Chapter 7

Among the beautiful pictures That hang on Memory's wall, Is one of a dim old forest, That seemeth best of all; Not for its gnarled oaks olden, Dark with the mistletoe; Not for the violets golden, That sprinkle the vale below; Not for the milk-white lilies, That lean from the fragrant hedge, Coquetting all day with the sunbeams, And stealing their golden edge; Not for the vines on the upland, Where the bright red berries rest, Nor the pinks, nor the pale, sweet cowslip, It seemeth to me the best.

I once had a little brother, With eyes that were dark and deep; In the lap of that dim old forest, He lieth in peace asleep: Light as the down of the thistle, Free as the winds that blow, We roved there the beautiful summers, The summers of long ago; But his feet on the hills grew weary, And, one of the autumn eves, I made for my little brother, A bed of the yellow leaves.

Sweetly his pale arms folded My neck in a meek embrace, As the light of immortal beauty Silently covered his face; And when the arrows of sunset Lodged in the tree tops bright, He fell, in his saintlike beauty, Asleep by the gates of light. Therefore, of all the pictures That hang on Memory's wall, The one of the dim old forest Seemeth the best of all.

XI. THE MORNING ORATORIO. (90)

Wilson Flagg, 1806-1884, was born in Beverly, Mass. He pursued his academical course in Andover, at Phillips Academy, and entered Harvard College, but did not graduate. His chief Works are: "Studies in the Field and Forest," "The Woods and Byways of New England," and "The Birds and Seasons of New England." ###

Nature, for the delight of waking eyes, has arrayed the morning heavens in the loveliest hues of beauty. Fearing to dazzle by an excess of delight, she first announces day by a faint and glimmering twilight, then sheds a purple tint over the brows of the rising morn, and infuses a transparent ruddiness throughout the atmosphere. As daylight widens, successive groups of mottled and rosy-bosomed clouds assemble on the gilded sphere, and, crowned with wreaths of fickle rainbows, spread a mirrored flush over hill, grove, and lake, and every village spire is burnished with their splendor.

At length, through crimsoned vapors, we behold the sun's broad disk, rising with a countenance so serene that every eye may view him ere he arrays himself in his meridian brightness. Not many people who live in towns are aware of the pleasure attending a ramble near the woods and orchards at daybreak in the early part of summer. The drowsiness we feel on rising from our beds is gradually dispelled by the clear and healthful breezes of early day, and we soon experience an unusual amount of vigor and elasticity.

During the night, the stillness of all things is the circumstance that most powerfully attracts our notice, rendering us peculiarly sensitive to every accidental sound that meets the ear. In the morning, at this time of year, on the contrary, we are overpowered by the vocal and multitudinous chorus of the feathered tribe. If you would hear the commencement of this grand anthem of nature, you must rise at the very first appearance of dawn, before the twilight has formed a complete semicircle above the eastern porch of heaven.

The first note that proceeds from the little warbling host, is the shrill chirp of the hairbird,--occasionally vocal at an hours on a warm summer night. This strain, which is a continued trilling sound, is repeated with diminishing intervals, until it becomes almost incessant. But ere the hairbird has uttered many notes, a single robin begins to warble from a neighboring orchard, soon followed by others, increasing in numbers until, by the time the eastern sky is flushed with crimson, every male, robin in the country round is singing with fervor.

It would be difficult to note the exact order in which the different birds successively begin their parts in this performance; but the bluebird, whose song is only a short, mellow warble, is heard nearly at the same time with the robin, and the song sparrow joins them soon after with his brief but finely modulated strain. The different species follow rapidly, one after another, in the chorus, until the whole welkin rings with their matin hymn of gladness.

I have often wondered that the almost simultaneous utterance of so many different notes should produce no discords, and that they should result in such complete harmony. In this multitudinous confusion of voices, no two notes are confounded, and none has sufficient duration to grate harshly with a dissimilar sound. Though each performer sings only a few strains and then makes a pause, the whole multitude succeed one another with such rapidity that we hear an uninterrupted flow of music until the broad light of day invites them to other employments.

When there is just light enough to distinguish the birds, we may observe, here and there, a single swallow perched on the roof of a barn or shed, repeating two twittering notes incessantly, with a quick turn and a hop at every note he utters. It would seem to be the design of the bird to attract the attention of his mate, and this motion seems to be made to assist her in discovering his position. As soon as the light has tempted him to fly abroad, this twittering strain is uttered more like a continued song, as he flits rapidly through the air.

But at this later moment the purple martins have commenced their more melodious chattering, so loud as to attract for a while the most of our attention. There is not a sound in nature so cheering and animating as the song of the purple martin, and none so well calculated to drive away melancholy. Though not one of the earliest voices to be heard, the chorus is perceptibly more loud and effective when this bird has united with the choir.

When the flush of the morning has brightened into vermilion, and the place from which the sun is soon to emerge has attained a dazzling brilliancy, the robins are already less tuneful. They are now becoming busy in collecting food for their morning repast, and one by one they leave the trees, and may be seen hopping upon the tilled ground, in quest of the worms and insects that, have crept out during the night from their subterranean retreats.

But as the robins grow silent, the bobolinks begin their vocal revelries; and to a fanciful mind it might seem that the robins had gradually resigned their part in the performance to the bobolinks, not one of which is heard until some of the former have concluded their songs. The little hairbird still continues his almost incessant chirping, the first to begin and the last to quit the performance. Though the voice of this bird is not very sweetly modulated, it blends harmoniously with the notes of other birds, and greatly increases the charming effect of the combination.

It would be tedious to name all the birds that take part in this chorus; but we must not omit the pewee, with his melancholy ditty, occasionally heard like a short minor strain in an oratorio; nor the oriole, who is really one of the chief performers, and who, as his bright plumage flashes upon the sight, warbles forth a few notes so clear and mellow as to be beard above every other sound. Adding a pleasing variety to all this harmony, the lisping notes of the meadowlark, uttered in a shrill tone, and with a peculiar pensive modulation, are plainly audible, with short rests between each repetition.

There is a little brown sparrow, resembling the hairbird, save a general tint of russet in his plumage, that may be heard distinctly among the warbling host. He is rarely seen in cultivated grounds, but frequents the wild pastures, and is the bird that warbles so sweetly at midsummer, when the whortleberries are ripe, and the fields are beautifully spangled with red lilies.

There is no confusion in the notes of his song, which consists of one syllable rapidly repeated, but increasing in rapidity and rising to a higher key towards the conclusion. He sometimes prolongs his strain, when his notes are observed to rise and fall in succession. These plaintive and expressive notes are very loud and constantly uttered, during the hour that precedes the rising of the sun. A dozen warblers of this species, singing in concert, and distributed in different parts of the field, form, perhaps, the most delightful part of the woodland oratorio to which we have listened.

At sunrise hardly a robin can be beard in the whole neighborhood, and the character of the performance has completely changed during the last half hour. The first part was more melodious and tranquilizing, the last is more brilliant and animating. The grass finches, the vireos, the wrens, and the linnets have joined their voices to the chorus, and the bobolinks are loudest in their song. But the notes of the birds in general are not so incessant as before sunrise. One by one they discontinue their lays, until at high noon the bobolink and the warbling flycatcher are almost the only vocalists to be heard in the fields.

XII. SHORT SELECTIONS IN POETRY. (94)

1. THE CLOUD.

A cloud lay cradled near the setting sun, A gleam of crimson tinged its braided snow; Long had I watched the glory moving on, O'er the still radiance of the lake below: Tranquil its spirit seemed, and floated slow, E'en in its very motion there was rest, While every breath of eve that chanced to blow, Wafted the traveler to the beauteous west. Emblem, methought, of the departed soul, To whose white robe the gleam of bliss is given, And by the breath of mercy made to roll Right onward to the golden gate of heaven, While to the eye of faith it peaceful lies, And tells to man his glorious destinies. --John Wilson

II. MY MIND.

My mind to me a kingdom is; Such perfect joy therein I find, As far exceeds all earthly bliss That God or nature hath assigned; Though much I want that most would have, Yet still my mind forbids to crave.

NOTE.--This is the first stanza of a poem by William Byrd (b, 1543, d. 1623), an English composer of music.

III. A GOOD NAME. (95)

Good name, in man or woman, dear my lord, Is the immediate jewel of their souls. Who steals my purse, steals trash; 'tis something, nothing; 'Twas mine, 'tis his, and has been slave to thousands; But he that filches from me my good name, Robs me of that which not enriches him, And makes me poor indeed. Shakespeare.--Othello, Act III, Scene III.

IV. SUNRISE.

But yonder comes the powerful king of day, Rejoicing in the east. The lessening cloud, The kindling azure, and the mountain's brow Illumed with liquid gold, his near approach Betoken glad. Lo! now apparent all, Aslant the dew-bright earth and colored air He looks in boundless majesty abroad, And sheds the shining day that, burnished, plays On rocks, and hills, and towers, and wandering streams, High gleaming from afar. Thomson.

V. OLD AGE AND DEATH. (95)

Edmund Waller, 1605-1687, an English poet, was a cousin of John Hampden, and related to Oliver Cromwell. He was educated at Eton and Cambridge. Waller was for many years a member of Parliament. He took part in the civil war, and was detected in a treasonable plot. Several years of his life were spent in exile in France. After the Restoration he came into favor at court. His poetry is celebrated for smoothness and sweetness, but is disfigured by affected conceits. ###

The seas are quiet when the winds give o'er; So calm are we when passions are no more. For then we know how vain it was to boast Of fleeting things, too certain to be lost. Clouds of affection from our younger eyes Conceal that emptiness which age descries. The soul's dark cottage, battered and decayed, Lets in new light through chinks that time has made: Stronger by weakness, wiser men become, As they draw near to their eternal home. Leaving the old, both worlds at once they view, That stand upon the threshold of the new.

VI. MILTON. (96)

John Dryden, 1631-1703, was a noted English writer, who was made poet laureate by James II. On the expulsion of James, and the accession of William and Mary, Dryden lost his offices and pension, and was compelled to earn his bread by literary work. It was during these last years of his life that his best work was done. His "Ode for St. Cecilia's Day" is one of his most, celebrated poems. His prose writings are specimens of good, strong English. ###

Three poets, in three distant ages born, Greece, Italy, and England did adorn; The first in loftiness of thought surpassed, The next in majesty, in both the last. The force of nature could no further go; To make a third she joined the other two.

Note.--The two poets referred to, other than Milton, are Homer and Dante.

XIII. DEATH OF LITTLE NELL. (96)

Charles Dickens. 1812-1870, one of the greatest novelists of modern, times, was born in Portsmouth, but spent nearly all his life in London. His father was a conscientious man, but lacked capacity for getting a livelihood. In consequence, the boy's youth was much darkened by poverty. It has been supposed that he pictured his father in the character of "Micawber." He began his active life as a lawyer's apprentice; but soon left this employment to become a reporter. This occupation he followed from 1831 to 1836. His first book was entitled "Sketches of London Society, by Boz." This was followed, in 1837, by the "Pickwick Papers," a work which suddenly brought much fame to the author. His other works followed with great rapidity, and his last was unfinished at the time of his death. He was buried in Westminster Abbey. Mr. Dickens visited America in 1842, and again in 1867. During his last visit, he read his works in public, in the principal cities of the United States.

The resources of Dickens's genius seemed exhaustless. He copied no author, imitated none, but relied entirely on his own powers. He excelled especially in humor and pathos. He gathered materials for his works by the most careful and faithful observation. And he painted his characters with a fidelity so true to their different individualities that, although they sometimes have a quaint grotesqueness bordering on caricature, they stand before the memory as living realities. He was particularly successful in the delineation of the joys and griefs of childhood. "Little Nell" and little "Paul Dombey" are known, and have been loved and wept over, in almost every household where the English language is read. His writings present very vividly the wants and sufferings of the poor, and have a tendency to prompt to kindness and benevolence. His works have not escaped criticism. It has been said that "his good characters act from impulse, not from principle," and that he shows "a tricksy spirit of fantastic exaggeration." It has also been said that his novels sometimes lack skillful plot, and that he seems to speak approvingly of conviviality and dissipation. "The Old Curiosity Shop," from which the following extract is taken, was published in 1840. ###

She was dead. No sleep so beautiful and calm, so free from trace of pain, so fair to look upon. She seemed a creature fresh from the hand of God, and waiting for the breath of life; not one who had lived, and suffered death. Her couch was dressed with here and there some winter berries and green leaves, gathered in a spot she had been used to favor. "When I die, put near me something that has loved the light, and had the sky above it always." These were her words.

She was dead. Dear, gentle, patient, noble Nell was dead. Her little bird, a poor, slight thing the pressure of a finger would have crushed, was stirring nimbly in its cage, and the strong heart of its child mistress was mute and motionless forever! Where were the traces of her early cares, her sufferings, and fatigues? All gone. Sorrow was dead, indeed, in her; but peace and perfect happiness were born, imaged in her tranquil beauty and profound repose.

And still her former self lay there, unaltered in this change. Yes! the old fireside had smiled upon that same sweet face; it had passed, like a dream, through haunts of misery and care; at the door of the poor schoolmaster on the summer evening, before the furnace fire upon the cold wet night, at the still bedside of the dying boy, there had been the same mild and lovely look. So shall we know the angels, in their majesty, after death.

The old man held one languid arm in his, and had the small hand tight folded to his breast for warmth. It was the hand she had stretched out to him with her last smile; the hand that had led him on through all their wanderings. Ever and anon he pressed it to his lips; then hugged it to his breast again, murmuring that it was warmer now, and, as he said it, he looked in agony to those who stood around, as if imploring them to help her.

She was dead, and past all help, or need of help. The ancient rooms she had seemed to fill with life, even while her own was waning fast, the garden she had tended, the eyes she had gladdened, the noiseless haunts of many a thoughtful hour, the paths she had trodden, as it were, but yesterday, could know her no more.

"It is not," said the schoolmaster, as he bent down to kiss her on the cheek, and gave his tears free vent, "it is not in this world that heaven's justice ends. Think what earth is, compared with the world to which her young spirit has winged its early flight, and say, if one deliberate wish, expressed in solemn tones above this bed, could call her back to life, which of us would utter it?"

She had been dead two days. They were all about her at the time, knowing that the end was drawing on. She died soon after daybreak. They had read and talked to her in the earlier portion of the night; but, as the hours crept on, she sank to sleep. They could tell by what she faintly uttered in her dreams, that they were of her journeyings with the old man; they were of no painful scenes, but of people who had helped them, and used them kindly; for she often said "God bless you!" with great fervor.

Waking, she never wandered in her mind but once, and that was at beautiful music, which, she said, was in the air. God knows. It may have been. Opening her eyes, at last, from a very quiet sleep, she begged that they would kiss her once again. That done, she turned to the old man, with a lovely smile upon her face, such, they said, as they had never seen, and could never forget, and clung, with both her arms, about his neck. She had never murmured or complained; but, with a quiet mind, and manner quite unaltered, save that she every day became more earnest and more grateful to them, faded like the light upon the summer's evening.

The child who had been her little friend, came there, almost as soon as it was day, with an offering of dried flowers, which he begged them to lay upon her breast. He told them of his dream again, and that it was of her being restored to them, just as she used to be. He begged hard to see her: saying, that he would be very quiet, and that they need not fear his being alarmed, for he had sat alone by his young brother all day long, when he was dead, and had felt glad to be so near him. They let him have his wish; and, indeed, he kept his word, and was, in his childish way, a lesson to them all.

Up to that time, the old man had not spoken once, except to her, or stirred from the bedside. But, when he saw her little favorite, he was moved as they had not seen him yet, and made as though he would have him come nearer. Then, pointing to the bed, he burst into tears for the first time, and they who stood by, knowing that the sight of this child had done him good, left them alone together.

Soothing him with his artless talk of her, the child persuaded him to take some rest, to walk abroad, to do almost as he desired him. And, when the day came, on which they must remove her, in her earthly shape, from earthly eyes forever, he led him away, that he might not know when she was taken from him. They were to gather fresh leaves and berries for her bed.

And now the bell, the bell she had so often heard by night and day, and listened to with solemn pleasure, almost as a living voice, rung its remorseless toll for her, so young, so beautiful, so good. Decrepit age, and vigorous life, and blooming youth, and helpless infancy,--on crutches, in the pride of health and strength, in the full blush of promise, in the mere dawn of life, gathered round her. Old men were there, whose eyes were dim and senses failing, grandmothers, who might have died ten years ago, and still been old, the deaf, the blind, the lame, the palsied, the living dead, in many shapes and forms, to see the closing of that early grave.

Along the crowded path they bore her now, pure as the newly fallen snow that covered it, whose day on earth had been as fleeting. Under that porch, where she had sat when heaven, in its mercy, brought her to that peaceful spot, she passed again, and the old church received her in its quiet shade.

XIV. VANITY OF LIFE. (100)

Johann Gottfried von Herder, 1744-1803, an eminent German poet, preacher, and philosopher, was born in Mohrungen, and died in Weimar. His published works comprise sixty volumes. This selection is from his "Hebrew Poetry." ###

Man, born of woman, Is of a few days, And full of trouble; He cometh forth as a flower, and is cut down; He fleeth also as a shadow, And continueth not.

Upon such dost thou open thine eye, And bring me unto judgment with thee? Among the impure is there none pure? Not one.

Are his days so determined? Hast thou numbered his months, And set fast his bounds for him Which he can never pass? Turn then from him that he may rest, And enjoy, as an hireling, his day.

The tree hath hope, if it be cut down, It becometh green again, And new shoots are put forth. If even the root is old in the earth, And its stock die in the ground, From vapor of water it will bud, And bring forth boughs as a young plant.

But man dieth, and his power is gone; He is taken away, and where is he?

Till the waters waste from the sea, Till the river faileth and is dry land, Man lieth low, and riseth not again. Till the heavens are old, he shall not awake, Nor be aroused from his sleep.

Oh, that thou wouldest conceal me In the realm of departed souls! Hide me in secret, till thy wrath be past; Appoint me then a new term, And remember me again. But alas! if a man die Shall he live again?

So long, then, as my toil endureth, Will I wait till a change come to me. Thou wilt call me, and I shall answer; Thou wilt pity the work of thy hands. Though now thou numberest my steps, Thou shalt then not watch for my sin. My transgression will be sealed in a bag, Thou wilt bind up and remove my iniquity.

Yet alas! the mountain falleth and is swallowed up, The rock is removed out of its place, The waters hollow out the stones, The floods overflow the dust of the earth, And thus, thou destroyest the hope of man.

Thou contendest with him, till he faileth, Thou changest his countenance, and sendeth him away. Though his sons become great and happy, Yet he knoweth it not; If they come to shame and dishonor, He perceiveth it not.

Note.--Compare with the translation of the same as given in the ordinary version of the Bible. Job xiv.

XV. A POLITICAL PAUSE. (102)