

DO OR BUST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

Credits: Director, J. P. McGowan; story, Anthony W. Coldeway.

DO OR DIET. Bluebird. 1927. 1 reel.

DO YOU REMEMBER? (Organlogue, no. 15) 1931. 1 reel, sd.

Credits: Narration, Harry Von Zell.

DO YOU TAKE? (Speed Comedy) (Eddie Lyons Comedy) 1921. 2 reels.

Credits: Producer, Eddie Lyons; scenario, Bob McGowan.

DO YOUR DUTY. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer, William Beaudine; story, Julian Josephson.

DO YOUR STUFF. 1935. 2 reels, sd.

Credits: Director, James G. Parrott; story and screenplay, Felix Adler; film editor, James Sweeney.

DOBS AT THE SHORE. 1914. Split reel.

DOC YAK AND SANTA CLAUS. 1914. 1 reel.

Credits: Drawn by Sidney Smith.

DOC YAK AND THE LIMITED TRAIN. 1914. 1 reel.

Credits: Drawn by Sidney Smith.

DOC YAK, MOVING PICTURE ARTIST.

DOC YAK PLAYS GOLF. 1914. 1 reel.

DOC YAK'S BOTTLE. 1914. 1 reel.

Credits: Drawn by Sidney Smith.

DOC YAK'S CATS. 1914. 1 reel.

DOC YAK'S WISHES. 1914.

Credits: Drawn by Sidney Smith.

DOC YAK'S ZOO. 1914. 1 reel.

THE DOCKS OF NEW YORK. 1928. 7,202 ft.

Credits: Producer and director, Josef von Sternberg; story, John Monk Saunders; adaptation, Jules Furthman.

THE DOCTOR. (A Song Hit Story) Educational Pictures. Presented by E. W. Hammons. 1934. 735 ft., sd.

Credits: Director, Johnnie Walker; supervision, Al Christie; story, Gene Buck; screen treatment, Betty Laidlaw, Bob Lively; editor, Sam Citron; musical composition, Hugo Riesenfeld; music arranged by Walter Scharf.

THE DOCTOR. SEE The Heart of a Lion.

THE DOCTOR AND THE WOMAN. 1918. Based on a story by Mary Roberts Rinehart.

Credits: Written and directed by Lois Weber, Phillips Smalley.

DR. BLUE BIRD. (A Color Rhapsody) 1936. 718 ft., sd., color.

Credits: Producer, Charles Huntz; story, Ben Harrison; animation, Manny Gould; music, Joe De Nat.

DR. BULL. 1933. 8 reels, sd. Based on the novel "The Last Adam" by James Gould Cozzens.

Credits: Director, John Ford; screenplay, Paul Green; continuity, Jane Storm.

DR. CRATHERN'S EXPERIMENT. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

DOCTOR CUPID. 1937. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

DR. GAR EL HAMA'S ESCAPE FROM PRISON. SEE The Abduction.

DR. GOUDRON'S SYSTEM. SEE The Lunatics.

Credits: Producer, Louis Mayer.

DR. JEKYLL AND MR. HYDE. 1920. 7 reels. From the novel "The Strange Case of Dr. Jekyll and Mr. Hyde" by Robert Louis Stevenson.

Credits: Director, John S. Robertson; scenario, Clara S. Beranger.

DR. JEKYLL AND MR. HYDE. 1932. 11 reels, sd. Based on the novel "The Strange Case of Dr. Jekyll and Mr. Hyde" by Robert Louis Stevenson.

Credits: Producer and director, Rouben Mamoulian; screenplay, Samuel Hoffenstein, Percy Heath.

DR. JEKYLL AND MR. HYDE. SEE Dr. Pyckle and Mr. Pride.

DOCTOR JEKYLL'S HIDE. Snappy. 1932. 1 reel.

Credits: Supervision, direction, and dialogue, Albert De Mond.

DOCTOR JIM. 1921. 5 reels.

Credits: Producer, William Worthington; story, Stuart Paton; scenario, E. B. Lewis.

DR. MASON'S TEMPTATION. Laemmle. 1915. 1 reel.

Credits: Production and scenario, Frank Lloyd, story Hugh Weir.

DR. MONICA. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, William Keighley; screenplay and adaptation, Charles Kenyon.

DOCTOR NEIGHBOR. Red Feather. 1916. 5 reels.

Credits: Agnes May; producer, L. B. Carleton.

DR. NYE. SEE Idle Tongues.

THE DOCTOR OF AFTERNOON ARM. Imp. 1916. 2 reels. From the story by Norman Duncan.

Credits: Adapted and produced by Robert F. Hill.

THE DOCTOR ON THE MOUNTAIN. SEE Schlitz on Mt. Washington.

DOCTOR OSWALD. (A Walter Lantz Cartoon) 1935. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; animation, Ray Abrams, Fred Kopietz.

DOCTOR POLLY. 1914. 2 reels.

Credits: Directors, Wilfrid North, Wallie North.

DR. PYCKLE AND MR. PRIDE. (Stan Laurel Series, no. 11) 1925. 2 reels. A burlesque on "Dr. Jekyll and Mr. Hyde" by Stevenson.

DR. QUACK. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Robert Kerr; story, Hal Conklin; titles, Al Martin.

DR. RAMEAU. 1915. For Fox Film Corp. 6 reels. Adapted from the novel by George Ohnet.

Credits: Adaptation, Garfield Thompson, Will S. Davis; picturized by Will S. Davis.

DOCTOR RHYTHM. 1938. 8 reels, sd. From the story "The Badge of Policeman O'Roon" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Frank Tuttle; screenplay, Jo Swerling, Richard Connell.

A DOCTOR SHOULD HAVE PATIENCE [and] LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

DR. SMITH'S BABY. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

DR. SOCRATES. Presented by Warner Bros. Pictures. Inc. and The Vitaphone Corp. 1935. 8 reels.

Credits: Director, William Dieterle; story, W. R. Burnett; screenplay, Robert Lord; adaptation, Mary C. McCall, Jr.

DOCTOR SYN. 1937. 8 reels. Based on the novel by Russell Thorndike.

Credits: Associate producer, Edward Black; director, Roy William Neill; scenario, Roger Burford; dialogue, Michael Hogan; editor, R. E. Dearing; music director, Louis Levy.

DOCTOR X. 1932. 8 reels. Based on a play by Howard W. Comstock and Allen C. Miller.

Credits: Director, Michael Curtiz; screenplay, Robert Tasker, Earl Baldwin.

THE DOCTOR'S DECEPTION. Laemmle. 1917. 1 reel.

A DOCTOR'S DIARY. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Charles Vidor; story, Samuel Oranitz, Joseph Anthony; screenplay, David Boehm; film editor, Robert Bischoff.

THE DOCTOR'S DUTY. 1913. 1 reel.

Credits: Frank Hart.

THE DOCTOR'S MISTAKE. 1914. 1 reel.

Credits: Producer, Oscar Eagle.

DOCTOR'S ORDERS. 1930. 2 reels, sd., b&w.

Credits: Director, Arch Heath; story and dialogue, H. M. Walker; editor, Richard Currier.

DOCTOR'S ORDERS. (Thalian Comedy) 1932. 2 reels.

Credits: Director, Lou Breslow; story, Harold Tarshis, Nick Barrows.

THE DOCTOR'S PHOTOGRAPH. 1913. 1 reel.

Credits: A. B. Cooper.

DOCTORS PREFER BRUNETTES. Bluebird. 1927. 1 reel.

Credits: Director, Edgar P. Kennedy.

THE DOCTOR'S SECRET. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

THE DOCTOR'S SECRET. 1929. 6 reels, sd. From the play "Half an Hour" by James M. Barrie.

Credits: Produced, adapted, and directed by William C. De Mille.

DOCTORS' WIVES. 1931. 7,400 ft., sd. From the book by Henry and Sylvia Lieferant.

Credits: Associate producer, John W. Considine, Jr.; director, Frank Borzage; screenplay and dialogue, Maurine Watkins; editor, Jack Dennis.

THE DOCTOR'S WOMEN. Ufa. 1929. 70 min.

Credits: Director, Gustav Molander; story, Paul Merzbach.

THE DODDER. 1931. 1 reel.

Credits: Narration, Clyde Fisher.

DODGE CITY. 1939. 11 reels, sd., color.

Credits: Director, Michael Curtiz; original screenplay, Robert Buckner; music, Max Steiner.

DODGE CITY TRAIL. 1936. 7 reels, sd.

Credits: Producer, Peter B. Kyne; director, C. C. Coleman, Jr.; screenplay, Harold Shumate; film editor, Richard Fantl; music director, Morris Stoloff.

THE DODGERS. (Star Comedy) 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; scenario, C. B. Hoadley.

DODGING A MILLION. 1918. 6 reels.

Credits: Edgar Selwyn, A. M. Kennedy; director, George Loane Tucker.

DODGING DANGER. 1929. 2 reels.

Credits: Director, Doran Cox; story and continuity, Lola D. Moore.

DODGING TROUBLE. Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Harold Beaudine; story, Frank Roland Conklin.

DODSWORTH. Released through United Artists. 1936. 11 reels, sd. Based on the novel written by Sinclair Lewis and dramatized by Sidney Howard as produced for the stage by Max Gordon.

Credits: Director, William Wyler; screenplay, Sidney Howard; film editor, Danny Mandel; music director, Alfred Newman.

DOES FLIRTING PAY? L-Ko. 1915. 1 reel.

DOES IT END RIGHT? Laemmle. 1915. 1 reel.

Credits: Ben Cohn; producer, Richard Stanton.

DOES IT PAY? 1923. 7 reels, b&w, tinted sequences.

Credits: Director, Charles Horan; story, Julius Steger; scenario, Howard Irving Young.

DOES THE WOMAN FORGET? 1915. 1 reel.

THE DOG AND THE BONE. Presented by E. W. Hammons. 1937. 581 ft., sd.

Credits: Paul Terry, George Gordon; scored and conducted by Philip A. Scheib.

DOG BISCUITS. (Bull's Eye Comedy) 1925. 2 reels.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

DOG BLIGHT. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Charles Roberts; film editor, John Lockert.

DOG DAYS. 1919. 2 reels.

Credits: Written and directed by Chuck Reisner.

DOG DAYS. U. F. A., Germany. 1927. 1 reel.

Credits: Editor, Edward Bowes.

DOG DAYS. 1928. 1 reel.

Credits: Robert C. Bruce.

DOG DAYS. Treasure Chest. Presented by E. W. Hammons. 1935. 750 ft., sd.

DOG DAZE. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Charles Lamont.

DOG DAZE. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, A. C. Gamer; musical score, Carl W. Stalling.

DOG DAZE. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, George Sidney; original story and screenplay, Alfred Giebler; film editor, Tom Biggart.

THE DOG DOCTOR. Century. 1921. 2 reels.

Credits: Written and directed by Fred C. Fishback.

THE DOG DOCTOR. (Educational's Comedies) (Mack Sennett Comedies) 1931. 18 min., sd.

Credits: Director, Phil Whitman; story and dialogue, John A. Waldron, Harry McCoy, Ewart Adamson, Walter Weems.

DOG HEAVEN. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels, sd.; b&w.

Credits: Production, story, and supervision, Robert McGowan; director, Anthony Mack; titles, H. M. Walker; editor, Richard Currier.

A DOG IN THE MANGER. 1917. 2 reels. From the play by Charles Hoyt.

Credits: Director, J. A. Richmond.

A DOG IS BORN. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

DOG JUSTICE. 1928. 6 reels.

Credits: Director, Jerome Storm; story and screenplay, Ethel Hill.

DOG LAW. 1928. 6 reels.

Credits: Directors, Jerome Storm, Sam Nelson; story, S. E. V. Taylor; screenplay, Frank Howard Clark.

A DOG OF FLANDERS. 1935. 8 reels, sd. From the novel by Ouida [pseud. of Louise De La Ramée].

Credits: Associate producer, William Sistrom; director, Edward Sloman; screenplay, Ainsworth Morgan; adaptation, Dorothy Yost; editor, George Crone; music director, Albert Colombo.

A DOG OF FLANDERS. SEE A Boy of Flanders.

DOG OF THE REGIMENT. 1927. 6 reels.

Credits: Director, D. Ross Lederman; story, Albert S. Howson; scenario, Charles R. Condon.

DOG 'ON IT. 1925. 2 reels.

Credits: Director, George Jeske.

THE DOG SHOW. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1934. 549 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE DOG SNATCHER. (A Scrappy Cartoon) 1931. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus; musical score, Joe De Nat.

DOGGING IT. (A Grantland Rice Sportlight) Presented by the Van Beuren Corp. 1929. 1 reel.

Credits: Jack Eaton.

DOGGING IT. (Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

DOGGING IT AROUND THE WORLD! (Adventures of the Newsreel Cameraman) 1936. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

DOG-GONE. 1939. 16 1/2 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Jack Townley, George Jeske; film editor, Les Millbrook.

DOG-GONE BABIES. (An Educational Star Comedy) Presented by E. W. Hammons. 1934. 1,791 ft., sd.

Credits: Producer, Al Christie; story, Herbert P. McCormack; adaptation, William Watson, Art Jarrett.

DOG-GONE CLEVER. Century. 1920. 2 reels.

Credits: Director, Chuck Reisner.

A DOG-GONE DAY. 1922. 1 reel.

DOG GONE IT. (A Hot Dog Cartoon) Bray Studios. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

DOG-GONE LUCK. 1915.

A DOGGONE MIXUP. 1938. 808 ft., sd.

Credits: Director, Charles Lamont; story and screenplay, Elwood Ullman, Al Giebler, Charles Melson.

DOG GONE MODERN. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Charles Jones; story, Rich Hogan; animation, Phil Monroe; music director, Carl W. Stalling.

A DOG GONE SHAME. (Star Comedy) 1919. 1 reel.

Credits: Written and produced by Lyons and Moran.

THE DOGNAPPER. (Walt Disney's Mickey Mouse) 1934. 1 reel.

DOGS IS DOGS. (Our Gang Comedies) (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

A DOG'S LIFE. 1918. 3 reels.

Credits: Produced and written by Charles Chaplin.

DOGS OF SOLITUDE. (Vagabond Adventure Series, no. 21) 1931. 1 reel.

Credits: Elmer Clifton and Alfred Mannon.

A DOG'S PAL. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Zion Myers; story, Edward P. Moran, Virgil Hart.

DOGWAY MELODY. (A Dogville Comedy) 1930. 2 reels, sd., b&w.

Credits: Directors, Zion Myers, Jules White.

DOIN' THE TOWN. Mentone. 1935. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

DOING 'EM GOOD. (Star Comedy) 1922. 1 reel.

DOING HER BIT. SEE Some Job.

DOING HIS BIT. Powers. 1917. 1/2 reel.

DOING HIS STUFF. (Arthur Lake Comedy) 1929. 2 reels.

Credits: Director, Harry Edwards.

DOING OUR BIT. 1918. 5 reels.

Credits: Story, scenario, and direction, K. Buel.

DOING PHIL A FAVOR. 1930. 2 reels, sd.

Credits: Director, Bradley Barker; story, Dillard Long.

THE DOINGS OF DIANA. SEE The Love Swindle.

A DOITY DEED. 1920. 1 reel.

Credits: Director, William C. Nolan.

THE DOLE OF DESTINY. 1914. 1 reel.

THE DOLL DOCTOR. Imp. 1916. 2 reels.

Credits: Helmer Bergman; producer, John Harvey.

A DOLL FOR THE BABY. 1913. 1 reel.

Credits: Director, W. J. Bauman.

DOLL SHOP. (M. G. M. Colortone Revue) 1929. 2 reels, sd., color.

THE DOLLAR-A-YEAR MAN. 1921. 5 reels.

Credits: Director, James Cruze; story and scenario, Walter Woods.

THE DOLLAR AND THE LAW. 1916. 5 reels.

Credits: Irvin S. Cobb; producer, Wilfred North; picturized by Garfield Thompson.

DOLLAR DIZZY. Presented by Hal Roach. 1930. 3 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

A DOLLAR DOWN. 1916. Split reel.

DOLLAR DOWN. 1925. 6,318 ft.

Credits: Director, Tod Browning; story, Jane Courthope, Ethel Hill.

Credits: Written and produced by Colin Campbell.

Credits: George Broadhurst; director, O. A. C. Lund.

A DOLLAR SAVED IS A DOLLAR EARNED. 1912. 1 reel.

DOLLARS AND CENTS. SEE Dollars and the Woman.

DOLLARS AND SENSE. Presented by Samuel Goldwyn. 1920. 5 reels. From the Saturday Evening Post story "Two Cents Worth of Humaneness" by Octavus Roy Cohen.

Credits: Director, Harry Beaumont; scenario, Gerald C. Duffy.

DOLLARS AND SENSE. 1937. For United States Rubber Co. 1 reel, sd.

DOLLARS AND THE WOMAN. 1916. 6 reels. From the novel "Dollars and Cents" by Albert Payson Terhune.

Credits: Director, Joseph Kaufman; adaptation, Mark Swan.

DOLLARS AND THE WOMAN. 1920. 6 reels.

Credits: Director, George Terwilliger; story, Albert Payson Terhune; scenario, Lucien Hubbard.

A DOLLAR'S WORTH. Century. 1921. 2 reels.

Credits: Story and direction, Tom Buckingham.

A DOLL'S HOUSE. 1917. 5 reels. From the play by Henrik Ibsen.

Credits: Screen version, Joseph DeGrasse.

A DOLL'S HOUSE. Artcraft. 1918. 5 reels. From the play by Henrik Ibsen.

Credits: Director, Maurice Tourneur.

A DOLL'S HOUSE. 1922. 7 reels. From the play by Henrik Ibsen.

Credits: Director, Charles Bryant; scenario, Peter M. Winters.

DOLLY CONNOLLY AND PERCY WENRICH. 1928. 1 reel, sd.

Credits: Director, William Bertram; story, Lucey Sarver.

DOLLY VARDEN. 1913. Based on a portion of "Barnaby Rudge" by Charles Dickens.

DOLLY'S SCOOP. Rex. 1916. 2 reels.

Credits: Producer, Joseph De Grasse; story, Hugh Weir; scenario, Ida May Park.

DOMBEY AND SON. SEE Rich Man's Folly.

THE DOME DOCTOR. (Larry Semon Comedies) Educational. 1925. 2 reels.

Credits: Director, Larry Semon.

DOMESTIC BLISS-TERS. (An Educational Marriage Wow) Presented by E. W. Hammons. 1934. 1,717 ft., sd.

Credits: Producer, Al Christie; director, Leslie Pierce; story, Arthur Jarrett, Bert Granet; film editor, Barney Rogan.

A DOMESTIC HOUND. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Hank Mann.

DOMESTIC MEDDLERS. 1928. 6 reels.

Credits: Director, James Flood; story and continuity, Wellyn Totman; titles, Frederic Hatton, Fanny Hatton; editor, Byron Robinson.

DOMESTIC RELATIONS. Presented by B. P. Schulberg. 1922. 6 reels.

Credits: Director, Chet Withey; scenario, Violet Clark.

DOMESTIC TROUBLES. 1928. 6 reels.

Credits: Director, Ray Enright; story and scenario, C. Graham Baker.

THE DOMINANT WILL. SEE Forces of Evil.

DON BESTOR AND ORCHESTRA. 1938. 1 reel, sd.

Credits: Director, Joseph Henabery.

DON BOSCO. 1936. 9 reels, sd.

Credits: Director, Goffredo Alessandrini; plot, R. Uguccioni; music, G. Federico Ghedini.

DON CÉSAR DE BAZAN. SEE The Spanish Dancer.

DON CUMMINGS, THE DRAWING ROOM ROPER. 1927. 1 reel.

Credits: Director, Bryan Foy; music director, Bert Fiske.

DON DARE DEVIL. 1925. 5 reels.

Credits: Director, Clifford S. Smith; story and continuity, Wyndham Gittens.

DON DONALD. (A Walt Disney Mickey Mouse) 1936. 1 reel, sd.

DON GO ON. (Krazy Kat, no. 17) 1927. 1 reel.

DON JUAN. 1926. 10 reels. From the poem by Lord Byron.

Credits: Director, Alan Crosland; screenplay, Bess Meredyth.

Credits: Marcel L'Herbier.

DON JUAN'S THREE NIGHTS. Presented by Henry M. Hobart. 1926. 7 reels. Adapted from the novel by Ludwig Biro.

Credits: Producer, John Francis Dillon; screenplay, Clara Beranger.

DON MIKE. 1927. 6 reels.

Credits: Story, Frank M. Clifton; continuity and direction, Lloyd Ingraham.

DON Q, SON OF ZORRO. 1925. 11 reels. Based on the novel "Don Q's Love Story" by K. and Hesketh Prichard.

DON Q'S LOVE STORY. SEE Don Q, Son of Zorro.

DON QUICKSHOT OF THE RIO GRANDE. 1923. 5 reels.

Credits: Director, George E. Marshall; story, Stephen Chambers; scenario, George Hively.

DON QUIXOTE. 1916. 5 reels. Adapted from the novel by Cervantes.

Credits: Adaptation, Chester Withey.

DON QUIXOTE. (A ComiColor Cartoon) 1934. 1 reel, color.

DON QUIXOTE. Nelson Films, Ltd. and Vandor Film. Presented by DuWorld Pictures, Inc. in association with Valdemar D. Bell. 1935. 9 reels, sd. From the book "Don Quixote de la Mancha" by Cervantes.

Credits: Director, G. W. Pabst; scenario, Paul Morand; music, Jacques Ibert.

DON QUIXOTE DE LA MANCHA. SEE Don Quixote. 1935.

DON REDMAN & HIS ORCHESTRA. (Melody Master) 1934. 10 min., sd.

Credits: Director, Joseph Henabery.

DOÑA PERFECTA. SEE Beauty in Chains.

DONALD AND PLUTO. (A Walt Disney Mickey Mouse) 1936. 1 reel, sd.

DONALD BRIAN, AMERICA'S FOREMOST MUSICAL COMEDY STAR. 1929. 1 reel, sd.

DONALD'S BETTER SELF. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

DONALD'S COUSIN GUS. (A Walt Disney Donald Duck) 1939. 1 reel, sd.

DONALD'S GOLF GAME. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

DONALD'S LUCKY DAY. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

DONALD'S NEPHEWS. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

DONALD'S OSTRICH. (A Walt Disney Donald Duck) 1937. 1 reel.

DONALD'S PENGUIN. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

DONE IN OIL. (Hal Roach Comedy) (Todd-Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Ray Snyder.

DONE IN WAX. 1915. 1 reel.

DONKEY AND CLOWN. 1919. 1 reel.

DONKEY BASEBALL. (An Oddity) 1935. 759 ft., sd., b&w.

Credits: Director, John Waters.

DONKEY BUSINESS. 1931. 1 reel.

THE DONKEY DID IT. 1918. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

THE DONOVAN AFFAIR. A Frank R. Capra production. 1929. 7,200 ft. From the play by Owen Davis.

Credits: Producer, Harry Cohn; director, Frank R. Capra; continuity, Dorothy Howell; dialogue, Howard J. Green.

DON'T. 1926. 6 reels.

Credits: Director, Alf Goulding; story, Rupert Hughes; scenario, Agnes Christine Johnston.

DON'T BE A DUMMY. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

DON'T BE A SLACKER. 1918. Split reel.

DON'T BE JEALOUS. SEE Joe E. Brown in Don't Be Jealous.

DON'T BE LIKE THAT. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story, Jean W. Yarbrough, Charles Roberts; film editor, Edward Mann.

DON'T BE NERVOUS. (Educational-Lloyd Hamilton Talking Comedy) 1929. 2 reels, sd.

Credits: Producer, H. D. Edwards; director, William Watson; story, Gilbert Pratt.

DON'T BELIEVE IT. 1930. 2 reels, sd.

Credits: Director, William Watson; story, James Gleason.

DON'T BET ON BLONDES. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Robert Florey; story and screenplay, Isabel Dawn, Boyce De Gaw.

DON'T BET ON LOVE. 1933. 7 reels, sd.

Credits: Director, Murray Roth; screenplay, Murray Roth, Howard E. Rogers, Ben Ryan.

DON'T BET ON WOMEN. 1931. 6,300 ft., sd. From the original story "All Women Are Bad" by William Anthony McGuire.

Credits: Associate producer, John W. Considine, Jr.; director, William K. Howard; screenplay and dialogue, Lynn Starling, Leon Gordon; editor, Harold Schuster.

DON'T BITE YOUR DENTIST. (Educational's Talking Comedies) 1930. 2 reels, sd.

Credits: Director, Eddie Cline; story and dialogue, John A. Waldron, Earle Rodney, Walter Weems, Jack Jevne.

DON'T BLAME YOUR CHILDREN. 1922. 6 reels. From the play "The Joan Danvers" by Frank Stayton.

Credits: Adapted and produced by George Ridgwell.

DON'T CALL IT LOVE. Paramount. Presented by Adolph Zukor. 1924. 7 reels. From the novel "Rita Coventry" by Julian Street and the play by Hubert Osborne.

Credits: Director, William De Mille; adaptation, Clara Beranger.

DON'T CALL ME LITTLE GIRL. 1921. 5 reels. From the play "Jerry" by Catherine C. Cushing.

Credits: Director, Joseph Henabery; scenario, Edith Kennedy.

DON'T CAN YOUR CANVASS. 1928. 1 reel.

DON'T CHANGE YOUR HUSBAND. Artcraft. Presented by Jesse L. Lasky. 1918. 6 reels.

Credits: Producer, Cecil B. De Mille; story, Jeanie Macpherson.

DON'T DIVORCE HIM. (Tuxedo Comedies) 1931. 18 min., sd.

Credits: Producer, Al Christie; director, William Watson; story, George Bentley; dialogue, Frank Conklin.

DON'T DOUBT YOUR HUSBAND. 1924. 6 reels.

Credits: Director, Harry Beaumont; original story and scenario, Sada Cowan, Howard Higgin.

DON'T EVER MARRY. 1921. 6 reels.

Credits: Edgar Franklin; directors, Marshall Neilan, Victor Heerman; scenario, Marion Fairfax.

DON'T FAIL. (Cameo Comedy) 1924. 1 reel.

Credits: Director, Lloyd Bacon.

DON'T FALL! Century. 1924. 2 reels.

DON'T FIRE. (Educational-Bobby Vernon Comedy) 1927. 2 reels.

Credits: Director, Earle Rodney; story, Hal Conklin.

DON'T FLIRT. Nestor. 1918. 1 reel.

DON'T GAMBLE WITH LOVE. 1936. 7 reels, sd.

Credits: Director, Dudley Murphy; story and screenplay, Lee Loeb, Harold Buchman; film editor, James Sweeney.

DON'T GET EXCITED. (Tuxedo Talking Comedies) 1929. 16 min., sd.

Credits: Supervision, Jack White; director, Charles Lamont.

DON'T GET FRESH. Century. 1923. 2 reels.

DON'T GET NERVOUS. SEE Georgie Price in Don't Get Nervous.

DON'T GET PERSONAL. 1922. 5 reels.

Credits: Producer, Clarence G. Badger; story, I. R. Ving; scenario, Doris Schroeder.

DON'T GET PERSONAL. Presented by Carl Laemmle. 1936. 7 reels, sd.

Credits: Producer, David Diamond; director, William Nigh; story, William Thiele, Edmund L. Hartmann; screenplay, George Waggner; film editor, Murray Seldeen.

DON'T GIVE UP. (Vanity Talking Comedies) 1930. 19 min., sd.

Credits: Producer, Al Christie; director, William Watson; story, Jimmy Starr, Neal Burns.

DON'T HANDLE THE GOODS. SEE Frank Browne and Kay La Velle In Don't Handle the Goods.

DON'T KID ME MONKEY. (Sunkist Comedy) 1926. 2 reels.

Credits: Director, Francis Corby.

DON'T LEAVE HOME. (Educational's Talking Comedies) (Gayety Talking Comedies) 1930. 19 min., sd.

Credits: Producer, Al Christie; director, William Watson; story, Walter DeLeon, Neal Burns.

DON'T LOOK NOW. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Robert Clampett, Joe D'Igalo; music, Carl W. Stalling.

DON'T LOSE YOUR COAT. Black Cat. 1917. 25 min.

Credits: Written and directed by Amedee Rastrelli.

DON'T MARRY. 1928. 6 reels, b&w.

Credits: Director, James Tinling; story, Philip Klein, Sidney Lanfield; adaptation and scenario, Randall H. Faye.

DON'T MARRY FOR MONEY. 1923. 8 reels.

Credits: Director, Clarence L. Brown; story, Hope Loring, Louis D. Lighton.

DON'T MISS. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Stephen Roberts.

DON'T NEGLECT YOUR WIFE. Goldwyn Studios. 1921. 6 reels.

Credits: Direction and supervision, Wallace Worsley; scenario, Louis Sherwin.

DON'T PINCH. (Bobby Vernon Comedies) Educational. 1925. 2 reels.

Credits: Keene Thompson; director, Walter Graham.

DON'T PLAY BRIDGE WITH YOUR WIFE. 1933. 2 reels, sd.

Credits: Director, Leslie Pearce.

DON'T PLAY HOOKEY. 1923. 2 reels.

Credits: Director, Archie Mayo.

DON'T SAY AIN'T. (Toots and Casper Series, no. 12) 1929. 2 reels.

Credits: Director, Slim Summerville; story, E. V. Durling.

DON'T SCREAM. Century. 1923. 2 reels.

DON'T SHOOT. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Frederick Palmer.

DON'T SHOOT. 1922. 6 reels.

Credits: Director, Jack Conway; story, George Bronson Howard; scenario, George Hively.

DON'T SHOOT. Mustang. 1926. 2 reels.

Credits: Director, William Wyler; story and scenario, William Lester.

DON'T SLIP. 1924. 2 reels.

Credits: Director, Ward Hayes.

DON'T STOP. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

DON'T TAKE A CHANCE. SEE The Scarlet Trail.

DON'T TELL EVERYTHING. Paramount. Presented by Jesse L. Lasky. 1921. 5 reels.

Credits: Supervision, Thompson Buchanan; director, Sam Wood; story, Lorna Moon; adaptation, Albert S. Le Vino.

DON'T TELL THE WIFE. 1927. 6,972 ft. From the play "Cyprienne," originally published under the title "Divorçons" by Sardou [and Émile de Najac].

Credits: Director, Paul L. Stein; screenplay, Rex Taylor.

DON'T TELL THE WIFE. 1937. 7 reels, sd. From the play "Once Over Lightly" by George Holland.

Credits: Associate producer, Robert Sisk; director, Christy Cabanne; screenplay, Nat Perrin; editor, Jack Hively.

DON'T TICKLE. 1920. 2 reels.

Credits: Director, J. Blystone.

DON'T TURN 'EM LOOSE. 1936. 65 min., sd. Suggested by the story "Homecoming" by Thomas Walsh.

Credits: Associate producer, Robert Sisk; director, Ben Stoloff; screenplay, Harry Segall, Ferdinand Reyher; editor, William M. Morgan.

DON'T WAIT TILL IT HURTS. 1926. 1 reel.

DON'T WAKE ME UP—I AM DREAMING. 1936. For Hiram Walker. 1 reel, sd.

DON'T WEAKEN. (Star Comedy) 1918. 1 reel.

Credits: Story and direction, Lyons-Moran.

DON'T WEAKEN. (Paramount-Mack Sennett Comedies) 1920. 2 reels.

Credits: Supervision, Mack Sennett; director, Mal St. Clair.

DON'T WORRY. 1913.

Credits: Mark Swan.

DON'T WORRY. Century. 1924. 2 reels.

Credits: Written and directed by William Watson.

DON'T WRITE LETTERS. 1922. 5 reels. From the Saturday Evening Post story by Blanche Brace.

Credits: Director, George D. Baker.

DOOLEY AND SALES IN DOOLEY'S THE NAME. 1929. 1 reel, sd.

DOOMED. Imp. 1917. 1 reel.

Credits: Director, George Cochrane; story and scenario, E. M. Ingleton.

DOOMED AT SUNDOWN. 1937. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Fred Myton; screenplay and adaptation, George H. Plympton; film editor, S. Roy Luby.

THE DOOMED BATTALION. 1932. 10 reels.

Credits: Director, Cyril Gardner; story, Lois Trenker.

THE DOOMED GROOM. 1915. 1 reel.

A DOOMED HERO. L-Ko. 1915. 2 reels.

DOOMED TO DIE. SEE Uncertain Happiness.

DOOMED TO WIN. (Rufftown Comedies) 1931. 2 reels, sd., b&w. Based upon the "Saga of Rufftown" by Arthur (Bugs) Baer.

Credits: Supervision, Lew Lipton; director, George Green; dialogue, James Gleason; film editor, Walter Thompson.

DOOMSDAY. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,652 ft. From the book by Warwick Deeping.

Credits: Producer and director, Rowland V. Lee; screenplay, Donald W. Lee; adaptation, Doris Anderson.

THE DOOR BETWEEN. 1917. 5 reels.

Credits: Director, Rupert Julian; story, Samuel Merwin; scenario, Elliott J. Clawson.

THE DOOR KNOCKER. 1932. 2 reels, sd.

Credits: Director, Eddie Cline; story, Frances Hyland.

THE DOOR OF ASIA. (Vagabond Adventure Series) The Van Beuren Corp. 1932. 1 reel.

Credits: Supervision, Elmer Clifton; narration, Gayne Whitman.

THE DOORMAN'S OPERA. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, George J. Bennett, A. Dorian Otvos.

THE DOORMAT. SEE The Honeymoon Express.

THE DOORWAY OF DESTRUCTION. Bison. 1915. 2 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

THE DOORWAY TO HELL. 1930. 8 reels, sd.

Credits: Director, Archie Mayo; story, Rowland Brown; screen dialogue, George Rosener.

DORA. 1915. 3 reels.

DORA MAUGHAN IN SONG IMPRESSIONS. 1928. 1 reel, sd.

DORA MAUGHAN, THE BAD, BAD WOMAN. 1928. 1 reel, sd.

DORA THORNE. 1915. 4 reels.

DORA'S DUNKING DOUGHNUTS. (Andy Clyde Comedy) 1933. 20 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson.

DO-RE-MI—BOOM! 1915.

Credits: Producer, Mack Sennett.

DORIAN'S DIVORCE. 1916. Produced for the Metro program. 5 reels.

Credits: O. A. Lund.

DORIS DUNCAN, HERRING AND ZEH. 1927. 1 reel.

Credits: Director, Bryan Foy.

Credits: Director, Travers Vale; story, Florence C. Bolles; scenario, Clara S. Beranger.

DOROTHY. 1915. 2 reels.

Credits: Director, Van Dyke Brooke.

DOROTHY AND ROSETTA RYAN IN MIRTH AND MELODY. 1929. 1 reel, sd.

DOROTHY DANESBRIDGE, MILITANT. 1914. 1 reel.

DOROTHY DARES. Victor. 1917. 2 reels.

Credits: Director, Ruth Stonehouse; scenario, Fred Myton.

DOROTHY GRAY HOME TREATMENT. 1927. 1 reel.

DOROTHY MURRAY AND EARL LAVERE AND DESUES, FURNEY AND JOHNSON OFFER: A. SUNDAY [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

DOROTHY VERNON OF HADDON HALL. 1924. 10 reels. From the novel by Charles Major.

Credits: Adaptation, Waldemar Young.

DOROTHY WHITMORE, THE POPULAR PRIMA DONNA IN A SONG RECITAL. 1928. 1 reel, sd.

DOS MAS UNO, DOS (TWO PLUS ONE IS TWO). 1934. 8 reels, sd.

Credits: Director, John Reinhardt; original story, Philip Klein, Sidney Lanfield; Spanish version, Jose Lopez Rubio; screen adaptation, Anthony Coldeway, Hilda Hess; editor, Fred Allen; music director, Sam Kaylin.

DOTS AND DASHES. SEE Krazy Kat in Dots and Dashes.

Credits: Director, Richard Thorpe; story, Elizabeth Burbridge.

THE DOUBLE CROSS. 1916. 2 reels.

Credits: Charles J. McGuirk.

THE DOUBLE CROSS. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

DOUBLE CROSS ROADS. 1930. 5,800 ft., sd. From the novel "Yonder Grow the Daisies" by William Lipman.

Credits: Associate producer, George Middleton; director, Alfred Werker; screenplay and dialogue, Howard Estabrook; editor, Jack Dennis.

DOUBLE CROSSED. 1917. 5 reels.

Credits: Director, Robert C. Vignola; story, Hector Turnbull.

DOUBLE CROSSED. (A Van Ronkel Comedy) 1935. 2 reels.

Credits: Director, Alf Goulding; story, Al Rondell, Alf Goulding.

DOUBLE CROSSERS. 1921. 2 reels.

Credits: Producer, William J. Craft; story, George H. Plympton, Ed (Hoot) Gibson.

THE DOUBLE-CROSSING OF COLUMBUS. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story and songs, Cliff Hess, Jack Henley.

DOUBLE CROSSING THE DEAN. Nestor. 1916. 2 reels.

Credits: Walter E. Mair; producer, Al. E. Christie.

THE DOUBLE CROSSKY. 1936. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

DOUBLE DANGER. 1920. 2 reels.

Credits: Producer, Albert Russell; story and scenario, Ford Beebe.

DOUBLE DANGER. 1938. 6 reels, sd.

Credits: Director, Lew Landers; story and screenplay, Arthur T. Horman, J. Robert Bren; editor, Desmond Marquette.

A DOUBLE DEAL IN PORK. Extra Powers. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, Ruth Ann Baldwin.

DOUBLE DEALING. 1923. 5 reels.

Credits: Story and direction, Henry Lehrman; scenario, George Hull.

A DOUBLE DECEPTION. 1915. 1 reel.

DOUBLE DECOY. 1931. 1 reel.

Credits: Roberta Yates; director, Nat Ross; screenplay, Ruth Todd, Dick Smith.

DOUBLE DIVING. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Felix E. Feist; screenplay, Robert Lees, Fred Rinaldo.

THE DOUBLE DOOR. 1934. 8 reels. Adapted from the play by Elizabeth A. McFadden.

Credits: Producer, E. Lloyd Sheldon; director, Charles Vidor; screenplay, Gladys Lehman, Jack Cunningham.

A DOUBLE DOUBLE CROSS. 1916. 1 reel.

THE DOUBLE DOUBLE CROSS. 1916. 1 reel.

Credits: Written and directed by Frank Currier.

DOUBLE DUKES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; directors, Dick Smith, Archie Mayo.

A DOUBLE DYED DECEIVER. Presented by Samuel Goldwyn. 1920. 5 reels. From the story by O. Henry [pseud. of William Sidney Porter].

Credits: Director, Alfred Green; scenario, Edward T. Lowe.

DOUBLE-DYED DECEIVER. SEE

The Llano Kid.

The Texan.

A DOUBLE ELOPEMENT. 1914. 1 reel.

Credits: Henry Beldon.

A DOUBLE ERROR. 1914. 1 reel.

Credits: Director, Theodore Marstan.

A DOUBLE EVENT. SEE Tod Sloan in A Double Event.

DOUBLE EXPOSURE. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

A DOUBLE FIRE DECEPTION. Imp. 1916. 1 reel. Adapted from the story "A Royal Flush," by Jay Hunt.

Credits: Producer, Matt Moore; adaptation, Norbert Lusk.

DOUBLE HARNESS. 1933. 8 reels, sd. From the play by Edward Poor Montgomery.

Credits: Associate producer, Kenneth MacGowan; director, John Cromwell; screenplay, Jane Murfin; editor, George Nicholls, Jr.; music director, Max Steiner.

THE DOUBLE HOLD-UP. 1919.

Credits: Director, Philip E. Rosen; story, Elizabeth Logan; scenario, Arthur Gooden.

DOUBLE MALE QUARTETTE OF RUSSIAN SINGERS SINGING THE SONG OF THE VOLGA BOATMEN. 1927. 1 reel, sd.

THE DOUBLE O. 1921. 5 reels.

Credits: Producer, Ben Wilson; scenario and direction, Roy Clements.

DOUBLE OR NOTHING. 1936. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood, George Bennett.

DOUBLE OR NOTHING. Presented by Adolph Zukor. 1937. 10 reels, sd.

Credits: Producer, Benjamin Glazer; director, Theodore Reed; story, M. Coates Webster; screenplay, Charles Lederer, Erwin Gelsey, John C. Moffitt, Duke Atteberry; editor, Edward Dmytryk; music director, Boris Morros.

A DOUBLE ROLE. 1915. 1,000 ft.

THE DOUBLE ROOM MYSTERY. Red Feather. 1917. 5 reels.

Credits: Director, Hobart Henley; story, Stella Wynne Herron; scenario, E. J. Clawson.

THE DOUBLE SHADOW. 1914. 2 reels.

Credits: E. Lynn Summers.

DOUBLE SPEED. 1919. 5 reels.

Credits: Director, Sam Wood; story, J. Stewart Woodhouse; scenario, Clara Genevieve Kennedy.

THE DOUBLE STANDARD. Victor. 1915. 1 reel.

Credits: Producer, William C. Dowlan; scenario, L. V. Jefferson.

THE DOUBLE STANDARD. Butterfly. 1917. 5 reels.

Credits: Director, Phillips Smalley; story, Brand Whitlock; scenario, E. J. Clawson.

DOUBLE SUSPICION. Bison. 1917. 2 reels.

Credits: Story and direction, George Marshall; scenario, George Hively.

DOUBLE SUSPICION. 1923. 2 reels.

DOUBLE TALK. 1937. 10 min., sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

THE DOUBLE-TOPPED TRUNK. Imp. 1917. 1 reel.

Credits: Director, Allen Holubar; story and scenario, George Bronson Howard, Luther Reed.

DOUBLE TROUBLE. 1915. 5 reels. Adapted from the novel by Herbert Quick.

Credits: Adaptation, W. C. Cabanne.

DOUBLE TROUBLE. 1922. 2 reels.

DOUBLE TROUBLE. Mustang. 1926. 2 reels.

Credits: Director, Lew Collins; story and continuity, William Lester.

DOUBLE TROUBLE. (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

DOUBLE WEDDING. 1937. 9 reels, sd., b&w. From a play by Ferenc Molnár.

Credits: Producer, Joseph L. Mankiewicz; director, Richard Thorpe; screenplay, Jo Swerling; film editor, Frank Sullivan; music score, Edward Ward.

DOUBLE WHOOPEE. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis Foster; story, Leo McCarey; editor, Richard Currier.

A DOUBLE WINNING. 1915. 1 reel.

THE DOUBLE X. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, Carl Krusada.

A DOUBLE'S TROUBLES. 1916. 2 reels.

DOUBLING FOR ROMEO. 1921. 6 reels.

Credits: Elmer L. Rice; director, Clarence G. Badger; scenario, Bernard McConville.

DOUBLING IN THE QUICKIES. (Mack Sennett Comedy) 1932. 2 reels.

Credits: Director, Babe Stafford.

DOUBLING WITH DANGER. Released by F. B. O. 1926. 5 reels.

Credits: Director, Scott R. Dunlap; story and continuity, Grover Jones.

DOUBTING THOMAS. 1935. 8 reels, sd. From the play "The Torch Bearers" by George Kelly.

Credits: Director, David Butler; screenplay, William Conselman; adaptation, Bartlett Cormack; music, Arthur Lange.

DOUGH AND DYNAMITE. 1914.

Credits: Producer, Mack Sennett.

DOUGH AND DYNAMITE. 1923. 2 reels.

Credits: Written and directed by Charles Chaplin.

DOUGHBOYS. 1930. 9 reels, sd.

Credits: Produced by Buster Keaton; director, Edward Sedgwick; story, Al Boasberg, Sidney Lazarus; scenario, Richard Schayer; film editor, William LeVanway.

THE DOUGHNUT VENDER. 1915. 1 reel.

Credits: Producer, Burton L. King; scenario, Florence Livingstone.

DOUGHNUTS. (Tom and Jerry) The Van Beuren Corp. 1933. 700 ft.

Credits: Frank Sherman, George Rufle.

DOUGH-NUTS. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

DOUGHNUTS AND SOCIETY. Presented by Nat Levine. 1936. 7 reels, sd.

Credits: Supervision, William Berke; director, Lewis D. Collins; screenplay and original story, Karen De Wolf, Robert St. Clair, Wallace Macdonald.

DOUGH-NUTTY. SEE Felix the Cat in Dough-Nutty.

DOUGLAS STANBURY, BARITONE, AND MARIA GAMBARELLI, DANCER, KNOWN AS DOUG AND GAMBY OF ROXY'S RADIO GANG, IN A MOONLIGHT ROMANCE, BEAUTIFUL DREAMER [and others]. 1927. 1 reel, sd.

THE DOVE. 1928. 9 reels. Adapted from the play by Willard Mack.

Credits: Producer and director, Ronald West; adaptation, Roland West, Wallace Smith; continuity, Wallace Smith, Paul Bern.

THE DOVE. SEE The Girl and the Gambler.

THE DOVER ROAD. SEE

The Little Adventuress.

Where Sinners Meet.

DOWN AMONG THE SUGAR CANE. 1932. 1 reel.

Credits: Animation, James H. Culhane, William Henning.

DOWN BUT NOT OUT. Universal Special. 1919. 2 reels.

Credits: Director, Jacques Jaccard; story, Jacques Jaccard, George Hively; scenario, George Hively.

DOWN BY THE OLD MILL STREAM. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, William Sturm.

THE DOWN GRADE. Presented by Sam Sax. 1927. 5 reels.

Credits: Director, Charles Hutchinson; story, Welles W. Ritchie.

DOWN HOME. 1920. 7 reels. Adapted from the play "Dabney Todd" by F. N. Westcott.

DOWN IN ARKANSAW. 1938. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Nick Grinde; original screenplay, Dorrell and Stuart McGowan; film editor, William Morgan; music director, Cy Feuer.

DOWN IN DIXIE. (Aesop's Fables) The Van Beuren Corp. 1932. 7 min.

Credits: John Foster, Harry Bailey.

DOWN IN JUNGLE TOWN. 1924. 1 reel.

DOWN IN TEXAS. 1923. 2 reels.

Credits: Director, Nat Ross; story, Arthur H. Gooden.

DOWN MEMORY LANE. (Louis Sobol, no. 1) 1932. 1 reel.

Credits: Producers, William Rowland, Monte Brice; director, Monte Brice.

DOWN ON THE BARN. Mentone. 1938. 17 min.

Credits: Director, Milton Schwarzwald.

DOWN ON THE FARM. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

DOWN ON THE FARM. Presented by Mack Sennett. 1920. 5 reels.

Credits: Director, Erle Kenton, Ray Gray.

DOWN ON THE FARM. 1938. 5,530 ft., sd. Based on characters created by Katharine Kavanaugh and stories by Homer Croy, Frank Fenton, and Lynn Root.

Credits: Director, Malcolm St. Clair; screenplay, Robert Ellis, Helen Logan.

DOWN ON THE LEVEE. (A Paul Terry-Toon) 1933. 6 min.

Credits: Frank Moser, Paul Terry.

DOWN SOUTH. (Toby the Pup) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

DOWN SOUTH. SEE The Three Brox Sisters in Down South.

DOWN SWING. (How to Break 90, no. 4) Presented by Warner Bros. Pictures and The Vitaphone Corp. 1933. 1 reel.

Credits: Director, George E. Marshall; story, Andrew Bennison.

DOWN THE RIBBER. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; story and direction, Al Boasberg; film editor, Tholen Gladden.

DOWN THE ROAD TOGETHER. 1937. For the Texas Co. Filmstrip, sd.

DOWN THE STRETCH. Jewel. 1926. 7 reels.

Credits: Director, King Baggot; story, Gerald Beaumont; adaptation and continuity, Curtis Benton.

DOWN THE STRETCH. First National Productions Corp. 1936. 7 reels.

Credits: Director, William Clemens; story and screenplay, William Jacobs.

DOWN THE WYOMING TRAIL. 1939. 7 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, Peter Dixon, Roger Merton; film editor, Holbrook Todd.

DOWN TO EARTH. 1917. 5 reels.

Credits: Director, John Emerson; story, Douglas Fairbanks; scenario, Anita Loos, John Emerson.

DOWN TO EARTH. 1932. 7,240 ft.

Credits: Director, David Butler; story, Homer Croy; editor, Irene Morra.

Credits: Producer, John L. Hawkinson.

DOWN TO THE SEA. 1936. 7 reels.

Credits: Producer, Nat Levine; supervision, Armand Schaefer; director, Lewis D. Collins; original story, Eustace L. Adams, Wellyn Totman, William Ulman, Jr.; screenplay, Wellyn Totman, Robert Lee Johnson.

DOWN TO THE SEA IN SHIPS. 1922. 12 reels.

Credits: Director, Elmer Clifton; scenario, John L. E. Pell.

DOWN TO THE SHIP TO SEE. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

DOWN TO THEIR LAST YACHT. 1934. 7 reels, sd.

Credits: Producer, Lou Brock; director, Paul Sloane; story, Herbert Fields, Lou Brock; screenplay, Marion Dix, Lynn Starling; editor, Arthur Roberts; music director, Max Steiner.

DOWN WENT THE KEY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story and scenario by Karl R. Coolidge.

DOWN WITH HUSBANDS! 1930. 2 reels, sd.

Credits: Director, William Watson; story, Howard Green, Milton Hocky.

DOWN WITH WOMEN. SEE For Ladies Only.

THE DOWNFALL OF POTTS. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Ben Cohn.

DOWNING AN UPRISING. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

DOWNSTAIRS. 1932. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; story, John Gilbert; screenplay, Lenore Coffee, Melville Baker; film editor, Conrad A. Nervig.

THE DRAB SISTER. 1915. 2 reels.

DRACULA. Presented by Carl Laemmle. 1931. 9 reels. Adapted from the novel by Bram Stoker and the play by Hamilton Deane and John Balderston.

Credits: Director, Tod Browning; screenplay, Garrett Fort; dialogue, Dudley Murphy. **[continuation]

DRACULA'S DAUGHTER. Presented by Carl Laemmle. 1936. 8 reels, sd. From a story by Bram Stoker.

Credits: Producer, E. M. Asher; director, Lambert Hillyer; screenplay, Garrett Fort; film editor, Milton Carruth.

DRAEGERMAN COURAGE. First National Productions Corp. 1936. 7 reels, sd.

Credits: Director, Louis King; original story and screenplay, Anthony Coldewey.

DRAFT 258. 1917. 7 reels.

Credits: William Christy Cabanne, June Mathis; director, William Christy Cabanne.

DRAG. Presented by Richard A. Rowland. 1929. 9 reels. Based on the novel by William Dudley Pelley.

Credits: Director, Frank Lloyd; adaptation and dialogue, Bradley King.

DRAG. Trailer. 1929. 1 reel, sd.

DRAG. Trailer. First National. 1929. 1 reel, sd.

DRAG HARLAN. 1920. 2 reels.

Credits: Director, J. Gordon Edwards; story, Charles Alden Seltzer; scenario, H. P. Keeler.

DRAGGIN' TH' DRAGON. SEE Felix the Cat in Draggin' th' Dragon.

THE DRAGNET. 1916. 3 reels.

Credits: Director, Frank Beal.

THE DRAGNET. 1928. 7,720 ft.

Credits: Director, Josef von Sternberg; story, Oliver H. P. Garrett; adaptation and screenplay, Jules Furthman.

DRAGON ALLEY. (Juvenile Comedies) Educational. 1925. 2 reels.

Credits: Director, Arvid Gillstrom.

THE DRAGON MURDER CASE. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 7 reels. From the story by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, H. Bruce Humberstone; screenplay, F. Hugh Herbert, Robert N. Lee; adaptation, Rian James; dialogue director, Daniel Reed.

THE DRAGON'S NET. Universal Special. 1920. 2 reels each. Based on the story "The Petals of Lao-Tze" by J. Allen Dunn.

Credits: Written, directed, and produced by Henry McRae.

THE DRAKE CASE. Universal Jewel. 1929. 7 reels.

Credits: Director, Edward Laemmle; story, Charles A. Logue.

DRAKE THE PIRATE. Alliance Films. 1935. 8 reels, sd. From the play by Louis N. Parker.

Credits: Director, Arthur Woods; adaptation and scenario, Marjorie Deans, A. Tolmay, N. Watson; additional dialogue, Clifford Grey; film editor, E. B. Jarvis.

DRAMA DE LUXE. (Educational-Lupino Lane Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

THE DRAMA IN HEYVILLE. 1914. 2 reels.

Credits: Director, Ashley Miller.

THE DRAMA OF HUMANITY. SEE Satan.

DRAMA OF THE ORIENT. Powers. 1917. 1/2 reel.

DRAMATIC SCHOOL. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. From the play "School of Drama" by Hans Szekely and Zoltan Egyed.

Credits: Producer, Mervyn LeRoy; director, Robert B. Sinclair; screenplay, Ernest Vajda, Mary C. McCall, Jr.; film editor, Frederick Y. Smith; music score, Franz Waxman.

THE DRAW-BACK. (Educational-Tuxedo Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

DRAW YOUR OWN SPECIFICATIONS. 1937. For Hudson Productions. Filmstrip, sd.

DRAWING RUMORS. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Joseph A. Fields; film editor, Edward Mann; music director, Roy Webb.

Credits: Director, Reaves Eason.

THE DREADED TUBE. (The Perils of the Secret Service, no. 3) Imp. 1917. 2 reels. Founded on the Yorke Norroy Stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

THE DREAM. 1920. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Joseph Byron Totten; scenario, Harry Southwell.

A DREAM COMES TRUE. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

THE DREAM DANCE. 1915. 3 reels.

THE DREAM DOLL. 1917. 65 min.

Credits: Written and directed by Howard S. Moss.

THE DREAM FAIRY. 1913. 1 reel.

Credits: Ashley Miller.

THE DREAM GIRL. 1914. 2,000 ft.

Credits: Producer, Thomas Santschi.

THE DREAM GIRL. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Jeanie MacPherson; producer, Cecil B. De Mille.

THE DREAM GIRL. 1921. 2 reels.

Credits: Director, Edward Kull; story, Edward Kull, George Morgan.

THE DREAM GIRL. SEE Aladdin's Other Lamp.

DREAM HOUSE. (Educational's Comedies) 1932. 19 min., sd.

Credits: Director, Del Lord.

DREAM HOUSE. (A Mack Sennett Talking Picture) Presented by E. W. Hammons. 1934. 1,722 ft., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Harry McCoy, Earle Rodney, Lew Foster; film editor, William Hornbeck.

THE DREAM LADY. 1918. 5 reels. From the novel "Why Not" by Margaret Widdemar.

Credits: Director, Elsie Jane Wilson; scenario and adaptation, Fred Myton.

DREAM MELODY. Presented by Samuel Zierler. 1929. 5,050 ft.

Credits: Isadore Bernstein, Carmelita Sweeney; director, Burton King; story, Lenore Gray; adaptation, Hazel Jamieson; editor, Betty Davis.

Credits: Written and produced by Fred Huntley.

A DREAM OF EGYPT. (Star Featurette) 1917. 2 reels.

Credits: Director, Marshall Stedman; story, Myrtle Stedman; scenario, Nan Blair.

THE DREAM OF EUGENE ARAM. 1916. 3 reels. From the poem of Thomas Hood.

Credits: Director, Colin Campbell.

DREAM OF LOVE. 1928. 1 reel.

Credits: Direction, story, and scenario, Marcel G. Silver; music, Liszt.

DREAM OF LOVE. 1928. 9 reels, b&w. Based on the play "Adrienne Lecouvreur" by Eugène Scribe and Ernest Legouvé.

Credits: Director, Fred Niblo; screenplay, Dorothy Farnum; film editor, James McKay.

A DREAM OF LOVE. Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd., b&w. Based on an incident in the life of Franz Liszt.

Credits: Written and directed by James A. Fitzpatrick.

DREAM STREET. 1921. 9 reels.

Credits: Scenario, Roy Sinclair.

DREAM STUFF. 1933. 2 reels, sd.

Credits: Director, William Crowley.

A DREAM WALKING. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

THE DREAM WOMAN. 1914. 4 reels. Adapted from a novel by Wilkie Collins.

Credits: Producer, Alice Blaché.

DREAMING LIPS. Presented by Max Schach. Released through United Artists. 1937. 9 reels, sd. From the play "Melo" by Henry Bernstein.

Credits: Producer and director, Paul Czinner; adaptation, Carl Mayer; editor, David Lean.

DREAMLAND. SEE Strike Me Pink.

DREAMS ON ICE. (A Color Rhapsody) Presented by Columbia Pictures Corp. 1939. 580 ft., sd., color.

Credits: Director, Sid Marcus; animation, Art Davis, Herb Rothwill; music, Joe De Nat.

DREAMWORLD. (Romantic Journeys) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

DREAMY DUD, A VISIT TO UNCLE DUDLEY'S FARM and SCENIC PICTURE. 1915.

Credits: Wallace A. Carlson.

DREAMY DUD AT THE OLD SWIMMIN' HOLE and SCENIC PICTURE. 1915. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD, COWBOY and SCENIC PICTURE. 1915. 1,000 ft.

Credits: Wallace A. Carlson.

DREAMY DUD HAS A LAUGH ON THE BOSS. 1916. Split reel.

Credits: Wallace A. Carlson.

DREAMY DUD, HE GOES BEAR HUNTING and SCENIC PICTURE. 1915. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD, HE SEES CHARLIE CHAPLIN and SCENIC PICTURE. 1915. 1,000 ft.

Credits: Wallace A. Carlson.

DREAMY DUD IN KING KOO KOO'S KINGDOM. 1915. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD IN LOST IN THE JUNGLE, and JOE BOKO IN A CLOSE SHAVE. 1915. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD IN LOVE; ALSO SCENES TAKEN IN THE CANADIAN ROCKIES. 1915. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD IN THE AFRICAN WAR ZONE. 1916. Split reel.

Credits: Wallace A. Carlson.

DREAMY DUD IN THE SWIM and A SCENIC PICTURE. 1915. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD JOYRIDING WITH PRINCESS ZLIM. 1916. Split reel.

Credits: Wallace A. Carlson.

DREAMY DUD LOST AT SEA and SCENIC PICTURE. 1916. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD RESOLVES NOT TO SMOKE and SCENIC PICTURE. 1915. 1 reel.

Credits: Wallace A. Carlson.

DREAMY DUD UP IN THE AIR and SCENIC PICTURE. 1915. 1 reel.

Credits: Animation, Wallace A. Carlson.

DIE DREI VON DER TANKSTELLE (THREE JACKS AND A QUEEN). 1931. 10 reels.

Credits: Director, Wilhelm Thiele; story, Franz Schulz, Paul Frank.

THE DRESDEN DOLLS. 1930. 1 reel, sd.

Credits: Director, Frank Cambria.

DRESS PARADE. De Mille Pictures Corp. Presented by William Sistrom. 1927. 7 reels. From the story "Raw Material" by Major Alexander Chilton, in collaboration with Major Robert P. Glassburn and Herbert Walters.

Credits: Produced and directed by Donald Crisp; adaptation, Douglas Z. Doty; film editor, Barbara Hunter.

DRESSED TO KILL. 1928. 7 reels, b&w.

Credits: Director, Irving Cummings; story, William M. Conselman; scenario, Howard Estabrook.

DRESSED TO THRILL. 1935. 6,131 ft., sd. Adapted from the play "La Couturière de Lunéville" by Alfred Savoir.

Credits: Director, Harry Lachman; screenplay, Samson Raphaelson; music director, Louis de Francesco.

THE DRESSMAKER FROM PARIS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7,080 ft.

Credits: Producer, Paul Bern; story, Adelaide Heilbron, Howard Hawkes; screenplay, Adelaide Heilbron.

DRIFT FENCE. Presented by Adolph Zukor. 1936. 6 reels, sd. From the novel by Zane Grey.

Credits: Producer, Harold Hurley; director, Otho Lovering; screenplay, Robert Yost, Stuart Anthony; film editor, C. A. Hisserich.

THE DRIFTER. Bison. 1917. 2 reels.

Credits: Director, Fred C. Kelsey; story and scenario, Edna Rowell Schley.

THE DRIFTER. 1923. 2 reels.

THE DRIFTER. 1929. 7 reels.

Credits: Director, Robert DeLacy; story, Oliver Drake, Robert DeLacy; continuity, George W. Pyper; film editor, Ted Cheeseman.

THE DRIFTIN' KID. 1921. 2 reels.

Credits: Story, James Edward Hungerford; scenario, Ford Beebe.

DRIFTIN' SANDS. 1928. 5 reels. From the story "Fate of the Wolf" by W. C. Tuttle.

Credits: Director, Wallace W. Fox; adaptation and continuity, Oliver Drake.

DRIFTING. 1923. 7 reels. From the play by John Colton.

Credits: Director, Tod Browning; adaptation, Tod Browning and A. P. Younger.

DRIFTING. SEE Shanghai Lady.

DRIFTING ALONG. 1930. 1 reel.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

DRIFTING WESTWARD. 1939. 6 reels, sd.

Credits: Producer, Robert Tansey; director, Robert Hill; original screenplay, Robert Emmett.

DRIFTWOOD. 1928. 7 reels.

Credits: Producer, Jack Cohn; director, Christy Cabanne; story, Richard Harding Davis; adaptation and continuity, Lillie Hayward; film editor, Ben Pivar.

DRIFTWOOD. SEE Daring Love.

Credits: Producer, Maurice Elvey.

DRIVEN BY FATE. Imp. 1915. 3 reels.

Credits: Producer, Jack J. Adolph.

THE DRIVIN' FOOL. Presented by Regents Pictures Corp. 1923. 6 reels. From the Blue Book story by W. F. Sturm.

Credits: Director, Robert T. Thornby; adaptation, H. H. Van Loan; titles, Walter Anthony.

DROPPED FROM THE CLOUDS. Bison. 1917. 2 reels.

Credits: W. B. Pearson; director, Henry McRae.

DROPPED FROM THE CLOUDS. 1923. 2 reels.

DROPPINGTON'S DEVILISH DEED. 1915.

Credits: Producer, Mack Sennett.

DROPPINGTON'S FAMILY TREE. 1915.

Credits: Producer, Mack Sennett.

THE DRUDGE. 1914. 2 reels.

Credits: Director, Tefft Johnson.

THE DRUDGE. Rex. 1917. 2 reels.

Credits: Harvey Gates; director, William V. Mong.

THE DRUG CLERK. 1915. 1 reel.

A DRUG ON THE MARKET. (Tom Howard Comedies) Educational Pictures. 1933. 11 min., sd.

Credits: Director, Aubrey Scotto; story, Tom Howard.

DRUG STORE FOLLIES. Tru Pictures Co., Inc. 1937. 1 reel, sd.

Credits: Director, B. K. Blake; story, I. A. Jacoby; music director, Milton Schwarzwald.

DRUGGED WATERS. Red Feather. 1916. 5 reels.

Credits: Producer, William Dowlan; scenario, Leonora Ainsworth.

THE DRUGGIST'S DILEMMA. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Johnnie Grey; adaptation and dialogue, Bobby Clark, Mark Sandrich; film editor, John Lockert.

DRUM DANCERS OF JAVA. 1918. Split reel.

DRUM TAPS. World Wide. Presented by E. W. Hammons. 1933. 61 min., sd.

Credits: Direction, story, and continuity, J. P. McGowan.

DRUMMING IT IN. (Tuxedo Talking Comedies) 1930. 18 min., sd. Adapted from the sketch "Pirtle Drums It In" by Charles Divine.

Credits: Supervision and production, Jack White; director, Charles Lamont.

DRUMS. Presented by Alexander Korda. Released through United Artists. 1938. 10 reels, sd., color. From the story by A. E. W. Mason.

Credits: Director, Zoltan Korda; scenario, Arthur Wimperis, Patrick Kirwan, Hugh Gray; adaptation, Lajos Biro; film editor, Henry Cornelius; music score, John Greenwood; music director, Muir Mathieson.

DRUMS OF FATE. 1922. 6 reels. From the novel "Sacrifice" by Stephen French Whitman.

Credits: Director, Charles Maigne; adaptation, Will M. Ritchey.

DRUMS OF FEAR. (Vagabond Adventure Series, no. 5) Van Beuren Corp. 1930. 1 reel, sd.

Credits: Supervision, Elmer Clifton, Alfred Mannon; director, Tom Terriss.

THE DRUMS OF JEOPARDY. Truart. Presented by M. H. Hoffman. 1924. 7 reels. Adapted from the novel by Harold MacGrath.

Credits: Supervision, Roland G. Edwards; director, Edward Dillon; edited and titled by Alfred A. Cohn, A. Carle Palm.

THE DRUMS OF JEOPARDY. 1931. 8 reels.

Credits: Director, George B. Seitz; story, Harold McGrath; continuity and dialogue, Florence Ryerson.

DRUMS OF LOVE. United Artists. Presented by D. W. Griffith. 1928. 9 reels. Based on an historical incident in the life of Francesca da Rimini.

Credits: Director, D. W. Griffith; adaptation, Gerrit J. Lloyd.

DRUMS OF THE DESERT. 1927. 6 reels.

Credits: Director, John Waters; story, Zane Grey; screenplay, John Stone.

DRUMS OF THE ORIENT. (Vagabond Adventure Series) The Van Beuren Corp. 1932. 1 reel.

Credits: Supervision, Elmer Clifton; narrator, Gayne Whitman.

DRUNK DRIVING. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 1,941 ft., sd., b&w.

Credits: Director, David Miller; original story and screenplay, Karl Kamb; film editor, Albert Akst.

DRUSILLA WITH A MILLION. Associated Arts Corp. Released by F. B. O. 1925. 7 reels. From the novel by Elizabeth Cooper.

Credits: Director, F. Harmon Weight; scenario, Lois Zellner.

DRY GOODS AND DAMP DEEDS. 1917. 2 reels.

Credits: Director general, J. G. Blystone; director, Vin Moore.

DRY MARTINI. 1928. 7 reels, b&w.

Credits: Director, H. d'Abbadie d'Arrast; story, John Thomas; scenario, Douglas Z. Doty.

DRY UP. Century. 1925. 2 reels.

Credits: Written and directed by Al Herman.

THE DUB. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. From a magazine story by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, James Cruze; scenario, Will M. Ritchey.

DU BARRY. 1914. 6 reels.

DU BARRY. SEE

Du Barry, Woman of Passion.

I Give My Heart.

DU BARRY DID ALL RIGHT. 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Willi Weil, Leo Sherin.

DU BARRY, WOMAN OF PASSION. United Artists. 1930. 10 reels, sd. From the play "Du Barry" by David Belasco.

Credits: Adaptation, direction, and production, Sam Taylor.

DUBLIN AND NEARBY. (Around the World with Burton Holmes) 1930. 1 reel.

DUBLIN IN BRASS. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

DUBROVSKY. SEE The Eagle.

DUBS AND DRYGOODS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

DUBS AND DRYGOODS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

THE DUCHESS. Gold Seal. 1915. 3 reels. Adapted from the novel of the same name.

Credits: Producer, W. T. McCulley; scenario, Helen Bailey.

THE DUCHESS OF BUFFALO. First National. 1926. 7 reels. Based on the play "Sybil" by Max Brody and Franz Martos.

Credits: Producer, Sidney Franklin; screenplay, Hans Kraly.

THE DUCHESS OF DOUBT. Rolfe Photoplay Corp. 1917. 5 reels.

Credits: Direction and adaptation, George D. Baker; story, John B. Clymer, Charles A. Logue.

LA DUCHESSE DE LANGEAIS. SEE The Eternal Flame.

DUCI DE KEREKJARTO. VIOLIN VIRTUOSO PLAYING ANDALUSIAN ROMANCE, and SPANISH DANCE. (Metro Movietone Act) 1929. 1 reel.

DUCI DE KEREKJARTO, VIOLIN VIRTUOSO: SERENADE, WITCHES DANCE. (Movietone Act) 1929. 1 reel, sd.

THE DUCK HUNT. (Mickey Mouse Cartoon, no. 22) 1932. 1 reel.

DUCK HUNT. (Oswald Rabbit) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod.

THE DUCK HUNTER. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

DUCK HUNTER'S PARADISE. (An Oddity) 1933. 1 reel, sd., b&w.

Credits: Director, Harold Austin; narrator, Paul Gerard Smith.

DUCK ON A ROCK. 1920. 1 reel.

DUCK OUT. (Educational-Bobby Vernon Comedy) 1927. 2 reels.

Credits: Director, William Watson; story, Sig Herzig.

A DUCK OUT OF WATER. 1918. 1 reel.

Credits: Directors, Eddie and Lee Moran.

DUCK SOUP. 1933. 7 reels.

Credits: Director, Leo McCarey; story, lyrics, and music, Bert Kalmer, Harry Ruby; additional dialogue, Arthur Sheekman, Nat Perrin.

DUCKING DUTY. 1930. 1 reel.

DUCKING THE BLAME. SEE Blaming the Duck.

A DUCKING THEY DID GO. 1939. 2 reels, sd.

Credits: Director, Del Lord; original screenplay, Andrew Bennison.

DUCKS AND DEDUCTS. SEE Bert Swor in Ducks and Deducts.

DUCKS AND DRAKES. 1921. 5 reels.

Credits: Director, Maurice Campbell; story, Elmer Harris.

DUCKS AND DRAKES. (A Grantland Rice Sportlight) 1931. 1 reel.

DUCKS IS DUCKS. Rolma Film, Inc. 1916. 1 reel.

Credits: Ellis Parker Butler.

DUCKY DEAR. (A Phil L. Ryan Comedy) 1933. 2 reels, sd.

Credits: Director, Del Lord; story and adaptation, Ralph Ceder and Scott E. Cleethorpe; editor, Maurice Wright.

DUD VISITS THE ZOO and AN ALLEY ROMANCE. 1915. 1 reel.

THE DUDE BANDIT. 1933. 7 reels, sd.

Credits: Director, George Melford; story, Jack Natteford.

THE DUDE COWBOY. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story, James Ormont; continuity, Paul M. Bryan.

THE DUDE DESPERADO. Mustang. 1927. 2 reels.

Credits: Director, George Hunter; story, Rhea Mitchell; continuity, Meta C. Sterne.

DUDE RANCH. 1931. 6,187 ft., sd.

Credits: Director, Frank Tuttle; story, Milton Krims; screenplay, Percy Heath, Grover Jones, Lloyd Corrigan.

THE DUDE RANCH. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Ed Thorgersen.

Credits: Producer, John L. Hawkinson.

DUDE RANCHING. (Sound Sportlight) 1930. 1 reel, sd.

Credits: Editor, Jack Eaton (John Eaton).

THE DUDE RANGER. 1934. 7 reels, sd. From the story by Zane Grey.

Credits: Producer, Sol Lesser; director, Edward F. Cline; adaptation and screenplay, Barry Barringer.

THE DUDE RANGER. SEE Roll Along Cowboy.

THE DUDE WRANGLER. Presented by Mrs. Wallace Reid and Cliff Broughton. 1930. 6 reels. Based on the novel by Caroline Lockhart.

Credits: Director, Richard Thorpe; adaptation and dialogue, Robert Lee.

DUDS. 1920. 5 reels.

Credits: Director, Thomas Mills; story, Henry C. Rowland; scenario, Harvey Thew.

A DUEL AT DAWN. Joker. 1915. 1 reel.

Credits: C. G. Badger; producer, Allen Curtis.

THE DUEL IN THE MOUNTAINS. SEE The End of Black Bart.

DUEL PERSONALITIES. Presented by Metro-Goldwyn-Mayer. 1939, 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan.

DUFFER SWINGS. (Golf, no. 2) 1931. 1 reel, sd.

Credits: Producer, Terry Ramsaye; director, Clyde Elliott.

DUFFERS AND CHAMPS. (Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: John Foster.

THE DUKE COMES BACK. 1937. 7 reels, sd. From the novel by Lucian Cary.

Credits: Associate producer, Herman Schlom; director, Irving Pichel; screenplay, Adele Buffington, Edmund Seward; editors, Murray Seldeen, Ray Snyder; music director, Alberto Colombo.

DUKE DOOLITTLE'S JUNGLE FIZZLE. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Charles Saxton.

A DUKE FOR A DAY. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

A DUKE FOR A DAY. 1917. 3 reels.

Credits: Director, Ben Turbett; story, Homer Croy; scenario, Raymond R. Dakin.

A DUKE FOR A DAY. (Hal Roach Musical Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, William Terhune.

THE DUKE OF CHIMNEY BUTTE. 1921. 5 reels. Based on the book by George Washington Ogden.

Credits: Producer, Andrew J. Callaghan; director, Frank Borzage; scenario, Marian Anislee.

THE DUKE OF DUBLIN. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Vernon Smith.

THE DUKE OF WEST POINT. Presented by Edward Small. Released through United Artists. 1939. 12 reels, sd.

Credits: Director, Alfred E. Green; original screenplay, George Bruce; film editor, Grant Whytock; music director, Frank Tours.

THE DUKE STEPS OUT. 1929. 8 reels.

Credits: Produced and directed by James Cruze; story, Lucian Cary; adaptation and continuity, Raymond Schrock, Dale Van Every; film editor, George Hively.

DUKES AND DOLLARS. 1918. 1 reel.

Credits: Written and directed by Walter Hall.

THE DUKE'S DILEMMA. 1913. 1 reel.

Credits: P. Herbert.

THE DUKE'S DIRTY DOINGS. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Craig Hutchinson.

DUKE'S SON. SEE Squandered Lives.

DULCY. 1923. 7 reels. Based on the stage play by George S. Kaufman and Marc Connelly.

Credits: Director, Sidney A. Franklin.

DULCY. SEE Not So Dumb.

DULL CARE. 1919. 2 reels.

Credits: Story and direction, Larry Semon.

A DUMB ACCUSER. SEE The Master Rogue.

DUMB AND DAFFY. 1924. 2 reels.

Credits: Edited and titled by Ralph Spence.

DUMB—AND HOW. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Jules White.

THE DUMB BANDIT. Rex. 1916. 1 reel.

Credits: Grace Cunard; producer, Francis Ford.

DUMB-BELLES. (Sunkist Comedy, no. 10) 1927. 2 reels.

DUMB BELLES. (Billy Dooley Comedies) 1927. 2 reels.

Credits: Producer, Christie; director, William Watson; story, Sig Herzig.

DUMB-BELLES LETTRES. SEE Dumb-bell Letters.

DUMB CHAMPS. (World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator, Ford Bond.

THE DUMB CLUCK. (An Oswald Cartoon) 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Charles Bowers; artists, Jack Dunham, Dick Marion, Ed. Benedict.

DUMB DADDIES. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision and direction, Hal Yates; story, Leo McCarey; editor, Richard Currier.

DUMB DICKS. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Ralph Ceder; story, Ewart Adamson; film editor, John Link.

A DUMB FRIEND. Bluebird. 1926. 1 reel.

Credits: Director, George (Slim) Summerville.

THE DUMB GIRL OF PORTICI. 1916. 10 reels. From the opera based on the life of Masaniello, by Daniel François Esprit Auber.

Credits: Producers, The Smalleys; adaptation, Lois Weber.

DUMB LUCK. (An Educational Marriage Wow) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story and dialogue, Goodman Ace; adaptation, William Watson.

DUMB PATROL. (Looney Tunes, no. 9) Vitaphone Corp. 1931. 1 reel.

THE DUMB WAITER. 1924. 2 reels.

Credits: Director, Eugene DeRue.

A DUMB WAITER. (Handy Andy Series) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; story, Harry Edwards, Curtis Benton; film editor, William Hornbeck.

THE DUMB WOOING. 1915. 1,000 ft. A revival of the Edison comedy.

Credits: Bannister Merwin; director, Will Louis.

THE DUMBBELL. 1921. 2 reels.

Credits: Written and directed by Tom Buckingham.

DUMB-BELL LETTERS. Presented by RKO Radio Pictures. 1934-36. 1 reel each. Edited by Juliet Lowell from her collection of Dumb-belles Lettres. © Van Beuren Corp.

DUMBELLS IN DERBIES. (Dane Arthur Series, no. 5) 1931. 2 reels.

Credits: Story and direction, Lewis R. Foster; dialogue and continuity, Johnnie Grey.

DUMB-BELLS IN ERMINE. Warner Brothers Vitaphone. 1930. 7 reels, sd. Based on the stage play "Weak Sisters" by Lynn Starling.

Credits: Director, John G. Adolfi; screenplay, Harvey Thew; dialogue, James Gleason.

DUMB-BELLS IN ERMINE. Trailer. 1930. 1 reel, sd.

DUMB'S THE WORD. (Kennedy, no. 5) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Charles Roberts, George Jeske; film editor, John Lockert.

DUMMIES. (Educational-Larry Semon Comedy) 1928. 2 reels.

Credits: Written and directed by Larry Semon.

DUMMIES AND DECEPTION. 1917. 1 reel.

Credits: Written and directed by Henry Kernan.

THE DUMMY. 1917. 5 reels. A picturization of the stage success by Harvey J. O'Higgins and Harriet Ford.

Credits: Director, Francis J. Grandon; scenario, Eve Unsell.

THE DUMMY. 1929. 5,357 ft. Based on the play by Harvey J. O'Higgins and Harriet Ford.

Credits: Director, Robert Milton; adaptation, Herman J. Mankiewicz; film editor, George Nicholls.

THE DUMMY. SEE Lampoons.

DUMMY ACHE. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, Edward Mann.

DUMMY LOVE. (Bobby Vernon Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Harold Beaudine; story, Sig Herzig.

THE DUMMY OWNER. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarborough; story, George Jeske, Harold Law; film editor, Les Millbrook.

DUNCES AND DANGERS. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

THE DUNKER. 1932. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Billy House.

THE DUPE. Released by Paramount Pictures Corp. 1916. 5 reels. From the story by Hector Turnbull.

Credits: Margaret Turnbull.

THE DUPE. Gold Seal. 1916. 3 reels.

Credits: Producer, William Worthington; scenario, James Dayton.

DUPLICITY. Metro-Drew. 1916. 1 reel.

Credits: Epes W. Sargent; producer, Sidney Drew.

THE DUPLICITY OF HARGRAVES. 1917. 4 reels. From a story by O. Henry (pseud. of William Sydney Porter).

Credits: Director, Thomas R. Mills; adaptation, William Courtney.

Credits: Producer, John L. Hawkinson.

DURAND OF THE BAD LANDS. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Richard Stanton.

DURAND OF THE BAD LANDS. 1925. 6 reels, b&w, tinted sequences.

Credits: Director, Lynn Reynolds; story, Maibelle Heikes Justice; scenario and adaptation, Lynn Reynolds.

DURANGO VALLEY RAIDERS. 1938. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screenplay, George H. Plympton; film editor, Roy Claire.

DUST BE MY DESTINY. First National. 1939. 10 reels. From a novel by Jerome Odlum.

Credits: Director, Lewis Seiler; screenplay, Robert Rossen.

THE DUST FLOWER. 1922. 6 reels. Adapted from the novel by Basil King.

Credits: Director, Rowland V. Lee.

Credits: Director, Perry Vekroff; story, Clara Beranger, Forrest Halsey.

DUST OF DESIRE. SEE The Song of Love.

THE DUST OF EGYPT. 1915. 6 reels.

Credits: Director, George Baker.

DUST UNTO DUST. (Brighten the Corner Where You Are. The Glad Series) 1917. 1 reel.

DUTCH AND ENGLISH ON THE HUDSON. SEE Peter Stuyvesant.

THE DUTCH EAST INDIES. 1931. 976 ft.

DUTCH GUIANA, LAND OF THE DJUKA. (A FitzPatrick Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

DUTCH TREAT. (Paul Terry Toons) 1930. 1 reel, sd.

Credits: Frank Moser, Paul Terry.

THE DUTCHMAN'S PARADISE. (The Rambling Reporter Series) 1930. 1 reel, sd.

Credits: Narrator, Malcolm La Prade; musical arrangements, Tom Griselle.

DWELLERS IN GLASS HOUSES. 1915. 2 reels.

THE DWELLING PLACE OF LIGHT. 1920. 7 reels. From the novel by Winston Churchill.

Credits: Producer, Benj. B. Hampton; director, Jack Conway; scenario, William H. Clifford.

DYIN' FOR LOVE. 1924. 2 reels.

Credits: Written and directed by Billy West.

THE DYING DETECTIVE. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

THE DYING DETECTIVE. Presented by Stoll Picture Productions, Ltd. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Producer and director, Maurice Elvey; scenario, William J. Elliott.

THE DYING JUNGLE. (U. F. A. Oddity) Presented by UFA. 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

DYING LIPS. SEE Sealed Lips.

DYNAMIC DETROIT. (Ford Educational Library, Civics, and Citizenship, v. 3) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

DYNAMIC LEARNING. 1931. 2 reels.

Credits: William H. Kilpatrick.

DYNAMITE. 1919. 2 reels.

Credits: Director, Edward Kull; story, J. E. Mullins; scenario, Anthony W. Coldeway.

DYNAMITE. 1929. 14 reels, sd., b&w.

Credits: Producer and director, Cecil B. De Mille; story, Jeanie MacPherson; dialogue, John Howard Lawson, Gladys Unger, Jeanie MacPherson; film editor, Anne Bauchens.

DYNAMITE ALLEN. 1921. 5 reels.

Credits: Director, Dell Henderson; story and scenario, Thomas F. Fallon.

DYNAMITE DOGGIE. (Tuxedo Comedies) 1925. 2 reels.

Credits: Director, Grover Jones.

DYNAMITE RANCH. 1932. 6 reels.

Credits: Director, Forrest Sheldon; story and continuity, Barry Barringer.

DYNAMITE SMITH. 1924. 7 reels.

Credits: Director, Ralph Ince; story and continuity, C. Gardner Sullivan.

THE DYNAMITE SPECIAL. Bison. 1917. 2 reels.

Credits: Director, James Davis; story, T. Shelly Sutton; scenario, George Hively.

DYNAMITE'S DAUGHTER. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Edward Sedgwick.

THE E-FLAT MAN. (Star Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Director, Charles Lamont; story, Glen Lambert, Charles Lamont.

E. M. NEWMAN'S ALONG THE MEDITERRANEAN. 1937. 1 reel, sd., color.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Howard Claney.

E. M. NEWMAN'S CRADLE OF CIVILIZATION. (Colortour Adventure) 1937. 10 min., color, sd.

Credits: Dialogue, Ira Genet; narrated by Kenneth Roberts.

E. M. NEWMAN'S CROSSROADS OF THE ORIENT. 1938. 1 reel, sd.

Credits: Dialogue, Ira Genet; narration, Basil Ruysdael; editor, Bert Frank.

E M. NEWMAN'S GATEWAY TO AFRICA. 1937. 10 min., sd., color.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

E. M. NEWMAN'S ISLES OF ENCHANTMENT. 1938. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

E. M. NEWMAN'S IT'S WORK. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Paul Douglas; editor, Bert Frank.

E. M. NEWMAN'S LAND OF THE KANGAROO. (Colortour Adventure) 1938. 10 min., sd., color.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

E. M. NEWMAN'S LAND OF THE MIDNIGHT SUN. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Alan Kent.

E. M. NEWMAN'S LONG BRIGHT LAND. 1937. 1 reel, sd., color.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

E. M. NEWMAN'S MYSTERIOUS CEYLON. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Basil Ruysdael; editor, Bert Frank.

E. M. NEWMAN'S NATURE—THE ARTIST. 1937. 10 min., sd., color.

Credits: Dialogue, Ira Genet; narrator, David Ross.

E. M. NEWMAN'S NICE WORK. (A Colortour Adventure) 1937. 10 min., sd., color.

Credits: Dialogue, Ira Genet; narrator, Milton J. Cross; editor, Bert Frank.

E. M. NEWMAN'S NORTHERN LIGHTS. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Jean Paul King.

E. M. NEWMAN'S PEARL OF THE EAST. 1938. 1 reel, sd., color.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

E. M. NEWMAN'S THE HOLLANDERS. 1937. 1 reel, sd., color.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Basil Ruysdael.

E. M. NEWMAN'S THE HOLLANDERS. 1937. 1 reel, color.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Basil Ruysdael.

E. M. NEWMAN'S TORADJA LAND. 1938. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Howard Claney; editor, Bert Frank.

E. M. NEWMAN'S WHAT THE WORLD MAKES. 1937. 1 reel, sd., color.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Paul Douglas.

EACH DAWN I DIE. First National. 1939. 10 reels, sd. From the novel by Jerome Odlum.

Credits: Director, William Keighley; screenplay, Norman Reilly Raine, Warren Duff.

EACH PEARL A TEAR. 1916. 5 reels.

Credits: Beatrice C. De Mille, Leighton Osmun; story, E. Lloyd Sheldon.

EACH TO HIS KIND. 1917 5 reels. From the story by Paul West.

Credits: Producer, E. J. Le Saint; scenario, George Du Bois Proctor.

THE EAGLE. Laemmle. 1915. 1 reel.

Credits: Producer, Leon Kent; scenario, Harry Mann.

THE EAGLE. 1918. 5 reels.

Credits: Director, Elmer Clifton; story, Ethel Hill.

THE EAGLE. Released by United Artists Corp. 1925. 7 reels. Based on the Russian classic "Dubrovsky" by Alexander Pushkin.

Credits: Producer and director, Clarence Brown; adaptation, Hans Kraly.

THE EAGLE AND THE HAWK. 1933. 6,652 ft., sd.

Credits: Director, Stuart Walker; story, John Monk Saunders; screenplay, Bogart Rogers, Seton I. Miller.

THE EAGLE AND THE SPARROW. 1915. 1 reel.

Credits: Director, Burton L. King.

Credits: Paul Cruger; director, Jimmie Fulton.

THE EAGLE OF THE SEA. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels. From the story "Captain Sazarac" by Charles Tenney Jackson.

Credits: Director, Frank Lloyd; screenplay, Julian Josephson.

THE EAGLE'S BLOOD. Presented by Adolph Zukor. 1935. 7 reels.

Credits: Producer, Harry Sherman; director, Howard Bretherton; screenplay, Doris Schroeder, Harrison Jacobs; music and lyrics, Sam H. Stept, Sidney Mitchell.

THE EAGLE'S FEATHER. 1923. 7 reels.

Credits: Director, Edward Sloman; story, Katherine Newlin Burt.

THE EAGLE'S NEST. 1915. 6 reels.

Credits: Producer, Romaine Fielding.

THE EAGLE'S NEST. (U.F.A. Oddity) 1929. 1 reel, b&w.

Credits: Edited and titled by Major Edward Bowes.

Credits: Director, Duke Worne; story, Theodore Wharton, Bertram Milhauser; scenario, Anthony Coldewey, Jefferson Moffitt, Bertram Millhauser.

THE EAGLE'S WINGS. Special Bluebird. 1916. 5 reels.

Credits: Director, Robert Leonard; story, Rufus Steele; scenario, Maud Grange.

AN EAR FOR MUSIC. (Coronet Comedy) Presented by E. W. Hammons. 1935. 1,663 ft., sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

EARL AND BELL, POPULAR HARMONY DUO; LA SPAGNOLA [and others]. (Metro Movietone Act) 1930. 1 reel, sd.

EARL BURTNETT AND HIS BILTMORE HOTEL ORCHESTRA. 1928. 1 reel each.

THE EARL OF PAWTUCKET. Broadway Special. Big U. 1915. 5 reels.

Credits: Augustine Thomas.

THE EARL'S ADVENTURE. 1915. 1,000 ft.

THE EARLY BIRD. 1924. 7 reels.

Credits: Director, Charles Hines; story, Richard M. Friel.

THE EARLY BIRD. 1928. 1 reel.

Credits: Paul Terry, John Foster.

EARLY BIRD. (Scrappy) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE EARLY BIRD AND THE WORM. (Happy Harmonies) 1936. 1 reel., sd., color.

EARLY MOURNING. SEE Gertrude Lawrence in Early Mourning.

EARLY SOCIAL BEHAVIOR. (Yale Films of Child Development) 1935. 1 reel.

EARLY TO BED. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Director, Emmett Flynn; supervision and story, Leo McCarey; editor, Richard Currier.

EARLY TO BED. Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Supervision, Leo McCarey; director, Emmett Flynn; editor, Richard Currier.

EARLY TO BED. Presented by Adolph Zukor. 1936. 8 reels, sd.

Credits: Producer, Harlan Thompson; director, Norman McLeod; story, Lucien Littlefield, Chandler Sprague; screenplay, Arthur Kober.

EARLY TO WED. 1926. 6 reels, b&w, tinted sequences. From the story "The Splurge" by Evelyn Campbell.

Credits: Director, Frank Borzage; scenario, Kenneth B. Clarke.

EARLY TO WED. (Mike and Ike) (Stern Brothers Comedy) 1929. 2 reels. From the cartoons by Rube Goldberg.

EARS OF EXPERIENCE. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; editor, Les Millbrook.

THE EARTH AND WORLDS BEYOND. 1921. 1 reel.

THE EARTH IN MOTION. 1936. 1 reel.

Credits: Director, Walter Lang; story, Norton S. Parker.

EARTHBOUND. Goldwyn Pictures Corp. 1920. 7 reels.

Credits: Director, T. Hayes Hunter; story, Basil King; scenario, Edfrid A. Bingham.

EARTHQUAKES. (The Structure of the Earth) 1928. 1 reel.

Credits: Dept. of Geology, Harvard University.

EARTHWORM TRACTORS. Presented by First National Pictures, Inc. and the Vitaphone Corp. 1936. 69 min., sd. From the stories by William Hazlett Upson.

Credits: Director, Raymond Enright; screenplay, Richard Macauley, Joe Traub, Hugh Cummings; music director, Leo F. Forbstein; film editor, Doug Gould.

THE EASIEST WAY. 1917. 8 reels. Adapted from the drama by Eugene Walter.

Credits: Adaptation and direction, Albert Capellani.

THE EASIEST WAY. 1931. 8 reels, sd., b&w. From the play by Eugene Walter.

Credits: Director, Jack Conway; adaptation, Edith Ellis; film editor, Frank Sullivan.

EAST INDIAN FAKIRS. 1913. 1 reel.

AN EAST INDIAN ISLAND. 1930. 994 ft., 16 mm.

EAST INDIES. (E. M. Newman's Musical Journeys) 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

EAST IS BEST. (Krazy Kat) Winkler Pictures, Inc. 1926. 1 reel.

Credits: Bill Nolan.

EAST IS WEST. 1922. 8 reels. From the play by Samuel Shipman and John B. Hymer.

Credits: Producer, William Harris, Jr.; director, Sidney Franklin; adaptation, Frances Marion.

EAST IS WEST. Presented by Carl Laemmle. 1930. 8 reels. From the play by Samuel Shipman and John B. Hymer.

Credits: Associate producer, E. M. Asher; director, Monta Bell; screenplay and added dialogue, Tom Reed; adaptation, Winnifred Eaton Reeve.

EAST LYNNE. 1915. 3 reels.

EAST LYNNE. 1916. For Fox Film Corp. 5 reels.

Credits: Director, Bertram Bracken; scenario, Mary Murillo.

EAST LYNNE. 1925. 9 reels, b&w, tinted sequences. From the story by Mrs. Henry Wood [Ellen Price Wood].

Credits: Director, Emmett Flynn; adaptation, Lenore J. Coffee, Emmett Flynn.

EAST LYNNE. 1931. 9,188 ft., sd.

Credits: Associate producer, A. L. Rockett; director, Frank Lloyd; editor, Margaret Clancy.

EAST LYNNE WITH VARIATIONS. 1919. 2 reels.

Credits: Director, Edward Cline.

EAST MEETS WEST. 1936. 8 reels, sd.

Credits: Director, Herbert Mason; story and screenplay, Edwin Greenwood; adaptation, Maude T. Howell; editor, C. Frend; music director, Louis Levy.

EAST OF BORNEO. 1931. 8 reels.

Credits: Director, George Melford; story, Dale Van Every; screenplay, Edwin Knopf.

EAST OF FIFTH AVENUE. 1933. 8 reels.

Credits: Director, Albert Rogell; story, Lew Levenson; screenplay, Jo Swerling; film editor, Richard Cahoon.

EAST OF JAVA. Presented by Carl Laemmle. 1935. 8 reels, sd. Based on "Tiger Island" by Gouverneur Morris.

Credits: Producer, Paul Kohner; director, George Melford; screenplay, James Ashmore Creelman, Paul Perez; film editor, Maurice Wright.

EAST OF SUEZ. 1925. 7 reels. From the play by Somerset Maugham.

Credits: Producer, Raoul Walsh; screenplay, Sada Cowan.

EAST SIDE OF HEAVEN. 1939. 10 reels, sd.

Credits: Associate producer, Herbert Polesie; director, David Butler; original story, David Butler, Herbert Polesie; screenplay, William Conselman; film editor, Irene Morra.

EAST SIDE—WEST SIDE. 1923. 6 reels. Adapted from the play by Leighton Osmun and Henry Hull.

Credits: Adaptation, Hope Loring, Louis D. Lighton.

EAST SIDE—WEST SIDE. 1925. 2 reels.

Credits: Supervision, George E. Marshall; director, Ben Stoloff; story, Bryan Foy, Murray Roth.

EAST SIDE, WEST SIDE. 1927. 9 reels, b&w. From the novel by Felix Riesenberg.

Credits: Adapted and directed by Allan Dwan.

EAST SIDE, WEST SIDE. SEE Skyline.

AN EASTER LILY. 1914. 1 reel.

Credits: Director, Tefft Johnson; story, Elaine Sterne.

EASTWARD HO! 1919. 6 reels.

Credits: Director, Emmett J. Flynn; story, William MacLeod Raine; scenario, Roy Somerville.

EASY ACES. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery; story, Goodman Ace, Glen Lambert.

EASY COME, EASY GO. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,364 ft. From the play by Owen Davis.

Credits: Producer and director, Frank Tuttle; scenario, Florence Ryerson.

EASY CURVES. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, William Watson; story and scenario, Frank R. Conklin.

EASY ED. 1916. 2 reels.

Credits: H. Tipton Steck; director, L. C. Windom.

EASY EDUCATIONAL SERIES, NO. 2. 1929. 1,000 ft.

EASY LEADERSHIP. 1929. 1 reel.

EASY LIVING. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer, Arthur Hornblow; director, Mitchell Leisen; story, Vera Caspary; screenplay, Preston Sturges; editor, Doane Harrison.

EASY MONEY. 1915. 1 reel.

Credits: Director, Theodore Marston.

Credits: Director, Travers Vale; story, Gladys E. Johnson.

EASY MONEY. (Coronet Comedy) Presented by E. W. Hammons. 1935. 1,759 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson.

EASY MONEY. 1936. 7 reels, sd.

Credits: Director, Phil Rosen; story, Paul Perez, Ewart Adamson; adaptation and screenplay, Arthur T. Horman.

EASY ON THE EYES. 1933. 2 reels, sd.

Credits: Director, George Marshall.

EASY ON THE ICE. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

EASY PAYMENTS. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Thomas Buckingham; story, Mabel Herbert Urner; adaptation, Murray Roth.

EASY PICKINGS. 1927. 6 reels. From the play by William A. Burton and Paul A. Cruger.

Credits: Producer, Frank Griffin; director, George Archainbaud; scenario, Louis Stevens.

EASY PICKINS. Educational Pictures. 1924. 2 reels.

Credits: Director, Harold Beaudine.

EASY PICKIN'S. Educational Films Corp. of America. Presented by E. W. Hammons. 1935. 907 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charlie Williams.

THE EASY ROAD. 1920. 5 reels. From the story "Easy Street" by Blair Hall.

Credits: Director, Tom Forman; scenario, Beulah Marie Dix.

EASY STREET. 1917. 1 reel.

EASY STREET. SEE The Easy Road.

EASY TERMS. 1923. 1 reel.

EASY TO COP. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson.

EASY TO GET. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 5 reels.

Credits: Director, Walter Edwards; story, Mann Page; scenario, Julia Crawford Ivers.

EASY TO GET. (Gay Girls Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Howard Bretherton; story, Beatrice Van; film editor, Walter Thompson.

EASY TO LOVE. 1933. 7 reels, sd. From the play by Thompson Buchanan.

Credits: Director, William Keighley; screenplay, Carl Erickson, Manuel Seff; adaptation, David Boehm, Carl Erickson.

EASY TO TAKE. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, Jack Cunningham; director, Glenn Tryon; story, Wayne Kilbourne; screenplay, Virginia Van Upp.

EASY WORK. 1924. 1 reel.

EAT AND GROW HUNGRY. 1916. 1 reel.

EAT AND RUN. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

EATS. 1914. 1 reel.

Credits: Director, Lee Biggs.

EATS FOR TWO. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Jules White.

EBB TIDE. 1915. 3 reels.

Credits: Director, Colin Campbell.

EBB TIDE. 1922. 8 reels. Adapted from the novel by Robert Louis Stevenson and Lloyd Osbourne.

Credits: Producer and director, George Melford; adaptation, Waldemar Young.

EBB-TIDE. Presented by Adolph Zukor. 1937. 10 reels, sd., color. Based on the story by Robert Louis Stevenson and Lloyd Osbourne.

Credits: Producer, Lucien Hubbard; director, James Hogan; screenplay, Bertram Millhauser.

THE EBBING TIDE. 1915. 1 reel.

THE EBONY CASKET. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE EBONY SHRINE. (Vagabond Adventure Series, no. 11) 1930. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

L'EBREO ERRANTE. SEE The Wandering Jew.

THE ECHO GIRL. SEE A Woman of Redemption.

ECHO MOUNTAIN. (Broadway Brevity) 1936. 20 min., sd., color.

Credits: Director, Ralph Staub; original story, William Collier, Jr.; screenplay, Olga Jamison, Joseph K. Watson.

ECHOES. (Melody Master) 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

ECHOES THAT OLD REFRAIN. SEE Winter Carnival.

ECSTASY. 1936. 8 reels.

Credits: Director, Gustav Machaty; dialogue, Jacques A. Koerpel; editor, Jack Kemp.

ECTOPIC HEART. 1929. 1 reel.

ECUADOR. (Paramount Color Cruises) 1939. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

ED AND LOU MILLER, MINUTE MEN OF MELODY; AUF WIEDERSEHN [and others]. (Metro Movietone Act) 1929. 1 reel, sd.

ED LOWRY IN THE HAPPY JESTER. 1928. 1 reel, sd.

ED LOWRY WITH HIS ORCHESTRA IN KEEP SMILING. 1928. 1 reel, sd.

ED SULLIVAN'S HEADLINERS. Mentone. 1934. 2 reels.

Credits: Director, Milton Schwarzwald; story, Sylvia Sullivan.

EDDIE BUZZELL IN HELLO THAR. 1930. 2 reels, sd.

EDDIE BUZZELL IN KEEPING COMPANY. 1930. 2 reels, sd.

EDDIE BUZZELL IN THE ROYAL FOURFLUSHER. 1930. 2 reels, sd.

EDDIE CONRAD, BROADWAY'S FAVORITE COMEDIAN, ASSISTED BY MARION EDDY. 1927. 1 reel, sd.

EDDIE CONRAD, BROADWAY'S FAVORITE COMEDIAN, ASSISTED BY MARION EDDY: A. SO FAR SO GOOD [and others]. 1927. 1 reel.

EDDIE DE LANGE AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

EDDIE DUCHIN AND ORCHESTRA. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

EDDIE FOY, JR. IN THE HEART BREAKER. 1930. 2 reels.

EDDIE FOY, JR., WITH BESSIE LOVE IN THE SWELLED HEAD. 1928. 2 reels, sd.

Credits: Hugh Herbert, Murray Roth; director, Bryan Foy.

EDDIE, GET THE MOP. Nestor. 1918. 1 reel.

Credits: Director, W. W. Beaudine; story, King Vidas.

EDDIE GREEN AND CO. IN SENDING A WIRE. 1929. 1 reel, sd.

EDDIE LAMBERT, AMERICA'S FOREMOST CONCERT PIANIST. 1929. 1 reel, sd.

EDDIE MILLER IN THE ONE MAN QUARTETTE. 1929. 1 reel, sd.

EDDIE NELSON AND COMPANY IN STOP AND GO. 1928. 1 reel.

EDDIE PEABODY AND HIS COLLEGE CHUMS. 1929. 2 reels.

EDDIE PEABODY ASSISTED BY JIMMY MAISEL IN A MUSIC SHOP. 1928. 1 reel, sd.

EDDIE PEABODY ASSISTED BY JIMMY MAISEL IN BANJOLAND. 1928. 1 reel, sd.

EDDIE PEABODY IN BANJOMANIA, ASSISTED BY JIMMIE MAISEL, OFFERS: A. POET AND PEASANT [and others]. 1927. 1 reel.

EDDIE QUILLAN AND FAMILY IN A LITTLE BIT OF EVERYTHING. 1928. 1 reel, sd.

EDDIE WHITE IN I THANK YOU. 1928. 1 reel, sd.

EDDIE'S LITTLE LOVE AFFAIR. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

EDDIE'S LITTLE NIGHTMARE. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

EDDIE'S NIGHT OUT. Nestor. 1916. 1 reel.

Credits: Written & produced by A. E. Christie.

EDEN AND RETURN. 1921. 5 reels.

Credits: Director, William A. Seiter; story, Ralph E. Renaud, E. J. Bowes; scenario, Beatrice Van.

EDGAR & GOLIATH. 1937. 1 reel, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, Les Millbrook.

EDGAR BERGEN IN THE OFFICE SCANDAL. 1930. 1 reel.

EDGAR BERGEN IN THE OPERATION, WITH CHRISTINA GRAVER. 1930. 1 reel, sd.

EDGAR HAMLET. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Arthur Ripley; story, Stuart McGowan; film editor, Edward Mann.

THE EDGE OF THE ABYSS. 1915. 5 reels.

THE EDGE OF THE LAW. Butterfly. 1917. 5 reels. Based on the story "The Gentle Ill Wind" by Maude Pettus.

Credits: Director, Louis William Chaudet; adaptation, Harvey Gates.

THE EDGE OF THINGS. 1915. 3 reels.

THE EDGE OF THINGS. SEE The Intruder.

EDISON AND GREGORY IN THE TWO COLLEGE NUTS. 1929. 1 reel, sd.

EDISON BUGG'S INVENTION. 1916. Split reel.

Credits: Director, Jerold T. Hevener.

EDISON, MARCONI & CO. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Production and supervision, Robert McGowan; director, Anthony Mack; titles, H. M. Walker; editor, Richard Currier.

EDITHA'S BURGLAR. SEE The Family Secret.

EDUCATED FISH. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

EDUCATED ROOSTERS. 1915. Split reel.

EDUCATING BUSTER. (Buster Brown Series) Special Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

EDUCATING FATHER. 1936. 5,300 ft., sd.

Credits: Director, James Tinling; original screenplay, Katharine Kavanaugh, Edward T. Lowe, John Patrick; music director, Samuel Kaylin.

EDUCATING PAPA. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Charles Lamont; story, Ernest Pagano, Ewart Adamson; adaptation and continuity, Charles Lamont, Donna Barell.

EDUCATION. 1915. 1 reel.

EDUCATION CANVASS. 1932. Filmstrip.

THE EDUCATION OF AUNT GEORGIANA. 1913. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillord.

THE EDUCATION OF ELIZABETH. 1920. 5 reels. From the play by Roy Horniman.

Credits: Director, Edward Dillon; scenario, Elmer Harris.

EDUCATIONAL FUND. (Educational Film Service, v. 9) 1930. Filmstrip.

THE EEL. Imp. 1916. 2 reels.

Credits: Producer, H. Millard; story, Beth Boone; scenario, William Parker.

THE EFFECTS OF IMPROPER POSTURE ON MAN. SEE Posturosis.

EFFECTS OF VENEREAL DISEASES OF THE FEMALE. Presented by Public Welfare Pictures Corporation. 1927. 1 reel.

EFFECTS OF VENEREAL DISEASES OF THE MALE. Presented by Public Welfare Pictures Corporation. 1927. 1 reel.

EFFICIENCY EDGAR'S COURTSHIP. 1917. 65 min. From the story by Clarence Budington Kelland.

Credits: Director, L. C. Windom; adapted by Charles J. McGuirk.

THE EFFICIENCY SQUAD. 1914. Split reel.

EFREM ZIMBALIST AND HAROLD BAUER DUET; RENOWNED VIOLINIST AND FAMOUS PIANIST PLAYING THEME AND VARIATIONS FROM THE KREUTZER SONATA BY BEETHOVEN. 1927. 1 reel, sd.

THE EGG. 1916. 32 min.

Credits: J. Bradley Smollen; director, Charles E. Ashley.

THE EGG. 1922. 2 reels.

THE EGG-CRATE WALLOP. 1919. 5 reels.

Credits: Director, Jerry Storm; story, Julien Josephson.

EGGED ON! 1917. 1 reel.

Credits: Director, Harry Jackson; story, Lois Zellner.

EGGED ON. (Whirlwind Comedy) 1926. 2 reels.

Credits: Written and directed by Charley Bowers, H. L. Muller, Ted Sears.

EGGHEAD RIDES AGAIN. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Paul Smith, Irvin Spence; musical score, Carl W. Stalling.

EGGS MARK THE SPOT. 1935. 1 reel, sd.

EGYPT. SEE

The Call of Her People.

Sensation Seekers.

EGYPT, KINGDOM OF THE NILE. (A FitzPatrick Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

AN EGYPTIAN DANCER. 1920. 1 reel.

EGYPTIAN DANCER. Models in Motion. 1931. 243 ft.

EGYPTIAN MELODIES. (Walt Disney's Silly Symphony, no. 21) 1931. 1 reel, sd.

THE EGYPTIAN MUMMY. 1914. 1 reel.

Credits: Director, Lee Beggs.

AN EGYPTIAN PRINCESS. 1914. I reel.

Credits: Producer, Walter Clark Bellowe.

EIGHT BELLS. 1935. 7 reels, sd. From the play by Percy Mandley.

Credits: Director, R. William Neill; screenplay, Ethel Hill, Bruce Manning; film editor, Gene Havlick.

EIGHT CYLINDER BULL. 1926. 2 reels.

Credits: Story, Walter Ruben, Sydney Lanfield.

AN EIGHT CYLINDER ROMANCE. Victor. 1917. 2 reels.

Credits: James Douglass; director, T. N. Heffron.

EIGHT GIRLS IN A BOAT. 1934. 9 reels, sd.

Credits: Producer, Charles R. Rogers; director, Richard Wallace; story, Helmut Brandis; screenplay, Casey Robinson; adaptation, Lewis Foster.

813. 1920. 6 reels. Based on the Arsene Lupin story by Maurice Leblanc.

Credits: Director, Scott Sidney; scenario, W. Scott Darling.

8 VICTOR ARTISTS: AT THE CLUB. (Movietone Act) 1929. 1 reel.

EIGHTEEN CARAT. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

THE EIGHTH WONDER. 1927. 1 reel.

THE EINSTEIN THEORY OF RELATIVITY. Presented by Edwin Miles Fadman. 1923. 4,000 ft.

Credits: Produced under the supervision of Prof. Albert Einstein's associates, Professors S. F. Nicolai, H. W. Kornblum, C. Bueck, [and others]; arranged by Max Fleischer; edited by Garrett P. Serviss.

DAS EISENE RECHT. SEE The Iron Law.

EL BRENDEL AND FLO BERT IN BEAU NIGHT. 1929. 1 reel.

THE ELDER BROTHER. 1913. 1 reel.

Credits: Anne and Bannister Merwin.

THE ELDER BROTHER. 1916. 2 reels.

THE ELDORADO LODE. 1912. 1 reel.

Credits: H. B. Marriott Watson.

ELEANOR PAINTER, THE LYRIC SOPRANO. 1929. 1 reel.

ELEANOR'S CATCH. Rex. 1916. 1 reel.

Credits: William V. Mong; producer, Cleo Madison.

THE ELECTION BET. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

ELECTION DAY. 1928. 2 reels, sd., b&w.

Credits: Story and production, Robert McGowan; director, Anthony Mack; editor, Richard Currier.

THE ELECTRIC ELOPEMENT. 1924. 2 reels.

Credits: Director, Albert Ray.

THE ELECTRIC HOUSE. Released through Associated First National. 1922. 2 reels.

Credits: Producer, Joseph M. Schenck; written and directed by Buster Keaton, Eddie Cline.

ELECTRIC POWER IN THE SOUTHERN APPALACHIANS. 1929. 1 reel.

ELECTRICAL POWER. (Another Romance of Celluloid) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Film editor, Mildred Rich; music score, David Snell.

ELECTROCHEMISTRY. 1937. 1 reel.

ELECTRODYNAMICS. 1936. 930 ft.

ELECTRONS. 1937. 1 reel.

ELECTROSTATICS. 1933. 1 reel.

ÉLEGIE. SEE The Last Hour.

THE ELEGY. 1927. 2 reels.

Credits: Producer, Charles B. Mintz; written and directed by Andrew L. Stone.

THE ELEMENTARY TEACHER AS A GUIDE. 1931. 2 reels.

Credits: Boyd Henry Bode.

ELEMENTS OF THE AUTOMOBILE. Presented by the Bray Pictures Corp. Produced for the Education and Recreation Branch, General Staff, under the supervision of the Motor Transport Division, Quartermaster Corps, United States Army. 1920. 1 reel each. © J. F. Leventhal & J. R. Bray (J. F. Leventhal, author).

Credits: W. J. Nirgenau.

1. 1Jul20; MP1931.

2. 1Jul20; MP1932.

3. 1Jul20; MP1933.

4. 1Jul20; MP1934.

5. 1Jul20; MP1935.

6. 1Jul20; MP1936.

7. 1Jul20; MP1937.

8. 1Jul20; MP1938.

9. 1Jul20; MP1939.

10. 1Jul20; MP1940.

11. 1Jul20; MP1941.

12. 1Jul20; MP1942.

13. 1Jul20; MP1943.

ELEPHANT BOY. Presented by Alexander Korda. 1937. 10 reels, sd. Based on "Toomai of the Elephants" by Rudyard Kipling.

Credits: Directors, Robert Flaherty, Zoltan Korda; supervising director, William Hornbeck; screenplay, John Collier; screenplay collaborators, Akos Tolnay, Marcia De Silva; film editor, Charles Crichton; music director, Muir Mathieson, music score, John Greenwood.

THE ELEPHANT CIRCUS. 1915.

AN ELEPHANT NEVER FORGETS. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

ELEPHANT SEALS. Presented by Hancock Expeditions. 1935. 1 reel.

ELEPHANTS AT WORK. 1913. 1 reel.

THE ELEPHANT'S DINNER. 1916. Split reel.

THE ELEPHANT'S ELBOWS. Presented by William Fox. 1928. 2 reels, b&w.

Credits: Director, Clyde Carruth; story, James J. Tynan.

AN ELEPHANT'S GRATITUDE. 1916. 1 reel.

Credits: Producer, Thomas Santschi.

AN ELEPHANT'S NIGHTMARE. 1920. 2 reels.

Credits: Director, Vin Moore.

ELEVATING FATHER. 1916. 2 reels.

ELEVEN TO ONE. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, Harvey Gates.

Credits: Written and produced by Ralph W. Ince.

THE ELEVENTH COMMANDMENT. 1933. 8 reels, sd. Suggested by "The Pillory" by Brandon Fleming.

Credits: Director, George Melford; screenplay, Adele Buffington, Kurt Kempler.

THE ELEVENTH DIMENSION. Imp. 1915. 2 reels.

Credits: Producer, Clem Easton; story, Raymond L. Schrock.

THE ELEVENTH HOUR. 1923. 7 reels, b&w, tinted sequences. Based on the play by Lincoln J. Carter.

Credits: Director, Bernard J. Durning; scenario, Louis Sherwin.

ELIAS HOWE. SEE Fools Who Made History.

THE ELIGIBLE MR. BANGS. (Coronet Talking Comedies) Presented by E. W. Hammons. 1929. 1 reel, sd.

Credits: Supervision, Sidney Brennecke; director, Hugh Faulcon; story, Robert Housum.

ELINOR NORTON. 1934. 6,550 ft., sd. Based on the novel "The State Versus Elinor Norton" by Mary Roberts Rinehart.

Credits: Director, Hamilton MacFadden; screenplay, Rose Franken, Philip Klein; music director, Samuel Kaylin.

ELISE, THE FORESTER'S DAUGHTER. 1913. 1 reel.

Credits: Bliss Milford.

ELISEO GRENET AND HIS ORCHESTRA. (Melody Master) 1937. 10 min., sd.

Credits: Director, Roy Mack.

THE ELIXIR OF LIFE. Joker. 1916. 1 reel.

Credits: Director, Allen Curtis; scenario, Harry Wulze.

ELIZA COMES TO STAY. SEE Dangerous to Men.

ELIZA RUNS AGAIN. (Terry Toons) Presented by E. W. Hammons. 1938. 593 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

ELIZABETH THE QUEEN. SEE The Private Lives of Elizabeth and Essex.

ELLA CINDERS. Presented by John McCormick. 1926. 7 reels. Adapted from the comedy strip by William Conselman and Charles Plumb.

Credits: Producer and director, Alfred E. Green.

ELLIS ISLAND. 1936. 7 reels, sd.

Credits: Director, Phil Rosen; original story and screenplay, Arthur T. Horman.

ELMER AND ELSIE. Presented by Adolph Zukor. 1934. 7 reels, sd. From a play by George S. Kaufman and Marc Connelly.

Credits: Producer, Louis D. Lighton; director, Gilbert Pratt; screenplay, Humphrey Pearson.

ELMER ELEPHANT. 1936. 1 reel.

ELMER STEPS OUT. 1934. 2 reels, sd.

Credits: Director, Jules White; story and screenplay, Arthur Ripley, Jac Cluett; film editor, Robert Carlisle.

ELMER TAKES THE AIR. 1931. 2 reels, sd.

Credits: Director, Ray Cozine; story, Assen Jordanoff.

ELMER THE GREAT. Presented by First National Pictures, Inc. and The Vitaphone Corp. 8 reels, sd. Based on the play by Ring Lardner and George M. Cohan.

Credits: Director, Mervyn LeRoy; screenplay, Tom Geraghty.

ELMER THE GREAT. SEE Fast Company.

ELMER, THE GREAT DANE. (An Oswald Comedy) Snappy. 1935. 1 reel, sd.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation, Fred Avery, Ray Abrams, Cecil Surry.

Credits: Director, J. P. McGowan; story, Arthur Henry Gooden.

ELMO, THE MIGHTY. 1919. 2 reels each.

Credits: Director, Henry McRae; story, Joe Brandt, William E. Wing.

ELOPE IF YOU MUST. 1922. 5 reels. From the story by E. J. Rath.

Credits: Director, C. R. Wallace; scenario, Joseph F. Poland.

Credits: Producer: Fred W. Huntley.

AN ELOPEMENT AT HOME. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

ELSA ERSI AND NAT D. AYER. (Movietone Act) 1928. 1 reel, sd.

ELSA ERSI AND NAT D. AYER [IN] SHE WAS WONDERFUL; WHEN YOU BELONG TO ME. (Movietone Act) 1929. 1 reel, sd.

EL SALVADOR. (Around the World) 1938. 836 ft., sd., color.

Credits: Producer, William M. Pizor; narrative by John S. Martin.

ELSA'S BROTHER. 1915. 2 reels.

Credits: Director, Van Dyke Brooke.

ELSIE IN NEW YORK. 1926. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Albert Ray; adaptation, Henry Dunn, Ethel Hill.

ELSIE JANIS IN A VAUDEVILLE ACT, BEHIND THE LINES, SINGS: WHEN YANKEE DOODLE LEARNS TO PARLEY VOUS FRANCAIS [and others] ASSISTED BY MEN'S CHORUS OF 107th REGIMENT. 1927. 1 reel, sd.

THE ELUSIVE ENEMY. Special Imp. 1916. 1 reel.

Credits: Grace Cunard; director, Francis Ford.

ELUSIVE ISABEL. 1916. 6 reels. Adapted from the novel by Jacques Futrelle.

Credits: Producer, Stuart Paton; adaptation, Raymond L. Schrock.

ELUSIVE ISABEL. SEE Adventures in Diplomacy.

Credits: Producer, William Duncan.

EMBARRASSING MOMENTS. Jewel. 1929. 6 reels.

Credits: Director, William J. Craft; story, Earl Snell.

EMBARRASSING MOMENTS. 1934. 7 reels.

Credits: Director, Edward Laemmle; original story, William Anthony McGuire; screenplay, Gladys Unger, Charles Logue.

AN EMBARRASSING PREDICAMENT. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

THE EMBARRASSMENT OF RICHES. 1913. 1 reel.

Credits: Gordon Kaemmerling.

THE EMBODIED THOUGHT. 1916. 3,000 ft.

Credits: Director, Edward Sloman.

THE EMERALD GOD. 1915. 1,000 ft.

Credits: Written and produced by Wilbert Melville.

THE EMERALD PIN. Laemmle. 1916. 2 reels.

Credits: Director, Burton George; story, E. Magnus Ingleton; scenario, Maie Havey.

EMERGENCY CALL. 1933. 7 reels, sd.

Credits: Associate producer, Sam Jaffe; director, Edward Cahn; story, John B. Clymer, James Ewens; screenplay, Houston Branch, Joseph L. Mankiewicz; editor, Daniel Mandell.

EMERGENCY CARE FOR SAFE TRANSPORTATION IN FRACTURES OF THE LONG BONES. 1934. 388 ft., 16 mm.

EMERGENCY HOUSE. SEE The Plaything of Broadway.

THE EMERGENCY MAN. Mustang. 1926. 2 reels.

Credits: Director, Ernst Laemmle; story, and continuity, B. F. Oxford.

EMIL BOREO, THE INTERNATIONAL STAR SINGING, SUR LES BAUM [and others]. (Metro Movietone Act) 1929. 1 reel.

EMIL COLEMAN AND HIS ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Roy Mack.

EMMA. 1932. 8 reels, sd., b&w.

Credits: Producer and director, Clarence Brown; story, Frances Marion; adaptation and dialogue, Leonard Praskins; additional dialogue, Zelda Sears; film editor, William Le Vanway.

EMMA'S DILEMMA. (Movie Tintypes—Screen Hits of Yesteryear) 1934. 1 reel, sd.

Credits: Scenario, H. C. Matthews.

EMMY OF STORK'S NEST. 1915. 5 reels. A picturization of the novel by J. Breckenridge Ellis.

Credits: Julian Street.

THE EMPEROR JONES. Released by United Artists. 1933. 9 reels, sd. Based upon the play by Eugene O'Neill.

Credits: Director, Dudley Murphy; screenplay, Du-Bose Heyward.

THE EMPEROR OF PORTUGALLIA. SEE The Tower of Lies.

THE EMPEROR'S CANDLESTICKS. 1937. 10 reels, sd., b&w. From the novel by Baroness Orczy.

Credits: Producer, John W. Considine, Jr.; director, George Fitzmaurice; screenplay, Monckton Hoffe, Harold Goldman; film editor, Conrad A. Nervig; music score, Franz Waxman.

EMPHASIZE OUR ADVERTISED FEATURES. 1928. 1 reel.

EMPIRE BUILDERS. SEE It's a Great Life.

L'EMPIRE DU DIAMANT. SEE The Empire of Diamonds.

EMPIRE GUARDIANS. (A Sport Pictorial of the Open Road) Town and Country Films. 1921.

Credits: Editor, Grantland Rice.

EMPIRE OF THE SUN. (Vagabond Adventure Series) The Van Beuren Corp. 1932.

Credits: Supervision, Elmer Clifton; narrator, Gayne Whitman.

EMPLOYEES' ENTRANCE. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels, sd. Based on a play by David Boehm.

Credits: Director, Roy Del Ruth; screenplay, Robert Presnell.

EMPTY BOTTLES. 1923. 1 reel.

THE EMPTY CAB. 1918. 5 reels.

Credits: F. McGrew Willis; director, Douglass Gerrard.

THE EMPTY CRADLE. State Pictures Corp. 1923. 7 reels. From the story "Cheating Wives" by Leota Morgan.

Credits: Director, Burton King.

THE EMPTY GUN. Gold Seal. 1917. 3 reels.

Credits: J. G. Alexander, Fred Myton; director, Joseph DeGrasse.

THE EMPTY GUN. 1921. 2 reels.

EMPTY HANDS. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel by Arthur Stringer.

Credits: Producer and director, Victor Fleming; screenplay, Carey Wilson.

EMPTY HEADS. (Cameo Comedy) 1924. 1 reel.

EMPTY HEARTS. 1924. 6 reels.

Credits: Evelyn Campbell; director, Al Santell.

EMPTY HOLSTERS. First National. 1937. 8 reels, sd.

Credits: Director, B. Reeves Eason; original story, Ed Earl Repp; screenplay, John T. Neville; film editor, Clarence Kolster; music and lyrics, M. K. Jerome, Jack Scholl.

THE EMPTY HOUSE. SEE Sherlock Holmes' Fatal Hour.

EMPTY POCKETS. 1918. 6 reels.

Credits: Director, Herbert Brenon; story, Rupert Hughes; scenario, George Edwards-Hall.

THE EMPTY SADDLE. 1925. 5 reels.

Credits: Director, Harry S. Webb; story, Forrest Sheldon.

EMPTY SADDLES. 1936. 7 reels.

Credits: Director, Lesley Selander; story, Cherry Wilson; screenplay, Frances Guihan.

THE EMPTY SLEEVE. 1914. 1 reel.

Credits: Producer, Thomas Santschl.

EMPTY SOCKS. (An Oswald Cartoon Comedy) Snappy. 1927. 1 reel.

Credits: Walt Disney.

ENCHANTED APRIL. 1935. 7 reels, sd. From the novel by Elizabeth [pseud. of Mary Annette Beauchamp Russell] and the dramatization by Kane Campbell.

Credits: Director, Harry Beaumont; screenplay, Samuel Hoffenstein, Ray Harris; editor, George Hively; music director, Roy Webb.

THE ENCHANTED BARN. Presented by Albert E. Smith. 1919. 5 reels. From the story by Grace L. H. Lutz.

Credits: Director, David Smith; scenario, Katharine Reed.

THE ENCHANTED COTTAGE. 1924. 7 reels. From the play by Sir Arthur Wing Pinero.

Credits: Producer, John S. Robertson; adaptation, Josephine Lovett.

THE ENCHANTED FLUTE. (Fable, no. 427) 1929. 1 reel.

Credits: Paul Terry, Frank Moser.

ENCHANTED HEARTS. SEE A Prince There Was.

THE ENCHANTED HILL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. Adapted from the novel by Peter B. Kyne.

Credits: Producer and director, Irvin Willat; screenplay, James Shelley Hamilton, Victor Irwin.

THE ENCHANTED ISLAND. 1927. 6 reels.

Credits: John Thomas Neville; director, Allan Dale; screenplay, Kay Sherwood; film editor, James C. McKay.

THE ENCHANTED ISLAND. (A Century of Progress) 1933. 100 ft.

THE ENCHANTED KISS. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, Harry Southwell.

THE ENCHANTED PROFILE. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; picturized by Katharine Reed.

THE ENCHANTED TRAIL. (Romantic Journey) Educational Pictures. 1933. 8 min., sd., color.

Credits: Claude Flemming.

ENCHANTMENT. Cosmopolitan. 1921. 7 reels. From the original story "Manhandling Ethel."

Credits: Director, Robert G. Vignola; story, Frank R. Adams; scenario, Luther Reed.

THE END OF A PERFECT DAY. 1917. 1 reel.

THE END OF THE PLAY. 1915. 1 reel.

THE END OF THE RAINBOW. 1916. 5 reels.

Credits: Written and directed by Lynn F. Reynolds.

THE END OF THE ROAD. 1919. 6 reels.

Credits: Story, Katharine Bement Davis, Edward H. Griffith.

THE END OF THE RUN. Gold Seal. 1917. 3 reels.

Credits: Director, James D. Davis; story, T. Shelley Sutton; scenario, George Hively.

THE END OF THE TOUR. 1917. 5 reels. From the story by Earle Mitchell.

Credits: Adapted and directed by George D. Baker.

THE END OF THE TRAIL. 1916. For Fox Film Corp. 5 reels. From the story "Hope Rides with Me" by Mabel Heikes Justice.

Credits: Production and scenario, Oscar C. Apfel.

END OF THE TRAIL. 1932. 6 reels.

Credits: Director, D. Ross Lederman; screenplay, Stuart Anthony.

END OF THE TRAIL. 1936. 7 reels. Based upon "Outlaws of Palouse" by Zane Grey.

Credits: Director, Erie C. Kenton; story, Zane Grey; screenplay, Harold Shumate; music director, Morris Stoloff; film editor, Al Clark.

THE END OF THE WORLD. Presented by National Motion Picture Service. 1924. 5 reels.

Credits: Director, Harvey G. Matherson; editor, Robert M. McPaul.

THE END OF THE WORLD. 1929. 2 reels.

Credits: Director, Bradley Barker; story, Alexander Carr, Aaron Hoffman.

THE END OF THE WORLD. SEE La Fin du Monde.

ENDURANCE FLIGHT. 1932. 1 reel. Based on a short story from Liberty Magazine by Norman Anthony.

Credits: Director, Fred Newmeyer; screenplay, Ruth Todd, Dick Smith.

THE ENEMIES. 1915. 3 reels.

Credits: Director, Harry Davenport.

ENEMIES OF CHILDREN. 1923. 6 reels. From the novel "Youth Triumphant" by George Gibbs.

Credits: Adaptation and direction, Lilian Ducey.

ENEMIES OF THE SOUTHERN PINE. 1928. 1 reel, sd.

THE ENEMIES OF WOMEN. 1923. 11 reels.

Credits: Story, Vicente Blasco Ibanez.

ENEMIES OF YOUTH. 1925. 6 reels.

Credits: Story, Stacey A. Van Petten.

THE ENEMY. 1916. 7 reels.

Credits: Lillian Chester, George Randolph Chester; director, Paul Scardon; adaptation, Garfield Thompson.

THE ENEMY. 1928. 9 reels, sd., b&w, blue sequences. Based on the play by Channing Pollock.

Credits: Producer and director, Fred Niblo; story, Channing Pollock; adaptation, Willis Goldbeck; continuity, Willis Goldbeck, Agnes Christine Johnston; film editor, Margaret Booth.

AN ENEMY OF MEN. 1925. 6 reels.

Credits: Director, Frank R. Strayer; story, Douglas Bronston.

THE ENEMY SEX. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 8 reels. From the novel "The Salamander" by Owen Johnson.

Credits: Director, James Cruze; screenplay, Walter Woods, Harvey Thew.

ENEMY TERRITORY. SEE Woman Against Woman.

AN ENEMY TO SOCIETY. 1915. 5 reels. Based on the story by George Bronson Howard.

AN ENEMY TO THE KING. 1916. 6 reels.

Credits: Robert N. Stephens; director, Frederick A. Thomson; scenario, H. W. Bergman.

ENERGY. (General Science) 1937. Filmstrip, 40 frames, 35 mm.

ENERGY AND ITS TRANSFORMATIONS. 1933. 1 reel.

ENERGY FROM SUNLIGHT. 1930. 996 ft., 16 mm.

ENGINEERED ECONOMY. Presented by the Hudson Motor Car Co. 1937. Filmstrip, sd.

ENGINEERING LEADERSHIP IN EVERY PRICE CLASS, pts. 1-2. 1927. 1 reel each.

THE ENGINEER'S DAUGHTER; or, IRON MINNIE'S REVENGE. 1932. 2 reels.

Credits: Director, Robert F. Hill; story, Walter Weems, Edward Earle.

ENGLAND'S CORONATION. 1937. 1 reel.

Credits: Editor, Eugene W. Castle.

Credits: Bannister Merwin; producer, Harold Shaw.

ENGLISH AS SHE IS NOT SPOKEN. SEE Val and Ernie Stanton in English as She Is Not Spoken.

ENGLISH SETTLEMENTS IN NORTH AMERICA. 1920. 1 reel.

THE ENGLISH SINGERS OF LONDON IN A PROGRAM OF FOLK SONGS AND BALLETS SING THE DARK-EYED SAILOR [and others]. 1927. 1 reel, sd.

THE ENGLISH SINGERS OF LONDON IN A PROGRAM OF FOLK SONGS AND BALLETS SING WASSAIL SONG [and others]. 1927. 1 reel, sd.

ENLIGHTEN THY DAUGHTER. 1933. 8 reels, sd.

Credits: Supervision, Louis Weiss; director, John Varley; story, Ivan Abramson; adaptation, Arthur Hoerl; additional dialogue, Betty Laidler, Bob Lively; film editor, Patricia Rooney.

ENOCH AND EZRA'S FIRST SMOKE. 1913. 1 reel.

Credits: William B. Pearson.

ENOCH ARDEN. SEE The Fatal Marriage.

ENRIC MADRIGUERA AND HIS ORCHESTRA. 1938. 1 reel, sd.

Credits: Director, Lloyd French.

ENTER DARCY. SEE Wanted—a Husband.

ENTER MADAME. 1922. 7 reels.

Credits: Director, Wallace Worsley; story, Gilda Varesi, Dolly Byrne.

ENTER MADAME! Presented by Adolph Zukor. 1935. 9 reels, sd. From the play by Gilda Varesi Archibald and Dorothea Donn-Byrne.

Credits: Producer, Benjamin Glazer; director, Elliott Nugent; screenplay, Gladys Lehman, Charles Brackett.

ENTER SIR JOHN. SEE Murder.

THE ENTERTAINER. 1933. 833 ft., sd.

Credits: Director, Ralph Staub; story, Hal Yates.

ENTERTAINING THE BOSS. Released by Film Booking Offices of America. 1922. 2 reels.

Credits: Director, Malcolm St. Clair; story, Carter DeHaven; scenario, Beatrice Van.

ENTICEMENT. First National. 1925. 7 reels. From the novel by Clive Arden [pseud. of Lily Clive Nutt].

Credits: Director, George Archainbaud; adaptation, Bradley King.

Credits: Scenario, Jack Freise.

ENVY. (The Seven Deadly Sins, no. 1) Edison Studios. 1917. 5 reels, sepia.

ENVY. (The Seven Deadly Sins, no. 1) 1917. 5 reels.

Credits: Director, Richard Ridgely.

ENVY. 1931. 1 reel.

L'EPERVIER. SEE The Hawk.

L'EPOUVANTE. SEE The Roadhouse Murder.

EQUESTRIAN ACROBATICS. (A Pete Smith Specialty) 1937. 756 ft., sd., b&w.

Credits: Director, David Miller.

L'EQUIPAGE. SEE The Woman I Love.

ERMINE AND RHINESTONES. 1925. 6 reels.

Credits: Director, Burton King; story, Louise Winter.

ERNEST MALTRAVERS. 1914. 2 reels.

ERNESTINE SCHUMANN-HEINK, PRESENTS VOCAL SOLOS: A. DER ERLKONIG [and others]. 1927. 1 reel.

ERSTWHILE SUSAN. 1919. 6 reels. Based on the play by Marian De Forest and on the novel "Barnabetta" by Helen Martin.

Credits: Director, John Robertson; scenario, Kathryne Stuart.

ESCAPADE. A Robert Z. Leonard Production. 1935. 10 reels, sd., b&w. From the German script "Maskerade" by Walter Reisch.

Credits: Producer, Bernard H. Hyman; director, Robert Z. Leonard; screenplay, Herman J. Mankiewicz; film editor, Tom Held.

THE ESCAPE. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Milburn Morante; story, L. V. Jefferson; scenario, Frank Beresford.

THE ESCAPE. 1928. 6 reels, b&w. From the play by Paul Armstrong.

Credits: Director, Richard Rosson; scenario, Paul Schofield.

ESCAPE. 1930. 6,600 ft., sd. From the play by John Galsworthy.

Credits: Producer and director, Basil Dean; assistant director, John Burck.

THE ESCAPE. 1939. 6 reels.

Credits: Director, Ricardo Cortez; original screenplay, Robert Ellis, Helen Logan.

ESCAPE. SEE The Exquisite Sinner.

THE ESCAPE. SEE A Studio Escapade.

ESCAPE BY NIGHT. 1937. 7 reels, sd.

Credits: Associate producer, Harold Shumate; director, Hamilton MacFadden; original screenplay, Harold Shumate; editors, Murray Seldeen, W. Donn Hayes; music director, Alberto Colombo.

ESCAPE FROM DEVIL'S ISLAND. 1935. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, Fred De Gresac; screenplay, Earle Snell, Fred Niblo, Jr.; film editor, Otto Meyer.

ESCAPE ME NEVER. Released through United Artists. 1935. 11 reels, sd. From the play by Margaret Kennedy.

Credits: Director, Paul Czinner; screenplay, Carl Zuckmayer; scenario, R. J. Cullen; film editor, David Lean; music director, Max Grunebaum; music, William Walton.

THE ESCAPE OF BRONCHO BILLY. 1915. 1 reel.

Credits: Producer, Sidney M. Goldin.

THE ESKIMO. 1922. 2 reels.

Credits: Director, Slim Summerville.

ESKIMO. 1934. 12 reels, sd., b&w. From the books "Der Eskimo" and "Die Flucht ins Weisse Land" by Peter Freuchen.

Credits: John Lee Mahin; producer, Hunt Stromberg; director, W. S. Van Dyke; film editor, Conrad A. Nervig.

ESPIONAGE. 1937. 8 reels, sd., b&w. From the play by Walter Hackett.

Credits: Producer, Harry Rapf; director, Kurt Neumann; screenplay, Manuel Seff, Leonard Lee, Ainsworth Morgan; film editor, W. Donn Hayes; music score, William Axt.

ESPIONAGE AGENT. First National. 1939. 9 reels.

Credits: Director, Lloyd Bacon; original story, Robert Henry Buckner; screenplay, Warren Duff, Michael Fessier, Frank Donoghue.

THE ESSANAY-CHAPLIN REVUE OF 1916. 1916. 5 reels. Arranged by Essanay from the Essanay-Chaplin films "The Tramp," "His New Job," and "A Night Out."

THE ESTERBROOK CASE. 1915. 3 reels.

Credits: Director, Lorimer Johnston.

ESTHER (Book of the Old Testament) SEE Blind Prejudice.

THE ESTRANGEMENT. 1914. 1 reel.

Credits: Producer, Oscar Eagle.

ETERNAL AMOUR. SEE His Sweetheart's Child.

ETERNAL BARRIER. SEE Sarah Padden in The Eternal Barrier.

THE ETERNAL CITY. First National. Presented by Samuel Goldwyn. 1923. 8 reels. From the story by Sir Hall Caine.

Credits: Producer, George Fitzmaurice; scenario, Ouida Bergere.

THE ETERNAL FEMININE. 1915. 2 reels.

Credits: Director, George O. Nicholls.

THE ETERNAL FIRE. World Window Productions. Presented by F. W. Keller. 1939. 1 reel, sd., color.

Credits: Producer, John Hanau; directors, Pietro Francisci, H. Nieter; music, Enzo Masetti.

THE ETERNAL FLAME. Presented by Joseph M. Schenck. 1922. 8 reels. Adapted from "La Duchesse de Langeais" by Balzac.

Credits: Director, Frank Lloyd; adaptation, Frances Marion.

THE ETERNAL LIGHT. 1919. 8 reels.

Credits: Arranged and edited by O. E. Goebel, Condé B. Pallen.

ETERNAL LOVE. Butterfly. 1917. 5 reels.

Credits: Director, Douglas Gerrard; scenario, E. M. Ingleton.

ETERNAL LOVE. Presented by Joseph M. Schenck. 1929. 9 reels. From the story "Der König der Bernina" by J. C. Heer.

Credits: Produced and directed by Ernst Lubitsch; adaptation, Hans Kraly; film editor, Andrew Marton.

THE ETERNAL MAGDALENE. Presented by Samuel Goldwyn. 1919. 5 reels. From the stage play by Robert H. McLaughlin.

Credits: Director, Arthur Hopkins.

THE ETERNAL MASCULINE. SEE Two Heads on a Pillow.

THE ETERNAL MOTHER. 1917. 5 reels. Based on the novel "Red Horse Hill" by Sidney McCall [pseud. of Mary McNeil Fenollosa].

Credits: Director, Frank Reicher; scenario, Mary Murillo.

Credits: J. K. Holbrook; producer, A. J. Bimberg; director, William Davis.

THE ETERNAL QUESTION. 1916. For the Metro Program. 5 reels.

Credits: Director, Burton King.

THE ETERNAL SACRIFICE. SEE The Crucial Test.

THE ETERNAL SAPHO. 1916. For Fox Film Corp. 5 reels.

Credits: Producer, Bertram Bracken; adaptation, Mary Murillo.

THE ETERNAL SIN. 1917. 6 reels. Adapted from "Lucretia Borgia" by Victor Hugo.

Credits: Adaptation and direction, Herbert Brenon; scenario, George Edwardes-Hall.

THE ETERNAL STRUGGLE. Presented by Louis B. Mayer. 1923. 8 reels. From the novel "The Law Bringers" by G. B. Lancaster [pseud. of Edith J. Lyttleton].

Credits: Producer and director, Reginald Barker; scenario, Monte M. Katterjohn; adaptation, J. G. Hawks; film editor, Robert J. Kern.

THE ETERNAL TEMPTRESS. 1917. 5 reels.

Credits: Director, Emile Chautard; scenario, Eve Unsell.

THE ETERNAL THREE. 1923. 7 reels.

Credits: Marshall Neilan; directors, Marshall Neilan, Frank J. Urson.

THE ETERNAL TRIANGLE. 1919. 2 reels.

Credits: Director, Norman Dawn; story, James H. Finn.

THE ETERNAL TRIANGLE. 1930. 1 reel.

THE ETERNAL WAY. Big U. 1916. 1 reel.

Credits: Written and produced by C. Elfelt.

THE ETERNAL WOMAN. 1929. 6 reels. Adapted from the story "The Wildcat."

Credits: Producer, Harry Cohn; director, John P. McCarthy; screenplay, Wellyn Totman.

ETERNALLY YOURS. A Tay Garnett Production. Presented by Walter Wanger. Released by United Artists. 1939. 11 reels, sd.

Credits: Producer, Walter Wanger; director, Tay Garnett; original screenplay, Gene Towne, Graham Baker; additional dialogue, John Meehan; film editors, Otto Lovering, Dorothy Spencer; music composed and directed by Werner Janssen.

ETHEL GREY TERRY IN SHARP TOOLS. 1928. 2 reels, sd.

ETHEL SINCLAIR AND MARGE LA MARR, AT THE SEASHORE. 1929. 1 reel, sd.

ETHEL'S BURGLAR. Big U. 1915. 1 reel.

Credits: Written and produced by Murdock J. MacQuarrie.

ETHER TALKS. 1931. 1 reel.

Credits: Houston Day.

ETHIOPIA. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

ETHIOPIA. 1936. 400 ft., si., 16 mm.

ETHIOPIA. 1936. 400 ft., sd., 16 mm.

Credits: Narrator, Harlow Wilcox.

ETIENNE OF THE GLAD HEART. 1914. 2 reels.

Credits: Producer, Colin Campbell.

ETIQUETTE. 1924. 2 reels.

Credits: Directors, Lou Seiler, Clyde Carruth.

ETIQUETTE. 1925. 2 reels.

ETIQUETTE. (Easy Aces, no. 4) 1935. 1 reel.

ETTA OF THE FOOTLIGHTS. 1914. 2 reels.

ETTING, RUTH. SEE Favorite Melodies, Featuring Ruth Etting.

EUGENE ARAM. 1915. 4,000 ft. An adaptation of the novel by Edward Bulwer Lytton.

Credits: Direction and scenario by Richard Ridgely.

THE EUGENIC GIRL. 1914. 1,000 ft.

Credits: Producer, Thomas Santschi.

EUGENICS AT BAR U RANCH. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

EUGENIE GRANDET. SEE The Conquering Power.

EUROPE AT WAR. SEE Called to the Front.

EVA THE FIFTH. SEE The Girl in the Show.

Credits: Staged by E. P. Sullivan, W. H. Cavanaugh.

EVANGELINE. 1919. 5 reels. From the poem by Henry W. Longfellow.

Credits: Scenario and direction, R. A. Walsh.

EVANGELINE. Presented by Edwin Carewe. 1929. 9 reels. From the poem by Henry Wadsworth Longfellow.

Credits: Produced and directed by Edwin Carewe; screen story, Finis Fox; film editor, Jeanne Spencer.

THE EVANGELIST. 1916. 4 reels.

Credits: Producer, Barry O'Neil; adaptation, Clay M. Greene.

EVANGELISTIC POSES OF AIMÉE SEMPLE MCPHERSON. 1927. 1 reel.

EVANS AND BELASCO. (Metro Movietone Act) 1929. 1 reel, sd.

EVE IN EXILE. 1919. 7 reels. From the play and novel by Cosmo Hamilton.

Credits: Director, Burton George.

Credits: Director, Kenneth Webb; adaptation, George Pierce Baker, James P. Munroe.

THE EVE OF THE REVOLUTION. SEE The Declaration of Independence.

EVELYN PRENTICE. Cosmopolitan. 1934. 8 reels, sd., b&w. From the novel by W. E. Woodward.

Credits: Producer, John W. Considine, Jr.; director, William K. Howard; screenplay, Lenore Coffee; film editor, Frank Hall; music score, Oscar Radin.

EVEN AS EVE. 1920. 6 reels.

Credits: Directors, B. A. Rolfe, Chester Devonde; story, Robert W. Chambers.

EVEN AS HIM AND HER. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Phil Durham.

EVEN AS YOU AND I. 1917. 7 reels.

Credits: Director, Lois Weber; story, Willis Woods; scenario, Maude Grange.

EVEN UP. (A Fistical Culture Comedy) 1927. 2 reels.

Credits: Director, Albert Herman; story, William Henry Cook; adapted and titled by Joseph Basil.

AN EVENING ALONE. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland; screenplay, Robert Lees, Fred Rinaldo.

AN EVENING AT HOME WITH HITCHY. SEE Raymond Hitchcock in An Evening at Home with Hitchy.

EVENING CLOTHES. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels. From the play "The Man in Dress Clothes" by André Picard and Yves Mirande.

Credits: Director, Luther Reed; continuity, John McDormott.

AN EVENING ON THE DON; Balalaika Orchestra, Men and Women Singing, Playing, and Dancing. 1927. 1 reel, sd.

EVENINGS FOR SALE. 1932. 7 reels, sd.

Credits: Director, Stuart Walker; story, I. A. R. Wylie; screenplay, S. K. Lauren, Agnes Brand Leahy.

EVENSONG. 1934. 9 reels, sd. Based on the play by Edward Knoblock and Beverley Nichols and adapted from the novel by Beverley Nichols.

Credits: Director, Victor Saville; adaptation, Dorothy Farnum; scenario and dialogue, Edward Knoblock; editor, Otto Ludwig; music director, Louis Levy.

AN EVENTFUL EVENING. 1916. 1 reel.

Credits: Producer, Tom Mix.

EVENTS OF THE WORLD'S FAIR. (A Century of Progress Exposition) 1933. 1 reel.

EVENTUALLY BUT NOT NOW. 1930. 2 reels.

Credits: Director, Lewis Foster; story, E. V. Durling, Johnnie Grey.

THE EVER GALLANT MARQUIS. 1914. 1 reel.

Credits: Written and directed by Ashley Miller.

EVER IN MY HEART. 1933. 8 reels, sd.

Credits: Director, Archie Mayo; story, Beulah Marie Dix, Bertram Milhauser; screenplay, Bertram Milhauser.

EVER SINCE EVE. 1921. 5 reels.

Credits: Director, Howard M. Mitchell; story, Joseph Ernest Peat; scenario, Dorothy Yost.

EVER SINCE EVE. 1934. 6,650 ft., sd. From "The Heir to the Hoorah" by Paul Armstrong.

Credits: Director, George Marshall; screenplay, Henry Johnson, Stuart Anthony; music director, Samuel Kaylin.

EVER SINCE EVE. Cosmopolitan. First National. 1937. 8 reels, sd.

Credits: Director, Lloyd Bacon; story, Margaret Lee, Gene Baker; screenplay, Lawrence Riley, Earl Baldwin, Lillie Hayward.

EVERGREEN. 1934. 9 reels, sd. Based on the play by Benn W. Levy.

Credits: Director, Victor Saville; scenario, Marjorie Gaffney; adaptation and dialogue, Emlyn Williams.

THE EVERGREEN EMPIRE. (Lowell Thomas' Magic Carpet of Movietone) 1939. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; music score, John Rochetti.

THE EVERLASTING TRIANGLE. 1914. 1 reel.

Credits: Charles M. Seay; director, John H. Collins.

THE EVERLASTING WHISPER. 1925. 6 reels, b&w, tinted sequences. Based on the novel by Jackson Gregory.

Credits: Director, J. G. Blystone; scenario, Wyndam Gittens.

EVERYBODY DANCE. 1936. 7 reels, sd.

Credits: Director, Charles Reisner; story, Leslie Arliss, Stafford Dickens; screenplay, Leslie Arliss, Ralph Spence; editors, R. E. Dearing, T. R. Fisher; music director, Louis Levy.

EVERYBODY LIKES MUSIC. RKO Radio Pictures. 1934. 2 reels, sd.

Credits: Supervision, Monroe Shaff; director, Leigh Jason; story, Arthur Jarrett, Sr., H. O. Kusell.

EVERYBODY SING. (Oswald Cartoon) Snappy. 1937. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; animation, Ray Abrams, Bill Mason.

EVERYBODY SING. Presented by Metro-Goldwyn-Mayer. 1938. 10 reels, sd., b&w.

Credits: Producer, Harry Rapf; director, Edwin L. Marin; original story and screenplay, Florence Ryerson, Edgar Allan Woolf; additional dialogue, James Gruen; film editor, William S. Gray; music director, William Axt; music, Kaper and Jurmann; orchestrations, George Bassman.

EVERYBODY'S ACTING. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels.

Credits: Written and directed by Marshall A. Neilan; scenario, Benjamin Glazer.

EVERYBODY'S BABY. 1939. 5,459 ft., sd.

Credits: Director, Malcolm St. Clair; original story, Hilda Stone, Betty Reinhardt; screenplay, Frances Hyland, Albert Ray, Karen de Wolf, Robert Chapin; music director, Samuel Kaylin.

EVERYBODY'S DOIN' IT. 1936. 1 reel.

EVERYBODY'S DOIN' IT. 1937. For The Standard Gas Equipment Corp. Filmstrip, 63 frames, sd.

EVERYBODY'S DOING IT. 1938. 7 reels.

Credits: Producer, William Sistrom; director, Christy Cabanne; story, George Beck; screenplay, J. Robert Bren, Edmund Joseph, Harry Segall; editor, Ted Cheesman; music director, Frank Tours; music, Hal Borne.

EVERYBODY'S FLYING. 1928. 1 reel.

Credits: Paul Terry, John Foster.

EVERYBODY'S GIRL. 1918. 5 reels. From the story "Brick Dust Row" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Tom Terris.

EVERYBODY'S HOBBY. First National. 1939. 6 reels, sd.

Credits: Director, William McGann; original story, William W. Brockway; screenplay, Kenneth Garnet, William W. Brockway.

EVERYBODY'S OLD MAN. 1936. 9 reels, sd. Suggested by the story by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, James Flood; screenplay, Patterson McNutt, A. E. Thomas; music director, James Buttolph.

EVERYBODY'S SWEETHEART. Presented by Lewis J. Selznick. 1920. 5 reels.

Credits: Director, Laurence Trimble; story, John Lynch; editor, Duncan Mansfield.

AN EVERYDAY OCCURRENCE. SEE Wilbur Mack & Gertrude Purdy.

EVERY DAY'S A HOLIDAY. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Producer, Emanuel Cohen; director, A. Edward Sutherland; screenplay, Mae West; film editor, Ray Curtiss.

EVERY GIRL'S DREAM. 1917. For Fox Film Corp. 6 reels. From the book by Clifford Howard.

Credits: Director, Harry Millarde; story, Clifford Howard; scenario, Adrian Johnson.

Credits: Producer, Hal Roach.

EVERY MAN'S MONEY. Powers. 1915. 1 reel.

Credits: Harvey Gates; producer, Lynn Reynolds.

Credits: Director, Burton King.

EVERY MAN'S WIFE. 1925. 5 reels, tinted.

Credits: Director, Maurice Elvey; story, Ethel Hill, Enid Hibbard; scenario, Lillie Hayward.

EVERY MOTHER'S SON. 1918. 5 reels.

Credits: Scenario and direction, R. A. Walsh.

EVERY NIGHT AT EIGHT. Presented by Adolph Zukor. 1935. 9 reels, sd. From the original story "Three on a Mike" by Stanley Garvey.

Credits: Producer, Walter Wanger; director, Raoul Walsh; screenplay, Gene Towne, Graham Baker; additional dialogue, Bert Hanlon; film editor, W. Don Hayes; music and lyrics, Dorothy Fields, James McHugh.

EVERY SATURDAY NIGHT. 1936. 5,545 ft., sd. Based on the play by Katharine Kavanaugh.

Credits: Director, James Tinling; screenplay, Edward Eliscu; music director, Samuel Kaylin.

EVERY SUNDAY. (A Tabloid Musical) 1936. 1 reel, sd.

Credits: Mauri Grashin; director, Felix E. Feist.

EVERYTHING AGAINST HIM. 1914. 1 reel.

Credits: Director, Ulysses Davis.

EVERYTHING BUT THE TRUTH. 1920. 5 reels.

Credits: Directors, Eddie Lyons, Lee Moran; story, Edgar Franklin; scenario, Philip Hurn.

EVERYTHING FOR SALE. 1921. 5 reels.

Credits: Director, Frank O'Connor; story, Hector Turnbull.

EVERYTHING IS THUNDER. 1936. 9 reels, sd. From the novel by Jocelyn Lee Hardy.

Credits: Director, Milton Rosmer; screenplay, Marion Dix, John Orton; editor, C. Saunders; music director, Louis Levy.

EVERYTHING MONEY CAN BUY. SEE After Business Hours.

EVERYTHING'S DUCKY. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnnie Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film editor, Edward Mann.

EVERYTHING'S ON ICE. Presented by RKO Radio Pictures, Inc. 1939. 67 min., sd.

Credits: Producer, Sol Lesser; director, Erle C. Kenton; screenplay, Adrian Landis, Sherman Lowe; film editor, Arthur Hilton; music director, Lud Gluskin.

EVERYTHING'S ROSIE. 1931. 8 reels, sd.

Credits: Associate producer, Louis Sarecky; director, Clyde Bruckman; story, Al Boasberg; screenplay, Tim Whelan; dialogue, Ralph Spence, Al Boasberg.

EVERYWOMAN. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 8 reels. From the play by Walter Browne.

Credits: Director, George Melford; scenario, Will M. Ritchey.

EVE'S DAUGHTER. 1914. 1 reel.

Credits: Director, Wilfred North.

EVE'S DAUGHTER. 1918. 5 reels.

Credits: Director, James Kirkwood; story, Alicia Ramsey; scenario, Margaret Turnbull.

EVE'S FALL. (Whoopee Comedies) 1930. 2 reels, sd.

Credits: Producer, Gordon Bostock; director, Monty Banks; story, Arthur Eckersley, Gordon Bostock.

EVE'S LEAVES. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1926. 7 reels. From the play by Harry Chapman Ford.

Credits: Producer and director, Paul Sloane; adaptation, Elmer Harris.

EVE'S LOVER. 1925. 7 reels.

Credits: Director, Roy Del Ruth; story, Mrs. W. K. Clifford; adaptation, Darryl Francis Zanuck.

EVE'S SECRET. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,305 ft. From Zoe Akin's adaptation of the play "Moonflower" by Lajos Biró.

Credits: Director, Clarence Badger; screenplay, Adelaide Heilbron.

Credits: Adapted and directed by Edwin August.

THE EVIDENCE. Special Big U. 1916. 1 reel.

Credits: Director; Robert Z. Leonard.

EVIDENCE. Presented by Lewis J. Selznick. 1922. 5 reels.

Credits: Director, George Archainbaud; scenario, Edward J. Montagne.

EVIDENCE. Vitaphone. 1929. 8 reels, sd. Based on the play "Divorce Evidence" by J. Du Rocher MacPherson.

Credits: Director, John Adolfi; scenario, J. Grubb Alexander.

EVIDENCE. Trailer. 1929. 1 reel.

Credits: Written and directed by Aubrey M. Kennedy.

THE EVIL EYE. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: George D. Proctor; producer, George H. Melford; story, Hector Turnbull.

Credits: Director, J. Gordon Cooper; story and scenario, Roy L. McCardell.

THE EVIL EYE CONQUERS. (The Great Hokum Mystery) (A Johnnie Walker Novelty) Atlas Sound Studios. Educational Film Exchanges, Inc. Presented by E. W. Hammons. 1933. 1,300 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

THE EVIL MEN DO. 1914. 3 reels.

THE EVIL OF SUSPICION. Laemmle. 1915. 1 reel.

Credits: Written and produced by Rupert Julian.

THE EVIL SHE DID. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE EVIL THEREOF. 1913. 1 reel.

Credits: Ashton Crawford.

THE EVIL WOMEN DO. 1916. 5 reels. From the story by Emile Gaboriau.

Credits: Director, Rupert Julian; scenario and adaptation, E. J. Clawson.

EVOLUTION. 1930. 1 reel.

EVOLUTION. 1932. 3 reels.

Credits: Preparation and dialogue by Allyn B. Carrick; live animal sequences by Raymond L. Ditmars.

THE EVOLUTION OF CUTEY. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

THE EVOLUTION OF DIXIE. 1927. 1 reel.

Credits: Music, Mayhew Lester Lake; conductor, Herman Heller.

THE EVOLUTION OF KATHERINE. SEE

Desperation.

Driven.

THE EVOLUTION OF PERCIVAL. 1914. 1 reel.

Credits: Director, Lee Beggs.

THE EXALTED FLAPPER. 1929. 6 reels.

Credits: Director, James Tinling; story, Will Irwin; scenario, Matt Taylor; musical score arranged and directed by Arthur Kay.

EX-BAD BOY. 1931. 7 reels. From "The Whole Town's Talking" by John Emerson and Anita Loos.

Credits: Director, Vin Moore; screenplay, Dale Van Every.

EX-BARTENDER. 1930. 2 reels, sd.

Credits: Director, Frank Strayer; story and dialogue, Scott Darling.

EXCESS BAGGAGE. National Film Corp. of America. Presented by Smiling Bill Parsons. 1920. 2 reels.

Credits: Director, Harry Edwards; story, Monte B. Rice.

EXCESS BAGGAGE. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

EXCESS BAGGAGE. 1928. 8 reels, b&w. Based on the play by John McGowan.

Credits: Producer and director, James Cruze; continuity, Frances Marion; film editor, George Hively.

EX-CHAMP. 1939. 8 reels, sd.

Credits: Associate producer, Burt Kelly; director, Philip Rosen; original story, Gordon Kahn; screenplay, Alex Gottlieb, Edmund L. Hartmann; film editor, Bernard Burton.

AN EXCHANGE OF WIVES. 1925. 7 reels. From the play by Cosmo Hamilton.

Credits: Director, Hobart Henley; adaptation, Frederic and Fanny Hatton.

EXCITEMENT. 1924. 5 reels.

Credits: Director, Robert F. Hill; story, Crosby George.

THE EXCITERS. Paramount. Presented by Adolph Zukor. 1923. 6 reels. From the play by Martin Brown.

Credits: Director, Maurice Campbell; adaptation, John Colton, Sonya Levien.

AN EXCITING DAY. Mustang. 1927. 2 reels.

Credits: Director, Ray Taylor; story and continuity, George Morgan.

EXCLUSIVE ADVANTAGES OF WILLYS KNIGHT TRUCKS. 1930. 1 reel.

EXCLUSIVE FEATURES OF THE SUPERIOR WHIPPET SIX. 1929. 1 reel.

EXCLUSIVE RIGHTS. 1926. 6 reels. From the story "The Invisible Government" by Jerome N. Wilson.

Credits: Director, Frank O'Connor; screenplay, Eve Unsell.

EXCLUSIVE STORY. 1936. 8 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, George B. Seitz; story, Martin Mooney; screenplay, Michael Fessier; film editor, Conrad A. Nervig; music score, Edward Ward.

Credits: Producer, Hardee Kirkland.

EXCUSE ME. 1915. 5 reels.

Credits: Rupert Hughes; producer, Henry W. Savage.

EXCUSE ME. Presented by Louis B. Mayer. 1925. 6 reels.

Credits: Produced, written and adapted by Rupert Hughes; director, Alf Goulding.

EXCUSE ME, SHERIFF. 1922. 2 reels.

Credits: Director, John McDermott.

EXCUSE MY DUST. Paramount-Artcraft. 1920. 5 reels. Founded on the Saturday Evening Post story "The Bear Trap" by Byron Morgan.

Credits: Director, Sam Wood; scenario, Will M. Ritchey.

EXCUSE MY GLOVES. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

EXCUSES. Presented by Robert C. Bruce. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron; editor, Sidney J. Walsh.

THE EX-DUKE. SEE Prince of Tempters.

EXHIBITS OF THE FAIR. (A Century of Progress Exposition) 1933. 1 reel.

EXILE. 1917. 5 reels.

Credits: Director, Maurice Tourneur; story, Dolf Wyllarde; scenario, C. E. Whittaker.

THE EXILE. 1931. 9 reels.

Credits: Written and directed by Oscar Micheaux.

EXILE EXPRESS. 1939. 6,340 ft., sd.

Credits: Producer, Eugene Frenke; director, Otis Garrett; screenplay, Edwin Justus Mayer, Ethel La Blanche; film editor, Edward Curtis; music, George Parrish.

Credits: Director, Reaves Eason.

EXILED TO SHANGHAI. 1937. 7 reels.

Credits: Associate producer, Armand Schaefer; director, Nick Grinde; original screenplay, Wellyn Totman; film editor, Howard O'Neill; music director, Alberto Colombo.

EXILED TO SIBERIA. SEE A Fight for Freedom.

THE EXILES. 1923. 5 reels, b&w, tinted sequences. Based on the story by Richard Harding Davis.

Credits: Director, Edmund Mortimer; scenario, Fred Jackson; adaptation, John Russell.

EXIT SMILING. 1926. 7 reels. From the story by Marc Connelly.

Credits: Director, Sam Taylor; scenario, Sam Taylor, Tim Whelan; titles, Joe Farnham; film editor, Daniel J. Gray.

EXIT THE VAMP. 1921. 5 reels.

Credits: Director, Frank Urson; story and adaptation, Clara Beranger.

THE EX-KAISER IN EXILE. 1923. 2 reels.

EX-LADY. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 7 reels, sd.

Credits: Director, Robert Florey; story, Edith Fitzgerald, Robert Riskin; screenplay, David Boehm.

EX-MISTRESS. SEE My Past.

THE EX-MRS. BRADFORD. 1936. 10 reels, sd.

Credits: Associate producer, Edward Kaufman; director, Stephen Roberts; story, James Edward Grant; screenplay, Anthony Veiller; editor, Arthur Roberts; music director, Roy Webb.

THE EXPECTANT FATHER. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett.

EXPENSIVE ECONOMY. 1914. 1 reel.

Credits: Story, Earl Edwards.

EXPENSIVE HUSBANDS. 1937. 6 reels, sd.

Credits: Director, Bobby Connolly; original story, Kyrill de Shishmareff; screenplay, Lillie Hayward, Jean Negulesco, Jay Brennan.

EXPENSIVE KISSES. (Tuxedo Talking Comedies) 1930. 19 min., sd.

Credits: Producer, Al Christie; director, William Watson; story, Bert Levy.

AN EXPENSIVE VISIT. 1915. 1,000 ft.

EXPENSIVE WOMEN. 1931. 7 reels, sd.

Credits: Director, Hobart Henley; story, Wilson Collison; adaptation, Harvey Thew, Raymond Griffith.

EXPERIENCE. 1921. 7 reels. From the play by George V. Hobart.

Credits: Producer, George Fitzmaurice; scenario, Waldemar Young.

THE EXPERIMENT. 1915. 1 reel.

Credits: Reynolds Knight.

EXPERIMENTAL MARRIAGE. Presented by Lewis J. Selznick. 1919. 5 reels. From the play "Saturday to Monday" by William J. Hurlbut.

Credits: Director, Robert G. Vignola; scenario, Alice Eyton.

THE EXPERT. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 8 reels, sd. Based on the story "Old Man Minick" by Edna Ferber.

Credits: Director, Archie Mayo; adaptation and dialogue, Julien Josephson, Maude Howell; film editor, Jim Gibbon.

THE EXPERT ELOPER. (Star Comedy) 1919. 1 reel.

Credits: Story and direction by Lyons-Moran.

EXPIATION. 1916. 3 reels.

Credits: Director, George Terwilliger.

THE EXPLOITS OF BRIGADIER GERARD. SEE The Fighting Eagle.

For subsequent issues SEE The New Exploits of Elaine.

THE EXPLORER. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

THE EXPLORERS. 1923. 2 reels.

Credits: Director, Thomas Buckingham.

EXPLORERS OF THE WORLD. 1931. 10 reels, sd.

Credits: Director, Harold Noice.

EXPLORING ENGLAND WITH WILL ROGERS. 1927. 1 reel.

Credits: Producer, Carl Stearns Clancy.

EXPLORING THE PACIFIC. (An E. M. Newman Travelogue) The Vitaphone Corp. 1933. 1 reel, sd.

Credits: Editor, Bert Frank.

EXPLORING THE UNIVERSE. 1937. 1 reel.

EX-PLUMBER. (Educational's Comedies) (Lloyd Hamilton Comedies) 1931. 21 min., sd.

Credits: Written and directed by William Goodrich; continuity and dialogue, Walter Reed.

EXPOSED. 1938. 6 reels, sd.

Credits: George R. Bilson; associate producer, Max H. Golden; director, Harold Schuster; original screenplay, Charles Kaufman, Franklin Coen; film editor, Maurice Wright.

EXPOSING EVOLUTION. (Sketch-O-Grams) 1934. 1 reel, sd.

Credits: Dialogue and story, J. White, C. Medcraft.

EXPOSITION OF TIME. 1931. 1 reel.

THE EXQUISITE SINNER. 1926. 6 reels. From the novel "Escape" by Alden Brooks.

Credits: Director, Josef Von Sternberg; adaptation, Josef Von Sternberg, Alice D. G. Miller; film editor, John W. English.

THE EXQUISITE THIEF. 1919. 6 reels. Based on the story "Raggedy Ann" by Charles W. Tyler.

Credits: Director, Tod Browning; scenario, Harvey Gates.

EX-ROOSTER. 1932. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Mark Sandrich; film editor, Ted Cheesman.

EX-SWEETIES. (Educational's Comedies) (Mack Sennett Comedies) 1931. 21 min., sd.

Credits: Director, Marshall Neilan; story and dialogue, John A. Waldron, Earle Rodney, Walter Weems, Ewart Adamson.

EXTORTION. 1938. 6 reels.

Credits: Director, Lambert Hillyer; original screenplay, Earl Felton.

THE EXTRA BRIDEGROOM. (Star Comedy) 1918. 1 reel.

Credits: Story and direction by Lyons-Moran.

EXTRA! EXTRA! 1922. 5 reels.

Credits: Director, William K. Howard; story, Julian Josephson; scenario, Arthur J. Zellner.

EXTRA! EXTRA! 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Harry Sweet; story, Lex Neal; adaptation, Ralph Ceder; film editor, Fred Maguire.

EXTRAVAGANCE. Gold Seal. 1915. 3 reels.

Credits: Production and scenario, Charles Giblyn; story, Hugh Weir.

EXTRAVAGANCE. 1916. For the Metro Program. 5 reels.

Credits: Director, Burton L. King; story, Aaron Hoffman; scenario, Wallace C. Clifton.

EXTRAVAGANCE. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger; story, John Lynch; picturized by R. Cecil Smith.

EXTRAVAGANCE. 1921. 6 reels. Based on the story "More Stately Mansions" by Ben Ames Williams.

Credits: Director, Philip E. Rosen; scenario, Edward T. Lowe, Jr.

EXTRAVAGANCE. 1930. 7 reels, sd.

Credits: Director, Phil Rosen; story, A. P. Younger; continuity and dialogue, Adele Buffington, Frances Hyland and Phil Rosen.

THE EXTRAVAGANT BRIDE. (Is Marriage Sacred?) 1917. 27 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

THE EXTRAVAGANT WIFE. (Movie Tintypes—Screen Hits of Yesteryear) 1934. 1 reel, sd.

EXTREMITIES. 1913. 1 reel.

Credits: Director, Maurice Costello.

EYE FOR EYE. Released by Richard A. Rowland and Maxwell Karger. 1918. 7 reels. From the drama "L'Occident" by Henry Kistemaeckers.

Credits: Producer, Nazimova; supervision, Maxwell Karger; director, Albert Capellani; adaptation, June Mathis, Albert Capellani.

EYE JINKS. SEE Felix the Cat in Eye Jinks.

THE EYE OF GOD. 1916. 5 reels.

Credits: Lois Weber; produced by The Smalleys.

AN EYE WITNESS. Presented by Goodrich. 1938. 1 reel, sd.

AN EYEFUL. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein.

Credits: Producer, John L. Hawkinson.

THE EYES HAVE IT. 1931. 2 reels, sd.

Credits: Director, Alf Goulding; story, Francis J. Martin.

THE EYES HAVE IT. (A Slim Summerville Comedy) 1932. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin.

THE EYES IN THE DARK. Imp. 1917. 2 reels.

Credits: Stuart Paton; director, Frank H. Crane.

THE EYES OF FEAR. Laemmle. 1916. 2 reels.

Credits: Producer, Rupert Julian; story, Hugh Johnson; scenario, Earl R. Hewitt.

THE EYES OF JULIA DEEP. 1918. 5 reels. Adapted from the magazine story by Kate L. McLaurin.

Credits: Director, Lloyd Ingraham; scenario, Elizabeth Mahoney.

THE EYES OF LOVE. Rex. 1916. 1 reel.

Credits: Producer, Fred A. Kelsey; story, L. J. Benston; scenario, Mae B. Havey.

THE EYES OF MYSTERY. Presented by B. A. Roife. 1918. 5 reels. Adapted from the story "The House in the Mist" by Octavus Roy Cohen and J. U. Giesy.

Credits: Director, Tod Browning; adaptation, June Mathis.

THE EYES OF SCIENCE. 1930. 3 reels.

EYES OF THE FOREST. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, Lambert Hillyer; story, Shannon Fife; scenario, LeRoy Stone.

EYES OF THE HEART. 1920. 5 reels. From the story "Blindness" by Dana Burnet.

Credits: Director, Paul Powell; scenario, Clara Genevieve Kennedy.

THE EYES OF THE MUMMY. 1922. 5 reels.

THE EYES OF THE SOUL. 1915. 1 reel.

EYES OF THE SOUL. Artcraft. Presented by Adolph Zukor. 1919. 5 reels. Based on the story "Salt of the Earth" by George Weston.

Credits: Director, Emile Chautard; scenario, Eve Unsell.

EYES OF THE UNDERWORLD. 1928. 5 reels.

Credits: Directors, Leigh Jason, Ray Taylor.

THE EYES OF THE WORLD. 1930. 8 reels, sd. From the story by Harold Bell Wright.

Credits: Producer, Henry King; screenplay, N. Brewster Morse; adaptation and dialogue, Clarke Silvernail.

EYES OF YOUTH. SEE The Love of Sunya.

EYES ON RUSSIA, FROM THE CAUCASUS TO MOSCOW. (Vagabond, no. 8) 1934. 1 reel.

Credits: Filmed and directed by Margaret Bourke White.

EYES THAT SEE NOT. 1915. 3 reels.

Credits: Joseph A. Roach.

EYES UNDER THE FENDERS. Produced for B. F. Goodrich Company. 1936. 1 reel, sd.

THE EYES WIN. SEE Loco Luck.

F-MAN. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, Val Paul; director, Edward F. Cline; story, Richard Connell; screenplay, Eddie Welch, Henry Johnson, Paul Gerard Smith; film editor, Paul Weatherwax.

F. P. ONE. 1933. 6,300 ft., sd.

Credits: Producer, Eric Pommer; director, Karl Hartl; screenplay, Walter Reisch, Kurt Siodmak.

FABIOLA. 1922. 8 reels. Adapted from the novel by Nicholas Cardinal Wiseman.

Credits: Arranged and edited by Anthony Matre, Condé B. Pallen, O. E. Goebel, Victor G. Matre.

THE FABLE OF A NIGHT GIVEN OVER TO REVELRY. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF BOOKS MADE TO BALANCE. 1916. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF ELVIRA AND FARINA AND THE MEAL TICKET. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF FLORA AND ADOLPH AND A HOME GONE WRONG. 1916. 1 reel.

Credits: George Ade.

THE FABLE OF HANDSOME JETHRO WHO WAS SIMPLY CUT OUT TO BE A MERCHANT. 1915. 1 reel.

Credits: George Ade; producer, Richard Foster Baker.

THE FABLE OF HAZEL'S TWO HUSBANDS AND WHAT BECAME OF THEM. 1915. 1 reel.

Credits: George Ade; producer, Richard Foster Baker.

THE FABLE OF HIFALUTING TILLIE AND HER PLAIN PARENTS. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF HOW WISENSTEIN DID NOT LOSE OUT TO BUTTINSKY. 1916. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF SISTER MAE WHO DID AS WELL AS COULD BE EXPECTED. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE BACHELOR AND THE BACK-PEDAL. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE BUSY MAN AND THE IDLE WOMAN. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE CITY GRAFTER AND THE UNPROTECTED RUBES. 1914. 1 reel.

Credits: George Ade.

THE FABLE OF THE COLD GRAY DAWN OF THE MORNING AFTER. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE DEMAND THAT MUST BE SUPPLIED. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE DIVINE SPARK THAT HAD A SHORT CIRCUIT. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE ESCAPE OF ARTHUR AND THE SALVATION OF HERBERT. 1915. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE FEARSOME FEUD BETWEEN THE FIRST FAMILIES. 1916. 2 reels.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE FELLOW WHO HAD A FRIEND WHO KNEW A GIRL WHO HAD A FRIEND. 1914. 1 reel.

Credits: George Ade.

THE FABLE OF THE GALLOPING PILGRIM WHO KEPT ON GALLOPING. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE GALUMPTIOUS GIRL. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE GOOD FAIRY WITH THE LORGNETTE AND WHY SHE GOT IT GOOD. 1916. 1 reel.

Credits: George Ade.

THE FABLE OF THE GOOD PEOPLE WHO RALLIED TO THE SUPPORT OF THE CHURCH. 1915. 1 reel.

Credits: George Ade.

FABLE OF THE GRASS WIDOW AND THE MESMEREE AND THE SIX DOLLARS. 1916. 1 reel.

Credits: George Ade.

THE FABLE OF THE HEIR AND THE HEIRESS. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE HIGHROLLER AND THE BUZZING BLONDINE. 1915. 1 reel.

Credits: George Ade.

FABLE OF THE HOME TREATMENT AND THE SURE CURE. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE INTERMITTENT FUSSER. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE KID WHO SHIFTED HIS IDEALS TO GOLF AND FINALLY BECAME A BASEBALL FAN AND TOOK THE ONLY KNOWN CURE. 1916. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE KITTENISH SUPERANNS AND THE WORLD-WEARY SNIPES. 1916. 2 reels.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE LOW-DOWN EXPERT ON THE SUBJECT OF BABIES. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE MEN AT THE WOMAN'S CLUB. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE PREACHER WHO FLEW HIS KITE, BUT NOT BECAUSE HE WISHED TO DO SO. 1916. 1 reel.

Credits: George Ade.

THE FABLE OF THE ROYSTERING BLADES. 1915. 1 reel.

Credits: George Ade; producer, Richard Foster Baker.

THE FABLE OF THE SCOFFER WHO FELL HARD. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE SEARCH FOR CLIMATE. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE SLIM GIRL WHO TRIED TO KEEP A DATE THAT WAS NEVER MADE. 1916. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE SMALL TOWN FAVORITE WHO WAS RUINED BY TOO MUCH COMPETITION. 1916. 1 reel.

Credits: George Ade.

THE FABLE OF THE SORROWS OF THE UNEMPLOYED, AND THE DANGER OF CHANGING FROM BILL TO HAROLD. 1915. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE STATESMAN WHO DIDN'T MAKE GOOD. 1915. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE STRUGGLE BETWEEN PERSONAL LIBERTY AND THE WAVE OF REFORM. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE SYNDICATE LOVER. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE THROBBING GENIUS OF A TANK TOWN WHO WAS ENCOURAGED BY HER FOLKS WHO WERE PROMINENT. 1916. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE THROUGH TRAIN. 1915. 1 reel.

Credits: George Ade; director, Richard Foster Baker.

THE FABLE OF THE TIP AND THE TREASURE. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE TWELVE CYLINDER SPEED OF THE LEISURE CLASS. 1917. 2 reels.

Credits: George Ade; director, Richard Foster Baker; adapted by Charles J. McGuirk.

THE FABLE OF THE TWO PHILANTHROPIC SONS. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE TWO SENSATIONAL FAILURES. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE TWO UNFETTERED BIRDS. 1915. 1 reel.

Credits: George Ade.

THE FABLE OF THE UNDECIDED BRUNETTE. 1916. 1 reel.

Credits: George Ade.

THE FABLE OF THE WILLING COLLEGIAN WHO WANTED TO GET A FOOTHOLD. 1916. 1 reel.

Credits: George Ade.

FACE. SEE Unguarded Women.

THE FACE AT THE CURTAIN. 1915. 1 reel.

THE FACE AT THE WINDOW. 1915. 1 reel.

Credits: Producer, F. J. Grandon; scenario, Wallace C. Clifton.

THE FACE AT YOUR WINDOW. 1920. 8 reels.

Credits: Director, Richard Stanton; story, Max Marcin; scenario, Edward Sedgwick.

THE FACE BEHIND THE MASK. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, Milton Lowell Gunzburg; historical compilations, Charles E. Whittaker; narrator, John Nesbitt.

THE FACE BETWEEN. 1922. 5 reels.

Credits: Producer and director. Bayard Veiller; story, Justus Miles Forman; adaptation, Lenore J. Coffee.

THE FACE DOWNSTAIRS. Laemmle. 1916. 1 reel.

Credits: Director, Lois Weber.

A FACE FROM THE PAST. 1913. 2 reels.

Credits: Frank Blighton.

THE FACE IN THE DARK. 1918. 5 reels.

Credits: Director, Hobart Henley; story, Irvin S. Cobb.

THE FACE IN THE FOG. 1922. 7 reels.

Credits: Director, Alan Crosland; story, Jack Boyle; scenario, John Lynch, Jack Boyle.

A FACE IN THE FOG. Presented by Sam Katzman. 1936. 6 reels, sd. Adapted from "The Great Mono Miracle" by Peter B. Kyne.

Credits: Director, Bob Hill; screenplay, Al Martin.

THE FACE IN THE MIRROR. 1915. 2 reels.

THE FACE IN THE MIRROR. 1916. 3 reels.

Credits: Charles Bradley; director, Charles E. Ashley.

Credits: William A. Brady.

THE FACE IN THE SKY. 1933. 6,620 ft.

Credits: Director. Harry Lachman; story, Myles Connolly; screenplay, Humphrey Pearson; editor, Ralph Dietrich.

THE FACE IN THE WATCH. 1919. 2 reels.

Credits: Director, Edward Kull; story, Harvey Gates; scenario, Arthur H. Gooden.

THE FACE OF FEAR. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THE FACE ON THE BARROOM FLOOR. 1922. 6 reels.

Credits: Director, Jack Ford; original scenario, G. Marion Burton, Eugene B. Lewis.

THE FACE ON THE SCREEN. Special Laemmle. 1916. 1 reel.

Credits: Leslie T. Peacocke; director, H. L. Salter.

FACE THE FACTS. SEE Mr. Boggs Steps Out.

FACE TO FACE. 1923. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, George W. Pyper.

FACE TO FACE WITH MR. PROSPECT. 1926. 1 reel.

FACE TO FACE WITH THE NEW WILLYS EIGHT. 1930. 1 reel.

FACE VALUE. 1914. 2 reels.

Credits: Director, George A. Lessey; adaptation, W. B. M. Ferguson.

FACE VALUE. 1917. 5 reels.

Credits: Director, Robert Z. Leonard; story, Robert Leonard, Mae Murray; scenario, Fred Myton.

FACE VALUE. 1927. 6 reels.

Credits: Director, Robert Florey; story, Frances Cuihan.

FACE VALUE. 1928. 2 reels.

FACES. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens; original idea, Sam B. Jacobson.

Credits: Directors, Edna Wallace Hopper, Gertrude Steele; editors, Blaisdell, Price.

FACING THE GALLOWS. (True Detective Stories of Celebrated Cases) 1931. 2 reels, sd. From the records of Nick Harris.

Credits: Adaptation, George R. Rogan.

THE FACTS ABOUT THE FORD. 1936. Filmstrip, sd.

FADE-AWAY FOSTER. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

Credits: Written and directed by Ivan Abramson.

FADS AND FANCIES. Mentone. 1934. 2 reels.

Credits: Director, Milton Schwarzwald.

FAGIN'S FRESHMEN. 1939. 1 reel.

Credits: Story, Jack Miller; animation, Rod Scribner.

FAILURE. 1925. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Daniel Keefe; adaptation, Beatrice Van.

FAILURE. SEE

A Man to Remember.

One Man's Journey.

A FAILURE AT FIFTY. 1916. 48 min.

Credits: J. Bradley Smollen; director, Richard Foster Baker.

A FAILURE AT FIFTY. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1939. 907 ft., sd., sepia. From the story "He Could Take It" by Arno B. Reincke.

Credits: Carey Wilson; director, Will Jason; screenplay, Howard Dimsdale; film editor, Adrienne Fazen; music, Daniele Amfitheatrof.

FAINT HEART. (Bulls Eye Comedy) Bluebird. 1925. 1 reel.

Credits: Director, George Summerville.

FAINT HEART. SEE

Bert Lahr in Faint Heart.

FAINT HEART AND FAIR LADY. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. De Vonde.

FAINT HEART NE'ER WON FAIR LADY. 1914. 1 reel.

Credits: Henry Beldon; director, Charles M. Seay.

FAINTING LOVER. 1931. 17 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

A FAIR AFFAIR. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

FAIR AND MUDDY. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Producer and supervising director, Robert McGowan; director, Charles Oelze; titles, H. M. Walker; editor, Richard Currier.

FAIR AND SQUARE WAYS. 1931. 1 reel, sd.

Credits: J. P. Murray, Barry Trivers, Ben Oakland; director, Ray Cozine; staged by Max E. Hayes.

FAIR AND WARMER. Screen Classics, Inc. 1919. 6 reels. From the farce by Avery Hopwood.

Credits: Director general, Maxwell Karger; director, Henry Otto; adaptation, June Mathis, A. P. Younger.

FAIR AND WINDY. 1924. 1 reel.

Credits: Director, William H. Watson.

THE FAIR AT NIGHT. (A Century of Progress) 1933. 100 ft.

THE FAIR BARBARIAN. Pallas. 1917. 5 reels. Based on a story by Frances Hodgson Burnett.

Credits: Director, Robert Thornby; adaptation, Edith Kennedy.

FAIR BUT FOOLISH. (Jimmie Adams Comedies) Educational. 1926. 2 reels.

Credits: Frank Ronald Conklin; producer, Al Christie; director, William Watson.

THE FAIR CHEAT. 1923. 6 reels.

Credits: Director, Burton King; story, William B. Laub.

THE FAIR CO-ED. A Marion Davies Production. 1927. 7 reels. Suggested by the play by George Ade.

Credits: Produced and directed by Sam Wood; adaptation and continuity, Byron Morgan; film editor, Conrad A. Nervig.

FAIR DAYS. SEE

Val Harris with Ann Howe in Fair Days.

THE FAIR DECEIVER. 1930. 1 reel, sd.

Credits: Supervision, Dick Currier; director, J. Leo Meehan; editor, Arthur F. Ellis.

FAIR ENOUGH. 1918. 5 reels.

Credits: Director, Edward Sloman; story, J. Anthony Roach; scenario, Elizabeth Mahoney.

A FAIR FARE. 1916. 1 reel.

Credits: Produced and written by Frederick Hiller.

FAIR, FAT AND SAUCY. 1915. 1 reel.

Credits: Director, Jay Williams.

FAIR FIGHTING. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story, Jean F. Burtis; scenario, George Morgan.

THE FAIR FROM THE AIR. (A Century of Progress) 1933. 100 ft.

THE FAIR GOD OF SUN ISLAND. Gold Seal. 1915. 3 reels.

Credits: James Dayton; producer, William Worthington.

FAIR LADY. 1922. 7 reels. Based on the novel "The Net" by Rex Beach.

Credits: Director, Kenneth Webb; scenario, Dorothy Farnum.

Credits: Story, John Francis Natteford.

THE FAIR PRETENDER. 1918. 5 reels.

Credits: Florence C. Bolles; director, Charles Miller.

A FAIR REBEL. 1914.

FAIR WARNING. (Mermaid Comedies) 1925. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

FAIR WARNING. 1930. 5,600 ft., sd. Based on the novel "The Untamed" by Max Brand [pseud. of Frederick Faust].

Credits: Director, Alfred E. Werker; scenario, Ernest Pascal; editor, Ralph Dietrich.

FAIR WARNING. 1937. 6,100 ft., sd.

Credits: Direction and screenplay, Norman Foster; story, Philip Wylie, music director, Samuel Kaylin.

FAIR WEEK. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 5 reels.

Credits: Director, Rob Wagner; story, Walter Woods.

A FAIRY FORELAND. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

THE FAIRY GODFATHER. (Paula Blackton's Country Life Stories) 1917. 2 reels.

Credits: Director, J. Stuart Blackton.

FAIRYLAND. SEE Ima Vamp, Fairyland and Memories.

FAIRYLAND FOLLIES. (Aesop's Sound Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

FAIRWAY FAVORITES. (A Grantland Rice Sound Sportlight) 1930. 1 reel.

Credits: Jack Eaton.

FAIRWAYS AND FOUL. 1929. 2 reels, sd.

Credits: Directors, J. Joseph Mescall, Robert Fellows.

FAITH. 1919. 5 reels.

Credits: Richard Washburn Child; supervision, George D. Baker; director, Charles Swickard; scenario, George D. Baker, A. C. Kenyon.

FAITH. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story and scenario, J. Anthony Roach.

FAITH. SEE The Virtuous Outcast.

FAITH AND FORTUNE. 1915. 3,000 ft.

Credits: Lee Arthur; director, Frank McGlynn.

THE FAITH HEALER. 1921. 7 reels. From the play by William Vaughn Moody.

Credits: Director, George Mulford.

FAITH, HOPE AND CHARITY. 1930. 1 reel, sd.

Credits: Director, S. K. Blake; story, Eddie Buzzell.

FAITH OF HER FATHERS. Gold Seal. 1915. 3 reels. Adapted from the story "A Daughter of Israel" by Bruno Lessing [pseud. of Rudolph Edgar Block].

Credits: Producer, Charles Giblyn; adaptation, I. Bernstein.

FAITH OF MILLIONS. 1927. 6 reels, color.

THE FAITH OF SONNY JIM. 1915. 1 reel.

Credits: Director, Tefft Johnson.

THE FAITH OF THE STRONG. 1919. 6 reels.

Credits: Director, Robert North Bradbury; story, Ethel Hill.

THE FAITHFUL PUP. (Aesop Fable) 1929. 1 reel.

Credits: Paul Terry.

A FAITHFUL SERVANT. 1913.

Credits: Director, Maurice Costello.

THE FAITHFUL SERVITOR. 1913. 2 reels.

FAITHLESS. 1932. 8 reels. From the story by Mildred Cram.

Credits: Director, Harry Beaumont; screenplay, Carey Wilson; film editor, Hugh Wynn.

A FAKE ALARM. (Mirthquake, no. 21) 1924. 2 reels.

Credits: Producer, Eddie Lyons; director, Eugene De Rue.

FAKE FLAPPERS. (Educational-Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

A FAKE QUAKE. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

FAKEERS OF THE EAST. (Van Beuren Travelog) (Vagabond, no. 2) 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

THE FAKER. 1929. 6 reels.

Credits: Producer, Harry Cohn; director, Philip Rosen; story and continuity, Howard J. Green.

THE FAKERS. 1920. 2 reels. From the official records of William J. Flynn.

Credits: Wilson Mizner; director, Carl Harbaugh.

FAKERS. 1923. 1 reel.

FAKING FAKIRS. 1917. 2 reels.

Credits: Director, J. Howe.

THE FALL GUY. 1921. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

THE FALL GUY. Radio. 1930. 7 reels, sd. From the stage play by George Abbott and James Gleason.

Credits: Producer, William Le Baron; director, Leslie Pearce; screenplay, Tim Whelan; editor, Archie Marshek.

THE FALL GUY. SEE Ray Hughes and Pam—The Fall Guy.

FALL IN. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Jules White.

THE FALL OF A NATION. 1916. 8 reels. From the novel by Thomas Dixon.

THE FALL OF DEACON STILLWATERS. Joker. 1916. 1 reel.

Credits: A. E. Bishop; producer, Allen Curtis.

THE FALL OF EVE. 1929. 6 reels, sd.

Credits: Producer, Harry Cohn; director, Frank R. Strayer; adaptation, Gladys Lehman; dialogue, Frederic and Fanny Hatton.

THE FALL OF MUSCLE-BOUND HICKS. 1914. 1 reel.

A FALL TO ARMS. (Louise Fazenda Series, no. 2) 1930. 2 reels.

Credits: Director, Lewis R. Foster.

THE FALLEN ANGEL. 1918. 5 reels.

Credits: Director, R. Thornby; story, Gouverneur Morris; scenario, Bennett R. Cole.

FALLEN ARCHES. (A Charley Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; editor, Richard Currier.

THE FALLEN EMPIRE. (Vagabond Adventure Series) Van Beuren Corp. 1931. 1 reel.

THE FALLEN STAR. SEE George Rosener in The Fallen Star.

FALLING IN LOVE WITH INEZ. 1913. 1 reel.

Credits: Mark Swan.

FALLING STARS. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

FALLING WATER VALLEY, THE LITTLE BROWN RUG [and] GOLD AND FLEECE. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1926. 1 reel.

FALSE ALARM. 1922. 2 reels.

Credits: Director, Erle Kenton.

THE FALSE ALARM. 1926. 6 reels.

Credits: Director, Frank O'Connor.

THE FALSE ALARM. (Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe de Nat.

THE FALSE ALARM FIRE COMPANY. 1929. 1 reel.

Credits: Story, Bert Kalmar, Harry Ruby.

FALSE ALARMS. 1936. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, John Grey.

THE FALSE AND THE TRUE. 1914. 1 reel.

Credits: Director, Theodore Marston.

Credits: Director, Ernest C. Warde; story, Kate Corbaley; scenario, Jack Cunningham.

FALSE COLORS. SEE Reputation.

FALSE EVIDENCE. 1919. 5 reels. From the novel "Madelon" by Mary E. Wilkins (Mrs. Freeman).

Credits: Director, Edwin Carewe; adaptation, Finis Fox.

THE FALSE FACES. Presented by Thomas H. Ince. 1918. 7 reels. From the book by Louis Joseph Vance.

Credits: Directed and picturized by Irvin V. Willat.

FALSE FACES. KBS Film Co., Ltd. Presented by E. W. Hammons. 1932. 83 min., sd.

Credits: Producer and director, Lowell Sherman; screenplay, Kubec Glasmon, Llewelyn Hughes; supervising editor, Martin G. Cohen; film editor, Rose Loewinger; music director, Val Burton.

Credits: Producer, Edward J. Le Saint.

Credits: Director, Harry Davenport; story, Florence C. Bolles.

FALSE FRIENDS AND FIRE ALARMS. 1916. 2 reels.

FALSE FRONTS. 1922. 5 reels.

Credits: Director, Samuel R. Bradley; story, S. Barrett McCormick.

THE FALSE GEMS. Laemmle. 1916. 1 reel.

Credits: E. J. Clawson; producer, Rupert Julian.

FALSE GODS. (Rothapfel Unit Programme, reels 3 to 7) 1919. 5 reels.

Credits: Producer, Samuel L. Rothapfel; director, Wally Van [pseud. of Wally Van Nostrand]; story, E. Lloyd Sheldon.

FALSE IMPRESSIONS. 1932. 2 reels, sd.

Credits: Director, Leslie Pearce.

FALSE KISSES. 1921. 5 reels.

Credits: Producer, Paul Scardon; story, Wilbur Daniel Stelle; scenario, Wallace Clifton.

THE FALSE MADONNA. 1931. 6,062 ft. Adapted from the story "The Heart Is Young" by May Edginton.

Credits: Director, Stuart Walker; adaptation, Arthur Kober, Ray Harris; dialogue, Arthur Kober.

A FALSE MOVE. 1914. 1 reel.

Credits: Director, Robert T. Thornby.

THE FALSE PART. Gold Seal. 1916. 2 reels.

Credits: Producer, William Worthington; story, Pliny Horne; scenario, Jack Wells.

FALSE PEARLS. SEE Breaking Even.

FALSE PLAY. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Carl Coolidge.

FALSE PRETENSES. 1935. 7 reels.

Credits: Director, Charles Lamont; story, Betty Burbridge; screenplay, Ewart Adamson.

FALSE PRIDE. 1926. 6 reels.

Credits: Director, Hugh Dierker; scenario, Louis Allen Browne.

THE FALSE ROAD. 1920. 6 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, C. Gardner Sullivan.

FALSE ROOMERS. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story, Bobby Clark; adaptation, Mark Sandrich, Johnnie Grey; film editor, Sam White.

FALSE ROOMERS. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, John Lockert.

FALSE SHAME. SEE Fools of Passion.

Credits: Scenario, Raymond C. Hill.

FAME AND FORTUNE. 1918. 5 reels.

Credits: Director, Lynn F. Reynolds; story, Charles Alden Seltzer; scenario, Bennett R. Cole.

A FAMILY AFFAIR. Powers. 1916. 1 reel.

Credits: Written and produced by Clarence G. Badger.

A FAMILY AFFAIR. 1921. 2 reels.

Credits: Written and directed by Alf Goulding.

A FAMILY AFFAIR. 1937. 8 reels, sd., b&w. From a play by Aurania Rouverol.

Credits: Producers, Lucien Hubbard, Samuel Marx; director, George B. Seitz; screenplay, Kay Van Riper; film editor, George Boemler; music score, David Snell.

A FAMILY AFFAIR. SEE Arthur Byron and Company in A Family Affair.

THE FAMILY ALBUM. 1926. 1 reel.

THE FAMILY ALBUM. 1928. 1 reel.

THE FAMILY BIBLE. 1915. 1 reel.

Credits: Helen Eddy.

FAMILY BUSINESS. 1937. 1 reel.

THE FAMILY DIVIDEND. 1915. 3 reels.

A FAMILY FLIVVER. 1917. 1 reel.

Credits: Director, Graham Baker; story, A. Van Buren Powell.

FAMILY FROLICS. (A Grantland Rice Sportlight) 1927. 1 reel.

Credits: Producer, John L. Hawkinson.

THE FAMILY GROUP. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Fred L. Guiol; titles, H. M. Walker; editor, Richard Currier.

Credits: Director, Emile Chautard; story, Adrian Gil-Spear.

FAMILY INCOME. (Educational Film Service, v. 7) 1930. Filmstrip.

THE FAMILY MEAL TICKET. (Toots and Casper Series, no. 3) 1928. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, Hal Dairt.

THE FAMILY NEXT DOOR. 1930. 2 reels.

Credits: Director, Monte Brice.

THE FAMILY NEXT DOOR. 1939. 6 reels, sd.

Credits: Associate producer, Max Golden; director, Joseph Santley; original screenplay, Mortimer Offner; film editor, Frank Gross.

THE FAMILY PICNIC. 1915. 1 reel.

Credits: Director, Edmund Stratton.

A FAMILY PICNIC. 1926. 2 reels.

Credits: Director, Albert Ray; story, Mabel Herbert Urner.

THE FAMILY PICNIC. Presented by William Fox. 1929. 1 reel.

Credits: Direction, story, and scenario, Harry Delf.

THE FAMILY RECORD. 1944. 1 reel.

Credits: Producer, Norval MacGregor.

THE FAMILY ROW. Century. 1924. 2 reels.

Credits; Written and directed by Edw. I. Luddy.

THE FAMILY SECRET. Gold Seal. 1916. 2 reels.

Credits: Producer, William Worthington; scenario, James Dayton.

THE FAMILY SECRET. Jewel. 1924. 6 reels. From the play "The Burglar" by Augustus Thomas and the novel "Editha's Burglar" by Frances Hodgson Burnett.

Credits: Director, William Seiter.

THE FAMILY SHOE. (An Aesop Sound Fable) 1931. 1 reel, sd.

Credits: John Foster, Mannie Davis.

THE FAMILY SKELETON. 1918.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger.

THE FAMILY STAIN. 1915. For Fox Film Corp. 6 reels.

Credits: Picturized and produced by Will S. Davis.

FAMILY TROUBLES. (A Warren Doane Comedy) 1932. 2 reels.

Credits: Director, George Stevens; story, James W. Horne, George Stevens.

THE FAMILY UPSTAIRS. 1926. 6 reels, b&w.

Credits: Director, J. G. Blystone; story, Harry Delf; scenario, L. G. Rigby.

THE FAMILY UPSTAIRS. SEE

Harmony at Home.

Stop, Look, and Love.

THE FAMILY'S HONOR. 1913. 1 reel.

Credits: Rex M. Hitchcock.

THE FAMOUS FERGUSON CASE. First National and Vitaphone. 1932. 8 reels, sd.

Credits: Director, Lloyd Bacon; story, Courtenay Terrett; adaptation and dialogue, Harvey Thew, Courtenay Terrett, Granville Moore.

THE FAMOUS LOVING BIRDS. SEE The Arnaut Brothers ... in The Famous Loving Birds.

THE FAMOUS MRS. FAIR. Presented by Louis B. Mayer. Released by Metro Pictures Corp. 1923. 8 reels. From the play by James Forbes.

Credits: Produced and directed by Fred Niblo; adaptation, Frances Marion.

FAMOUS PEOPLE AT PLAY. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, James Wallington.

FAMOUS PLAYGROUNDS. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

FAMOUS PLAYS. Snappy. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

FAMOUS SCENES FROM PAGLIACCI, BY RUGGIERO LEONCAVALLO. Treasure Chest. A Skibo Short. Educational Pictures. Presented by E. W. Hammons. 1934. 100 ft., sd.

Credits: Produced and directed by William C. De Mille; scenario, Clara Beranger; English libretto, John Erskine.

FAN FAN. 1918. 5 reels. Based on "The Mikado" by Sir William Schwenck Gilbert.

Credits: Directors, C. M. Franklin, S. A. Franklin; scenario, Bernard McConville.

FANCHON THE CRICKET. Imp. 1915. 1 reel.

FANCY BAGGAGE. 1929. 8 reels.

Credits: Director, John G. Adolfi; story, Jerome Kingston; adaptation, C. Graham Baker.

FANCY BAGGAGE. Trailer Announcement. 1929. 1 reel, sd.

FANCY CURVES. (Christy Walsh All-America Sport Subjects, Babe Ruth Short) 1932. 8-1/2 min.

Credits: Story and direction, Lou Breslow.

FANCY THAT. 1929. 2 reels, sd.

Credits: Producer, Frank Davis; director, Philip Tannura; story, Frank Davis; film editor, E. Pfitzenmeier.

FANDANGO. (Lupino Lane Comedies) 1928. 2 reels.

Credits: Director, Henry W. George.

FANG AND CLAW. Presented by RKO Radio Pictures. 1935. 8 reels, sd.

Credits: Direction and narration, Frank Buck; editors, Stacy and Horace Woodard; music, Winston Sharples; photographers, Nicholas Cavaliere, Harry E. Squire.

FANGS OF DESTINY. 1927. 5 reels.

Credits: Director, Stuart Paton; story and continuity by George Morgan.

FANGS OF FATE. Fred J. McConnell Productions. 1928. 4,476 ft.

Credits: Director, Noel Mason Smith; original story, Earl W. Johnson; scenario, Jack Kelly.

FANGS OF THE WILD. 1928. 5 reels.

Credits: Director, Jerome Storm; original story, Dorothy Yost, Dwight Cummins; continuity, Dwight Cummins.

FANNIE AND THE SERVANT PROBLEM. SEE Strictly Confidential.

FANNIE WARD IN THE MIRACLE WOMAN. 1929. 1 reel, sd.

FANNY. SEE Port of Seven Seas.

FANNY AND KITTY WATSON IN BIGGER AND BETTER. 1929. 1 reel, sd.

FANNY FOLEY HERSELF. 1931. 8 reels, sd.

Credits: Supervision, John Burch; director, Melville Brown; story, Juliet Wilbur Tompkins; adaptation and dialogue, Carey Wilson; additional dialogue, Bernard Schubert.

FANNY HERSELF. SEE No Woman Knows.

FANNY IN THE LION'S DEN. (Paul Terry Toons) Educational Pictures. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

Credits: Producer, M. Manoussi.

FANNY'S CONSPIRACY. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

FANNY'S MELODRAMA. 1914. 1 reel.

Credits: Directors, Wilfrid North, Wally Van [pseud. of Wally Van Norstrand].

FANNY'S WEDDING DAY. (Paul Terry-Toons) Educational Pictures. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

FANTASMA. 1914. 5 reels. Based on the Hanlon Brothers' theatrical production.

Credits: Director, Charles M. Seay.

FANTASY. 1927. 2 reels. From the story "Old Applejoy's Ghost" by Frank Stockton.

Credits: Producer, Charles B. Mintz; director, Andrew L. Stone.

Credits: Director, Edward Sedgwick; adaptation and scenario, Edward Sedgwick, assisted by George Eshenfelder.

6. The Altar of Sacrifice. 23Jan21; LP16061.

FANTOMAS, THE CROOK DETECTIVE. 1914. 4 reels.

FANTOMAS, THE FALSE MAGISTRATE. 1914. 6 reels.

FANTOMAS UNDER THE SHADOW OF THE GUILLOTINE. 1913. 3 reels.

THE FAR CALL. 1929. 6 reels.

Credits: Director, Allan Dwan; story, Edwin Marshall; scenario, Seton I. Miller.

THE FAR CRY. 1926. 8 reels. Adapted from the play by Arthur Richman.

Credits: Director, Balboni; adaptation, Katharine Kavanaugh.

THE FAR JOURNEY. 1916, 2 reels.

Credits: Director, Frank Beal.

FARE ENOUGH. Century. 1923. 2 reels.

FARE PLAY. (A Scrappy Cartoon) 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe DeNat.

FARES AND FAIR ONES. 1919. 2 reels.

Credits: Director, Joseph Rock; story, Montgomery and Rock.

FARES, PLEASE. Joker. 1915. 1 reel.

Credits: Written and produced by Archer McMackin.

FARES, PLEASE. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story, Harry Schenck.

FARES, PLEASE. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Supervision, Stephen Roberts; director, Jack White.

FAREWELL AGAIN. 1937. 9 reels, sd.

Credits: Producer, Eric Pommer; director, Tim Whelan; original story and continuity, Wolfgang Wilhelm; screenplay, Clemence Dane, Patrick Kirwin; film editor, Jack Dennis; music director, Muir Mathieson; music score, Richard Addinsell.

A FAREWELL TO ARMS. 1933. 10 reels. From the novel by Ernest Hemingway.

Credits: Director, Frank Borzage; screenplay, Benjamin Glazer, Oliver H. P. Garrett.

Credits: Director, Carmine Gallone; original story, C. H. Dand; editor, Elmer McGovern; music, Ernesto Tagliaferri, Phillip Braham.

FAREWELL VIENNA. (Paramount Paragraphics) Symphonic Films, Inc. 1939. 1 reel, sd.

Credits: Composed and directed by Fredrick Feher.

FAREWELL WALTZ. SEE Abschiedswalzer.

FARGO EXPRESS. 1932. 6 reels.

Credits: Director, Alan James; story and continuity, Earle Snell.

THE FARM. 1931. 993 ft.

FARM ANIMALS. 1937. 1 reel, sd.

FARM FESTIVALS. SEE The First Settler's Story.

FARM FOLLIES. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

FARM FOOLERY. (An Aesop Sound Fable) 1930. 1 reel.

Credits: John Foster.

THE FARM HAND. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

FARM PROGRESS. Ford Motion Picture Laboratories. 1926. 3 reels.

FARM RELIEF. Winkler. 1930. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

FARM SCENES. 1934. 1 reel.

THE FARMER. (Walter Lantz, Bill Nolan Cartoon) 1931. 1 reel.

FARMER AL FALFA AND THE RUNT. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 537 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

FARMER AL FALFA IN FLYING SOUTH. Presented by E. W. Hammons. 1937. 586 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

FARMER AL FALFA IN THE BIG GAME HUNT. Presented by E. W. Hammons. 1937. 586 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

FARMER AL FALFA IN THE HEALTH FARM. (Terry Toons) Presented by E. W. Hammons. 1936. 548 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; music, Philip A. Scheib.

FARMER AL FALFA IN THE HOT SPELL. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; music, Philip A. Scheib.

FARMER AL FALFA IN THE TIN CAN TOURIST. (Terry Toons) Presented by E. W. Hammons. 1937. 596 ft., sd.

Credits: Paul Terry, Mannie Davis, George Gordon; music, Philip A. Scheib.

FARMER AL FALFA'S APE GIRL. (Paul Terry-Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

FARMER AL FALFA'S BEDTIME STORY. (Paul Terry-Toons) 1932. 6 min.

Credits: Frank Moser, Paul Terry.

FARMER AL FALFA'S BIRTHDAY PARTY. (Paul Terry-Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

FARMER AL FALFA'S PRIZE PACKAGE. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; music, Philip A. Scheib.

FARMER AL FALFA'S 20TH ANNIVERSARY. (Terry Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

FARMER AL FALFA'S WAYWARD PUP. 1917. 1 reel. Credits: Paul Terry.

THE FARMER IN THE DELL. 1936. 8 reels, sd. From the novel by Phil Stong.

Credits: Associate producer, Robert Sisk; director, Ben Holmes; screenplay, Sam Mintz, John Grey; editor, George Hively; music director, Alberto Colombo.

THE FARMER RIDES ON RUBBER. 1937. For B. F. Goodrich Co. Filmstrip, 165 frames, sd.

FARMER RODNEY'S DAUGHTER. 1914. 1 reel.

Credits: Margaret Turner; director, Richard R. Ridgely.

THE FARMER TAKES A WIFE. 1935. 8,140 ft., sd. From the stage play by Max Gordon. Based on the novel "Rome Haul" by Walter D. Edmonds.

Credits: Director, Victor Fleming; screenplay, Edwin Burke; music director, Oscar Bradley.

FARMERETTE. (An Aesop's Fable) 1932. 1 reel.

THE FARMER'S DAUGHTER. 1928. 6 reels, b&w.

Credits: Director, Norman Taurog; story, Lou Breslow, Henry Johnson; scenario, Gilbert Pratt.

THE FARMERS' FATAL FOLLY. 1933. 19 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson.

THE FARMER'S GOAT. (Fable, no. 423) 1929. 1 reel.

Credits: John Foster.

FARMING FOOLS. (Oswald) Snappy. 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod.

FARMING IN ANCIENT THEBES. 1913. 1 reel.

FARMS AND FUMBLES. 1918. 2 reels.

Credits: Director, G. Pratt; story, Montgomery and Rock.

FARMYARD FOLLIES. 1920. 2 reels.

Credits: Director, Roy Del Ruth.

FARMYARD FOLLIES. (Oswald Cartoon Comedy) Snappy. 1928. 1 reel.

Credits: Animation, Walt Lantz, R. C. Hamilton.

FARMYARD SYMPHONY. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

FARO NELL; or, IN OLD CALIFORNY. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Willis Steell.

FARO NELL, LOOKOUT. 1918. 2 reels.

Credits: Director, G. L. Sargent; story, Alfred Henry Lewis; adaptation, George H. Plympton.

FARRELL FLYING STORIES. SEE The Sky Ranger.

A FASCINATING ADVENTURE. (Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE FASCINATING MODEL. Powers. 1916. 3/4 reel.

Credits: Harry Wulze; director, Roy Clements.

FASCINATING YOUTH. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels.

Credits: Director, Sam Wood; story, Byron Morgan.

FASCINATION. Tiffany. Presented by Robert Z. Leonard. 1922. 88 reels.

Credits: Director, Robert Z. Leonard; adaptation and story, Edmund Goulding.

THE FASCINATION OF THE FLEUR DE LIS. Rex. 1915. 3 reels.

FASHION FOLLIES. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

Credits: Producer, Truman Talley; supervision, Jack Painter; director, Vyvyan Donner; described by Ilka Chase; music score, John Rochetti.

FASHION MADNESS. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Louis J. Gasnier; story, Victoria Moore; continuity, Olga Printzlau.

FASHION OF 1934. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 9 reels, sd.

Credits: Director, William Dieterle; story, Harry Collins, Warren Duff; screenplay, F. Hugh Herbert, Carl Erickson.

THE FASHION PLATES OF HARMONY, MESSRS. REESE, WILLIAMS AND MAGGINETTI, SINGING STYLISH SONGS. 1928. 1 reel.

FASHION ROW. 1923. 7 reels.

Credits: Producer and director, Robert Z. Leonard; scenario, Sada Cowan, Howard Higgin.

THE FASHION SHOP. 1915. 1 reel.

FASHIONABLE FAKERS. Released through Film Booking Offices of America. 1923. 5 reels.

Credits: Director, William Worthington; original story, Frederick Stowers; adaptation, Melville Brown.

FASHIONS FOR MEN. SEE Fine Clothes.

FASHIONS FOR WOMEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,296 ft. From the play "The Girl of the Hour" by Gladys B. Unger, from the French of Paul Armont and Leopold Marchand.

Credits: Director, Dorothy Arzner; screenplay, Percy Heath; adaptation, Jules Furthman, Herman J. Mankiewicz.

FASHIONS IN LOVE. 1929. 6,592 ft. From the play "The Concert" by Hermann Bahr.

Credits: Director, Victor Schertzinger; adaptation and dialog, Melville Baker; screenplay, Louise Long.

FASHIONS IN LOVE. 1936. 1 reel, sd.

Credits: Editors, Fred Waller, Milton Hocky; narrator, Alois Havrilla.

Credits: Director, Richard Thorpe.

FAST AND FURIOUS. (Sunshine Comedy) 1921. 2 reels.

Credits: Director, Gilbert W. Pratt.

FAST AND FURIOUS. (Mermaid Comedies) Educational. 1924. 2 reels.

Credits: Director, Norman Taurog.

FAST AND FURIOUS. 1927. 6 reels.

Credits: Director, Melville Broun; story, Reginald Denny.

FAST AND FURIOUS. (Daphne Pollard Comedy) 1931. 19 min.

Credits: Director, Charles Lamont; story, Francis J. Martin, Sidney Levee.

FAST AND FURIOUS. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, Frederick Stephani; director, Busby Berkeley; original screenplay, Harry Kurnitz; film editor, Elmo Veron; music, C. Bakaleinikoff, D. Amfitheatrof.

FAST AND LOOSE. 1930. 7 reels, sd. Based on the story "The Best People" by David Gray and Avery Hopwood.

Credits: Director, Fred Newmeyer; screenplay, Jack Kirkland; dialogue, Preston Sturges; dialogue staged by Bertram Harrison.

FAST AND LOOSE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, Frederick Stephani; director, Edwin L. Marin; original screenplay, Harry Kurnitz; film editor, Elmo Veron.

FAST COMPANIONS. 1932. 7 reels.

Credits: Director, Kurt Neumann; story, Gerald Beaumont, Charles Logue; screenplay, Earle Snell.

FAST COMPANY. 1918. 5 reels.

Credits: Director, Lynn F. Reynolds; story, John McDermott; scenario, Eugene Lewis, Waldemar Young.

Credits: Producer, Hal Roach.

FAST COMPANY. 1929. 8 reels, si. & 6,863 ft., sd. Adapted from the play "Elmer the Great" by Ring Lardner and George M. Cohan.

Credits: Director, A. Edward Sutherland; screenplay, Florence Ryerson; adaptation, Patrick J. Kearney, Walton Butterfield; dialog, Joseph L. Mankiewicz.

FAST COMPANY. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. From the book by Marco Page [pseud. of Harry Kurnitz].

Credits: Producer, Frederick Stephani; director, Edward Buzzell; screenplay, Marco Page, Harold Tarshis; film editor, Frederick Y. Smith; music score, William Axt.

THE FAST EXPRESS. Universal Special. 1924. 2 reels each. From the novel "Crossed Wires" by Courtney Ryley Cooper. © Universal Pictures Corp.

Credits: Director, William Duncan; adaptation, Frank H. Clark.

Credits: Director, Richard Thorpe; story, A. E. Serrao.

FAST FINGERS. Produced and presented by Columbia Pictures Corp. 1933. 1 reel. Based on one of the "Minute Mysteries" by H. A. Ripley.

Credits: Director, Lynn Shores; adaptation, H. Ross Callaway.

FAST FREIGHT. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels.

Credits: Production, supervision and story, Robert F. McGowan; director, Anthony Mack; editor, Richard Currier.

FAST FRIENDS. Treasure Chest. 1936. 1 reel.

Credits: Producer, John Green; director, Harry Foster; narration, Basil Ruysdael.

FAST LIFE. Vitaphone. Presented by Richard A. Rowland. 1929. 9 reels.

Credits: Producer, John Francis Dillon.

FAST LIFE. Trailer. 1929. 1 reel.

FAST LIFE. 1932. 9 reels. Based on the story "Let's Go" by E. J. Rath [pseud.]

Credits: Producer, Harry Pollard; screenplay, Byron Morgan, Ralph Spence.

THE FAST MAIL. 1918. 2 reels.

Credits: Director, George Marshall; story, Frank H. Spearman; scenario, R. A. Dillon.

THE FAST MAIL. Fox Film Corp. 1922. 6 reels.

Credits: Director, Bernard J. Durning; story, Lincoln J. Carter; scenario, Agnes Parsans.

THE FAST MAIL-MAN. 1922. 2 reels.

Credits; Director, Eugene De Rue; scenario, Ralph Ceder.

THE FAST SET. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,754 ft. From the play "Spring Cleaning" by Frederick Lonsdale.

Credits: Producer and director, William De Mille; screenplay, Clara Beranger.

Credits: Director, Edward Laemmle; story, Gerald Beaumont; scenario, Scott Darling; adaptation, Raymond L. Schrock.

FAST WORK. (Hal Roach Comedy) 1930. 2 reels, sd., b&w.

Credits: Director, James W. Horne; story, Leo McCarey; dialogue, H. M. Walker; editor, Richard Currier.

THE FAST WORKER. Universal Jewel. Presented by Carl Laemmle. 1924. 7 reels. From the novel "Husbands of Edith" by George Barr McCutcheon.

Credits: Director, William A. Selter.

FAST WORKERS. 1933. 7 reels, sd., b&w. Based on the play "Rivets" by John W. McDermott.

Credits: Producer, Tod Browning; continuity, Karl Brown, Ralph Wheelwright; dialogue, Lawrence Stallings; film editor, Ben Lewis.

THE FASTERS. 1916. 1 reel.

Credits: Director, William Wolbert.

FAT AND FOOLISH. Victor. 1917. 1 reel.

Credits: Harry Wulze; director, Roy Clements.

FAT AND FURIOUS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

FAT AND THE CANARY. (A McDougall Alley Comedy) Released by Bray Studios. 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

A FAT CHANCE. (Walter Heirs Comedies) Educational. 1924. 2 reels.

Credits: Director, Scott Sidney.

A FAT CHANCE. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

FAT WIVES FOR THIN. (Educational-Mack Sennett Talking Comedy) 1930. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Harry McCoy, Philip Whitman, Earle Rodney.

THE FATAL BEAN. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

THE FATAL BUMPING. 1914. 1 reel.

Credits: Producer, Mack Sennett.

THE FATAL CARD. 1930. 1 reel, sd.

Credits: Director, Norman Taurog; dialogue staged by Max E. Hayes.

FATAL FOOTSTEPS. Released by F. B. O. 1926. 2 reels.

Credits: Written and directed by H. L. Muller, Charley Bowers, Ted Sears.

THE FATAL FORCEPS. Paramount-Christie. 1929. 2 reels, sd.

Credits: Director, William Watson; story, C. L. V. Duffy.

THE FATAL GLASS OF BEER. (Mack Sennett Talking Picture) 1933. 2 reels, sd.

Credits: Director, Clyde Bruckman.

THE FATAL HOUR. 1920. 6 reels. Based on the stage play "The Marriages of Mayfair" by Cecil Raleigh.

Credits: Supervision, Maxwell Karger; director, George W. Terwilliger; scenario, Julia Burnham.

THE FATAL INTRODUCTION. Big U. 1916. 3 reels.

Credits: Ben Cohen; producer, Murdock McQuarrie.

THE FATAL KISS. Joker. 1915. Split reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

FATAL LADY. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, Walter Wanger; director, Edward Ludwig; original story, Harry Segall; screenplay, Samuel Ornitz; adaptation, William R. Lipman; additional dialogue, Tiffany Thayer.

THE FATAL MARRIAGE. (Sunshine Comedies) 1918. 2 reels.

Credits: Production and supervision, Henry Lehrman; director, William Campbell.

THE FATAL MARRIAGE. Released by R-C Picture Corp. 1922. 5 reels. From the poem "Enoch Arden" by Lord Alfred Tennyson.

Credits: Supervision, D. W. Griffith; director, William Christy Cabanne.

THE FATAL MISTAKE. 1924. 5 reels.

Credits: Director, Scott Dunlap.

THE FATAL NOTE. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

THE FATAL NOTE. L-Ko. 1915. 1 reel.

Credits: Director, Harry Edwards.

THE FATAL NOTE. (The Little King) RKO Radio release. 1933. 1 reel. Based on the cartoon by O. Soglow.

Credits: Animation, Jim Tyer.

THE FATAL WEDDING. 1914.

FATE. SEE The Sisters (Geschwister).

FATE AND THE FUGITIVE. 1914. 2 reels.

FATE AND THE POMEGRANATE. SEE In the Shadow of Death.

Credits: Producer, Fred Huntley.

THE FATE OF A FLIRT. Presented by Waldorf Pictures. 1925. 5,793 ft.

Credits: Producer, Harry Cohn; director, Frank R. Strayer; story, Janet Crothers; continuity, Albert Lewin; editor, Charles J. Hunt.

Credits: Producer, Hardee Kirkland.

FATE OF THE WOLF. SEE Driftin' Sands.

FATE'S ALIBI. Laemmle. 1915. 1 reel.

Credits: Scenario and production, Frank Lloyd; story, C. W. Fassett.

THE FATES AND FLORA FOURFLUSH. 1914. 3 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

THE FATES AND RYAN. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

Credits: Director, Frank Hall Crane.

FATE'S FATHEAD. (Hal Roach Comedy) (Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

FATE'S HEALING HAND. 1915. 1 reel.

FATE'S HONEYMOON. SEE A Thousand to One.

FATE'S PROTECTING ARM. 1915. 1 reel.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

FATHER; or, THE PALACE OF FLAME. 1912. 2 reels.

FATHER AND SON; or, THE CURSE OF THE GOLDEN LAND. 1913. 1 reel.

Credits: Scenario, Alex Frank.

FATHER AND SON. 1929. 7 reels, sd., si.

Credits: Producer, Harry Cohn; director, Erie C. Kenton; story, Elmer Harris; continuity, Jack Townley.

FATHER AND SON. SEE Win That Girl.

FATHER AND THE BOYS. Broadway. Universal. 1915. 5 reels.

Credits: Producer, Joseph DeGrasse; story, George Ade; adaptation, Ida May Park.

FATHER AND THE BOYS. SEE Young As You Feel.

FATHER BROWN, DETECTIVE. Presented by Adolph Zukor. 1934. 7 reels, sd. From the original stories by G. K. Chesterton.

Credits: Producer, Bayard Veiller; director, Edward Sedgwick; screenplay, Henry Myers, C. Gardner Sullivan.

FATHER GETS IN WRONG. Joker. 1916. 1 reel.

Credits: William Schoene; producer, Allen Curtis.

FATHER GETS INTO THE MOVIES. (Bringing Up Father) 1916. Split reel. Based on the cartoons of George McManus.

Credits: Scenario, L. DeLorme; animation, Frank Moser.

FATHER KNOWS BEST. (A Van Ronkel Comedy) 1935. 2 reels.

Credits: Director, James W. Horne; story, Al Austin, James W. Horne.

FATHER NILE. (Rambling Reporter Series) Bray Products Corp. 1931. 1 reel.

Credits: Narrative by Malcolm La Prade; musical arrangement, Alexander Maloof.

FATHER NOAH'S ARK. (Silly Symphony, no. 9) 1933. 1 reel.

FATHER SAID HE'D FIX IT. 1915. 500 ft.

FATHER WAS NEUTRAL. L-Ko. 1915. 1 reel.

Credits: Director, Harry Edwards.

FATHERHOOD. Broadway Universal. 1915. 4 reels.

Credits: Written and produced by Hobart Bosworth.

FATHERLY LOVE. SEE Happy Hooligan in Fatherly Love.

FATHER'S BEARD. 1914. 1 reel.

Credits: Mark Swan; director, Charles Ranson.

FATHER'S CHILD. Victor. 1915. 3 reels.

Credits: Written and produced by Harry C. Mayers.

FATHER'S FIRST MURDER. L-Ko. 1915. 1 reel.

FATHER'S FLIRTATION. 1914. 2 reels.

Credits: Director, George D. Baker.

FATHER'S HAT BAND. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

FATHER'S HELPING HAND. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, Malcolm Strong; scenario, Al. E. Christie.

FATHER'S LUCKY ESCAPE. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, Malcolm Strong; scenario, Al. E. Christie.

FATHER'S MONEY. Victor. 1915. 1 reel.

FATHER'S NEW MAID. 1915. 1 reel.

FATHERS OF MEN. 1916. 6 reels.

Credits: Producer, William Humphrey; picturized by Edward J. Montagne.

THE FATHERS OF NEW ENGLAND. SEE

The Pilgrims.

The Puritans.

FATHER'S SON. 1931. 8 reels. From the story "Old Fathers and Young Sons" by Booth Tarkington.

Credits: Director, William Beaudine; screen version and additional dialogue, Hope Loring.

FATHERS' SONS AND CHORUS GIRLS. 1918. 2 reels.

Credits: Director, James Davis.

FATHER'S TIMEPIECE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

FATTY AND MABEL ADRIFT. 1916. 3 reels.

Credits: Director, Roscoe Arbuckle; supervision, Mack Sennett.

FATTY AND MABEL AT THE SAN DIEGO EXPOSITION. 1915.

FATTY AND MABEL'S SIMPLE LIFE. 1915.

Credits: Producer, Mack Sennett.

FATTY AND MINNIE-HE-HAW. 1914. 2 reels.

Credits: Producer, Mack Sennett.

Credits: Supervision, Mack Sennett; director, Roscoe Arbuckle.

FATTY AND THE BROADWAY STARS. 1915. 2 reels.

Credits: Supervision, Mack Sennett; director, Roscoe Arbuckle.

FATTY ON THE JOB. 1913. 1 reel.

Credits: Director, Ralph Ince.

FATTY'S AFFAIR OF HONOR. 1913. 1 reel.

Credits: Director, Ralph Ince.

FATTY'S CHANCE ACQUAINTANCE. 1915.

Credits: Producer, Mack Sennett.

FATTY'S FAITHFUL FIDO. 1915. 1 reel.

Credits: Producer, Mack Sennett.

FATTY'S FEATURE FILLUM. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Fatty Voss.

FATTY'S JONAH DAY. 1914. 1 reel.

Credits: Producer, Mack Sennett.

FATTY'S MAGIC PANTS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

FATTY'S NEW ROLE. 1915.

Credits: Producer, Mack Sennett.

FATTY'S PLUCKY PUP. 1915.

Credits: Producer, Mack Sennett.

FATTY'S RECKLESS FLING. 1915.

Credits: Producer, Mack Sennett.

FATTY'S SWEETHEART. 1914. 1 reel.

Credits: Director, Ralph Ince.

FATTY'S TINTYPE TANGLE. 1915.

Credits: Producer, Mack Sennett.

FATTY'S WINE PARTY. 1914. 1 reel.

Credits: Producer, Mack Sennett.

THE FAUN. SEE The Marriage Maker.

FAUST. Ufa. 1926. 9 reels.

Credits: F. W. Murnau; manuscript, Hans Kyser.

FAUST. See

Charles Hackett in Faust, Assisted by Chase Baromeo.

Walpurgis Night.

Credits: Direction and scenario, Henry Roussell.

A FAVOR TO A FRIEND. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, John Ince; original story and scenario, Luther A. Reed.

Credits: Producer, Mack Sennett.

A FAVORITE FOOL. 1915. 2 reels.

FAVORITE MELODIES FEATURING RUTH ETTING. 1929. 1 reel, sd.

FAZIL. 1927. 7 reels. From the play "L'Insoumise" by Pierre Frondaie and the English adaptation "Prince Fazil."

Credits: Director, Howard Hawks; scenario, Seton I. Miller; adaptation, Philip Klein.

THE FEAR MARKET. 1919. 5 reels. From the play by Amelie Rives Troubetzkoy.

Credits: Director, Kenneth Webb; scenario, Clara Beranger.

FEAR NOT. Butterfly. 1917. 5 reels.

Credits: Director, Allen Holubar; story, J. Grubb Alexander; scenario, J. Grubb Alexander, Fred Myton.

THE FEAR WITHIN. Big U. 1915. 1 reel.

Credits: Bess Meredyth; producer, Charles Giblyn.

THE FEAR WOMAN. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, John D. Barry; story, Izola Forrester.

FEARBOUND. 1925. 6 reels.

Credits: Written and directed by Will Nigh.

FEARLESS FOOLS. Century. 1924. 2 reels.

FEARLESS FREDDIE IN THE WOOLY WEST. Powers. 1917. 1/2 reel.

THE FEARLESS LOVER. 1925. 5 reels.

Credits: Director, Henry McRae; story, Scott Dunlap.

THE FEARLESS RIDER. 1927. 5 reels.

Credits: Director, Edgar Lewis; story and continuity, Basil Dickey.

Credits: Director, Albert Capellani; scenario, Frances Marion.

THE FEAST OF PASSOVER. 1931. 2 reels.

Credits: Director, Sidney M. Goldin; dialogue, M. Schorr, Mark Schweid.

A FEATHER IN HER HAT. 1935. 8 reels, sd.

Credits: Director, Alfred Santell; story, I. A. R. Wylie; screenplay, Lawrence Hazard; film editor, Viola Lawrence.

THE FEATHER PUSHERS. 1924. 1 reel.

Credits: Story, Richard Smith.

FEATHERED FOLLIES. (Aesop's Sound Fables) The Van Beuren Corp. 1932. 1 reel.

FEATHERED PESTS. 1939. 16 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, Les Millbrook.

FEATHERING YOUR NEST. 1937. 1 reel.

FEATURE STORY. The Long Foundation of Food Research. 1936. 1 reel.

FEATURING THE DAIRY DEPARTMENT. SEE The Added Item Makes for Profit.

FEDERAL AGENT. 1936. 7 reels, sd.

Credits: Director, Sam Newfield; story, Barry Barringer; screenplay, Robert Ellis; film editor, Charles Hunt.

FEDERAL BULLETS. 1937. 7 reels, sd. Based on the novel by George Fielding Eliot.

Credits: Producer, Lon Young; direction and adaptation, Karl Brown.

FEDERAL MAN HUNT. 1938. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Nick Grinde; original story, Sam Fuller, William Lively; screenplay, Maxwell Shane; film editor, Edward Mann; music director, Cy Feuer.

FEDORA. 1918. 5 reels. From the play by Victorien Sardou.

Credits: Director, Edward Jose; scenario, Charles Whittaker.

FEDORA. SEE

Princess Romanoff.

The Woman from Moscow.

FEED 'EM AND WEEP. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Supervision and director, Fred L. Guiol; story, Leo McCarey; editor, Richard Currier.

FEED 'EM AND WEEP. (Hal Roach Comedy) (Our Gang Comedy) 1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; editor, William Ziegler.

FEED THE KITTY. (An Oswald Cartoon) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; artists, Lester Kline, George Nicholas.

THE FEEDER. SEE Behind the Make-up.

FEEL MY MUSCLE. 1914. 1,000 ft.

FEEL MY PULSE. 1928. 5,808 ft.

Credits: Producer and director, Gregory La Cava; story, Howard Emmett Rogers; adaptation and screenplay, Keene Thompson, Nick Barrows.

FEELING ROSY. 1933. 21 min., sd.

Credits: Director, Harry J. Edwards; story, Ernest Pagano, Ewart Adamson.

THE FEET. (Eastman Classroom Films. Health Series. Hygiene) Made with the cooperation of the Massachusetts Institute of Technology and the American Posture League. 1931. 967 ft.

FEET FIRST. A Paramount Release. 1930. 10 reels, sd.

Credits: Director, Clyde Bruckman; story, John Grey, Al Cohn, Clyde Bruckman; scenario, Felix Adler, Lex Neal.

FEET IS FEET. 1916. 1 reel.

FEET OF CLAY. Falcon Features. 1917. 4 reels.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Harry Harvey; story, William Morton.

FEET OF CLAY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 9,746 ft. From the novel by Margaretta Tuttle.

Credits: Producer, Cecil B. De Mille; adaptation, Beulah Marie Dix, Bertram Millhauser.

FELINE ATHLETES. 1935. 1 reel, sd.

THE FELINE FIGHTER. (Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

FELINE FROLICS. (Outdoor Sketches) 1928. 1 reel.

Credits: Robert C. Bruce.

FELIX BOYD SERIES. SEE Dickson's Diamonds.

FELIX GETS IN WRONG. Special Victor. 1916. 1 reel.

Credits: Scenario and direction, Calder Johnstone; story, Frank Ormston.

FELIX HOLT. 1915. 2 reels.

Credits: F. Hopkinson Smith.

FELIX ON THE JOB. Special Victor. 1916. 1 reel.

Credits: Harry Wulze; producer, Joseph De Grasse; director, George Felix.

FELIX THE CAT AND THE GOOSE THAT LAID THE GOLDEN EGG. (Rainbow Parade Cartoon) 1936. 1 reel.

Credits: Directors, Burt Gillett, Tom Palmer.

FELIX THE CAT AS ROAMEO. 1927. 1 reel.

FELIX THE CAT AT THE RAINBOW'S END. Educational. 1925. 1 reel.

FELIX THE CAT—BEHIND IN FRONT. 1927. 1 reel.

FELIX THE CAT BRAVES THE BRINY. 1926. 1 reel.

FELIX THE CAT BUSTS A BUBBLE. 1926. 1 reel.

FELIX THE CAT BUSTS INTO BUSINESS. Educational Film Exchanges, Inc. 1925. 1 reel.

FELIX THE CAT COLLARS THE BUTTON. 1926. 1 reel.

FELIX THE CAT DINES AND PINES. 1927. 1 reel.

FELIX THE CAT DUCKS HIS DUTY. 1927. 1 reel.

FELIX THE CAT, EATS ARE WEST. Educational. 1925. 1 reel.

FELIX THE CAT FANS THE FLAMES. Educational. 1926. 1 reel.

FELIX THE CAT FLIRTS WITH FATE. Educational. 1926. 1 reel.

FELIX THE CAT HITS THE DECK. 1927. 1 reel.

FELIX THE CAT HUNTS THE HUNTER. 1926. 1 reel.

FELIX THE CAT IN A LOCO MOTIVE. 1927. 1 reel.

FELIX THE CAT IN A TALE OF TWO KITTIES. 1926. 1 reel.

FELIX THE CAT IN ARABIANTICS. 1928. 1 reel.

FELIX THE CAT IN ART FOR HEART'S SAKE. 1927. 1 reel.

FELIX THE CAT IN ASTRONOMEOWS. 1928. 1 reel.

FELIX THE CAT IN BARN YARNS. 1927. 1 reel.

FELIX THE CAT IN BLUNDERLAND. Educational. 1926. 1 reel.

FELIX THE CAT IN COMICALAMITIES. 1928. 1 reel.

FELIX THE CAT IN DAZE AND KNIGHTS. 1927. 1 reel.

FELIX THE CAT IN DOUGH-NUTTY. 1927. 1 reel.

FELIX THE CAT IN DRAGGIN' TH' DRAGON. 1928. 1 reel.

FELIX THE CAT IN ESKIMOTIVE. 1928. 1 reel.

FELIX THE CAT IN EYE JINKS. 1927. 1 reel.

FELIX THE CAT IN FILM FLAM FILMS. 1927. 1 reel.

FELIX THE CAT IN FUTURITZY. 1928. 1 reel.

FELIX THE CAT IN GERM MANIA. 1927. 1 reel.

FELIX THE CAT IN GYM GEMS. 1926. 1 reel.

FELIX THE CAT IN ICY EYES. 1927. 1 reel.

FELIX THE CAT IN IN AND OUT LAWS. 1928. 1 reel.

FELIX THE CAT IN JACK FROM ALL TRADES. 1927. 1 reel.

FELIX THE CAT IN JAPANICKY. 1928. 1 reel.

FELIX THE CAT IN JUNGLE BUNGLES. 1928. 1 reel.

FELIX THE CAT IN LAND O' FANCY. 1926. 1 reel.

FELIX THE CAT IN NO FUELIN'. 1927. 1 reel.

FELIX THE CAT IN OHM SWEET OHM. 1928. 1 reel.

FELIX THE CAT IN OUTDOOR INDORE. 1928. 1 reel.

FELIX THE CAT IN PEDIGREEDY. 1927. 1 reel.

FELIX THE CAT IN POLLY-TICS. 1928. 1 reel.

FELIX THE CAT IN REVERSE ENGLISH. 1926. 1 reel.

FELIX THE CAT IN SAX APPEAL. 1927. 1 reel.

FELIX THE CAT IN SCHOOL DAZE. 1926. 1 reel.

FELIX THE CAT IN SCRAMBLED YEGGS. 1926. 1 reel.

FELIX THE CAT IN SURE-LOCKED HOMES. 1928. 1 reel.

FELIX THE CAT IN THE COLD RUSH. Educational. 1925. 1 reel.

FELIX THE CAT IN THE LAST LIFE. 1928. 1 reel.

FELIX THE CAT IN THE NON-STOP FRIGHT. 1927. 1 reel.

FELIX THE CAT IN THE OILY BIRD. 1928. 1 reel.

FELIX THE CAT IN THE SMOKE SCREAM. 1928. 1 reel.

FELIX THE CAT IN THE TRAVEL-HOG. 1927. 1 reel.

FELIX THE CAT IN TWO-LIP TIME. 1926. 1 reel.

FELIX THE CAT IN UNCLE TOM'S CRABBIN'. 1927. 1 reel.

FELIX THE CAT IN WHY AND OTHER WHYS. 1927. 1 reel.

FELIX THE CAT IN WISE GUISE. 1927. 1 reel.

FELIX THE CAT IN ZOO LOGIC. 1927. 1 reel.

FELIX THE CAT KEPT ON WALKING. Educational. 1926. 1 reel.

FELIX THE CAT LAUGHS IT OFF. Educational. 1926. 1 reel.

FELIX THE CAT MISSES HIS SWISS. 1926. 1 reel.

FELIX THE CAT MISSES THE CUE. Educational. 1926. 1 reel.

FELIX THE CAT ON THE FARM. Educational. 1925. 1 reel.

FELIX THE CAT ON THE JOB. Educational. 1926. 1 reel.

FELIX THE CAT RINGS THE RINGER. Educational. 1926. 1 reel.

FELIX THE CAT SCOOTS THRU SCOTLAND. Educational. 1926. 1 reel.

FELIX THE CAT SEEKS SOLITUDE. 1926. 1 reel.

FELIX THE CAT SEES 'EM IN SEASON. 1927. 1 reel.

FELIX THE CAT SHATTERS THE SHEIK. 1926. 1 reel.

FELIX THE CAT SPOTS THE SPOOK. Educational. 1926. 1 reel.

FELIX THE CAT—STARS IN STRIPES. 1927. 1 reel.

FELIX THE CAT SWITCHES WITCHES. 1927. 1 reel.

FELIX THE CAT TRIES THE TRADES. Educational. 1926. 1 reel.

Credits: Producer, Pat Sullivan.

FELIX THE CAT TRIFLES WITH TIME. Educational Film Exchanges, Inc. 1925. 1 reel.

FELIX THE CAT TRIPS THRU TOYLAND. Educational. 1925. 1 reel.

FELIX THE CAT TRUMPS THE ACE. 1926. 1 reel.

FELIX THE CAT USES HIS HEAD. Educational. 1926. 1 reel.

FELIX THE CAT WEATHERS THE WEATHER. Educational. 1926. 1 reel.

THE FELLA WITH THE FIDDLE. (Merrie Melodies) 1937. 1 reel, sd., color.

Credits: Supervision, I. Freleng; producer, Leon Schlesinger; animation, Cal Dalton, Ken Harris; musical score, Carl W. Stalling.

FELLOW PRISONERS. SEE Captured.

FELLOW STUDENTS. 1930. 2 reels.

Credits: Director, Sam Newfield; story, T. Page Wright.

FELLOW VOYAGERS. 1913. 1 reel.

Credits: Director, Maurice Costello; picturized by Eugene Mullin.

THE FEMALE. Paramount. 1924. 6,167 ft. From the story "Dalla the Lion-Cub" by Cynthia Stockley.

Credits: Producer, Sam Wood; screenplay, Agnes Christine Johnston.

FEMALE. 1933. 60 min., sd. Suggested by a story by Donald Henderson Clark.

Credits: Director, Michael Curtiz; screenplay, Gene Markey, Kathryn Scola; film editor, Jack Killifer.

FEMALE FUGITIVE. Crescent. 1938. 7 reels, sd.

Credits: Producer, E. B. Derr; director, William Nigh; original story, Bennett R. Cohen; screenplay, John T. Neville, Bennett R. Cohen; film editor, Finn Ulback; music director, Abe Meyer.

THE FEMALE OF THE SPECIES. SEE Bulldog Drummond Comes Back.

FEMININE FITNESS. (A Grantland Rice Sound Sportlight). Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster; producer, Jack Eaton.

FEMININE FORM. Treasure Chest. Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Story and narration, Ed. Thorgersen.

FEMININE FUN. (News World of Sports) 1938. 889 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

THE FEMININE INVASION. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

FEMININE RHYTHM. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

FEMININE TYPES. SEE Jean Barrios [In] Feminine Types.

LA FEMME NUE. SEE The Model from Montmartre.

FERDINAND THE BULL. 1938. 1 reel. Adapted from "The Story of Ferdinand" by Munro Leaf and Robert Lawson.

FERRY-GO-ROUND. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Joseph A. Fields, Johnnie Grey; film editor, John Lockert.

THE FETTERED WOMAN. 1917. 5 reels. Based on the novel "Anne's Bridge" by Robert W. Chambers.

Credits: Director, Thomas Terris.

THE FEUD. 1919. 5 reels.

Credits: Director, E. J. Le Saint; story, and scenario, Charles Kenyon.

THE FEUD. 1925. 2 reels.

Credits: Supervision, George E. Marshall; director, Robert P. Kerr; story, Richard Harding Davis; adaptation, Monty Brice.

THE FEUD. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

Biograph Co. (D. W. Griffith, author); title, descr. & 172 prints, 30Oct12; LU65.

THE FEUD MAKER. 1938. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screenplay, George H. Plympton; film editor, Roy Claire.

A FEUD THERE WAS. (Merrie Melodies) 1938. 1 reel, sd.

Credits: Story, Melvin Millar; animation, Sid Sutherland.

THE FEUDISTS. 1913.

Credits: Director, Mr. North.

A FEW ABSURD MOMENTS. SEE Stanley and Ginger—A Few Absurd Moments.

A FEW MOMENTS WITH GEORGE JESSEL. 1927. 1 reel.

A FEW TESTS OF CHILD INTELLIGENCE. 1930. 1 reel.

Credits: Ina Craig Sartorius.

THE FIBBERS. 1917. 65 min.

Credits: Director, Fred E. Wright; story, James W. Adams; adaptation, H. Tipton Steck.

FIBBING FIBBERS. 1936. 2 reels, sd.

Credits: Director, Preston Black; story, Richard Smith, Darrell Ware; screenplay, Charles Webb.

THE FICKLE BLACKSMITH. Nestor. 1918. 1 reel.

FICKLE FANCY. 1920. 2 reels.

Credits: Director, Erle Kenton.

Credits: Supervision, Mack Sennett; director, Roscoe Arbuckle.

FICKLE FATTY'S FALL. 1915. 2 reels.

Credits: Supervision, Mack Sennett; director, Roscoe Arbuckle.

THE FIDDLER. (Toby the Pup, no. 2) Winkler Film Corp. 1930. 1 reel.

FIDDLESTICKS. (Flip the Frog Cartoon) 1931. 1 reel.

FIDDLIN' AROUND. 1925. 2 reels.

THE FIDDLIN' BUCKAROO. (Baskette) 1933. 7 reels.

Credits: Director, Ken Maynard; original screenplay, continuity and dialogue, Nate Gatzert.

FIDDLIN' FUN. (Cubby Bear) Released by RKO Radio. 1934. 1 reel.

Credits: Director, George Stallings; animation, Steve Muffati.

FIDDLING AROUND. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

FIDDLING AROUND. 1937. 2 reels, sd.

Credits: Director, Charles Lamont; story, Searle Kramer; screenplay, Searle Kramer, Victor Travers.

FIDELITY NEW TO RADIO. 1937. For the Stromberg-Carlson Telephone Mfg. Co. Filmstrip, 66 frames, sd.

FIDELITY NEW TO RADIO. 1937. For the Stromberg-Carlson Telephone Mfg. Co. Filmstrip, 68 frames, sd.

FIDO'S FATE. 1916. 1 reel.

FIELD AND JOHNSTON IN TERRY AND JERRY. 1928. 1 reel, sd.

FIELD MANOEUVRES OF THE SWEDISH ARMY. 1915. 1 reel.

THE FIELD OF HONOR. Butterfly. 1917. 5 reels.

Credits: Director, Allen Holubar; story, Brand Whitlock; scenario, E. J. Clawson.

FIELDS OF HONOR. 1918. 6 reels.

Credits: Director, Ralph Ince; story, Irvin S. Cobb.

FIERY FIREMAN. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Directors, Isadore Freleng, Rudolph Ising.

A FIERY INTRODUCTION. Gold Seal. 1915. 2 reels.

Credits: Producer, Charles Giblyn; story, Julius G. Furthmann; scenario, H. G. Stafford.

LA FIESTA. SEE Anna Case in La Fiesta ...

LA FIESTA DE SANTA BARBARA (M-G-M Musical Revue) 1936.

Credits: Producer, Lewis Lewyn.

FIFI. 1933. 2 reels, sd. Based on "Mlle Modiste" by Victor Herbert.

Credits: Director, Roy Mack; screen adaptation, A. Dorian Otvos, Burnet Hershey.

FIFI. SEE The Divorce Game.

15 MAIDEN LANE. 1936. 5,825 ft., sd.

Credits: Director, Allan Dwan; story, Paul Burger; screenplay, Lou Breslow, David Silverstein, John Patrick; music, Samuel Kaylin.

FIFTEEN WIVES. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay, Charles S. Belden, Frederick Stephani; continuity and dialogue, Charles S. Belden.

THE FIFTH ACE. SEE Red Glove. (Serial)

FIFTH AVENUE. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. For Belasco Productions, Inc. 6 reels.

Credits: Producer, A. H. Sebastian; director, Robert G. Vignola; story, Arthur Stringer; screen version, Anthony Coldewey.

5TH AVENUE GIRL. 1939. 83 min., sd.

Credits: Pandro S. Berman in charge of production; producer and director, Gregory La Cava; screenplay, Allan Scott; editors, William Hamilton, Robert Wise; music, Russell Bennett.

FIFTH AVENUE MODELS. Jewel. 1924. 7 reels. From the novel "The Best in Life" by Muriel Hine.

Credits: Director, Sven Gade; adaptation, Olga Printzlau.

THE FIFTH COMMANDMENT. 1915. 5 reels. Based on the play by Julius Steger.

THE FIFTH HORSEMAN. 1924. 7 reels.

Credits: Story, E. M. McMahon.

THE FIFTH MAN. 1914. 3,000 ft.

Credits: Producer, F. J. Grandon.

THE FIFTH WHEEL. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, George H. Plympton.

FIFTY DOLLAR BILL. 1935. 2 reels, sd.

Credits: Cyrus Wood; director, Roy Mack.

FIFTY FATHOMS DEEP. 1931. 7 reels, sd.

Credits: Director, Roy William Neill; story and screenplay, Dorothy Howell; dialogue, Roy Chanslor; film editor, Gene Havelick.

FIFTY-FIFTY. 1915. 3 reels.

Credits: Joseph Anthony Roach; director, Clement Easton.

Credits: Producer and director, Henri Diamant Berger; story, Alan Dwan.

THE FIFTY-FIFTY GIRL. 1928. 7 reels.

Credits: Director, Clarence Badger; story, John McDermott; screenplay, Ethel Doherty; adaptation, Lloyd Corrigan.

FIFTY MILES FROM BROADWAY. (A Golden Rooster Comedy) 1930. 2 reels, sd.

Credits: Producer, C. B. Maddock; director, Bradley Barker; story, A. Douglas Leavitt; film editor, E. Pfitzenmeier.

FIFTY MILLION DOLLARS CAN'T BE WRONG. 1933. 2 reels, sd.

Credits: Producer, Max Hayes; director, Joseph Santley; story, Fred Allen, Harry Tugend, Max Hayes.

FIFTY MILLION FRENCHMEN. 1931. 9 reels. Based on the play by Herbert Fields, E. Ray Goetz, and Cole Porter.

Credits: Director, Lloyd Bacon; screen adaptation, Joseph Jackson, Eddie Welch; dialogue, Al Boasberg.

FIFTY MILLION FRENCHMEN. SEE Paree, Paree.

FIFTY MILLION HUSBANDS. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Directors, Edgar Kennedy, James W. Horne; story, Robert F. McGowan; dialogue, H. M. Walker; editor, Richard Currier.

FIFTY ROADS TO TOWN. 1937. 7,300 ft., sd. Based on the novel by Louis Frederick Nebel.

Credits: Director, Norman Taurog; screenplay, George Marion, Jr., William Conselman; music, David Buttolph.

52ND STREET. Presented by Walter Wanger. 1937. 9 reels, sd.

Credits: Director, Harold Young; screenplay, Grover Jones; additional dialogue, Sid Silvers; film editors, Otho Lovering, William Reynolds; music director, Alfred Newman.

THE FIFTY THOUSAND DOLLAR JEWEL THEFT. Big U. 1915. 2 reels.

Credits: Written and produced by Murdock MacQuarrie.

$50,000 REWARD. 1925. 5 reels.

Credits: Story, Frank Howard Clark.

THE FIFTY YEAR BARTER. Screen Classics, Inc. 1937. 865 ft., sd., color.

Credits: Director, Leonard Poole; narration, Robert Sherwood; music director, Lee Zabler.

FIFTY YEARS BEHIND. Powers. 1915. 1 reel.

Credits: Producer, Sydney Ayres; scenario, M. De La Parelle.

FIG LEAF AND KISSES. 1920. 1 reel.

FIG LEAVES. 1926. 7 reels, b&w, color.

Credits: Written and directed by Howard Hawks; scenario, Hope Loring, Louis D. Lighton.

FIGARO. SEE Titta Ruffo, Figaro.

THE FIGHT. 1924. 2 reels. Adapted from the "Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, George E. Marshall; scenario, Robert P. Kerr.

THE FIGHT. 1930. 1 reel, sd.

Credits: Directors, Erle C. Kenton. Jess Robbins; story, Gerald Beaumont; adaptation, W. Scott Darling.

THE FIGHT FOR A MINE. (Tales of the Old West) 1923. 2 reels.

A FIGHT FOR FREEDOM; or, EXILED TO SIBERIA. 1914. 4 reels.

Credits: Producer, Herbert Blaché.

THE FIGHT FOR HONOR. Presented by Perfection Pictures. 1924. 5 reels.

Credits: Director, Henry McRae; story, H. W. George.

THE FIGHT FOR LIFE. U. F. A. 1927. 1 reel.

Credits: Editor, Edward Bowes.

A FIGHT FOR LOVE. Bison. 1916. 2 reels.

Credits: Story, W. B. Pearson; scenario and production, J. Jaccard.

A FIGHT FOR LOVE. 1919. 6 reels.

Credits: Director, Jack Ford; story and scenario, E. B. Lewis.

Credits: Director, William Duncan; story, Albert E. Smith, Cyrus Townsend Brady; picturized and adapted by Graham Baker.

FIGHT FOR YOUR LADY. 1937. 67 min., sd.

Credits: Producer, Albert Lewis; director, Ben Stoloff; story, Jean Negulesco, Isabel Leighton; screenplay, Ernest Pagano, Harry Segall, Harold Jusell; editor, George Crone; music director, Frank Tours.

THE FIGHT GAME. (Aesop Fable, 412) 1929. 1 reel.

Credits: Paul Terry.

FIGHT IS RIGHT. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story, Ewart Adamson, Jean Yarbrough; film editor, Edward Mann.

FIGHT IT OUT. 1920. 2 reels.

Credits: Producer, Albert Russell; story, W. C. Tuttle; scenario, Ford Beebe.

THE FIGHT PEST. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Fred L. Guiol; titles, H. M. Walker; editor, Richard Currier.

A FIGHT TO A FINISH. Bison. 1915. 3 reels.

Credits: Producer, J. P. McGowan; scenario, Helen Holmes.

A FIGHT TO THE FINISH. 1925. 5 reels.

Credits: Director, Reaves Eason; story, Dorothy Howell.

A FIGHT TO THE FINISH. 1937. 6 reels, sd.

Credits: Associate producer, Ralph Conn; director, C. C. Coleman, Jr.; story and screenplay, Harold Shumate; film editor, Dick Fantl; music director, Morris Stoloff.

THE FIGHT WITHIN. 1921. 2 reels.

Credits: Director, Edward Kull; story, Harry McArthur, George H. Plympton; scenario, George H. Plympton.

THE FIGHT WITHIN. Mustang. 1925. 2 reels.

Credits: Director, Edward Kull; story, Henry McArthur, George H. Plympton.

THE FIGHTER. 1921. 5 reels. From the book by Albert Payson Terhune.

Credits: Director, Henry Kolker; scenario, R. Cecil Smiths.

THE FIGHTIN' ACTOR. 1921. 2 reels.

Credits: Producer, W. F. Craft; story, W. F. Craft, George W. Plympton; scenario, George W. Plympton.

Credits: Director, Tenny Wright; story, Walter J. Coburn; continuity, Frank L. Inghram.

FIGHTIN' FISH. (An Oddity) 1935. 1 reel, sd., b&w.

Credits: Explanatory remarks, Pete Smith.

FIGHTIN' MAD. William Desmond Productions. 1921. 6 reels.

Credits: Supervision, Robert Brunton; director, Joseph J. Franz; original story and scenario, H. H. Van Loan.

THE FIGHTIN' REDHEAD. 1928. 6 reels.

Credits: Director, Louis King; original story, E. A. Patterson; continuity, Frank Howard Clark.

THE FIGHTIN' TERROR. 1920. 2 reels.

Credits: Director, Ed. Hoot Gibson; story and scenario, Harvey Gates.

THE FIGHTING AMERICAN. Jewel. 1924. 6 reels.

Credits: Director, Tom Forman; story, William E. Oliver.

FIGHTING BACK. 1922. 2 reels.

Credits: Producer, Robert F. Hill; story and scenario, George Morgan.

THE FIGHTING BLADE. First National. 1923. 9 reels. Based on the novel by Beulah Marie Dix.

Credits: Producer, John Robertson; scenario, Josephine Lovett.

FIGHTING BLOOD. 1916. For Fox Film Corp. 5 reels.

Credits: Written and produced by Oscar C. Apfel.

FIGHTING BLOOD. 1921. 2 reels.

Credits: Producer, Lee Kohlmar; story, Fred W. Williams; scenario, George H. Plympton.

FIGHTING BLOOD. [1st ser.] Released by Film Booking Offices of America. 1923. 2 reels each. From the stories by H. C. Witwer.

Credits: Directors, Malcolm St. Clair, Henry Lehrman; adaptation and scenario, Beatrice Van; editor, Harold Young.

FIGHTING BLOOD. 2d ser. Presented by R-C Pictures. 1923. 2 reels each. From the stories by H. C. Witwer.

Credits: Directors, Malcolm St. Clair, Henry Lehrman; adaptation and scenario, Beatrice Van; editor, Harold Young.

FIGHTING BOB. 1915. 5 reels.

THE FIGHTING BOOB. Released by F. B. O. 1926. 5 reels.

Credits: Story and direction, William Lester; continuity, Jack Nelson, James Ormont.

THE FIGHTING BROTHERS. 1919. 2 reels.

Credits: Director, Jack Ford; story, George C. Hall; scenario, George Hively.

THE FIGHTING BUCKAROO. 1926. 5 reels, tinted.

Credits: Director, R. William Neill; story, Frank Howard Clark; scenario, Charles Darnton.

FIGHTING CARAVANS. 1931. 1 reel, sd. Based on the novel by Zane Grey.

Credits: Directors, Otto Brower, David Burton; screenplay, Edward E. Paramore, Jr., Keene Thompson, Agnes Brand Leahy; film editor, William Shea.

FIGHTING CARAVANS. SEE Wagon Wheels.

THE FIGHTING CHAMP. 1933. 6 reels, sd.

Credits: Producer, Trem Carr; director, John P. McCarthy; story, Wellyn Totman.

THE FIGHTING CHANCE. Paramount Artcraft. Presented by Jesse L. Lasky. 1920. 6 reels. From the story by Robert W. Chambers.

Credits: Director, Charles Maigne; scenario, Will M. Ritchey.

THE FIGHTING CODE. 1933. 7 reels, sd.

Credits: Screenplay and direction, Lambert Hillyer; film editor, Clarence Kolster.

A FIGHTING COLLEEN. 1919. 5 reels.

Credits: Director, David Smith; story, Gerald C. Duffy; scenario, Sam Taylor, Gerald Duffy.

FIGHTING COURAGE. 1925. 5 reels.

Credits: Director, Clifford S. Elfelt; story, Frank Howard Clark.

THE FIGHTING COWARD. Presented by Adolph Zukor and Jesse L. Lasky. 1924. From the play "Magnolia" by Booth Tarkington.

Credits: Producer and director, James Cruze; scenario, Walter Woods.

FIGHTING COWARD. Presented by Sam Katzman. 1936. 6 reels, sd. From the novel "The Last Assignment" by Peter B. Kyne.

Credits: Producer, Sam Katzman; director, Dan Milner; screenplay, Al Martin; film editor, Jack Milner.

Credits: Director, Robert Thornby.

FIGHTING DEATH. 1914. 4 reels.

Credits: Producer, Herbert Blache.

THE FIGHTING DEMON. Released by F. B. O. 1925. 6 reels.

Credits: Producer, Richard Talmadge; director, Arthur Rosson; story, Charles Metz; adaptation, James Bell Smith.

FIGHTING DESTINY. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Stanley Shaw; scenario, Edward J. Montagne.

FIGHTING DESTINY. (Western Featurette) 1928. 2 reels.

Credits: Director, Walter Fabin; story, Meta Sterne; continuity, Basil Dickey.

THE FIGHTING DEVIL DOGS. 1938. 2 reels each, except no. 1 which is 3 reels.

Credits: Associate producer, Robert Beche; directors, William Witney, John English; original screenplay, Barry Shipman, Franklyn Adreon, Ronald Davidson, Sol Shor; music director, Alberto Colombo; film editors, Helene Turner, Edward Todd.

1. The Lightning Strikes.

2. The Mill of Disaster.

3. The Silenced Witness.

4. Cargo of Mystery.

5. Undersea Bandits.

6. The Torpedo of Doom.

7. The Phantom Killer.

8. Tides of Trickery.

9. Attack from the Skies.

10. In the Camp of the Enemy.

11. The Baited Trap.

12. Killer at Bay.

THE FIGHTING DOCTOR. Presented by Peter Kanellos. 1926. 5 reels.

Credits: Producer, Frank Merrill; director, Robert N. Bradbury; story and scenario, Grover Jones.

THE FIGHTING DUDE. (Lupino Lane Comedies) 1925. 2 reels.

Credits: Written and directed by William Goodrich.

THE FIGHTING EAGLE. De Mille Pictures Corp. 1927. 9 reels. From "The Exploits of Brigadier Gerard" by Sir Arthur Conan Doyle.

Credits: Producer and director, Donald Crisp; supervision, C. Gardner Sullivan; screenplay, adaptation and continuity, Douglas Doty; film editor, Barbara Hunt.

THE FIGHTING EDGE. 1926. 7 reels. From the novel by William McLeod Raine.

Credits: Director, Henry Lehrman; adaptation, E. A. Lowe, Jr., Jack Wagner.

FIGHTING FANNY. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Robert Kerr; story, Frank Roland Conklin.

Credits: Director, William Duncan; story, Albert E. Smith, Arthur P. Hankins; scenario, C. Graham Baker, William B. Courtney.

FIGHTING FATHERS. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, Fred L. Guiol; story and production, Hal Roach; editor, Richard Currier.

FIGHTING FINS. (Sport-Eye-View, no. 2) 1932. 1 reel.

Credits: Director, Jack Eaton.

FIGHTING FISTS. 1923. 2 reels.

THE FIGHTING FOOL. (A Fistical Culture Comedy) 1926. 2 reels.

Credits: Story, William H. Cook.

THE FIGHTING FOOL. 1932. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and dialogue, Frank Howard Clark; film editor, Otto Meyer.

FIGHTING FOR GOLD. 1919. 5 reels. From the story "The Highgrader" by William MacLeod Raine.

Credits: Director, E. J. Le Saint; scenario, Charles Kenyon.

Credits: Story, J. Anthony Roach.

FIGHTING FOR JUSTICE. 1932. 6 reels, sd.

Credits: Director, Otto Brower; assistant director, Wilbur McGaugh; story, Gladwell Richardson; screenplay, Robert Quigley; film editor, Otto Meyer.

FIGHTING FOR LOVE. Red Feather. 1916. 5 reels.

Credits: Written and directed by Raymond Wells; scenario, Fred Myton.

FIGHTING FOR THE FATHERLAND. 1929. 6 reels.

FIGHTING FOR THE FATHERLAND. WAFilms. Presented by Walter A. Futter. 1930. 6 reels.

Credits: Titles, W. W. Young; compiled by German General Staff.

THE FIGHTING FORESTER. 1928. 2 reels.

Credits: Director, Josef Levigard; story, George W. Pyper.

THE FIGHTING FURY. 1921. 2 reels.

Credits: Director, Ed (Hoot) Gibson; story, Arthur Henry Gooden; scenario, George Morgan.

FIGHTING FURY. 1924. 5 reels. From the story "Triple Cross for Danger" by W. J. Coburn.

THE FIGHTING GENTLEMAN. 1932. 7 reels.

Credits: Director, Fred Newmeyer; story, Edward Sinclair; continuity and dialogue, F. McGrew Willis.

THE FIGHTING GRIN. 1918. 5 reels.

Credits: Director, Joseph DeGrasse; story, R. E. Bradbury, F. H. Clark; scenario, Charles Kenyon.

THE FIGHTING GRINGO. Red Feather. 1917. 5 reels.

Credits: Director, Fred A. Kelsey; story, Henry Wallace Phillips; scenario, Maud Grange.

THE FIGHTING GRINGO. 1939. 59 min., sd.

Credits: Producer, Bert Gilroy; director, David Howard; story and screenplay, Oliver Drake; editor, Frederic Knudtson; music director, Roy Webb.

THE FIGHTING GUIDE. 1922. 5 reels.

Credits: Director, William Duncan; story, Bradley J. Smollen.

THE FIGHTING HEART. 1919. 2 reels.

Credits: Director, Reaves Eason; story, William Pigott; scenario, Anthony Coldeway.

THE FIGHTING HEART. 1925. 7 reels, tinted.

Credits: Director, John Ford; story, Larry Evans; scenario, Lillie Hayward.

Credits: Director, Ralph Ceder; story, Sam Hellman; scenario, Paul Gangelin, Doris Anderson.

THE FIGHTING HOMBRE. Released by F. B. O. 1927. 5 reels. From the story "Cherokee Rose" by Estrella Warde.

Credits: Supervision, Jesse J. Goldburg; director, Jack Nelson; scenario, Evanne Blasdale, Madeline Matzen.

FIGHTING INFANTILE PARALYSIS. Powers. 1916. 1/2 reel.

FIGHTING JIM GRANT. 1923. 5 reels.

Credits: Written and directed by W. Adcook.

FIGHTING JOE. Bison. 1916. 2 reels.

Credits: William Parker, William V. Mong; director, William V. Mong.

THE FIGHTING JUDGE. (Your True Adventures) 1938. 1 reel, sd.

Credits: Director, Joseph Henabery; screenplay, Cyrus D. Wood.

THE FIGHTING KID. 1928. 2 reels.

Credits: Director, Josef Levigard; story, Ruth Todd; continuity, George Morgan.

THE FIGHTING LADY. 1934. 6 reels, sd. From the play by Robert Ober.

Credits: Director, Carlos Borcosque; adaptation, John Francis Natteford.

THE FIGHTING LEGION. 1930. 8 reels.

Credits: Director, Harry J. Brown; story, Bennett Cohen.

Credits: Written and produced by E. A. Martin.

THE FIGHTING LINE. 1919. 2 reels.

Credits: Director, Reaves Eason; story, Karl Coolidge; scenario, Jack Jevne.

FIGHTING LOVE. De Mille Pictures Corp. 1927. 7 reels. From the novel "If the Gods Laugh" by Rosita Forbes.

Credits: Director, Nils Olaf Chrisander; screenplay, Beulah Marie Dix.

THE FIGHTING LOVER. 1921. 5 reels.

Credits: Producer, Fred Leroy Granville; story, Ben Ames Williams; scenario, Harvey Gates.

FIGHTING MAD. Butterfly. 1917. 5 reels.

Credits: Director, Edward J. Le Saint; story, Fred Myton, J. Grubb Alexander.

FIGHTING MAD. Universal Special. 1919. 2 reels. From the story "A Little Privacy" by Samuel Hopkins Adams.

Credits: Frank Leon Smith; director, Spencer G. Bennet.

THE FIGHTING MARINES. Presented by Nat Levine. 1935. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Supervision, Barney Sarecky; directors, B. Reeves Eason, Joseph Kane; story, Wallace MacDonald, Maurice Geraghty, Ray Trampe; screenplay, Barney Sarecky, Sherman Lowe; film editor, Dick Fantl.

1. Human Targets.

2. Isle of Missing Men.

3. The Savage Horde.

4. The Mark of the Tiger Shark.

5. The Gauntlet of Grief.

6. Robbers' Roost.

7. Jungle Terrors.

8. Siege of Halfway Island.

9. Death from the Sky.

10. Wheels of Destruction.

11. Behind the Mask.

12. Two Against the Horde.

FIGHTING MARLIN. (Grantland Rice Sportlight) 1936. 1 reel, sd.

Credits: Producer, Jack Eaton; narrator, Ted Husing.

THE FIGHTING MARSHAL. 1931. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and dialogue, Frank Howard Clark; film editor, Otto Meyer.

FIGHTING ODDS. 1917. 5 reels.

Credits: Roy Cooper Megrue, Irvin S. Cobb.

FIGHTING ORPHANS. (Outdoor Sketches) Presented by E. W. Hammons. 1928. 1 reel.

Credits: Robert C. Bruce.

FIGHTING PALS. 1920. 2 reels.

Credits: Director, Edward Feeney; story, George C. Hull; scenario, R. A. Sanborn.

THE FIGHTING PARSON. (Hal Roach Comedy) 1930. 2 reels, sd., b&w.

Credits: Directors, Charles Rogers, Fred L. Guiol; story editor, H. M. Walker; film editor, Richard Currier.

THE FIGHTING PARSON. 1933. 8 reels, sd.

Credits: Director, Harry Fraser; story, Edward Weston.

THE FIGHTING PEACEMAKER. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Clifford S. Smith; story, W. C. Tuttle; continuity, Albert Neitz and Harrison Jacobs.

THE FIGHTING PEDAGOGUE. SEE Below the Rio Grande.

FIGHTING PILOT. 1935. 6 reels, sd.

Credits: Director, Noel Mason; story and continuity, Ralph Cusumano.

THE FIGHTING PRESIDENT. 1933. 6 reels, sd. Based on incidents in the life of Franklin Delano Roosevelt.

Credits: Written and narrated by Edwin C. Hill; prepared for the screen by Allyn Butterfield.

Credits: Director, Jay Marchant; story, F. J. McConnell, George W. Pyper.

THE FIGHTING RANGER. 1934. 6 reels.

Credits: Director, George B. Seitz; story, Warren Battle; screenplay, Harry O. Hoyt; film editor, Leon Barsha.

FIGHTING RELATIVES. 1928. 1 reel.

Credits: Hal E. Roach.

THE FIGHTING ROOKIE. 1934. 7 reels, sd.

Credits: Producer, Lester F. Scott, Jr.; director, Spencer Gordon Bennet; story, Horner King Gordon; continuity and dialogue, George Morgan; editor, Fred Bain.

THE FIGHTING SAP. 1924. 5 reels.

Credits: Producer, Harry J. Brown; director, Albert Rogell; story, Marion Jackson.

FIGHTING SCHOOLMARM. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein.

FIGHTING SHADOWS. 1935. 6 reels, sd.

Credits: Director, David Selman; story and screenplay, Ford Beebe; film editor, Gene Milford.

FIGHTING SHEPHERDESS. 1920. 6 reels. From the book by Caroline Lockhart.

Credits: Director, Edward Jose; scenario, Frank T. Dazy.

THE FIGHTING SHERIFF. 1919. 2 reels.

Credits: Director, Edward Kull; story, F. E. Schlager; scenario, Anthony W. Coldeway.

THE FIGHTING SHERIFF. 1924. 5 reels.

Credits: Director, J. P. McGowan; story, George W. Pyper.

THE FIGHTING SHERIFF. 1931. 6 reels, sd.

Credits: Producer, Harry Cohn; director, Louis King; story and dialogue, Stuart Anthony.

Credits: Director, Francis Ford.

Credits: Direction, story and screen adaptation, Neal Hart.

THE FIGHTING STRAIN. Mustang. 1926. 2 reels.

Credits: Director, Lew Collins; story, Martha Budrow.

Credits: Producer, William N. Selig; director, Webster Cullison.

THE FIGHTING STREAK. 1922. 5 reels.

Credits: Story, George Owen Baxter [pseud. of Frederick Faust]; scenario and direction, Arthur Rosson.

THE FIGHTING TAILOR. 1925. 2 reels.

Credits: Supervision, George E. Marshall; director, Ben Stoloff; story, Murray Roth, Sidney Lanfield.

THE FIGHTING TENDERFOOT. 1928. 2 reels.

Credits: Director, Walter Fabian; story, Florence Mack; continuity, Basil Dickey.

THE FIGHTING TERROR. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein; continuity, Carl Krusada.

THE FIGHTING TEXAN. Mustang. 1927. 2 reels.

Credits: Director, Josef Levigard; story, and continuity, George W. Pyper.

FIGHTING TEXANS. 1933. 6 reels.

Credits: Producer, Paul Malvern; director, Armand Schaefer; story and adaptation, Wellyn Totman.

FIGHTING THE FLAMES. 1925. 6 reels.

Credits: Director, Reeves Eason; story and continuity, Douglas Z. Doty; editor, Viola Lawrence.

FIGHTING THE HOOKWORM. 1915. Split reel.

FIGHTING THOROUGHBREDS. 1939. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney Salkow; original story, Clarence E. Marks, Robert Wyler; screenplay, Wellyn Totman; additional dialogue, Franklyn Coen; film editor, Ernie Nims; music director, Cy Feuer.

THE FIGHTING THREE. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Albert Rogell; story and scenario, William Lester.

FIGHTING THRU; or, CALIFORNIA IN 1878. 1931. 7 reels, sd.

Credits: Director, William Nigh; story, John Francis Natteford.

Credits: J. Stuart Blackton, Cyrus Townsend Brady; director, William Duncan.

THE FIGHTING TROOPER. 1934. 6 reels, sd. Based on the story "Footprints" by James Oliver Curwood.

Credits: Producer, Maurice Conn; director, Ray Taylor; screenplay, Forrest Sheldon; film editor, Ted Bellinger.

FIGHTING WITH BUFFALO BILL. 1926. 2 reels each. From the stories "The Great West That Was" by William F. Cody. © Universal Pictures Corp.

Credits: Director, Ray Taylor.

FIGHTING WITH KIT CARSON. Mascot Master. Presented by Nat Levine. 1933. 2 reels each, except no. 1 which is three reels, sd.

Credits: Directors, Armand Schaefer, Colbert Clark; story, J. F. Natteford, Barney Sarecky, Colbert Clark, Wyndham Gittens; film editor, Earl Turner.

1. The Mystery Riders.

2. The White Chief.

3. Hidden Gold.

4. The Silent Doom.

5. Murder Will Out.

6. The Secret of Iron Mountain.

7. The Law of the Lawless.

8. Red Phantoms.

9. The Invisible Enemy.

10. Midnight Magic.

11. Unmasked.

12. The Trail to Glory.

FIGHTING YOUTH. 1925. 5 reels.

Credits: Director, Reaves Eason; story, Paul Archer; adaptation, Dorothy Howell.

FIGHTING YOUTH. 1935. 9 reels, sd. Based on an original idea by Stanley Meyer.

Credits: Director, Hamilton McFadden; original idea, Stanley Meyer; screenplay, Henry Johnson, Florabel Muir, Hamilton MacFadden; film editor, Bernard Burton.

THE FIGUREHEAD. 1920. 5 reels.

Credits: Director, Robert Ellis; story, John Lynch; scenario, R. Cecil Smith.

FIGURES DO LIE. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Story and direction by Natalie Warfield.

FIGURES DON'T LIE. 1927. 5,280 ft.

Credits: Director, Edward Sutherland; story, B. F. Zeidman; screenplay, Ethel Doherty, Louise Long; adaptation, Grover Jones.

FIJI AND SAMOA, THE CANNIBAL ISLES. (A FitzPatrick-M. G. M. Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick; photographer, John Bradford.

FILE NO. 113. 1915. 2 reels. From the story by Emile Gaboriau.

FILE #113. SEE Thou Shalt Not Steal.

LA FILLE SAUVAGE. SEE The Savage Woman.

FILLING HIS OWN SHOES. 1917. 65 min. From the novelette by Henry C. Rowland.

Credits: Direction and arrangement, Harry Beaumont.

THE FILM FAN. (Looney Tunes) 1939. 1 reel, sd.

Credits: Animation, Norman McCabe, Vive Risto.

THE FILM FOLLIES. 1935. 2 reels, sd.

Credits: Director, Roy Mack; continuity, A. Dorian Otvos, George J. Bennett.

THE FILM SPOILERS. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Parrott.

FILMING FEMININE HEADLINERS. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

FILMING MODERN YOUTH. (Adventures of the Newsreel Cameraman) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

FILMING NATURE'S WONDERS. (Adventures of the Newsreel Cameraman) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

FILMING THE BIG THRILLS. (Adventures of the Newsreel Cameraman) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

FILMING THE FANTASTIC. (Adventures of the Newsreel Cameraman) 1936. 1 reel, sd.

Credits: Editor, Lew Lehr.

FILMING THE GREAT. (Adventures of the Newsreel Cameraman) 1934. 1 reel.

LA FIN DU MONDE (THE END OF THE WORLD). Presented by Les Etablissements Jacques Haïk, Paris. 1931. 8 reels, sd. Suggested by the book by Camille Flammarion.

Credits: Director, Abel Gance; musical adaptation, M. Levine, R. Siohan, W. Zederbaum.

THE FINAL CLOSE-UP. 1919. 5 reels.

Credits: Director, Walter Edwards; story, Royal Brown; scenario, Julia Crawford Ivers.

THE FINAL COUNT. SEE Arrest Bulldog Drummond!

THE FINAL CURTAIN. Kleine-Edison Features. 1916. 5 reels.

THE FINAL EDITION. 1932. 7 reels.

Credits: Director, Howard Higgin; story, Roy Chanslor; adaptation and dialogue, Dorothy Howell; film editor, Jack Dennis.

THE FINAL EXTRA. Gotham. Presented by Sam Sax. 1927. 6 reels.

Credits: Director, James P. Hogan; story and continuity, Herbert Colbert Clark; film editor, Edith Wakeling.

THE FINAL FRAUD. 1916. 48 min.

Credits: Charles J. McGuirk; director, J. Charles Haydon.

THE FINAL HOUR. 1936. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, John Rawlins.

THE FINAL JUDGMENT. 1915. 5 reels. A picturization of the play by George Scarborough.

THE FINAL PAYMENT. 1916. 2 reels.

Credits: Director, Leon D. Kent.

THE FINAL PAYMENT. 1917. For Fox Film Corp. 5 reels.

Credits: Written and directed by Frank Powell.

THE FINAL PROBLEM. SEE Sherlock Holmes' Fatal Hour.

Credits: Director, Ray Taylor.

FINANCIAL JITTERS. 1934. 2 reels.

Credits: Director, James W. Horne; story, W. P. Hackney, James W. Horne.

FINANCIALLY EMBARRASSED. 1924. 1 reel.

Credits: Director, William H. Watson.

FIND THE KING. 1927. 2 reels.

Credits: Director, J. A. Howe; story, T. J. Grizer, N. T. Barrows, James Davis.

FIND THE WITNESS. 1937. 6 reels, sd.

Credits: Associate producer, Ralph Cohn; director, David Selman; story, Richard Sale; screenplay, Grace Neville, Fred Niblo, Jr.; film editor, William Lyon.

FIND THE WOMAN. 1918. 5 reels. Adapted from the story "Cherchez la Femme" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Tom Terriss; adaptation, Stanley Olmsted.

FIND THE WOMAN. 1922. 6 reels. From the story by Arthur Somers Roche.

Credits: Director, Tom Terris; scenario, Doty Hobart.

FIND THE WOMAN, WITH HUGH O'CONNELL. 1930. 1 reel.

FIND WHAT'S WRONG. (A Paramount Paragraphic) Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Produced and directed by Leslie Roush; continuity, Justin Herman; narrator, Earl Gilbert; film editor, Shirley Stone.

FIND YOUR MAN. 1924. 7 reels.

Credits: Director, Mal St. Clair; story and adaptation, Darryl Francis Zanuck.

FINDERS KEEPERS. Universal Jewel. 1928. 6 reels.

Credits: Director, Wesley Ruggles; story, Mary Roberts Rinehart.

FINDERS KEEPERS. 1929. 2 reels, sd.

Credits: George Kelly; director, Bryan Foy.

FINDING HIS VOICE. 1929. 1 reel, sd.

Credits: Director, F. Lyle Goldman, Max Fleischer; story, W. E. Erpi.

FINE CLOTHES. First National. 1925. 8 reels. From the play "Fashions for Men" by Franz Molnar.

Credits: Producer and director, John M. Stahl; adaptation, Benjamin Glazer; edited by Margaret Booth, Robert Kern.

Credits: Written and produced by Maurice Elvey.

FINE FEATHERS. 1915. 5 reels.

FINE FEATHERS. 1921. 6 reels. Adapted from the stage play by Eugene Walter.

Credits: Production and supervision, Maxwell Karger; director, Fred Sittenham; scenario, Lois Zellner; adaptation, Eugene Walter.

FINE FEATHERS. (An Oddity) 1933. 794 ft., sd., color.

Credits: Director, Jules White; explanatory remarks, Pete Smith.

FINE FEATHERS MAKE FINE BIRDS. 1914. 1 reel.

Credits: Director, William Humphreys.

FINE MANNERS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels.

Credits: Director, Richard Rosson; story, James Ashmore Creelman, Frank Vreeland; adaptation, James Ashmore Creelman.

FINE POINTS. (How To Break 90, no. 6) Presented by Warner Bros. Pictures and the Vitaphone Corp. 1933. 1 reel.

Credits: Director, George E. Marshall; story, Andrew Bennison.

THE FINER METAL. Rex. 1916. 2 reels. Adapted from the play of Edward E. Kidder.

Credits: Producer, Raymond L. Schrock; adaptation, Harry Dittmar.

Credits: Producer, John L. Hawkinson.

FINER POINTS. (Sportlight) 1936. 1 reel.

Credits: Narration, Ted Husing.

THE FINEST GOLD. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; story, L. V. Jefferson; scenario, Ben Cohn.

FINGAL'S CAVE (Musical Moods) Released by First Division Pictures, Inc. 1934. 1 reel, sd. Based on the overture by Felix Mendelssohn-Bartholdy.

Credits: Director of orchestra, Hans Lange; visual accompaniment, Robert C. Breece.

FINGER MAN. SEE Lady Killer.

THE FINGER POINTS. 1931. 9 reels.

Credits: John Monk Saunders, W. R. Burnett; producer, John Francis Dillon; adaptation, Robert Lord; dialogue, John Monk Saunders.

FINGER PRINTS. 1920. 2 reels.

Credits: Director, Edward Sowders; story, Gwendolen Logan; scenario, Phillip Hubbard.

FINGER PRINTS. 1926. 7 reels. From the story by Arthur Somers Roche.

Credits: Director, Lloyd Bacon; scenario, Graham Baker, Edward Clark.

FINGER PRINTS. 1930-31. 2 reels each.

Credits: Director, Ray Taylor; story, Arthur B. Reeve; story and continuity, George Morgan, George H. Plympton, Basil Dickey.

FINGERS AND POCKETS. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

FINGER-TIPS TO BEAUTY. Presented by Dorothy Gray. 1930. Filmstrip, 78 frames.

THE FINISH. Black Cat. 1917. 29 min.

Credits: H. Tipton Steck; director, L. C. Windom.

FINISHING SCHOOL. (Stern Brothers Comedy) 1929. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Gus Meins.

FINISHING SCHOOL. 1934. 8 reels, sd.

Credits: Associate producer, Kenneth MacGowan; directors, Wanda Tuchock, George Nicholls, Jr.; story, David Hempstead; screenplay, Wanda Tuchock, Laird Doyle; music director, Max Steiner; editor, Arthur P. Schmidt.

THE FINISHING TOUCH. Imp. 1916. 1 reel.

Credits: Harvey Gates; producer, George Cochrane.

THE FINISHING TOUCH. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Clyde Bruckman; titles, H. M. Walker; editor, Richard Currier.

THE FINISHING TOUCH. (Warren Doane Comedy) 1932. 2 reels.

Credits: Director, George Stevens; story, Fred Guiol, George Stevens.

FINLAND. (Eastman Classroom Films) 1935. 1 reel.

Credits: Director, William L. Finley.

FINN AND CADDIE. 1931. 1 reel, sd.

Credits: Written and directed by Aubrey Scotto; staged by Max E. Hayes.

FINN AND HADDIE. 1915. 1,000 ft.

Credits: Producer, Percy Winter.

FINN AND HATTIE. 1931. 6,841 ft. Based on "Mr. and Mrs. Haddock Abroad" by Donald Ogden Stewart.

Credits: Directors, Norman Taurog, Norman McLeod; screenplay, Joseph L. Mankiewicz; adaptation, Sam Mintz.

Credits: Producer, John L. Hawkinson.

THE FIRE ALARM. 1936. 1 reel.

Credits: Animation, Bob McKimson, Ben Clopton.

FIRE AND HEAT. (General Science) 1937. Filmstrip.

Credits: Arranged and produced by Gerrit C. Zwart; from drawings by Helen S. Zwart.

THE FIRE AT SEA. SEE The Great Ocean Disaster.

FIRE AWAY. (Mermaid Comedies) 1925. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

THE FIRE BARRIER. Mustang. 1926. 2 reels.

Credits: Director, William Wyler; story, C. D. Lenington; scenario, William Lester.

THE FIRE BRIDE. 1922. 5 reels.

Credits: Producers, W. F. Adler, S. M. Unander; director, Arthur Rosson; story, W. F. Adler.

THE FIRE BRIGADE. 1927. 10 reels.

Credits: Director, William Nigh; story, Kate Corbaley; film editor, Harry L. Decker.

FIRE BUGS. Century. 1921. 2 reels.

Credits: Written and directed by Fred C. Fishback.

FIRE BUGS. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer.

THE FIRE CAT. 1921. 5 reels.

Credits: Written and produced by Norman Dawn.

THE FIRE CHIEF'S BRIDE. 1914. 1 reel.

Credits: Directors, Spencer Gordon Bennet, Thomas L. Storey; story, Frank Leon Smith; adaptation, George Arthur Gray.

THE FIRE EATER. 1921. 5 reels.

THE FIRE ESCAPE. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

A FIRE-ESCAPE FINISH. Nestor. 1917. 1 reel.

Credits: Director, Harry Edwards; story, Fred Palmer.

THE FIRE FIGHTERS. 1926-27. 2 reels each. © Universal Pictures Corp. Based on the story "Cap Fallon, Firefighter" by John A. Moroso.

Credits: Director, Jacques Jaccard.

THE FIRE FIGHTERS. (Mickey Mouse Cartoon, no. 4) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

FIRE! FIRE! Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

FIRE! FIRE! (A Flip the Frog Cartoon) 1932. 1 reel.

THE FIRE FLIES. 1925. 2 reels.

Credits: Director, Mark Goldaine; story, King Benedict, Bud Ross.

THE FIRE FLINGERS. 1919. 6 reels.

Credits: Director, Rupert Julian; story, William J. Neidig; scenario, Waldemar Young.

FIRE MAKING. 1930. 928 ft., 16 mm.

FIRE OVER ENGLAND. Released through United Artists. 1937. 10 reels, sd. Based on the novel by A. E. W. Mason.

Credits: Producer, Erich Pommer; director, William K. Howard; screenplay, Clemence Dane, Sergei Nolbandov; music director, Muir Mathieson; music, Richard Addinsell.

THE FIRE PATROL. 1924. 7 reels. From the Barber and Harkins stage success.

Credits: Garrett Elsden Forte; director, Hunt Stromberg.

THE FIRE PLUG. (Scrappy) 1937. 555 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

FIRE PREVENTION. (Ford Educational Library, Civics and Citizenship, v. 3) Ford Motion Picture Laboratories. 1921. 1 reel.

FIRE PREVENTION. 1930. 1 reel.

FIRE PROOF. (Lupino Lane Talking Comedies) 1929. 18 min., sd.

Credits; Director, Charles Lamont.

FIRE PROTECTION. 1929. 1 reel.

FIRE SAFETY. 1930. 1 reel, 16 mm.

FIRE THE DESTROYER. 1927. Filmstrip, 100 frames.

THE FIRE TRAP. 1936. 7 reels.

Credits: Producer, Larry Darmour; director, Burt Lynwood; screenplay, Charles Francis Royal; film editor, Earl Turner; music director, Lee Zahler.

THE FIREBIRD. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, William Dieterle.

THE FIREBRAND. 1918. 5 reels.

Credits: Director, Edmund Lawrence; story, E. Lloyd Sheldon; scenario, Adrian Johnson.

FIREBRAND TREVISON. 1920. 5 reels, b&w, tinted sequences. Based on the novel by Charles Alden Seltzer.

Credits: Director, Thomas Heffron; scenario, Denison Clift.

THE FIREFLY. A Robert Z. Leonard Production. 1937. 15 reels, sd., sepia. Based on the book and lyrics by Otto A. Harbach.

Credits: Producer, Hunt Stromberg; director, Robert Z. Leonard; screenplay, Frances Goodrich, Albert Hackett; adaptation, Ogden Nash; film editor, Robert J. Kern; music director, Herbert Stothart; music, Rudolf Friml.

THE FIREFLY OF FRANCE. Paramount. 1918. 5 reels. From the story by Marion Polk Angellotti.

Credits: Director, Donald Crisp; scenario, Margaret Turnbull.

A FIREHOUSE HONEYMOON. 1932. 2 reels, sd.

Credits: Director, George Marshall; story, Hugh Cummings, Harry Sweet; film editor, Daniel Mandell; music, Albert Hay Malotee.

THE FIREMAN. 1916. 2 reels.

Credits: Producer, Charles Chaplin.

THE FIREMAN. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Walter Lantz, William Nolan.

FIREMAN, SAVE MY CHILD. 1927. 6 reels.

Credits: Producer and director, Edward Sutherland; story, Monte Brice, Tom J. Geraghty.

FIREMAN, SAVE MY CHILD. First National and Vitaphone. 1932. 8 reels.

Credits: Director, Lloyd Bacon; story and adaptation, Ray Enright, Robert Lord, Arthur Caesar.

FIREMAN, SAVE MY CHILD. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1935. 544 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE FIREMAN'S BRIDE. Victor. 1917. 1 reel.

THE FIREMAN'S BRIDE. (Paul Terry Toons) 1931. 5-1/2 min.

Credits: Frank Moser, Paul Terry.

FIREMAN'S DAY OFF. Presented by E. W. Hammons. 1935. 930 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Charlie Williams, Marcy Klauber.

A FIREMEN'S PICNIC. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Ray Abrams, Ed Benedict, Bill Mason.

FIRES OF CONSCIENCE. 1916. For Fox Film Corp. 6 reels.

Credits: Director, Oscar C. Apfel.

FIRES OF REBELLION. Bluebird. 1917. 5 reels.

Credits: Written and directed by Ida May Park.

FIRES OF YOUTH. 1918. 5 reels.

Credits: Story, scenario and direction, Rupert Julian.

A FIRESIDE BREWER. 1920. 2 reels.

Credits: Director, Noel Smith.

A FIRESIDE REALIZATION. Rex. 1915. 1 reel.

Credits: Lytton Seale; producer, Ben Wilson.

THE FIREWALKER. SEE Girl of the Port.

THE FIRING LINE. Paramount-Artcraft Special. Presented by Adolph Zukor. 1919. 6 reels. Based on the novel by Robert W. Chambers.

Credits: Director, Charles Maigne; scenario, Clara Beranger.

FIRING THE BUTLER; or, THE BUTLER'S FIRE. 1916. 2 reels.

THE FIRM OF GIRDLESTONE. 1916. 5 reels. Based on the novel by Sir Arthur Conan Doyle.

Credits: Producer, Harold Shaw.

FIRST A GIRL. 1935. 8 reels, sd.

Credits: Director, Victor Saville; scenario, Marjorie Gaffney; editor, A. Barnes; music director, Louis Levy.

FIRST A GIRL. 1935. 8 reels, sd.

Credits: Director, Victor Saville; scenario, Marjorie Gaffney; editor, A. Barnes; music director, Louis Levy.

FIRST AID. 1931. 6 reels.

Credits: Director, Stuart Paton; story, continuity and dialogue, Michael L. Simmons.

FIRST AID, CARE OF MINOR WOUNDS. 1932. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 275 ft.

FIRST AID, CARRYING THE INJURED. 1932. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 286 ft.

FIRST AID, CONTROL OF BLEEDING. 1932. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 717 ft.

FIRST AID, LIFE SAVING AND RESUSCITATION. 1932. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 991 ft.

FIRST AID TO THE INJURED; by the Police Force of Berkeley, California. 1913. 1 reel.

THE FIRST AND THE LAST. SEE The Stranger.

THE FIRST AUTO. 1927. 7 reels.

Credits: Director, Roy Del Ruth; story, Darryl Francis Zanuck; scenario, Anthony Coldewey.

THE FIRST BABY. 1936. 7,060 ft., sd.

Credits: Director, Lewis Seiler; original story and screenplay, Lamar Trotti; music director, Samuel Kaylin.

THE FIRST BORN. 1921. 6 reels. From the play by Francis Powers.

Credits: Director, Colin Campbell.

THE FIRST CHRISTMAS. 1913. 1 reel.

A FIRST CLASS COOK. 1914. 1 reel.

THE FIRST DEGREE. 1923. 5 reels.

Credits: Director, Edward Sedgwick; story, George Pattullo; scenario, George Randolph Chester.

THE FIRST ENDORSEMENT. 1914. 1 reel.

Credits: Director, Harry Lambart.

FIRST FAMILIES OF AMERICA. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

THE FIRST FIVE MINUTES. (Educational Film Service, v. 12) 1930. 1 reel.

THE FIRST HUNDRED YEARS. 1938. 8 reels, sd., b&w.

Credits: Production and original story, Norman Krasna; director, Richard Thorpe; screenplay, Melville Baker; film editor, Conrad A. Nervig.

FIRST IN WAR. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Warren Doane; dialogue, H. M. Walker; editor, Richard Currier.

THE FIRST KISS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 6 reels. From the story "Four Brothers" by Tristram Tupper.

Credits: Producer and director, Rowland V. Lee; adaptation and screenplay, John Farrow.

FIRST LADY. 1937. 8 reels, sd. From the play by George S. Kaufman and Katharine Dayton.

Credits: Director, Stanley Logan; screenplay, Rowland Leigh.

THE FIRST LAW. 1914. 1 reel.

Credits: Producer, Astra; director, Lawrence McGill; scenario, Roy Sommerville.

FIRST LOVE. 1921. 5 reels. Based on "The Heart of Youth" by Sonya Levien.

Credits: Director, Maurice Campbell; screen adaptation, Percy Heath, Aubrey Stauffer.

FIRST LOVE. 1939. 9 reels, sd.

Credits: Producer, Joe Pasternak; director, Henry Koster; screenplay, Bruce Manning, Lionel Houser; film editor, Bernard Burton.

THE FIRST MAN TO THE MOON [and] LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

THE FIRST NIGHT. 1927. 6 reels.

Credits: Director, Richard Thorpe; story, Fredrica Sagor; continuity, Esther Shulkin; film editor, James C. McKay.

FIRST OFFENDERS, 1939. 7 reels, sd.

Credits: Director, Frank McDonald; story, J. Edward Slavin; screenplay, Walter Wise; film editor, James Sweeney; music director, M. W. Stoloff.

THE FIRST PIANO IN CAMP. 1915. 1 reel.

FIRST PRIZE. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

THE FIRST REBEL. SEE Allegheny Uprising.

THE FIRST ROUND-UP. (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Ray Snyder.

THE FIRST SETTLER'S STORY. 1912. 1 reel. From "Farm Festivals" by Will Carleton.

THE FIRST SEVEN YEARS. (Hal Roach Comedy) (Our Gang Comedies) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Production, direction and story, Robert F. McGowan; film editor, Richard Currier.

THE FIRST SNOW. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1935. 1 reel.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

FIRST TO FIGHT. (Slim Summerville Comedy) 1931. 4 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

THE FIRST WOMAN. 1922. 5 reels.

Credits: Story and direction, Glenn Lyons.

THE FIRST WORLD WAR. Presented by Fox Film Corp. in association with Simon & Schuster. 1934. 8 reels, sd.

Credits: Producer, Truman Talley; compilation, Bonney Powell, Louis de Rochemont, Russell Sheilds, Lew Lehr; commentary, Lawrence Stallings; narrator, Pedro de Cordoba; music, John Rochetti.

THE FIRST WORLD WAR. SEE La Primer Guerra Mundial.

THE FIRST YEAR. 1926. 6 reels, light amber, tinted sequences. From the play by Frank Craven.

Credits: Director, Frank Borzage; scenario, Francis Marion.

THE FIRST YEAR. 1932. 7,280 ft., sd. Adapted from the John Golden production of the play by Frank Craven.

Credits: Director, William K. Howard; screenplay, Lynn Starling; editor, Jack Murray.

FISH. 1916. 1 reel.

FISH AND FEATHERS. (Grantland Rice Sportlight) Presented by the Van Beuren Corp. 1929. 1 reel.

Credits: Jack Eaton.

FISH DAY. (Aesop Fable, 416) 1929. 1 reel.

Credits: Paul Terry.

FISH FEATHERS. 1932. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings; film editor, John Lockert.

FISH, FOWL, AND FUN. (Grantland Rice Sportlight) 1930. 1 reel.

Credits: Editor, Jack Eaton.

FISH HOOKY. Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Robert McGowan; editor, Richard Currier.

FISH STORIES. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons of Rube Goldberg.

A FISH STORY. SEE Lampoons.

FISH TALES. (Looney Tune Cartoon, no. 8) 1936. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Don Williams, Bob McKimson; music, Bernard Brown.

THE FISHER GIRL. SEE A Daughter of the Sea.

THE FISHERMAN. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz and William Nolan.

FISHERMAN KATE. 1914. 1 reel.

Credits: Director, Harry Lambart.

FISHERMAN'S LUCK. (A Cruelywed Comedy, no. 2) 1921. 2 reels.

FISHERMAN'S LUCK. (An Aesop Sound Fable) 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

FISHERMAN'S LUCK. Treasure Chest. Presented by E. W. Hammons. 1936. 817 ft., sd.

Credits: Narration, Ed Thorgersen.

FISHERMAN'S PARADISE. 1930. 1 reel, sd.

FISHERMAN'S PARADISE. (Sportscope, no. 1) 1938. 9 min., sd.

Credits: Frank R. Donovan; supervision, Frederic Ullman, Jr.

FISHERMAN'S PLUCK. (Paramount Paragraphic) 1939. 1 reel, sd.

Credits: Justin Herman; producer, Romer Grey; director, Edwin G. Bowen; narrator, Ted Husing.

FISHERMAN'S WHARF. Presented by RKO Radio Pictures, Inc. 1939. 72 min., sd.

Credits: Producer, Sol Lesser; director, Bernard Vorhaus; screenplay, Bernard Schubert, Ian Hunter, H. Clyde Lewis; film editor, Arthur Hilton; music supervision, Abe Meyer; music director, Victor Young.

FISHIN' AROUND. (Mickey Mouse, no. 17) 1931. 1 reel.

Credits: Producer, John L. Hawkinson.

FISHING. (Out of the Inkwell) 1921. 1 reel.

Credits: Director, Dave Fleischer; drawn by Max Fleischer.

FISHING AROUND. SEE Anderson and Graves in Fishing Around. 1929.

THE FISHING FOOL. 1928. 1 reel.

THE FISHING FOOL. Winkler. 1929. 1 reel.

Credits: Animation, R. C. Hamilton.

FISHING FOR TROUBLE. 1934. 2 reels.

Credits: Director, Sam White; story and screenplay, Arthur Ripley, Jack Cluett.

FISHING IN THE FIORDS. 1938. 10 min., sd.

Credits: Dialogue, Áke Wadsten; narration, John Martin.

FISHING RIVER LAMPREYS. Powers. 1916. 1/2 reel.

FISHING SNOOKUMS. (The Newlyweds and Their Baby Series) (Stern Brothers Comedy) Junior Jewel. 1926. 2 reels.

Credits: Director, Gus Meins.

FISHING THRILLS. 1937. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Dan Seymour.

A FISHING TRIP THROUGH UNCLE SAM'S WONDERLAND. 1917. Split reel.

A FISHY STORY. Century. 1920. 2 reels.

Credits: Director, Fred C. Fishback.

FISHY TALES. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

FISTIC FUN. (News World of Sports) 1938. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

FISTICUFFS. (Lupino Lane Comedies) 1928. 2 reels.

Credits: Director, Henry W. George.

FISTICUFFS. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, David Miller; screenplay, Benny Rubin.

FISTS AND FODDER. 1920. 2 reels.

Credits: Director, Jess Robbins.

FIT FOR BURNING. 1916. 3 reels.

FIT TO BE TIED. 1930. 1 reel, sd.

Credits: Director, Ray Cozine; dialogue direction, Max E. Hayes.

FIT TO WIN. 1919. 6 reels.

FIT TO WIN. (News World of Sports) 1937. 876 ft., sd.

Credits: Narration, Jack Kofoed; described by Ford Bond.

FITS AND BENEFITS. Mentone. 1938. 1,791 ft., sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald.

FITS AND CHILLS. 1915. 1 reel.

Credits: Director, C. Jay Williams.

FITS IN A FIDDLE. 1933. 2 reels, sd.

Credits: Director, Sam White; story, Albert Julian; screenplay, Ben Holmes; film editor, John Lockert.

FITTING CHARIS STEP BY STEP. 1931. Filmstrip, 58 frames.

A FITTING GIFT [and] LAMPOONS. (Goldwyn-Bray Comic) 1930. 1 reel.

FIVE AND DIME. (Oswald Cartoon) Snappy. 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

FIVE AND TEN. 1931. 10 reels, sd., b&w. From the book by Fannie Hurst.

Credits: Producers, Robert Z. Leonard, Marion Davies; adaptation, A. P. Younger; dialogue continuity, Edith Fitzgerald; film editor, Margaret Booth.

FIVE AND TEN CENT ANNIE. 1928. 6 reels.

Credits: Director, Roy Del Ruth; story, Leon Zurade; screenplay, Charles R. Condon.

FIVE CAME BACK. 1939. 75 min., sd.

Credits: Producer, Robert Sisk; director, John Farrow; story, Richard Carroll; screenplay, Jerry Cady, Dalton Trumbo, Nathanael West; editor, Harry Marker; music score, Roy Webb.

FIVE DAYS TO LIVE. 1922. 6 reels.

Credits: Director, Norman Dawn; story, Dorothy Goodfellow; adaptation, Eve Unsell, Garrett Elsden Fort.

THE FIVE DOLLAR BABY. 1922. 6 reels. Suggested by the story by Irvin S. Cobb.

Credits: Producer and director, Harry Beaumont; scenario, Rex Taylor.

THE FIVE DOLLAR BILL. Black Cat. 1917. 29 min.

Credits: H. Tipton Steck; director, L. C. Windom.

THE FIVE DOLLAR PLATE. 1920. 3 reels. From the official records of William J. Flynn.

Credits: Wilson Mizner; director, Carl Harbaugh.

THE FIVE FIFTEEN. 1923. 2 reels.

Credits: Director, Slim Summerville.

A FIVE FOOT RULER. Victor. 1917. 2 reels.

Credits: Director, Carter De Haven; story, Bess Meredyth; scenario, Maie Havey.

THE FIVE FRANC PIECE. 1916. 2 reels.

Credits: Myles D. Savelle; director, F. J. Grandon.

A FIVE HUNDRED DOLLAR KISS. 1914. 2 reels.

Credits: Producer, Oscar Eagle.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

FIVE LITTLE PEPPERS AND HOW THEY GREW. 1939. 6 reels, sd. Based upon the novel by Margaret Sidney [pseud. of Harriet Mulford Stone Lothrop].

Credits: Director, Charles Barton; story, J. Robert Bren, Gladys Atwater; screenplay Nathalie Bucknall, Jefferson Parker; film editor, James Sweeney.

FIVE LITTLE WIDOWS. Nestor. 1917. 2 reels.

Credits: Written and directed by Al Christie.

THE FIVE LOCUST SISTERS [in] SONGS: GET OUT AND GET UNDER THE MOON AND MY PET. (Movietone Act) 1928. 1 reel, sd.

Credits: Director, John Freese; story, Hal Christensen.

FIVE OF A KIND. 1938. 7,693 ft., sd.

Credits: Director, Herbert I. Leeds; original screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

FIVE PUPLETS. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 527 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

FIVE STAR FINAL. 1931. 9 reels, sd. Based on the play by Louis Weitzenkorn.

Credits: Director, Mervyn LeRoy; screenplay, Byron Morgan; adaptation, Robert Lord.

FIVE THOUSAND AN HOUR. 1918. 5 reels. From the novel by George Randolph Chester.

Credits: Supervision, Maxwell Karger; director, Ralph W. Ince; scenario, June Mathis.

THE $5,000 DREAM. Special Victor. 1916. 1 reel.

Credits: Written and directed by Beverly Griffith.

A FIVE THOUSAND DOLLAR ELOPEMENT. 1916. 1 reel.

Credits: Producer, Tom Mix.

$5,000 REWARD. 1918. 5 reels. From the story by Charles Wesley Sanders.

Credits: Director, Douglas Gerrard; adaptation, F. McGrew Willis.

$5,000 REWARD. 1928. 5 reels.

Credits: Director, Eugene Forde; story and scenario, John Stone.

FIVE TIMES FIVE. 1939. 19 min., sd.

Credits: Producer, Frederic Ullman, Jr.; director, Frank Donovan; editor, Jay Bonafield; narrator, Alexander Woollcott.

FIX IT FOR ME. (Star Comedy) 1920. 1 reel.

Credits: Director, Harry Edwards; story and scenario, Ben Cohen.

FIXED BY GEORGE. Lyons-Moran. 1920. 5 reels.

Credits: Story, Edgar Franklin [pseud. of Edgar Franklin Stearns]; adaptation, C. B. Hoadley.

THE FIXER. 1915. 1 reel.

THE FIXER. 1915. 5 reels. Based on the farce "Hello Bill" by Willis M. Goodhue.

THE FIXER. (Big Boy Juvenile Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

FIXER DUGAN. 1939. 68 min., sd. From the play "What's a Fixer for?" by H. C. Potter.

Credits: Producer, Cliff Reid; director. Lew Landers; screenplay, Bert Granet, Paul Yawitz; editor, Henry Berman; music director, Roy Webb.

THE FIXER UPPERS. (Hal Roach Comedy) (Laurel-Hardy Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

FIXING A STEW. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; story and direction, Al Boasberg; film editor, Edward Mann.

FIXING 'EM FASTER. 1936. Filmstrip, sd.

FIXING THEIR DADS. 1914. 1 reel.

Credits: Director, George D. Baker.

THE FLAG. 1927. 2 reels, color. A story inspired by the traditions of Betsy Ross.

Credits: Supervision, Samuel Bischoff; written and directed by Arthur Maude; continuity, L. V. Jefferson.

THE FLAG. 1927. 2 reels, color. A story inspired by the traditions of Betsy Ross.

Credits: Supervision, Samuel Bischoff; written and directed by Arthur Maude; continuity, L. V. Jefferson.

THE FLAG OF FORTUNE. Powers. 1915. 2 reels.

Credits: Olga Printzlau Clark; producer, Murdock MacQuarrie.

THE FLAG OF MOTHERS. 1918. 5 reels.

Credits: Charles A. Logue; director, Charles Miller.

Credits: Producer, Fred W. Huntley.

THE FLAME. 1921. 5 reels.

Credits: Olive Wadsley; director, J. Martin Thornton; scenario, Percival Strong.

THE FLAME. SEE Montmartre.

THE FLAME OF LIFE. Universal Jewel. 1923. 7 reels.

Credits: Director, Hobart Henley; story, Frances Hodgson Burnett; scenario, Elliott J. Clawson.

THE FLAME OF LOVE. 1930. 8 reels, sd.

Credits: Producer, Richard Eichberg; scenario and dialogue, Monckton Hoffe; music director, John Reynders; music, H. May.

FLAME OF MEXICO. 1932. 7 reels.

Credits: Director, David Kirkland; story, Juliet Barrett Rublee.

FLAME OF THE ARGENTINE. Released by F. B. O. 1926. 5 reels.

Credits: Director, Edward Dillon; story, Burke Jenkins, Krag Johnson; continuity, Ewart Adamson.

FLAME OF THE DESERT. 1919. 5 reels.

Credits: Director, Reginald Barker; story, Charles Logue.

THE FLAME OF THE WEST. 1918. 2 reels.

THE FLAME OF THE YUKON. 1917. 5 reels.

THE FLAME OF THE YUKON. Released by Producers Distributing Corp. 1926. 6 reels.

Credits: Director, George Melford; story, Monte Katterjohn; scenario, Will M. Ritchey; adaptation, Finis Fox.

THE FLAME OF YOUTH. Butterfly. 1917. 5 reels.

Credits: Director, Elmer Clifton; story, Willis Woods; scenario, Karl Coolidge.

FLAME OF YOUTH. 1920. 5 reels.

Credits: Director, Howard M. Mitchell.

THE FLAME SONG. 1934. 2 reels, sd. Based on "The Song of the Flame" by Otto Harback, Oscar Hammerstein II, George Gershwin, and Herbert Stothart.

Credits: Director, Joseph Henabery; adaptation, Cyrus Wood.

THE FLAME WITHIN. 1935. 8 reels, sd.

Credits: Written and directed by Edmund Goulding; film editor, Blanche Sewell; music, Jerome Kern.

Credits: Producer and director, Lewis H. Moomaw; story and scenario, Alfred A. Cohn.

FLAMES OF DESIRE. 1924. 6 reels, b&w, tinted sequences. Adapted from "Strathmore" by Ouida [pseud. of Louise De La Ramée].

Credits: Director, Denison Clift; scenario, Denison Clift, Reginald G. Fogwell.

FLAMES OF JOHANNIS. 1916. 5 reels. Adapted from "Johannisfeuer" by Herman Sudermann.

Credits: Adaptation, Alfred Hickman.

FLAMES OF THE FLESH. 1920. 5 reels.

Credits: Director, E. J. Le Saint; story, Forrest Halsey, Clara Beranger; scenario, Dorothy Yost.

FLAMES OF TREACHERY. Imp. 1917. 1 reel.

Credits: Constance Crawley, Arthur Maude; director, Donald MacDonald.

A FLAMING AFFAIR. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Lex Neal; story, Sidney Lanfield.

FLAMING BARRIERS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels.

Credits: Producer and director, George Melford; story, Byron Morgan; adaptation, Harvey Thew.

THE FLAMING CLUE. 1920. 5 reels.

Credits: Director, Edwin L. Hollywood; story, Frederic Van Rensselaer Dey; scenario, William B. Courtney.

Credits: Director, Robert F. Hill; story, Arthur Henry Gooden; scenario, Jerry Ash, Arthur Henry Gooden.

THE FLAMING FOREST. Cosmopolitan. 1926. 7 reels. From the story by James Oliver Curwood.

Credits: Director, Reginald Barker; scenario, Waldemar Young; titles, Lotta Woods; film editor, Ben Lewis.

THE FLAMING FORTIES. Presented by Hunt Stromberg. Released by Producers Distributing Corp. 1924. 6 reels. Based on "Tennessee's Pardner" by Bret Harte.

Credits: Supervision, Hunt Stromberg; director, Tom Forman; screen story, Elliott J. Clawson; continuity, Harvey Gates; film editor, Robert De Lacy.

THE FLAMING FRONTIER. Universal-Jewel. 1926. 9 reels. From the novel by Edward Sedgwick.

Credits: Scenario, Edward J. Montagne, Charles Kenyon; adaptation, Raymond L. Schrock.

FLAMING FRONTIERS. 1938. 2 reels each. Suggested by the story "The Tie That Binds" by Peter B. Kyne. © Universal Pictures Co., Inc.

Credits: Directors, Ray Taylor, Alan James; original story and screenplay, Wyndham Glittens, George Plympton, Basil Dickey, Paul Perez.

FLAMING FURY. Released by F. B. O. 1926. 5 reels.

Credits: Director, James Hogan; story and continuity, Ewart Adamson.

FLAMING GOLD. 1933. 6 reels, sd.

Credits: Associate producer, Sam Jaffe; director, Ralph Ince; story, Houston Branch; screenplay, Malcolm Stuart Boylan, John Goodrich.

FLAMING GUNS. 1932. 6 reels.

Credits: Director, Arthur Rosson; story, Peter B. Kyne; screenplay, Jack Cunningham.

FLAMING HEARTS. 1913. 1 reel.

Credits: Director, George D. Baker.

THE FLAMING HOUR. 1922. 5 reels.

Credits: Director, Edward Sedgwick; story, Lillian Chester; scenario, George Randolph Chester.

FLAMING ICE. (A Life Cartoon Comedy) 1926. 1 reel.

THE FLAMING OMEN. 1917. 5 reels.

Credits: Director, William Wolbert; story, Andre De Segurola, Marie De Sarlabous; adaptation, Will Courtney, Graham Baker.

FLAMING ROMANCE. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

FLAMING SNOW. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

THE FLAMING SWORD. 1915. 5 reels.

FLAMING WATERS. Associated Arts Corp. F. B. O. Gold Bond. 1925. 7 reels.

Credits: Director, F. Harmon Weight; story, E. Lloyd Sheldon; continuity, Fred Myton.

THE FLAMING WEST. Mustang. 1926. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, William Lester.

FLAMING YOUTH. 1923. 9 reels. From the novel by Warner Fabian [pseud.]

Credits: Director, John Francis Dillon; scenario, Harry O. Hoyt.

THE FLAPPER. 1920. 6 reels.

Credits: Director, Alan Crosland; story, Frances Marion.

THE FLAPPER. SEE What Fools Men Are.

FLAPPER FEVER. 1924. 2 reels.

Credits: Director, Ward Hayes.

THE FLAPPER WIFE. SEE His Jazz Bride.

FLAPPER WIVES. 1924. 7 reels.

Credits: Directors, Jane Murfin, Justin McCloskey; story, Jane Murfin.

FLAPPERS AND FRISKIES. 1918. 1 reel.

Credits: Director, J. A. Howe; story, Montgomery, Rock.

FLAPPERS AND FRISKIES. 1920. 1 reel.

Credits: Montgomery, Rock; director, J. A. Howe.

FLARE-UP SAL. 1918. 5 reels.

Credits: Director, R. William Neill; story, J. G. Hawks.

Credits: Director, Frederick Stephani; screenplay, Frederick Stephani, George Plympton, Basil Dickey, Ella O'Neill.

FLASH GORDON. SEE

Flash Gordon's Trip to Mars.

Mars Attacks the World.

FLASH GORDON'S TRIP TO MARS. 1938. 2 reels each. Based on the newspaper feature "Flash Gordon" by Alex Raymond. © Universal Pictures Co., Inc.

Credits: Directors, Ford Beebe, Robert Hill; original story and screenplay, Wyndham Gittens, Norman S. Hall, Ray Trampe, Herbert Dalmas.

Credits: Picturized and produced by Albert Capellani.

THE FLASH OF DEATH. Special Big U. 1916. 1 reel.

THE FLASH OF FATE. 1918. 5 reels.

Credits: Producer, Herbert Rawlinson; director, Elmer Clifton; story, James W. Atchison; scenario, Waldemar Young, W. B. Pearson.

FLASHING FANGS. Released by F. B. O. 1926. 5 reels.

Credits: Director, Henry McCarty; story and continuity, Ewart Adamson.

FLASHING SPURS. Released by F. B. O. 1924. 5 reels.

Credits: Producer, Jesse Goldburgh; director, Reeves Eason; story and continuity, William Lester.

THE FLASHLIGHT. 1915. 2 reels.

Credits: Director, Lloyd B. Carleton.

THE FLASHLIGHT. 1917. 5 reels. Suggested by the story by Albert M. Treynor.

Credits: Scenario and direction, Ida May Park.

FLAT FOOT STOOGES. 1938. 2 reels, sd.

Credits: Director, Charley Chase.

FLAT HARMONY. Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

FLATHEADS AND FLIVVERS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

FLATHEADS AND FLIVVERS. 1919. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

THE FLATTERING WORD. 1929. 2 reels, sd.

Credits: George Kelly; director, Bryan Foy.

THE FLEA MOBILE. 1927. 1 reel.

FLEET HOOFS. (News World of Sports) 1937. 918 ft., sd.

Credits: Narration, Jack Kofoed: described by Dan Seymour.

THE FLEET'S IN. 1928. 6,918 ft.

Credits: Producer and director, Malcolm St. Clair; story, Monte Brice, J. Walter Ruben.

FLEETWING. 1928. 6 reels, tinted.

Credits: Director, Lambert Hillyer; story and scenario, Elizabeth Pickett.

FLEMISH FOLK. (Magic Carpet of Movietone) 1934. 1 reel, sd.

FLESH. 1932. 10 reels.

Credits: Producer, John Ford; story, Edmund Goulding; adaptation, Leonard Praskins, Edgar Allen Woolf; dialogue, Moss Hart.

FLESH AND THE DEVIL. 1927. 9 reels. From the novel "The Undying Past" by Hermann Sudermann.

Credits: Producer and director, Clarence Brown; screenplay, Benjamin F. Glazer; film editor, Lloyd Nosler.

FLESHY DEVILS. 1927. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

THE FLEUR-DE-LIS RING. 1914. 1 reel.

FLICKER FEVER. Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Director, Mack Sennett; story, Walter Weems, Hugh Cummings; adaptation, Mack Sennett, Al Tyler, Olive Hatch.

FLIES. (Out of the Inkwell) 1923. 1 reel.

Credits: Director, Dave Fleischer; drawn by Max Fleischer.

FLIGHT. 1929. 12 reels, sd.

Credits: Producer, Harry Cohn; direction and dialogue, Frank R. Capra; story, Ralph Graves; film editors, Ben Pivar, Maurice Wright, Gene Milford.

FLIGHT AT MIDNIGHT. 1939. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney Salkow; original story, Daniel Moore, Hugh King; screenplay, Eliot Gibbons; supervising editor, Murray Seldeen; film editor, William Morgan; music director, Cy Feuer.

THE FLIGHT COMMANDER. SEE The Dawn Patrol.

FLIGHT FROM GLORY. 1937. 7 reels, sd.

Credits: Producer, Robert Sisk; director, Lew Landers; story, Robert D. Andrews; screenplay, David Silverstein, John Twist; editor, Harry Marker.

FLIGHT INTO NOWHERE. 1938. 7 reels, sd.

Credits: Director, Lewis D. Collins; story, William Bloom, Clarence Jay Schneider; screenplay, Jefferson Parker, Gordon Rigby; film editor, Dwight Caldwell.

THE FLIGHT OF A NIGHT BIRD. Gold Seal. 1915. 2 reels.

Credits: Producer, Charles Giblyn; scenario, H. G. Stafford.

THE FLIGHT OF THE SOUTHERN CROSS; or, THE FOUR HUMAN EAGLES. 1929. 4 reels, sd.

THE FLIGHT THAT FAILED. 1928. 1 reel.

Credits: Paul Terry and Hugh Shields.

FLIGHT TO FAME. 1938. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Michael L. Simmons; film editor, James Sweeney.

FLIGHT TO THE HILLS. SEE The Runaway.

FLIGHT TO THE SUN. SEE From Life to Death.

FLIM FLAM FILMS. SEE Felix the Cat in Flim Flam Films.

THE FLIP OF A COIN. 1919. 2 reels.

Credits: Director, Jack Dillon; scenario, George Hively.

FLIPPEN'S FROLICS. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

FLIPS AND FLOPS. 1919. 2 reels.

Credits: Director, Gilbert Pratt.

FLIP'S LUNCH ROOM. (A Flip the Frog Cartoon) 1933. 1 reel.

THE FLIRT. 1913.

Credits: Director, William Humphrey.

THE FLIRT. 1914. 1 reel.

Credits: Gilbert White; director, Charles Ransom.

THE FLIRT. 1916. 5 reels. From the novel by Booth Tarkington.

Credits: Producer, Phillips Smalley; adaptation, Lois Weber.

THE FLIRT. Rolma Films, Inc. 1916. 1 reel.

Credits: George E. Hall; director, William Quirk.

THE FLIRT. Universal Jewel. Presented by Carl Laemmle. 1922. 8 reels. Based on the novel by Booth Tarkington.

Credits: Director, Hobart Henley; adaptation, A. P. Younger.

FLIRTATION WALK. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 10 reels, sd.

Credits: Producer and director, Frank Borzage.

FLIRTING A LA CARTE. 1916. 1 reel.

FLIRTING IN THE PARK. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, George Stevens, Fred Guiol; film editor, George Crone.

THE FLIRTING WIDOW. First National Vitaphone. 1930. 74 min., sd. Based on the story "Green Stockings" by A. E. W. Mason.

Credits: Producer and director, William A. Seiter.

FLIRTING WITH DANGER. 1934. 8 reels, sd.

Credits: Producer, Trem Carr; supervision and original story, George Bertholon; director, Vin Moore; screenplay, Albert DeMond; additional dialogue, Norman S. Hall; editor, Carl Pierson.

FLIRTING WITH DEATH. 1917. 5 reels.

Credits: Director, Elmer Clifton; story, Frank Dazey; scenario, Waldemar Young.

FLIRTING WITH FATE. Presented by David L. Leon. 1938. 8 reels, sd.

Credits: Associate producer, Edward Gross; director, Frank McDonald; story, Dan Jarrett, A. Dorian Otvos; screenplay, Joseph Moncure March, Ethel La Blanche, Charlie Melson, Harry Clork; film editor, Robert O. Crandall; music director, Victor Young; music, Walter G. Samuels.

FLIRTING WITH LOVE. 1924. 7 reels. Adapted from the novel "Counterfeit" by Leroy Scott.

Credits: Director, John Francis Dillon; scenario, Joseph Poland.

Credits: Written and directed by Charles Parrott.

FLIRTS AND FAKIRS. 1918. 1 reel.

Credits: Director, J. A. Howe; story, Earl Montgomery, Joe Rock.

THE FLIRTY SLEEPWALKER. (Educational's Comedies) 1932. 19 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, John Grey.

A FLIVVER VACATION. Century. 1925. 2 reels.

Credits: Written and directed by Noel Smith.

FLIVVERING. 1917. 1 reel.

Credits: Victor Moore; producer, Harry Jackson.

FLIVVER'S ART OF MYSTERY. Nestor. 1915. 1 reel.

FLIVVER'S DILEMMA. Nestor. 1916. 1 reel.

Credits: Weston Feature Film Co.

FLIVVERS FAMOUS CHEESE-HOUND. Nestor. 1916. 1 reel.

FLIVVER'S GOOD TURN. Nestor. 1916. 1 reel.

FLIVVERS IN THE DANCE OF THE SHIVVERS. Nestor. 1916. 3/4 reel.

FLIVVER'S TERRIBLE PAST. Nestor. 1915. 1 reel.

FLIVVERS THE SMOKE EATER. Nestor. 1916. 2 reels.

FLO LEWIS IN GIVE US A LIFT. 1928. 1 reel, sd.

THE FLOATING COLLEGE. 1928. 6 reels.

Credits: Director, George Crone; story and continuity, Stuart Anthony; editor, Desmond O'Brien.

FLOATING FUN. (A Grantland Rice Sportlight) Van Beuren Corp. 1931. 1 reel.

THE FLONZALEY QUARTET, THE WORLD'S FOREMOST STRING ENSEMBLE PLAY CANZONETTE BY MENDELSSOHN [and] IRISH REEL BY POCHON. 1927. 1 reel, sd.

THE FLONZALEY QUARTET, THE WORLD'S FOREMOST STRING ENSEMBLE PLAY NOCTURNE BY BORODIN [and] MOZART'S MINUET. 1927. 1 reel, sd.

THE FLOOD. 1931. 7 reels, sd.

Credits: Director, James Tinling; original story, adaptation and dialogue, John Thomas Neville; film editor, Gene Milford.

FLOOD TIDE. 1913. 1 reel.

Credits: Goring Cholsey.

FLOODGATES. 1924. 7 reels.

Credits: Director, George Irving; story and scenario, L. Case Russell.

THE FLOOR BELOW. 1918. 6 reels.

Credits: Director, Clarence G. Badger; story, Elaine Sterne.

FLOOR SHOW. 1937. 1 reel.

THE FLOORWALKER. 1916. 2 reels.

Credits: Producer, Charles Chaplin.

FLOP HOUSE. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

THE FLOPPING UPLIFTER. Special Victor. 1917. 1 reel.

Credits: C. J. Wilson, Jr.; director, P. C. Hartigan.

FLORAL JAPAN. (A FitzPatrick Traveltalk) 1937. 769 ft., sd., color.

Credits: Compiled by James A. FitzPatrick; photographed by Wilfrid M. Cline; music score composed by Mme. Griever and conducted by Rosario Bourdon.

FLORENCE BRADY IN CHARACTER STUDIES. 1928. 1 reel, sd.

FLORENCE BRADY IN CYCLE OF SONGS. 1928. 1 reel, sd.

FLORENCE MOORE, ASSISTED BY LIEUT. GITZ-RICE, IN HER ORIGINAL MONOLOGUE WITH SONGS. 1928. 1 reel, sd.

THE FLORENTINE CHOIR OF FLORENCE. 1928. 1 reel.

Credits: Director, Sandro Benelli.

THE FLORENTINE CHOIR OF FLORENCE. 1928. 1 reel.

Credits: Director, Sandro Benelli.

THE FLORENTINE DAGGER. Presented by Warner Bros. Pictures, Inc., and the Vitaphone Corp. 1935. 7 reels, sd. Based on the novel by Ben Hecht.

Credits: Director, Robert Florey; screenplay, Tom Reed; additional dialogue, Brown Holmes.

A FLORIDA ALLIGATOR FARM. 1924. 1 reel.

FLORIDA COWBOY. (World on Parade, no. 11) 1937. 1 reel.

Credits: Text, Harold McCracken; narration, Alois Havrilla.

A FLORIDA ENCHANTMENT. Broadway Star. 1914. 5 reels.

Credits: Director, Sidney Drew; picturized by Marguerite Bertsch.

FLORIDA IN MID-WINTER. SEE Florida Historic Scenes.

FLORIDA SPECIAL. Presented by Adolph Zukor. 1936. 7 reels, sd. Based on the story "Recreation Car" by Clarence Budington Kelland.

Credits: Producer, Albert Lewis; director, Ralph Murphy; screenplay, David Boehm, Marguerite Roberts, Laura and S. J. Perelman.

Credits: Director, T. Beauregard Wilmeth; narrative, Clayton Herrington.

THE FLORODORA GIRL. A Marion Davies Production. 1930. 9 reels, sd., b&w.

Credits: Director, Harry Beaumont; story and dialogue, Gene Markey; additional dialogue, Ralph Spence, Al Boasberg, Robert Hopkins; film editor, Carl L. Pierson; music, Herbert Stothart.

FLORRIE LEVERE WITH LOU HANDMAN [Offers] PERSONALITIES. 1927. 1 reel.

Credits: Director, Bryan Foy; music director, Bert Fiske.

FLOSSIE'S DARING LOYALTY. 1914. Split reel.

FLOWER GARDEN. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color.

Credits: Director, Marty Brooks; music, Louis Alter, Howard Johnson, Marty Brooks, Fred Fisher, Annie Gilberte, Hallet Gilbert; orchestra arrangement and direction, Arthur Lange.

THE FLOWER GIRL. Century. 1924. 2 reels.

THE FLOWER GIRL. 1936. 1 reel, sd.

THE FLOWER OF DOOM. Red Feather. 1917. 5 reels.

Credits: Written and directed by Rex Ingram.

THE FLOWER OF FAITH. 1914. 2 reels.

Credits: Director, F. J. Grandon.

THE FLOWER OF FAITH. Superb Pictures Corp. 1916. 5 reels.

Credits: Charles T. and Frank Dazey; director, Burton L. King.

FLOWER OF NIGHT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels.

Credits: Director, Paul Bern; story, Joseph Hergesheimer; screenplay, Willis Goldbeck.

THE FLOWER OF NO MAN'S LAND. 1916. Produced for the Metro Program. 5 reels.

Credits: Written and produced by John H. Collins.

FLOWER OF THE DUSK. 1918. 5 reels. From the novel by Myrtle Reed.

Credits: Supervision, Maxwell Karger; adaptation and direction, John H. Collins.

THE FLOWER OF THE HILLS. 1915. 1 reel.

Credits: Director, William Humphrey.

FLOWER OF THE NORTH. 1921. 7 reels. From the story by James Oliver Curwood.

Credits: Director, David Smith; scenario, Bradley J. Smollen.

THE FLOWER OF THE ORIENT. 1918. Split reel.

FLOWERS AND TREES. (Silly Symphony, no. U. A. 3) 1932. 1 reel.

FLOWERS AT WORK. 1931. 1 reel, sd.

Credits: Narration, Clyde Fisher.

FLOWERS FOR MADAME. (Merrie Melodies) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; animation, Paul Smith, Don Williams; music, Norman Spencer.

FLOWERS FROM THE SKY. 1937. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Willi Weil.

FLOWING GOLD. First National. 1924. 8 reels. From the novel by Rex Beach.

Credits: Director, Joseph De Grasse.

FLOWING GOLD. 1924. 8 reels. From the novel by Rex Beach.

Credits: Director, Joseph De Grasse.

DIE FLUCHT INS WEISSE LAND. SEE Eskimo.

THE FLY. 1913. 1 reel.

FLY-AWAY BABY. 1937. 6 reels, sd.

Credits: Director, Frank McDonald; story, Dorothy Kilgallen; screenplay, Don Ryan, Kenneth Gamet.

THE FLY COP. 1920. 2 reels.

Credits: Story and direction, Lawrence Semon, Mort Peebles, Norman Taurog.

FLY COPS. (Let George Do It) (Stern Bros. Comedy) 1929. 2 reels. From cartoons by George McManus.

Credits: Director, Francis Corby.

FLY FROLIC. (Aesop's Fable Cartoon) 1932. 1 reel.

Credits: John Foster, Harry Bailey.

THE FLY GUY. (Aesop's Fable) The Van Beuren Corp. 1931. 1 reel.

Credits: John Foster, Harry Bailey.

THE FLY GUY. SEE Lampoons.

FLY HI. (Aesop's Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

A FLY IN THE OINTMENT. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, L. V. Jefferson.

FLY MY KITE. (Our Gang Comedies) Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

A FLYER IN FOLLY. 1918. 2 reels.

Credits: Director, Bob Kerr.

THE FLYIN' BUCKAROO. Action Pictures, Inc. Presented by Lester F. Scott, Jr. 1928. 5 reels.

Credits: Director, Richard Thorpe; story, Frank L. Inghram; continuity, Betty Burbridge.

THE FLYIN' COWBOY. Jewel. 1928. 6 reels.

Credits: Direction and continuity, Reaves Eason; story, Arthur Statter.

FLYIN' THRU. 1925. 6 reels.

Credits: Direction, Bruce Mitchell; story, Al Wilson; scenario, George W. Pyper.

THE FLYING AGE. (Aesop) 1928. 1 reel.

Credits: Paul Terry, John Foster.

FLYING BODIES. (A Grantland Rice Sportlight) 1934. 1 reel, sd.

THE FLYING DEUCES. 1939. 69 min., sd.

Credits: Producer, Boris Morros; director, A. Edward Sutherland; original story and screenplay, Ralph Spence, Charles Rogers, Alfred Schiller, Harry Langdon; film editor, Jack Dennis; music director, Edward Paul; music, John Leipold, Leo Shuken.

FLYING DEVILS. 1933. 7 reels, sd.

Credits: Associate producer, David Lewis; director, Russell Birdwell; story, Louis Stevens; screenplay, Louis Stevens, Byron Morgan; editor, Arthur Roberts; music director, Max Steiner.

FLYING DOWN TO RIO. 1933. 10 reels, sd. From a play by Ann Caldwell and Lou Brock, based on an original story by Louis Brock.

Credits: Associate producer, Lou Brock; director, Thornton Freeland; screenplay, Cyril Hume, H. W. Hanemann, Erwin Gelsey; editor, Jack Kitchin; music director, Max Steiner; music, Vincent Youmans.

FLYING DOWN TO ZERO. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnnie Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film editor, Edward Mann.

THE FLYING DUTCHMAN. Released by the Film Booking Offices of America. 1923. 6 reels. Based on the opera by Richard Wagner.

Credits: Adapted and directed by Lloyd B. Carleton.

FLYING EAGLE. 1924. 2 reels.

Credits: Director, William Craft; story, Carl Krusada, William Craft; scenario, Carl Krusada.

FLYING FEATHERS. (Sportscope, no. 8) 1938. 1 reel, sd.

Credits: Frank R. Donovan; supervision, Frederic Ullman, Jr.

FLYING FEET. (Rockne Football, reel 3) 1930. 1 reel, sd.

Credits: Terry Ramsaye.

FLYING FEET. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by John Martin.

Credits: Story, Sam Hellman.

FLYING FISTS. (Flip the Frog Cartoon) 1931. 1 reel.

THE FLYING FLEET. 1929. Produced with the sanction of the U. S. Navy. 11 reels, sd., b&w.

Credits: Producer and director, George Hill; story, Frank Wead, Byron Morgan; screenplay, Richard Schayer; film editor, Blanche Sewell.

A FLYING FOOL. 1925. 2 reels.

Credits: Supervision, George E. Marshall; director, Louis Seiler; story, Murray Roth, Bryan Foy.

THE FLYING FOOL. 1929. 7 reels.

Credits: Supervision, William Sistrom; director, Tay Garnett; story and adaptation, Elliott Clawson and Tay Garnett.

Credits: Directors, Ray Taylor, James W. Horne; original screenplay, Robert E. Kent, Basil Dickey, Sherman Lowe.

FLYING GLOVES. (World of Sports) 1933. 1 reel, sd.

FLYING HIGH. Camera Pictures, Inc. Presented by Sam Sax. 1927. 5,000 ft.

Credits: Supervision, Samuel Bischoff; director, Charles Hutchison; story and continuity, L. V. Jefferson; film editor, Edward Curtiss.

FLYING HIGH. 1931. 9 reels, sd., b&w.

Credits: Direction and adaptation, Charles F. Riesner; screenplay and dialogue, A. P. Younger; additional dialogue, Robert E. Hopkins; film editor, William S. Gray; book, lyrics and music, George G. DeSylva, Lew Brown, Ray Henderson, John McGowan.

FLYING HIGH. SEE The Two Doves.

FLYING HOOFS. 1924. 5 reels. From the story "Beyond the Law" by Clee Woods.

Credits: Director, Clifford S. Smith.

FLYING HOOFS. (Fables, no. 394) 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE FLYING HORSEMAN. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, Orville Dull; story, Max Brand [pseud. of Frederick Faust]; scenario, Gertrude Orr.

FLYING HOSTESS. 1936. 7 reels, sd.

Credits: Associate producer, Edmund Grainger; director, Murray Roth; original story, George Sayre; screenplay, Harry Clork, Brown Holmes, Harvey Gates; film editor, Otis Garrett; music director, Herman Heller.

FLYING HUNTERS. (An Oddity) 1934. 670 ft., sd., b&w.

Credits: Director, Lauron A. Draper; explanatory remarks, Pete Smith.

THE FLYING IRISHMAN. 1939. 72 min., sd.

Credits: Producer, Pandro S. Berman; director, Leigh Jason; screenplay, Ernest Pagano, Dalton Trumbo; editor, Arthur E. Roberts; music score, Roy Webb.

FLYING LEATHER. (A Grantland Rice Sportlight) The Van Beuren Corp. 1932. 1 reel.

Credits: Frank Hawks.

FLYING LUCK. 1927. 7 reels.

Credits: Producer, Monty Banks; director, Herman C. Raymaker; story, Charles Horan; continuity, Charles Horan, Matt Taylor; editor, William Holmes.

THE FLYING MARINE. 1929. 6 reels.

Credits: Producer, Harry Cohn; director, Albert S. Rogell; screenplay, John Francis Natteford.

THE FLYING MOUSE. (Walt Disney's Silly Symphony, no. 20) 1934. 1 reel.

FLYING OIL. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 525 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

FLYING PAT. 1920. 5 reels.

Credits: Director, E. Richard Jones.

FLYING PIGSKINS. 1934. 1 reel, sd.

Credits: Story, Jack Kofoed; narrator, Fred Uttal.

FLYING SOUTH. SEE Farmer Al Falfa in Flying South.

FLYING SPIKES. (Sport Champions) 1932. 790 ft.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

THE FLYING TORPEDO. 1916. 5 reels.

Credits: Scenario, Robert M. Baker, John Emerson.

THE FLYING U RANCH. Released by F. B. O. 1927. 5 reels. Based on the novel by B. M. Bower [pseud. of Bertha Muzzy Sinclair].

Credits: Director, Robert DeLacy; continuity, Oliver Drake.

THE FLYING U RANCH. Released by F. B. O. 1927. 5 reels. Based on the novel by B. M. Bower [pseud. of Bertha Muzzy Sinclair].

Credits: Director, Robert DeLacy; adaptation, Oliver Drake.

FLYING WHEELS. Century. 1925. 2 reels.

Credits: Written and directed by Edward I. Luddy.

FLYING YEAST. (Krazy Kat) 1929. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny Gould.

THE FLY'S BRIDE. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel.

Credits: John Foster.

THE FLY'S EYE. 1927. 1 reel.

FOG. 1912. 1 reel.

Credits: Bannister Merwin.

THE FOG. 1923. 7 reels. Adapted from the story by William Dudley Pelley.

Credits: Producer, Max Graf; director, Paul Powell; scenario, Winifred Dunn; adaptation, H. H. Van Loan.

FOG. 1933. 7 reels, sd.

Credits: Director, Albert Rogell; story, Valentine Williams, Dorothy Rice Sims; screenplay, Ethel Hill, Dore Schary; film editor, Richard Cahoon.

FOG BOUND. Paramount. Presented by Adolph Zukor. 1923. 6 reels. From the story by Jack Bechdolt in the Argosy Magazine.

Credits: Producer and director, Irvin Willat; scenario, Paul Dickey.

FOG OVER FRISCO. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, William Dieterle; story, George Dyer; screenplay, Robert N. Lee; adaptation, Robert N. Lee, Eugene Solow.

FOGG'S MILLIONS. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

FOILED. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Director, G. C. Reid; story adaptation and dialogue, Russell Matson.

FOILED AGAIN. (Thalian Comedy) 1932. 2 reels.

Credits: Director, Charles Lamont; story and dialogue, Elwood Ullman.

FOILED AGAIN. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Jack Henley, Glen Lambert.

FOILED AGAIN. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 1 reel, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

FOLIES BERGERE. Presented by Joseph M. Schenck. Released thru United Artists. 1935. 9 reels, sd. Based on a play by Rudolph Lothar and Hans Adler.

Credits: Producer, Darryl F. Zanuck; director, Roy Del Ruth; screenplay, Bess Meredyth, Hal Long; music director, Alfred Newman; words and music, Jack Meskill, Jack Stern; film editor, Allen McNeil.

FOLLIES BERGERE. SEE Folies Bergere.

FOLLOW ME. (Eddie Lyons Comedy) 1922. 2 reels.

Credits: Direction, Eddie Lyons, Eugene de Rue; scenario, Bob McGowan.

FOLLOW ME. (Arthur Lake Comedy) 1930. 2 reels.

Credits: Director, Harry Edwards; story, T. Page Wright, Bill Weber.

FOLLOW TEACHER. 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

FOLLOW THE ARROW. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist; screenplay, Robert Lees, Fred Rinaldo.

FOLLOW THE FLEET. 1936. 110 min., sd. Founded on the play "Shore Leave" by Hubert Osborne as produced by David Belasco.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; screenplay, Dwight Taylor, Allan Scott; editor, Henry M. Berman; music and lyrics, Irving Berlin; music director, Max Steiner.

FOLLOW THE GIRL. Butterfly. 1917. 5 reels.

Credits: Fred Myton; director, Louis William Chaudet.

FOLLOW THE LEADER. Presented by William Fox. 1928. 2 reels, b&w, blue sequences.

Credits: Director, Clyde Carruth; story, James J. Tynan.

FOLLOW THE LEADER. (A Grantland Rice Sportlight) 1929. 1 reel.

Credits: John Foster.

FOLLOW THE LEADER. 1930. 6,851 ft., sd. Based on "Manhattan Mary" by William K. Wells, George White, DeSylva Brown, and Ray Henderson.

Credits: Director, Norman Taurog; screenplay, Gertrude Purcell, Sid Silvers; dialogue staged by Al Parker.

FOLLOW THE LEADER. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

FOLLOW THE SWALLOW. (Educational-Lloyd Hamilton Talking Comedies) 1930. 19 min., sd.

Credits: Producer, H. D. Edwards; director, Alf Goulding; story, Vernon Smith.

FOLLOW THE TRACKS. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; scenario, C. B. Hoadley, Frederick A. Palmer.

THE FOLLOW THROUGH. 1936. Filmstrip.

FOLLOW THRU. 1930. 8,386 ft., sd., color. From the musical comedy by De Sylva, Brown, Henderson, and Laurence Schwab.

Credits: Producers, Laurence Schwab, Frank Mandel; directors, Laurence Schwab, Lloyd Corrigan.

FOLLOW THRU. 1937. Filmstrip.

FOLLOW YOUR HEART. 1936. 9 reels, sd. Story based on idea by Dana Burnet.

Credits: Producer, Nat Levine; supervision, Leonard Fields; director, Aubrey Scotto; screenplay, Lester Cole, Nathaniel West, Samuel Ornitz; additional dialogue, Olive Cooper.

FOLLOW YOUR NOSE FOR NEWS. 1937. For Calvert's. Filmstrip, sd.

FOLLOWING FATHER'S FOOTSTEPS. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Jean Hathaway.

FOLLOWING THE FLAG. 1916. 3 reels.

FOLLOWING THE SCENT. 1915. 1 reel.

Credits: Director, Sidney Drew.

FOLLY. 1916. 2 reels.

THE FOLLY OF DESIRE. Red Feather. 1916. 5 reels.

Credits: Produced and adapted by George L. Tucker; story, Alice Askew, Claude Askew, Edward Knoblauch.

THE FOLLY OF FANCHETTE. Imp. 1917. 2 reels.

Credits: Harry B. Hagenah; director, John McDermott.

THE FOLLY OF VANITY. 1925. 6 reels.

Credits: Directors, Henry Otto, Maurice Elvey; story, Charles Darnton; scenario, Edfrid Bingham.

FOOD AND GROWTH. (Eastman Classroom Films. Health Series. Hygiene) 1930. Made with the cooperation of Massachusetts Institute of Technology. 994 ft.

Credits: Producer, Lorimer Johnson.

FOOD FOR KINGS AND RILEY. 1915. 1 reel.

Credits: Fred R. Ashfield.

FOOD FOR SCANDAL. 1920. 5 reels. Based on the play "Beverly's Balance" by Paul Kester.

Credits: Director, James Cruze; scenario, Edith Kennedy.

FOOD FOR THOUGHT. 1921. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

FOOD FOR THOUGHT. (Ford Educational Library) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

FOOD FOR THOUGHT. 1930. 1 reel, sd.

Credits: Director, Ray Cozine; dialogue director, Max E. Hayes.

FOOD IN ITS RELATION TO HEALTH. 1928. 1 reel.

THE FOOD STREAM. (Ford Educational Library, Agriculture, v. 4) Ford Motion Picture Laboratories. 1921. 1 reel.

THE FOOL. Rex. 1916. 2 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

THE FOOL. 1925. 10 reels, b&w, tinted sequences. From the play by Channing Pollock.

Credits: Director, Harry Millarde; scenario, Edmund Goulding.

A FOOL ABOUT WOMEN. 1932. 22 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson, Jack Townley.

A FOOL AND HIS FRIEND. 1916. 3 reels.

Credits: Producer, William Wolbert.

A FOOL AND HIS HONEY. 1927. 2 reels, b&w. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Orville Dull; scenario, Jess Robbins, Max Gold.

A FOOL AND HIS MONEY. 1920. 5 reels. From the story by George Barr McCutcheon.

Credits: Scenario, Ella Stuart Carson.

A FOOL AND HIS MONEY. 1925. 6 reels. From the novel by George Barr McCutcheon.

Credits: Director, Erle C. Kenton; adaptation, Douglas Z. Doty; continuity, Dorothy Howell; titles, Walter Anthony; editor, Jack Kelly.

FOOL COVERAGE. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, John Lockert.

FOOL DAYS. 1921. 2 reels.

Credits: Director, Gilbert Pratt.

A FOOL FOR LUCK. Star Comedy. 1922. 1 reel.

A FOOL THERE WAS. 1915. For William Fox Vaudeville Co. 6 reels. Adapted from the poem by Kipling.

Credits: Adapted and picturized by Frank Powell.

A FOOL THERE WAS. 1922. 7 reels.

Credits: Scenario, Bernard McConville.

FOOL YOUR FRIENDS. (Easy Aces, no. 9) 1936. 1 reel.

FOOLING CASPER. (Toots and Casper Series, no. 1) Larry Darmour Productions. Released by F. B. O. Pictures Corp. 1928. 2 reels.

Credits: Story, E. V. Durling, St. Elmo Boyce.

FOOLING UNCLE. 1916. 1 reel.

Credits: Produced and written by Edwin McKim.

THE FOOLISH AGE. 1919. 2 reels.

Credits: Director, Richard Jones.

THE FOOLISH AGE. 1921. 5 reels.

Credits: Director, William A. Seiter; story, Hunt Stromberg; scenario, Violet Clark, William Seiter.

A FOOLISH AGREEMENT. 1914. 1 reel.

Credits: George A. Posner; director, Ashley Miller.

THE FOOLISH BUNNY. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

FOOLISH FOLLIES. Presented by The Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

THE FOOLISH FORTIES. (Gayety Comedies) 1931. 21 min., sd.

Credits: Director, William Watson; story, Frank Griffin.

FOOLISH HEARTS. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Joseph A. Fields, Stanley Rauh; film editor, Edward Mann; music director, Harry Jackson.

FOOLISH HUSBANDS. Presented by Mack Sennett. 1929. 2 reels.

Credits: Supervision, J. A. Waldron; director, Phil Whitman; story, Jefferson Moffitt, Ewart Adamson; film editor, William Hornbeck.

FOOLISH LIVES. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

THE FOOLISH MATRONS. Released by Associated Producers, Inc. 1921. 6 reels. From the novel by Donn Byrne.

Credits: Directors, Maurice Tourneur, Clarence L. Brown; scenario, Wyndham Gittens.

FOOLISH MONTE CARLO. 1922. 5 reels. From the novel by Carlton Dawe.

Credits: Director, William Humphrey; scenario, William Humphrey, George Edwards-Hall.

THE FOOLISH VIRGIN. 1924. 6 reels. From the novel by Thomas Dixon.

Credits: Director, George W. Hill; adaptation and continuity, Lois Zellner.

FOOLISH WIVES. Universal Jewel. 1922. 14 reels.

Credits: Direction, story and scenario, Eric von Stroheim.

FOOLPROOF. (A Crime Does Not Pay Subject) 1936. 2 reels, sd., b&w.

Credits: Director, Edward Cahn; story, Marty Brooks; screenplay, Richard Goldstone.

FOOLS AND DUELS. L-Ko. 1919. 2 reels.

Credits: Director, Henry Lehrman.

FOOLS AND FIRES. 1918. 2 reels.

Credits: Director, Craig Hutchinson.

FOOLS AND RICHES. 1923. 5 reels.

Credits: Director, Herbert Blacke; story and scenario, Charles Kenyon, George Hull.

FOOLS AND THEIR MONEY. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; story, E. Forst; scenario, Finis Fox.

A FOOL'S AWAKENING. 1924. 6 reels. From the story "The Tale of Triona" by William J. Locke.

Credits: Director, Harold Shaw; adaptation and continuity, Tom J. Hopkins.

A FOOL'S ERRAND. (Krazy Kat) Winkler Pictures, Inc. 1927. 1 reel.

FOOLS FIRST. First National. 1922. 6 reels. Suggested by a story by Hugh MacNair Kahler.

Credits: Producer, Marshall Neilan; scenario, Marion Fairfax.

FOOLS FOR LUCK. 1917. 5 reels. From the play "Talismans" by Kennett Harris.

Credits: Director, Lawrence Windom; adaptation, James Campbell.

FOOLS FOR LUCK. 1928. 5,758 ft.

Credits: Producer and director, Charles F. Reisner; story, Harry Fried; adaptation and screenplay, Sam Mintz, J. Walter Ruben.

FOOLS FOR SCANDAL. 1938. 10 reels. From the play "Return Engagement" by Nancy Hamilton, James Shute, and Rosemary Casey.

Credits: Screenplay, Herbert Fields, Joseph Fields; additional dialogue, Irv Brecher; music and lyrics, Richard Rodgers, Lorenz Hart.

FOOL'S GOLD. 1915. 1 reel.

FOOLS' GOLD. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.

A FOOL'S GOLD. Laemmle. 1916. 3 reels.

Credits: L. V. Jefferson; producer, Richard Stanton.

FOOLS' HIGHWAY. Universal Super-Jewel. 1924. 7 reels.

Credits: Director, Irving Cummings; screen story, Lenore J. Coffee, Harvey Gates.

FOOLS IN THE DARK. Released by Film Booking Offices of America. 1924. 7 reels.

Credits: Director, Al Santell; story, Bertram Millhausen.

FOOL'S LUCK. (Lupino Lane Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

FOOLS OF FASHION. 1926. 7 reels. From the story "The Other Woman" by George Randolph Chester.

Credits: Director, James C. McKay.

FOOLS OF PASSION. Ufa, Berlin. 1926. 6 reels. Published in Germany under the title "False Shame."

Credits: Director, Rudolph Biebrach; story and scientific supervision by Curt Thomalla and N. Kaufman.

Credits: Written and directed by Ivan Abramson.

FOOLS PARADISE. 1921. 9 reels. Suggested by the story "The Laurels and the Lady" by Leonard Merrick.

Credits: Director, Cecil B. De Mille; scenario, Beulah Marie Dix, Sada Cowan.

THE FOOL'S REVENGE. 1916. For Fox Film Corp. 6 reels.

Credits: Written and produced by Will S. Davis.

Credits: Written and directed by Jan Leman.

FOOT HEALTH. 1937. 1 reel.

FOOTBALL. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 539 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

FOOTBALL BUGS. (A Color Rhapsody) 1936. 686 ft., sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe De Nat.

FOOTBALL FEVER. (Oswald) 1937. 1 reel.

Credits: Producer and director, Walter Lantz; story, Walter Lantz, Victor McLeod.

FOOTBALL FLASHES. (News World of Sports) 1936. 940 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

FOOTBALL FOOTWORK. (A Sports Champion Picture) 1932. 885 ft.

Credits: Director, Ray McCarey; explanatory remarks by Pete Smith.

FOOTBALL FORTY YEARS AGO. (Pop Warner Series) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman, Glenn S. "Pop" Warner.

FOOTBALL GIANTS. (News World of Sports) 1938. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

FOOT BALL GIRLS. 1920. 1 reel.

FOOTBALL ROMEO. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan.

Credits: Producer and author, John L. Hawkinson; director, Chick Meehan; titles, W. B. Hanna.

FOOTBALL TEAMWORK. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist; explanatory remarks by Pete Smith.

FOOTBALL THRILLS. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

FOOTBALL THRILLS OF 1938. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Film editor, Ferris Webster; music score, David Snell.

THE FOOTBALL TOUCHER DOWNER. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Graham Place.

FOOTBALLS AND FRAUDS. 1919. 2 reels.

Credits: Written and directed by J. A. Howe.

FOOTFALLS. Fox Film Corp. 1921. 8 reels. Based on a story by Wilbur Daniel Steele.

Credits: Scenario and direction, Charles J. Brabin.

A FOOTHILL PROBLEM. 1915. 1 reel.

FOOTLIGHT FANNY. 1929. 2 reels.

Credits; Director, William Holland; story, Walter Graham.

A FOOTLIGHT FLAME. 1917. For Fox Film Corp. 2 reels.

Credits: Director, Walter Reed.

FOOTLIGHT MAIDS. 1919. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, J. G. Blystone.

FOOTLIGHT PARADE. 1933. 11 reels, sd.

Credits: Director, Lloyd Bacon; screenplay, Manuel Seff, James Seymour.

THE FOOTLIGHT RANGER. 1923. 5 reels.

Credits: Director, Scott Dunlap; story, William H. Branch; scenario, Dorothy Yost.

FOOTLIGHTS. Paramount. Presented by Adolph Zukor. 1921. 7 reels. From the Saturday Evening Post story by Rita Weiman.

Credits: Director, John S. Robertson; scenario, Josephine Lovett.

FOOTLIGHTS. SEE The Spotlight.

FOOTLIGHTS AND FAKERS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

FOOTLIGHTS AND FAKERS. 1919. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

FOOTLIGHTS AND FOOLS. Vitaphone. Presented by John McCormick. 1929. 8 reels.

Credits: Katharine Brush; producer, William A. Seiter; scenario, Carey Wilson.

FOOTLIGHTS AND FOOLS. Trailer. 1929. 1 reel, sd.

FOOTLIGHTS AND SHADOWS. 1920. 5 reels.

Credits: Director, John W. Noble; story, Josephine Miller; scenario, R. Cecil Smith.

THE FOOTLIGHTS OF FATE. 1916. 5 reels. From the novel "Joan Thursday" by Louis Joseph Vance.

Credits: Producer, William Humphrey; picturized by Fred H. James.

THE FOOTLOOSE HEIRESS. 1937. 7 reels, sd.

Credits: Director, William Clemens; original screenplay, Robertson White; dialogue director, Harry Seymour.

FOOTLOOSE WIMMEN. 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Sig Herzig.

FOOTLOOSE WINDOWS. 1926. 7 reels. Adapted from the story by Beatrice Burton.

Credits: Director, Roy Del Ruth; scenario, Darryl Francis Zanuck.

FOOT-NOTES FOR BIGGER SALESBOOKS. 1937. For the E. P. Reed Co. Filmstrip, 77 frames, sd.

FOOTNOTES WITH OSCAR GROGAN AND THE PAGE SISTERS. 1930. 1 reel, sd.

FOOTPRINTS. 1914. 1 reel.

Credits: Written and produced by Edward J. LeSaint.

FOOTPRINTS. 1920. 2 reels.

Credits: Director, Grover Jones; story, Joe Rock.

FOOTPRINTS. (A Laemmle Novelty) Snappy. 1928.

Credits: Director, Jacques Rollens.

FOOTPRINTS. SEE The Fighting Trooper.

THE FOOT STEPS OF CAPTAIN KIDD. 1917. 6 reels.

FOOTWORK. (Grantland Rice Sportlight) Presented by the Van Beuren Corporation. 1929. 1 reel.

Credits: Jack Eaton.

FOR A KISS TO NINI. SEE Death's Door.

FOR A WIDOW'S LOVE. 1914. 1 reel.

FOR A WOMAN'S FAIR NAME. 1916. 5 reels.

Credits: Director, Harry Davenport.

FOR ALIMONY ONLY. De Mille Pictures Corp. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 7 reels.

Credits: Director, William De Mille; story and scenario, Lenore J. Coffee.

FOR ANOTHER WOMAN. 1924. 6 reels. From the story "Just Mary" by Pearl Doles Bell.

Credits: Director, David Kirkland; scenario, Agnes Christine Johnston, Frank Dazey.

FOR ANOTHER'S CRIME. 1915. 2 reels.

Credits: Director, William Humphrey.

FOR ANY OCCASION. 1922. 1 reel.

FOR BETTER—BUT WORSE. 1915.

Credits: Producer, Mack Sennett.

FOR BETTER, FOR WORSE. Presented by Jesse L. Lasky. 1919. 7 reels. From the play by Edgar Selwyn.

Credits: William C. De Mille; producer and director, Cecil B. De Mille; scenario, Jeanie Macpherson.

FOR BETTER OR WORSER. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

FOR BIG STAKES. 1922. 5 reels.

Credits: Written and directed by Lynn Reynolds; edited and titled by Ralph Spence.

FOR CASH. Victor. 1915. 2 reels.

Credits: Producer, Lon Chaney; scenario, W. M. Caldwell.

FOR CRIME'S SAKE. (Krazy Kat Cartoon) 1927. 1 reel.

Credits: Ben Harrison and Manny Gould.

FOR CRYIN' OUT LOUD! Bluebird. 1926. 1 reel.

Credits: Director, Edgar L. Kennedy.

Credits: Franz von Schöuthen.

FOR FRANCE. 1917. 5 reels.

Credits: Director, Wesley H. Ruggles; story, Cyrus Townsend Brady.

FOR FREEDOM. 1918. 6 reels.

Credits: Director, Frank Lloyd; story, E. Lloyd Sheldon.

FOR GOODNESS SAKE. Presented by the Ice Cream Merchandising Institute. 1937. Filmstrip, 121 frames, sd.

FOR HEAVEN'S SAKE. Released by Paramount. 1926. 6 reels.

Credits: Director, Sam Taylor; story, Ted Wilde, John Grey, Clyde Bruckman.

FOR HER. 1912. 1,000 ft.

Credits: Bannister Merwin.

FOR HER FRIEND. 1915. 1 reel.

FOR HER HAPPINESS. 1915. 1 reel.

FOR HER MOTHER'S SAKE. Big U. 1916. 1 reel.

Credits: Frank M. Wiltermood; producer, Clifford S. Elfelt.

FOR HER PEOPLE. 1914. 1 reel.

FOR HIS MOTHER. 1915. 1 reel.

FOR HIS SUPERIOR'S HONOR. Laemmle. 1915. 1 reel.

Credits: Written and produced by Frank Lloyd.

FOR HONOR'S SAKE. Big U. 1917. 1 reel.

FOR HUSBANDS ONLY. 1918. 6 reels.

Credits: Produced and written by Lois Weber; directors, Lois Weber, Phillips Smalley; story, G. B. Stern.

FOR LACK OF EVIDENCE. Gold Seal. 1917. 3 reels.

Credits: Director, Edwin Stevens; story, Blair Hall; scenario, John C. Brownell.

FOR LADIES ONLY. 1927. 6 reels. From the story "Down with Women" by George F. Worts.

Credits: Directors, Henry Lehrman, Scott Pembroke.

FOR LIBERTY. 1917. 5 reels.

Credits: Director, Bertram Bracken; story, Bennett Cohen.

FOR LIFE. Universal Special. 1919. 2 reels.

FOR LOVE AND GOLD. Bison. 1916. 2 reels.

Credits: E. M. McCall, William Parker; producer, Henry McRae.

FOR LOVE OF HIM. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

FOR LOVE OR MONEY. 1930. 2 reels.

Credits: Director, A. Leslie Pearce; story, Forbes Dawson.

FOR LOVE OR MONEY. 1939. 8 reels, sd.

Credits: Associate producer, Max Golden; director, Albert S. Rogell; original story, Julian Blaustein, Daniel Taradash, Bernard Fein; screenplay, Charles Grayson, Arthur Horman; film editor, Maurice Wright.

FOR MEN ONLY. 1927. 1 reel.

FOR PETE'S SAKE! (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Ray Snyder.

FOR PROFESSIONAL REASONS. Victor. 1915. 2 reels.

Credits: Producer, Burton King; scenario, Harvey Gates.

FOR PROFESSIONAL SERVICES. 1912. 1 reel.

Credits: H. M. King.

FOR REWARD OF SERVICE. 1917. 1 reel.

Credits: Grace Keon; director, Al Green.

FOR SADIE'S SAKE. (Jimmie Adams Comedies) Educational. 1926. 2 reels.

Credits: Frank Roland Conklin; director, Harold Beaudine.

Credits: Director, Fred Wright; story, Fred Jackson.

FOR SALE. Century. 1921. 2 reels.

Credits: Written and directed by Tom Buckingham.

FOR SALE. 1924. 8 reels.

Credits: Story, Earl Hudson; scenario, Frederick E. Stanley.

FOR SALE. 1924. 8 reels.

Credits: Director, George Archainbaud; story, Earl Hudson.

FOR SALE. SEE Gregory Ratoff in For Sale.

FOR SPORT'S SAKE. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; narration, Brooke Temple; editor, Bert Frank.

FOR THE CAUSE. 1914. 1 reel.

Credits: Hector Turnbull, Margaret Turnbull.

FOR THE DEFENSE. 1922. 5 reels. From the play by Elmer L. Rice.

Credits: Director, Paul Powell; adaptation, Beulah Marie Dix.

FOR THE DEFENSE. 1930. 7 reels, sd. From a story by Charles Furthmann.

Credits: Oliver H. P. Garrett; director, John Cromwell.

FOR THE FREEDOM OF THE EAST. 1918. 7 reels.

Credits: Director, Ira M. Lowry.

FOR THE HONOR OF THE CREW. 1915. 3 reels.

Credits: Director, W. P. S. Earle.

FOR THE LOVE O' LIL. 1930. 7 reels. From the story by J. Leslie Thrasher.

Credits: Producer, Harry Cohn; supervision, William Conselman; director, James Tinling; assistant director, David Selman; screenplay, Dorothy Howell; adaptation and dialogue, Bella Cohen; film editor, Edward Curtis.

FOR THE LOVE O' PETE. (Hot Dog Cartoons) 1926. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

FOR THE LOVE OF A GIRL. Bison. 1916. 2 reels.

Credits: Harvey Gates; producer, Harry Carey.

FOR THE LOVE OF FANNY. (Educational Vanity Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, Robert Vernon; story and dialogue, Frank Roland Conklin; adaptation, Jack English.

FOR THE LOVE OF LUDWIG. 1932. 2 reels.

Credits: Director, Emil Herberger; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

FOR THE LOVE OF MIKE. 1927. 7 reels. Adapted from "Hell's Kitchen" by John Moroso.

Credits: Director, Frank Capra; scenario, J. Clarkson Miller.

FOR THE LOVE OF MIKE AND ROSIE. 1916. 3 reels.

FOR THE LOVE OF PETE. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

FOR THE LOVE OF TUT. (Eddie Lyons Comedy) 1923. 2 reels.

Credits: Story, Charles Diltz.

FOR THE MAN SHE LOVED. 1915. 1 reel.

Credits: Guy T. Evans.

FOR THE SERVICE. Buck Jones Productions. Presented by Carl Laemmle. 1936. 7 reels, sd.

Credits: Director, Buck Jones; original story and screenplay, Isadore Bernstein; film editor, Bernard Loftus.

Credits: Producer, William R. Daly.

FOR THE SOUL OF RAFAEL. Presented by Harry Garson. 1920. 7 reels.

Credits: Continuity, Dorothy Yost.

FOR THOSE WE LOVE. 1921. 6 reels.

Credits: Producer, Betty Compson; story, Perley Poore Sheehan; adapted and directed by Arthur Rosson.

FOR WIVES ONLY. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the play "The Critical Year" by Rudolph Lothar and Hans Bachwitz.

Credits: Director, Victor Heerman; adaptation, Anthony Coldewey; editor, F. McGrew Willis.

FOR YOUR CONVENIENCE. (The Color Parade) 1939. 10 min., sd., color.

Credits: Producer, E. M. Newman; director, Ira Genet; commentator, Dwight Weist.

FORBES RANDOLPH'S KENTUCKY JUBILEE SINGERS IN A MEDLEY OF NEGRO SPIRITUALS AND GOIN' HOME, LARGO FROM THE NEW WORLD SYMPHONY. (Movietone Number) 1928. 1 reel, sd.

Credits: Director, Thomas H. Chalmers.

FORBES RANDOLPH'S KENTUCKY JUBILEE SINGERS IN A MEDLEY OF NEGRO SPIRITUALS AND WATER BOY. (Movietone Number) 1928. 1 reel, sd.

Credits: Director, Thomas H. Chalmers.

FORBIDDEN. Universal Special. 1919. 6 reels.

Credits: Producers, Lois Weber, Phillips Smalley; story, E. V. Durling; scenario, Lois Weber.

FORBIDDEN. 1932. 9 reels, sd.

Credits: Story and direction, Frank R. Capra; adaptation and dialogue, Jo. Swerling; film editor, Maurice Wright.

FORBIDDEN ADVENTURE. 1931. 6,950 ft., sd. From "Let's Play King" by Sinclair Lewis.

Credits: Director, Norman Taurog; screenplay, Edward E. Paramore, Jr., Joseph L. Mankiewicz; scenario, Agnes Brand Leahy.

FORBIDDEN ADVENTURE. 1934. 7 reels, sd. Title changed from "Inyah, the Jungle Goddess."

Credits: Director, J. C. "Doc" Cook; editor, Grace McKee; narrator, Gayne Whitman.

FORBIDDEN ADVENTURE IN ANGKOR. SEE Angkor.

FORBIDDEN BREW. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

FORBIDDEN CARGO. Gothic. Released by F. B. O. 1925. 5 reels.

Credits: Director, Tom Buckingham; story and scenario, Frederick Kennedy Myton.

THE FORBIDDEN CITY. Powers. 1916. 1/2 reel.

THE FORBIDDEN CITY. 1918. 6 reels.

Credits: Director, Sidney A. Franklin; story, George Scarborough; scenario, Mary Murillo.

FORBIDDEN COMPANY. 1932. 7 reels.

Credits: Director, Richard Thorpe; story and continuity, Edward T. Lowe.

FORBIDDEN FIRES. 1919. 7 reels.

Credits: Supervision, Allan Dwan; director, Art Rosson; story, C. Gardner Sullivan.

FORBIDDEN FRUIT. 1921. 8 reels.

Credits: Producer, Cecil B. De Mille; story, Jeanie MacPherson.

THE FORBIDDEN GAME. Imp. 1917. 2 reels.

Credits: Director, Harry Millarde; story, Ben Cohn; scenario, William Parker.

FORBIDDEN HEAVEN. 1935. 7 reels, sd.

Credits: Director, Reginald Barker; story, Christine Jope-Slade; adaptation and screenplay, Sada Cowan; continuity and dialogue, Jefferson Parker; editor, Jack Ogilvie.

FORBIDDEN HOURS. 1928. 6 reels, sd., b&w.

Credits: Director, Harry Beaumont; story and scenario, A. P. Younger; titles, John Colton; film editor, William Hamilton.

FORBIDDEN LOVE. 1928. 7 reels. From the play by Noel Coward.

Credits: Director, Graham Cutts.

FORBIDDEN PARADISE. 1922. 6 reels.

Credits: Written and directed by Herbert Brennon.

FORBIDDEN PARADISE. Paramount Presented by Adolph Zukor and Jesse L. Lasky. 1924. 8 reels. From the play "The Czarina" by Lajos Biró and Melchior Lengyel.

Credits: Producer, Ernst Lubitsch; screenplay, Agnes Johnston, Hans Kraly.

THE FORBIDDEN PATH. 1918. For Fox Film Corp. 6 reels.

Credits: Director, J. Gordon Edwards; story and scenario, E. Lloyd Sheldon.

FORBIDDEN PATHS. 1917. 5 reels.

Credits: Director, Robert Thornby; story, Eve Unsell; scenario, Beatrice De Mille, Leighton Osmun.

Credits: Direction, story and adaptation, Neal Hart.

THE FORBIDDEN ROOM. 1919. 5 reels.

Credits: Director, Lynn F. Reynolds; story, W. F. Van Dyck.

THE FORBIDDEN THING. Associated Producers. 1920. 6 reels.

Credits: Director, Allan Dwan; story, Mary Mears; scenario, Lillian Lucey.

FORBIDDEN TRAIL. 1932. 7 reels, sd.

Credits: Director, Lambert Hillyer; assistant director, Frank Gereghty; screenplay, Milton Krims; film editor, Gene Milford.

FORBIDDEN TRAILS. 1920. 5 reels.

Credits: Story, Charles Alden Seltzer; scenario and direction, Scott Dunlap.

FORBIDDEN VALLEY. 1938. 7 reels. Based on a novel by Stuart Hardy [pseud. of Oscal Schisgall].

Credits: Producer, Henry MacRae; screenplay and direction, Wyndham Gittens.

FORBIDDEN WATERS. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the story by Percy Heath.

Credits: Director, Alan Hale; adaptation, Charles Logue.

THE FORBIDDEN WOMAN. Presented by Harry Garson. 1929. 6 reels.

Credits: Director, Harry Garson; story, Lenore J. Coffee.

THE FORBIDDEN WOMAN. De Mille Pictures Corp. Presented by William C. De Mille. 1927. 7 reels. From the story "Brothers" by Elmer Harris.

Credits: Supervision, William C. De Mille; director, Paul L. Stein; adaptation and continuity, Clara Beranger.

THE FORCE OF EXAMPLE. Rex. 1915. 1 reel.

Credits: Katherine M. Davis; producer, Ben Wilson.

FORCED LANDING. 1935. 7 reels, sd.

Credits: Producer, M. H. Hoffman; director, Melville Brown; story, William Boehnel, Morris Helprin; screenplay, W. Scott Darling; editor, Jack Ogilvie.

A FORCED RESPONSE. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Director, Zion Myers.

FORCING DAD'S CONSENT. 1914. 1 reel.

Credits: Director, Lee Beggs.

THE FORD AGE. Ford Motion Picture Laboratories. 1923. 3 reels.

FORD AIR TRANSPORTATION SERVICE, CHICAGO. Ford Motion Picture Laboratories. 1925. 1 reel.

FORD AIR TRANSPORTATION SERVICE ESTABLISHED BETWEEN DEARBORN, MICHIGAN, AND CLEVELAND, OHIO, ON JULY 1, 1925. 1925. 1 reel.

FORD EDUCATIONAL WEEKLY. Ford Motion Picture Laboratories. 1919-21, no. 1-7, released by Fitzpatrick and McElroy. 1920-21. 1 reel each. © Ford Motor Co. 1919.

1920/21.

THE FORD WAY OF RAILROADING. Ford Motion Picture Laboratories. 1926. 2 reels.

THE FORDSON ANALYZED. (Ford Educational Film) Ford Motion Picture Laboratories. 1922. 3 reels.

THE FORDSON: LUMBERING. Ford Motion Picture Laboratories. 1925. 1 reel.

THE FORDSON: MANUFACTURING. Ford Motion Picture Laboratories. 1925. 1 reel.

THE FORDSON: TRANSPORTATION. Ford Motion Picture Laboratories. 1925. 1 reel.

FORE. (Gold, no. 1) 1931. 1 reel, sd.

Credits: Producer, Terry Ramsaye; director, Clyde Elliott.

FORE. SEE Wallace Ford in Fore.

FOREHAND, BACKHAND, AND SERVICE. (Sport Champions) 1931. 1 reel, sd.

Credits: Eric Hatch; director, Ray McCarey.

FOREIGN DEVILS. 1927. 5 reels.

Credits: Director, W. S. Van Dyke; story, Peter B. Kyne; continuity, Marian Ainslee; titles, Marian Ainslee, Ruth Cummings; film editor, Sam S. Zimbalist.

FOREIGN LEGATIONS IN CHINA. (Dorsey Educational) Powers. 1917. 1/2 reel.

THE FOREIGN LEGION. Jewel. 1928. 8 reels.

Credits: Director, Edward Sloman; story, I. A. R. Wylie; adaptation and continuity, Charles Kenyon.

FOREIGN SPORTS. (Bill Corum, no. 9) 1937. 1 reel.

THE FOREIGNER. SEE Leo Carrillo in The Foreigner.

THE FOREMAN OF BAR Z RANCH. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Wallace C. Clifton.

THE FOREMAN'S CHOICE. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Cornelius Shea.

THE FOREMAN'S TREACHERY. 1913. 2 reels.

Credits: Anne and Bannister Merwin.

A FOREST FIRE. 1912. 1 reel.

FOREST GANGSTERS. (Struggle To Live, no. 3) 1937. 1 reel.

Credits: Narrator, Gayne Whitman.

THE FOREST NYMPH. Gold Seal. 1917. 3 reels.

Credits: Charles Sarver; director, Harry O. Hoyt.

Credits: Holman Day.

FORESTALLING STALLS. 1936. Filmstrip, 106 frames, sd.

FOREVER. 1922. 7 reels. Based on the novel "Peter Ibbetson" by George Dumaurier, and the play by John Nathan Raphael.

Credits: Producer and director, George Fitzmaurice; scenario, Ouida Bergere.

FOREVER AFTER. 1926. 7 reels.

Credits: Adaptation, Julian Josephson; continuity, Paul Gangelin.

FOREVER YOURS. Presented by Edward L. Aperson. 1937. 8 reels, sd.

Credits: Producer and director, Alberto Giacolone; scenario, Hugh Gray, Arthur Wimperis; film editor, Henry Cornelius.

THE FORGED BRIDE. 1920. 5 reels.

Credits: Director, Douglas Gerrard; story, J. G. Hawkes; scenario, Hal Hoadley.

FORGED PASSPORT. 1939. 7 reels, sd.

Credits: Director, John H. Auer; original story, James Webb, Lee Loeb; screenplay, Franklin Coen, Lee Loeb; film editor, Edward Mann; music director, Cy Feuer.

FORGET-ME-KNOTS. 1938. 2 reels, sd.

Credits: Jack Henley, Cyrus Wood; director, Roy Mack.

Credits: Director, Emile Chautard.

FORGET-ME-NOT. National Film Corp. of America. Presented by Smiling Bill Parsons. 1920. 2 reels.

Credits: Direction and story by Bob McGowan.

FORGET ME NOT. 1922. 7 reels.

Credits: Producer, Louis Burston; director, W. S. Van Dyke; story, Henry R. Symonds; scenario, John B. Clymer.

FORGET ME NOT. 1928. 9 reels.

Credits: Director, Marcel Silver; story and scenario, Marcel Silver, Edmund Joseph.

FORGETTIN' THE LAW. 1923. 2 reels.

Credits: Director, William Craft; story and scenario, George W. Pyper.

FORGIVE AND FORGET. Released by Columbia Pictures. 1924. 6 reels.

Credits: Producer, Harry Cohn; director, Howard M. Mitchell; story, Charles Furthman.

FORGOTTEN BABIES. (Hal Roach Our Gang Comedy) 1933. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; editor, Jack Ogilvie.

FORGOTTEN COMMANDMENTS. 1932. 65 min., sd. With episodes from Cecil B. De Mille's "The Ten Commandments."

Credits: Directors, Louis Gasnier, William Schorr; story, James Bernard Fagan, Agnes Brand Leahy.

FORGOTTEN FACES. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7,640 ft. Adapted from a story by Richard Washburn Child.

Credits: Producer and director, Victor Schertzinger; adaptation, Oliver H. P. Garrett.

FORGOTTEN FACES. Presented by Adolph Zukor. 1936. 8 reels, sd.

Credits: Producer, A. M. Botsford; director, E. A. Dupont; story, Richard Washburn Child; screenplay, Marguerite Roberts, Robert Yost, Brian Marlow.

THE FORGOTTEN ISLAND. (Camera Adventures, no. 1) 1932. 10 min. From the log of Tom Geraghty.

Credits: Producers, Pat Dowling, Hobart Brownell; narrator, Gayne Whitman.

THE FORGOTTEN LAW. 1922. 7 reels. From the novel "A Modern Madonna" by Caroline Abbot Stanley.

Credits: Supervision, Max Graf; director, James W. Horne; adaptation, Joseph Franklin Poland.

FORGOTTEN MEN. Presented by Public Welfare Pictures Corp. 1933. 8 reels, sd.

Credits: Supervision, Samuel Cummins.

THE FORGOTTEN STEP. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Leslie Fenton; screenplay, Doane Hoag; narrator, John Nesbitt; music score, David Snell.

THE FORGOTTEN WOMAN. 1939. 8 reels, sd.

Credits: Producer, Edmund Grainger; director, Harold Young; original story, John Kobler; screenplay, Lionel Hauser, Harold Buchman.

THE FORK IN THE ROAD. 1915. 2 reels.

Credits: Director, Thomas Santschi.

FORKED TRAILS. 1915. 1 reel.

Credits: Director, Tom Mix.

FORLORN RIVER. 1926. 6 reels. Based on the novel by Zane Grey.

Credits: Screenplay, George C. Hull.

FORLORN RIVER. Presented by Adolph Zukor. 1937. 6 reels, sd. Based on the novel by Zane Grey.

Credits: Director, Charles Barton; screenplay, Stuart Anthony, Robert Yost; film editor, John Link.

FORMATION OF SOIL. 1933. 995 ft.

FORSAKING ALL OTHERS. 1922. 5 reels.

Credits: Director, Emile Chautard; story, Mary Lerner; scenario, Doris Schroeder.

FORSAKING ALL OTHERS. A W. S. Van Dyke production. 1934. 9 reels, sd., b&w. From the play by Frank Morgan Cavett and Edward Barry Roberts.

Credits: Producer, Bernard H. Hyman; director, W. S. Van Dyke; screenplay, Joseph L. Mankiewicz; film editor, Tom Held; music score, William Axt.

FORT FRAYNE. 1926. 5 reels.

Credits: Director, Ben Wilson; story, Charles King; screen adaptation, George W. Pyper.

40th ANNUAL TOURNAMENT OF ROSES, NEW YEAR'S DAY, 1929, PASADENA, CALIFORNIA. 1929. Filmstrip, 100 frames, color, 35 mm.

Credits: Compiler, Harris Anderson.

FORTUNATE ISLES. (Magic Carpet of Movietone) 1934. 1 reel, sd.

Credits: Producer, Barry O'Neil; adaptation, Clay M. Greene.

A FORTUNE HUNTER. 1915. 1 reel.

Credits: Director, Theodore Marston.

THE FORTUNE HUNTER. 1920. 7 reels.

Credits: Director, Tom Terriss; story, Winchell Smith; scenario, Graham Baker.

THE FORTUNE HUNTER. 1927. 7 reels. From the story by Winchell Smith.

Credits: Director, Charles F. Reisner; scenario, Bryan Foy, Robert Dillon.

THE FORTUNE HUNTERS. 1913. 4 reels.

THE FORTUNE TELLING RACKET, SUPERSTITIONS OF SPORTS CHAMPIONS, AND A VISIT TO WEST POINT. (The Human Side of the News) 1933. 1 reel.

FORTUNE'S CHILD. Presented by Albert E. Smith. 1919. 5 reels. From the story "Beth" by Lawrence McCloskey.

Credits: Director, Joseph Gleason.

FORTUNE'S MASK. 1922. 5 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Robert Ensminger; scenario, C. Graham Baker.

THE FORTUNES OF FIFI. Presented by Daniel Frohman. 1917. 5 reels.

Credits: Molly Elliot Seawell; director, Robert G. Vignola; photoplay, Eve Unsell.

THE FORTUNES OF MARIANA. 1915. 2 reels.

FORTUNE'S TURN. 1913.

Credits: Director, Wilfrid North.

FORTUNE'S WHEEL. 1923. 1 reel.

45-CALIBRE WAR. 1929. 5 reels.

Credits: Ford I. Beebe; producer and director, Leo D. Maloney.

45 FATHERS. 1937. 6,450 ft., sd.

Credits: Director, James Tinling; story, Mary Bickel; screenplay, Frances Hyland, Albert Ray; music, Samuel Kaylin.

FORTY-FIVE MINUTES FROM BROADWAY. First National. 1921. 6 reels. Adapted from the stage play by George M. Cohan.

Credits: Director, Joseph De Grasse; adaptation, Isabel Johnston, Bernard McConville; editor, Harry Decker.

A 44-CALIBER MYSTERY. Gold Seal. 1917. 3 reels.

Credits: Director, Fred Kelsey; story, T. Shelley Sutton; scenario, F. A. Meredyth.

A 44-CALIBER MYSTERY. 1922. 2 reels.

Credits: Director, Fred Kelsey; story, T. Shelley Sutton; scenario, F. A. Meredyth.

FORTY-HORSE HAWKINS. Universal-Gibson. 1924. 6 reels.

Credits: Edward Sedgwick and Raymond L. Schrock; director, Edward Sedgwick.

FORTY MILLION HOOF BEATS. 1939. 1 reel, sd.

FORTY NAUGHTY GIRLS. 1937. 7 reels, sd.

Credits: Producer, William Sistrom; director, Edward Cline; story, Stuart Palmer; screenplay, John Grey; editor, John Lockert; music director, Roy Webb.

'49-'17. Butterfly. 1917. 5 reels. Based on the story "The Old West Per Contract" by William Wallace Cook.

Credits: Adapted and directed by Ruth Ann Baldwin.

42ND STREET. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 89 min., sd. Based on the novel by Bradford Ropes.

Credits: Director, Lloyd Bacon; screenplay, Rian James, James Seymour; film editor, Frank Ware.

47th PRECINCT. SEE Inside Information.

THE FORTY THIEVES. (Paul Terry-Toons) 1932. 7 min., sd.

Credits: Frank Moser, Paul Terry.

40,000 MILES WITH LINDBERGH. 1928. 3 reels.

FORTY WINKS. Paramount. Presented by Adolph Zukor. 1925. 7 reels. From the play "Lord Chumley" by David Belasco and Henry C. De Mille.

Credits: Directors, Paul Tribe, Frank Urson; screenplay, Bertram Millhauser.

FORWARD MARCH. 1923. 2 reels.

Credits: Written and directed by John P. Smith.

THE FORWARD PASS. Vitaphone. 1929. 81 min., sd.

Credits: Director, Edward Clive; story, Harvey Gates.

THE FORWARD PASS. Trailer. 1929. 1 reel, sd.

FORWARD TOGETHER. (See America First Series) 1935. 1 reel, sd.

Credits: Narrative, John B. Kennedy; editor, Bert Frank.

FOUL BALL. 1929. 2 reels.

Credits: Director, Gus Meins; story, T. Page Wright, Bill Weber.

FOUND—A FLESH REDUCER. 1915. 1 reel.

Credits: H. D. Kellar.

FOUND ALIVE. Presented by Ideal Pictures Corp. 1934. 7 reels, sd.

Credits: Director, Charles Hutchison; story, Jacob Conn; continuity and dialogue, Adrian Johnson; editor, Rose Smith.

FOUNDATIONS OF GOLD. (U.F.A Oddity) 1929. 1 reel.

THE FOUNDLING. 1912. 1 reel.

Credits: Harry Furniss.

THE FOUNTAIN. 1934. 9 reels, sd. From the novel by Charles Morgan.

Credits: Producer, Pandro S. Berman; director, John Cromwell; adaptation, Jane Murfin; dialogue, Samuel Hoffenstein; editor, William Morgan; music, Max Steiner.

THE FOUNTAIN OF TROUBLE. Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; scenario, Arthur F. Statter.

4 A. M. 1928. 2 reels, b&w.

Credits: Written and directed by William M. Conselman.

THE FOUR ARISTOCRATS: ED LEWIS, BERT BENNET, TOM MILLER AND FRED WEBER. 1927. 1 reel each.

THE FOUR ARISTOCRATS, ED LEWIS, FRED WEBER, BERT BENNET [AND] TOM MILLER PRESENT NEW SONG OFFERING: A. HELLO SWANEE [and others]. 1927. 1 reel.

THE FOUR ARISTOCRATS, ED LEWIS, FRED WEBER, BERT BENNET [AND] TOM MILLER PRESENT NEW SONG OFFERING: A. LOOKING AT THE WORLD THRU ROSE COLORED GLASSES [and others]. 1927. 1 reel.

THE FOUR ARISTOCRATS IN MODERN SONG AND SYNCOPATION SING: GOTTA KNOW HOW TO LOVE [and others]. 1927. 1 reel, sd.

THE FOUR-BIT MAN. 1919. 2 reels.

Credits: Director, Reaves Eason; story, Judith and Eric Howard; scenario, Anthony W. Coldeway.

FOUR BROTHERS. SEE The First Kiss.

FOUR BUDDIES: HENRY SHOPE, LEONARD SAXON, PHILLIP DUEY [AND] JAMES H. WAITES, HARMONY SONGSTERS, WITH ORCHESTRA ACCOMPANIMENT, OFFERING: SIDE BY SIDE [and others]. 1927. 1 reel.

A FOUR CENT COURTSHIP. Black Cat. 1917. 28 min.

Credits: H. Tipton Steck; director, L. C. Windom.

A FOUR-CORNERED TRIANGLE. 1918. 1 reel.

Credits: A. Van Buren Powell; director, Graham Baker.

FOUR DAUGHTERS. First National. 1938. 9 reels, sd. From the story by Fannie Hurst.

Credits: Director, Michael Curtiz; screenplay, Julius J. Epstein, Lenore Coffee; music, Max Steiner.

FOUR DAY'S WONDER. 1936. 7 reels. From the novel by A. A. Milne.

Credits: Producer, Robert Presnell; director, Sidney Salkow; screenplay, Harvey Thew, Michael H. Uris; film editors, Maurice E. Wright, Russell Schoengarth; music director, Herman Heller.

FOUR DEVILS. 1928. 12 reels, b&w. From the story by Herman Bang.

Credits: Director, F. W. Murnau; screenplay, Berthold Viertel, Carl Mayer, Marion Orth.

FOUR FACES WEST. Presented by William Fox. 1927. 2 reels.

Credits: Director, Orville Dull; story, Richard Harding Davis; scenario, Arthur Greenlaw, Lou Breslow.

FOUR FEATHERS. 1915. 5 reels. From the book by A. E. W. Mason.

Credits: Staged by J. Searle Dawley.

THE FOUR FEATHERS. 1929. 8 reels, sd. From the novel by A. E. W. Mason.

Credits: Directors, Ernest B. Shoedsack, Merian C. Cooper, Lothar Mendes; screenplay, Howard Estabrook; titles, Julian Johnson; adaptation, Hope Loring; music, William Frederick Peters.

THE FOUR FEATHERS. Presented by Alexander Korda. Released through United Artists. 1939. 14 reels, sd., color. From the novel by A. E. W. Mason.

Credits: Producer, Alexander Korda; director, Zoltan Korda; screenplay, R. C. Sherriff; additional dialogue, Lajos Biro, Arthur Wimperis; film editor, Henry Cornelius; music score, Miklos Rozsa; music director, Muir Mathieson.

FOURFOOTED DESPERADO. 1914. 1 reel.

Credits: Mark Swan; director, C. Jay Williams.

THE FOUR FOOTED RANGER. 1927. 5 reels.

Credits: Director, Stuart Paton; story and continuity, Paul Bryan; adaptation, Cromwell Kent.

FOUR-FORTY AT THE FORT PENN. SEE Brave and Bold.

FOUR FRIGHTENED PEOPLE. 1934. 8 reels, sd. From the novel by E. Arnot Robertson.

Credits: Director, Cecil B. De Mille; screenplay, Bartlett Cormack, Lenore Coffee.

FOUR GIRLS IN WHITE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, Nat Levine; director, S. Sylvan Simon; original story, Nathalie Bucknall, Endre Behom; screenplay, Dorothy Yost; film editor, George Boemler.

FOUR GRAINS OF RICE. 1915. 2 reels.

Credits: Director, Theodore Marston.

FOUR GUN BANDIT. 1919. 2 reels.

Credits: Director, George Holt; story, Judith Howard, Eric Howard; scenario, Karl R. Coolidge.

THE FOUR HORSEMEN OF THE APOCALYPSE. 1921. 11 reels. Based on the novel by Vicente Blasco Ibanez.

Credits: Director, Rex Ingram; screenplay, June Mathis.

FOUR HOURS TO KILL! Presented by Adolph Zukor. 1935. 8 reels, sd. Based on the play "Small Miracles" by Norman Krasna.

Credits: Producer, Arthur Hornblow, Jr.; director, Mitchell Leisen; screenplay, Norman Krasna; music and lyrics, Ralph Rainger, Leo Robin.

THE FOUR HUMAN EAGLES. SEE The Flight of the Southern Cross.

FOUR MARRIED MEN. Presented by William Fox. 1929. 1 reel.

Credits: Director, Marcel Silvers; story and scenario, William K. Wells; film editor, Dorothy Spencer.

FOUR MEN AND A PRAYER. 1938. 7,700 ft., sd. From the novel by David Garth.

Credits: Director, John Ford; screenplay, Richard Sherman, Sonya Levien, Walter Ferris; music director, Louis Silvers.

A FOUR MILLION DOLLAR DOWRY. SEE Conspiracy.

FOUR MINUTES LATE. 1914. 1,000 ft.

Credits: Producer, F. J. Grandon.

FOUR MINUTES LATE. SEE Northern Frontier.

FOUR NARRATIVES. 1916. 2 reels.

Credits: Producer, Paul M. Powell.

FOUR PARTS. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Eddie Dunn; film editor, William Terhune.

THE FOUR R'S. 1917. 1/2 reel.

FOUR SALES IN ONE. 1928. 1 reel.

THE FOUR SEASONS WITH THE FORDSON. (Ford Educational Library) Ford Motion Picture Laboratories. 1922. 2 reels.

FOUR SMART DOGS. (Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

FOUR SONS. 1928. 11 reels.

Credits: Director, John Ford; story, I. A. R. Wylie; adaptation, Philip Klein.

THE FOUR STAR BOARDER. (Hal Roach Comedy) 1935. 1,792 ft., sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

FOUR-STROKE-CYCLE GAS ENGINE. 1929. 1 reel.

THE FOUR SYNCO-PETS IN MUSICAL MOMENTS. 1929. 1 reel, sd.

413. 1914. 3 reels.

Credits: Director, Ralph Ince.

FOUR WALLS. 1928. 8 reels, sd., b&w. Based on the play by Dana Burnet and George Abbott.

Credits: Producer and director, William Nigh; continuity, Alice D. G. Miller; film editor, Harry Reynolds.

FOUR WHEEL BRAKES. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Jules White.

THE FOURFLUSHER. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Harry L. Franklin; original story, Izola Forrester, Mann Page; adaptation, A. S. Le Vino.

THE FOUR-FLUSHER. 1923. 2 reels.

Credits: Director, Norman Taurog.

THE FOURFLUSHER. Jewel. 1927. 6 reels. From the play by Caesar Dunn.

Credits: Director, Wesley Ruggles; adaptation and continuity, Earl Snell.

FOUR'S A CROWD. 1938. 10 reels, sd.

Credits: Director, Michael Curtiz; story, Wallace Sullivan; screenplay, Casey Robinson, Sig Herzig.

FOUR-SQUARE SELLING. 1936. Filmstrip, 65 frames, sd.

FOUR SQUARE STEVE. Mustang. 1926. 2 reels.

Credits: Director, Ernst Laemmle; story and scenario, Cecil Burtis-Hill.

THE FOURTEENTH LOVER. 1922. 5 reels.

Credits: Alice D. G. Miller; producer and director, Harry Beaumont; scenario, Edith Kennedy.

THE FOURTEENTH MAN. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the play "The Man from Blakeley's" by F. Anstey [pseud. of Thomas Anstey Guthrie].

Credits: Director, Joseph Henabery; scenario, Walter Woods.

THE FOURTH ALARM. Standard. Presented by W. Ray Johnston. 1930. 6 reels, sd.

Credits: Director, Philip H. Whitman; story, Scott Littleton.

THE FOURTH COMMANDMENT. 1926. 8 reels.

Credits: Story, Emilie Johnson.

THE FOURTH ESTATE. 1916. For Fox Film Corp. 5 reels.

Credits: Written and produced by Frank Powell.

THE FOURTH HORSEMAN. 1932. 6 reels.

Credits: Director, Hamilton MacFadden; story, Nina Wilcox Putnam; screenplay, Jack Cunningham.

Credits: Harry G. Kebel.

THE FOURTH IN SALVADOR. 1917. 2 reels. From the story "Roads of Destiny" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, Graham Baker.

THE FOURTH MUSKETEER. 1923. 6 reels.

Credits: Director, William K. Howard; story, H. C. Witwer; adaptation, Paul Schofield.

THE FOURTH WITNESS. Laemmle. 1917. 2 reels. From a story by Alice Catlin.

Credits: Director, John McDermott; scenario, Harvey Gates.

A FOWL AFFAIR. (Educational's Comedies) (Gayety Comedies) 1931. 2 reels, sd.

Credits: Producer, Al Christie; director, Neal Burns, Barney McGill; story, Barney McGill; dialogue, Walter DeLeon.

THE FOWL BALL. (Oswald Comedy) 1930. 1 reel, sd.

A FOWL DEED. 1914. 1 reel.

FOWL PLAY. (A McDougall Alley Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

FOWL PLAY. 1929. 2 reels. From "The Wildcat" stories by Hugh Wiley.

Credits: Producer, Monte Brice; director, Carl Harbaugh; adaptation, Sidney Lazarus.

FOWL PLAY. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

THE FOX. Universal-Jewel. 1921. 7 reels.

Credits: Director, Robert Thornby; story, Harry Carey; scenario, Lucien Hubbard.

FOX AND THE RABBIT. (Cartune Classics) 1935. 1 reel.

Credits: Director, Walter Lantz; story and lyrics, Walter Lantz, Victor McLeod.

THE FOX CHASE. (Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

THE FOX HUNT. (Silly Symphony, no. 24) 1931. 1 reel.

THE FOX HUNT. (A Walt Disney Donald Duck and Goof) 1938. 1 reel, sd.