Motion Picture Operation, Stage Electrics and Illusions A Practical Hand-book and Guide for Theater Electricians, Motion Picture Operators and Managers of Theaters and Productions

CHAPTER IX.

Chapter 11934 wordsPublic domain

PRINCIPLES OF VISION.

Through the medium of our eyes we see objects by means of the light which is reflected from them. This light enters the eye and forms an inverted image of the object upon the retina, just as an inverted image is formed upon the ground glass of a camera. This impression made upon the eye is corrected automatically, so that, although we see everything upside down, we are not at all aware of so doing. The proof of this peculiarity of the eye is found in cases where persons born blind have later through operations acquired sight. In the eyes of slaughtered cattle also the image can be seen inverted. A further proof that we are able thus to adjust ourselves is found in the experience of persons using cameras with ground glass screens. The image on these screens is always inverted both horizontally and vertically. The user soon learns to see his object, although inverted, in the natural way, that is, vertically, because this is so plain that he must take it into account at every focusing. He does not, however, accommodate himself to the reversal from right to left because this is of no consequence ordinarily and is not noticed. Many photographers, who have been accustomed to the vertical inversion, still find themselves confused when trying to locate the right and left of a view seen through the lens.

Unless a special arrangement of lenses is provided, all images cast upon screens through small openings appear inverted. The reason for this can be seen from Figure 62. It is obvious that no other light can reach the bottom of the screen through the pin hole _O_, at the left of the figure, except that coming from the flame of the candle; also that no other light can reach the top of the screen except that reflected from the bottom of the candle at the right. Hence the image of the candle appears inverted.

A general understanding of the structure of the eye can be had from Figure 63. _W_ indicates a watery substance in the front of the eye; _I_ is the iris which has power to contract or expand and thus regulate the quantity of light admitted to the eye; _P_ is the pupil; _L_ is the lens; and _R_ is the retina which connects with the optic nerve and the brain. The lens is made up of several parts having different indexes of refraction. The whole resembles an ordinary convex lens but has considerable power of adjustment. When looking at objects close by, for instance, the pupil can often be seen to bulge out which is its method of accommodating itself to objects close at hand.

To the iris falls the duty of regulating the quantity of light which is to reach the retina. If confronted by a bright light, it closes partially; in a dim light, it opens out wide. When subject to a flickering light, there is a tendency to follow the flickerings by rapid opening and closing, which causes pain. If subject to flickerings long enough, however, the pain becomes somewhat less, probably because the iris has come to rest on an intermediate point.

An image formed upon the retina remains for some time, the time varying with the intensity of the light. Very intense impressions are supposed to last about one twenty-fifth of a second; milder ones as long as one-tenth of a second. This tendency to retain images is known as the _persistence of vision_ and can be noticed in many ways. A twenty-five cycle alternating current falls to zero fifty times in one second; and fifty times in each second there is a slight cooling off of the incandescent filament. Yet the variation in the intensity of the light is noticeable. Many of the sleight-of-hand tricks depend upon this persistence of vision and the projection of moving pictures would be impossible without it.

We are able to judge distance principally through the fact that we have two eyes. If our eyes were immovable, we should see two images for every object. But as they are movable and as both normally point directly at the object we are looking at, their axes form angles with each other and in this way we are enabled to judge the distance, as well as other qualities of objects.

When both eyes are centered upon an object, the impressions received by the brain from both sources are mixed, and the picture we become conscious of is a composite of the two images in the eyes.

This is verified by the fact that many persons with defective vision can see much more clearly with one eye than with both. They are not able to focus both eyes upon the same point and thus the perfectly clear picture which may exist in one eye is mixed with an uncertain picture in the other.

In youth normal eyes are able to adjust themselves to different intensities of light and different distances very rapidly. This power is largely curtailed as age advances. Where a young person can almost instantly, after gazing at some distant object, turn to a newspaper and read, the eyes of a person of advanced age generally require considerable time before they can adjust themselves in the same way. Quite frequently, however, very old people regain their powers of vision and become able to do without the glasses formerly used.

All of the above facts should be thoroughly understood by those having to do with illumination used by a mixed audience. Light that may seem perfectly satisfactory to one may be entirely unsuitable for another.