Chapter 19

I spoiled three ties in tying, I was sceptical of my clothes having been pressed, while Felicia proceeded unerringly, even with a certain pleasure, through the intricacies of her own toilet, looking more disturbingly lovely every minute.

Finally she remarked contemplatively:

"How do you suppose you ever got dressed in time for anything before you were married?" which was insulting, for I had only asked where two things were.

She put her head back through the door to say to me with an impertinent grin:

"Your hat, you know, is in its box on the shelf where it always is," and she looked so pretty that an unreasonable desire arose in me to kill Monty Saunders, and I thought how terrible it must be to feel jealous, if one could feel as I did when one was only sore and sorry.

I mention this episode only to throw in greater relief what happened later that evening.

For later that evening a gay little person in fluffy green clothes danced inside the circles of our lives, and before she passed out she had cleared up the mist which encompassed us, unloosed my tongue, and softened Felicia's heart, and all without being so much as aware of our existence.

Felicia and Lydia Massingbyrd and Cecilia Bennett and I were all sitting together on a commodious window-seat watching the dancers. It was significant of the uncomfortable state of our affairs that Felicia and I only recovered our gaiety and our naturalness toward each other when we had some one to serve as buffer between us; I was talking and laughing with the best, while deep down within me my other self gloomed, fairly smacking his lips over his dismalness, "How little do Felicia and Lydia dream of the trouble gnawing our vitals," when out of the midst of our chaff and gossip popped a word that hit me square in the solar plexus.

"Look," said Lydia, "how well the little woman in green dances. She has danced all the evening with the same man." And my little fairy godmother in fluffy green flew past us, as gay and young and happy a little person as I had seen in a month of Sundays. She was so buoyant and pretty that she did one good to see, and my foolish inner self had made a romance about her and the good-looking young fellow, her partner of a whole evening, before little Cecilia Bennett had time to say primly:

"That is Mrs. So-and-So."

"And that is not, I take it, Mr. So-and-So?" Lydia remarked.

"Mr. So-and-So is the big, red-haired man talking with the woman in white lace," replied Cecilia, while disapproval fairly oozed from her.

"So there you are, and every one is satisfied," Lydia brushed it aside lightly.

"That is how we look to outsiders!" croaked my other self.

Then little Cecilia Bennett piped up virtuously, "Even if I didn't love my wife any longer, I should look after her! Until I was engaged, I was _never_ allowed to dance a whole evening with one man----"

And as we laughed, she went on with some warmth:

"I don't care, I think a man ought to take care of his wife; don't you, Felicia?"

"And a little child shall lead us," sententiously remarked my inner self. But Felicia only said flippantly:

"If I acted badly, I should expect to be beaten."

"Well," said Cecilia, also flippantly, following with disapproving eyes the little person in green, who danced happily by us (it is Cecilia's first season, and such spectacles make her cynical), "Bobby will never beat you, Felicia, however much you need it. Bobby's too kind. He would not even have beaten Lydia!"

"Wouldn't you beat me, no matter what I did?" Felicia appealed to me. Then for one second my heart stopped and then raced on again, for the fantastic explanation of her question that came to me was that this was one of the things she had been trying to ask me; that perhaps she had wanted me to beat her and storm and take on, and that I had failed her.

"No, Felicia," I replied sadly, "I shall never beat you." I thought she looked disappointed. I wondered if I had really found a light in the darkness that had surrounded us.

Meantime the little lady and her companion had sat down, and in that crowded place they were talking as eagerly and unconsciously as if they had been all alone in the Garden of Eden.

"I hate an ostrich," remarked Lydia.

"Her husband doesn't see her, anyway," said Felicia lightly; but there was an edge of bitterness in her voice; and again I wondered if through all our meaningless talk Felicia was signalling to me in a cipher code of her own invention.

"Perhaps he does see just the same, perhaps he cares, and can't find the words to tell her in," I ventured.

"She may," Felicia speculated, "be keeping on and on, just waiting for the word from him. She may not be able to stop all by herself--she may have no way of stopping herself." The corners of her mouth drooped. I felt she had told me all--everything that had saddened her, all the things she had tried to say and couldn't. For few of us can stop all of ourselves, there must be some warning voice to call "halt" to each of us, and I had been leaving it to Monty Saunders' first impertinence. Now I had to tell her I was unable to do anything else.

"He may have tried and tried to tell her and found that he couldn't. He may have found he was constitutionally unable to interfere," I told her.

"It seems so easy to me," Felicia murmured, "to say 'I'm jealous'--just two little words like that----"

And the dull other fellow inside me had kept me awake nights inventing long-winded lectures for me, when all I needed to say was two little words. But a groan burst from him, and he made me say it.

"But, O Felicia," my unwilling lips repeated, "those two words are the hardest words in the whole language." For by the light of Felicia's words I had found him out, the hypocrite. He had been jealous all along.

Felicia looked at me with curiosity.

"I suppose they would be hard words to say if one really felt them," she said comprehendingly.

"But I'm not jealous!" I longed to shout, but before we could say anything further, Monty Saunders and a girl danced past us.

"So you brought it off?" said Lydia, looking after the receding pair.

"How did you know?" Felicia demanded.

"He told her," explained little Cecilia Bennett, "when Lydia asked him how you could stand him around so much, he told her you were helping him out with Mildred--telling him what to do and keeping his courage up. He told me, too," pursued Cecilia, with the importance one naturally feels when one is in the thick of the battle of life. "He says it's awful to see a proposal before you, and the only way really is to stumble on it before you know you've made up your mind."

"Poor boy," remarked Lydia. "I should find Mildred formidable myself. Six feet and muscle!"

"Poor boy!" Felicia exclaimed resentfully. "Poor tattle-tale, going around telling everybody when he made me promise not to tell a soul. That's the last time I keep a secret."

That is all the others heard Felicia say, but to me her words meant golden music, and they told me a hundred different things; they healed my wounds, they dispelled the clouds from my soul; but, above all the tumult of my heart, I shouted down to that stupid inner fellow words of self-congratulation, of how well, how wisely, temperately, I had acted throughout, and I thanked Heaven that I was constitutionally unable to make a fool of myself, whatever evil counsellors lodged in the house I call my "self." But, Felicia, a word from you would have put forty hours more of sound sleep between me and old age! And what business, after all, had Felicia "helping out" that silly boy? A married woman has her home and her husband to think about--besides Felicia is too pretty--and that I was right is abundantly shown by the first thing Felicia said to me in the carriage.

"The idiot," she confessed, "told me before he went off to propose to Mildred that he didn't care whether she accepted him or not!" And I only held Felicia's hand very tight.

"I didn't think," Felicia went on in a wan little voice, "that you cared."

There was something she wanted me to answer very much, and not being quite sure what it was, I still kept silence--not wanting to say the wrong thing.

"_I'm_ not proud anyway," she went on bravely. "Couldn't you say them just once--the words that are so hard to say?"

"Oh, I was, Felicia," I cried, "awfully jealous!" And I knew, now that it was all over, that I had never spoken a truer word. Felicia breathed a long sigh.

"I hoped you were," she said.

"Couldn't you _see_?" I asked.

"Not until you told me," she answered, always in her meek little voice, as meek and submissive as ever it was in the conversations I invented. "I hoped you might be, but you never _said_ anything."

"There you are," said my other self, as smug and satisfied as if he had done nothing but advise that all along, "there are some things you have to tell women in words to make them happy--it won't do to act them."

And for once I believe he was right.

EDITORIAL

DR. MÜNSTERBERG ON PROHIBITION AND SOCIAL PSYCHOLOGY

McClure's Magazine, in this number, publishes an article by Dr. Hugo Münsterberg entitled "Prohibition and Social Psychology." It presents this essay with the full knowledge that it will meet with strong criticism. But it finds ample justification for doing so in the fact that Dr. Münsterberg brings to this age-long problem a viewpoint which is really new; the contribution of one of the most recent of sciences to a discussion whose chief current arguments were old in the time of Confucius.

The last word concerning the alcohol question will certainly be said by modern science. Experiments concerning the physical effect of that stimulant, conducted in the exact and dispassionate modern spirit, have been in progress for years--practically all, by the way, reaching the result that the direct effect of alcohol is injurious to the healthy human body. Now the inquiries of social psychology open a new field for debate.

Does society, in its still crudely developed condition, demand and always secure a stimulant of some kind? If so, are the stimulants it obtains in default of alcohol more harmful, broadly considered, than is alcohol itself? These questions are novel and striking ones; and Dr. Münsterberg brings to their discussion perhaps the highest skill available for his view of the subject.

It is unnecessary to say that, by presenting this view, McClure's Magazine does not therefore endorse it. And it is still more unnecessary to say that the opinions and conclusions of Dr. Münsterberg do not need the endorsement of any publication or individual to make them of general interest and consequence to the American public.

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Transcriber Notes

The Table of Contents and the List of Illustrations were added by the transcriber. Hyphenation and quotation marks changed to standardize usage. All other original punctuation and spelling preserved as written.