Madame Flirt A Romance of 'The Beggar's Opera'

Chapter 18

Chapter 182,574 wordsPublic domain

"SOME DAY YOU'LL BE THE TALK OF THE TOWN"

As the two paced up and down in front of the playhouse Lavinia told the actor the whole story. Spiller smiled indulgently at the love portion of the narrative, but was impressed by the test Lavinia had gone through at Pope's Villa and by Gay's belief in her future.

In Spiller's opinion there was no reason why Lavinia should not succeed as a comedy actress. Her want of experience was nothing. Her natural vivacity and intelligence were everything. Experience would soon come. What actress who in those days became celebrated had had much training before she went on the boards? Where was the opportunity with but four theatres in London and one of them devoted to opera?

People were still living who could remember Kynaston the beautiful youth as the sole representative of women's parts before actresses were known on the stage. Nell Gwynne came from the gutter, and Nance Oldfield from a public house in St. James's Market. Mrs. Barry had possibly had some training under Davenant, who secured her an engagement, and she was at first a failure. She was destined for tragedy and tragic actresses are not made in five minutes, but comedy demanded little more than inborn sprightliness and high spirits. Lavinia had both, and she could sing.

Spiller, comedian as he was, possessed what we now call the artistic temperament. He was not contented with the mannerisms which provoke a laugh and because they never vary--the characteristic of many comedians who like to be recognised and applauded directly they step upon the stage. Spiller bestowed the greatest pains upon his "make up", and so identified himself with the part he was playing as completely to lose his own personality, and bewildered his audience as to whether he was their favourite they were applauding. He had the art of acting at his fingers' ends.

"Child," said he when Lavinia had finished, "Mr. Gay and Dr. Pepusch did not mistake. You've but to observe and work and some day you'll be the talk of the town."

"Do you really mean that, Mr. Spiller?"

The girl's voice was tremulous with delight. Spiller's praise was of greater value than Gay's. He was an actor and knew.

"I shouldn't say so if I didn't. I mustn't lose sight of you. A pity you'll be staying at Hampstead. I'd like to take you to Mr. Rich. You ought to be near at hand."

"But I don't want to go to Hampstead. I hate the very notion," cried Lavinia breathlessly. "If I could only find a lodging in town!"

"That might be managed. There are lodgings to be had in the house in Little Queen Street where Mrs. Egleton lives. But have you any money?"

"Enough to keep me for a week. Maybe Mr. Rich would find something for me to do. I can dance as well as sing."

"I'll warrant you, but John Rich does all the dancing himself, and as for singing--he doesn't think much of it. But we'll see. Wouldn't your friend the duchess help you?"

"I don't know. I'm afraid I'm out of her grace's favour," said Lavinia dolefully. "Besides, she might want to send me back to Queen Square. Lud, I couldn't bear that. Miss Pinwell wouldn't have me, though," she added in a tone of relief.

"I'll wager she wouldn't," said Spiller dryly. "She'd be in mortal fear of the whole of her young ladies following your example and running away with the town sparks. Well, we'll see what can be done for you, Polly, though I fear me I'm going to have a sad pickle on my hands."

"Oh, pray don't say that, Mr. Spiller. What's happened was not my doing."

"Of course not. But let us to Little Queen Street. If Mrs. Egleton is in the mood she may be of use to you. But take care not to ruffle her plumes. You've heard of her I doubt not?"

"Oh, yes. I saw her once at Drury Lane. She sings does she not, sir?"

"Aye, so mind and not outsing her."

They walked along the western side of the Fields to Little Queen Street, where the houses were substantial enough, though not nearly so imposing as those in Great Queen Street where many noblemen and rich people lived.

Spiller was well known to the proprietor of the house, where Mrs. Egleton lodged and was received with effusion. Mrs. Egleton was not up, as indeed Spiller expected, nor would she be until past mid-day. But this did not matter. The landlady had a front attic vacant which she was willing to let to anyone recommended by Mr. Spiller for a very small sum, and here Lavinia installed herself.

"Have a rest, Polly, and something to eat," said Spiller. "I shall call for you about eleven o'clock. I want you to look your best. We're going to see Mr. Rich. Heaven give us luck that we may find him in good humour."

"Do you mean this morning?" cried Lavinia, in dismay.

"Well, I don't mean this evening. You're not afraid, are you?"

"No, I don't think I am, but--but I would that I had a new gown and cloak. See how frightfully draggled they are."

"Odds bodikins, Mr. Rich doesn't want to see how you're gowned. Mrs. Sanders will lend you a needle and thread and help you patch yourself."

Lavinia would have protested but Spiller laughed away her objections, and departed with a final injunction to be in readiness when he called.

When the girl was alone she looked around her new abode with interest and curiosity. The room was small; it had a sloping roof coming so low at one end where the bed was that she would have to take care not to strike her head against the ceiling when she sat up. The furniture was scanty and plain but the place was clean. For the first time in her life she was completely her own mistress. She sank into a roomy arm-chair, and surveyed her domain with much satisfaction; then she half closed her eyes and indulged in a day dream.

Everything in the most wonderful way had turned out for the best. She dreaded being banished to Hampstead. It had threatened insuperable obstacles in the way of her love and her ambition. She had felt that she was going into exile. But all was now smooth. Her scruples about keeping her promise to Vane vanished. If only her visit to Mr. Rich proved successful, her happiness would be complete.

The time sped in her roseate musings. She had had a rest as Spiller advised and springing up she attacked her ragged attire with renewed energy. When Spiller called, she looked so fresh and animated the comedian laughed and complimented her.

"Gadsooks," he exclaimed, "you clever hussy! It's well our plans are altered. If Rich not only offered thee an engagement but made love into the bargain then the fat would be in the fire. He hath a termagant of a wife. She'd as lief scratch your face as look at you. But thank the Lord you're safe."

"Safe? I don't understand," cried Lavinia a little flustered. "Am I not to see Mr. Rich then?"

"Not yet. Didn't I say our plans are altered? The Duke's is in turmoil. Rich let the theatre to Huddy and his company of strolling players--at least Huddy says he did--and has now cried off the bargain and Huddy is turned out. Rich hasn't any play ready so it's no use taking you to him."

"Oh, how unlucky! I shan't have any chance after all."

Poor Lavinia almost broke down. The shattering of her castle in the air was more than she could endure.

"Not with Rich just yet. But don't despair. Huddy has taken his company to the New Theatre and it'll go hard if I don't talk him into putting you into a part. It may be all for the best. You'd only get a promise out of Rich whereas Huddy might be glad to get you. He's in a mighty hurry to open the theatre. We'll go at once to the Haymarket."

Lavinia was a little disappointed, but not dismayed. After all an immediate entrance into the magical stage world was the important point. She had to begin somewhere, and to play at the New Theatre was not like playing in an inn yard or mumming booth.

They reached the stage door of the New Theatre, afterwards called the Little Theatre in the Haymarket, which it may be said in passing was not quite on the site of the present Haymarket Theatre. The entrance was small, the passage beyond was dark and they had to grope their way to the stage, which lighted as it was by half a dozen candles or so was gloomy enough. The daylight struggled into the audience part through a few small windows above the gallery. A rehearsal was going on, and a red faced man with a hoarse voice was stamping about and shouting at the performers. When he saw Spiller he stopped and came towards the comedian. Compared with Huddy, Spiller was a great man.

Spiller stated his business and introduced Lavinia. The manager stared at her, shifted his wig, scratched his head and grunted something to the effect that he couldn't afford to pay anybody making a first appearance.

"Look 'ee here, Mr. Spiller. It's my benefit and my company don't expect a penny. D'ye see! I've been used in a rascally fashion by that scoundrel Rich, and I'll have to raise a few guineas afore I can start in the country."

Spiller saw the position and said that the young lady who he was careful to point out was a "gentlewoman" was quite willing to appear on these terms and so the matter was settled.

"She won't have much of a part. We're playing 'The Orphan' and all I can give her is Serina. I've had to make shift with the young 'oman as carries the drum and looks after the wardrobe. It's likely as the young gentlewoman'll do as well as her, a careless, idle slut as don't know how to speak her words decently."

Nor did Mr. Huddy, Lavinia thought. But this was nothing. The owner of a travelling play acting booth was as a rule an illiterate showman.

"When do you rehearse 'The Orphan?'" asked Spiller.

"We're a-doing of it now. It's just over or the young gentlewoman--you haven't told me her name----"

"Fenton--Lavinia Fenton."

"Oh, aye. I was a-going to say that if we hadn't finished Miss Fenton might stay and get some notion of the play. Let her come to-morrow--half-past ten, sharp, mind."

"Do you hear that, Polly?" said Spiller in an undertone.

"I shan't fail, sir, you may be sure," replied Lavinia joyfully.

Spiller knew some of the company and he introduced Lavinia to the leading lady, Mrs. Haughton, who was to play the mournful, weeping Monimia in Otway's dismal tragedy. But for Spiller the "star" actress would hardly have deigned to notice the girl; as it was she received Lavinia with affability marked by condescension. Mrs. Haughton was a "star," who did not care to associate with strolling players.

Lavinia left the theatre in the seventh heaven of delight. Everything she had wished for was coming to pass. She longed for the evening. She saw herself telling the wonderful tale of her good luck to Lancelot. She was sure of his warm sympathy and she pictured to herself his smile and the ardent look in his eyes.

Spiller suggested a walk in the Mall so that he might give the novice a few practical hints. Huddy had handed Lavinia her part written out, but it did not tell her much, as everything the other characters in the play had to say was omitted and only the cues for Serina left.

"Just sixteen lines you've got to learn. That won't give you much trouble. I'll show you how to say them. Don't forget to listen for the cues and come in at the proper place."

The lesson did not take long. Lavinia soon had a grasp of the character (Serina figures in the play as a bit of padding and has very little to do); her articulation was clear and she could modulate her voice prettily. Spiller said she would do very well, and wishing her good luck, took his departure and left her in St. James's Park.

He could not have done Lavinia a better turn. Rosamond's Pond was at the south-west corner of the Park and Rosamond's Pond was in Lavinia's mind. It had occurred to her that Lancelot had not fixed any particular spot as the place of meeting. The pond was of a fair size, it would be dark and it might so happen that while he was waiting for her on one side she might be on the other. Still, this was scarcely likely, for they would both approach the Pond from the east.

However, there would be no harm in fixing the bearings of the pond in her mind and so she crossed the park and skirting the formal canal now transformed into the ornamental water, reached the pond which was at the end of Birdcage Walk near Buckingham House, an enlarged version of which is known to us to-day as Buckingham Palace.

The pond was amidst picturesque surroundings. There was nothing of the primness which William III. had brought with him from Holland. The trees had been allowed to grow as they pleased, the shrubs were untrimmed, the grass uncut. The banks of the pond were steep in places, shelving in others. Here and there were muddy patches left by the water receding after heavy rains. But the wildness and the seclusion had their attractions, and little wonder was it that love had marked Rosamond's Pond as its own.

There was something like a promenade on the higher ground to the east. Here it was dry and Lavinia decided that this was the most likely spot which Lancelot would select. Moreover, a path from the Mall near St. James's Palace led direct to the Pond and by this path Vane would be sure to come.

The crisp air was exhilarating and the young grass gave it sweetness. The twittering of the birds suggested a passage of love. The mid-day sun shone upon the distant Abbey and very romantic did its towers look against the blue sky.

Lavinia's spirits rose. She felt very happy. Her real life was beginning. All that had happened, her mad escapade with Dorrimore, the baseness of her mother, her escape from the house in the Old Bailey, her many trials and tribulations were mere trifles to be forgotten as soon as possible. But her thoughts of Lancelot Vane--oh, they were serious enough. There was no pretence about them. And to fill her cup of joy would be her first appearance on the stage!

For a brief space this overpowered everything. Coming to a bench she sat down, drew out the manuscript of the play and read over her part and recalled everything Spiller had said about the various points. When she rose she knew the lines and the cues by heart. Then it occurred to her that she was hungry and she pursued her way back to her lodgings in Little Queen Street.