Part 2

When the palm of merit is to be awarded among the Months, it is usual to assign it to May by acclamation. But if the claim depends on the sum of delight which each witnesses or brings with her, I doubt if January should not bear the bell from her more blooming sister, if it were only in virtue of her share in the aforenamed festivities of the Christmas Holidays. And then, what a happy influence does she not exercise on all the rest of the Year, by the family meetings she brings about, and by the kindling and renewing of the social affections that grow out of, and are chiefly dependent on these. And what sweet remembrances and associations does she not scatter before her, through all the time to come, by her gifts--the "new year's gifts!" _Christmas-boxes_ (as they are called) are but sordid boons in comparison of these; they are mere money paid for mere services rendered or expected; wages for work done and performed; barterings of value for value; offerings of the pocket to the pocket. But new year's gifts are offerings of the affections to the affections--of the heart to the heart. The value of the first depends purely on themselves; and the gratitude (such as it is) which they call forth, is measured by the gross amount of that value. But the others owe their value to the wishes and intentions of the giver; and the gratitude _they_ call forth springs from the affections of the receiver.

And then, who can see a New Year open upon him, without being better for the prospect--without making sundry wise reflections (for _any_ reflections on this subject _must_ be comparatively wise ones) on the step he is about to take towards the goal of his being? Every first of January that we arrive at, is an imaginary mile-stone on the turnpike track of human life; at once a resting-place for thought and meditation, and a starting point for fresh exertion in the performance of our journey. The man who does not at least _propose to himself_ to be better _this_ year than he was last, must be either very good or very bad indeed! And only to _propose_ to be better, is something; if nothing else it is an acknowledgment of our _need_ to be so,--which is the first step towards amendment. But in fact, to propose to oneself to do well, is in some sort to _do_ well, positively; for there is no such thing as a stationary point in human endeavours; he who is not worse to-day than he was yesterday, is better; and he who is not better, is worse.

The very name of January, from Janus, two-faced, "looking before and after," indicates the reflective propensities which she encourages, and which when duly exercised cannot fail to lead to good.

And then January is the youngest of the yearly brood, and therefore _prima facie_ the best; for I protest most strenuously against the comparative age which Chaucer (I think) has assigned to this month by implication, when he compares an old husband and a young wife to "January and June." These poets will sacrifice any thing to alliteration, even abstract truth. I am sorry to say this of Chaucer, whose poetry is more of "a true thing" than that of any other, always excepting Mr. Crabbe's, which is too much of a true thing. And nobody knew better than Chaucer the respective merits of the Months, and the peculiar qualities and characteristics which appertain to each. But, I repeat, alliteration is the Scylla and Charybdis united of all who embark on the perilous ocean of poetry; and that Chaucer himself chose occasionally to "listen to the voice of the charmer, charmed she never so _un_wisely," the above example affords sufficient proof. I am afraid poets themselves are too self-opiniated people to make it worth while for me to warn _them_ on this point; but I hereby pray all prose writers pertinaciously to avoid so pernicious a practice. This, however, by the by.

I need scarcely accumulate other arguments and examples to show that my favourite January deserves to rank first among the Months in merit, as she does in place. But lest doubters should still remain, I will add, ask the makers-out of annual accounts whether any month can compare with January, since then they may begin to _hope_ for a settlement, and may even in some cases venture to _ask_ for it; which latter is a comfort that has been denied them during all the rest of the year; besides its being a remote step towards the said settlement. And on the other hand, ask the contractors of annual accounts whether January is not the best of all possible months, since then they may begin to _order_ afresh, with the prospect of a whole year's impunity. The answers to these two questions must of course decide the point, since the two classes of persons to whom they are addressed include the whole adult(erated) population of these commercial realms.

FEBRUARY.

Some one has said of the Scotch novels, that that is the best which we happen to have perused last. It is thus that I estimate the relative value and virtue of the Months. The one which happens to be present with me is sure to be that one which I happen to like better than any of the others. I lately insisted on the supremacy of January on various accounts. Now I have a similar claim to put in in favour of the next in succession. And it shall go hard but I will prove, to the entire satisfaction of all whom it may concern, that each in her turn is, beyond comparison, the "wisest, virtuousest, discreetest, best." Indeed I doubt whether, on consideration, any one (but a Scotch philosopher) will be inclined to dispute the truth of this, even as a logical proposition, much less as a sentiment. The time present is the best of all possible times, _because_ it is present--because it _is_--because it is something; whereas all other times are nothing. The time present, therefore, is essentially better than any other time, in the proportion of something to nothing. I hope this be logic; or metaphysics at the least. If the reader determines otherwise, "he may kill the next Percy himself!" In the mean time (and _that_, by the by, is the best time next to the present, in virtue of its skill in connecting together two refractory periods)--in the mean time, let us search for another and a better reason why every one of the Months is, in its turn, the best. The cleverest Scotch philosopher that ever lived has said, in a memoir of his own life, that a man had better be born with a disposition to look on the bright side of things, than to an estate of ten thousand a year. He might have gone further, and said that the disposition to which he alludes is worth almost as much to a man as being compelled and able to earn an honest livelihood by the sweat of his brow! Nay, he might almost have asserted that, with such a disposition, a man may chance to be happy even though he be born to an estate of _twenty_ thousand a year! But I, not being (thank my stars!) a Scotch or any other philosopher, will venture to go still farther, and say, that to be able to look at things _as they are_, is best of all. To him who can do this, all is as it should be--all things work together for good--whatever is, is right. To him who can do this, the present time is all-sufficient, or rather it is all in all; for if he cannot enjoy any other, it is because no other is susceptible of being enjoyed, except through the medium of the present.

From the sublime to the ridiculous is but a step. Consequently, from the ridiculous to the sublime must be about the same distance. In other words, the transition from metaphysics to love is easy; as Mr. Coleridge's writings can amply testify. Hail! then, February! month and mother of Love! Not that love which requires the sun of midsummer to foster it into life; and is so restless and fugitive that nothing can hold it but bands made of bright eye-beams; and so dainty that it must be fed on rose-leaves; and so proud and fantastical that bowers of jasmine and honeysuckle are not good enough for it to dwell in, or the green turf soft enough for its feet to press, but it must sit beneath silken canopies, and tread on Turkey carpets, and breathe the breath of pastiles; and so chilly that it must pass all its nights within a gentle bosom, or it dies. Not _this_ love; but its infant cousin, that starts into life on cold Saint Valentine's morning, and sits by the fire rocking its own cradle, and listening all day long for the "sweet thunder" of the twopenny postman's knock!--Hail! February! Virgin mother of this love of all loves, which dies almost the day that it is born, and yet leaves the odour of its sweetness upon the whole after life of those who were not too wise to admit it for a moment to their embraces!

The sage reader must not begrudge me these innocent little rhapsodies. He must remember that all are not so wise and staid as he; and as in January he permitted me to be, for a moment, a ranting schoolboy, so in February he must not object to my reminding him that there are such persons in the world as young ladies who have not yet finished their education! He must not insist that, "because _he_ is virtuous, there shall be no more cakes and ale." Besides, to be candid, I do not see that it is quite fair to complain of us anonymous writers, even if we do occasionally insinuate into our lucubrations a few lines that are directed to our own exclusive satisfaction. In fact, the privilege of writing nonsense now and then is the sweetest source of our emolument, and one which, if our readers attempt to cut us off from altogether, they may rest assured that we shall very soon _strike_, and demand higher pay in other respects than those only true patrons of literature, the booksellers, can afford to give; for if a man is always to write sense and reason, he might as well turn _author_ at once,--which we "gentlemen who write with ease" flatter ourselves that none of us are. I put it to the candour of Mr. Whittaker himself, whether, if I would consent to place my name in the corner of each of these portraits of the Months (_so and so pinxit_, 1825), he would not willingly give me double price for them, and reckon upon remunerating himself from the purchaser in proportion? Then let him use his interest with the critics to allow me but half a page of nonsense in each paper, and I consent to forego all this profit. As for the fame, I am content to leave posterity in the lurch, and live only till I die.

Having now expended _my_ portion of this paper, I shall henceforth willingly "keep bounds" till the next month; to which end, however, I must be permitted to call in the aid of my able suggestive, Now.

Now, the Christmas holidays are over, and all the snow in Russia could not make the first Monday in this month look any other than _black_, in the home-loving eyes of little schoolboys; and the streets of London are once more evacuated of happy wondering faces, that look any way but straight before them; and sobs are heard, and sorrowful faces seen to issue from sundry postchaises that carry sixteen inside, exclusive of cakes and boxes; and theatres are no longer conscious of unconscious _eclats de rire_, but the whole audience is like Mr. Wordsworth's cloud, "which moveth altogether, if it move at all."

_En revanche_, now newspaper editors begin to think of disporting themselves; for the great national school for "children of a larger growth" is met in Saint Stephen's Chapel, "for the _despatch_ of business" and of time; and consequently newspapers have become a nonentity; and those writers who are "constant readers" find their occupation gone.

Now, the stones of Bond Street dance for joy, while they "prate of the whereabout" of innumerable wheels; which latter are so happy to meet again after a long absence, that they rush into each other's embraces, "wheel within wheel," and there's no getting them asunder.

Now, the Italian Opera is open, and the house is full; but if asked on the subject, you may safely say that "nobody was there;" for the _flats_ that you meet with in the pit evidently indicate that their wearers appertain to certain counters and counting-houses in the city, or serve those that do--having "received orders" for the Opera in the way of their business.

Now, a sudden thaw, after a week's frost, puts the pedestrians of Cheapside into a pretty pickle.

Now, the _trottoir_ of St. James's Street begins to know itself again; the steps of Raggett's are proud of being pressed by right honourable feet; and _the dandies' watch-tower_ is once more peopled with playful peers, peering after beautiful frailties in furred pelisses.

Now, on fine Sundays, the citizens and their wives begin to hie them to Hyde Park, and having attained Wellington Walk, fancy that there is not more than two pins to choose between them and their betters on the other side the rail; while these latter, having come abroad to take the air (of the insides of their carriages), and kill the time, and cure the vapours, permit inquisitive equestrians to gaze at them through plate-glass, and fancy, not without reason, that they look like flowers seen through flowing water: Lady O----, for example, like an overblown rose; Lady H----, like a painted-lady pea; the Countess of B----, like a newly-opened apple-blossom; and her demure-looking little sister beside her, like a _prim_-rose.

Now, winter being only on the wane, and spring only on the approach, Fashion, for once in the year, begins to feel herself in a state of interregnum, and her ministers, the milliners and tailors, don't know what to think. Mrs. Bean shakes her head like Lord Burleigh, and declines to determine as to what may be the fate of future waists; and Mr. Stultz is equally cautious of committing himself in the affair of collars; and both agree in coming to the same conclusion with the statesman in Tom Thumb, that, "as near as they can guess, they cannot tell!" Now, therefore, the fashionable shops are shorn of their beams, and none can show wares that are strictly in season, except the stationer's. But _his_, which for all the rest of the year is dullest of the dull, is now, for the first fourteen days, gayest of the gay; for here the poetry of love, and the love of poetry, are displayed under all possible and impossible forms and metaphors,--from little cupids creeping out of cabbage-roses, to large overgrown hearts stuffed with double-headed arrows, and uttering piteous complaints in verse, while they fry in their own flames. And this brings us safe back to the point from which we somewhat prematurely set out; for Now, on good Saint Valentine's eve, all the rising generation of this metropolis, who feel that they have reached the age of _in_discretion, think it full time for them to fall in love, or be fallen in love with. Accordingly, infinite are the crow-quills that move mincingly between embossed margins,

"And those _rhyme_ now who never rhymed before, And those who always rhymed now rhyme the more;"

to the utter dismay of the newly-appointed twopenny postman the next morning; who curses Saint Valentine almost as bitterly as does, in her secret heart, yonder sulky sempstress, who has not been called upon for a single twopence out of all the two hundred thousand[1] extra ones that have been drawn from willing pockets, and dropped into canvas bags, on this eventful day. She may take my word for it that the said sulkiness, which has some show of reason in it to-day, is in the habit of visiting her pretty face oftener than it is called for. If it were not so, she would not have had cause for it now.

[1] This was the number of letters that passed through the Twopenny Post-Office on the 14th of February, 1821, in addition to the usual daily average.--See the official returns.

But good Bishop Valentine is a pluralist, and holds another see besides that of London:

"All the air is his diocese, And all the chirping choristers And other birds are his parishioners: He marries every year The lyrique lark, and the grave whispering dove; The sparrow, that neglects his life for love; The household bird with the red stomacher; He makes the blackbird speed as soon As doth the goldfinch or the halcyon."

Let us be off to the country without more ado; for who can stay in London in the face of such epithets as these, that seem to compel us, with their sweet magic, to go in search of the sounds and sights that they characterise? "The _lyric_ lark!" Why a modern poet might live for a whole season on that one epithet! Nay, there be those that _have_ lived on it for a longer time, perhaps without knowing that it did not belong to them!--"The sparrow that _neglects his life for love_!" "The _household_ bird, _with the red stomacher_!"--That a poet who could write in this manner, for pages together, should be almost entirely unknown to modern _readers_ (except to those of a late number of the Retrospective Review), would be somewhat astonishing, if it were not for the consideration that he is so well known to modern _writers_! It would be doing both parties justice if some one would point out a few of the _coincidences_ that occur between them. In the mean time, _we_ shall be doing better in looking abroad for ourselves into that nature to which _he_ looked, and seeing what she offers worthy of particular observation, in the course of this last month of winter in the Country, though it is the first in London. Not that we shall, as yet, find much to attract our attention in regard to the movements of the above-named "parishioners" of good Bishop Valentine; for though he gives them full authority to marry now as soon as they please, Frost forbids the bans for the present; and when there is no love going forward in the feathered world, there is little or no singing. On the contrary, even the pert sparrows still go moping and sulking about silently, or sit with ruffled plumes and drooping wings, upon the bare branches, watching all day long for their scanty dole of crums, and thinking of nothing else. The "lyric lark," indeed, may already be heard; the thrush and blackbird begin to practise their spring notes faintly; and the yellow-hammer, the chaffinch, and the wren, utter a single stanza or so, at long intervals: but all this can scarcely be called singing, but rather talking of it; for

"I shall not ask Jean Jacques Rousseau If birds confabulate, or no;"

but shall determine at once that they do; at least if any dependence can be placed on eyes and ears. In short, the only bird that really _is_ a bird this month, is he "with the red stomacher." And he, with his low plaintive piping, his silent spirit-like motions, and sudden and mysterious appearings and disappearings,--coming in an instant before us no one can tell whence, and going as silently and as suddenly no one knows whither,--and, above all, his sweet and pert, yet timid confidence in man--all these, to those who are happy enough to have nothing better to do than to watch them, almost make up for the absence of all his blithe brethren.

As for the general face of nature, we shall find _that_ in much the same apparent state as we left it last month. And we must look into its individual features very minutely, if we would discover any change even in them. The trees are still utterly bare; the skies are cold and gray; the paths and ways are, for the most part, dank and miry; and the air is either damp and clinging, or bitter, eager, and shrewd. But then what days of soft air and sunshine, and unbroken blue sky, do now and then intervene, and transport us into the very heart of May, and make us look about and wonder what is become of the green leaves and the flowers!

Now, hard frosts, if they come at all, are followed by sudden thaws; and now, therefore, if ever, the mysterious old song of our school days stands a chance of being verified, which sings of

"Three children sliding on the ice All on a _summer's_ day!"

Now, the labour of the husbandman recommences; and it is pleasant to watch (from your library window) the plough-team moving almost imperceptibly along, upon the distant upland that the bare trees have disclosed to you. And now, by the way, if you are wise, you will get acquainted with all the little spots that are thus, by the bareness of the trees, laid open to you, in order that, when the summer comes, and you cannot _look at_ them, you may be able to _see_ them still.

But we must not neglect the garden; for though "Nature's journeymen," the gardeners, are undergoing an ignoble leisure this month, it is not so with Nature herself. She is as busy as ever, if not openly and obviously, secretly, and in the hearts of her sweet subjects the flowers; stirring them up to that rich rivalry of beauty which is to greet the first footsteps of Spring, and teaching them to prepare themselves for her advent, as young maidens prepare, months beforehand, for the marriage festival of some dear friend.

If the flowers think and feel (and he who dares to say that they do not is either a fool or a philosopher--let him choose between the imputations!)--if the flowers think and feel, what a commotion must be working within their silent hearts, when the pinions of Winter begin to grow, and indicate that he is at least meditating his flight! Then do _they_, too, begin to meditate on May-day, and think on the delight with which they shall once more breathe the fresh air, when they have leave to escape from their subterranean prisons; for now, towards the latter end of this month, they are all of them at least awake from their winter slumbers, and most are busily working at their gay toilets, and weaving their fantastic robes, and shaping their trim forms, and distilling their rich essences, and, in short, getting ready in all things, that they may be duly prepared to join the bright procession of beauty that is to greet and glorify the annual coming on of their sovereign lady, the Spring. It is true none of all this can be seen. But what a race should we be, if we knew and cared to know of nothing, but what we can see and prove!

"Whose mind is but the mind of his own eyes, He is a slave--the meanest you can meet."

But there is much going on in the garden now that may be seen by "the naked eye" of those who carefully look for it. The bloom-buds of the shrubs and fruit-trees are obviously swelling; and the leaves of the lilac are ready to burst forth at the first favourable call. The laurestinus still braves the winds and the frosts, and blooms in blithe defiance of them. So does the China rose, but meekly, and like a maiden who _will_ not droop though her lover _be_ away; because she knows that he is true to her, and will soon return.

Now, too, the viable heralds of Spring approach, but do not appear; or rather, they appear, but have not yet put on their gorgeous tabards or surcoats of many colours. The tulips are but just showing themselves, shrouded closely in their sheltering alcoves of dull green. The hyacinths, too, have sent up their trim fences of green, and are just peeping up from the midst of them in their green veils,--the cheek of each flower-bud pressed and clustering against that of its fellow, like a host of little heads peeping out from the porch of an ivy-bound cottage, as the London coach passes.

Now, too, those pretty orphans, the crocuses and snowdrops--those foundlings, that belong neither to Winter nor Spring--show their modest faces scarcely an inch above the dark earth, as if they were afraid to rise from it, lest a stray March wind should whistle them away.