Part 6

Is one that manures his ground well, but lets himself lye fallow and untilled. He has reason enough to do his business, and not enough to be idle or melancholy. He seems to have the punishment of _Nebuchadnezzar_, for his conversation is among beasts, and his tallons none of the shortest, only he eats not grass, because he loves not sallets. His hand guides the plough, and the plough his thoughts, and his ditch and land-mark is the very mound of his meditations. He expostulates with his oxen very understandingly, and speaks gee, and ree, better than English. His mind is not much distracted with objects, but if a good fat cow come in his way, he stands dumb and astonished, and though his haste be never so great, will fix here half an hour's contemplation. His habitation is some poor thatched roof, distinguished from his barn by the loopholes that let out smoak, which the rain had long since washed through, but for the double ceiling of bacon on the inside, which has hung there from his grandsire's time, and is yet to make rashers for posterity. His dinner is his other work, for he sweats at it as much as at his labour; he is a terrible fastner on a piece of beef, and you may hope to stave the guard off sooner. His religion is a part of his copy-hold, which he takes from his land-lord, and refers it wholly to his discretion: Yet if he give him leave he is a good Christian to his power, (that is,) comes to church in his best cloaths, and sits there with his neighbours, where he is capable only of two prayers, for rain, and fair weather. He apprehends God's blessings only in a good year, or a fat pasture, and never praises him but on _good ground_. Sunday he esteems a day to make merry in, and thinks a bag-pipe as essential to it as evening-prayer, where he walks very solemnly after service, with his hands coupled behind him, and censures the dancing of his parish. [His compliment with his neighbour is a good thump on the back, and his salutation commonly some blunt curse.] He thinks nothing to be vices, but pride and ill husbandry, from which he will gravely dissuade the youth, and has some thrifty hob-nail proverbs to clout his discourse. He is a niggard all the week, except only market-day, where, if his corn sell well, he thinks he may be drunk with a good conscience. His feet never stink so unbecomingly as when he trots after a lawyer in Westminster-hall, and even cleaves the ground with hard scraping in beseeching his worship to take his money. He is sensible of no calamity but the burning a stack of corn or the overflowing of a meadow, and thinks Noah's flood the greatest plague that ever was, not because it drowned the world, but spoiled the grass. For death he is never troubled, and if he get in but his harvest before, let it come when it will, he cares not.

XXIII.

A PLAYER.

He knows the right use of the world, wherein he comes to play a part and so away. His life is not idle, for it is all action, and no man need be more wary in his doings, for the eyes of all men are upon him. His profession has in it a kind of contradiction, for none is more disliked, and yet none more applauded; and he has the misfortune of some scholar, too much wit makes him a fool. He is like our painting gentlewomen, seldom in his own face, seldomer in his cloaths; and he pleases, the better he counterfeits, except only when he is disguised with straw for gold lace. He does not only personate on the stage, but sometimes in the street, for he is masked still in the habit of a gentleman. His parts find him oaths and good words, which he keeps for his use and discourse, and makes shew with them of a fashionable companion. He is tragical on the stage, but rampant in the tiring-house,[42] and swears oaths there which he never conned. The waiting women spectators are over-ears in love with him, and ladies send for him to act in their chambers. Your inns-of-court men were undone but for him, he is their chief guest and employment, and the sole business that makes them afternoon's-men. The poet only is his tyrant, and he is bound to make his friend's friend drunk at his charge. Shrove-Tuesday he fears as much as the bauds, and Lent[43] is more damage to him than the butcher. He was never so much discredited as in one act, and that was of parliament, which gives hostlers priviledge before him, for which he abhors it more than a corrupt judge. But to give him his due, one well-furnished actor has enough in him for five common gentlemen, and, if he have a good body, [for six, and] for resolution he shall challenge any Cato, for it has been his practice to die bravely.

FOOTNOTES:

[42] The room where the performers dress, previous to coming on the stage.

[43] This passage affords a proof of what has been doubted, namely, that the theatres were not permitted to be open during Lent, in the reign of James I. The restriction was waved in the next reign, as we find from the Puritanical Prynne:--"There are none so much addicted to stage-playes, but when they goe unto places where they cannot have them, or when, as they are suppressed by publike authority, (as in times of pestilence, and in _Lent, till now of late_,) can well subsist without them," &c. _Histrio-Mastix_, 4to. _Lond. 1633. page 384._

XXIV.

A DETRACTOR

Is one of a more cunning and active envy, wherewith he gnaws not foolishly himself, but throws it abroad and would have it blister others. He is commonly some weak parted fellow, and worse minded, yet is strangely ambitious to match others, not by mounting their worth, but bringing them down with his tongue to his own poorness. He is indeed like the red dragon that pursued the woman, for when he cannot over-reach another, he opens his mouth and throws a flood after to drown him. You cannot anger him worse than to do well, and he hates you more bitterly for this, than if you had cheated him of his patrimony with your own discredit. He is always slighting the general opinion, and wondering why such and such men should be applauded. Commend a good divine, he cries postilling; a philologer, pedantry; a poet, rhiming; a school-man, dull wrangling; a sharp conceit, boyishness; an honest man, plausibility. He comes to publick things not to learn, but to catch, and if there be but one soloecism, that is all he carries away. He looks on all things with a prepared sowerness, and is still furnished with a pish beforehand, or some musty proverb that disrelishes all things whatsoever. If fear of the company make him second a commendation, it is like a law-writ, always with a clause of exception, or to smooth his way to some greater scandal. He will grant you something, and bate more; and this bating shall in conclusion take away all he granted. His speech concludes still with an Oh! but,--and I could wish one thing amended; and this one thing shall be enough to deface all his former commendations. He will be very inward with a man to fish some bad out of him, and make his slanders hereafter more authentick, when it is said a friend reported it. He will inveigle you to naughtiness to get your good name into his clutches; he will be your pandar to have you on the hip for a whore-master, and make you drunk to shew you reeling. He passes the more plausibly because all men have a smatch of his humour, and it is thought freeness which is malice. If he can say nothing of a man, he will seem to speak riddles, as if he could tell strange stories if he would; and when he has racked his invention to the utmost, he ends;--but I wish him well, and therefore must hold my peace. He is always listening and enquiring after men, and suffers not a cloak to pass by him unexamined. In brief, he is one that has lost all good himself, and is loth to find it in another.

XXV.

A YOUNG GENTLEMAN OF THE UNIVERSITY

Is one that comes there to wear a gown, and to say hereafter, he has been at the university. His father sent him thither because he heard there were the best fencing and dancing-schools; from these he has his education, from his tutor the over-sight. The first element of his knowledge is to be shewn the colleges, and initiated in a tavern by the way, which hereafter he will learn of himself. The two marks of his seniority, is the bare velvet of his gown, and his proficiency at tennis, where when he can once play a set, he is a fresh man no more. His study has commonly handsome shelves, his books neat silk strings, which he shews to his father's man, and is loth to unty[44] or take down for fear of misplacing. Upon foul days for recreation he retires thither, and looks over the pretty book his tutor reads to him, which is commonly some short history, or a piece of Euphormio; for which his tutor gives him money to spend next day. His main loytering is at the library, where he studies arms and books of honour, and turns a gentleman critick in pedigrees. Of all things he endures not to be mistaken for a scholar, and hates a black suit though it be made of sattin. His companion is ordinarily some stale fellow, that has been notorious for an ingle to gold hatbands,[45] whom he admires at first, afterward scorns. If he have spirit or wit he may light of better company, and may learn some flashes of wit, which may do him knight's service in the country hereafter. But he is now gone to the inns-of-court, where he studies to forget what he learned before, his acquaintance and the fashion.

FOOTNOTES:

[44] It may not be known to those who are not accustomed to meet with old books in their original bindings, or of seeing public libraries of antiquity, that the volumes were formerly placed on the shelves with the _leaves_, not the _back_, in front; and that the two sides of the binding were joined together with _neat silk_ or other strings, and, in some instances, where the books were of greater value and curiosity than common, even fastened with gold or silver chains.

[45] A hanger-on to noblemen, who are distinguished at the university by gold tassels to their caps; or in the language of the present day, a _tuft-hunter_.

XXVI.

A WEAK MAN

Is a child at man's estate, one whom nature huddled up in haste, and left his best part unfinished. The rest of him is grown to be a man, only his brain stays behind. He is one that has not improved his first rudiments, nor attained any proficiency by his stay in the world: but we may speak of him yet as when he was in the bud, a good harmless nature, a well meaning mind[46] [_and no more_.] It is his misery that he now wants a tutor, and is too old to have one. He is two steps above a fool, and a great many more below a wise man; yet the fool is oft given him, and by those whom he esteems most. Some tokens of him are,--he loves men better upon relation than experience, for he is exceedingly enamoured of strangers, and none quicklier a weary of his friend. He charges you at first meeting with all his secrets, and on better acquaintance grows more reserved. Indeed he is one that mistakes much his abusers for friends, and his friends for enemies, and he apprehends your hate in nothing so much as in good council. One that is flexible with any thing but reason, and then only perverse. [A servant to every tale and flatterer, and whom the last man still works over.] A great affecter of wits and such prettinesses; and his company is costly to him, for he seldom has it but invited. His friendship commonly is begun in a supper, and lost in lending money. The tavern is a dangerous place to him, for to drink and be drunk is with him all one, and his brain is sooner quenched than his thirst. He is drawn into naughtiness with company, but suffers alone, and the bastard commonly laid to his charge. One that will be patiently abused, and take exception a month after when he understands it, and then be abused again into a reconcilement; and you cannot endear him more than by cozening him, and it is a temptation to those that would not. One discoverable in all silliness to all men but himself, and you may take any man's knowledge of him better than his own. He will promise the same thing to twenty, and rather than deny one break with all. One that has no power over himself, over his business, over his friends, but a prey and pity to all; and if his fortunes once sink, men quickly cry, Alas!--and forget him.

FOOTNOTES:

[46] _If he could order his intentions_, first edit.

XXVII.

A TOBACCO-SELLER

Is the only man that finds good in it which others brag of but do not; for it is meat, drink, and clothes to him. No man opens his ware with greater seriousness, or challenges your judgment more in the approbation. His shop is the rendezvous of spitting, where men dialogue with their noses, and their communication is smoak.[47] It is the place only where Spain is commended and preferred before England itself. He should be well experienced in the world, for he has daily trial of men's nostrils, and none is better acquainted with humours. He is the piecing commonly of some other trade, which is bawd to his tobacco, and that to his wife, which is the flame that follows this smoak.

FOOTNOTES:

[47] Minshew calls a tobacconist _fumi-vendulus_, a _smoak-seller_.

XXVIII.

A POT-POET

Is the dregs of wit, yet mingled with good drink may have some relish. His inspirations are more real than others, for they do but feign a God, but he has his by him. His verse runs like the tap, and his invention as the barrel, ebbs and flows at the mercy of the spiggot. In thin drink he aspires not above a ballad, but a cup of sack inflames him, and sets his muse and nose a-fire together. The press is his mint, and stamps him now and then a six-pence or two in reward of the baser coin his pamphlet. His works would scarce sell for three half-pence, though they are given oft for three shillings, but for the pretty title that allures the country gentleman; for which the printer maintains him in ale a fortnight. His verses are like his clothes miserable centoes[48] and patches, yet their pace is not altogether so hobbling as an almanack's. The death of a great man or the _burning_[49] of a house furnish him with an argument, and the nine muses are out strait in mourning gowns, and Melpomene cries fire! fire! [His other poems are but briefs in rhime, and like the poor Greeks collections to redeem from captivity.] He is a man now much employed in commendations of our navy, and a bitter inveigher against the Spaniard. His frequentest works go out in single sheets, and are chanted from market to market to a vile tune and a worse throat; whilst the poor country wench melts like her butter to hear them. And these are the stories of some men of Tyburn, or a strange monster out of Germany;[50] or, sitting in a bawdy-house, he writes God's judgments. He drops away at last in some obscure painted cloth, to which himself made the verses,[51] and his life, like a cann too full, spills upon the bench. He leaves twenty shillings on the score, which my hostess loses.

FOOTNOTES:

[48] _Cento_, a composition formed by joining scraps from other authors. _Johnson._ Camden, in his _Remains_, uses it in the same sense. "It is quilted, as it were, out of shreds of divers poets, such as scholars call a _cento_."

[49] _Firing_, first edit.

[50] In the hope of discovering some account of the _strange monster_ alluded to, I have looked through one of the largest and most curious collections of tracts, relating to the marvellous, perhaps in existence. That bequeathed to the Bodleian, by Robert Burton, the author of the _Anatomy of Melancholy_. Hitherto my researches have been unattended with success, as I have found only two tracts of this description relating to Germany, both of which are in prose, and neither giving any account of a monster.

1. _A most true Relation of a very dreadfull Earthquake, with the lamentable Effectes thereof, which began upon the 8. of December 1612. and yet continueth most fearefull in Munster in Germanie. Reade and Tremble. Translated out of Dutch, by Charles Demetrius, Publike Notarie in London, and printed at Rotterdame, in Holland, at the Signe of the White Gray-hound._ (Date cut off. Twenty-six pages, 4to. with a woodcut.)

2. _Miraculous Newes from the Cittie of Holt, in the Lordship of Munster, in Germany, the twentieth of September last past, 1616. where there were plainly beheld three dead bodyes rise out of their Graues admonishing the people of Iudgements to come. Faithfully translated (&c. &c.) London, Printed for Iohn Barnes, dwelling in Hosie Lane neere Smithfield, 1616._ (4to. twenty pages, wood-cut.)

[51] It was customary to work or paint proverbs, moral sentences, or scraps of verse on old tapestry hangings, which were called _painted cloths_. Several allusions to this practice may be found in the works of our early English dramatists. See Reed's _Shakspeare_, viii. 103

XXIX.

A PLAUSIBLE MAN

Is one that would fain run an even path in the world, and jut against no man. His endeavour is not to offend, and his aim the general opinion. His conversation is a kind of continued compliment, and his life a practice of manners. The relation he bears to others, a kind of fashionable respect, not friendship but friendliness, which is equal to all and general, and his kindnesses seldom exceed courtesies. He loves not deeper mutualities, because he would not take sides, nor hazard himself on displeasures, which he principally avoids. At your first acquaintance with him he is exceeding kind and friendly, and at your twentieth meeting after but friendly still. He has an excellent command over his patience and tongue, especially the last, which he accommodates always to the times and persons, and speaks seldom what is sincere, but what is civil. He is one that uses all companies, drinks all healths, and is reasonable cool in all religions. [He considers who are friends to the company, and speaks well where he is sure to hear of it again.] He can listen to a foolish discourse with an applausive attention, and conceal his laughter at nonsense. Silly men much honour and esteem him, because by his fair reasoning with them as with men of understanding, he puts them into an erroneous opinion of themselves, and makes them forwarder hereafter to their own discovery. He is one _rather well_[52] thought on than beloved, and that love he has is more of whole companies together than any one in particular. Men gratify him notwithstanding with a good report, and whatever vices he has besides, yet having no enemies, he is sure to be an honest fellow.

FOOTNOTES:

[52] _Better_, first edit.

XXX.

A BOWL-ALLEY

Is the place where there are three things thrown away beside bowls, to wit, time, money, and curses, and the last ten for one. The best sport in it is the gamesters, and he enjoys it that looks on and bets not. It is the school of wrangling, and worse than the schools, for men will cavil here for a hair's breadth, and make a stir where a straw would end the controversy. No antick screws men's bodies into such strange flexures, and you would think them here senseless, to speak sense to their bowl, and put their trust in intreaties for a good cast. The betters are the factious noise of the alley, or the gamesters beadsmen that pray for them. They are somewhat like those that are cheated by great men, for they lose their money and must say nothing. It is the best discovery of humours, especially in the losers, where you have fine variety of impatience, whilst some fret, some rail, some swear, and others more ridiculously comfort themselves with philosophy. To give you the moral of it; it is the emblem of the world, or the world's ambition: where most are short, or over, or wide or wrong-biassed, and some few justle in to the mistress fortune. And it is here as in the court, where the nearest are most spited, and all blows aimed at the toucher.

XXXI.

THE WORLD'S WISE MAN

Is an able and sufficient wicked man: It is a proof of his sufficiency that he is not called wicked, but wise. A man wholly determined in himself and his own ends, and his instruments herein any thing that will do it. His friends are a part of his engines, and as they serve to his works, used or laid by: Indeed he knows not this thing of friend, but if he give you the name, it is a sign he has a plot on you. Never more active in his businesses, than when they are mixed with some harm to others; and it is his best play in this game to strike off and lie in the place: Successful commonly in these undertakings, because he passes smoothly those rubs which others stumble at, as conscience and the like; and gratulates himself much in this advantage. Oaths and falshood he counts the nearest way, and loves not by any means to go about. He has many fine quips at this folly of plain dealing, but his "tush!" is greatest at religion; yet he uses this too, and virtue and good words, but is less dangerously a devil than a saint. He ascribes all honesty to an unpractisedness in the world, and conscience a thing merely for children. He scorns all that are so silly to _trust_[53] him, and only not scorns his enemy, especially if as bad as himself: he fears him as a man well armed and provided, but sets boldly on good natures, as the most vanquishable. One that seriously admires those worst princes, as Sforza, Borgia, and Richard the third; and calls matters of deep villany things of difficulty. To whom murders are but resolute acts, and treason a business of great consequence. One whom two or three countries make up to this compleatness, and he has travelled for the purpose. His deepest indearment is a communication of mischief, and then only you have him fast. His conclusion is commonly one of these two, either a great man, or hanged.

FOOTNOTES:

[53] _Hate_, first edit.

XXXII.

A SURGEON

Is one that has some business about this building or little house of man, whereof nature is as it were the tiler, and he the plaisterer. It is ofter out of reparations than an old parsonage, and then he is set on work to patch it again. He deals most with broken commodities, as a broken head or a mangled face, and his gains are very ill got, for he lives by the hurts of the commonwealth. He differs from a physician as a sore does from a disease, or the sick from those that are not whole, the one distempers you within, the other blisters you without. He complains of the decay of valour in these days, and sighs for that slashing age of sword and buckler; and thinks the law against duels was made meerly to wound his vocation. He had been long since undone if the charity of the stews had not relieved him, from whom he has his tribute as duly as the pope; or a wind-fall sometimes from a tavern, if a quart pot hit right. The rareness of his custom makes him pitiless when it comes, and he holds a patient longer than our [spiritual] courts a cause. He tells you what danger you had been in if he had staid but a minute longer, and though it be but a pricked finger, he makes of it much matter. He is a reasonable cleanly man, considering the scabs he has to deal with, and your finest ladies are now and then beholden to him for their best dressings. He curses old gentlewomen and their charity that makes his trade their alms; but his envy is never stirred so much as when gentlemen go over to fight upon Calais sands,[54] whom he wishes drowned e'er they come there, rather than the French shall get his custom.

FOOTNOTES:

[54] _Calais sands_ were chosen by English duellists to decide their quarrels on, as being out of the jurisdiction of the law. This custom is noticed in an Epigram written about the period in which this book first appeared.

"When boasting Bembus challeng'd is to fight, He seemes at first a very Diuell in sight:

Till more aduizde, will not defile [his] hands, Vnlesse you meete him vpon _Callice_ sands."

_The Mastive or Young Whelpe of the olde Dog. Epigrams and Satyrs._ 4to. _Lond._ (_Printed, as Warton supposes, about 1600._)