Memoirs of the Empress Josephine, Vol. 2 of 2
letter I had written to him. “I reply to your letter,” he writes, “in
the midst of the mud of Poland; next year, perhaps, I may address you from the sandy deserts of I know not what country. I beg you to remember me in your prayers.” The Emperor was only too much inclined to despise the obstacles that destroyed part of his army. Moreover, it was imperative to march onward. The Russians were advancing, and he did not choose to await them in Prussia.
On the 2d of December the Senate was convoked in Paris. The Arch-Chancellor read a letter from the Emperor, giving an account of his victories, promising others in the future, and requesting a _senatus consultum_ which should order an immediate levy of the conscripts of 1807. This levy, in ordinary times, was made in September only. A commission was appointed for form’s sake. This commission sat in consultation upon the request for one morning only, and the next day but one—that is, on the 4th—the _senatus consultum_ was reported.
It was also about this epoch that the dispute between the Academy and Cardinal Maury was settled. The Emperor decided the question, and a long article appeared anonymously in the “Moniteur,” which ended with these words: “The Academy, doubtless, has no wish to deprive a man, whose great abilities were conspicuous during a time of civil discord, of a right which custom confers upon him. His admission to the Academy was another step toward the entire oblivion of past events which can alone insure the duration of the tranquillity that has been restored to us. This is a long article on a subject which is apparently of very small importance; nevertheless, the light in which some persons have endeavored to place it gives rise to serious consideration. We perceive to what fluctuations we should once more be exposed, into what uncertainty we should again be thrown, only that fortunately for us the helm of the state is in the hands of a pilot whose arm is strong, whose steering is steady, and who has but one aim in view—the happiness of the country.”
While Bonaparte forced his soldiers to endure terrible hardships of all kinds in the prosecution of the war, he lost no opportunity of proving that nothing interfered with the interest he, in the midst of camps, took in the progress of civilization.
An order of the day, dated from headquarters of the Grand Army, is as follows: “In the name of the Emperor. The University of Jena, its professors, teachers, and students, its possessions, revenues, and other prerogatives whatsoever, are placed under the special protection of the commanders of the French and allied troops. The course of study will be continued. Students are consequently authorized to return to Jena, and it is the Emperor’s intention to favor that town as much as possible.”
The King of Saxony, subdued by the power of the conqueror, broke off his alliance with Prussia and concluded a treaty with the Emperor. During a long reign this prince had enjoyed the blessings of peace and order. Venerated by his subjects, and occupied solely with their welfare, nothing but the hurricane of Bonaparte’s success could have brought the horrors of war among the peaceful valleys of his kingdom. He was too weak to resist the shock; he submitted, and tried to save his people by accepting the victor’s terms. But his fidelity to treaties could not save him, because Saxony subsequently became of necessity the battle-field on which the neighboring sovereigns contended more than once for victory.
Meanwhile, Paris and its inhabitants became every day more gloomy. The bulletins contained only vague accounts of bloody conflicts, with small results. It was easy to infer, from occasional allusions to the severity of the season and the ruggedness of the country, that our soldiers had great obstacles to surmount and much suffering to bear. Private letters, although cautiously written, or they would not have reached their destination, betrayed general anxiety and distress. The least movements of our army were represented as victories, but the Emperor’s very triumphs involved him in difficulty.
The distinct advantage with which the campaign had opened made the Parisians hard to please as the war went on. Much trouble was taken to keep up the enthusiasm. The bulletins were solemnly read at the theatres; guns were fired from the Invalides immediately on receipt of news from the army; poets were paid for hastily written odes, chants of victory, and interludes, which were splendidly represented at the Opéra, and on the following day articles written to order commented on the heartiness of the applause.
The Empress, who was restless, idle, and tired of Mayence, wrote continually, begging to be allowed to go to Berlin. The Emperor was on the point of yielding to her, and I learned from M. de Rémusat with fresh sorrow that in all probability his absence would be prolonged. But the arrival of the Russians, and the obligation he was under of marching into Poland, made Bonaparte change his mind. Moreover, he was informed that Paris was dull, and that the tradespeople were complaining of the harm done them by the general uneasiness. He sent orders to his wife to return to the Tuileries, there to keep up the accustomed splendor of her Court, and we all received commands to amuse ourselves ostentatiously.
Meanwhile, after a few partial engagements, the Emperor determined on going into winter quarters; but the Russians, who were better used to the severity of the climate and the rudeness of the country, would not allow of this, and after measuring their strength in some bloody encounters, where our success was dearly bought, the two armies met face to face near the village of Preussisch Eylau, which has given its name to a sanguinary battle. One shudders even now at the description of that terrible day. The cold was piercing, and the snow falling fast; but the opposition of the elements only increased the ferocity of both armies. For twelve hours they fought, without either side being able to claim the victory. The loss of men was immense. Toward evening the Russians retreated in good order, leaving a considerable number of their wounded on the field of battle. Both sovereigns, Russian and French, ordered the _Te Deum_ to be sung. The fact is, this horrible butchery was to no purpose, and the Emperor afterward said that, if the Russian army had attacked him on the following day, it is probable he would have been beaten. But this was an additional reason for him to exult over the victory loudly. He wrote to the bishops, informed the Senate of his alleged success, contradicted in his own journals the foreign versions of the event, and concealed as much as possible the losses that we had sustained. It is said that he visited the battle-field, and that the awful spectacle made a great impression on him. This would seem to be true, because the bulletin in which the fact is stated is written in a very simple style, unlike that of the others, in which he generally figures in a theatrical attitude.
On his return, he ordered a very fine painting from Gros the artist, in which he is represented among the dead and dying, lifting his eyes to heaven, as if praying for resignation. The expression given to him by the painter is extremely beautiful. I have often gazed at the picture with emotion, hoping with all my heart—for it still desired to cling to him—that such had really been the expression of his countenance on that occasion.
M. Denon, Director of the Museum, and one of the most obsequious servants of the Emperor, always followed him in his campaigns, in order to select objects of value in every conquered city, to add to the treasures of that magnificent collection. He fulfilled his task with exactness, which, people said, resembled rapacity, and he was accused of appropriating a share of the plunder. Our soldiers knew him only by the name of “The Auctioneer.” After the battle of Eylau, and while at Warsaw, he received orders to have a monument erected in commemoration of the day. The more doubtful it was, the more the Emperor insisted on its being held to be a victory. Denon sent to Paris a poetical account of the Emperor’s visit to the wounded. Many persons have declared that the painting by Gros represented a fiction, like that of the visit to the pest-stricken at Jaffa. But why should it be denied that Bonaparte could sometimes feel?
The subject was open to competition among our principal painters. A considerable number of sketches were sent in. Gros obtained every vote, and the choice fell upon him.
The battle of Eylau was fought on the 10th of February, 1807.