Master and Maid

Part 5

Chapter 54,229 wordsPublic domain

"In a house like 'this,'" said Lallie to herself, and made a face, "St. Bridget herself would lose patience, and I very much fear there's more than a spice of the devil in me. Anyway, I'm not going to freeze for twenty Miss Fosters; I'll get a cloak to cover me."

She ran upstairs and reappeared clad in a wonderful theatre coat of rose-coloured satin, embroidered in silver, a most incongruous garment considering the severe simplicity of her frock, but it appeared to give her great satisfaction; and again leaving the door wide open she seated herself "with an air" at the piano, and began to sing.

It was surprising that so small and slight a creature as Lallie could have such a big voice--a rich, carrying mezzo soprano voice; the sort of voice usually associated with the full-bosomed, substantially built women that one encounters on concert platforms or in grand opera.

Portali, the great singing-master in Paris to whom her father had taken her when she was seventeen, explained it thus:

"She sings as a bird sings, but she would never make a public singer. She hasn't the physique, she hasn't the industry; above all, she hasn't the temperament; but she can sing now as no amount of training could ever make her. Give her good lessons--occasionally--but only the best; never let any provincial teacher come near her. If she ever has a bad illness she'll probably lose her voice altogether, but if she only sings for pleasure--for her own, and yours, and that of the fortunate people thrown with her, never as a business--she may keep it till she is quite an old woman. Let her choose her own songs--Folk songs are what she can sing--but let her sing what she pleases; she will never go wrong. Let her keep her wild-bird voice; don't try to tame or train it too much."

Lallie began to sing very softly "Synnove's Lied"--the andante that is sung as if humming to one's self; then suddenly she let her voice go. "Oh to remember the happy hours!" Right through the house it rang, passionate, pathetic, pleading.

Tony leapt to his feet and opened his study door; at the same instant he heard some one prop open the swing door that shut off the study passage from his part of the house, and down the long corridor every door was opened.

"Our world was bounded by the garden trees, Then came the churchyard and the river."

The big, beautiful voice died down, and once more came the quaint humming refrain. Again--musical, intensely melancholy--the voice rang out.

"But now the garden is white with snow, At night I wait, I stand and shiver,"

sang Lallie most realistically, for the drawing-room really was rather cold.

"The place is frosty, the cold winds blow, Oh love, my love, but you come never."

Lallie sang in English, for she could not speak Norwegian, and every word was clearly enunciated and distinct; the soft humming refrain followed, and died away into silence.

"Heavens!" thought Tony, "the child is homesick alone in there with Miss Foster; she sounds cold too--this is dreadful!"

He hurried to the drawing-room, expecting to find Lallie in the tearful state her pathetic voice had indicated.

"I thought that would bring you," Lallie remarked complacently. "Come here, Tony, and admire my theatre coat Dad brought me from Paris."

Tony stood where he was, staring at the gorgeous little figure seated perkily on the piano stool; at the big cheerless room, with one electric light burning in dismal prominence over the piano; at the black and chilly hearth.

"Why in the name of all that's idiotic haven't you got a fire?" he asked angrily.

"In this house," Lallie replied, in Miss Foster's very tones, "we never have fires till the first of October."

Poor Tony looked very miserable.

"I am so sorry," he said helplessly; "you'd better come and sit in my study. I have a fire."

"It's I who ought to be sorry, Tony, worrying you like this. It was horrid of me to tell tales. No, I won't come and sit in your study, for that would only make her hate me the more. I'm not a bit cold in my beautiful coat, and I'll go on making music quite happily. Run away back to your little exercise books."

"Try not to take a dislike to Miss Foster at the very first, Lallie," Tony pleaded. "She's a good sort really; and perhaps I ought to have written to tell her you had come."

"It would have been better to break it to her gently," Lallie responded drily.

Tony crossed the room slowly, pausing on the threshold.

"I fear I must ask you to keep the door shut; the boys heard you singing, and instantly every study door was opened."

"Ah, the dears!" cried Lallie delighted. "Do let me have them all in, and I'll sing them something they'd really like."

Tony shook his head.

"They must do their work, and I must do mine. Mind, you are to come into the study if you are cold."

As Tony crossed the hall even the shut door could not drown the cheerful strains of that most jubilant of jigs, "Rory O'More," and he felt a wild impulse to dance a _pas seul_ there and then. However, he sternly fastened the swing door, shut himself into his study, and tried to forget the brilliant little rose-and-silver figure with the wistful Greuze face. Over his mantel-piece hung an engraving of "_La cruche cassée_," bought some years ago because of its likeness to Lallie. He shook his head at it now, turned his back upon it, and sat down at his table. Val, who liked music, went to the door and whined to get out, but Tony unsympathetically bade him get into his basket again, and gave his own attention to the bundles of white paper that Lallie had impertinently dubbed "little exercise books."

When Miss Foster returned Lallie was singing "All round my hat I will wear a green garland," and accompanying herself upon the harp. She finished the song and then went and sat beside Miss Foster on the sofa.

"You have a very strong voice, Miss Clonmell," Miss Foster remarked, gazing with astonished disfavour at the rose-and-silver garment.

"So I've always been told," said Lallie. "You see it has never been strained."

"Did you say trained or strained?"

Lallie laughed.

"Oh, it's plenty of training it's had, but perhaps I haven't profited as much as I might have done. Are you fond of music, Miss Foster?"

"I can't say that I am. I dislike every sort of loud music, and all stringed instruments seem to me so very thrummy."

To this Lallie made no reply, but took her roll of lace out of her bag and began to work in perfect silence. Miss Foster picked up the _Spectator_ and tried to read it, but could not concentrate her attention. Against her will she was forced to glance from time to time at the quiet figure beside her; at the deft white hands that moved so swiftly and silently; at the beautiful work that grew so fast beneath their ministrations. Like Tony, Lallie's silence irritated her. If only the girl had chattered she would have had a grievance.

"You were out with Mrs. Wentworth this afternoon, I think you said?" Miss Foster remarked at last.

"Yes, Miss Foster; she took me to see Pris and Prue at their dancing. Oh, it was lovely! Pris is just like a big soft india-rubber ball, and bounds up and down in perfect time, and looks the incarnation of gleeful enjoyment. And then Mrs. Wentworth insisted on my going back to tea with her, for they were arranging about the Musical Society, and she thought I might help. The organist is a nice man! That's how it was I couldn't be here to welcome you."

"The practises are a great nuisance," Miss Foster said. "The boys have so much to do, it really is not fair to make them practise in their scanty playtime."

"But music's good for them," argued Lallie; "and it's not a mental strain."

"Of that I am by no means sure. If you will excuse me, Miss Clonmell, I think I will retire, for I've had rather a tiring day."

Miss Foster rose, Lallie folded her work neatly and put it in her bag. She went and shut the piano and came back and shook hands with her hostess.

"Good-night, Miss Foster. I may be a minute after you, for I promised Mr. Bevan I'd go and say good-night to him in the study;" and before Miss Foster could recover from her amazement at this audacious statement Lallie had vanished.

"She's worse than anything I ever dreamt of," poor Miss Foster lamented to herself; "and I fear she's a fixture for the present; anyway, we shall see."

*CHAPTER VIII*

As Lallie was late for breakfast Tony only saw her for a few minutes before he had to go to College. He did not get back to the house again till nearly lunch time, when he met her at the front door, radiant, smiling, her arms full of books.

"See, Tony!" she exclaimed joyously. "I've been into the town--such a pretty town it is too, with a band playing in the promenade and all. And I found a library, and I've paid my subscription for three months; three volumes at a time; and I've chosen three books, and here they are!"

Tony followed her into the hall and Lallie held up the books, backs outwards, for his inspection.

"How did you choose them?" he asked.

"Well, I chose this one because there was such a pretty lady in the front, and I liked the cover. And I chose this one because I've read other books by the same author, and liked them. And I chose this one because the very nice lady at the library pressed it upon me and said it was 'being very much read.'

"Only one good reason, Lallie, out of the three. I'm afraid that pretty cover, with the pretty lady inside, is misleading. I, in my character of chaperon----"

"As Uncle Emileen, you mean, Tony?"

"Exactly so. I, in my character of Uncle Emileen, must veto that one, though I haven't read it myself. I'm pretty sure your father wouldn't like it."

"I'm quite sure he wouldn't, if you say so. He's awfully particular, is Dad; but he's particular in a funny sort of way. He'll let me read things that would make the hair of the entire Emileen family stand straight on end--if only they are sincere and well written; and then again, he falls foul of wishy-washy novels that Aunt Emileen would consider quite harmless."

"I don't think he would consider this either well-written or sincere, so you'd better give it to me."

"Dad says 'tis women mostly who write the dirty books--what a pity! But I think he must be wrong, don't you, Tony?"

Tony shook his head mournfully.

"A great pity," he repeated.

"I expect they do it just for the fun of shocking people. I like doing that myself."

"I've no doubt of it. All the same, I hope you'll choose some other method of scandalising society; and you'd better hand that particular volume over to me."

"And here have I walked all the way up from the town, fondly clasping that pernicious volume--Aunt Emileen's phrase, not mine--and lots of people stared hard at me, and I thought it was my nice new hat they were admiring. Here, take it, Tony, and you can come with me to return it, and then they'll think I got it for you, you old sinner."

Tony glanced nervously around lest there should be any eavesdropper to hear him called an "old sinner"; but the doors were all shut and the hall empty.

"Certainly I'll come with you to-morrow; I couldn't possibly come to-day, I was so busy. Why are you always in such a hurry, Lallie? I subscribe to that library; no one ever gets out any books except Miss Foster; and there you go paying another subscription. What waste! And why did you go by yourself?"

"And who was there to go with, pray? P--Mr. Johns was in College. You were in College. I don't know where Mrs. Wentworth was, but anyway I didn't meet her."

"What about Miss Foster?"

"Miss Foster went out while I was practising, and when she came in, I went out. Sort of 'Box and Cox,' you know."

"Try and go with Miss Foster to-morrow, Lallie, it would be so much better."

Lallie had already started to go upstairs; she paused about six steps up and leant over the banisters to look at Tony, exclaiming reproachfully:

"But you promised you'd go with me yourself to-morrow!"

"So I will, but other days--remember."

Lallie went up three more steps, and again paused and looked down.

"For a dear, kind, nice, middle-aged man, Tony, you're rather obtuse," she said. And with this cryptic speech she ran up the whole flight of stairs and vanished from his sight.

What could the child mean?

Lallie had made up her mind overnight that she would not bother Tony with any complaints about Miss Foster, so she did not tell him that directly after breakfast that lady had suggested to her that she should practise "while I am out of the house." Nor had Miss Foster made any suggestion that Lallie should accompany her during her morning's shopping. When Miss Foster came in, Lallie went out; and having in the meantime come to the conclusion that she must find amusement for herself and in no way depend upon her hostess, she found her way into the town and to the library.

By the end of a week Miss Foster had made it abundantly clear to every one concerned, except the busy and optimistic master of the house, that she felt no desire whatever for the society of Lallie Clonmell.

By mutual consent they kept out of each other's way as far as was possible. Miss Foster took every opportunity of letting Lallie see that she had no intention of acting the part of Aunt Emileen towards her; and whatever Tony might be, Lallie was not obtuse. Subtly, but none the less unmistakably, did Miss Foster impress upon her that to be the chaperon of stray young ladies did not come within the scope of the duties which she had undertaken to fulfil at B. House. She never offered to take the girl anywhere except to chapel or to the football field, where it was practically impossible that they should go separately. Moreover, Miss Foster considered it a real grievance that during the services in chapel, Lallie persisted in singing psalms, canticles, and hymns with her usual _brio_ and enthusiasm; and the wonderfully sweet, full voice caused many upward glances at the gallery reserved for the masters' families.

Lallie had philosophically determined to make the best of a difficult situation; but like that friend of Dr. Johnson, who "would have been a philosopher but that cheerfulness kept breaking in," so, in her case, cheerfulness made extraordinarily frequent irruptions in the shape of the older boys and younger masters to an extent that sometimes threatened to be indecorously hilarious.

Not once had Miss Foster invited Lallie to accompany her when she went shopping in the morning. In fact, her daily suggestion after breakfast that her guest should "get her practising over before lunch" had become a sort of ritual. Thus it came about that Lallie took to going out by herself between twelve and one, the fashionable hour for promenading in Hamchester; and invariably her steps were bent towards the very promenade she had so admired on her first visit to the library.

Tony, who generally played fives or coached football teams after morning school until lunch time, was under the impression that she was safe in Miss Foster's care; nor had he the remotest idea that Fitzroy Clonmell's cherished only daughter, who had never in her life before walked unattended in the streets of a town, tripped off alone every morning to sun herself in the famous Hamchester promenade, where the band plays daily and the idle and well-dressed inhabitants walk up and down, gossip, or flirt as best pleases them.

The promenade at Hamchester is a long, straight street; very wide, possessed of a really fine avenue of trees, with shops on one side, and on the other public gardens and a terrace of tall Georgian dwelling-houses. The library made an excellent object for Lallie's daily walk, and if she reached the promenade unattended, she was not long permitted to stroll along in mournful solitude. Before she had been three weeks in Hamchester she knew every prefect in the whole alphabet of College houses, and for prefects, the promenade was not out of bounds.

The gallant Cripps, no longer in quarantine, often found his way thither, to the despair of the fives-playing community. Berry, head prefect of B. House, had strained a muscle in his shoulder, and was off games for the time being, and he also fell in with Lallie with surprising frequency; and if it so happened that no boys she knew were "down town" between twelve and one, "young Nick" was almost certain to fly into town on a bicycle, which he recklessly left outside a shop while he walked up and down, and discussed the Celtic Renaissance or more frivolous topics with this sweet-voiced, frank, and friendly Irish maid.

From the very beginning Mrs. Wentworth had done her best for Lallie in the way of asking her to lunch and to tea, but she had a houseful of visitors during the girl's first weeks under Tony Bevan's roof, and had really very little time for outsiders. She had gauged pretty accurately Miss Foster's mental attitude towards Lallie; but when Miss Foster declared to her that she "accepted no responsibility whatever with regard to Miss Clonmell," little Mrs. Wentworth thought that this was only "Miss Foster's way"; and never dreamt that the lady could or would evade a relationship towards her young guest that seemed natural and inevitable.

Therefore it came upon Mrs. Wentworth with quite a shock when three mornings running in succession, while doing the ever-necessary shopping, she came upon Lallie leisurely strolling up and down the promenade, a tall youth on either side of her, all three manifestly with no sort of object in their stroll except the society of one another; and wherever Lallie was, "cheerfulness kept breaking in": in this case the attendant swains laughed with a heartiness and vigour that caused most passers-by to regard the trio attentively. Small and upright; clad in an admirably fitting suit of Lincoln green--she was very fond of green--with trim short skirt that liberally displayed her slim ankles and very pretty feet, she would have been noticeable even without her hilarious escort; and Mrs. Wentworth, whose motherliness in no way stopped short at Pris and Prue, acted promptly and without hesitation.

From the steps of a shop she watched the gay green figure and attendant swains pass, walk to the end of the avenue, turn and come back again, when Mrs. Wentworth descended into the arena and met Lallie face to face.

"Lallie, how fortunate! You are the very person I most wanted at this moment. How do you do, Mr. Berry! I hope your shoulder is less painful? Good morning, Mr. Cripps. Lallie, do come with me and help me to choose linen for the children's smocks. You have such a good eye for colour."

Lallie dismissed her companions with a cheerfully decided "Don't wait for me, either of you; I'll be ages. And I want to walk home with Mrs. Wentworth."

The two ladies vanished into a shop, and Cripps and Berry were left outside, looking rather foolish and disconsolate.

"D'you think she cut in on purpose?" asked Cripps.

"Highly probable," said Berry. "I thought this sort of game was a bit too hot to last. I confess I've often wondered Germs or old Bruiser didn't put a stop to it." "Germs" was Miss Foster's nickname amongst the boys.

"Germs hates her; any one can see that."

"All the more reason for her to interfere on every possible occasion, I should have thought."

"My dear chap," said Berry in superior tones, "you only perceive the obvious. I confess I can't make out Germs. She's anxious enough to interfere as a rule, but about Miss Clonmell, I'm hanged if I can see what she's playing at. It's a deep game, anyhow. She'd give her eyes to get rid of her; I'd stake my oath on that. Poor little girl! It must be jolly dull shut up all day with old Germs. However, we'll continue to do our best for her, anyhow."

"I jolly well shall," said Cripps, and he said it with the air of one who registers a solemn vow.

Mrs. Wentworth and Lallie chose the linen for the smocks: light blue, the colour of her eyes, for Pris, dark blue for Prue; and Lallie's favourite green for Punch. She insisted on being allowed to make the one for Punch herself, and was so keenly interested and absorbed by the whole affair that Mrs. Wentworth found it very hard to broach the subject she had most at heart. The girl was so frankly affectionate, so manifestly delighted to be with her friend again, that the kindly lady suffered pangs of self-reproach that she had not made time somehow to see more of her. In considering young people generally, Mrs. Wentworth was in the habit of saying to herself, "Suppose it were Pris or Prue"; and it was marvellous how lenient in her judgment this supposition always made her.

As they left the town behind them and reached the quiet road leading to B. House, she took the bull by the horns, saying:

"Lallie, dear, do you think your father would like you to walk up and down the promenade all alone at the very busiest time?"

"But I'm hardly ever alone, dear Mrs. Wentworth. I may say never. I always meet one or two of the boys or somebody, and we walk up and down together."

Lallie so evidently considered her explanation entirely satisfactory, and turned a face of such guileless innocence and affection towards her mentor, that Mrs. Wentworth found it difficult to go on with her sermon. However, she steeled her heart and continued:

"That's just it, my dear; I fear he wouldn't like it at all."

"Not like me walking with the boys? Oh, you're really quite wrong there; he _meant_ me to be friends with the boys, that's why he sent me to Tony. He thinks all the world of the boys, and I agree with him; such a dear nice set they are. Don't you think so yourself, Mrs. Wentworth?"

"I do, I do, indeed," Mrs. Wentworth heartily assented; "but--the promenade of a large town is not quite the proper place for you to meet the boys, and I am sure that there your father would agree with me."

"Would you rather I walked with them in the country roads? I'm quite willing. I'm by no means wedded to the promenade. The trombone in the band played rather out of tune to-day, and it jarred me dreadfully. We'll go into the country next time."

"No, no, that wouldn't do at all. Lallie, I'm afraid--I'm very much afraid--that you oughtn't to walk about with the boys at all unless I or Miss Foster or Mr. Bevan can be with you."

"Dear Mrs. Wentworth, would you rather I went about with the young masters?" Lallie asked sweetly. "They've really got more time, and I like them nearly as well. I'll tell one of them to come country walks with me if you prefer it."

"Certainly not," Mrs. Wentworth said decidedly. "You mustn't do that on any account----"

"Then where am I to walk?" Lallie interrupted piteously. "Round and round the College field? And it's often so wet. I must get some exercise."

"Of course you must," Mrs. Wentworth concurred heartily. "You must come out with me; and sometimes, perhaps, you'll take out the children: they love you so dearly. But what you must not do--I really mean it--is to walk up and down that promenade as you were doing to-day"--Mrs. Wentworth said nothing about the other days--"because, rightly, or wrongly, the nicest girls here don't do it; and as you are so very nice I can't let you. Lallie I don't want to be interfering and tiresome, but don't you think it would look better--it would at all events be natural and right as you are both in the same house--if you sometimes went about with Miss Foster?"

Lallie sighed deeply.

"I was in quarantine when I came," she said, "and it seems to me that I've never got rid of the infection. But I'll try to do as you say, for you're a dear darling and I love you; but it seems to me that unless I can hire an aeroplane and go up alone in that, I'm certain to meet somebody, and they always turn and go back with me."

*CHAPTER IX*