Margaret Sanger: an autobiography.
Part 6
Some time later I heard dimly through my sleep a pounding, and woke to realize it was the German maid at the door, crying, “Madam. Come! Fire in the big stove!”
We jumped out of bed. Acrid smoke was in our nostrils, and we were swept by the horror of fire by night. Bill shouted to me, “Get right out! I’ve got to give the alarm.”
Away he rushed in his pajamas; there was no telephone within half a mile. I seized Stuart from his crib, bedclothes and all. This took only a few seconds, but the kitchen was already ablaze and flames were leaping up the staircase. I pulled the blanket over his head and started cautiously down, hugging the outer side. The blistering treads crunched as they gave under my feet, but did not collapse until I had reached the smoke-filled library.
The family across the street welcomed us in. When I had tucked Stuart into an impromptu bed I went to watch. Not merely was the fire engine trying to get up the icy hill, two steps forward and one back, but the whole village was accompanying it to help organize a bucket brigade.
The clouds had cleared and the bright moon was shining on the strange scene. The weather had turned much colder, and the rain had frozen into crystals which glittered on the branches of trees and shrubbery. It was unbelievably fantastic, and in that unreal setting the flames, as though directed by devilish intent, spurted only through our prized rose window. I stood silently regarding the result of months of work and love slowly disintegrate. Petal by petal it succumbed to the licking tongues of fire; one by one they fell into the gray-white snow. Fitting them together had taken so long; now relentlessly they were being pulled apart. A thing of beauty had perished in a few moments.
It was as though a chapter of my life had been brought to a close, and I was neither disappointed nor regretful. On the contrary, I was conscious of a certain relief, of a burden lifted. In that instant I learned the lesson of the futility of material substances. Of what great importance were they spiritually if they could go so quickly? Pains, thirsts, heartaches could be put into the creation of something external which in one sweep could be taken from you. With the destruction of the window, my scale of suburban values was consumed. I could never again pin my faith on concrete things; I must build on myself alone. I hoped I should continue to have lovely objects around me, but I could also be happy without them.
The next day was filled with neighbors coming to condole and offer help, and with insurance adjusters peering about and questioning. They found the too-heavy fire in the furnace had overheated the pipes around which the asbestos had not yet been wrapped. We lost a good deal because, although the house was covered, the insurance on the furniture had not been shifted to its new location, and, moreover, many of our possessions were irreplaceable, their worth having lain in the sentiment attached to them.
A personal catastrophe may in the end prove to be a public benefit. People in the community are brought together in sympathy, and learn by the experience of others how to protect themselves. After our mischance every householder in Columbia Colony began to look to his furnace and insure his home.
Our walls were fireproof, and much of the house could be saved, but it was really more disheartening than complete demolition would have been, for in the latter case we could have started to rebuild from the beginning. I admired Bill greatly for the resolute way he set about the painful business again. He went over every inch, here saying, “This board is all right,” and there tearing out black pieces of charred wood. It was a dirty job, but he stuck to it. Nevertheless, paint and stain as we would, we could not quite get rid of the unmistakable and ineradicable odor which clings around a burned building, almost like the smell of death.
Next summer we moved in once more. But the house was never the same. Never could I recapture that first flush of joy.
Grant, my second son, was born almost immediately. I loved having a baby to tend again, and wanted at least four more as quickly as my health would permit. I could not wait another five years. I yearned especially for a daughter, and twenty months later my wish came true. After Peggy’s birth, the doctor went downstairs and saw Bill sitting in the library with Grant in his arms and tears welling from his eyes.
“Why, what’s the matter? There’s a nice little girl upstairs.”
“I’m thinking of this poor little boy. Margaret has wanted a girl so long—now she’ll have no room in her heart for him.”
Bill’s fears were groundless. Grant was not supplanted, but Peggy was so satisfactory a baby that I was not particularly disappointed when my illness cropped up again and the doctor said my family must end at this point. I was quite content with things as they were.
Even as a little fellow, the sandy-haired, square-built Stuart was practical, loved sports, and had a reasoning, logical mind, always experimenting with life as well as with mechanical things. A thorough Higgins, he had to find out for himself and prove it. He used to stamp and scold when presented with a chore, such as mowing the lawn or bringing in wood for the fireplaces, but his rebellions were brief, and, when he realized the inevitable, he turned it into a game. “Come on over,” he hailed his friends. “We’ve lots to do. Let’s get to it! We’re going to have great fun.”
The other boys, taken in by his enthusiastic invitations, also believed that mowing the lawn or bringing in wood were among the best games invented.
Grant was more self-conscious than Stuart, and more inarticulate, but more affectionate. He followed the baby Peggy slavishly. They were usually hand in hand, and Grant’s darkness contrasted with her bright, blond hair. From the time she could talk they referred to themselves as “we.” Peggy was the most independent child I have ever seen. At three she knew what she wanted and where she was going. She was vivacious, mischievous, laughing—the embodiment of all my hopes in a daughter.
Stuart typified the scientist, Grant the artist, Peggy the doer. It was maternally gratifying to wonder whether they would carry out these propensities in their later lives.
I enjoyed my literary activities along with my children, and Bill encouraged me. “You go ahead and finish your writing. I’ll get the dinner and wash the dishes.” And what is more he did it, drawing the shades, however, so that nobody could see him. He thought I should make a career of it instead of limiting myself to small-town interests.
Both Bill and I were feeling what amounted to a world hunger, the pull and haul towards wider horizons. For him Paris was still over the next hill. I was not able to express my discontent with the futility of my present course, but after my experience as a nurse with fundamentals this quiet withdrawal into the tame domesticity of the pretty riverside settlement seemed to be bordering on stagnation. I felt as though we had drifted into a swamp, but we would not wait for the tide to set us free.
It was hopeless to emphasize the importance of practical necessities to an artist, and consequently I decided to resume nursing in order to earn my share. We had spent years building our home and used it only for a brief while. I was glad to leave when, in one of our financial doldrums, we plunged back into the rushing stream of New York life.
_Chapter Six_
FANATICS OF THEIR PURE IDEALS
We took an apartment way uptown. It was the old-fashioned railroad type—big, high-ceilinged, with plenty of room, air, and light. The children’s grandmother came to live with us and her presence gave me ease of mind when I was called on a case; my children were utterly safe in her care.
Headlong we dived into one of the most interesting phases of life the United States has ever seen. Radicalism in manners, art, industry, morals, politics was effervescing, and the lid was about to blow off in the Great War. John Spargo, an authority on Karl Marx, had translated _Das Kapital_ into English, thus giving impetus to Socialism. Lincoln Steffens had published _The Shame of the Cities_, George Fitzpatrick had produced _War, What For?_, a strange and wonderful arraignment of capitalism, which sold thousands of copies.
The names of Cézanne, Matisse, and Picasso first became familiar sounds on this side of the Atlantic at the time of the notable Armory Exhibition, when outstanding examples of impressionist and cubist painting were imported from Europe. But there was so much of eccentricity—a leg on top of a head, a hat on a foot, the _Nude Descending a Staircase_, all in the name of art—that you had to close one eye to look at it. The Armory vibrated; it shook New York.
Although Bill had studied according to the old school, he could see the point of view of the radical in art, and in politics as well. His attitude towards the underdog was much like father’s. He had always been a Socialist, although not active, and held his friend Eugene V. Debs in high esteem.
A religion without a name was spreading over the country. The converts were liberals, Socialists, anarchists, revolutionists of all shades. They were as fixed in their faith in the coming revolution as ever any Primitive Christian in the immediate establishment of the Kingdom of God. Some could even predict the exact date of its advent.
At one end of the scale of rebels and scoffers were the “pink” parliamentarian socialists and theorists at whom anarchists hurled the insult “bourgeois.” At the other were the Industrial Workers of the World, the “Wobblies,” advocating unionization of the whole industry rather than the craft or trade. This was to be brought about, if need be, by direct action.
Almost without knowing it you became a “comrade.” You could either belong to a group that believed civilization was to be saved by the vote and by protective legislation, or go further to the left and believe with the anarchists in the integrity of the individual, and that it was possible to develop human character to the point where laws and police were unnecessary.
The mental stirring was such as to make a near Renaissance. Everybody was writing on the nebulous “new liberties.” Practically always people could be found to support leaders or magazines, although many of the latter lived for hardly more than a single issue.
Upton Sinclair was utilizing his gift for vivid expression and righteous wrath in trying to correct social abuses by the indirect but highly effective method of story-telling. _The Jungle_ was a powerful exposé of the capitalist meat industry responsible for the “embalmed beef” which had poisoned American soldiers in ’98. Courageous as he was, he was yet mistrusted by the Socialist Old Guard as being a Silk Hat Radical who retained his bourgeois philosophy. Furthermore, he had been divorced, and divorce at that time was something of a scandal. Though anarchists minded such details not a whit, Socialists were imbued with all the respectabilities; to most of these home-loving Germans, only the form of government needed change.
In the United States the party was trying to separate itself from this German influence, and the standard bearer of the American concept was the magnetic and beloved Debs. Not himself an intellectual, he did not need to be; he was intelligent. Risen as he had from the ranks of the railroad workers, he knew their hardships from experience. Though I am not sure he actually was tall, he gave the illusion of height because of his thinness and stooping shoulders. He was all flame, like a fire spirit. That was probably why the members of his coterie followed him so gladly.
Our living room became a gathering place where liberals, anarchists, Socialists, and I.W.W.’s could meet. These vehement individualists had to have an audience, preferably a small, intimate one. They really came to see Bill; I made the cocoa. I used to listen in, not at all sure my opinions would be accepted by this very superior group. When I did meekly venture something, I was quite likely to find myself on the opposite side—right in a left crowd and vice versa.
Any evening you might find visitors from the Middle West being aroused by Jack Reed, bullied by Bill Haywood, led softly towards anarchist thought by Alexander Berkman. When throats grew dry and the flood of oratory waned, someone went out for hamburger sandwiches, hot dogs, and beer, paid for by all. The luxuriousness of the midnight repast depended upon the collection of coins tossed into the middle of the table, which consisted of about what everybody had in his pocket. These considerate friends never imposed a burden either of extra work or extra expense. In the kitchen everyone sliced, buttered, opened cans. As soon as all were replenished, the conversation was resumed practically where it had left off.
Both right-wingers and left-wingers who ordinarily objected to those in between loved Jack Reed, the master reporter just out of Harvard. He refused to conform to the rule and rote of either, though his natural inclination appeared to be more in harmony with direct action.
Behind this most highly intellectual young man loomed an uncouth, stumbling, one-eyed giant with an enormous head which he tended to hold on one side. Big Bill Haywood looked like a bull about to plunge into an arena. He seemed always glancing warily this way and that with his one eye, head slightly turned as though to get the view of you. His great voice boomed; his speech was crude and so were his manners; his philosophy was that of the mining camps, where he had spent his life. But I soon found out that for gentleness and sympathy he had not his equal. He was blunt because he was simple and direct. Though he was not tailor-made, he was custom-made.
Because Big Bill’s well-wishers saw so much that was fine in him, they wanted to smooth off the jagged edges. When they tried to polish his speeches, Jack Reed objected, saying, “Give him a free hand. He expresses what you and I think much more dramatically than we can. Don’t try to stop him! We should encourage him.”
One of Big Bill’s best friends, Jessie Ashley, was, without meaning to be, a taming influence. These two were the oddest combination in the world—old Bill with his one eye, stubby, roughened fingernails, uncreased trousers, and shoddy clothes for which he refused to pay more than the minimum; Jessie with Boston accent and horn-rimmed glasses, a compromise between spectacles and lorgnette, from which dangled a black ribbon, the ultimate word in eccentric decoration.
Jessie was one of the most conspicuous of the many men and women of long pedigree who were revolting against family tradition. She was the daughter of the President of the New York School of Law, and sister of its dean. When her brother had organized the first women’s law class, she had been his pupil and later had become the first woman lawyer in New York City. Her peculiarly honest mind was tolerant towards others, but uncompromising towards herself. It was said of her truly that she was always in the forefront when it took courage to be there; always in the background when there was credit to be gained. A Socialist in practice as well as theory, she spent large portions of her income in getting radicals out of jail, and her own legal experience she gave freely in their behalf. Nevertheless, her appearances at strike meetings were slightly uncomfortable; class tension rose up in waves.
Many others were trying to pull themselves out of the rut of tradition. Alexander Berkman, the gentle anarchist, understood them all. He had just been freed after fourteen years’ imprisonment for his attempt to assassinate Henry Clay Frick during the Homestead Steel strike of 1892. His emergence had stirred anarchism up again, and particularly its credo of pure individualism—to stand on your own and be yourself, never to have one person dictate to another, even parent to child.
Berkman’s appearance belied his reputation—blond, blue-eyed, slightly built, with thinnish hair, and sensitive, mobile face and hands. He was a thoughtful ascetic, believing sincerely that the quickest way to focus attention on social outrages was to commit some dramatic act, however violent or antipathetic it might be to his nature—and then suffer the consequences. He was not at all embittered by his sojourn in jail, and had a great sense of humor, coupled with his most extraordinary understanding of the strange congeries of people who were about to be melted down into his glowing crucible of truth.
Elizabeth Gurley Flynn had made the transition from Catholicism, Jack Reed from being a “Harvard man,” Mabel Dodge from being a society matron. They all had had to get over being class conscious, and acquire instead the consciousness of the class struggle. Berkman made friends with all, and when they were faced by problems apparently insurmountable, he advised them on their spiritual journey, and supported and backed them. For this reason he was beloved by all who encountered his most gracious charm.
This was not the way of Emma Goldman, whose habit was to berate and lash with the language of scorn. She was never satisfied until people had arrived at her own doorstep and accepted the dogma she had woven for herself. Short, stocky, even stout, a true Russian peasant type, her figure indicated strength of body and strength of character, and this impression was enhanced by her firm step and reliant walk. Though I disliked both her ideas and her methods I admired her; she was really like a spring house-cleaning to the sloppy thinking of the average American. Our Government suffered in the estimation of the liberal world when she and Berkman were expelled from the country.
Of all the strange places for these diverse personalities to meet, none more strange could have been found than in Mabel Dodge’s salon, which burst upon New York like a rocket. Mabel belonged to one of the old families of Buffalo, but neither in thought nor action was she orthodox. Only in the luxurious appointments of her home did she conform.
Among the sights and memories I shall never forget were her famous soirées at Ninth Street and Fifth Avenue. A certain one typical of all the others comes to mind; the whole gamut of liberalism had collected in her spacious drawing-room before an open fire. Cross-legged on the floor, in the best Bohemian tradition, were Wobblies with uncut hair, unshaven faces, leaning against valuable draperies. Their clothes may have been unkempt, but their eyes were ablaze with interest and intelligence. Each knew his own side of the subject as well as any scholar. You had to inform yourself to be in the liberal movement. Ideas were respected, but you had to back them up with facts. Expressions of mere emotion, unleashed from reason, could not be let loose to wander about.
Listener more than talker, Mabel sat near the hearth, brown bangs outlining a white face, simply gowned in velvet, beautifully arched foot beating the air. For two hours I watched fascinatedly that silken ankle never ceasing its violent agitation.
The topic of conversation turned out to be direct action. Big Bill was the figure of the evening, but everybody was looking for an opportunity to talk. Each believed he had a key to the gates of Heaven; each was trying to convert the others. It could not exactly have been called a debate, because a single person held the floor as long as he could. Then, at one of his most effective periods, somebody else half rose and interposed a “But—” The speaker hurried on; at his next telling sentence came other “But—s,” until finally he was downed by the weight of interruptions. In the end, conversions were nil; all were convinced beforehand either for or against, and I never knew them to shift ground.
It is not hard to laugh about it now, but nobody could have been more serious and determined than we were in those days.
Just before the argument reached the stage of fist fights, the big doors were thrown open and the butler announced, “Madam, supper is served.” Many of the boys had never heard those words, but one and all jumped up with alacrity from the floor and discussion was, for the moment at least, postponed. The wide, generous table in the dining room was burdened with beef, cold turkey, hot ham—hearty meat for hungry souls. On a side table were pitchers of lemonade, siphons, bottles of rye and Scotch.
Mabel never stirred while the banquet raged, but continued to sit, her foot still beating the air, and talked with the few who did not choose to eat.
The class contrasts encountered in a gathering there were not unique. They were to be found elsewhere, even in matrimony. When the wealthy J. G. Phelps Stokes married Rose Pastor, the Russian-Jewish cigar maker, both families felt equally outraged; he was practically sent to Coventry by his former associates and the Jews regarded her as a renegade because she wore a silver cross about her neck. William English Walling, the last word in Newport, married Anna Strunsky, the last word in the Jewish intelligentsia, and himself became a leading literary critic on the radical side.
Harvard had been turning out liberals by the dozen, and all of them were playing hob with accepted conventions in thought. One of these was Walter Lippmann, others were Norman Hapgood and his brother, Hutchins. “Hutch” was then working on the _Globe_, a paper which because of its broad editorial policy was preferred by many radicals to the _Call_. He stood by Bill Haywood and Emma Goldman, although he had much more to lose economically and socially than the out-and-out reds.
The anarchists seldom initiated anything, because they did not have the personnel or the equipment, but when something else was started which appeared to have any good in it, they came right in. This they did with the Ferrer School on Twelfth Street near Fourth Avenue, in the founding of which Hutch, with the liberal journalist, Leonard Abbott, and the author, Manuel Komroff, were moving spirits. The object was to provide a form of education more progressive than that offered by the public schools, and its name was intended to perpetuate the memory of the recently martyred Spanish libertarian, Francisco Ferrer, who had established modern free schools in Spain in which science and evolution had been taught.
Lola Ridge, intense rebel from Australia, was the organizing secretary, Robert Henri and George Bellows gave lessons in art, and a young man named Will Durant was chosen to direct the younger children, combining in his teaching Froebel, Montessori, and other new methods. Under him we enrolled Stuart.
Will Durant was of French-Canadian ancestry. His mother had worked hard to put him through a Jesuit seminary, but just before taking the vows he had abandoned the priesthood. While he had been studying he had read Krafft-Ebing and Havelock Ellis and was prepared to acquaint New York with the facts of sex psychology. Sitting nonchalantly to deliver his lectures, which evidenced scholarly background and research, he advanced to his small but serious audience practically the first public expression of this intimate subject.
The young instructor created rather a problem for the directors by unexpectedly marrying a pupil, Ida Kaufman, commonly called Puck. I remember one Saturday when she was romping with Stuart, and my laundress said to her, “Why, you’re so young to be married. Do you like it?”
Puck replied, “Oh, I don’t care, but I’d much rather play marbles.”