Chapter 4

"I want to talk about the Gennaro case," began Craig. "I may add that I have been rather closely associated with Inspector O'Connor of the Central Office on a number of cases, so that I think we can trust each other. Would you mind telling me what you know about it if I promise you that I, too, have something to reveal?"

The lieutenant leaned back and watched Kennedy closely without seeming to do so. "When I was in Italy last year," he replied at length, "I did a good deal of work in tracing up some Camorra suspects. I had a tip about some of them to look up their records--I needn't say where it came from, but it was a good one. Much of the evidence against some of those fellows who are being tried at Viterbo was gathered by the Carabinieri as a result of hints that I was able to give them--clues that were furnished to me here in America from the source I speak of. I suppose there is really no need to conceal it, though. The original tip came from a certain banker here in New York."

"I can guess who it was," nodded Craig.

"Then, as you know, this banker is a fighter. He is the man who organized the White Hand--an organization which is trying to rid the Italian population of the Black Hand. His society had a lot of evidence regarding former members of both the Camorra in Naples and the Mafia in Sicily, as well as the Black Hand gangs in New York, Chicago, and other cities. Well, Cesare, as you know, is Gennaro's father-in-law.

"While I was in Naples looking up the record of a certain criminal I heard of a peculiar murder committed some years ago. There was an honest old music master who apparently lived the quietest and most harmless of lives. But it became known that he was supported by Cesare and had received handsome presents of money from him. The old man was, as you may have guessed, the first music teacher of Gennaro, the man who discovered him. One might have been at a loss to see how he could have an enemy, but there was one who coveted his small fortune. One day he was stabbed and robbed. His murderer ran out into the street, crying out that the poor man had been killed. Naturally a crowd rushed up in a moment, for it was in the middle of the day. Before the injured man could make it understood who had struck him the assassin was down the street and lost in the maze of old Naples where he well knew the houses of his friends who would hide him. The man who is known to have committed that crime--Francesco Paoli--escaped to New York. We are looking for him to-day. He is a clever man, far above the average--son of a doctor in a town a few miles from Naples, went to the university, was expelled for some mad prank--in short, he was the black sheep of the family. Of course over here he is too high-born to work with his hands on a railroad or in a trench, and not educated enough to work at anything else. So he has been preying on his more industrious countrymen--a typical case of a man living by his wits with no visible means of support.

"Now I don't mind telling you in strict confidence," continued the lieutenant, "that it's my theory that old Cesare had seen Paoli here, knew he was wanted for that murder of the old music master, and gave me the tip to look up his record. At any rate, Paoli disappeared right after I returned from Italy, and we haven't been able to locate him since. He must have found out in some way that the tip to look him up had been given by the White Hand. He had been a Camorrista, in Italy, and had many ways of getting information here in America."

He paused, and balanced a piece of cardboard in his hand.

"It is my theory of this case that if we could locate this Paoli we could solve the kidnapping of little Adelina Gennaro very quickly. That's his picture."

Kennedy and I bent over to look at it, and I started in surprise. It was my evil-looking friend with the scar on his cheek.

"Well," said Craig, quietly handing back the card, "whether or not he is the man, I know where we can catch the kidnappers to-night, Lieutenant."

It was Giuseppe's turn to show surprise now.

"With your assistance I'll get this man and the whole gang to-night," explained Craig, rapidly sketching over his plan and concealing just enough to make sure that no matter how anxious the lieutenant was to get the credit he could not spoil the affair by premature interference.

The final arrangement was that four of the best men of the squad were to hide in a vacant store across from Vincenzo's early in the evening, long before anyone was watching. The signal for them to appear was to be the extinguishing of the lights behind the coloured bottles in the druggist's window. A taxicab was to be kept waiting at headquarters at the same time with three other good men ready to start for a given address the moment the alarm was given over the telephone.

We found Gennaro awaiting us with the greatest anxiety at the opera house. The bomb at Cesare's had been the last straw. Gennaro had already drawn from his bank ten crisp one-thousand-dollar bills, and already he had a copy of _Il Progresso_ in which he had hidden the money between the sheets.

"Mr. Kennedy," he said, "I am going to meet them to-night. They may kill me. See, I have provided myself with a pistol--I shall fight, too, if necessary for my little Adelina. But if it is only money they want, they shall have it."

"One thing I want to say," began Kennedy.

"No, no, no!" cried the tenor. "I will go--you shall not stop me."

"I don't wish to stop you," Craig reassured him. "But one thing--do exactly as I tell you, and I swear not a hair of the child's head will be injured and we will get the blackmailers, too."

"How?" eagerly asked Gennaro. "What do you want me to do?"

"All I want you to do is to go to Albano's at the appointed time. Sit down in the back room. Get into conversation with them, and, above all, Signor, as soon as you get the copy of the _Bolletino_ turn to the third page, pretend not to be able to read the address. Ask the man to read it. Then repeat it after him. Pretend to be overjoyed. Offer to set up wine for the whole crowd. Just a few minutes, that is all I ask, and I will guarantee that you will be the happiest man in New York to-morrow."

Gennaro's eyes filled with tears as he grasped Kennedy's hand. "That is better than having the whole police force back of me," he said. "I shall never forget, never forget."

As we went out Kennedy remarked: "You can't blame them for keeping their troubles to themselves. Here we send a police officer over to Italy to look up the records of some of the worst suspects. He loses his life. Another takes his place. Then after he gets back he is set to work on the mere clerical routine of translating them. One of his associates is reduced in rank. And so what does it all come to? Hundreds of records have become useless because the three years within which the criminals could be deported have elapsed with nothing done. Intelligent, isn't it? I believe it has been established that all but about fifty of seven hundred known Italian suspects are still at large, mostly in this city. And the rest of the Italian population is guarded from them by a squad of police in number scarcely one-thirtieth of the number of known criminals. No, it's our fault if the Black Hand thrives."

We had been standing on the corner of Broadway, waiting for a car.

"Now, Walter, don't forget. Meet me at the Bleecker Street station of the subway at eleven thirty. I'm off to the university. I have some very important experiments with phosphorescent salts that I want to finish to-day."

"What has that to do with the case?" I asked mystified.

"Nothing," replied Craig. "I didn't say it had. At eleven thirty, don't forget. By George, though, that Paoli must be a clever one--think of his knowing about ricinus. I only heard of it myself recently. Well, here's my car. Good-bye."

Craig swung aboard an Amsterdam Avenue car, leaving me to kill eight nervous hours of my weekly day of rest from the _Star_.

They passed at length, and at precisely the appointed time Kennedy and I met. With suppressed excitement, at least on my part, we walked over to Vincenzo's. At night this section of the city was indeed a black enigma. The lights in the shops where olive oil, fruit, and other things were sold, were winking out one by one; here and there strains of music floated out of wine-shops, and little groups lingered on corners conversing in animated sentences. We passed Albano's on the other side of the street, being careful not to look at it too closely, for several men were hanging idly about--pickets, apparently, with some secret code that would instantly have spread far and wide the news of any alarming action.

At the corner we crossed and looked in Vincenzo's window a moment, casting a furtive glance across the street at the dark empty store where the police must be hiding. Then we went in and casually sauntered back of the partition. Luigi was there already. There were several customers still in the store, however, and therefore we had to sit in silence while Vincenzo quickly finished a prescription and waited on the last one.

At last the doors were locked and the lights lowered, all except those in the windows which were to serve as signals.

"Ten minutes to twelve," said Kennedy, placing the oblong box on the table. "Gennaro will be going in soon. Let us try this machine now and see if it works. If the wires have been cut since we put them up this morning Gennaro will have to take his chances alone."

Kennedy reached over and with a light movement of his forefinger touched a switch.

Instantly a babel of voices filled the store, all talking at once, rapidly and loudly. Here and there we could distinguish a snatch of conversation, a word, a phrase, now and then even a whole sentence above the rest. There was the clink of glasses. I could hear the rattle of dice on a bare table, and an oath. A cork popped. Somebody scratched a match.

We sat bewildered, looking at Kennedy.

"Imagine that you are sitting at a table in Albano's back room," was all he said. "This is what you would be hearing. This is my 'electric ear'--in other words the dictagraph, used, I am told, by the Secret Service of the United States. Wait, in a moment you will hear Gennaro come in. Luigi and Vincenzo, translate what you hear. My knowledge of Italian is pretty rusty."

"Can they hear us?" whispered Luigi in an awestruck whisper.

Craig laughed. "No, not yet. But I have only to touch this other switch, and I could produce an effect in that room that would rival the famous writing on Belshazzar's wall--only it would be a voice from the wall instead of writing."

"They seem to be waiting for someone," said Vincenzo. "I heard somebody say: 'He will be here in a few minutes. Now get out.'"

The babel of voices seemed to calm down as men withdrew from the room. Only one or two were left.

"One of them says the child is all right. She has been left in the back yard," translated Luigi.

"What yard? Did he say?" asked Kennedy.

"No, they just speak of it as the 'yard.'"

"Jameson, go outside in the store to the telephone booth and call up headquarters. Ask them if the automobile is ready, with the men in it."

I rang up, and after a moment the police central answered that everything was right.

"Then tell central to hold the line clear--we mustn't lose a moment. Jameson, you stay in the booth. Vincenzo, you pretend to be working around your window, but not in such a way as to attract attention, for they have men watching the street very carefully. What is it, Luigi?"

"Gennaro is coming. I just heard one of them say, 'Here he comes.'"

Even from the booth I could hear the dictagraph repeating the conversation in the dingy little back room of Albano's, down the street.

"He's ordering a bottle of red wine," murmured Luigi, dancing up and down with excitement.

Vincenzo was so nervous that he knocked a bottle down in the window, and I believe that my heartbeats were almost audible over the telephone which I was holding, for the police operator called me down for asking so many times if all was ready.

"There it is--the signal," cried Craig. "'A fine opera is "I Pagliacci."' Now listen for the answer."

A moment elapsed, then, "Not without Gennaro," came a gruff voice in Italian from the dictagraph.

A silence ensued. It was tense.

"Wait, wait," said a voice which I recognized instantly as Gennaro's. "I cannot read this. What is this, 23-1/2 Prince Street?"

"No, 33-1/2. She has been left in the back yard."

"Jameson," called Craig, "tell them to drive straight to 33-1/2, Prince Street. They will find the girl in the back yard--quick, before the Black-Handers have a chance to go back on their word."

I fairly shouted my orders to the police headquarters. "They're off," came back the answer, and I hung up the receiver.

"What was that?" Craig was asking of Luigi. "I didn't catch it. What did they say?"

"That other voice said to Gennaro, 'Sit down while I count this.'"

"Sh! he's talking again."

"If it is a penny less than ten thousand or I find a mark on the bills I'll call to Enrico, and your daughter will be spirited away again," translated Luigi.

"Now, Gennaro is talking," said Craig. "Good--he is gaining time. He is a trump. I can distinguish that all right. He's asking the gruff-voiced fellow if he will have another bottle of wine. He says he will. Good. They must be at Prince Street now--we'll give them a few minutes more, not too much, for word will be back to Albano's like wildfire, and they will get Gennaro after all. Ah, they are drinking again. What was that, Luigi? The money is all right, he says? Now, Vincenzo, out with the lights!"

A door banged open across the street, and four huge dark figures darted out in the direction of Albano's.

With his finger Kennedy pulled down the other switch and shouted: "Gennaro, this is Kennedy! To the street! _Polizia! Polizia!_"

A scuffle and a cry of surprise followed. A second voice, apparently from the bar, shouted, "Out with the lights, out with the lights!"

Bang! went a pistol, and another.

The dictagraph, which had been all sound a moment before, was as mute as a cigar-box.

"What's the matter?" I asked Kennedy, as he rushed past me.

"They have shot out the lights. My receiving instrument is destroyed. Come on, Jameson; Vincenzo, stay back if you don't want to appear in this."

A short figure rushed by me, faster even than I could go. It was the faithful Luigi.

In front of Albano's an exciting fight was going on. Shots were being fired wildly in the darkness, and heads were popping out of tenement windows on all sides. As Kennedy and I flung ourselves into the crowd we caught a glimpse of Gennaro, with blood streaming from a cut on his shoulder, struggling with a policeman while Luigi vainly was trying to interpose himself between them. A man, held by another policeman, was urging the first officer on. "That's the man," he was crying. "That's the kidnapper. I caught him."

In a moment Kennedy was behind him. "Paoli, you lie. You are the kidnapper. Seize him--he has the money on him. That other is Gennaro himself."

The policeman released the tenor, and both of them seized Paoli. The others were beating at the door, which was being frantically barricaded inside.

Just then a taxicab came swinging up the street. Three men jumped out and added their strength to those who were battering down Albano's barricade.

Gennaro, with a cry, leaped into the taxicab. Over his shoulder I could see a tangled mass of dark brown curls, and a childish voice lisped: "Why didn't you come for me, papa? The bad man told me if I waited in the yard you would come for me. But if I cried he said he would shoot me. And I waited, and waited--"

"There, there, 'Lina, papa's going to take you straight home to mother."

A crash followed as the door yielded, and the famous Paoli gang was in the hands of the law.

FOOTNOTE:

[Footnote A: Permission of the Author and Messrs. Harper & Brothers.]

III

THE BITER BIT

WILKIE COLLINS

_Extracted from the Correspondence of the London Police._

FROM CHIEF INSPECTOR THEAKSTONE, OF THE DETECTIVE POLICE, TO SERGEANT BULMER, OF THE SAME FORCE.

London, 4th July, 18--.

SERGEANT BULMER,--This is to inform you that you are wanted to assist in looking up a case of importance, which will require all the attention of an experienced member of the force. The matter of the robbery on which you are now engaged you will please to shift over to the young man who brings you this letter. You will tell him all the circumstances of the case, just as they stand; you will put him up to the progress you have made (if any) toward detecting the person or persons by whom the money has been stolen; and you will leave him to make the best he can of the matter now in your hands. He is to have the whole responsibility of the case, and the whole credit of his success if he brings it to a proper issue.

So much for the orders that I am desired to communicate to you.

A word in your ear, next, about this new man who is to take your place. His name is Matthew Sharpin, and he is to have the chance given him of dashing into our office at one jump--supposing he turns out strong enough to take it. You will naturally ask me how he comes by this privilege. I can only tell you that he has some uncommonly strong interest to back him in certain high quarters, which you and I had better not mention except under our breaths. He has been a lawyer's clerk, and he is wonderfully conceited in his opinion of himself, as well as mean and underhand to look at. According to his own account, he leaves his old trade and joins ours of his own free will and preference. You will no more believe that than I do. My notion is, that he has managed to ferret out some private information in connection with the affairs of one of his master's clients, which makes him rather an awkward customer to keep in the office for the future, and which, at the same time, gives him hold enough over his employer to make it dangerous to drive him into a corner by turning him away. I think the giving him this unheard-of chance among us is, in plain words, pretty much like giving him hush-money to keep him quiet. However that may be, Mr. Matthew Sharpin is to have the case now in your hands, and if he succeeds with it, he pokes his ugly nose into our office as sure as fate. I put you up to this, sergeant, so that you may not stand in your own light by giving the new man any cause to complain of you at headquarters, and remain yours,

FRANCIS THEAKSTONE.

FROM MR. MATTHEW SHARPIN TO CHIEF INSPECTOR THEAKSTONE.

London, 5th July, 18--.

DEAR SIR,--Having now been favoured with the necessary instructions from Sergeant Bulmer, I beg to remind you of certain directions which I have received relating to the report of my future proceedings which I am to prepare for examination at headquarters.

The object of my writing, and of your examining what I have written before you send it to the higher authorities, is, I am informed, to give me, as an untried hand, the benefit of your advice in case I want it (which I venture to think I shall not) at any stage of my proceedings. As the extraordinary circumstances of the case on which I am now engaged make it impossible for me to absent myself from the place where the robbery was committed until I have made some progress toward discovering the thief, I am necessarily precluded from consulting you personally. Hence the necessity of my writing down the various details, which might, perhaps, be better communicated by word of mouth. This, if I am not mistaken, is the position in which we are now placed. I state my own impressions on the subject in writing, in order that we may clearly understand each other at the outset; and have the honour to remain your obedient servant,

MATTHEW SHARPIN.

FROM CHIEF INSPECTOR THEAKSTONE TO MR. MATTHEW SHARPIN.

London, 5th July, 18--.

SIR,--You have begun by wasting time, ink, and paper. We both of us perfectly well knew the position we stood in toward each other when I sent you with my letter to Sergeant Bulmer. There was not the least need to repeat it in writing. Be so good as to employ your pen in future on the business actually in hand.

You have now three separate matters on which to write me. First, you have to draw up a statement of your instructions received from Sergeant Bulmer, in order to show us that nothing has escaped your memory, and that you are thoroughly acquainted with all the circumstances of the case which has been intrusted to you. Secondly, you are to inform me what it is you propose to do. Thirdly, you are to report every inch of your progress (if you make any) from day to day, and, if need be, from hour to hour as well. This is _your_ duty. As to what _my_ duty may be, when I want you to remind me of it, I will write and tell you so. In the mean time, I remain yours,

FRANCIS THEAKSTONE.

FROM MR. MATTHEW SHARPIN TO CHIEF INSPECTOR THEAKSTONE.

London, 6th July, 18--.

SIR,--You are rather an elderly person, and, as such, naturally inclined to be a little jealous of men like me, who are in the prime of their lives and their faculties. Under these circumstances, it is my duty to be considerate toward you, and not to bear too hardly on your small failings. I decline, therefore, altogether to take offense at the tone of your letter; I give you the full benefit of the natural generosity of my nature; I sponge the very existence of your surly communication out of my memory--in short, Chief Inspector Theakstone, I forgive you, and proceed to business.

My first duty is to draw up a full statement of the instructions I have received from Sergeant Bulmer. Here they are at your service, according to my version of them.

At number Thirteen Rutherford Street, Soho, there is a stationer's shop. It is kept by one Mr. Yatman. He is a married man, but has no family. Besides Mr. and Mrs. Yatman, the other inmates in the house are a lodger, a young single man named Jay, who occupies the front room on the second floor--a shopman, who sleeps in one of the attics, and a servant-of-all-work, whose bed is in the back kitchen. Once a week a charwoman comes to help this servant. These are all the persons who, on ordinary occasions, have means of access to the interior of the house, placed, as a matter of course, at their disposal.

Mr. Yatman has been in business for many years, carrying on his affairs prosperously enough to realize a handsome independence for a person in his position. Unfortunately for himself, he endeavoured to increase the amount of his property by speculating.

He ventured boldly in his investments; luck went against him; and rather less than two years ago he found himself a poor man again. All that was saved out of the wreck of his property was the sum of two hundred pounds.

Although Mr. Yatman did his best to meet his altered circumstances, by giving up many of the luxuries and comforts to which he and his wife had been accustomed, he found it impossible to retrench so far as to allow of putting by any money from the income produced by his shop. The business has been declining of late years, the cheap advertising stationers having done it injury with the public. Consequently, up to the last week, the only surplus property possessed by Mr. Yatman consisted of the two hundred pounds which had been recovered from the wreck of his fortune. This sum was placed as a deposit in a joint-stock bank of the highest possible character.