Chapter 8

"You thought I cabled to the President, din'cher?" he continued, leaning forward again, and returning to his confidential tone. "Not on your life. See, there's the money. What a joke," and he burst into drunken hilarity, reeling from side to side, while the tears ran down his face.

The quiet in the room was absolute, except for the officer's unholy mirth, and the steady fall of the rain. At the sound of that laughter, old Jeremiah, who had sat in his corner unmindful of the officer's presence, got up and came forward to the opposite end of the table. There was a dazed look in his face as though he were just waking from a deep sleep. He glanced around at the other negroes, standing silently with wide eyes, then at the drunken officer, and finally at the pile of silver. Then he knew. As soon as Perkins saw the old soldier, he chuckled with renewed glee.

"Hallo, sergeant, you ole fool. The joke's on you. Yessir, the joke's on you. You thought I cabled to the President; but I did'n'. Nosir, I did'n'." And he went off into renewed peals of laughter.

Suddenly he stopped short. He saw that there was no appreciation of his witticisms; only a blur of blank black faces and white, rolling eyes.

"Why don't you laugh, you damn apes? You damn black idiots, why don't you laugh? You----you----"

He ceased quickly, for another voice broke the silence. It was old Sergeant Wilson speaking. No one could tell when he had begun. He stood slightly crouched, with his hands on the edge of the table. His face was absolutely blank and expressionless, while his eyes were fixed on the officer with a tense, glassy stare. His voice was cold and monotonous, without rise or fall, halt or intonation, and seemed to be more the wail of the spirit rising from somewhere deep within him than the voice of the flesh.

"You heah that, boys? You heah what he says? He calls us apes; us that God made as well as him. 'Cause we ahr black he calls us apes. We ahr no better dan de dirt undah his feet. He tooken ouh money an' fooled us, an' now he is laughin' 'cause he fooled us. He tooken ouh money and lied to us. An' while he wuz a-foolin' us, us apes, dey taken mah boy, mah baby, out an' killed him. Out in de rain. An' ah heered de trap fall, an' de rope snap. An' _he_ heered it, an' laughed when he heered it!"

As he spoke, the sergeant never took his eyes from the officer's face, and moved slowly around the table, crouching a little, and creeping stealthily as a beast of prey might move upon an animal that it was attempting to fascinate. And the officer was being fascinated. He stood as though transfixed, his jaw hanging and his straining glance bent on the approaching soldier.

The body of troopers was getting restless. Their eyes, too, had taken on a peculiar shine, and were all focused upon the white face of the officer.

The wail of that dead, monotonous voice was to these negroes as the call of the wild. It touched a chord in them that antedated the deluge. They moved closer, imperceptibly, and moistened their dry lips with their tongues. There is something mortally appalling in that simple action. The dead voice continued: "An' dey sent me out to bury him, my own baby. An' _he_ laughed when ah went. Ah seen 'im laugh. An' dey tooken mah boy and put 'im in a deep black grave; an' de col', col' watah wuz on 'im an' raoun' 'im, an' ah heerd it splash when dey put 'im thar. An' he is thar now, in de col' black grave, an' de watah is on 'im, an' ah kin feel de watah; an' de dirt is a-weighin' me down. Heah on my ches'. An' dis man is a-laughin' at us an' says hit is a joke!"

The old sergeant was now within three feet of the officer. The latter was gray as putty, and sober. It did not take the inclosing circle, the heavy breathing, the wild, staring eyes and tight-drawn lips to tell him his danger. He felt the Presence. The air was pregnant with it. He took a step backward and moved his stiff lips as though to speak; but there was no sound. The voice went on:

"He laughed at us; but he won't laugh no moah. God done made 'im to look lak a man; but he ain't no man. He is a snake an' creeps in de grass. God sez in his book dat all snakes mus' be killed an'--" the sergeant took another step; the officer took a step backward, and the crowd surged forward with a quick, hoarse gasp. Then the terror gripped him, and turning, the officer made a dash for the door.

Again the circle closed in as the sea surges up upon the land. There were tossing arms; there was the hissing of breath through clenched teeth, the sickening thud of blows, and a gurgling cry of mortal agony. Then the sea surged out again, and there on the floor lay the thing that had been Lieutenant Roger Williams Perkins.

The ring of negroes stood fast. Their shoulders rose and fell as their convulsive breaths were indrawn and exhaled. They seemed to be wondering what had happened. Several raised their hands and observed them curiously, first one and then the other, as though they were strange objects never seen before. One placed his fingers to his nose and smelt them furtively. Another tried to rub off the thick, dark stain, but with little success. The "moving finger" had written.

When the catastrophe occurred, five or ten of the weak-kneed had rushed from the building, and even as these guilty ones stood there, there was a clatter of arms outside. Some one yelled: "the guahd," and they knew that their deeds had overtaken them.

In the momentary pandemonium that followed, old Sergeant Wilson was heard calling above the din: "Out with dem lights! Pile de bunks agin' de doahs an' winders!" They had learned to obey that voice before, in many a tight place, and now it had its old-time ring. So they went and did. A saber hilt rattled on the portal. "Open the door! This is the officer of the guard."

"To hell wiff de officah of de guahd. Open hit yo'se'f!" was bellowed in reply. The strain was relieved, and the sally was greeted with a wild yapping from the rest, such as might have risen from a den of trapped wolves. Several ran to the windows. There was a sputtering volley of carbine shots, and Troop "B," 19th U.S. Cavalry, was in open mutiny.

Now when a troop of United States cavalry rises against those in authority, incidents begin to occur at once. The times when such a thing has happened can be counted on the fingers of one hand, with some digits to spare. There was, in this case, no room for parley or exchange of flags of truce. The thing with which the ants were already busy there on the floor was an uncontrovertible fact. Consequently, there being no grounds upon which to arbitrate the matter, the mutineers blazed away cheerfully at anything that showed itself on the plaza. They had now nothing to lose.

Then, shortly, there sounded from the guard-house, through the rain-drenched night, the call that jerks the soldier out of his bunk, all standing, from any sleep but that of death: the "call to arms."

In fifteen minutes "B" Troop's quarters were surrounded on all sides by the other troops of the squadron, the men of which, from safe cover, observed the carbine flashes and wild yells emanating therefrom with mild surprise, and wondered "what de hell had broke loose."

Major Bliss sat under the smoky lantern at the guard-house, surrounded by the officers of the station. He questioned sharply the men who had escaped from "B" Troop's barracks. At intervals he swore mightily and cursed the day that Roger Williams Perkins was born.

"And to think that old Wilson should be at the head of this! Old Wilson, of all men! Why, he is worth fifty thousand Perkinses, dead or alive. I am only sorry that Perkins didn't get away. I should like to have got hold of him myself, damn him."

There was no hesitation in the makeup of Major Bliss. He intended to suppress this outbreak in a manner that would tend to discourage any such ebullitions in the future. Consequently, he made his dispositions with grimness and determination. His plan was simple, his orders being to "rush 'em and give 'em hell." His greatest regret was that the interests of discipline should make such a step necessary, since he was sure that a majority of the mutineers had acted upon impulse, and were already excessively sorry for themselves.

In the midst of these untoward events, the "Tarlac," coastwise transport blew into the bay through the murk and rain, and Captain North, of "B" Troop, the "Ole Cap'n," returned to the station. Hearing the shots and yells, he concluded that the Major was "shooting up the town," and splashed hurriedly to his quarters for his saber and revolver. There in the darkness he stumbled over his _muchacho_, who had deposited himself at the foot of the steps and was earnestly beseeching his patron saint to have him spared this once; promising an altar cloth and innumerable candles if he should be allowed to exist long enough to secure them, thus putting on that gentleman's intercession a premium that he trusted would be effective. The Captain being naturally impulsive, the accident did not improve his temper to any appreciable extent. Besides this, the matches were wet, and there was no oil in the lamp. Consequently he had to search for his weapons in the dark. After falling over his bunk and numberless chairs, and upsetting his field desk, he found his saber and revolver, only to discover that both, owing to the neglect of that same sanctified _muchacho_ on the stairs, were covered with rust; that the cylinder of the revolver would not revolve; and that at least two strong men and a boy would be required to coax the saber from its scabbard!

All this while the shooting and yelling were going on, and by the time he splashed out into the rain once more, the good Captain was what is technically known as "mad as a hornet!" He started on a run to "B" Troop's quarters, to take command of his men, only to be stopped by a sentinel, who informed him that "B" Troop was in no mood to be taken command of, and that he had "bettah go to de guahd-house." Being ordered to the guard-house by a private did not tend to quiet his state of mind any, even when the situation was explained. By the time he burst in on the assembled officers at the post of the guard, Captain North was madder than ever.

"What the devil is going on here, Bliss? What's this I hear about 'B' Troop's busting loose? This is a hell of a state of affairs."

"That is just what I think, North, and very neatly expressed," the Major replied dryly. "Lovely discipline you have in that band of Indians of yours. They've mutinied, no less, and apparently they have got Perkins. A nice----"

"Mutinied, have they? Why, the infernal black scoundrels," almost roared the irate officer, striding up and down the room. "Mutinied, have they? What the devil do they mean by doing a thing like that without saying anything to me about it? I'll mutiny 'em! Don't you interfere with me, Bliss," he continued, halting in his walk, "don't you interfere with me. This is my troop, and I can handle them. Don't you interfere with me."

"My dear North, no one has shown any inclination to interfere with you, has he?"

"That's right," and the Captain continued his march, "that's right. I can attend to these gentlemen. This plan of rushing them, though, is all wrong, all wrong"; and he stopped again. "They'll fight, fight like the devil. I ought to know. I've seen them do it often enough. You'll lose good men. In opposing them with force you recognize the strength in them. What you need is moral force. One man power. Same principle in training lions. Same principle. If a lion-tamer went into a cage of ten lions with ten men, he'd have trouble on his hands from the jump; but he can go alone and bluff 'em. Same principle here. If I could get into the middle of that bunch over there without their seeing me until I _was_ there, I'd scare them out of ten years' growth. How to get there, that's the question."

"Why, North, you are crazy. They'd get you, sure. They'd eat you up, man."

"Eat _me_ up? Why, they'd as soon think of tackling the late Mr. Peter Jackson. They know me. How to get there, that's the question. Walking across the plaza they couldn't tell _me_ from any one else."

"Beg yoah pahdin', sah," and Private Massay of "B" Troop, who was the commanding officer's orderly for the day, spoke up, "Ef de Cap'n could git in through de little doah in de stoah-room, and go through de kitchen, I speck he could git in widout bein' ketched."

"Right, Massay, the very thing. Somebody give me a lantern. Confound it, one of you men get me a lantern, and be quick about it." A member of the guard gave him the required article, and concealing it carefully under his poncho, he went quickly out. The Major and other officers jumped up and followed. All the way down the dreary, rain-swept street the Major attempted to persuade the Captain to give up his foolhardy enterprise, but without result. Finally, when they reached the cordon of surrounding troops, the senior officer said:

"Well, North, this is absolutely absurd, and out of the question. If you insist, I shall have to give you an order not to go."

"No, you won't do that, Bliss." The Captain's anger had left him now, and he spoke quietly. "We have known each other a long time, and seen a lot of service together. You won't take advantage of your rank to stop me now. I am only doing what you would do in my place. It is my troop. The shame and disgrace are mine. You won't stop me now."

The Major hesitated a moment and then spoke slowly, and with evident feeling:

"Well--well. Have your way; but be careful, John, be careful."

They saw him move quietly along under the shadow of a wall, cross the street, and disappear in a small side door of "B" Troop's quarters. He was not discovered.

* * * * *

For the last half hour the silence and the blackness of the grave had existed in "B" Troop's big squad room. The "shouting and the tumult" had died a lingering death. One cannot yell and hurl challenge indefinitely, and shouting up one's courage begins to lose its efficacy if long continued. One big-lunged mutineer had held out with his firing and bellowing until the nerves of the rest could stand it no longer. They then rudely suppressed him. He sounded so absurdly and pathetically foolish. He was typical of their own status. "One nigger shootin' a bluff at de whole United States Army!" They realized that with fifty it was no less idiotic.

If it had not been for old Wilson passing stealthily to and fro among them, with that wild light in his eyes, and those crazy mumblings, doubtless there would have, already, been breaks in the ranks. But no; there was that other thing, lying over there where it fell. There was no use now; there could be no looking back. Each turned wearily to his door or window and renewed his wide-eyed effort to pierce the web of blackness over the square. And the everlasting rain still fell.

A door swung cautiously somewhere. There was the sound of some one moving with steady, determined step down the center of the room. Then, without warning, their unaccustomed eyes were momentarily blinded by a light taken suddenly from under a poncho; and there in the center of the room stood a lone officer; in one hand a lantern, in the other a big blue revolver.

For an instant there was no movement. Then there was a counter reaction. With the snarl of wild animals, the fifty negroes sprang toward the center of the room. Sergeant Wilson was first. With a cry of: "Kill him! kill him!" he bounded over a bunk, and landed within three feet of the officer, revolver upraised. As he did so, the officer lifted the lantern to a level with his own face. The sergeant stopped. The whole circle halted, as though Circe had transfixed them. They had recognized the "Ole Cap'n."

"Well, Wilson." At the sound of the voice the old negro's countenance changed instantly. It became the face of a man in mortal anguish, as indeed he was. In that moment the scales had fallen from his vision. He saw his position clearly in the light of the sorrowful glance from the "ole Cap'n's" eyes. It was as though the main pillar of the heavens had been pulled out, and the skies were thundering down about his dazed old ears.

"Oh, Gawd, oh, Gawd!" he groaned, putting one hand to his head, and rocking it from side to side, as though the pain there were more than he could stand.

"Oh, Gawd, oh, Gawd." The revolver was lowered slowly from its upraised position, and suddenly, before the officer could stop him, the sergeant turned it against himself. There was a flash, an earsplitting report, and the old soldier sank to the floor. There he stretched himself wearily, as though for a long sleep, and Sergeant Jeremiah Wilson, of the "old Army," was gathered to his fathers.

The Captain turned away abruptly. He knew that old Wilson was a good shot.

"Open the doors," he said to the troopers, as though he had been telling them good morning. Compliance to that voice, raised in command, was to these soldiers a second nature. There was not the slightest hesitation. With eager alacrity they hastened to obey, like children who had been caught misbehaving.

In the first faintness of the dawn the tired-faced troopers cheerfully filed out and formed in front of the quarters, each one, as he passed through the door, depositing his arms at the officer's feet. Oh, but it was good to be on the right side again; and the "ole Cap'n" would take care of his own.

FOOTNOTES:

[4] Art. 17. Any soldier who sells, or through neglect loses or spoils his horse, arms, clothing, or accoutrements, shall be punished as a court martial may adjudge, subject to such humiliations as may be prescribed by the President, by virtue of the power vested in him.

THE SINGER'S HEART

BY

HARRIS MERTON LYON

ILLUSTRATIONS BY J. B. MASTERS

_"I never cared for the singer's fame, But, oh, for the singer's heart Once more-- The bleeding, passionate heart!"--"B. V."_

These are a few films from the human biograph of Harry Barnes, old actor. You know, when you are old, you accept life with more or less of a sigh of quiet acquiescence, and by your cozy fire you sit and nod to an inner voice, a gentle old voice which over and over whispers and murmurs--"Once upon a time, once upon a time." And possibly Barnes would have nodded, too, but he lacked the cozy fire. Life has its dramatic unities, it would seem, and if one thing or another is awry we are apt not to perform as the book says we should. No cozy fire, says the Great Stage Manager; no nodding acquiescence, replies the Mummer in the Play.

Barnes listened, it is true, over and over to the voice which murmured "Once upon a time," but he sat not by a comfortable open grate, amid grandchildren. Instead, he lurked in East Fourteenth Street amid decaying agents' offices, hunting a chance to do a bad monologue in a worse vaudeville show. He had outlasted his time; he could not get work. He lived on those two heartless things, Hope and Memory. And for all I know he is living on them yet.

Now, you will not in your careless youth or your sceptical maturity find beauty in this story, you will not "get under the skin" of it, as the saying is, unless you have stopped sometime in your busy going, to consider, aside and with understanding, the pathos of the old actor. It is a curiously poignant human thing, written about by a few, suffered by many, and ignored by the loud, inordinate world.

The old actor out of employment! A target for jokes, a piece of battered, ancient "property" cluttering up a new and very busy stage. You smile at his curious figure, unconscious of the broken misery that aches beneath, where life has died and living goes paradoxically on; and only sometimes late at night do you get a part of that hidden ache when you hear old legs drag weary feet up the boarding-house stairs, past your door and on up into the skylight room on the roof, despondently to bed; and you know that the old man has had another unsuccessful day among the agents and the managers. You can sometimes interpret the querulous little laugh over the thin oatmeal at breakfast, sometimes you can guess the water in the rapidly winking eyes; but of course you do not proclaim your deductions. Civilization is a process of making less noise about things.

This is a segment of the life-film of Harry Barnes, old actor, as he traveled the stones of Fourteenth Street. Not the Rialto, where fat men adorned with fat diamonds smoke fat cigars in order to narcotize fat consciences; but Fourteenth Street, grimy with old, sparsely-tenanted buildings, where theatrical offices three flights up bargain for the driblets of trade among the low music-halls and the cheapest vaudeville houses, where niggardly, gray-haired agents have for two generations sat among their dusty contracts and their rusty pens, haggling over bread-and-water salaries with the jetsam of a too-volatile profession.

Harry was old and dropsical with drink, a sad hero for a careless story. The only ideal he had ever had, besides one, was to arrive at the fine fame of printer's ink: headlines, bill-boards, critical notices, reproductions of his photograph. But this was long ago. He had longed to be chronicled in his time, preeminent and large; this he had desired with that hungry passion for display which only an actor can feel. But this, remember, was once upon a time. His other ideal--no need to mention it amid Momus and his mimes!--was to sway people with laughter and tears, to burn them with romance, to chasten them with tragedy, to carry them with him in his frenzy, to play upon them with his art.

Art! Do you care for a grotesque, serious evening in its humblest presence? Have you time to listen, over beer glass and cigarette, to a broken-down old actor out of a job?

Barnes was incongruously named when he was given the name of Harry. It is a flippant name. It calls up merriness, youth, bravado, color, song. Barnes was forty-nine, streaked with grey, heart-sick, pallid, shuffling, timorous, sorry, and forlorn. Three decades of grease paint had made his skin flabby; and three decades of what the grease paint stood for had done likewise by his soul. It was thus that he drifted from doorway to doorway in Fourteenth Street, down by the Elevated, where dry little agents told him in dry little voices that there was nothing for him from day to day. It was thus that he dragged his feet up the boarding-house stairs to his skylight room, night after night, carrying the two heartless fardels, Hope and Memory.

It was approaching a certain holiday, a holiday which came on Sunday.

"Harry," said old Tony Sanderson, after he had finished informing the actor that there was no news for him, "why don't you do a little press-agent work for yourself? Get your name in the paper. That might help you get something to do."

The other listened despondently.

"Now here's a chance," went on the agent, in a confidential tone. "No money in it, of course, but, as I said, there's a chance to get into print. Some sort of a newsboys' benefit bunch is going to get together Sunday night and give a little entertainment fer the kids up in Beals' gymnasium on the Bowery. They're callin' for volunteers among the actors. You take your monologue stunt down there and get onto the program. The newspapers always plays up this newsboy dope strong and you'll get a good mention sure. Clip the notices and _then_ you've got somethin' to flash. See?"