Mabel Martin, a Harvest Idyl; and other poems Part 4 From Volume I of The Works of John Greenleaf Whittier

Part 2

Chapter 24,362 wordsPublic domain

The church, to place and power the door, Rebukes the sin of the world no more, Nor sees its Lord in the homeless poor. Everywhere is the grasping hand, And eager adding of land to land; And earth, which seemed to the fathers meant But as a pilgrim's wayside tent,-- A nightly shelter to fold away When the Lord should call at the break of day,-- Solid and steadfast seems to be, And Time has forgotten Eternity!

But fresh and green from the rotting roots Of primal forests the young growth shoots; From the death of the old the new proceeds, And the life of truth from the rot of creeds On the ladder of God, which upward leads, The steps of progress are human needs. For His judgments still are a mighty deep, And the eyes of His providence never sleep When the night is darkest He gives the morn; When the famine is sorest, the wine and corn!

In the church of the wilderness Edwards wrought, Shaping his creed at the forge of thought; And with Thor's own hammer welded and bent The iron links of his argument, Which strove to grasp in its mighty span The purpose of God and the fate of man Yet faithful still, in his daily round To the weak, and the poor, and sin-sick found, The schoolman's lore and the casuist's art Drew warmth and life from his fervent heart.

Had he not seen in the solitudes Of his deep and dark Northampton woods A vision of love about him fall? Not the blinding splendor which fell on Saul, But the tenderer glory that rests on them Who walk in the New Jerusalem, Where never the sun nor moon are known, But the Lord and His love are the light alone And watching the sweet, still countenance Of the wife of his bosom rapt in trance, Had he not treasured each broken word Of the mystical wonder seen and heard; And loved the beautiful dreamer more That thus to the desert of earth she bore Clusters of Eshcol from Canaan's shore?

As the barley-winnower, holding with pain Aloft in waiting his chaff and grain, Joyfully welcomes the far-off breeze Sounding the pine-tree's slender keys, So he who had waited long to hear The sound of the Spirit drawing near, Like that which the son of Iddo heard When the feet of angels the myrtles stirred, Felt the answer of prayer, at last, As over his church the afflatus passed, Breaking its sleep as breezes break To sun-bright ripples a stagnant lake.

At first a tremor of silent fear, The creep of the flesh at danger near, A vague foreboding and discontent, Over the hearts of the people went. All nature warned in sounds and signs The wind in the tops of the forest pines In the name of the Highest called to prayer, As the muezzin calls from the minaret stair. Through ceiled chambers of secret sin Sudden and strong the light shone in; A guilty sense of his neighbor's needs Startled the man of title-deeds; The trembling hand of the worldling shook The dust of years from the Holy Book; And the psalms of David, forgotten long, Took the place of the scoffer's song.

The impulse spread like the outward course Of waters moved by a central force; The tide of spiritual life rolled down From inland mountains to seaboard town.

Prepared and ready the altar stands Waiting the prophet's outstretched hands And prayer availing, to downward call The fiery answer in view of all. Hearts are like wax in the furnace; who Shall mould, and shape, and cast them anew? Lo! by the Merrimac Whitefield stands In the temple that never was made by hands,-- Curtains of azure, and crystal wall, And dome of the sunshine over all-- A homeless pilgrim, with dubious name Blown about on the winds of fame; Now as an angel of blessing classed, And now as a mad enthusiast. Called in his youth to sound and gauge The moral lapse of his race and age, And, sharp as truth, the contrast draw Of human frailty and perfect law; Possessed by the one dread thought that lent Its goad to his fiery temperament, Up and down the world he went, A John the Baptist crying, Repent!

No perfect whole can our nature make; Here or there the circle will break; The orb of life as it takes the light On one side leaves the other in night. Never was saint so good and great As to give no chance at St. Peter's gate For the plea of the Devil's advocate. So, incomplete by his being's law, The marvellous preacher had his flaw; With step unequal, and lame with faults, His shade on the path of History halts.

Wisely and well said the Eastern bard Fear is easy, but love is hard,-- Easy to glow with the Santon's rage, And walk on the Meccan pilgrimage; But he is greatest and best who can Worship Allah by loving man. Thus he,--to whom, in the painful stress Of zeal on fire from its own excess, Heaven seemed so vast and earth so small That man was nothing, since God was all,-- Forgot, as the best at times have done, That the love of the Lord and of man are one. Little to him whose feet unshod The thorny path of the desert trod, Careless of pain, so it led to God, Seemed the hunger-pang and the poor man's wrong, The weak ones trodden beneath the strong. Should the worm be chooser?--the clay withstand The shaping will of the potter's hand?

In the Indian fable Arjoon hears The scorn of a god rebuke his fears "Spare thy pity!" Krishna saith; "Not in thy sword is the power of death! All is illusion,--loss but seems; Pleasure and pain are only dreams; Who deems he slayeth doth not kill; Who counts as slain is living still. Strike, nor fear thy blow is crime; Nothing dies but the cheats of time; Slain or slayer, small the odds To each, immortal as Indra's gods!"

So by Savannah's banks of shade, The stones of his mission the preacher laid On the heart of the negro crushed and rent, And made of his blood the wall's cement; Bade the slave-ship speed from coast to coast, Fanned by the wings of the Holy Ghost; And begged, for the love of Christ, the gold Coined from the hearts in its groaning hold. What could it matter, more or less Of stripes, and hunger, and weariness? Living or dying, bond or free, What was time to eternity?

Alas for the preacher's cherished schemes! Mission and church are now but dreams; Nor prayer nor fasting availed the plan To honor God through the wrong of man. Of all his labors no trace remains Save the bondman lifting his hands in chains. The woof he wove in the righteous warp Of freedom-loving Oglethorpe, Clothes with curses the goodly land, Changes its greenness and bloom to sand; And a century's lapse reveals once more The slave-ship stealing to Georgia's shore. Father of Light! how blind is he Who sprinkles the altar he rears to Thee With the blood and tears of humanity!

He erred: shall we count His gifts as naught? Was the work of God in him unwrought? The servant may through his deafness err, And blind may be God's messenger; But the Errand is sure they go upon,-- The word is spoken, the deed is done. Was the Hebrew temple less fair and good That Solomon bowed to gods of wood? For his tempted heart and wandering feet, Were the songs of David less pure and sweet? So in light and shadow the preacher went, God's erring and human instrument; And the hearts of the people where he passed Swayed as the reeds sway in the blast, Under the spell of a voice which took In its compass the flow of Siloa's brook, And the mystical chime of the bells of gold On the ephod's hem of the priest of old,-- Now the roll of thunder, and now the awe Of the trumpet heard in the Mount of Law.

A solemn fear on the listening crowd Fell like the shadow of a cloud. The sailor reeling from out the ships Whose masts stood thick in the river-slips Felt the jest and the curse die on his lips. Listened the fisherman rude and hard, The calker rough from the builder's yard; The man of the market left his load, The teamster leaned on his bending goad, The maiden, and youth beside her, felt Their hearts in a closer union melt, And saw the flowers of their love in bloom Down the endless vistas of life to come. Old age sat feebly brushing away From his ears the scanty locks of gray; And careless boyhood, living the free Unconscious life of bird and tree, Suddenly wakened to a sense Of sin and its guilty consequence. It was as if an angel's voice Called the listeners up for their final choice; As if a strong hand rent apart The veils of sense from soul and heart, Showing in light ineffable The joys of heaven and woes of hell All about in the misty air The hills seemed kneeling in silent prayer; The rustle of leaves, the moaning sedge, The water's lap on its gravelled edge, The wailing pines, and, far and faint, The wood-dove's note of sad complaint,-- To the solemn voice of the preacher lent An undertone as of low lament; And the note of the sea from its sand coast, On the easterly wind, now heard, now lost, Seemed the murmurous sound of the judgment host.

Yet wise men doubted, and good men wept, As that storm of passion above them swept, And, comet-like, adding flame to flame, The priests of the new Evangel came,-- Davenport, flashing upon the crowd, Charged like summer's electric cloud, Now holding the listener still as death With terrible warnings under breath, Now shouting for joy, as if he viewed The vision of Heaven's beatitude! And Celtic Tennant, his long coat bound Like a monk's with leathern girdle round, Wild with the toss of unshorn hair, And wringing of hands, and, eyes aglare, Groaning under the world's despair! Grave pastors, grieving their flocks to lose, Prophesied to the empty pews That gourds would wither, and mushrooms die, And noisiest fountains run soonest dry, Like the spring that gushed in Newbury Street, Under the tramp of the earthquake's feet, A silver shaft in the air and light, For a single day, then lost in night, Leaving only, its place to tell, Sandy fissure and sulphurous smell. With zeal wing-clipped and white-heat cool, Moved by the spirit in grooves of rule, No longer harried, and cropped, and fleeced, Flogged by sheriff and cursed by priest, But by wiser counsels left at ease To settle quietly on his lees, And, self-concentred, to count as done The work which his fathers well begun, In silent protest of letting alone, The Quaker kept the way of his own,-- A non-conductor among the wires, With coat of asbestos proof to fires. And quite unable to mend his pace To catch the falling manna of grace, He hugged the closer his little store Of faith, and silently prayed for more. And vague of creed and barren of rite, But holding, as in his Master's sight, Act and thought to the inner light, The round of his simple duties walked, And strove to live what the others talked.

And who shall marvel if evil went Step by step with the good intent, And with love and meekness, side by side, Lust of the flesh and spiritual pride?-- That passionate longings and fancies vain Set the heart on fire and crazed the brain? That over the holy oracles Folly sported with cap and bells? That goodly women and learned men Marvelling told with tongue and pen How unweaned children chirped like birds Texts of Scripture and solemn words, Like the infant seers of the rocky glens In the Puy de Dome of wild Cevennes Or baby Lamas who pray and preach From Tartir cradles in Buddha's speech?

In the war which Truth or Freedom wages With impious fraud and the wrong of ages, Hate and malice and self-love mar The notes of triumph with painful jar, And the helping angels turn aside Their sorrowing faces the shame to bide. Never on custom's oiled grooves The world to a higher level moves, But grates and grinds with friction hard On granite boulder and flinty shard. The heart must bleed before it feels, The pool be troubled before it heals; Ever by losses the right must gain, Every good have its birth of pain; The active Virtues blush to find The Vices wearing their badge behind, And Graces and Charities feel the fire Wherein the sins of the age expire; The fiend still rends as of old he rent The tortured body from which be went.

But Time tests all. In the over-drift And flow of the Nile, with its annual gift, Who cares for the Hadji's relics sunk? Who thinks of the drowned-out Coptic monk? The tide that loosens the temple's stones, And scatters the sacred ibis-bones, Drives away from the valley-land That Arab robber, the wandering sand, Moistens the fields that know no rain, Fringes the desert with belts of grain, And bread to the sower brings again. So the flood of emotion deep and strong Troubled the land as it swept along, But left a result of holier lives, Tenderer-mothers and worthier wives. The husband and father whose children fled And sad wife wept when his drunken tread Frightened peace from his roof-tree's shade, And a rock of offence his hearthstone made, In a strength that was not his own began To rise from the brute's to the plane of man. Old friends embraced, long held apart By evil counsel and pride of heart; And penitence saw through misty tears, In the bow of hope on its cloud of fears, The promise of Heaven's eternal years,-- The peace of God for the world's annoy,-- Beauty for ashes, and oil of joy Under the church of Federal Street, Under the tread of its Sabbath feet, Walled about by its basement stones, Lie the marvellous preacher's bones. No saintly honors to them are shown, No sign nor miracle have they known; But be who passes the ancient church Stops in the shade of its belfry-porch, And ponders the wonderful life of him Who lies at rest in that charnel dim. Long shall the traveller strain his eye From the railroad car, as it plunges by, And the vanishing town behind him search For the slender spire of the Whitefield Church; And feel for one moment the ghosts of trade, And fashion, and folly, and pleasure laid, By the thought of that life of pure intent, That voice of warning yet eloquent, Of one on the errands of angels sent. And if where he labored the flood of sin Like a tide from the harbor-bar sets in, And over a life of tune and sense The church-spires lift their vain defence, As if to scatter the bolts of God With the points of Calvin's thunder-rod,-- Still, as the gem of its civic crown, Precious beyond the world's renown, His memory hallows the ancient town! 1859.

THE TRUCE OF PISCATAQUA.

In the winter of 1675-76, the Eastern Indians, who had been making war upon the New Hampshire settlements, were so reduced in numbers by fighting and famine that they agreed to a peace with Major Waldron at Dover, but the peace was broken in the fall of 1676. The famous chief, Squando, was the principal negotiator on the part of the savages. He had taken up the hatchet to revenge the brutal treatment of his child by drunken white sailors, which caused its death.

It not unfrequently happened during the Border wars that young white children were adopted by their Indian captors, and so kindly treated that they were unwilling to leave the free, wild life of the woods; and in some instances they utterly refused to go back with their parents to their old homes and civilization.

RAZE these long blocks of brick and stone, These huge mill-monsters overgrown; Blot out the humbler piles as well, Where, moved like living shuttles, dwell The weaving genii of the bell; Tear from the wild Cocheco's track The dams that hold its torrents back; And let the loud-rejoicing fall Plunge, roaring, down its rocky wall; And let the Indian's paddle play On the unbridged Piscataqua! Wide over hill and valley spread Once more the forest, dusk and dread, With here and there a clearing cut From the walled shadows round it shut; Each with its farm-house builded rude, By English yeoman squared and hewed, And the grim, flankered block-house bound With bristling palisades around. So, haply shall before thine eyes The dusty veil of centuries rise, The old, strange scenery overlay The tamer pictures of to-day, While, like the actors in a play, Pass in their ancient guise along The figures of my border song What time beside Cocheco's flood The white man and the red man stood, With words of peace and brotherhood; When passed the sacred calumet From lip to lip with fire-draught wet, And, puffed in scorn, the peace-pipe's smoke Through the gray beard of Waldron broke, And Squando's voice, in suppliant plea For mercy, struck the haughty key Of one who held, in any fate, His native pride inviolate!

"Let your ears be opened wide! He who speaks has never lied. Waldron of Piscataqua, Hear what Squando has to say!

"Squando shuts his eyes and sees, Far off, Saco's hemlock-trees. In his wigwam, still as stone, Sits a woman all alone,

"Wampum beads and birchen strands Dropping from her careless hands, Listening ever for the fleet Patter of a dead child's feet!

"When the moon a year ago Told the flowers the time to blow, In that lonely wigwam smiled Menewee, our little child.

"Ere that moon grew thin and old, He was lying still and cold; Sent before us, weak and small, When the Master did not call!

"On his little grave I lay; Three times went and came the day, Thrice above me blazed the noon, Thrice upon me wept the moon.

"In the third night-watch I heard, Far and low, a spirit-bird; Very mournful, very wild, Sang the totem of my child.

"'Menewee, poor Menewee, Walks a path he cannot see Let the white man's wigwam light With its blaze his steps aright.

"'All-uncalled, he dares not show Empty hands to Manito Better gifts he cannot bear Than the scalps his slayers wear.'

"All the while the totem sang, Lightning blazed and thunder rang; And a black cloud, reaching high, Pulled the white moon from the sky.

"I, the medicine-man, whose ear All that spirits bear can hear,-- I, whose eyes are wide to see All the things that are to be,--

"Well I knew the dreadful signs In the whispers of the pines, In the river roaring loud, In the mutter of the cloud.

"At the breaking of the day, From the grave I passed away; Flowers bloomed round me, birds sang glad, But my heart was hot and mad.

"There is rust on Squando's knife, From the warm, red springs of life; On the funeral hemlock-trees Many a scalp the totem sees.

"Blood for blood! But evermore Squando's heart is sad and sore; And his poor squaw waits at home For the feet that never come!

"Waldron of Cocheco, hear! Squando speaks, who laughs at fear; Take the captives he has ta'en; Let the land have peace again!"

As the words died on his tongue, Wide apart his warriors swung; Parted, at the sign he gave, Right and left, like Egypt's wave.

And, like Israel passing free Through the prophet-charmed sea, Captive mother, wife, and child Through the dusky terror filed.

One alone, a little maid, Middleway her steps delayed, Glancing, with quick, troubled sight, Round about from red to white.

Then his hand the Indian laid On the little maiden's head, Lightly from her forehead fair Smoothing back her yellow hair.

"Gift or favor ask I none; What I have is all my own Never yet the birds have sung, Squando hath a beggar's tongue.'

"Yet for her who waits at home, For the dead who cannot come, Let the little Gold-hair be In the place of Menewee!

"Mishanock, my little star! Come to Saco's pines afar; Where the sad one waits at home, Wequashim, my moonlight, come!"

"What!" quoth Waldron, "leave a child Christian-born to heathens wild? As God lives, from Satan's hand I will pluck her as a brand!"

"Hear me, white man!" Squando cried; "Let the little one decide. Wequashim, my moonlight, say, Wilt thou go with me, or stay?"

Slowly, sadly, half afraid, Half regretfully, the maid Owned the ties of blood and race,-- Turned from Squando's pleading face.

Not a word the Indian spoke, But his wampum chain he broke, And the beaded wonder hung On that neck so fair and young.

Silence-shod, as phantoms seem In the marches of a dream, Single-filed, the grim array Through the pine-trees wound away.

Doubting, trembling, sore amazed, Through her tears the young child gazed. "God preserve her!" Waldron said; "Satan hath bewitched the maid!"

Years went and came. At close of day Singing came a child from play, Tossing from her loose-locked head Gold in sunshine, brown in shade.

Pride was in the mother's look, But her head she gravely shook, And with lips that fondly smiled Feigned to chide her truant child.

Unabashed, the maid began "Up and down the brook I ran, Where, beneath the bank so steep, Lie the spotted trout asleep.

"'Chip!' went squirrel on the wall, After me I heard him call, And the cat-bird on the tree Tried his best to mimic me.

"Where the hemlocks grew so dark That I stopped to look and hark, On a log, with feather-hat, By the path, an Indian sat.

"Then I cried, and ran away; But he called, and bade me stay; And his voice was good and mild As my mother's to her child.

"And he took my wampum chain, Looked and looked it o'er again; Gave me berries, and, beside, On my neck a plaything tied."

Straight the mother stooped to see What the Indian's gift might be. On the braid of wampum hung, Lo! a cross of silver swung.

Well she knew its graven sign, Squando's bird and totem pine; And, a mirage of the brain, Flowed her childhood back again.

Flashed the roof the sunshine through, Into space the walls outgrew; On the Indian's wigwam-mat, Blossom-crowned, again she sat.

Cool she felt the west-wind blow, In her ear the pines sang low, And, like links from out a chain, Dropped the years of care and pain. From the outward toil and din, From the griefs that gnaw within, To the freedom of the woods Called the birds, and winds, and floods.

Well, O painful minister! Watch thy flock, but blame not her, If her ear grew sharp to hear All their voices whispering near.

Blame her not, as to her soul All the desert's glamour stole, That a tear for childhood's loss Dropped upon the Indian's cross.

When, that night, the Book was read, And she bowed her widowed head, And a prayer for each loved name Rose like incense from a flame,

With a hope the creeds forbid In her pitying bosom hid, To the listening ear of Heaven Lo! the Indian's name was given. 1860.

MY PLAYMATE.

THE pines were dark on Ramoth hill, Their song was soft and low; The blossoms in the sweet May wind Were falling like the snow.

The blossoms drifted at our feet, The orchard birds sang clear; The sweetest and the saddest day It seemed of all the year.

For, more to me than birds or flowers, My playmate left her home, And took with her the laughing spring, The music and the bloom.

She kissed the lips of kith and kin, She laid her hand in mine What more could ask the bashful boy Who fed her father's kine?

She left us in the bloom of May The constant years told o'er Their seasons with as sweet May morns, But she came back no more.

I walk, with noiseless feet, the round Of uneventful years; Still o'er and o'er I sow the spring And reap the autumn ears.

She lives where all the golden year Her summer roses blow; The dusky children of the sun Before her come and go.

There haply with her jewelled hands She smooths her silken gown,-- No more the homespun lap wherein I shook the walnuts down.

The wild grapes wait us by the brook, The brown nuts on the hill, And still the May-day flowers make sweet The woods of Follymill.

The lilies blossom in the pond, The bird builds in the tree, The dark pines sing on Ramoth hill The slow song of the sea.

I wonder if she thinks of them, And how the old time seems,-- If ever the pines of Ramoth wood Are sounding in her dreams.

I see her face, I hear her voice; Does she remember mine? And what to her is now the boy Who fed her father's kine?

What cares she that the orioles build For other eyes than ours,-- That other hands with nuts are filled, And other laps with flowers?

O playmate in the golden time! Our mossy seat is green, Its fringing violets blossom yet, The old trees o'er it lean.

The winds so sweet with birch and fern A sweeter memory blow; And there in spring the veeries sing The song of long ago.

And still the pines of Ramoth wood Are moaning like the sea,--

The moaning of the sea of change Between myself and thee! 1860.

COBBLER KEEZAR'S VISION.