ii. 10 (note);

and trees, coincidences between, v. 19; of Nuremberg, v. 232; Venetian, v. 295.

Art, definition of greatness in, i. 8, 11, iii. 3-10, 39; imitative, noble or ignoble according to its purpose, iii. 20, 202; practical, ii. 8; theoretic, ii. 8; profane, iii. 61; ideality of, ii. 110; in what sense useful, ii. 3, 4; perfection of, in what consisting, i. 357; first aim of, the representation of facts, i. 45, 46; highest aim of, the expression of thought, i. 45, 46; truth, a just criterion of, i. 48; doubt as to the use of, iii. 19; laws of, how regarded by imaginative and unimaginative painters, ii. 155; neglect of works of, ii. 6, 8 (note); nobleness of, in what consisting, iii. 21, 22; noble, right minuteness of, v. 175; meaning of "style," different selection of particular truths to be indicated, i. 95; bad, evil effects of the habitual use of, iv. 334; love of, the only effective patronage, ii. 3; sacred, general influence of, iii. 55; misuse of, in religious services, iii. 59, 60; religious, of Italy, abstract, iii. 48, 58, v. 219; religious, of Venice, Naturalistic, iii. 78, v. 214, 226; Christian, divisible into two great masses, symbolic and imitative,