"Monsieur Henri": A Foot-Note to French History
Part 6
Virtually, what did he amount to? What testimony of him is left? To the man of facts, who asks the questions, the answers are: Nothing and None. There is a laconic apology in the _Spanish Gypsy_:
“The greatest gift the hero leaves his race Is to have been a hero.”
Such a one makes a jest of values; he has the freedom of every city; he need pay no taxes; he cripples criticism; he can do without a character; theology itself will not exact faith and good works from him. This Henri lived with his whole soul. His interest to us now is that he blazed with genuine fire, and played no tricks with his individuality. Among the serious war-worn leaders of the insurrection he stands, a fairy prince, with a bright absurd glamour. Never was anybody more like the fiction of an artist’s brain. He is all that children look for in a tale, and he has no moral. He is the embodiment of “_l’inexplicable Vendée_.”
He was made to despatch this world, like an errand or a game. He had no sovereign interests here of his own; rather was he his brother’s keeper. A sort of rich unreason shot him past the work, the musing, the sight-seeing for self, and the pleasant banquets over which men linger. Careless for the making of a name, for the gain of experience, even for the duty of prolonging his usefulness, he chose the first course which he believed honorable, and to which he could give his heart; and so stumbled on death. The war had a thousand sanctions in his eyes. His enlisting was honest and humble. If he flashed into the most unexampled comet-like activity before he had been long apprenticed, it was merely that he warmed with the motion, that he felt sure at last of himself, and so blazoned abroad his content and comprehension of life. He is less flesh and blood than a magnificent quibble for all the philosophies of the cold schools. He represents, in the economy of things, the waste which is thrift, the daring which is prudence, the folly which is wisdom ineffable.
Despite the white heat of enthusiasm, which is apt to singe the susceptibilities of others, his, at least, was a modest, merry, and balanced mind. Ranked as he will be always with his Cathelineau, Bonchamp, and Lescure, he differs sharply from them: that is, he was farther from a saint or a conventional hero. None the less is he a type of young French manhood ere it had grown wholly modern and complex; the last of a single-minded race, soldiers by accident, helpers and servers of men by choice. In short, he was a Vendean, behind his century in shrewdness, ahead of it in joy; a straggler from the pageant of the ancestral crusaders, having all the thirst for justice, the rational gayety, the boyish _bel air_ of the sworded squires of the Middle Ages. A phrase meant for Sidney will grace him: “God hath disdeigned the worlde of this most noble Spirit.” Let him ride ever now in memory, a beardless knight erect upon Fallowdeer, his white scarf around him, the nodding cockade of his foes behind; women watching his lips for comfort and assurance, the happy Hermenée prattling between his knees; beautiful indeed, even in the smoke of war, with his oval face, his hale and winning aspect, his terse speech and candid ways; not the Count nor the General La Rochejaquelein, but “Master Henry, a hard hitter and a dear fellow,” as his compatriots knew him, and as Froissart, his fittest chronicler, might have loved him.
Transcriber’s Note:
Spelling has been retained as used in the original publication, including both Rochejaquelein and Rochejacquelein and possible typographical errors.
End of Project Gutenberg's 'Monsieur Henri', by Louise Imogen Guiney