Chapter 7

Passing on we find that "in Pontus and Phrygia were temples to _Meen_, and Homer says _Meen_ presides over the months, whilst in the Sanskrit _Mina_, we see her connected with the Fish and Virgin. It is not improbable that the great Akaimenian race, as worshipping and upholding sun and moon faiths, were called after _Meni_, the moon." [151] Among the Arabians the moon was the great divinity, as may be learned from Pocock's _Specimen Historiae Arabum_; Prideaux's _Connection_; Gibbon's _Decline and Fall of the Roman Empire_; and Sale's _Preliminary Discourse_ to his translation of the _Koran_. Tiele says: "The ancient religion of the Arabs rises little higher than animistic polydaemonism. The names Itah and Shamsh, the sun god, occur among all the Semitic peoples; Allat, or Alilat, and Al-Uzza, as well as the triad of moon goddesses to which these last belong, are common to several, and the deities which bear them are reckoned among the chief." [152] The Saracens called the moon _Cabar_, the great; and its crescent is the religious symbol of the Turks to this day. Tradition says that "Philip, the father of Alexander, meeting with great difficulties in the siege of Byzantium, set the workmen to undermine the walls, but a crescent moon discovered the design, which miscarried; consequently the Byzantines erected a statue to Diana, and the crescent became the symbol of the state." Dr. Brewer, who cites this story, adds: "Another legend is that Othman, the sultan, saw in a vision a crescent moon, which kept increasing till its horns extended from east to west, and he adopted the crescent of his dream for his standard, adding the motto, _Donec repleat orbem_." [153] Schlegel mentions the story that Mahomet "wished to pass with his disciples as a person transfigured in a supernatural light, and that the credulity of his followers saw the moon, or the moon's light, descend upon him, pierce his garments, and replenish him. That veneration for the moon which still forms a national or rather religious characteristic of the Mahometans, may perhaps have its foundation in the elder superstition, or pagan idolatry of the Arabs." [154] No doubt this last sentence contains the true elucidation of the crescent. For astrolatry lives in the east still. The _Koran_ may expressly forbid the practice, saying: "Bend not in adoration to the sun or moon"; [155] yet, "monotheist as he is, the Moslem still claps his hands at sight of the new moon, and says a prayer." [156]

We come next to the Persians, whom Herodotus accuses of adoring the sun and moon. But, as Gibbon says, "the Persians of every age have denied the charge, and explained the equivocal conduct, which might appear to give colour to it." [157] It will certainly require considerable explanation to free from lunar idolatry the following passage, which we find in the _Zend Avesta_: "We sacrifice unto the new moon, the holy and master of holiness: we sacrifice unto the full moon, the holy and master of holiness." [158] Unquestionably the Persian recognised the Lord of Light _in_ the ordinances of heaven; and therefore his was superior to many forms of blind idol-worship. So far we may accept Hegel's interpretation of the _Zend_ doctrine. "Light is the _body of Ormuzd_; thence the worship of fire, because Ormuzd is present in all light; but he is not the sun or moon itself In these the Persians venerate only the light, which is Ormuzd." [159] In fact, we owe to the Persians a valuable testimony to the God in whom is no darkness at all. "The prayer of Ajax was for light"; and we too little feel the Fire which burns and shines beyond the stars.

In Central India the sun and moon are worshipped by many tribes, as the Khonds, Korkus, Tunguses, and Buraets. The Korkus adore the powers of nature, as the gods of the tiger, bison, the hill, the cholera, etc., "but these are all secondary to the sun and the moon, which among this branch of the Kolarian stock, as among the Kols in the far east, are the principal objects of adoration." [160a] "Although the Tongusy in general worship the sun and moon, there are many exceptions to this observation. I have found intelligent people among them, who believed that there was a being superior to both sun and moon; and who created them and all the world." [160b] This last sentence we read with gratitude, but not with surprise. There is some good in all, if there seem to be all good in some.

"The aboriginal tribes in the Dekkan of India also acknowledge the presence of the sun and moon by an act of reverence." [161]

The inhabitants of the island of Celebes, in the East Indian Archipelago, "formerly acknowledged no gods but the sun and the moon, which were held to be eternal. Ambition for superiority made them fall out." [162] According to Milton, ambition created unpleasantness in the Hebrew heaven.

In Northern Asia the moon had adoring admirers among the Samoyedes, the Morduans, the Tschuwasches, and other tribes. This is stated by Sir John Lubbock. [163] Lord Kames says: "The people of Borneo worship the sun and moon as real divinities. The Samoides worship both, bowing to them morning and evening in the Persian manner." [164] The _Samoides_ are the "salmon-eaters" of Asia.

Moon-worship in China is of ancient origin, and exists in our own time. Professor Legge tells us that the primitive _shih_ "is the symbol for manifestation and revelation. The upper part of it is the same as that in the older form of Ti, indicating 'what is above'; but of the three lines below I have not found a satisfactory account. Hsue Shan says they represent 'the sun, moon, and stars,' and that the whole symbolizes 'the indications by these bodies of the will of Heaven! Shih therefore tells us that the Chinese fathers believed that there was communication between heaven and men. The idea of revelation did not shock them. The special interpretation of the strokes below, however, if it were established, would lead us to think that even then, so far back, there was the commencement of astrological superstition, and also, perhaps, of Sabian worship." [165] Sabianism, as most readers are aware, is the adoration of the armies of heaven: the word being derived from the Hebrew _tzaba_, a host. Dr. Legge leaves Chinese Sabianism in some doubt, in the above quotation; but later on he speaks of the spirits associated with the solstitial worship, whose intercession was thus secured, "I, the emperor of the Great Illustrious dynasty, have respectfully prepared this paper, to inform the spirit of the sun, the spirit of the moon, the spirits of the five planets, of the constellations of the zodiac, and of all the stars in all the sky," and so on: and the professor adds: "This paper shows how there had grown up around the primitive monotheism of China the recognition and worship of a multitude of celestial and terrestrial spirits." [166] This is ample evidence to prove moon-worship. True, these celestial beings were "but ministering spirits," and the "monotheism remained." There was no _henotheism_, no worship of several _single_ supreme deities: _One only_ was supreme. So among the Hebrews, Persians, Hindoos, there was one only God; and yet they offered prayers and sacrifices to heaven's visible and innumerable host. When we come to modern China we shall find some very remarkable celebrations taking place, which throw sunlight upon these ancient mists. Meanwhile to strengthen our position, we may draw additional support from each of the three great stages reached in the progress of Chinese religion: namely, Confucianism, Taoism, and Buddhism. Dr. Edkins describes them as the moral, materialistic, and metaphysical systems, standing at the three corners of a great triangle. [167] The god of Confucianism is _Shang-ti_ or _Shang-te_. And with the universal anthropomorphism "Shang-te is the great father of gods and men: Shang-te is a gigantic man." [168] Again "Heaven is a great man, and man is a little heaven." [169] And now what does Confucianism say of moon-worship? "The sun and moon being the chief objects of veneration to the most ancient ancestors of the Chinese, they translated the soul of their great father heaven or the first man (Shang-te) to the sun, and the soul of their great mother earth or the first woman (the female half of the first man) to the moon." [170] In Taoism there is no room for question. Dr. Legge says that it had its Chang and Liu, and "many more gods, supreme gods, celestial gods, great gods, and divine rulers." [171] And Dr. Edkins writes: "The Taouist mythology resembles, in several points, that of many heathen nations. Some of its divinities personate those beings that are supposed to reside in the various departments of nature. Many of the stars are worshipped as gods." [172] Buddhism not only supplies further evidence, it also furnishes a noteworthy instance of mythic transformation. Sakchi or Sasi, the moon, is literally one who made a sacrifice. This refers to the legend of the hare who gave himself to feed the god. The wife of Indra adopted the hare's name, and was herself called Sasi. "The Tantra school gave every deity its Sakti or consort, and speculation enlarged the meaning of the term still further, making it designate female energy or the female principle." [173] Buddhism, then, the popular religion in China at the present day, the religion which Dr. Farrar ventures to call "atheism fast merging into idolatry," [174] is not free from the nature worship which deifies the moon. But Buddhism, like most other imperfect systems, has precious gold mixed with its dross; and at the expense of a digression we delight to quote the statement of a recent writer, who says: "There is no record, known to me, in the whole of the long history of Buddhism, throughout the many countries where its followers have been for such lengthened periods supreme, of any persecution by the Buddhists of the followers of any other faith." [175] How glad we should feel if we could assert the same of the Christian Church!

We come at once to those celebrations which still take place in China, and illustrate the worship of the moon. The festival of _Yue-Ping_--which is held annually during the eighth month, from the first day when the moon is new, to the fifteenth, when it is full--is of high antiquity and of deep interest. Dr. Morrison says that "the custom of civil and military officers going on the first and fifteenth of every moon to the civil and military temples to burn incense, began in the time of the Luh Chaon," which would be not far from A.D. 550. Also that the "eighth month, fifteenth day, is called Chung-tsew-tsee. It is said that the Emperor Ming-hwang, of the dynasty Tang, was one night led to the palace of the moon, where he saw a large assembly of Chang-go-seen-neu--female divinities playing on instruments of music. Persons now, from the first to the fifteenth, make cakes like the moon, of various sizes, and paint figures upon them: these are called Yue-ping, 'mooncakes.' Friends and relations pay visits, purchase and present the cakes to each other, and give entertainments. At full moon they spread out oblations and make prostrations to the moon." [176] Dennys writes: "The fifteenth day of the eighth month is a day on which a ceremony is performed by the Chinese, which of all others we should least expect to find imitated among ourselves. Most people resident in China have seen the moon-cakes which so delight the heart of the Chinese during the eighth month of every year. These are made for an autumnal festival often described as 'congratulating' or 'rewarding' the moon. The moon, it is well known, represents the female principle in Chinese celestial cosmogony, and she is further supposed to be inhabited by a multitude of beautiful females; the cakes made in her honour are therefore veritable offerings to the Queen of the Heavens. Now in a part of Lancashire, on the banks of the Ribble, there exists a precisely similar custom of making cakes in honour of the 'Queen of Heaven,'--a relic, in all probability, of the old heathen worship which was the common fount of the two customs." [177] Witness is also borne to this ceremony by a well-known traveller. "We arrived at Chaborte on the fifteenth day of the eighth moon, the anniversary of great rejoicings among the Chinese. This festival, known as the _Yue-Ping_ (loaves of the moon), dates from the remotest antiquity. Its original purpose was to honour the moon with superstitious rites. On this solemn day, all labour is suspended; the workmen receive from their employers a present of money, every person puts on his best clothes; and there is merry-making in every family. Relations and friends interchange cakes of various sizes, on which is stamped the image of the moon; that is to say, a hare crouching amid a small group of trees." [178] And Doolittle says: "It is always full moon on the fifteenth of every Chinese month; and, therefore, for several days previous, the evenings are bright, unless it happens to be cloudy, which is not often the case. The moon is a prominent object of attention and congratulation at this time. At Canton, it is said, offerings are made to the moon on the fifteenth. On the following day, young people amuse themselves by playing what is called _'pursuing_,' or '_congratulating_' the moon. At this city [Fuhchau], in the observance of this festival, the expression '_rewarding the moon_' is more frequently used than 'congratulating the moon.' It is a common saying that there is 'a white rabbit in the moon pounding out rice.' The dark and the white spots on the moon's face suggest the idea of that animal engaged in the useful employment of shelling rice. The notion is prevalent that the moon is inhabited by a multitude of beautiful females, who are called by the name of an ancient beauty who once visited that planet; but how they live, and what they do, is not a matter of knowledge or of common fame. To the question, 'Is the moon inhabited?' discussed by some Western philosophers, the Chinese would answer in the affirmative. Several species of trees and flowers are supposed to flourish in the moon. Some say that, one night in ancient times, one of the three souls of the originator of theatrical plays rambled away to the moon and paid a visit to the Lunar Palace. He found it filled with Lunarians engaged in theatrical performances. He is said to have remembered the manner of conducting fashionable theatres in the moon, and to have imitated them after his return to this earth. About the time of the festival of the middle of autumn, the bake shops provide an immense amount and variety of cakes: many of them are circular, in imitation of the shape of the moon at that time, and are from six to twelve inches in diameter. Some are in the form of a pagoda, or of a horse and rider, or of a fish, or other animals which please and cause the cake to be readily sold. Some of these 'moon-cakes' have a white rabbit, engaged with his pounder, painted on one side, together with a lunar beauty, and some trees or shrubs; on others are painted gods or goddesses, animals, flowers, or persons, according to fancy." [179]

If we turn now to Jeremiah vii. 18, and read there, "The women knead dough, to make cakes to the Queen of Heaven, and to pour out drink offerings unto other gods," and remember that, according to Rashi, these cakes of the Hebrews had the image of the god or goddess stamped upon them, we are in view of a fact of much interest. We are so unaccustomed to think that our peasants in Lancashire can have anything in common with the Chinese five thousand miles away, and with the Jews of two thousand five hundred years ago, that to many these moon-cakes will give a genuine surprise. But this is not all. Other analogies appear between Buddhist and Christian rites, such as those mentioned by Dr. Medhurst. "The very titles of their intercessors, such as 'goddess of mercy,' 'holy mother,' 'queen of heaven,' with the image of a virgin, having a child in her arms, holding a cross, are all such striking coincidences, that the Catholic missionaries were greatly stumbled at the resemblance between the Chinese worship and their own, when they came over to convert the natives to Christianity." [180] It is for the philosophical historian to show, if possible, whether these Chinese ceremonies are copies of Christian or Hebrew originals; or whether, many of our own Western forms with others of Oriental character, are not transcripts of primitive faiths now well-nigh forgotten in both East and West. The hot cross buns of Good Friday, at first sight, have little relevancy to moon worship, and those who eat them suppose they were originated to commemorate the Christian Sacrifice; but we know that the cross was a sacred symbol with the earliest Egyptians, for it is carved upon their imperishable records; we know too that _bun_ itself is ancient Greek, and that Winckelmann relates the discovery at Herculaneum of two perfect buns, each marked with a cross: while the _boun_ described by Hesychius was a cake with a representation of _two horns_. Incredible as it may seem to some, the cross bun in its origin had nothing to do with an event with which it is in England identified; it probably commemorates the worship of the moon. In passing from China, we may also note the influence of that sexuality of which we have spoken before. Dr. Medhurst remarks: "The principle of the Chinese cosmogony seems to be founded on a sexual system of the universe." [181]

Dr. Prichard tells us that among the Japanese "sacred festivals are held at certain seasons of the year and at changes of the moon." Also, "It appears that _Sin-too_, or original Japanese religion, is merely a form of the worship of material objects, common to all the nations of Northern Asia, which, among the more civilized tribes, assumes the aspect of mythology." [182]

From Asia we come to Africa, and to Egypt, that wonderful land with a lithographed history at least five thousand years old; a land that basked in the sunshine of civilization and culture when nearly the whole world without was in shadow and gloom. The mighty pyramid of Gizeh still stands, a monument of former national greatness, and a marvel to the admirer of sublimity in design and perfection in execution. "The setting of the sides to the cardinal points is so exact as to prove that the Egyptians were excellent observers of the elementary facts of astronomy." [183] But they went farther. Diodorus says: "The first generation of men in Egypt, contemplating the beauty of the superior world, and admiring with astonishment the frame and order of the universe, judged that there were two chief gods that were eternal, that is to say, the sun and the moon, the first of which they called _Osiris_, and the other _Isis_." [184] This passage is proof that the Greeks and Romans had a very limited acquaintance with Egyptian mythology; for the historian was indubitably in error in supposing Osiris and Isis to be sun and moon. But he was right in calling the sun and moon the first gods of the Egyptians. Rawlinson says: "The Egyptians had two moon-gods, Khons or Khonsu, and Tet or Thoth." [185] Dr. Birch has translated an inscription relating to Thoth, which reads: "All eyes are open on thee, and all men worship thee as a god." [186] And M. Renouf says: "The Egyptian god Tehuti is known to the readers of Plato under the name of Thoyth. He represents the moon, which he wears upon his head, either as crescent or as full disk." [187] The same learned Egyptologist tells us that Khonsu or Chonsu was one of the triad of Theban gods, and was the moon one of his attributes being the reckoner of time. [188] Of the former divinity, Rawlinson relates an instructive myth. "According to one legend Thoth once wrote a wonderful book, full of wisdom and science, containing in it everything relating to the fowls of the air, the fishes of the sea, and the four-footed beasts of the mountains. The man who knew a single page of the work could charm the heaven, the earth, the great abyss, the mountains and the seas. This marvellous composition he inclosed in a box of gold, which he placed within a box of silver; the box of silver within a box of ivory and ebony, and that again within a box of bronze; the box of bronze within a box of brass; and the box of brass within a box of iron; and the book, thus guarded, he threw into the Nile at Coptos. The fact became known, and the book was searched for and found. It gave its possessor vast knowledge and magical power, but it always brought on him misfortune. What became of it ultimately does not appear in the manuscript from which this account is taken; but the moral of the story seems to be the common one, that unlawful knowledge is punished by all kinds of calamity." [189] There is also a story of the moon-god Chonsu, which is worthy of repetition. Its original is in the _Bibliotheque Nationale_ at Paris, and for its first translation we are indebted to Dr. Birch, of the British Museum. [190] A certain Asiatic princess of Bechten, wherever that was, was possessed by a spirit. Being connected, through her sister's marriage, with the court of Egypt, on her falling ill, an Egyptian practitioner was summoned to her aid. He declared that she had a demon, with which he himself was unable to cope. Thereupon the image of the moon-god Chonsu was despatched in his mystic ark, for the purpose of exorcising the spirit and delivering the princess. The demon at once yielded to the divine influence; and the king of Bechten was so delighted that he kept the image in his possession for upwards of three years. In consequence of an alarming dream he then sent him back to Egypt with presents of great value. Whatever evil powers the moon may have exerted since, we must credit him with having once ejected an evil spirit and prolonged a royal life.

Returning to Thoth, we find the following valuable hints in the great work of Baron Bunsen:--"The connection between Tet and the moon may allude, according to Wilkinson, to the primitive use of a lunar year. The ancients had already remarked that the moon in Egyptian was masculine, not feminine, as the Greeks and Romans generally made it. Still we have no right to suppose a particular moon-god, separate from Thoth. We meet with a deity called after the moon (Aah) either as a mere personification, or as Thoth, in whom the agency of the moon and nature become a living principle. We find him so represented in the tombs of the Ramesseum, opposite to Phre; a similar representation in Dendyra is probably symbolical. According to Champollion he is often seen in the train of Ammon, and then he is Thoth. He makes him green, with the four sceptres and cup of Ptah, by the side of which, however, is a sort of Horus curl, the infantine lock, as child or son. In the inscriptions there is usually only the crescent, but on one occasion the sign _nuter_ (god) is added. In the tombs a moon-god is represented sitting on a bark, and holding the sceptre of benign power, to whom two Cynocephali are doing homage, followed by the Crescent and Nuter god. Lastly, the same god is found in a standing posture, worshipped by two souls and two Cynocephali." [191]