Volume 2, 1928/29.

Chapter 1618,920 wordsPublic domain

1. © 12Aug28; MP5412.

2. © 15Aug28; MP5413.

3. © 19Aug28; MP5458.

4. © 22Aug28; MP5459.

5. © 26Aug28; MP5460.

6. © 29Aug28; MP5461.

7. © 2Sep28; MP5462.

8. © 5Sep28; MP5463.

9. © 9Sep28; MP5464.

10. © 12Sep28; MP5558.

11. © 16Sep28; MP5559.

12. © 19Sep28; MP5560.

13. © 23Sep28; MP5561.

14. © 26Sep28; MP5562.

15. © 30Sep28; MP5563.

16. © 3Oct28; MP5564.

17. © 7Oct28; MP5565.

18. © 10Oct28; MP5566.

19. © 14Oct28; MP5567.

20. © 17Oct28; MP5639.

21. © 21Oct28; MP5640.

22. © 25Oct28; MP5641.

23. © 28Oct28; MP5642.

24. © 1Nov28; MP5643.

25. © 4Nov28; MP5644.

26. © 8Nov28; MP5645.

27. © 11Nov28; MP5646.

28. © 15Nov28; MP5647.

29. © 18Nov28; MP5727.

30. © 22Nov28; MP5728.

31. © 25Nov28; MP5729.

32. © 29Nov28; MP5730.

33. © 2Dec28; MP5731.

34. © 6Dec28; MP5732.

35. © 9Dec28; MP5733.

36. © 13Dec28; MP5734.

37. © 16Dec28; MP5735.

38. © 20Dec28; MP5857.

39. © 23Dec28; MP5858.

40. © 27Dec28; MP5859.

41. © 30Dec28; MP5860.

42. © 3Jan29; MP5861.

43. © 6Jan29; MP5862.

44. © 10Jan29; MP5863.

45. © 13Jan29; MP5864.

46. © 17Jan29; MP5865.

47. © 20Jan29; MP5866.

48. © 24Jan29; MP26.

49. © 27Jan29; MP27.

50. © 31Jan29; MP28.

51. © 3Feb29; MP29.

52. © 7Feb29; MP30.

53. © 10Feb29; MP31.

54. © 14Feb29; MP32.

55. © 17Feb29; MP33.

56. © 21Feb29; MP34.

57. © 24Feb29; MP35.

58. © 28Feb29; MP111.

59. © 3Mar29; MP112.

60. © 7Mar29; MP113.

61. © 10Mar29; MP114.

62. © 14Mar29; MP115.

63. © 17Mar29; MP116.

64. © 21Mar29; MP256.

65. © 23Mar29; MP257.

66. © 28Mar29; MP258.

67. © 31Mar29; MP259.

68. © 4Apr29; MP260.

69. © 7Apr29; MP261.

70. © 11Apr29; MP262.

71. © 14Apr29; MP263.

72. © 18Apr29; MP264.

73. © 21Apr29; MP265.

74. © 25Apr29; MP346.

75. © 28Apr29; MP347.

76. © 2May29; MP348.

77. © 5May29; MP349.

78. © 9May29; MP350.

79. © 12May29; MP351.

80. © 16May29; MP352.

81. © 19May29; MP353.

82. © 23May29; MP354.

83. © 26May29; MP443.

84. © 30May29; MP444.

85. © 2Jun29; MP445.

86. © 6Jun29; MP446.

87. © 9Jun29; MP447.

88. © 13Jun29; MP448.

89. © 16Jun29; MP449.

90. © 20Jun29; MP450.

91. © 23Jun29; MP451.

92. © 27Jun29; MP566.

93. © 30Jun29; MP567.

94. © 4Jul29; MP568.

95. © 7Jul29; MP569.

96. © 11Jul29; MP570.

97. © 14Jul29; MP571.

98. © 18Jul29; MP572.

99. © 21Jul29; MP678.

100. © 25Jul29; MP679.

After the issue of July 25, 1929, M. G. M. News was merged with International Newsreel to form M. G. M. International Newsreel.

MA AND PA. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

MABEL AND FATTY VIEWING THE WORLD'S FAIR AT SAN FRANCISCO, CAL. 1915.

Credits: Producer, Mack Sennett.

MABEL AND FATTY'S MARRIED LIFE. 1915.

Credits: Producer, Mack Sennett.

MABEL AND FATTY'S WASH DAY. 1915.

Credits: Producer, Mack Sennett.

MABEL LOST AND WON. 1915.

Credits: Producer, Mack Sennett.

MABEL'S WILFUL WAY. 1915.

Credits: Producer, Mack Sennett.

MABLE, FATTY AND THE LAW. 1915.

A MACARONI SLEUTH. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Bess Meredyth.

MCFADDEN'S FLATS. A Richard Wallace Production. 1927. 8 reels. From the play by Gus Hill.

Credits: Producer, Edward Small; director, Richard Wallace; scenario, Charles Logue; adaptation, Jack Wagner, Jack Jerne, Rex Taylor.

MCFADDEN'S FLATS. Presented by Adolph Zukor. 1935. 7 reels, sd. From the play by Gus Hill.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Arthur Caesar, Edward Kaufman; adaptation, Casey Robinson; additional dialogue, Andy Rice.

MCGILL. (The Spirit of the Campus) Presented by E. W. Hammons. 1933. 821 ft., sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil; narration, Graham McNamee.

MCGINIS VS. JONES. (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

MCGINTY AND THE COUNT. 1914. 1 reel.

Credits: O. A. Nelson.

Credits: Drawn by Edwin Johnson.

MACGOWAN-PARKER SUPRAPUBIC CYSTOTOMY. (EASTMAN MEDICAL FILMS) 1932. 1 reel.

MCGUIRE OF THE MOUNTED. 1923. 5 reels.

Credits: Director, Richard Stanton; story, Raymond L. Schrock; scenario, George Hively.

MACHINE GUNS IN THE MAKING. 1916. 1/2 reel.

A MACHINE THAT THINKS. 1924. 1 reel.

MACHINING THE CYLINDER BLOCK; Safeguarding Quality. 1927.

MCKAY AND ARDINE, BACK FROM ABROAD. 1929. 1 reel, sd.

MCKENNA OF THE MOUNTED. 1932. 7 reels.

Credits: Director, D. Ross Lederman; story, Randall Faye; dialogue and continuity, Stuart Anthony.

MCQUADE OF THE TRAFFIC SQUAD. 1915. 1,000 ft.

Credits: Director, Eugene Nowland.

MCTEAGUE. SEE Greed.

MAD ABOUT MUSIC. 1938. 10 reels.

Credits: Producer, Joe Pasternak; director, Norman Taurog; original story, Marcella Burke, Frederick Kohner; screenplay, Bruce Manning, Felix Jackson; music and lyrics, Jimmy McHugh, Harold Adamson.

THE MAD DANCER. 1925. 7 reels.

Credits: Director, Burton King; story, Louise Winter; continuity, William B. Laub.

THE MAD DOCTOR. (Mickey Mouse, no. U. A. 9) 1933. 1 reel.

THE MAD DOG. (Mickey Mouse, no. 24) 1932. 1 reel.

THE MAD EMPRESS. First National. 1939. 8 reels.

Credits: Producer and director, Miguel C. Torres; screenplay and dialogue, Jean Bart, Jerome Chodorov, Miguel C. Torres.

THE MAD GAME. 1933. 6,884 ft., sd.

Credits: Director, Irving Cummings; story, William Conselman; screenplay and dialogue, William Conselman and Henry Johnson; music, Samuel Kaylin.

THE MAD GENIUS. 1931. 8 reels, sd. From the play by Martin Brown.

Credits: Director, Michael Curtiz; screenplay, J. Grubb Alexander, Harvey Thew.

THE MAD HERMIT. Special Big U. 1916. 2 reels.

Credits: Director, Francis Ford; scenario, Grace Cunard.

MAD HOLIDAY. 1936. 8 reels, sd., b&w. Suggested by the story "Murder in a Chinese Theatre" by Joseph Santley.

Credits: Producer, Harry Rapf; director, George B. Seitz; screenplay, Florence Ryerson, Edgar Allan Woolf; film editor, George Boemler; music score, William Axt.

MAD HOUR. Presented by Robert Kane. 1928. 7 reels. Suggested by the novel "The Man and the Moment" by Elinor Glyn.

Credits: Producer, Allan Dwan; director, Joseph C Boyle; scenario, Tom J. Geraghty.

THE MAD KING. (Paul Terry-Toons) 1932.

Credits: Frank Moser, Paul Terry.

MAD LOVE. 1923. 6 reels.

Credits: Director, Ernst Lubitsch.

MAD LOVE. 1935. 7 reels, sd., b&w. From the novel "Les Mains d'Orlac" by Maurice Renard.

Credits: Producer, John W. Considine, Jr.; director, Karl Freund; screenplay, P. J. Wolfson, John J. Balderson; adaptation, Guy Endore; translated and adapted by Florence Crewe-Jones; film editor, Hugh Wynn; music director, Oscar Radin.

THE MAD MAID OF THE FOREST. Bison. 1915. 2 reels.

Credits: Producer, Jack J. Clark; scenario, Ben Cohn.

THE MAD MARRIAGE. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, Marjorie Benton Cooke; scenario, Marion Fairfax.

MAD MELODY. (Aesop's Fable) The Van Beuren Corp. 1931. 1 reel.

Credits: John Foster, Mannie Davis.

THE MAD MISS MANTON. 1938. 80 min., sd.

Credits: Producer, Pandro S. Berman; director, Leigh Jason; story, Wilson Collison; screenplay, Philip G. Epstein; editor, George Hively; music score, Roy Webb.

MAD MONEY. (Court of Human Relations) 1936. 1 reel, sd.

THE MAD PARADE. 1931. 7 reels, sd.

Credits: Gertrude Orr, Doris Malloy; producer, Herman M. Gumbin; supervision, M. H. Hoffman; director, William Baudine; screenplay, Henry McCarthy, Frank R. Conklin.

THE MAD RACER. 1926. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Ben Stoloff; scenario, Mark Sandrich.

THE MAD RUSH. (Cameo Comedy) 1925. 1 reel.

MAD SCRAMBLES. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Arvid Gillstrom; original story and scenario, Hal Conklin.

THE MAD STAMPEDE. Big U. 1917. 1 reel. Based on the poem "Lasco" by F. Desprez.

Credits: Director, J. Farrell MacDonald.

THE MAD WHIRL. Universal-Jewel. 1924. From the story "Here's How" by Richard Washburn Child.

Credits: Director, William A. Seiter; adaptation, Frederic and Fanny Hatton.

THE MAD WOMAN. 1919. 2 reels.

Credits: Director, George W. Terwilliger; scenario, Calder Johnston.

MAD YOUTH. 1939. 8 reels, sd.

Credits: Director, Melville Shyer.

MADAM BUTTERFLY. 1933. 10 reels. From the story by John Luther Long and the play by David Belasco.

Credits; Producer, B. P. Schulberg; director, Marion Gering; screenplay, Josephine Lovett, Joseph Moncure March.

MADAM SATAN. 1930. 13 reels, sd., b&w.

Credits: Producer and director, Cecil B. De Mille; story, Jeanie Macpherson; music and lyrics, Clifford Grey, Herbert Stothart, Elsie Janis, Jack King; film editor, Anne Bauchens.

MME. ALDA SINGING AVE MARIA BY VERDI. 1930. 1 reel, sd.

MADAME, BEHAVE. Released by Producers Distributing Corp. 1925. 6 reels. From the French farce by Jean Arlette.

Credits: Director, Scott Sidney; adaptation, F. McGrew Willis.

MADAME CUBIST. Victor. 1916. 2 reels.

Credits: Elaine Sterne; producer, Lucius Henderson.

Credits: Martin Jörgensen, Louis Levy.

MADAME DUBARRY. 1917. 7 reels.

Credits: Director, J. Gordon Edwards; adaptation, Adrian Johnson.

MADAME DUBARRY. Presented by Herbert T. Kalmus. 1928. 2 reels.

Credits: Producer, Herbert T. Kalmus; director, R. William Neil; screenplay, Jack Cunningham; film editor, Aubrey Scotto.

MADAME DUBARRY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 9 reels, sd.

Credits; Director, William Dieterle; story and screenplay, Edward Chodorov.

MADAME DYNAMITE. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Zion Myers, Gene Forde; story, Franklyn Ardell, Henry Johnson.

MME. ERNESTINE SCHUMANN-HEINK, CONTRALTO, SINGING: DANNY BOY [and others]. 1927. 1 reel, sd.

MME. ERNESTINE SCHUMANN-HEINK, CONTRALTO, SINGS: BY THE WATERS OF MINNETONKA [and others]. 1927. 1 reel, sd.

MME. FRANCES ALDA SINGING THE LAST ROSE OF SUMMER AND BIRTH OF MORN. 1929. 1 reel.

MADAME FRANCES ALDA SINGING THE STAR SPANGLED BANNER, ACCOMPANIED BY THE VITAPHONE SYMPHONY, HERMAN HELLER, CONDUCTING. 1927. 1 reel, sd.

MADAME JEALOUSY. 1918. 5 reels.

Credits: Director, Robert G. Vignola; story, George V. Hobart; scenario, Eve Unsell.

MADAME KURENKO. (Metro Movietone Act) 1929. 1 reel, sd.

MADAME LA PRESIDENTE. 1916. 5 reels.

MME. MARIA KURENKO [offers] SHADOW SONG FROM DINORAH, SONG OF INDIA. (Metro Movietone Act) 1930. 1 reel, sd.

MADAME OF THE JURY. 1930. 1 reel.

MADAME PEACOCK. 1920. 6 reels.

Credits: Director, Ray C. Smallwood; original story, Rita Weiman; adaptation, Nazimova.

MADAME POMPADOUR. 1927. 7 reels. From the play by Rudolph Schanzer and Ernst Welisch.

Credits: Director, Herbert Wilcox.

MADAME Q. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

MADAME RACKETEER. 1932. 8 reels, sd.

Credits: Malcolm Stuart Boylan, Harvey Gates; directors, Alexander Hall, Harry W. Gribble.

MME. ROSA RAISA OFFERS A. GOOD-BYE BY F. PAOLO TOSTI, B. EILI-EILI! BY KURT SCHINDLER. 1928. 1 reel, sd.

MME. ROSA RAISA OFFERS A. PLAISIR D'AMOUR BY PADRE G. MARTINI, B. LA PALOMA BY S. YRADIER. 1928. 1 reel, sd.

MADAME SANS-GENE. 1923. 6 reels. From the comedy by Victorien Sardou and Émile Moreau.

MADAME SANS-GENE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 10 reels. From the play by Victorien Sardou and Émile Moreau.

Credits: Director, Leonce Perret; screenplay, Forrest Halsey.

MADAME SARAH BERNHARDT AT HOME. 1913. 2 reels.

MADAME SPY. 1918. 5 reels.

Credits: Producer, Jack Mulhall; director, Douglas Gerrard; story, Lee Morrison; scenario, Harvey Gates.

MADAME SPY. 1934. 7 reels. From a novel by Max Kimmich.

Credits: Director, Karl Freund; screenplay, William Hurlbut.

MADAME WANTS NO CHILDREN. 1927. 6 reels.

Credits: Director, Alexander Korda; edited and titled by Katharine Hilliker and H. H. Caldwell.

MADAME X. 1915. 6 reels.

Credits: Producer, Henry W. Savage.

MADAME X. 1920. 7 reels. From the play by Alexandre Bisson.

Credits: Director, Frank Lloyd; scenario, J. E. Nash, Frank Lloyd.

MADAME X. 1929. 10 reels. From the play by Alexandre Bisson.

Credits: Director, Lionel Barrymore; story, Alexandre Bisson; dialogue, Willard Mack; film editor, William S. Gray.

MADAME X. 1937. 8 reels, sd., b&w. From the play by Alexandre Bisson.

Credits: Producer, James Kevin McGuinness; director, Sam Wood; screenplay, John Meehan; film editor, Frank E. Hull.

Credits: H. K. Ward.

THE MADCAP. Red Feather. 1916. 5 reels.

Credits: Producer, William Dowlan; story, George Gibbs; scenario, Leonora Ainsworth.

A MADCAP ADVENTURE. 1915. 1 reel.

Credits: Director, Theodore Marston.

THE MADCAP COUNTESS. SEE Conquered.

THE MADCAP MUSICIAN. SEE Herschel Henlere in the Madcap Musician.

THE MADCAP QUEEN OF CRONA. Gold Seal. 1916. 2 reels.

Credits: Grace Cunard; producer, Francis Ford.

MADDEN OF THE MOUNTED. (Western Featurette) 1928. 2 reels.

Credits: Director, Josef Levigard; story, Thomas Malloy; continuity, William Lester.

Credits: Producer, William Duncan.

MADE FOR EACH OTHER. Released by United Artists. 1939. 10 reels, sd. Suggested by a story by Rose Franken.

Credits: Producer, David O. Selznick; director, John Cromwell; screenplay, Jo Swerling; film editor, James E. Newcom; music director, Lou Forbes.

MADE FOR LOVE. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 7 reels.

Credits: Producer and director, Paul Sloane; story, Garrett Fort; editor, Elmer Harris.

MADE IN HEAVEN. Goldwyn Studios. 1921. 5 reels.

Credits: Supervised and directed by Victor Schertzinger; story, William Hurlbut; scenario, Arthur F. Statter.

MADE IN THE KITCHEN. 1921. 2 reels.

Credits: Director, Noel Smith.

MADE ON BROADWAY. 1933. 7 reels, sd., b&w. Based on the story "Public Relations" by Courtenay Terrett.

Credits: Director, Harry Beaumont; screenplay, Courtenay Terrett; film editor, William S. Gray.

MADE-TO-ORDER HERO. (Ranch Riders Picture) 1927. 5 reels.

Credits: Director, Edgar Lewis; story and continuity, William Lester.

MADEIRA. (Vagabond Adventure Series) RKO-Van Beuren. 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

MADEIRA—A GARDEN BY THE SEA. (A. Fitzpatrick Traveltalk) 1931. 1 reel, sd.

MADEIRA, ISLE OF ROMANCE. (James A. Fitzpatrick's Traveltalks) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Jack Shilkret.

MADELAINE MOREL. 1916. 3 reels.

MADELON. SEE False Evidence.

MLLE FIFI. SEE The Divorce Game.

MADEMOISELLE FROM ARMENTIERES. 1928. 6 reels, sd., b&w. From the story by Victor Saville.

Credits: Producers. A. A. C. & R. C. Bromhead; director, Maurice Elvey; titles, Ralph Spence; supervising editor, V. Gareth Gundry; film editor, Hugh Wynn.

MLLE. IRENE THE GREAT. 1931. 2 reels, sd.

Credits: Director, Eddie Cline; story, Nunnally Johnson.

MADEMOISELLE MIDNIGHT. 1924. 7 reels.

Credits: Written and adapted by John Russell, Carl Harbaugh.

MADEMOISELLE MODISTE. First National. Presented by Asher, Small, and Rogers. 1926. 7 reels. Adapted from the operetta by Henry Blossom and Victor Herbert.

Credits: Director, Robert Z. Leonard.

MLLE MODISTE. SEE

Fifi.

Kiss Me Again.

THE MADHOUSE. (Jack White Talking Comedies) 1929. 18 min., sd.

Credits: Director, Stephen Roberts.

A MAD HOUSE (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 521 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

MADHOUSE MOVIES. (Paramount Varieties, no. 1) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Eric Von Zourpuss.

MADHOUSE MOVIES. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel.

A MADISON SQUARE ARABIAN NIGHT. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, A. Van Buren Powell.

MADISON SQUARE GARDEN. 1932. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; story, Thomson Burtis; screenplay, Allen Rivkin, P. J. Wolfson.

MAD MAN OR GENIUS. SEE A Stage Romance.

Credits: Director, Travers Vale; story, Emmett Campbell Hall.

THE MADNESS OF LOVE. 1922. 5 reels.

Credits: Written and directed by Wray Physioc.

MADNESS OF YOUTH. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, Jerome Storm; story, George F. Worts; scenario, Joseph Franklin.

Credits: Director, Frank Cooley.

MADONNA OF AVENUE A. 1929. 8 reels.

Credits: Mark Canfield; director, Michael Curtiz; adaptation, Ray Doyle.

MADONNA OF AVE. A. Trailer. 1929. 1 reel.

A MADONNA OF THE SLUMS. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Jessie Bonstelle; scenario, Calder Johnston.

MADONNA OF THE STREETS. Presented by Edwin Carewe. 1924. 8 reels. Adapted from "The Ragged Messenger" by W. B. Maxwell.

Credits: Director, Edwin Carewe.

MADONNA OF THE STREETS. 1930. 8 reels, sd. From the play "The Ragged Messenger" by W. B. Maxwell.

Credits: Producer, Harry Cohn; director, John Robertson; adaptation, dialogue, and continuity, Jo Swerling; film editor, Gene Havelick.

MÄDCHEN IN UNIFORM (GIRLS IN UNIFORM). 1931. 10 reels, sd. From the play "Gestern und Heute" by Christa Winsloe.

Credits: Director, Carl Froelich; music. Hansom Milde-Meissner.

DAS MÄDCHEN OHNE VATERLAND. SEE The Girl Without Home.

THE MAELSTROM. 1917. 5 reels.

Credits: Frank Froest; director, Paul Scardon.

MAFIOSI DI PALERMO. SEE I Mafiosi alla Vicaria di Palermo.

MAGAZINE COOKING. 1914. 1 reel.

MAGDA. 1917. 6 reels. Based on the play by Hermann Sudermann.

Credits: Director, Emile Chautard; scenario, Margaret Turnbull.

A MAGDALENE OF THE HILLS. 1917. 5 reels.

Credits: Director, John W. Noble; story, Harry Chandlee; scenario, June Mathis.

MAGGIE PEPPER. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. From the drama by Charles Klein.

Credits: Director, Chet Withey; scenario, Gardner Hunting.

MAGIC. (A Buster Brown Comedy) (Stern Bros. Comedy) 1929. 2 reels. From the cartoons by R. F. Outcault.

MAGIC ART. (Aesop's Fables) 1932. 665 ft.

Credits: John Foster, Harry Bailey.

THE MAGIC BEANS. (A Walter Lantz Nertsery Rhyme) 1939. 1 reel.

Credits: Director, Lester Kline; story, Vic McLeod; animation, George Dane, Fred Kopietz.

THE MAGIC BON-BONS. Victor. 1915. 1 reel.

THE MAGIC CARPET. (Dinkey Doodle Cartoon, no. 9) Bray. 1925. 1 reel.

THE MAGIC CHEST. 1924. 1 reel.

Credits: Directors, J. A. Norling, William Ganson Rose.

THE MAGIC CITY. (Our World Today) 1928. 1 reel.

THE MAGIC CUP. 1921. 5 reels.

Credits: Director, John S. Robertson; story and scenario, E. Lloyd Sheldon.

THE MAGIC EYE. 1918. 5 reels.

Credits: Director, Rea Berger; story, Norris Shannon; scenario, Frank H. Clark.

THE MAGIC FISH. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1934. 520 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE MAGIC FLAME. 1927. 9 reels. From the stage play "King Harlequin" by Rudolph Lothar.

Credits: Producer and director, Henry King; adaptation, Bess Meredith; continuity, June Mathis; titles, George Marion, Jr., Nellie Revell.

THE MAGIC GAME. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

THE MAGIC GARDEN. Released by F. B. O. 1927. 7 reels. From the story by Gene Stratton-Porter.

Credits: Adaptation and direction, J. Leo Meehan; continuity, Charles M. Kerr.

MAGIC INDIA; AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE MAGIC JAZZ-BO. Joker. 1917. 1 reel.

Credits: Story and direction, Albert A. Sautell; scenario, Arthur F. Statler.

THE MAGIC LAMP. (A Dinky Doodle Cartoon) 1924. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGIC MIRROR. (Is Marriage Sacred?) 1917. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

THE MAGIC MUMMY. (Tom and Jerry) The Van Beuren Corp. 1933. 645 ft.

Credits: John Foster, George Stallings.

MAGIC NIGHT. British & Dominions. 1932. 9 reels.

Credits: Holt Marvell, George Posford; producer and director, Herbert Wilcox.

THE MAGIC OF MUSIC. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE MAGIC OF OIL. 1936. 4 reels, sd.

THE MAGIC OF SPRING. 1917. 1/2 reel.

MAGIC ON BROADWAY. (A Max Fleischer Screen Song) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THE MAGIC SKIN. 1915. 5 reels.

Credits: James O. Walsh, Rex Taylor, Joseph A. Richmond.

THE MAGIC WORD. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1935. 1,500 ft., sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Charlie Williams.

THE MAGICIAN. (Dinky Doodle Cartoon) 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGICIAN. 1926. 8 reels. From the novel by W. Somerset Maugham.

Credits: Direction and adaptation, Rex Ingram; film editor, Grant Whytock.

Credits: Producer, Charles H. France.

MAGICIAN MICKEY. (A Walt Disney Mickey Mouse) 1937. 1 reel, sd.

THE MAGICIAN'S DAUGHTER. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Direction and original story, Felix E. Feist; screenplay, Jack Woodford, Richard Goldstone; music score, David Snell.

THE MAGISTRATE'S STORY. 1915. 1,000 ft.

Credits: Allen Potter Crolius; director, Langdon West.

THE MAGNATE. 1930. 1 reel, sd.

Credits: Director, Dick Currier.

THE MAGNATE OF PARADISE. 1914. 2 reels. An adaptation of the novel by Mary Imlay Taylor.

THE MAGNETIC BAT. 1928. 1 reel.

MAGNETIC EFFECTS OF ELECTRICITY. 1930. 976 ft., 16 mm.

THE MAGNIFICENT AMBERSONS. SEE Pampered Youth.

THE MAGNIFICENT BRUTE. 1921. 5 reels.

Credits: Producer, Robert Thornby; story, Malcolm Stuart Moylan; scenario, Lucien Hubbard.

THE MAGNIFICENT BRUTE. 1936. 8 reels, sd. Based on the story "Big" by Owen Francis.

Credits: Producer, Edmund Grainger; director, John Blystone; screenplay, Lewis B. Foster, Owen Francis, Bertram Millhauser; film editor, Ted Kent; music director, Charles Previn.

THE MAGNIFICENT FLIRT. 1928. 4,998 ft. Suggested by "Maman" by Germain [pseud. of José Germain Drouilly] and Moncousin.

Credits: Director, H. D'Abbadie D'Arrast; screenplay, Jean de Limur, H. D'Abbadie D'Arrast.

THE MAGNIFICENT FRAUD. 1939. 8 reels, sd. Based on the story "Caviare for His Excellency" by Charles G. Booth.

Credits: Producer, Harlan Thompson; director, Robert Florey; screenplay, Gilbert Gabriel, Walter Ferris; film editor, James Smith.

THE MAGNIFICENT LIE. 1931. 8 reels. Based on "The Laurels and the Lady" by Leonard Merrick.

Credits: Director, Berthold Viertel; screenplay, Vincent Laurence, Samson Raphaelson.

THE MAGNIFICENT MEDDLER. 1917. 5 reels.

Credits: Director, William Wolbert; story, Lawrence McCloskey; adaptation, Garfield Thompson.

MAGNIFICENT OBSESSION. 1935. 13 reels, sd. Based on the novel by Lloyd C. Douglas.

Credits: Director, John M. Stahl; screenplay, Sarah Y. Mason, Victor Heerman, George O'Neil.

MAGNOLIA. SEE

The Fighting Coward.

River of Romance.

THE MAGPIE. Gold Seal. 1917. 3 reels.

Credits: Director, Edwin Stevens; story, George Dana Smith.

A MAID AND A MAN. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

MAID FOR A DAY. 1936. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE MAID FROM SWEDEN. 1914. 1 reel.

Credits: Director, Lee Beggs.

MAID IN CHINA. (Terry Toons) Presented by E. W. Hammons. 1938. 619 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

MAID IN HOLLYWOOD. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAID IN MOROCCO. (Lupino Lane Comedies) 1925. 2 reels.

Credits: Director, Charles Lamont.

THE MAID O' THE MOUNTAINS. 1915. 2 reels.

Credits: Director, George Archainbaud; story, Adrian Gil-Spear.

THE MAID OF HONOR. 1912. 1 reel.

Credits: Bannister Merwin.

A MAID OF MANDALAY. 1913.

Credits: Director, Maurice Costello.

THE MAID OF ROMANCE. 1915.

MAID OF SALEM. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Frank Lloyd; story, Bradley King; screenplay, Walter Ferris, Bradley King, Durward Grinstead; editor, Hugh Bennett; music, Victor Young; music director, Boris Morros.

THE MAID OF THE MIST. Rex. 1915. 1 reel.

Credits: Producer, Joseph DeGrasse; scenario, James Dayton.

MAID OF THE WEST. 1921. 5 reels.

Credits: Directors, Philo McCullough, C. R. Wallace; story, W. E. Spencer.

MAID TO ORDER. (Star Comedy) 1923. 1 reel.

MAID TO ORDER. 1931. 1 reel, sd.

MAID TO ORDER. 1939. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, Les Millbrook.

MAID WANTED. (Star Comedy) 1918. 1 reel.

Credits: Directors, Lyons-Moran; story, Phil Le Noir; scenario, Frank Howard Clark.

MAIDS A LA MODE. (Hal Roach Pitts-Todd Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAIDS A-COURTING. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

MAIDS & MUSIC. (Nu-Atlas Musical) 1938. 1 reel.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

MAIDS AND MUSLIN. 1920. 2 reels.

Credits: Director, Noel M. Smith; story, Anthony W. Coldeway.

THE MAID'S NIGHT OUT. 1929. 1 reel, sd.

MAID'S NIGHT OUT. 1938. 7 reels, sd.

Credits: Producer, Robert Sisk; director, Ben Holmes; story, Willoughby Speyers; screenplay, Bert Granet; editor, Ted Cheesman.

MAIL AND FEMALE. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel, sd., b&w.

Credits: Director, Fred Newmeyer; film editor, William Ziegler.

MAIL AND FEMALE. (Broadway Brevity) 1937. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

THE MAIL PILOT. (Mickey Mouse, no. U. A. 13) 1933. 1 reel.

THE MAILMAN. Released by Film Booking Offices. 1923. 7 reels.

Credits: Director, Emory Johnson; story and adaptation, Emilie Johnson.

THE MAIL MAN. (Fables, no. 395) 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

MAIMED IN THE HOSPITAL. Nestor. 1918. 1 reel.

Credits: Written and directed by Craig Hutchinson.

THE MAIN EVENT. De Mille Pictures Corp. 1927. 7 reels. From the story "That Makes Us Even" by Paul Allison.

Credits: Director, William K. Howard; adaptation, Rochus Gliese; film editor, Claude Berkeley.

THE MAIN EVENT. 1938. 6 reels, sd.

Credits: Director, Danny Dare; story, Harold Shumate; screenplay, Lee Loeb.

MAIN 4400. Victor. 1916. 2 reels.

Credits: Producer, William Worthington; story, Willard Bradley; scenario, Maie Havey.

Credits: Director, Al. Santell.

MAIN STREET. 1923. 9 reels. Adapted from the novel by Sinclair Lewis.

Credits: Director, Harry Beaumont; adaptation, Julien Josephson.

MAIN STREET. SEE I Married a Doctor.

MAIN STREET FOLLIES. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

MAIN STREETS. (An E. M. Newman Traveltalk) 1933. 1 reel.

Credits: Editor, Bert Frank.

LES MAINS D'ORLAC. SEE Mad Love.

THE MAINSPRING. Red Feather. 1916. 5 reels.

Credits: Director, Jack Conway; story, Charles Agnew McLean; scenario, William Parker.

THE MAINSPRING. Falcon Features. 1917. 4 reels. From the story by Louis Joseph Vance.

Credits: Supervision, H. M. and E. D. Horkeimer; director, Henry King.

THE MAINSPRING. SEE Lost at Sea.

MAISIE. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w. From a book by Wilson Collison.

Credits: Producer, J. Walter Ruben; director, Edwin L. Marin; screenplay, Mary C. McCall, Jr.; film editor, Frederick Y. Smith; music score, Edward Ward.

LE MAITRE DE FORGES. SEE The Iron Master.

MAJESTIC CEYLON, AS SEEN BY DOCTOR DORSEY. Powers. 1916. 1/2 reel.

MAJOR BLUFF'S ADVENTURES. Nestor. 1916. 1/4 reel.

MAJOR BOWES AMATEUR PARADE. 1936. 1 reel each, sd. © RKO Radio Pictures, Inc. (Biograph Pictures Corp., author);

1. © 1May36; LP6406.

2. © 5Jun36; LP6434.

3. © 3Jul36; LP6448.

4. © 19Jul36; LP6495.

5. © 31Aug36; MP6771.

6. © 2Oct36; LP6633.

MAJOR BOWES THEATRE OF THE AIR; Amateur Night. 1935. 2 reels each.

Series 1.

1. © 29Aug35; LP5771.

2. © 20Sep35; LP5809.

3. © 4Oct35; LP5870.

4. © 18Oct35; LP5871.

5. © 8Nov35; LP5982.

6. © 22Nov35; LP5983.

MAJOR DIFFICULTIES. 1938. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Louis Brock; story, George Jeske, Jack Townley; film editor, Les Millbrook.

MAJOR GOOGLE. Released by Columbia Pictures Corporation. 1936. 753 ft., sd., color. From the King Features comic page by Billy De Beck.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

THE MAJOR LIED TILL DAWN. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Richard Hogan; animation, Philip Monroe; music director, Carl W. Stalling.

MAKE A MILLION. 1935. 7 reels, sd.

Credits: Director, Lewis D. Collins; original story, Emmett Anthony; adaptation and screenplay, Charles Logue; editor, Jack Ogilvie.

MAKE BELIEVE REVUE. (Color Rhapsody) Presented by Columbia Pictures Corp. 1935. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love; music, Joe De Nat.

THE MAKE-BELIEVE WIFE. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, John S. Robertson; story, Edward Childs Carpenter; scenario, Adrian Gil-Spear.

MAKE BUYING PLEASANT. 1931. 1 reel.

MAKE IT SNAPPY. 1924. 2 reels.

Credits: Director, Charles Lamont.

MAKE IT SNAPPY. Snappy. 1929. 2 reels.

Credits: Director, Harry Edwards; story, T. Page Wright, Bill Weber.

MAKE ME A STAR. 1932. 9 reels, sd. From the novel "Merton of the Movies" by Harry Leon Wilson, and the play by George S. Kaufman and Marc Connelly.

Credits: Director, William Beaudine; screenplay, Sam Mintz, Walter DeLeon, Arthur Kober.

MAKE OR BREAK. (Sport Pictorial, no. 15) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

MAKE UP YOUR MIND. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Walton Butterfield.

MAKE WAY FOR A LADY. 1936. 65 min., sd. From the novel "Daddy and I" by Elizabeth Jordan.

Credits: Associate producer, Zion Myers; director, David Burton; screenplay, Gertrude Purcell; editor, George Crone.

MAKE WAY FOR TOMORROW. Presented by Adolph Zukor. 1937. 10 reels, sd. Based on a novel by Josephine Lawrence and a play by Helen and Nolan Leary.

Credits: Producer and director, Leo McCarey; screenplay, Vina Delmar; film editor, LeRoy Stone; original music, George Antheil; music director, Boris Morros.

MAKE YOUR DEMONSTRATIONS AS IMPRESSIVE AS YOUR PRODUCTS. 1929. 1 reel.

MAKE YOUR EYES BEHAVE. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

A MAKER OF GESTURES. SEE Too Many Kisses.

MAKER OF MEN. 1931. 7 reels, sd.

Credits: Director, Edward Sedgwick; story, Howard J. Green, Edward Sedgwick; screenplay, Howard J. Green; film editor, Gene Milford.

MAKERS OF MELODY. 1929. 2 reels.

Credits: Screen story and direction, S. Jay Kaufman.

MAKIN' EM MOVE. (Aesop Sound Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

MAKING A BOOK. 1931. 980 ft.

MAKING A CONVERT. 1914. 1 reel.

Credits: Epes Winthrop Sargent.

MAKING A MAN. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Peter B. Kyne.

MAKING A RUBBER TIRE. (Ford Educational Library. Industrial Geography of the United States) Ford Motion Picture Laboratories. 1922. 1 reel.

MAKING A TABORET. 1929. 1 reel.

MAKING A U. S. SOLDIER. Powers. 1916.

MAKING AMERICA MUSICAL. 1932. 2 reels.

MAKING AN IMPRESSION. 1916. 1 reel.

Credits: Producer, Frank Currier.

MAKING FRIENDS. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

MAKING GOOD. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

MAKING GOOD. 1931. 1 reel.

MAKING GOOD. (An Oswald Comedy) 1932. 1 reel.

Credits: Walter Lantz, Bill Nolan.

MAKING GOOD WITH GOOD HUMOR. 1937. For Good Humor Ice Cream Co. Filmstrip, sd.

MAKING GOOD WITH HER FAMILY. 1914. 1 reel.

Credits: Producer, Harry Jackson.

MAKING MANHANDLERS. 1935. 1 reel, sd.

Credits: Producer, Jack Eaton.

MAKING MONEY IN YOUR OWN BUSINESS. 1936. For Goodrich. Filmstrip, sd.

MAKING MONKEY BUSINESS. Special Victor. 1917. 1 reel.

Credits: Tom Gibson; director, Allen Curtis.

MAKING MORE SALES FROM GOOD SERVICE. 1930. 1 reel.

THE MAKING OF A TOUPÉE. 1915. 1 reel.

THE MAKING OF BOB MASON'S WIFE. 1916. 1 reel.

Credits: Marie W. Fellner; director, Burton L. King.

THE MAKING OF CROOKS. 1915. 3 reels.

Credits: Director, William Robert Daly.

THE MAKING OF HIM. 1914. 2,000 ft.

THE MAKING OF HUNDRED-TON GUNS. 1917. 1 reel.

THE MAKING OF MADDALENA. 1916. 5 reels. From the story by Mary and Samuel Lewis.

THE MAKING OF O'MALLEY. 1925. 8 reels.

Credits: Gerald Beaumont; supervision, Earl Hudson; director, Lambert Hillyer.

THE MAKING OVER OF GEOFFREY MANNING. 1915. 4 reels.

Credits: Director, Harry Davenport.

MAKING ROOM FOR THE WHIPPET. 1928. 1 reel.

MAKING ROSA STYLISH. SEE The Apple.

MAKING STARS. (Betty Boop Cartoon) 1935. 1 reel.

Credits: Director, Dave Fleischer; animation, Edward Nolan, Herman Cohen.

MAKING THE GRADE. 1929. 6 reels. Based on the story by George Ade.

Credits: Director, Alfred Green.

MAKING THE HEADLINES. 1938. 7 reels.

Credits: Director, Lewis D. Collins; story, Howard J. Green; screenplay, Jefferson Parker, Howard J. Green.

MAKING THE LAST QUARTER COUNT. 1930. 1 reel.

MAKING THE ROUNDS. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story and adaptation, James Mulhauser, Scott E. Cleethorpe; music, Abe Meyer; editor, Francis Lyon.

MAKING THE VARSITY. Presented by Samuel Zierler. 1928. 6,400 ft.

Credits: Supervision, Burton King; director, Cliff Wheeler; story, Elsie Werner, Bennett Southard; editor, Lee Anthony.

MAKING THE WILLYS SIX SPEAK FOR ITSELF. 1930. 1 reel.

MAKING THEM COUGH UP. 1914. Split reel.

MAKING WHOOPEE. (Tuxedo Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

MAL HALLETT AND HIS ENTERTAINING ORCHESTRA. 1929. 1 reel, sd.

MAL HALLETT AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Lloyd French.

MAL HALLETT AND HIS WAY DOWN EAST BAND. 1929. 1 reel, sd.

MALARIA. 1924. 3 reels.

Credits: Scenario, Samuel T. Darling, William B. Herms, E. H. Kleinschmidt, Edward Stewart.

MALARIA AND THE MOSQUITO. 1922. 2,245 ft.

Credits: Planned and supervised by William B. Herms.

MALAY NIGHTS. Presented by George W. Weeks. 1932. 7 reels.

Credits: Supervision, Cliff Broughton; director, E. Mason Hopper; story, Glenn Ellis; adaptation and dialogue, John Thomas Neville; editor, Byron Robinson.

MALAYAN JUNGLES. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

MALAYAN MOTOR ROADS. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

THE MALAYS OF SUMATRA. 1929. 1 reel.

Credits: Edited by the Dept. of Anthropology, Harvard University.

MALAYSIA. (Vagabond Adventure Series) 1932. 9 min.

MALE AND FEMALE. 1919. 9 reels. Founded on the play "The Admirable Crichton" by J. M. Barrie.

Credits: Director, Cecil B. De Mille; adaptation, Jeanie MacPherson.

THE MALE MAN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

THE MALEFACTOR. SEE The Test of Honor.

MALIBU. SEE Sequoia.

MALLOY COMPEADOR. SEE The Scrapper.

THE MALTESE FALCON. 1931. 9 reels, sd. Based on the novel by Dashiell Hammett.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Maude Fulton.

MAMA LOVES PAPA. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

MAMA LOVES PAPA. 1933. 7 reels, sd.

Credits: Director, Norman McLeod; story, Keene Thompson, Douglas MacLean; screenplay, Nunnally Johnson, Arthur Kober.

MAMA RUNS WILD. 1938. 7 reels.

Credits: Associate producer and director, Ralph Staub; original story, Gordon Kahn; screenplay, Gordon Kahn, Hal Yates; additional dialogue, Paul Gerard Smith, Frank Rowan; film editor, Edward Mann; music director, Alberto Colombo.

MAMA STEPS OUT. 1937. 8 reels, sd., b&w. From a play by John Kirkpatrick.

Credits: Producer, John Emerson; director, George B. Seitz; screenplay, Anita Loos; film editor, George Boemler; music score, Edward Ward.

MAMAN. SEE The Magnificent Flirt.

MAMA'S AFFAIR. First National. 1921. 6 reels. From the play by Rachel Barton Butler.

Credits: Director, Victor Fleming; adaptation, John Emerson, Anita Loos.

MAMA'S BABY BOY. Presented by Samuel V. Grand. 1923. 2 reels.

Credits: Director, Archie Mayo.

MAMA'S COWPUNCHER. Century. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

MAMA'S LITTLE PIRATE. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

MAMA'S NEW HAT. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

MAMBA. 1930. 9 reels, sd., color.

Credits: Director, Albert Rogell; story, F. Schumann-Heink, John Reinhardt; continuity and dialogue, Tom Miranda, Winifred Dunn.

MAMMON AND THE ARCHER. Broadway Star Feature Co., Inc. 1918. 2 reels.

Credits: O. Henry [pseud. of William Sydney Porter]; director, Kenneth Webb.

MAMMY. 1930. 84 min., sd., color. Story based on the play "Mr. Bones" by Irving Berlin.

Credits: Director, Michael Curtiz; story and songs, Irving Berlin; screenplay and dialogue, Gordon Rigby, Joseph Jackson.

MAMMY. Trailer. 1930. 1 reel, sd.

MAMMY'S BOY. SEE His Darker Self.

A MAN ABOUT TOWN. Presented by William Fox. 1927. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Eugene J. Forde; scenario, Andrew Bennison, Frank Martin.

MAN ABOUT TOWN. 1932. 6,357 ft., sd. From the novel by Denison Clift.

Credits: Director, John Francis Dillon; screenplay, Leon Gordon; editor, Frank Hull.

MAN ABOUT TOWN. 1939. 9 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, Mark Sandrich; story, Morrie Ryskind, Allan Scott, Z. Myers; screenplay, Morrie Ryskind; film editor, LeRoy Stone.

THE MAN ABOUT TOWN. SEE Frank X. Silk in The Man About Town.

THE MAN ACROSS THE STREET. Imp. 1916. 2 reels.

Credits: Scenario and production, Henry Otto; story, Robert Thomas.

A MAN AFRAID. 1915. 2 reels.

MAN AGAINST WOMAN. 1932. 7 reels, sd.

Credits: Director, Irving Cummings; story, Keene Thompson; screenplay, Jo Swerling.

MAN AND BEAST. Butterfly. 1917. 5 reels.

Credits: Director, Henry McRae; scenario, Henry McRae, W. B. Pearson.

MAN AND HIS ANGEL. 1916. 5 reels.

MAN AND HIS MASTER. 1915. 2 reels.

A MAN AND HIS MONEY. Rex. 1915. 1 reel.

Credits: Producer, Joseph De Grasse; scenario, Frances Willey, Ida May Park.

A MAN AND HIS MONEY. Presented by Samuel Goldwyn. 1919. 5 reels. From the story by Frederick S. Isham.

Credits: Director, Harry Beaumont.

Credits: Written and produced by Lem B. Parker.

MAN AND HIS SOUL. Quality Pictures Corp. 1916. 5 reels.

MAN AND MAID. Presented by Louis B. Mayer. 1925. 6 reels. From the novel by Elinor Glyn.

Credits: Director, Victor Schertzinger; story, scenario, and continuity, Elinor Glyn.

MAN AND MORALITY. Victor. 1916. 3 reels.

Credits: Written and produced by Harry C. Myers.

THE MAN AND THE DOLL. SEE L'Homme et la Poupée.

THE MAN AND THE MOMENT. Presented by Richard A. Rowland. 1929. 7 reels. From the story by Elinor Glyn.

Credits: Produced and directed by George Fitzmaurice; screen version, Agnes Christine Johnston.

THE MAN AND THE MOMENT. Trailer. First National. 1929. 1 reel, sd.

THE MAN AND THE MOMENT. SEE Mad Hour.

THE MAN AND THE TEST. SEE The Lamb.

Credits: Adapted and directed by Alice Blaché.

MAN AND WIFE. 1923. 5 reels.

Credits: Director, John L. McCutcheon; story and adaptation, Leota Morgan.

MAN BAIT. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the play by Norman Houston.

Credits: Director, Donald Crisp; adaptation, Douglas Z. Doty.

THE MAN BEHIND THE CURTAIN. 1916. 5 reels.

Credits: Producer, and director, Courtlandt J. Van Deusen.

THE MAN BEHIND THE DOOR. 1914. 4 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN BETRAYED. 1936. 6 reels.

Credits: Producer, Nat Levine; director, John H. Auer; original screenplay, Dorrell and Stuart McGowan.

MAN BITES LOVE BUG. 1937. 2 reels, sd.

Credits: Director, Del Lord; story, Al Giebler, Elwood Ullman.

THE MAN CALLED BACK. Quadruple Film Corp., Ltd. Presented by Tiffany Productions, Inc. 1932. 8 reels. Adapted from the novel "Silent Thunder" by Andrew Soutar.

Credits: Producer, Sam Bischoff; director, Robert Florey; screenplay, continuity and dialogue, Robert Presnell.

MAN CRAZY. 1927. 6 reels. From the story "Clarissa and the Post Road" by Grace Sartwell Mason.

Credits: Producers, Charles R. Rogers, John Francis Dillon; adaptation and continuity, Perry Nathan.

A MAN FOR A' THAT. 1916. 2 reels. Reissue.

THE MAN FOUR-SQUARE. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, R. William Neill; story, William MacLeod Raine; scenario, Charles Darnton.

THE MAN FROM ARGENTINE. Powers. 1915. 2 reels.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE MAN FROM ARIZONA. 1932. 6 reels.

Credits: Producer, Trem Carr; director, Harry Frazer; story and adaptation, Wellyn Totman.

MAN FROM BAR 20. SEE Partners of the Plains.

THE MAN FROM BEYOND. 1921. 7 reels.

Credits: Director, Burton King; original story, Harry Houdini; adaptation, Coolidge Streeter.

THE MAN FROM BITTER ROOTS. 1916. For Fox Film Corp. 5 reels. From the story by Caroline Lockhart.

Credits: Adapted and produced by Oscar C. Apfel.

THE MAN FROM BLANKLEYS. Warner Brothers Vitaphone. 1930. 8 reels. From the play by F. Anstey [pseud. of Thomas Anstey Guthrie].

Credits: Director, Alfred E. Green; screenplay, Harvey Thew; dialogue and titles, Joseph Jackson.

THE MAN FROM BLANKLEY'S. Trailer. 1930. 1 reel, sd.

THE MAN FROM BLANKLEY'S. SEE The Fourteenth Man.

THE MAN FROM BRODNEY'S. 1923. 8 reels. From the story by George Barr McCutcheon.

Credits: Director, David Smith; adaptation, C. Graham Baker.

THE MAN FROM CHICAGO. 1931. 6 reels, sd. From the play by Reginald Simpson.

Credits: Director, Walter Summers; adaptation, Walter Summers, Walter Mycroft; film editor, Leslie Norman.

THE MAN FROM DOWNING STREET. 1922. 5 reels.

Credits: Director, Edward José; story, Clyde Westover, Lottie Horner, Florine Williams; scenario, Bradley J. Smollen.

THE MAN FROM EGYPT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

THE MAN FROM EGYPT. 1920. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

THE MAN FROM FUNERAL RANGE. 1918. 5 reels. From the play "Broken Threads" by W. E. Wilkes.

Credits: Director, Walter Edwards; screen adaptation, Monte M. Katterjohn.

THE MAN FROM GUNTOWN. 1935. 6 reels, sd.

Credits: Producer, Nat Ross; direction, story, and continuity, Ford Beebe; film editor, Robert Johns.

THE MAN FROM HELL'S EDGES. 1932. 6 reels.

Credits: Direction, story and adaptation, Robert N. Bradbury.

THE MAN FROM HOME. Presented by Jesse L. Lasky. 1914. 5 reels. From the play by Booth Tarkington and Harry Leon Wilson.

Credits: Producer and director general, Cecil B. De Mille.

THE MAN FROM HOME. Paramount. 1922. 7 reels. From the play by Booth Tarkington and Harry Leon Wilson.

Credits: Producer and director, George Fitzmaurice; scenario, Ouida Bergere.

THE MAN FROM LONE MOUNTAIN. 1925. 5 reels.

Credits: Director, Ben Wilson; story, George W. Pyper.

THE MAN FROM LOST RIVER. 1921. 6 reels.

Credits: Director, Frank Lloyd; story, Katharine Newlin Burt; scenario, Lambert Hillyer, Arthur F. Statter.

THE MAN FROM MEDICINE HAT. 1921. 5 reels. From the novel "The Manager of the B. and A." by Vaughan Kester.

Credits: Director, J. P. McGowan.

THE MAN FROM MEXICO. SEE Let's Get Married.

THE MAN FROM MONTANA. Butterfly. 1917. 5 reels.

Credits: Director, George Marshall; story, George Marshall, Harvey Gates.

THE MAN FROM MONTEREY. 1933. 57 min.

Credits: Producer, Leon Schlesinger; director, Mack V. Wright; screenplay and dialogue, Lesley Mason.

MAN FROM MONTREAL. 1939. 7 reels.

Credits: Director, Christy Cabanne; original story, Ben Pivar; screenplay, Owen Frances.

MAN FROM MUSIC MOUNTAIN. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original story, Bernard McConville; screenplay, Betty Burbridge, Luci Ward; film editor, Lester Orlebeck.

THE MAN FROM NOWHERE. Red Feather. 1916. 5 reels.

Credits: William H. Clifford; director, Henry Otto.

THE MAN FROM PAINTED POST. 1917. 5 reels.

Credits: Director, Joseph Henabery; story, Jackson Gregory; scenario, Douglas Fairbanks.

THE MAN FROM RED GULCH. Presented by Hunt Stromberg. 1925. 6 reels. From the story "The Idyl of Red Gulch" by Bret Harte.

Credits: Director, Edmund Mortimer; adaptation, Elliott J. Clawson.

THE MAN FROM SUNDOWN. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Paul Franklin; film editor, William Lyon; music and lyrics, Bob Nolan, Ted Spencer; music director, M. W. Stoloff.

THE MAN FROM TEXAS. 1915.

Credits: Director, Tom Mix.

THE MAN FROM TEXAS. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, Robert Emmett; film editor, Fred Bain.

THE MAN FROM THE DESERT. 1915. 3 reels.

Credits: Director, Ulysses Davis.

THE MAN FROM THE DESERT. SEE Desert Driven.

THE MAN FROM THE EAST. Released through General Film Co. 1914. 1 reel.

Credits: Written and directed by Tom Mix.

THE MAN FROM THE SEA. 1914. 2 reels. Adapted from a sketch by Paul Dickey and Charles Goddard.

Credits: Adaptation, George W. Terwilliger.

THE MAN FROM THE WEST. 1913. 1 reel.

Credits: Frances M. Wright.

THE MAN FROM THE WEST. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Albert Rogell; story, Josephine Dodge; adaptation and scenario, Harrison Jacobs.

THE MAN FROM TOWN. 1915. 1 reel.

THE MAN FROM UTAH. (Lone Star Western) 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Robert Bradbury; story and screenplay, Lindsley Parsons; editor, Carl Pierson.

THE MAN FROM WYOMING. Universal Special. 1923. 5 reels. From the book "Wyoming" by William McLeod Raine.

Credits: Director, Robert North Bradbury.

A MAN FROM WYOMING. 1930. 5,989 ft. From a story by Joseph Moncure March and Lew Lipton.

Credits: Director, Rowland V. Lee; screenplay, John V. A. Weaver, Albert Shelby LeVino.

THE MAN FROM YESTERDAY. 1932. 8 reels, sd. Based on a play by Nell Blackwell and Rowland G. Edwards.

Credits: Director, Berthold Viertel; screenplay, Oliver H. P. Garrett.

THE MAN-HATER. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

THE MAN HE MIGHT HAVE BEEN. 1913. Produced in cooperation with the National Association of Manufacturers. 1 reel.

Credits: James Oppenheim.

THE MAN HE MIGHT HAVE BEEN. 1916. 1 reel.

Credits: Hettie Gray Baker; director, Burton L. King.

THE MAN HE USED TO BE. Broadway Star. 1916. 3 reels.

Credits: Producer, Eugene Mullin.

THE MAN HIGHER UP. 1929. 2 reels, sd., b&w.

Credits: Story, William De Mille.

THE MAN HUNT. 1916. 3 reels. From the novel by Arthur C. Train.

Credits: Director, Paul Scardon; adaptation, Joseph Gollomb.

Credits: Director, Travers Vale; story, Fred Jackson.

MAN HUNT. 1933. 7 reels, sd.

Credits: Producer, J. G. Bachmann; director, Irving Cummings; story and screenplay, Sam Mintz, Leonard Praskins.

MAN HUNT. 1936. 7 reels, sd.

Credits: Director, William Clemens; original story, Earl Felton; editor, Louis Hesse.

MAN HUNT. (An Oswald Cartoon) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; artists, Lester Kline, Ralph Somerville.

THE MAN HUNTER. 1919. 6 reels.

Credits: Story, scenario and direction, Frank Lloyd.

THE MAN HUNTER. Warner Brothers and Vitaphone. 1930. 6 reels, sd.

Credits: Director, Ross Lederman; original story, Lily Hayward; screen adaptation and dialogue, James A. Starr.

THE MAN HUNTER. Trailer. 1930. 1 reel.

THE MAN HUNTERS. 1914. 1 reel.

THE MAN I KILLED. SEE Broken Lullaby.

THE MAN I LOVE. 1929. 7 reels, si., sd.

Credits: Director, William A. Wellman; story and dialogue, Herman J. Mankiewicz; adaptation, Percy Heath.

THE MAN I MARRY. 1936. 8 reels, sd.

Credits: Producer, Val Paul; director, Ralph Murphy; original story, M. Coates Webster; screenplay, Harry Clork; film editor, Bernard W. Burton.

THE MAN IN BLACK. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

THE MAN IN BLUE. Jewel. 1925. 6 reels.

Credits: Director, Edward Laemmle; story, Gerald Beaumont; scenario, E. Richard Schayer.

THE MAN IN BLUE. 1937. 7 reels, sd.

Credits: Associate producer and author of original story, Kubec Glasmon; director, Milton Carruth; screenplay, Lester Cole; film editor, Paul Landres; music director, Charles Previn.

THE MAN IN DRESS CLOTHES. SEE Evening Clothes.

THE MAN IN EVENING CLOTHES. SEE She Wolves.

THE MAN IN HIM. 1916. 2 reels.

THE MAN IN HOBBLES. 1928. 7 reels. Suggested by the story by Peter B. Kyne.

Credits: Director, George Archainbaud; adaptation, John Francis Natteford; titles, Frederic Hatton, Fanny Hatton; editor, Desmond O'Brien.

THE MAN IN MOTLEY. 1915. 1 reel.

Credits: I. A. R. Wylie.

Credits: Producer, Ralph Dewsbury.

THE MAN IN POSSESSION. 1931. 9 reels, sd., b&w. From the play by H. M. Harwood.

Credits: Producer, Sam Wood; screen adaptation, Sarah Y. Mason; additional dialogue, Sarah Y. Mason, P. G. Wodehouse; film editor, Ben Lewis.

THE MAN IN THE BARN. (An Historical Mystery) 1937. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, Morgan Coxe; historical compilations, Charles E. Whittaker; narrator, Carey Wilson.

THE MAN IN THE CHAIR. Imp. 1915. 2 reels.

Credits: Producer, Leon Kent; story, Hobart Henley; scenario, Harvey Gates.

THE MAN IN THE DARK. 1914. 1 reel.

Credits: John H. Collins.

THE MAN IN THE IRON MASK. Presented by Edward Small. Released through United Artists. 1939. 12 reels, sd. From the novel by Alexandre Dumas.

Credits: Producer and director, James Whale; screenplay, George Bruce; film editor, Grant Whytock; music, Lucien Moraweck; music director, Lud Gluskin.

THE MAN IN THE IRON MASK. SEE The Iron Mask.

THE MAN IN THE MIRROR. Presented by Edward L. Alperson. 1937. 8 reels, sd. From the novel by William Garrett.

Credits: Producer, Julius Hagen; director, Maurice Elvey; adaptation and dialogue, F. McGrew Willis.

THE MAN IN THE MOONLIGHT. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elliott J. Clawson.

MAN IN THE ROUGH. 1928. 5 reels.

Credits: Director, Wallace Fox; original story, W. C. Tuttle; screenplay, Frank Howard Clark.

THE MAN IN THE SADDLE. Universal-Jewel. 1926. 6 reels.

Credits: Director, Clifford S. Smith; story and scenario, Charles A. Logue.

THE MAN IN THE SHADOW. David Hartford Productions. 1926. 5,632 ft.

Credits: Director, Bertram Bracken; story and adaptation, Frances Nordstrom; editor, Walter L. Griffin.

Credits: Producer, Oscar Eagle.

THE MAN IN THE STREET. 1914. 3 reels. An adaptation from the novel by Mary Imlay Taylor.

Credits: Director, Charles J. Brabin.

THE MAN IN THE TRUNK. (The Perils of the Secret Service, no. 5) Imp. 1917. 2 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

THE MAN INSIDE. Broadway Universal. 1916. 5 reels. Adapted from the novel.

Credits: Producer, J. S. Adolphi; adaptation, R. L. Schrock.

THE MAN LIFE PASSED BY. 1923. 7 reels.

Credits: Original story, Victor Schertzinger; screenplay, Winifred Dunn.

MAN-MADE ISLAND. (A Columbia Tour) 1939. 1 reel, sd., color.

Credits: Associate producer, Hugh McCollum; narrative, Leonard Zinberg, Peter Martin; narrator, Gayne Whitman; film editor, Arthur Seid; photographer, Frank Good.

MAN-MADE WOMEN. 1928. For De Mille Pictures Corp. 6 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story and adaptation, Ernest Pascal; screenplay, Alice D. G. Miller; film editor, Doane Harrison.

A MAN MUST LIVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,116 ft. Based on "Jungle Law" by I. A. R. Wylie.

Credits: Director, Paul Sloane; screenplay, James Ashmore Creelman.

THE MAN NEXT DOOR. 1923. 7 reels. From the novel by Emerson Hough.

Credits: Director, Victor L. Schertzinger.

THE MAN NOBODY KNOWS. 1925. 6 reels. Based on the book by Bruce Barton.

Credits: Produced and photographed by Erret LeRoy Kenepp; titles, Bruce Barton; musical settings, Alexander Savine.

THE MAN OF A THOUSAND HITS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; continuity, A. Dorian Otvos.

A MAN OF ACTION. First National. 1923. 6 reels.

Credits: Director, James W. Horne; original story, Bradley King.

MAN OF ACTION. 1933. 6 reels, sd.

Credits: Director, George Melford; story, William Colt MacDonald; screenplay, Robert Quigley; film editor, Otto Meyer.

A MAN OF ACTION. SEE

Rip Roarin' Roberts.

Walloping Wallace.

MAN OF AFFAIRS. 1936. 8 reels, sd. Adapted from the play "The Nelson Touch" by Neil Grant. Released in England under the title "His Lordship."

Credits: Director, Herbert Mason; screenplay, L. Du Garde Peach, Edwin Greenwood; adaptation, Maude T. Howell; editor, M. Gordon; music director, Louis Levy.

MAN OF ARAN. Gainsborough. 1934. 8 reels, sd.

Credits: Director, Robert Flaherty; editor and scenarist, John Goldman; music score, John Greenwood; music director, Louis Levy.

MAN OF CONQUEST. 1939. 11 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, George Nicholls, Jr.; original story, Harold Shumate, Wells Root; screenplay, Wells Root, E. E. Paramore, Jr., Jan Fortune; film editor, Edward Mann; music score, Victor Young.

THE MAN OF DESTINY. 1914. 1 reel.

Credits: Preston Kendall; director, Walter Edwin.

THE MAN OF GOD. 1915. 2,000 ft.

Credits: Written and produced by George W. Terwilliger.

A MAN OF HIS WORD. Falcon Features. 1917. 4 reels. From the play "Jelf's" by Horace Annesley Vachell.

Credits: Adapted and produced by George L. Tucker.

A MAN OF IRON. 1925. 6 reels.

Credits: Director, Whitman Bennett; adaptation, Lawrence Marsten.

MAN OF IRON. First National Productions Corp. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels.

Credits: Director, William McGann; story, Dawn Powell; screenplay, William Wister Haines.

MAN OF LETTERS. (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels. From cartoons by George McManus.

Credits: Director, Samuel Newfield.

THE MAN OF MIGHT. 1918-19. 2 reels each. © The Vitagraph Co. of America.

Credits: Director, William Duncan; story, Albert E. Smith, C. T. Brady; scenario, Graham Baker.

1. The Riven Flag. © 20Dec18; LP13172.

2. The Leap Through Space. © 20Dec18; LP13173.

3. The Creeping Death. © 20Dec18; LP13174.

4. The Gripping Hand. © 4Jan19; LP13232.

5. The Human Shield. © 22Jan19; LP13313.

6. The Height of Torment. © 12Feb19; LP13392.

7. Into the Trap. © 13Feb19; LP13393.

8. The One Chance. © 8Mar19; LP13473.

9. The Crashing Horror. © 19Mar19; LP13515.

10. Double Crossed. © 22Mar19; LP13528.

11. The Ship of Dread. © 5Apr19; LP13569.

12. The Volcano's Prey. © 12Apr19; LP13597.

13. The Flood of Despair. © 21Apr19; LP13625.

14. The Living Catapult. © 26Apr19; LP13651.

15. The Rescue. © 2May19; LP13668.

THE MAN OF MYSTERY. Imp. 1917. 2 reels.

THE MAN OF MYSTERY. 1917. 5 reels. Adapted from a novel by A. C. Gunter.

Credits: Director, Frederick A. Thompson; adaptation, H. C. Bergman.

A MAN OF NERVE. Released by F. B. O. 1925. 5 reels.

Credits: Director, Lewis W. Chaudet; story, John H. Hamlin; scenario, George Hively.

A MAN OF PARTS. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN OF PEACE. SEE Hobart Bosworth in A Man of Peace.

A MAN OF POSITION. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

A MAN OF QUALITY. 1926. 6 reels.

Credits: Director, Wesley Ruggles; story, H. H. Van Loan.

A MAN OF SENTIMENT. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Frederick Hazlitt Brennan; screen story and dialogue, Robert Ellis.

THE MAN OF SHAME. 1915. 5 reels. Adapted from the French novel "Roger La Honte" by Jules Mary.

Credits: Producer, Harry C. Myers; adaptation, M. B. Havey.

A MAN OF SORROW. 1916. 6 reels. From the play "Hoodman Blind."

Credits: Written and produced by Oscar C. Apfel.

THE MAN OF STONE. 1921. 5 reels.

Credits: Director, George Archainbaud; story, John Lynch, Edmund Goulding; scenario, Lewis Allen Browne.

MAN OF THE FOREST. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From the story by Zane Grey.

Credits: Associate producer, B. P. Schulberg; director, John Waters; adaptation, Max Marcin; screenplay, Fred Myton.

MAN OF THE FOREST. 1933. 7 reels, sd. From a story by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham, Harold Shumate.

Credits: Picturized by Morris Tourneur.

THE MAN OF THE HOUR. 1914. 3 reels.

MAN OF THE PEOPLE. 1937. 8 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin; original story and screenplay, Frank Dolan; film editor, William S. Gray; music score, Edward Ward.

MAN OF THE WORLD. 1931. 6,364 ft., sd.

Credits: Director, Richard Wallace; story, Herman J. Mankiewicz.

MAN OF TWO WORLDS. 1934. 10 reels, sd. From the novel by Ainsworth Morgan.

Credits: Producer, Pandro S. Berman; director, J. Walter Ruben; screenplay, Howard J. Green, Ainsworth Morgan; editor, Jack Hively; music director, Max Steiner.

Credits: Adaptation, Philip Hubbard.

THE MAN ON THE BOX. 1925. 7 reels. From the novel and stage play by Harold MacGrath.

Credits: Director, Charles Reisner; scenario, Charles A. Logue.

THE MAN ON THE FLYING TRAPEZE. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

MAN ON THE FLYING TRAPEZE. Presented by Adolph Zukor. 1935. 7 reels, sd.

Credits: Producer, William LeBaron; director, Clyde Bruckman; story, Charles Bogle, Sam Hardy; screenplay, Ray Harris, Sam Hardy; film editor, Richard Currier.

THE MAN ON THE ROCK. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; original story, Pierre Artigue; screenplay, Herman Boxer; narrator, Carey Wilson; music score, David Snell.

MAN OR MONEY? Imp. 1915. 3 reels.

Credits: William Lippert; producer, Henry McRae Webster.

MAN OVERBOARD. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Cynthia Payne.

MAN-PROOF. 1937. 8 reels, sd., b&w. From a book by Fanny Heaslip Lea.

Credits: Producer, Louis D. Lighton; director, Richard Thorpe; screenplay, Vincent Lawrence, Waldemar Young, George Oppenheimer; film editor, George Boemler; music score, Franz Waxman.

MAN RUSTLIN'. Independent Picture Corp. Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Bill Branch; continuity, Burl R. Tuttle, Jay Chapman.

THE MAN TAMER. 1921. 5 reels.

Credits: Story, John Barton Oxford; adaptation and scenario, A. P. Younger.

THE MAN TAMER. Mustang. 1927. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, William Lester.

THE MAN THAT MIGHT HAVE BEEN. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN, THE MISSION, AND THE MAID. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE MAN THEY COULD NOT HANG. 1939. 7 reels, sd.

Credits: Producer, Wallace MacDonald; director, Nick Grinde; story, Leslie T. White, George W. Sayre; screenplay, Karl Brown; film editor, William Lyon.

MAN TO MAN. Universal Jewel. 1922. 6 reels.

Credits: Director, Stuart Paton; story, Jackson Gregory; scenario, George C. Hull.

MAN TO MAN. 1930. 8 reels. Based on the story by Ben Ames Williams.

Credits: Director, Allan Dwan; screenplay and continuity, Joseph Jackson.

MAN TO MAN. Presented by E. W. Hammons. 1937. 1,545 ft., sd.

Credits: Director, Raymond Kane; story, Marcy Klauber, Arthur Jarrett.

A MAN TO REMEMBER. 1938. 79 min., sd. From the story "Failure" by Katharine Haviland-Taylor.

Credits: Producer, Robert Sisk; director, Garson Kanin; screenplay, Dalton Trumbo; editor, Jack Hively; music score, Roy Webb.

THE MAN TRACKERS. 1921. 5 reels.

Credits: Written and produced by Edward Kull; scenario, George Plympton.

THE MAN TRAIL. 1915. 6 reels. Adapted from the novel by Henry Oyen.

Credits: Producer, E. H. Calvert.

THE MAN TRAILER. 1934. 6 reels, sd.

Credits: Direction and screenplay, Lambert Hillyer.

THE MAN TRAP. 1917. 5 reels.

Credits: Director, Elmer Clifton; scenario, Waldemar Young.

MANTRAP. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From a novel by Sinclair Lewis.

Credits: Director, Victor Fleming; screenplay, Adelaide Heilbron, Ethel Doherty.

MAN TROUBLE. 1930. 7,800 ft., sd.

Credits: Director, Berthold Viertel; story, Ben Ames Williams; adaptation, George Manker Watters, Marion Orth; editor, J. Edwin Robbins.

THE MAN UNCONQUERABLE. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Hamilton Smith; scenario, Julien Josephson.

THE MAN UNDER COVER. 1922. 5 reels.

Credits: Director, Tod Browning; story, L. V. Eytinge; scenario, Harvey Gates.

THE MAN UPSTAIRS. 1926. 7 reels.

Credits: Earl Derr Biggers; director, Roy Del Ruth; screenplay, Edward T. Lowe, Jr.

MAN WANTED. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels, sd.

Credits: Director, William Dieterle; story, Robert Lord; adaptation, Charles Kenyon.

THE MAN WHO. 1921. 6 reels. Adapted from the story in the Saturday Evening Post by Lloyd Osbourne.

Credits: Producer and director, Maxwell Karger; adaptation, June Mathis.

Credits: Producer, F. Martin Thornton.

THE MAN WHO BROKE THE BANK AT MONTE CARLO. 1935. 6,020 ft., sd. From the play by Ilia Surgutchoff and Frederick Albert Swann.

Credits: Director, Stephen Roberts; screenplay, Howard Ellis Smith, Nunnally Johnson; music director, Oscar Bradley.

THE MAN WHO CALLED AFTER DARK. 1916. 2 reels.

THE MAN WHO CAME BACK. 1924. 9 reels. Founded on the story by John Fleming Wilson.

Credits: Producer and director, Emmett J. Flynn; scenario, Edmund Goulding.

THE MAN WHO CAME BACK. 1930. 7,786 ft., sd. Based on the play and story by Jules Eckhardt Goodwin and John Fleming Wilson.

Credits: Director, Raoul Walsh; screenplay, Edwin Burke; editor, Harold Schuster.

THE MAN WHO COULD NOT SLEEP. 1915. 1,000 ft.

Credits: Mark Swan.

THE MAN WHO COULD WORK MIRACLES. 1937. 9 reels, sd. Based on the story by H. G. Wells.

Credits: Producer, Alexander Korda; director, Lothar Mendes; scenario and dialogue, H. G. Wells.

THE MAN WHO COULDN'T BEAT GOD. 1915. 5 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE MAN WHO CRIED WOLF. 1937. 7 reels, sd.

Credits: Arthur Rothafel; associate producer, E. M. Asher; director, Lewis R. Foster; original screenplay, Charles Grayson, Sy Bartlett; film editor, Frank Gross; music director, Frank Previn.

THE MAN WHO DARED. 1920. 6 reels.

Credits: Director, Emmett J. Flynn; story and scenario, Jules Furthman.

THE MAN WHO DARED. 1933. 6,200 ft., sd.

Credits; Director, Hamilton McFadden; original screenplay, Dudley Nichols, Lamar Trotti; editor, Al DeGaetano.

THE MAN WHO DARED. First National. 1939. 6 reels, sd.

Credits: Director, Crane Wilbur; original story, Lucian Hubbard; screenplay, Lee Katz.

THE MAN WHO DARED. SEE When a Girl Loves.

Credits: Richard Washburn Child.

THE MAN WHO FIGHTS ALONE. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,337 ft.

Credits: Producer and director, Wallace Worsley; story, William Blacke, James Shelley Hamilton; screenplay, Jack Cunningham.

Credits: Directed and adapted by Emile Chautard.

THE MAN WHO FOUND HIMSELF. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels.

Credits: Director, Alfred E. Green; original screen story, Booth Tarkington; scenario, Tom J. Geraghty.

THE MAN WHO FOUND HIMSELF. 1937. 7 reels, sd. From the story "Wings of Mercy" by Alice F. Curtis.

Credits: Producer, Cliff Reid; director, Lew Landers; screenplay, J. Robert Bren, Edmund L. Hartmann, G. V. Atwater, Thomas Lennon; editor, Jack Hively.

THE MAN WHO FOUND OUT. 1915. 1 reel.

THE MAN WHO HAD EVERYTHING. 1920. 6 reels.

Credits: Director, Alfred Green; story, Ben Ames Williams; scenario, Arthur F. Statter.

THE MAN WHO KNEW. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN WHO KNEW TOO MUCH. Gaumont British Picture Corp., Ltd., London. Released by Gaumont-British Distributors, Ltd. 1934. 8 reels, sd.

Credits: Charles Bennett, D. B. Wyndham Lewis; director, Alfred Hitchcock; scenario, Edwin Greenwood, A. R. Rawlinson; additional dialogue, Emlyn Williams; music, Arthur Benjamin; musical director, Louis Levy.

THE MAN WHO LAUGHED LAST. SEE Sessue Hayakawa in The Man Who Laughed Last.

THE MAN WHO LAUGHS. Universal Jewel. 1928. 10 reels. From the novel by Victor Hugo.

Credits: Director, Paul Leni; adaptation and continuity, J. Grubb Alexander.

THE MAN WHO LIVED AGAIN. 1936. 7 reels.

Credits: Director, Robert Stevenson; screenplay, L. du Garde Peach, Sidney Gilliat, John L. Balderston.

THE MAN WHO LIVED TWICE. 1936. 8 reels, sd.

Credits: Director, Harry Lachman; story, Tom Van Dycke, Henry Altimus; screenplay, Tom Van Dycke, Fred Niblo, Jr., Arthur Strawn; film editor, Byron Robinson.

THE MAN WHO LOST HIMSELF. 1920. 6 reels. From the novel by H. de Vere Stackpoole.

Credits: Scenario and direction by George D. Baker.

THE MAN WHO MARRIED HIS OWN WIFE. 1922. 5 reels.

Credits: Director, Stuart Paton; story, John Fleming Wilson, Mary Ashe Miller; scenario, George Hively.

THE MAN WHO NEVER WAS CAUGHT. 1915. 1 reel.

THE MAN WHO PLAYED GOD. Released by United Artists Corp. 1922. 6 reels. From the play by Jules Eckert Goodman, based on the short story by Gouverneur Morris.

Credits: Director, Harmon Weight; adaptation, Forrest Halsey.

THE MAN WHO PLAYED GOD. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 9 reels, sd. From the play by Jules Eckert Goodman, based on the short story by Gouverneur Morris.

Credits: Director, John G. Adolfi; adaptation, Julian Josephson, Maude Howell.

THE MAN WHO PLAYED SQUARE. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Al Santell; story, William Cook; scenario, John Stone.

THE MAN WHO RECLAIMED HIS HEAD. Presented by Carl Laemmle. 1934. 9 reels, sd. From the play by Jean Bart [pseud. of Marie Antoinette Sarlabous].

Credits: Associate producer, Henry Henigson; director, Edward Ludwig; screenplay, Jean Bart, Samuel Ornitz; film editor, Murray Seldeen.

THE MAN WHO SAVED THE DAY. Special Big U. 1917. 2 reels.

THE MAN WHO SAW TOMORROW. 1922. 7 reels.

Credits: Perley Poore Sheehan, Frank Condon; director, Alfred E. Green; adaptation, Will Ritchey, Frank Condon.

THE MAN WHO STAYED AT HOME. Presented by Screen Classics, Inc. 1919. 6 reels. Adapted from the play by Lechmere Worrall and J. E. Harold Terry.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, June Mathis.

Credits: Director, Frank Hall Crane.

THE MAN WHO TOOK A CHANCE. 1917. 5 reels.

Credits: Ben Cohn; director, William Worthington.

THE MAN WHO TURNED WHITE. SEE The Sheik of Araby.

THE MAN WHO VANISHED. 1914. 1 reel. Adapted from the Felix Boyd series "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

Credits: Director, Langdon West.

THE MAN WHO WAS AFRAID. 1917. 65 min. From the story by Mary Brecht Pulver.

Credits: Director, Fred E. Wright; adaptation, H. Tipten Steck.

THE MAN WHO WENT SANE. 1916. 3 reels.

Credits: Paul West; director, Thomas R. Mills; picturized by Joseph F. Poland.

THE MAN WHO WOKE UP. 1921. 2 reels.

Credits: Story, L. Underwood; scenario, Robert Dillon.

THE MAN WHO WON. 1919. 5 reels. Based on the book by Cyrus Townsend Brady.

Credits: Director, Paul Scardon; scenario, Edward J. Montagne.

THE MAN WHO WON. 1923. 5 reels, b&w, tinted sequences. Based on "The Twins of Suffering Creek" by Ridgwell Cullum.

Credits: Director, William A. Wellman; scenario, Ewart Adamson.

THE MAN WHO WOULDN'T LOVE. SEE Sinner or Saint.

THE MAN WHO WOULDN'T MARRY. 1913.

Credits: Annesley Burrowes.

THE MAN WHO WOULDN'T REMOVE HIS HAT. SEE The Devil's Bowl.

THE MAN WHO WOULDN'T TELL. 1918. 5 reels.

Credits: Director, James Young; story, Bess Meredyth.

THE MAN WITH A PACKAGE. Joker. 1917. 1 reel.

Credits: C. B. Hoadley; director, W. W. Beaudine.

THE MAN WITH THE BROODING EYES. SEE Brooding Eyes.

THE MAN WITH THE IRON HEART. 1915. 3 reels.

Credits: Director, George Nicholls.

THE MAN WITH THE PUNCH. 1920. 2 reels.

Credits: Story, W. C. Tuttle; scenario, Burl Armstrong.

THE MAN WITH THE SCAR. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story, and scenario, Basil Dickey.

THE MAN WITH THE TWISTED LIP. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

THE MAN WITH TWO FACES. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels. Based on the play "The Dark Tower" by George S. Kaufman and Alexander Woollcott.

Credits: Director, Archie Mayo; screenplay, Tom Reed, Niven Busch.

THE MAN WITH TWO MOTHERS. 1922. 5 reels.

Credits: Director, Paul Bern; story, Alice Duer Miller; scenario, Julien Josephson.

THE MAN WITHIN. 1916. 3 reels.

Credits: Director, Tom Mix.

THE MAN WITHOUT A CONSCIENCE. 1925. 7 reels.

Credits: Director, James Flood; story, Max Kretzer; adaptation, Hope Loring, Louis Duryea Lighton.

THE MAN WITHOUT A COUNTRY. 1917. 6 reels. Based on the story by Edward Everett Hale.

Credits: Supervision, Edwin Tanhouser; director, Ernest C. Warde; scenario, Lloyd Lonergan.

THE MAN WITHOUT A COUNTRY. 1925. 10 reels. Based on the story by Edward Everett Hale.

Credits: Director, Rowland V. Lee; adaptation and scenario, Robert N. Lee.

THE MAN WITHOUT A COUNTRY. 1938. 2 reels. From the story by Edward Everett Hale.

Credits: Director, Crane Wilbur; screenplay, Forrest Barnes.

THE MAN WITHOUT A COUNTRY. SEE As No Man Has Loved.

Credits: Director, Spencer Gordon Bennet; screen version, Joseph Anthony Roach.

MAN WITHOUT A HEART. 1924. 6 reels. From the novel by Ruby M. Ayres.

Credits: Director, Burton King; screen adaptation, Harry Chandlee.

Credits: Adapted and produced by George L. Tucker.

MAN, WOMAN, AND SIN. 1927. 7 reels.

Credits: Produced, written and directed by Monta Bell; scenario, Alice D. G. Miller; film editor, Blanche Sewell.

MAN, WOMAN, AND WIFE. 1928. 7 reels.

Credits: Director, Edward Laemmle; story, Charles A. Logue.

MAN, WOMAN, MARRIAGE. Presented by Allen A. Kaufman. 1921. 9 reels.

Credits: Story and direction, Allen Holubar.

MANAGED MONEY. (Frolics of Youth) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson.

THE MANAGER OF THE B. AND A. SEE The Man from Medicine Hat.

MANANA LAND. SEE An Uneven Match, Manana Land and Memories.

MANCHU LOVE. 1929. 2 reels, sd., color.

Credits: Aubrey Scotto; producer, Herbert T. Kalmus; director, Elmer Clifton; story, Jack Cunningham.

MANCHUKUO. 1938. 1 reel.

MANDALAY. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, Michael Curtiz; story, Paul Henry Fox; screenplay, Austin Parker, Charles Kenyon.

THE MANDARIN. 1924. 1 reel.

Credits: Director, William H. Watson; story, Richard Smith.

THE MANDARIN MYSTERY. 1936. 7 reels. Based on "The Chinese Orange Mystery" by Ellery Queen [pseud.]

Credits: Producer, Nat Levine; director, Ralph Staub; screenplay, John Francis Larkin, Rex Taylor, Gertrude Orr, Cortland Fitzsimmons.

Credits: Director, Oscar Apfel; story, Philip Lonergan; scenario, Lucien Hubbard.

MANDRAKE THE MAGICIAN. 1939. 2 reels each, sd. Based on the newspaper feature created by Lee Falk and Phil Davis.

Credits: Directors, Sam Nelson, Norman Deming; screenplay, Joseph F. Poland, Basil Dickey, Ned Dandy.

THE MAN-EATER. (James Montgomery Flagg's Girls You Know) 1918. 1 reel, color.

Credits: Director, Jack Eaton.

MAN-EATING SHARKS. (Cannibals of the Deep Series, no. 4) 1932. 770 ft.

Credits: Producer, Mack Sennett.

MAN EATING TIGER. SEE Spring Tonic.

MANHANDLED. 1924. 6,998 ft. From the Saturday Evening Post story by Arthur Stringer.

Credits: Producer and director, Allan Dawn; screenplay, Frank W. Tuttle.

MANHANDLING ETHEL. SEE Enchantment.

MANHATTAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,415 ft. Based on "The Definite Object" by Jeffery Farnol.

Credits: Director, R. H. Burnside; adaptation, Paul Sloane, Frank Tuttle.

MANHATTAN COCKTAIL. 1928. 6,051 ft.

Credits: Director, Dorothy Arzner; story, Ernest Vajda; screenplay, Ethel Doherty.

A MANHATTAN KNIGHT. 1920. 5 reels, b&w, tinted sequences.

Credits: Director, George A. Beranger; story, Gelett Burgess; scenario, Paul H. Sloane.

MANHATTAN KNIGHTS. 1928. 7 reels.

Credits: Director, Burton King; story and continuity, Adeline Leitzbach.

MANHATTAN LOVE SONG. 1934. 8 reels, sd. Suggested by the novel by Cornell Woolrich [pseud. of Cornell George Hopley-Woolrich].

Credits: Director, Leonard Fields; screenplay, David Silverstein, Leonard Fields; editor, Carl Pierson.

MANHATTAN LOVE SONG. SEE Change of Heart.

MANHATTAN LULLABY. (Song Hit Stories) Educational Pictures. Presented by E. W. Hammons. 1933. 9 min., sd.

Credits: Producer, Jack White; story and music, James F. Hanley.

Credits: Charles T. and Frank Dazey; director, John McDermott; scenario, E. V. Durling.

MANHATTAN MARINERS. (Grantland Rice Sportlight) Van Beuren Corp. 1931. 1 reel.

MANHATTAN MARY. SEE Follow the Leader.

MANHATTAN MELODRAMA. Cosmopolitan. 1934. 9 reels, sd.

Credits: Producer, David O. Selznick; director, W. S. Van Dyke; original story, Arthur Caesar; screenplay, Oliver H. P. Garrett, Joseph L. Mankiewicz; film editor, Ben Lewis.

MANHATTAN MERRY-GO-ROUND. 1937. 10 reels, sd. Based on the musical revue by Frank Hummert.

Credits: Associate producer, Harry Sauber; director, Charles F. Riesner; original screenplay, Harry Sauber; editors, Murray Seldeen, Ernest Nims; music director, Alberto Colombo.

MANHATTAN MONKEY BUSINESS. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Harold Law; film editor, William Ziegler.

MANHATTAN MOON. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Stanley Bergerman; director, Stuart Walker; original story, Robert Harris; screenplay, Barry Trivers, Ben Grauman Kohn; adaptation, Aben Kandel; film editor, Phil Cahn; music, Karl Hajos.

MANHATTAN PARADE. Warner Bros, and Vitaphone Production. 1932. 8 reels, sd. Based on a play by Samuel Shipman.

Credits: Director, Lloyd Bacon.

MANHATTAN RHYTHM. Presented by Adolph Zukor. 1935. 1 reel, sd.

MANHATTAN SERENADE. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color. Based upon an original composition by Louis Alter.

Credits: Director, Sammy Lee; dialogue, Joe Farnham; music, Louis Alter, Howard Johnson, Charles F. Riesner; orchestral arrangement and direction, Arthur Lange.

MANHATTAN SHAKEDOWN. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; story, Theodore Tinsley; screenplay, Edgar Edwards.

MANHATTAN TAPESTRY. Treasure Chest. Presented by E. W. Hammons. 1936. 906 ft., sd., color.

Credits: Producers, Palmer Miller, Curtis F. Nagel; editors, Richard Fair, William M. Pizor.

MANHATTAN WATERFRONT. (World on Parade, no. 7) 1937. 1 reel.

Credits: Text, Harold McCracken; narrator, Alois Havrilla.

MANIAC. 1934. 6 reels, sd.

Credits: Director, Dwain Esper; story and continuity, Hildegarde Stadie.

THE MANICURE GIRL. 1913. 1 reel.

Credits: George Randolph Chester.

THE MANICURE GIRL. (Chronicles of Bloom Center) 1915. 1 reel.

Credits: Producer, Burton L. King.

THE MANICURE GIRL. Paramount. 1925. 5,959 ft.

Credits: Frederic and Fanny Hatton; director, Frank Tuttle; screenplay, Townsend Martin.

THE MANIFESTATIONS OF HENRY ORT. SEE Straight Is the Way.

MANNA. Gold Seal. 1915. 2 reels.

Credits: Producer, Henry Otto; scenario, Olga Printzlau.

MANNEQUIN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the story by Fannie Hurst.

Credits: Producer and director, James Cruze; screenplay, Frances Agnew; adaptation, Walter Woods.

MANNEQUIN. A Frank Borzage production. 1938. 9 reels, sd., b&w.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage; story, Katharine Brush; screenplay, Lawrence Hazard; film editor, Frederick Y. Smith; music, Edward Ward.

MANNERS AND THE MAN. 1915. 1 reel.

MANON. SEE Hope Hampton in the Fourth Act of Manon.

MAN POWER. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,617 ft.

Credits: Associate producer, B. P. Schulberg; director, Clarence Badger; story, Byron Morgan; adaptation, Ray Harris, Sam Mintz; screenplay, Louise Long.

MAN'S BEST FRIEND, and THE STORY OF THE ROOSEVELT FAMILY IN AMERICA. (The Human Side of the News) 1933. 1 reel.

MAN'S CASTLE. 1933. 8 reels, sd. From the play by Lawrence Hazard.

Credits: Director, Frank Borzage; screenplay, Jo Swerling; film editor, Viola Lawrence.

MAN'S COUNTRY. 1938. 6 reels, sd.

Credits: Assistant producer, Robert Tansey; director, Robert Hill; original screenplay, Robert Emmett; film editor, Russ Schoengarth.

MAN'S ENEMY. 1914.

A MAN'S GAME. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Meyer.

MAN'S GREATEST FRIEND. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Joe Newman; screenplay, Barney Gerard, Richard Goldstone; research compilations, Dr. Ryland R. Madison.

A MAN'S HARDEST FIGHT. Big U. 1916. 1 reel.

Credits: Ben Cohn; producer. Jay Hunt.

A MAN'S HOME. Presented by Lewis J. Selznick. 1921. 6 reels.

Credits: Producer and director, Ralph Ince; story, Anna S. Richardson, Edmund Breese; scenario, Edward J. Montagne.

MAN'S LAW. 1915. 2 reels.

Credits: Written and directed by Colin Campbell.

MAN'S LAW AND GOD'S. 1922. 5 reels.

Credits: Written and directed by Finis Fox.

A MAN'S MAKING. 1915. 5 reels.

A MAN'S MAN. 1917. 7 reels. Adapted from the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas Geraghty.

A MAN'S MAN. Released by Film Booking Offices of America. 1923. 5 reels. From the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas C. Geraghty.

A MAN'S MAN. 1929. 8 reels. Based on the play by Patrick Kearney.

Credits: Produced and directed by James Cruze; continuity, Forrest Halsey; film editor, George Hively.

MAN'S MANIA FOR SPEED. (Adventure of the Newsreel Cameraman) 1934. 1 reel, sd.

A MAN'S MATE. 1924. 6 reels.

Credits: Director, Edmund Mortimer; story and scenario, Charles Kenyon.

A MAN'S PAST. Jewel. 1927. From the play "The Diploma" by Emerich Foeldes.

Credits: Director, George Melford; continuity, Emil Forst.

MAN'S PLAYTHING. 1920. 6 reels.

Credits: Written and directed by Charles T. Horan.

A MAN'S SACRIFICE. 1915. 3 reels.

Credits: Director, George D. Baker.

MAN'S SIZE. Fox Film Corp. 1923. 5 reels. Based on the novel by William MacLeod Raine.

Credits: Director, Howard M. Mitchell; scenario, Joseph Franklin Poland.

A MAN'S SIZE PET. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

MAN'S TRIUMPH OVER THE MIGHTY FOREST. 1917. 1 reel.

Credits: Director, Travers Vale; story, William Addison Lathrop.

A MAN'S WORK. 1916. 3 reels.

A MAN'S WORLD. 1918. 5 reels. From the play by Rachel Crothers.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, June Mathis.

THE MANSARD MYSTERY. Imp. 1916. 2 reels.

Credits: Director, Stuart Paton; story, Sylvester Jones; scenario, Harvey Gates.

Credits: Written and produced by Lem B. Parker.

A MANSION OF TRAGEDY. 1915. 3 reels.

Credits; Director, Joseph Byron Totten.

MANSLAUGHTER. Paramount. Presented by Jesse L. Lasky. 1922. 10 reels. From the Saturday Evening Post story by Alice Duer Miller.

Credits: Producer and director, Cecil B. De Mille; adaptation, Jeanie Macpherson.

MANSLAUGHTER. 1930. 7,954 ft., sd. Based on the novel by Alice Duer Miller.

Credits: Director, George Abbott; screenplay, George Abbott; film editor. Otto Lovering.

THE MANTLE OF CHARITY. 1918. 5 reels.

Credits: Stephen Fox; director, Edward Sloman.

THE MANTLE OF DECEIT. Rex. 1916. 2 reels.

Credits: Written and directed by Robert F. Hill.

THE MANUFACTURE OF BIG GUNS. 1915. Split reel.

THE MANUFACTURE OF COIN. 1915. Produced by permission of the United States Treasury Department. 1,000 ft.

MANUFACTURE OF WOOLENS. SEE Worsted Yarn Manufacture.

Credits: Producer, George Loane Tucker.

MANY A SIP. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story and continuity, Ben Holmes, Nat Perrin, Mark Sandrich; film editor, Sam White.

MANY A SLIP. Released by F.B.O. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story. Charley Bowers, H. L. Muller, Ted Sears.

MANY A SLIP. 1931. 8 reels. From the stage play by Edith Fitzgerald and Robert Riskin.

Credits: Associate producer, Albert De Mond; director, Vin Moore; screenplay and added dialogue, Gladys Lehman.

MANY HAPPY RETURNS. Presented by Adolph Zukor. 1934. 7 reels, sd. Based on the novel, "Mr. Dayton, Darling" by Lady Mary Cameron [pseud.]

Credits: Producer, William LeBaron; director, Norman McLeod; screenplay, J. P. McEvoy, Claude Binyon; adaptation, Keene Thompson, Ray Harris; music, Arthur Johnston.

MANY MOONS. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

MANY SAPPY RETURNS. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Charley Chase.

MANY UNHAPPY RETURNS. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story. Charles Roberts, Ewart Adamson; film editor, Les Millbrook.

MANY WINGS—BESIDE THE STILL WATERS. 1927. 1 reel.

Credits: Robert C. Bruce.

MAPLE SUGAR. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

MAPLE SYRUP AND SUGAR. 1930. 1 reel.

Credits: Producer, Joseph W. Smiley.

MARATHON MANIACS. Victor. 1917. 1 reel.

Credits: Written and directed by Craig Hutchinson.

MARBLE HEADS. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE MARBLE HEART. Imp. 1915. 4 reels.

THE MARBLE HEART. 1916. For Fox Film Corp. 5 reels.

Credits: Producer, Keenan Buel; supervision, scenario, and adaptation, Herbert Brenon.

THE MARCELLINI MILLIONS. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Edith Kennedy; scenario, Edith Kennedy, George Beban.

THE MARCH HARE. 1921. 5 reels.

Credits: Director, Maurice Campbell.

THE MARCH OF CHAMPIONS. (A Sportlight Picture) 1933. 1 reel, sd.

THE MARCH OF CRIME. 1936. 2 reels.

Credits: Narrative by Wedgewood Nowell.

THE MARCH OF FREEDOM. 1939. 2 reels, sd.

Credits: Producers, Joseph O'Brien, Thomas Mead; script, Henry Clay Bate; narrator, Graham McNamee.

MARCH OF THE PRESIDENTS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Narrator, John B. Kennedy; commentary, Horace A. Woodmansee; editors, Fred Waller, Milton Hocky.

MARCH OF THE YEARS. Columbia. Produced and dramatized by March of the Years Associates. 1933-34. 1 reel each, except the first entry which is 2 reels, sd.

MARCH OF TIME. Presented by the editors of Life and Time (Volume 1, no. 1 to Volume 3, no. 5, editors of Time) 1935-39.