Chapter 3

"'Stand as thou didst in killing the little babe, stand, stand!' and once more she spoke some words unknown to me. Instantly the demon sprang forward, and, bending Its clawlike hands, clutched them around some little throat that was not there,--but I could see it in my mind. And the look on its face was a blackest glimpse of hell.

"'And now stand as thou didst in robbing the friend, stand, stand'; and again came the unknown words, and again the fiend obeyed.

"'These we will take for future use,' said my sister. And bidding me watch the creature carefully until she should return, she left the room, and, after none too short an absence, returned bearing a black box that was an apparatus for photography, and something more besides,--some newer, stranger kind of photography that she had learned. Then, on a strangely fashioned card, a transparent white card, composed of many layers of finest Oriental paper, she took the pictures of the creature in those two creeping poses. And when it all was done, the card seemed as white as before, and empty of all meaning until one held it up and examined it intently. Then the pictures showed.

And between the two there was a third picture, which somehow seemed to show, at the same time, two faces in one, two souls, my sister said, the kindly visaged man we first had seen, and then the fiend.

"Now my sister asked for pen and ink and I gave her my pocket pen which was filled with purple ink. Handing this to the _kulos_-man she bade him write under the first picture: 'Thus I killed my babe.' And under the second picture: 'Thus I robbed my friend.' And under the third, the one that was between the other two: 'This is the soul of Richard Burwell.' An odd thing about this writing was that it was in the same old French the creature had used in speech, and yet Burwell knew no French.

"My sister was about to finish with the creature when a new idea took her, and she said, looking at It as before:--'Of all thy crimes which one is the worst? Speak, I command thee!'

"Then the fiend told how once It had killed every soul in a house of holy women and buried the bodies in a cellar under a heavy door.

"Where was the house?'

"'At No. 19 Rue Picpus, next to the old graveyard.'

"'And when was this?'

"Here the fiend seemed to break into fierce rebellion, writhing on the floor with hideous contortions, and pouring forth words that meant nothing to me, but seemed to reach my sister's understanding, for she interrupted from time to time, with quick, stern words that finally brought It to subjection.

"'Enough,' she said, 'I know all,' and then she spoke some words again, her eyes fixed as before, and the reverse change came. Before us stood once more the honest-looking, fine-appearing gentleman, Richard Burwell, of New York.

"'Excuse me, madame,' he said, awkwardly, but with deference; 'I must have dosed a little. I am not myself to-night.'

"'No,' said my sister, 'you have not been yourself to-night.'

"A little later I accompanied the man to the Continental Hotel, where he was stopping, and, returning to my sister, I talked with her until late into the night. I was alarmed to see that she was wrought to a nervous tension that augured ill for her health. I urged her to sleep, but she would not.

"'No,' she said, 'think of the awful responsibility that rests upon me.' And then she went on with her strange theories and explanations, of which I understood only that here was a power for evil more terrible than a pestilence, menacing all humanity.

"'Once in many cycles it happens,' she said, 'that a _kulos_-soul pushes itself within the body of a new-born child, when the pure soul waiting to enter is delayed. Then the two live together through that life, and this hideous principle of evil has a chance upon the earth. It is my will, as I feel it my duty, to see this poor man again. The chances are that he will never know us, for the shock of this night to his normal soul is so great as to wipe out memory.'

"The next evening, about the same hour, my sister insisted that I should go with her to the _Folies Bergère_, a concert garden, none too well frequented, and when I remonstrated, she said: 'I must go,--It is there,' and the words sent a shiver through me.

"We drove to this place, and passing into the garden, presently discovered Richard Burwell seated at a little table, enjoying the scene of pleasure, which was plainly new to him. My sister hesitated a moment what to do, and then, leaving my arm, she advanced to the table and dropped before Burwell's eyes the card she had prepared. A moment later, with a look of pity on her beautiful face, she rejoined me and we went away. It was plain he did not know us."

To so much of the savant's strange recital I had listened with absorbed interest, though without a word, but now I burst in with questions.

"What was your sister's idea in giving Burwell the card?" I asked.

"It was in the hope that she might make the man understand his terrible condition, that is, teach the pure soul to know its loathsome companion."

"And did her effort succeed?"

"Alas! it did not; my sister's purpose was defeated by the man's inability to see the pictures that were plain to every other eye. It is impossible for the _kulos_-man to know his own degradation."

"And yet this man has for years been leading a most exemplary life?"

My visitor shook his head. "I grant you there has been improvement, due largely to experiments I have conducted upon him according to my sister's wishes. But the fiend soul was never driven out. It grieves me to tell you, doctor, that not only was this man the Water Street assassin, but he was the mysterious murderer, the long-sought-for mutilator of women, whose red crimes have baffled the police of Europe and America for the past ten years."

"You know this," said I, starting up, "and yet did not denounce him?"

"It would have been impossible to prove such a charge, and besides, I had made oath to my sister that I would use the man only for these soul-experiments. What are his crimes compared with the great secret of knowledge I am now able to give the world?"

"A secret of knowledge?"

"Yes," said the savant, with intense earnestness, "I may tell you now, doctor, what the whole world will know, ere long, that it is possible to compel every living person to reveal the innermost secrets of his or her life, so long as memory remains, for memory is only the power of producing in the brain material pictures that may be projected externally by the thought rays and made to impress themselves upon the photographic plate, precisely as ordinary pictures do."

"You mean," I exclaimed, "that you can photograph the two principles of good and evil that exist in us?"

"Exactly that. The great truth of a dual soul existence, that was dimly apprehended by one of your Western novelists, has been demonstrated by me in the laboratory with my camera. It is my purpose, at the proper time, to entrust this precious knowledge to a chosen few who will perpetuate it and use it worthily."

"Wonderful, wonderful!" I cried, "and now tell me, if you will, about the house on the Rue Picpus. Did you ever visit the place?"

"We did, and found that no buildings had stood there for fifty years, so we did not pursue the search."[1]

[Footnote 1: Years later, some workmen in Paris, making excavations in the Rue Picpus, came upon a heavy door buried under a mass of debris, under an old cemetery. On lifting the door they found a vault-like chamber in which were a number of female skeletons, and graven on the walls were blasphemous words written in French, which experts declared dated from fully two hundred years before. They also declared this handwriting identical with that found on the door at the Water Street murder in New York. Thus we may deduce a theory of fiend reincarnation; for it would seem clear, almost to the point of demonstration, that this murder of the seventeenth century was the work of the same evil soul that killed the poor woman on Water Street towards the end of the nineteenth century.]

"And the writing on the card, have you any memory of it, for Burwell told me that the words have faded?"

"I have something better than that; I have a photograph of both card and writing, which my sister was careful to take. I had a notion that the ink in my pocket pen would fade, for it was a poor affair. This photograph I will bring you to-morrow."

"Bring it to Burwell's house," I said.

* * * * *

The next morning the stranger called as agreed upon.

"Here is the photograph of the card," he said.

"And here is the original card," I answered, breaking the seal of the envelope I had taken from Burwell's iron box. "I have waited for your arrival to look at it. Yes, the writing has indeed vanished; the card seems quite blank."

"Not when you hold it this way," said the stranger, and as he tipped the card I saw such a horrid revelation as I can never forget. In an instant I realized how the shock of seeing that card had been too great for the soul of wife or friend to bear. In these pictures was the secret of a cursed life. The resemblance to Burwell was unmistakable, the proof against him was overwhelming. In looking upon that piece of pasteboard the wife had seen a crime which the mother could never forgive, the partner had seen a crime which the friend could never forgive. Think of a loved face suddenly melting before your eyes into a grinning skull, then into a mass of putrefaction, then into the ugliest fiend of hell, leering at you, distorted with all the marks of vice and shame. That is what I saw, that is what they had seen!

"Let us lay these two cards in the coffin," said my companion impressively, "we have done what we could."

Eager to be rid of the hateful piece of pasteboard (for who could say that the curse was not still clinging about it?), I took the strange man's arm, and together we advanced into the adjoining room where the body lay. I had seen Burwell as he breathed his last, and knew that there had been a peaceful look on his face as he died. But now, as we laid the two white cards on the still, breast, the savant suddenly touched my arm, and pointing to the dead man's face, now frightfully distorted, whispered:--"See, even in death It followed him. Let us close the coffin quickly."

THE GREAT VALDEZ SAPPHIRE

(ANONYMOUS)

I know more about it than anyone else in the world, its present owner not excepted. I can give its whole history, from the Cingalese who found it, the Spanish adventurer who stole it, the cardinal who bought it, the Pope who graciously accepted it, the favoured son of the Church who received it, the gay and giddy duchess who pawned it, down to the eminent prelate who now holds it in trust as a family heirloom.

It will occupy a chapter to itself in my forthcoming work on "Historic Stones," where full details of its weight, size, colour, and value may be found. At present I am going to relate an incident in its history which, for obvious reasons, will not be published--which, in fact, I trust the reader will consider related in strict confidence.

I had never seen the stone itself when I began to write about it, and it was not till one evening last spring, while staying with my nephew, Sir Thomas Acton, that I came within measurable distance of it. A dinner party was impending, and, at my instigation, the Bishop of Northchurch and Miss Panton, his daughter and heiress, were among the invited guests.

The dinner was a particularly good one, I remember that distinctly. In fact, I felt myself partly responsible for it, having engaged the new cook--a talented young Italian, pupil of the admirable old _chef_ at my club. We had gone over the _menu_ carefully together, with a result refreshing in its novelty, but not so daring as to disturb the minds of the innocent country guests who were bidden thereto.

The first spoonful of soup was reassuring, and I looked to the end of the table to exchange a congratulatory glance with Leta. What was amiss? No response. Her pretty face was flushed, her smile constrained, she was talking with quite unnecessary _empressement_ to her neighbour, Sir Harry Landor, though Leta is one of those few women who understand the importance of letting a man settle down tranquilly and with an undisturbed mind to the business of dining, allowing no topic of serious interest to come on before the _relevés_, and reserving mere conversational brilliancy for the _entremets_.

Guests all right? No disappointments? I had gone through the list with her, selecting just the right people to be asked to meet the Landors, our new neighbours. Not a mere cumbrous county gathering, nor yet a showy imported party from town, but a skillful blending of both. Had anything happened already? I had been late for dinner and missed the arrivals in the drawing-room. It was Leta's fault. She has got into a way of coming into my room and putting the last touches to my toilet. I let her, for I am doubtful of myself nowadays after many years' dependence on the best of valets. Her taste is generally beyond dispute, but to-day she had indulged in a feminine vagary that provoked me and made me late for dinner.

"Are you going to wear your sapphire, Uncle Paul!" she cried in a tone of dismay. "Oh, why not the ruby?"

"You _would_ have your way about the table decorations," I gently reminded her. "With that service of Crown Derby _repoussé_ and orchids, the ruby would look absolutely barbaric. Now if you would have had the Limoges set, white candles, and a yellow silk centre--"

"Oh, but--I'm _so_ disappointed--I wanted the bishop to see your ruby--or one of your engraved gems--"

"My dear, it is on the bishop's account I put this on. You know his daughter is heiress of the great Valdez sapphire--"

"Of course she is, and when he has the charge of a stone three times as big as yours, what's the use of wearing it? The ruby, dear Uncle Paul, _please_!"

She was desperately in earnest I could see, and considering the obligations which I am supposed to be under to her and Tom, it was but a little matter to yield, but it involved a good deal of extra trouble. Studs, sleeve-links, watch-guard, all carefully selected to go with the sapphire, had to be changed, the emerald which I chose as a compromise requiring more florid accompaniments of a deeper tone of gold; and the dinner hour struck as I replaced my jewel case, the one relic left me of a once handsome fortune, in my fireproof safe.

The emerald looked very well that evening, however. I kept my eyes upon it for comfort when Miss Panton proved trying.

She was a lean, yellow, dictatorial young person with no conversation. I spoke of her father's celebrated sapphires. "_My_ sapphires," she amended sourly; "though I am legally debarred from making any profitable use of them." She furthermore informed me that she viewed them as useless gauds, which ought to be disposed of for the benefit of the heathen. I gave the subject up, and while she discoursed of the work of the Blue Ribbon Army among the Bosjesmans I tried to understand a certain dislocation in the arrangement of the table. Surely we were more or less in number than we should be? Opposite side all right. Who was extra on ours? I leaned forward. Lady Landor on one side of Tom, on the other who? I caught glimpses of plumes pink and green nodding over a dinner plate, and beneath them a pink nose in a green visage with a nutcracker chin altogether unknown to me. A sharp gray eye shot a sideway glance down the table and caught me peeping, and I retreated, having only marked in addition two clawlike hands, with pointed ruffles and a mass of brilliant rings, making good play with a knife and fork. Who was she? At intervals a high acid voice could be heard addressing Tom, and a laugh that made me shudder; it had the quality of the scream of a bird of prey or the yell of a jackal. I had heard that sort of laugh before, and it always made me feel like a defenseless rabbit.

Every time it sounded I saw Leta's fan flutter more furiously and her manner grow more nervously animated. Poor dear girl! I never in all my recollection wished a dinner at an end so earnestly so as to assure her of my support and sympathy, though without the faintest conception why either should be required.

The ices at last. A _menu_ card folded in two was laid beside me. I read it unobserved. "Keep the B. from joining us in the drawing-room." The B.--? The bishop, of course. With pleasure. But why? And how? _That's_ the question, never mind "why." Could I lure him into the library--the billiard room--the conservatory? I doubted it, and I doubted still more what I should do with him when I got him there.

The bishop is a grand and stately ecclesiastic of the mediæval type, broad-chested, deep-voiced, martial of bearing. I could picture him charging mace in hand at the head of his vassals, or delivering over a dissenter of the period to the rack and thumb-screw, but not pottering among rare editions, tall copies and Grolier bindings, nor condescending to a quiet cigar among the tree ferns and orchids. Leta must and should be obeyed, I swore, nevertheless, even if I were driven to lock the door in the fearless old fashion of a bygone day, and declare I'd shoot any man who left while a drop remained in the bottles.

The ladies were rising. The lady at the head of the line smirked and nodded her pink plumes coquettishly at Tom, while her hawk's eyes roved keen and predatory over us all. She stopped suddenly, creating a block and confusion.

"Ah, the dear bishop! _You_ there, and I never saw you! You must come and have a nice long chat presently. By-by--!" She shook her fan at him over my shoulder and tripped on. Leta, passing me last, gave me a look of profound despair.

"Lady Carwitchet!" somebody exclaimed. "I couldn't believe my eyes."

"Thought she was dead or in penal servitude. Never should have expected to see her _here_," said someone else behind me confidentially.

"What Carwitchet? Not the mother of the Carwitchet who--"

"Just so. The Carwitchet who--" Tom assented with a shrug. "We needn't go farther, as she's my guest. Just my luck. I met them at Buxton, thought them uncommonly good company--in fact, Carwitchet laid me under a great obligation about a horse I was nearly let in for buying--and gave them a general invitation here, as one does, you know. Never expected her to turn up with her luggage this afternoon just before dinner, to stay a week, or a fortnight if Carwitchet can join her." A groan of sympathy ran round the table. "It can't be helped. I've told you this just to show that I shouldn't have asked you here to meet this sort of people of my own free will; but, as it is, please say no more about them." The subject was not dropped by any means, and I took care that it should not be. At our end of the table one story after another went buzzing round--_sotto voce_, out of deference to Tom--but perfectly audible.

"Carwitchet? Ah, yes. Mixed up in that Rawlings divorce case, wasn't he? A bad lot. Turned out of the Dragoon Guards for cheating at cards, or picking pockets, or something--remember the row at the Cerulean Club? Scandalous exposure--and that forged letter business--oh, that was the mother--prosecution hushed up somehow. Ought to be serving her fourteen years--and that business of poor Farrars, the banker--got hold of some of his secrets and blackmailed him till he blew his brains out--"

It was so exciting that I clean forgot the bishop, till a low gasp at my elbow startled me. He was lying back in his chair, his mighty shaven jowl a ghastly white, his fierce imperious eyebrows drooping limp over his fishlike eyes, his splendid figure shrunk and contracted. He was trying with a shaken hand to pour out wine. The decanter clattered against the glass and the wine spilled on the cloth.

"I'm afraid you find the room too warm. Shall we go into the library?"

He rose hastily and followed me like a lamb.

He recovered himself once we got into the hall, and affably rejected all my proffers of brandy and soda--medical advice--everything else my limited experience could suggest. He only demanded his carriage "directly" and that Miss Panton should be summoned forthwith.

I made the best use I could of the time left me.

"I'm uncommonly sorry you do not feel equal to staying a little longer, my lord. I counted on showing you my few trifles of precious stones, the salvage from the wreck of my possessions. Nothing in comparison with your own collection."

The bishop clasped his hand over his heart. His breath came short and quick.

"A return of that dizziness," he explained with a faint smile. "You are thinking of the Valdez sapphire, are you not? Some day," he went on with forced composure, "I may have the pleasure of showing it to you. It is at my banker's just now."

Miss Panton's steps were heard in the hall. "You are well known as a connoisseur, Mr. Acton," he went on hurriedly. "Is your collection valuable? If so, _keep it safe; don' trust a ring off your hand, or the key of your jewel-case out of your pocket till the house is clear again_." The words rushed from his lips in an impetuous whisper, he gave me a meaning glance, and departed with his daughter. I went back to the drawing-room, my head swimming with bewilderment.

"What! The dear bishop gone!" screamed Lady Carwitchet from the central ottoman where she sat, surrounded by most of the gentlemen, all apparently well entertained by her conversation. "And I wanted to talk over old times with him so badly. His poor wife was my greatest friend. Mira Montanaro, daughter of the great banker, you know. It's not possible that that miserable little prig is my poor Mira's girl. The heiress of all the Montanaros in a black-lace gown worth twopence! When I think of her mother's beauty and her toilets! Does she ever wear the sapphires? Has anyone ever seen her in them? Eleven large stones in a lovely antique setting, and the great Valdez sapphire--worth thousands and thousands--for the pendant." No one replied. "I wanted to get a rise out of the bishop to-night. It used to make him so mad when I wore this."

She fumbled among the laces at her throat, and clawed out a pendant that hung to a velvet band around her neck. I fairly gasped when she removed her hand. A sapphire of irregular shape flashed out its blue lightning on us. Such a stone! A true, rich, cornflower blue even by that wretched artificial light, with soft velvety depths of colour and dazzling clearness of tint in its lights and shades--a stone to remember! I stretched out my hand involuntarily, but Lady Carwitchet drew back with a coquettish squeal. "No! no! You mustn't look any closer. Tell me what you think of it now. Isn't it pretty?"

"Superb!" was all I could ejaculate, staring at the azure splendour of that miraculous jewel in a sort of trance.

She gave a shrill cackling laugh of mockery.

"The great Mr. Acton taken in by a bit of Palais Royal gimcrackery! What an advertisement for Bogaerts et Cie! They are perfect artists in frauds. Don't you remember their stand at the first Paris Exhibition? They had imitations there of every celebrated stone; but I never expected anything made by man could delude Mr. Acton, never!" And she went off into another mocking cackle, and all the idiots round her haw-hawed knowingly, as if they had seen the joke all along. I was too bewildered to reply, which was on the whole lucky. "I suppose I musn't tell why I came to give quite a big sum in francs for this?" she went on, tapping her closed lips with her closed fan, and cocking her eye at us all like a parrot wanting to be coaxed to talk. "It's a queer story."