Chapter 51

The Assyrians, the Emperors of Constantinople, the Parthians Scythians, Saxons, Chinese, and Danes all bore the serpent as a standard, and among the spoils taken by Aurelian from Zenobia were such standards, _Persici Dracones_. The Persians represented Ormuzd and Ahriman by two serpents, contending for the mundane egg. Mithras is represented with a lion's head and human body, encircled by a serpent. In the Sadder is this precept: "When you kill serpents, you will repeat the Zend-Avesta, and thence you will obtain great merit; for it is the same as if you had killed so many devils."

Serpents encircling rings and globes, and issuing from globes, are common in the Persian, Egyptian, Chinese, and Indian monuments. Vishnu is represented reposing on a coiled serpent, whose folds form a canopy over him. Mahadeva is represented with a snake around his neck, one around his hair, and armlets of serpents on both arms. Bhairava sits on the coils of a serpent, whose head rises above his own. Parvati has snakes about her neck and waist. Vishnu is the Preserving Spirit, Mahadeva is Siva, the Evil Principle, Bhairava is his son, and Parvati his consort. The King of Evil Demons was called in Hindū Mythology, _Naga_, the King of Serpents, in which name we trace the Hebrew _Nachash_, serpent.

In Cashmere were seven hundred places where carved images of serpents were worshipped; and in Thibet the great Chinese Dragon ornamented the Temples of the Grand Lama. In China, the dragon was the stamp and symbol of royalty, sculptured in all the Temples, blazoned on the furniture of the houses, and interwoven with the vestments of the chief nobility. The Emperor bears it as his armorial device; it is engraved on his sceptre and diadem, and on all the vases of the imperial palace. The Chinese believe that there is a dragon of extraordinary strength and sovereign power, in Heaven, in the air, on the waters, and on the mountains. The God Fohi is said to have had the form of a man, terminating in the tail of a snake, a combination to be more fully explained to you in a subsequent Degree.

The dragon and serpent are the 5th and 6th signs of the Chinese Zodiac; and the Hindus and Chinese believe that, at every eclipse, the sun or moon is seized by a huge serpent or dragon, the serpent _Asootee_ of the Hindus, which enfolds the globe and the constellation Draco; to which also refers "the War in Heaven, when Michael and his Angels fought against the dragon."

Sanchoniathon says that Taaut was the author of the worship of serpents among the Phœnicians. He "consecrated," he says, "the species of dragons and serpents; and the Phœnicians and Egyptians followed him in this superstition." He was "the first who made an image of Cœlus"; that is, who represented the Heavenly Hosts of Stars by visible symbols; and was probably the same as the Egyptian Thoth. On the Tyrian coins of the age of Alexander, serpents are represented in many positions and attitudes, coiled around trees, erect in front of altars, and crushed by the Syrian Hercules.

The seventh letter of the Egyptian alphabet, called _Zeuta_ or _Life_, was sacred to Thoth, and was expressed by a serpent standing on his tail; and that Deity, the God of healing, like Æsculapius, to whom the serpent was consecrated, leans on a knotted stick around which coils a snake. The Isiac tablet, describing the Mysteries of Isis, is charged with serpents in every part, as her emblems. The _Asp_ was specially dedicated to her, and is seen on the heads of her statues, on the bonnets of her priests, and on the tiaras of the Kings of Egypt. Serapis was sometimes represented with a human head and serpentine tail: and in one engraving two minor Gods are represented with him, one by a serpent with a bull's head, and the other by a serpent with the radiated head of a lion.

On an ancient sacrificial vessel found in Denmark, having several compartments, a serpent is represented attacking a kneeling boy, pursuing him, retreating before him, appealed to beseechingly by him, and conversing with him. We are at once reminded of the Sun at the new year represented by a child sitting on a lotus, and of the relations of the Sun of Spring with the Autumnal Serpent, pursued by and pursuing him, and in conjunction with him. Other figures on this vessel belong to the Zodiac.

The base of the _tripod_ of the Pythian Priestess was a triple-headed serpent of brass, whose body, folded in circles growing wider and wider toward the ground, formed a conical column, while the three heads, disposed triangularly, upheld the _tripod_ of gold. A similar column was placed on a pillar in the Hippodrome at Constantinople, by the founder of that city; one of the heads of which is said to have been broken off by Mahomet the Second, by a blow with his iron mace.

The British God Hu was called "The Dragon--Ruler of the World," and his car was drawn by serpents. His ministers were styled _adders_. A Druid in a poem of Taliessin says, "I am a Druid, I am an _Architect_, I am a Prophet, I am a _Serpent_ (Gnadi)." The Car of the Goddess Ceridwen also was drawn by serpents.

In the elegy of Uther Pendragon, this passage occurs in a description of the religious rites of the Druids: "While the Sanctuary is earnestly invoking _The Gliding King_, before whom _the Fair One_ retreats, upon the evil that covers the huge stones; whilst the Dragon moves round over the places which contain vessels of drink-offering, whilst the drink-offering is in _the Golden Horns_;" in which we readily discover the mystic and obscure allusion to the Autumnal Serpent pursuing the Sun along the circle of the Zodiac, to the celestial cup or crater, and the Golden horns of Virgil's milk-white Bull; and, a line or two further on, we find the Priest imploring the victorious _Beli_, the Sun-God of the Babylonians.

With the serpent, in the Ancient Monuments, is very often found associated the Cross. The Serpent upon a Cross was an Egyptian Standard. It occurs repeatedly upon the Grand Staircase of the Temple of Osiris at Philæ; and on the pyramid of Ghizeh are represented two kneeling figures erecting a Cross, on the top of which is a serpent erect. The _Crux Ansata_ was a Cross with a coiled Serpent above it; and it is perhaps the most common of all emblems on the Egyptian Monuments, carried in the hand of almost every figure of a Deity or a Priest. It was, as we learn by the monuments, the form of the iron tether-pins, used for making fast to the ground the cords by which young animals were confined: and as used by shepherds, became a symbol of Royalty to the Shepherd Kings.

A Cross like a Teutonic or Maltese one, formed by four curved lines within a circle, is also common on the Monuments, and represented the Tropics and the Colures.

The Caduceus, borne by Hermes or Mercury, and also by Cybele, Minerva, Anubis, Hercules Ogmius the God of the Celts, and the personified Constellation Virgo, was a winged wand, entwined by two serpents. It was originally a simple Cross, symbolizing the equator and equinoctial Colure, and the four elements proceeding from a common centre. This Cross, surmounted by a circle, and that by a crescent, became an emblem of the Supreme Deity--or of the active power of generation and the passive power of production conjoined,--and was appropriated to Thoth or Mercury. It then assumed an improved form, the arms of the Cross being changed into wings, and the circle and crescent being formed by two snakes, springing from the wand, forming a circle by crossing each other, and their heads making the horns of the crescent; in which form it is seen in the hands of Anubis.

The triple Tau, in the centre of a circle and a triangle, typifies the Sacred Name; and represents the Sacred Triad, the Creating, Preserving, and Destroying Powers; as well as the three great lights of Masonry. If to the Masonic point within a Circle, and the two parallel lines, we add the single Tau Cross, we have the Ancient Egyptian Triple Tau.

A column in the form of a cross, with a circle over it, was used by the Egyptians to measure the increase of the inundations of the Nile. The Tau and Triple Tau are found in many Ancient Alphabets.

With the Tau or the Triple Tau may be connected, within two circles, the double cube, or perfection; or the perfect ashlar.

The _Crux Ansata_ is found on the sculptures of Khorsabad; on the ivories from Nimroud, of the same age, carried by an Assyrian Monarch; and on cylinders of the later Assyrian period.

As the single Tau represents the one God, so, no doubt, the Triple Tau, the origin of which cannot be traced, was meant to represent the Trinity of his attributes, the three Masonic pillars, WISDOM, STRENGTH, and HARMONY.

The Prophet Ezekiel, in the 4th verse of the 9th chapter, says: "And the Lord said unto him, 'Go through the midst of the city, through the midst of Jerusalem, and mark the letter TAU upon the foreheads of those that sigh and mourn for all the abominations that be done in the midst thereof." So the Latin Vulgate, and the probably most ancient copies of the Septuagint translate the passage. This _Tau_ was in the form of the cross of this Degree, and it was the emblem of _life_ and _salvation_. The Samaritan _Tau_ and the Ethiopic _Tavvi_ are the evident prototype of the Greek [Greek: τ]; and we learn from Tertullian, Origen, and St. Jerome, that the Hebrew _Tau_ was anciently written in the form of a Cross.

In ancient times the mark _Tau_ was set on those who had been acquitted by their judges, as a symbol of innocence. The military commanders placed it on soldiers who escaped unhurt from the field of battle, as a sign of their safety under the Divine Protection.

It was a sacred symbol among the Druids. Divesting a tree of part of its branches, they left it in the shape of a Tau Cross, preserved it carefully, and consecrated it with solemn ceremonies. On the tree they cut deeply the word THAU, by which they meant God. On the right arm of the Cross, they inscribed the word HESULS, on the left BELEN or BELENUS, and on the middle of the trunk THARAMIS. This represented the sacred _Triad_.

It is certain that the Indians, Egyptians, and Arabians paid veneration to the sign of the Cross, thousands of years before the coming of Christ. Everywhere it was a sacred symbol. The Hindus and the Celtic Druids built many of their Temples in the form of a Cross, as the ruins still remaining clearly show, and particularly the ancient Druidical Temple at Classerniss in the Island of Lewis in Scotland. The Circle is of 12 Stones. On each of the sides, east, west, and south, are three. In the centre was the image of the Deity; and on the north an avenue of twice nineteen stones, and one at the entrance. The Supernal Pagoda at Benares is in the form of a Cross; and the Druidical subterranean grotto at New Grange in Ireland.

The Statue of Osiris at Rome had the same emblem. Isis and Ceres also bore it; and the caverns of initiation were constructed in that shape with a pyramid over the _Sacellum_.

Crosses were cut in the stones of the Temple of Serapis in Alexandria; and many Tau Crosses are to be seen in the sculptures of Alabastion and Esné, in Egypt. On coins, the symbol of the Egyptian God Kneph was a Cross within a Circle.

The Crux Ansata was the particular emblem of Osiris, and his sceptre ended with that figure. It was also the emblem of Hermes, and was considered a Sublime Hieroglyphic, possessing mysterious powers and virtues, as a wonder-working amulet.

The Sacred Tau occurs in the hands of the mummy-shaped figures between the forelegs of the row of Sphynxes, in the great avenue leading from Luxor to Karnac. By the Tau Cross the Cabalists expressed the number 10, a perfect number, denoting Heaven, and the Pythagorean Tetractys, or incommunicable name of God. The Tau Cross is also found on the stones in front of the door of the Temple of Amunoth III, at Thebes, who reigned about the time when the Israelites took possession of Canaan: and the Egyptian Priests carried it in all the sacred processions.

Tertullian, who had been initiated, informs us that the Tau was inscribed on the forehead of every person who had been admitted into the Mysteries of Mithras.

As the simple Tau represented Life, so, when the Circle, symbol of Eternity, was added, it represented Eternal Life.

At the Initiation of a King, the Tau, as the emblem of life and key of the Mysteries, was impressed upon his lips.

In the Indian Mysteries, the Tau Cross, under the name of _Tiluk_, was marked upon the body of the candidate, as a sign that he was set apart for the Sacred Mysteries.

On the upright tablet of the King, discovered at Nimroud, are the names of thirteen Great Gods (among which are YAV and BEL); and the left-hand character of every one is a cross composed of two cuneiform characters.

The Cross appears upon an Ancient Phœnician medal found in the ruins of Citium; on the very ancient Buddhist Obelisk near Ferns in Ross-shire; on the Buddhist Round Towers in Ireland, and upon the splendid obelisk of the same era at Forres in Scotland.

Upon the facade of a temple at Kalabche in Nubia are three regal figures, each holding a Crux Ansata.

Like the Subterranean Mithriatic Temple at New Grange in Scotland, the Pagodas of Benares and Mathura were in the form of a Cross. Magnificent Buddhist Crosses were erected, and are still standing, at Clonmacnoise, Finglas, and Kilcullen in Ireland. Wherever the monuments of Buddhism are found, in India, Ceylon, or Ireland, we find the Cross: for Buddha or Boudh was represented to have been crucified.

All the planets known to the Ancients were distinguished by the Mystic Cross, in conjunction with the solar or lunar symbols; Saturn by a cross over a crescent, Jupiter by a cross under a crescent, Mars by a cross resting obliquely on a circle, Venus by a cross under a circle, and Mercury by a cross surmounted by a circle and that by a crescent.

The Solstices, Cancer and Capricorn, the two Gates of Heaven are the two pillars of Hercules, beyond which he, the Sun, never journeyed: and they still appear in our Lodges, as the two great columns, Jachin and Boaz, and also as the two parallel lines that bound the circle, with a point in the centre, emblem of the Sun between the two tropics of Cancer and Capricorn.

The Blazing Star in our Lodges, we have already said, represents Sirius, Anubis, or Mercury, Guardian and Guide of Souls. Our Ancient English brethren also considered it an emblem of the Sun. In the old Lectures they said: "The Blazing Star or Glory in the centre refers us to that Grand Luminary the Sun, which enlightens the Earth, and by its genial influence dispenses blessings to mankind." It is also said in those lectures to be an emblem of Prudence. The word _Prudentia_ means, in its original and fullest signification, _Foresight_: and accordingly the Blazing Star has been regarded as an emblem of Omniscience, or the All-Seeing Eye, which to the Ancients was the Sun.

Even the Dagger of the Elu of Nine is that used in the Mysteries of Mithras; which, with its blade black and hilt white, was an emblem of the two principles of Light and Darkness.

Isis, the same as Ceres, was, as we learn from Eratosthenes, the Constellation Virgo, represented by a woman holding an ear of wheat. The different emblems which accompany her in the description given by Apuleius, a serpent on either side, a golden vase, with a serpent twined round the handle, and the animals that marched in procession, the bear, the ape, and Pegasus, represented the Constellations that, rising with the Virgin, when on the day of the Vernal Equinox she stood in the Oriental gate of Heaven, brilliant with the rays of the full moon, seemed to march in her train.

The cup, consecrated in the Mysteries both of Isis and Eleusis, was the Constellation Crater or the Cup. The sacred vessel of the Isiac ceremony finds its counterpart in the Heavens. The Olympic robe presented to the Initiate, a magnificent mantle, covered with figures of serpents and animals, and under which were twelve other sacred robes, wherewith he was clothed in the sanctuary, alluded to the starry Heaven and the twelve signs: while the seven preparatory immersions in the sea alluded to the seven spheres, through which the soul plunged, to arrive here below and take up its abode in a body.

The Celestial Virgin, during the last three centuries that preceded the Christian era, occupied the horoscope or Oriental point, and that gate of Heaven through which the Sun and Moon ascended above the horizon at the two equinoxes. Again it occupied it at midnight, at the Winter Solstice, the precise moment when the year commenced. Thus it was essentially connected with the march of times and seasons, of the Sun, the Moon, and day and night, at the principal epochs of the year. At the equinoxes were celebrated the greater and lesser Mysteries of Ceres. When souls descended past the Balance, at the moment when the Sun occupied that point, the Virgin rose before him; she stood at the gates of day and opened them to him. Her brilliant Star, Spica Virginis, and Arcturus, in Boötes, northwest of it, heralded his coming. When he had returned to the Vernal Equinox, at the moment when souls were generated, again it was the Celestial Virgin that led the march of the signs of night; and in her stars came the beautiful full moon of that month. Night and day were in succession introduced by her, when they began to diminish in length; and souls, before arriving at the gates of Hell, were also led by her. In going through these signs, they passed the Styx in the 8th Degree of Libra. She was the famous Sibyl who initiated Eneas, and opened to him the way to the infernal regions.

This peculiar situation of the Constellation Virgo, has caused it to enter into all the sacred fables in regard to nature, under different names and the most varied forms. It often takes the name of Isis or the Moon, which, when at its full at the Vernal Equinox, was in union with it or beneath its feet. Mercury (or Anubis) having his domicile and exaltation in the sign Virgo, was, in all the sacred fables and Sanctuaries, the inseparable companion of Isis, without whose counsels she did nothing.

This relation between the emblems and mysterious recitals of the initiations, and the Heavenly bodies and order of the world, was still more clear in the Mysteries of Mithras, adored as the Sun in Asia Minor, Cappadocia, Armenia, and Persia, and whose Mysteries went to Rome in the time of Sylla. This is amply proved by the descriptions we have of the Mithriac cave, in which were figured the two movements of the Heavens, that of the fixed Stars and that of the Planets, the Constellations, the eight mystic gates of the spheres, and the symbols of the elements. So on a celebrated monument of that religion, found at Rome, were figured, the Serpent or Hydra under Leo, as in the Heavens, the Celestial Dog, the Bull, the Scorpion, the Seven Planets, represented by seven altars, the Sun, Moon, and emblems relating to Light, to Darkness, and to their succession during the year, where each in turn triumphs for six months.

The Mysteries of Atys were celebrated when the Sun entered Aries; and among the emblems was a ram at the foot of a tree which was being cut down.

Thus, if not the whole truth, it is yet a large part of it, that the Heathen Pantheon, in its infinite diversity of names and personifications, was but a multitudinous, though in its origin unconscious allegory, of which physical phenomena, and principally the Heavenly Bodies, were the fundamental types. The glorious images of Divinity which formed Jehovah's Host, were the Divine Dynasty or real theocracy which governed the early world; and the men of the golden age, whose looks held commerce with the skies, and who watched the radiant rulers bringing Winter and Summer to mortals, might be said with poetic truth to live in immediate communication with Heaven, and, like the Hebrew Patriarchs, to see God face to face. Then the Gods introduced their own worship among mankind: then Oannes, Oe or Aquarius rose from the Red Sea to impart science to the Babylonians; then the bright Bull legislated for India and Crete; and the Lights of Heaven, personified as Liber and Ceres, hung the Bœotian hills with vineyards, and gave the golden sheaf to Eleusis. The children of men were, in a sense, allied or married, to those sons of God who sang the jubilee of creation; and the encircling vault with its countless Stars, which to the excited imagination of the solitary Chaldean wanderer appeared as animated intelligences, might naturally be compared to a gigantic ladder, on which, in their rising and setting, the Angel luminaries appeared to be ascending and descending between earth and Heaven. The original revelation died out of men's memories; they worshipped the Creature instead of the Creator; and holding all earthly things as connected by eternal links of harmony and sympathy with the heavenly bodies, they united in one view astronomy, astrology, and religion. Long wandering thus in error, they at length ceased to look upon the Stars and external nature as Gods; and by directing their attention to the microcosm or narrower world of self, they again became acquainted with the True Ruler and Guide of the Universe, and used the old fables and superstitions as symbols and allegories, by which to convey and under which to hide the great truths which had faded out of most men's remembrance.

In the Hebrew writings, the term "Heavenly Hosts" includes not only the counsellors and emissaries of Jehovah, but also the celestial luminaries; and the stars, imagined in the East to be animated intelligences, presiding over human weal and woe, are identified with the more distinctly impersonated messengers or angels, who execute the Divine decrees, and whose predominance in Heaven is in mysterious correspondence and relation with the powers and dominions of the earth. In Job, the Morning Stars and the Sons of God are identified; they join in the same chorus of praise to the Almighty; they are both susceptible of joy; they walk in brightness, and are liable to impurity and imperfection in the sight of God. The Elohim originally included not only foreign superstitious forms, but also all that host of Heaven which was revealed in poetry to the shepherds of the desert, now as an encampment of warriors, now as careering in chariots of fire, and now as winged messengers, ascending and descending the vault of Heaven, to communicate the will of God to mankind.