Part 16

“Oh, why didst thou stay so long, Juan? Five years I waited for thee.” “I vowed by our troth, that living or dead I should come back yet to thine arms and thy bed, And my vow I have kept, my chree.”

“But I have been false to my troth, Juan; Falsely I swore me away.” “I have silks and satins and lace and gold, I have treasure as deep as my ship will hold; And my barque lies out in the bay.”

“But I have a husband that loves me dear; I promised him never to part.” “Through the salt sea’s foam and the earth’s hot breath, Through the grapplings of hell and the gates of death I have come for thee, Joney, my heart.”

“But I have a child of my body so sweet-- Little Jannie that sleeps in the cot.” “By the glimpse of the moon, at the top of the tide, Ere the crow of the cock our vessel must ride, Or what will befall us, God wot.”

“Now, ever alack, thou must kiss and go back; My love, I am never for thee.” “As sure as yon ship to the billows that roll, By the plight of our troth, both body and soul You belong to me, graih my chree.”

She followed him forth like to one in a sleep; It was a woeful and wonderous sight. The moon on his face from a rift in a cloud Showed it white and wan as a face in a shroud, And his ship on the sea gleamed white.

IV.

“Now weigh and away, my merry men all.” The crew laughed loud in their glee. “With the rich man’s pride and his sweet daughter, In the spite of wind and the wild water-- To the banks of Italy!”

The anchor was weighed, the canvas was spread, All in the storm and the dark, With never a reef in a stitch of sail, But standing about to burst the gale Merrily sped the barque.

[Sidenote: HALL CAINE]

The first night out there was fear on the ship, For the lady lay in a swoon; The second night out she woke from her trance, And the skipper did laugh and his men would dance, But she made a piteous moan.

“O, where is my home and my sweet baby-- My Jannie I nursed on my knee? He will wake in his cot by the cold hearth-stone And cry for his mother who left him alone; My Jannie, I’m wae for thee.”

The skipper he shouted for music and song, And his crew they answered his call. He clothed her in silk and satin and lace, But still through the rout and riot her face Showed fit for a funeral.

And ever at night they sailed by the moon, Through the wild white foam so fleet, And ever again at the coming of day, When the sun rose out of the sea they lay In a mist like a winding sheet.

And still the skipper he kissed her and cried, “Be merry and let-a-be.” And still to soothe her he sat through the nights With his hand in her hand, till they opened the lights By the banks of Italy.

Then his face shone green as with ghostly sheen, And the moon began to dip. “O, think not you, I am the lover ye knew; I am a ghostly man with a ghostly crew, And this is a ghostly ship.”

Then he rose upright to a fearsome height, And stamped his foot on the deck; He smote the mast at the topsail yards, And the rigging fell like a house of cards, And the hulk was a splitting wreck.

O, then as she sank in the water’s womb, In the churn of the choking sea, She knew that his arms were about her breast, As close as his arms might be. And he cried o’er the tramp of the champing tide On the banks of Italy, “By the plight of our troth, by the power of our bond, If not in this world in the world beyond, Thou art mine, O graih my chree.”

VI

CONTEMPORARY ANGLO-CELTIC POETS

(Cornish)

The Splendid Spur.

[Sidenote: A. T. QUILLER COUCH]

Not on the neck of prince or hound, Nor on a woman’s finger twin’d, May gold from the deriding ground Keep sacred that we sacred bind: Only the heel Of splendid steel Shall stand secure on sliding fate, When golden navies weep their freight.

The scarlet hat, the laurell’d stave Are measures, not the springs of worth; In a wife’s lap, as in a grave, Man’s airy notions mix with earth. Seek other spur Bravely to stir The dust in this loud world, and tread Alp-high among the whisp’ring dead.

=Trust in thyself=,--then spur amain: So shall Charybdis wear a grace, Grim Ætna laugh, the Libyan plain Take roses to her shrivell’d face. This orb--this round Of sight and sound-- Count it the lists that God hath built For haughty hearts to ride a-tilt.

The White Moth.

[Sidenote: A. T. QUILLER COUCH]

_If a leaf rustled, she would start: And yet she died, a year ago. How had so frail a thing the heart To journey where she trembled so? And do they turn and turn in fright, Those little feet, in so much night?_

The light above the poet’s head Streamed on the page and on the cloth, And twice and thrice there buffeted On the black pane a white-wing’d moth: ’Twas Annie’s soul that beat outside, And “Open, open, open!” cried:

“I could not find the way to God; There were too many flaming suns For signposts, and the fearful road Led over wastes where millions Of tangled comets hissed and burned-- I was bewilder’d and I turned.

“O, it was easy then! I knew Your window and no star beside. Look up and take me back to you!” He rose and thrust the window wide. ’Twas but because his brain was hot With rhyming; for he heard her not.

But poets polishing a phrase Show anger over trivial things: And as she blundered in the blaze Towards him, on ecstatic wings, He raised a hand and smote her dead; Then wrote, “=That I had died instead=.”

Featherstone’s Doom.[31]

[Sidenote: STEPHEN HAWKER]

I.

Twist thou and twine! in light and gloom A spell is on thine hand; The wind shall be thy changeful loom, Thy web, the shifting sand.

II.

Twine from this hour, in ceaseless toil, On Blackrock’s sullen shore; Till cordage of the hand shall coil Where crested surges roar.

III.

’Tis for that hour, when, from the wave, Near voices wildly cried; When thy stern hand no succour gave, The cable at thy side.

IV.

Twist thou and twine! in light and gloom The spell is on thine hand; The wind shall be thy changeful loom, Thy web, the shifting sand.

Trebarrow.

[Sidenote: STEPHEN HAWKER]

I.

Did the wild blast of battle sound, Of old, from yonder lonely mound? Race of Pendragon! did ye pour, On this dear earth, your votive gore?

II.

Did stern swords cleave along this plain The loose rank of the roving Dane? Or Norman chargers’ sounding tread Smite the meek daisy’s Saxon head?

III.

The wayward winds no answer breathe, No legend cometh from beneath, Of chief, with good sword at his side, Or Druid in his tomb of pride.

IV.

One quiet bird that comes to make Her lone nest in the scanty brake; A nameless flower, a silent fern-- Lo! the dim stranger’s storied urn.

V.

Hark! on the cold wings of the blast The future answereth to the past; The bird, the flower, may gather still, Thy voice shall cease upon the hill!

Witch Margaret.

[Sidenote: RICCARDO STEPHENS]

Who hath not met Witch Margaret? Red gold her rippling hair, Eyes like sweet summer seas are set Beneath her brow so fair; And cream and damask rose have met Her lips and cheek to share.

Come up! and you shall see her yet, Before she groweth still; Before her cloak of flame and smoke The winter air shall fill; For they must burn Witch Margaret Upon the Castle Hill.

* * * * *

They found on her the devil’s mark, Wherein naught maketh pain,-- “Bind her and dip her! stiff and stark She floateth aye again; Her body changeth after dark, When powers of darkness reign.”

They drave the boot on Margaret And crushed her dainty feet; The hissing searing-irons set To kiss her lips so sweet: She hath not asked for mercy yet, Nor mercy shall she meet.

The silent sky was cold and grey, The earth was cold and white, They brought her out that Christmas Day To burn her in our sight; The snow that fell and fell alway Would cover her ere night.

All feebly as a child would go Her bleeding feet dragged by, Blood-red upon the white, white snow I saw her footprints lie; And some one shrieked to see her so-- God knows if it was I!

Upon her body, all in black, Fell down her red-gold hair; All bruised and bleeding from the rack Her writhen arms hung bare; Red blood dripped all along her track, Red blood seemed in the air.

The while they told her deeds of shame, She, resting in the snow, Stretched out weak hands toward the flame, Watched the sparks upward go, Till on the pale pinched face there came Some of the red fire’s glow.

* * * * *

Oh, is it blood that blinds mine eyes, Or is it driving snow? And are these but the wild wind’s cries That drive me to and fro, That beat about mine ears and rise Wherever I may go?

It’s red and black on Castle Hill! The people go to pray, A little wind sighs on, until The ashes float away; And then God’s earth is very still, For this is Christmas Day.

A Ballad.

[Sidenote: RICCARDO STEPHENS]

The Autumn leaves went whispering by, Like ghosts that never slept. Up through the dusk a curlew’s cry From glen to hill-top crept. The Dead Man heard the burn moan by And thought for him it wept.

Lapped in his grave, a night and day, The Dead Man marked the sound: He knew the moon rose far away, Grey shadows gathered round, Then down the glen, he heard the bay Raised by his great grey hound.

A stag crashed out, and thundered back --She never turned aside. The swollen stream ran cold and black, --She leapt the waters wide, Nor paused, nor left the shadowy track Till at the dark grave side.

“What brings you here, my great grey hound, What brings you here, alone? True I am dead, but is there found Beneath my board no bone? No rushy bed for your grey head Now I am dead and gone?”

“Your brother reads your title-deeds, Your wife counts out red gold, And laughs in rich black widow’s-weeds, Red-lipped and smooth and bold. I want no bone, to gnaw alone, Now that your hand is cold.”

The Dead Man laughed in scornful hate, While the great hound growled low, “Last night I rose to Heaven’s gate,” He said, “for I would know The best or worst dealt out by Fate, And whither I must go.”

He paused--“My grave is damp and cold; I feel the slow worms glide Smoothly and softly through the mould, And nestle by my side. What lives and moves, in wood and wold, Where love and laughter bide?”

“The wild fowl fly across, and call In from the grey salt sea; I scent the red stag by the Fall, He fears no more from me. The moon comes up, and over all She glimmers eerily.”

The corpse replied, “At Heaven’s gates They stand to let me through, And there, years hence, a welcome waits False Wife and Brother too. Do what you will, my hound, and still Heaven holds no place for you.

“With tooth and claw tear down to me, And Death shall be no tether. The swift red deer once more shall flee, Panting through burn and heather: And you and I once more shall be Hunting my hills together!”

* * * * *

That night the deer across the wold From dark to dawning fled; The lady dreamt that, shroud-enrolled, A corpse had shared her bed; But by the grave wind-swept and cold, The great grey hound lay dead!

Hell’s Piper.

[Sidenote: RICCARDO STEPHENS]

O have ye heard of Angus Blair, Who lived long since in black Auchmair? And have ye heard old pipers tell His story--how he piped in Hell? When Angus piped the old grew young, Crutches across the floor were flung; Nay more, ’twas said his witching breath Had robbed the grave, and cheated death.

Above all else, a march of war Was what men praised and feared him for; When that he played, like fire it ran In blood and brain of every man; Then stiffened hair began to rise, Bent brows scowled over staring eyes; Then, at his will, men spilt their blood Like water of a winter flood, Swearing, with Angus, ill or well, They’d charge light-hearted into Hell.

Long years, through many a feast and fray, Did Piper Angus pipe his way; Till, swept upon the swirling tide Of a night-charge, he sank and died.

That night the Piper rose to tread The ways that lie before the dead. He saw God’s battlements afar Blazing behind the utmost star, And turning in the chill night air, Thought he might find a shelter there.

But as he turned to leave the earth, With all its music, maids, and mirth, The battered pipes beneath his feet Screamed out a wailing, last retreat; Then Piper Angus paused, and thought Of the wild work those pipes had wrought; “But there,” quoth he, “in peace and rest, Up there, the holy ones, the blest, Praise aye the Lord, and aye they sing, While golden harps and cymbals ring. To my wild march or mad strathspey The heavenly host would say me nay, And none would hear my chanter more Unless the Lord went out to war. But often have I heard men tell How they would follow pipes to Hell: That way I’ll try: in Hell maybe Some corner’s kept for them and me.”

So said, so done--for well content Down the dark way to Hell he went. The Chanter felt his finger-tips, The Blow-pipe thrilled between his lips, The Drones across his shoulder flung, Moaned till the Earth’s foundations rung, The streamers flaunted on the blast As, striding smoke and shadow past, With bonnet cocked, and careless air, Piping his march, went Piper Blair.

Down where the shackled earthquakes dwell Are piled the reeking halls of Hell. Their walls are steel, their gates are brass; Round them four flaming rivers pass; And sleepless sentinels are set On every point and parapet, To hedge the souls whose far-off cries Up to the world may never rise.

That night, so still the whole place seemed, You’d think all Hell had peace, and dreamed For the dark Master, brooding aye Over lost hope and ancient fray, Had, from his vantage, pale and grim, Perchance to please a passing whim, Hissed down a word which quelled and cowed And silenced all that shuddering crowd. So now aloft upon his throne He sat indifferent, alone, While poor damned souls who dared not cry In writhing droves went whirling by. These, dumb, before he noted aught, Some strange and wandering sound now caught.

And first a little note they heard Far off--and like a lonely bird; And then it grew, and grew, and grew, As near and nearer still it drew, Until Hell’s Lord in slow surprise Turned on the gates his weary eyes.

Then they that bent beneath a load Stood up, nor felt the fiery goad. Then they that trod on forks of flame Tramped to the wild notes as they came. Then, look, old foes of long ago Feel old revenge revive and glow. Then, heedless of the flaming whip, They roll in one another’s grip With shout and shriek and throttled jeer, --And over all the pipes rang clear.

But from the march those pipes turned soon, And sank, to sing another tune; A low lament, whose sobbing wail Filled aching hearts and made them fail. And they that fought a breath ago Now wept at one another’s woe.

A second change--a lilting air Made Hell look bright, made Hell look fair, And wretches gasping new from death Followed the tune beneath their breath-- Then, piping yet, erect, alone, The Piper stood before the throne.

Up rose the Master in his place, Eyeing the Piper’s careless face, “No room, no room in Hell can be For Piper Angus Blair,” cried he; “Would to such sounds my host had trod Ere I was hurled down here by God; Mine hadst thou been, before I fell, I’d rule in Heav’n now--not in Hell. Then every night and every day On Heav’n’s high ramparts shouldst thou play, But here--here’s neither war nor mirth, Nor more in Heav’n; so back to Earth.”

Thus now, as over glen and brae The wild wind wanders on its way, Dead Piper Angus Blair goes too, And pipes and pipes the whole world through. Unseen, unknown he goes. To-day He’ll pipe perchance for bairns at play To set them dancing: maybe steal To-night to watch a roaring reel. There, when the panting pipers tire, He joins, and sets all hearts afire; And ere the dawn his pipes have pealed Fiercely across some stricken field. But when each year is at its close Right down the road to Hell he goes. There the gaunt porters all a-grin Fling back the gates to let him in, Then damned and devil, one and all, Make mirth and hold high carnival, The while the Master sits apart Plotting rebellion in his heart. Till, when above the dawn is grey, The Piper turns and tramps away.

VII

MODERN AND CONTEMPORARY BRETON

_O Breiz-Izel, O Kaera bro!_ _Koat enn hi c’ hreiz, mor enn he zro!_

The Poor Clerk.

(Ar C’Hloarek Paour.)

[Sidenote: MEDIÆVAL BRETON]

My wooden shoes I’ve lost them, my naked feet I’ve torn A-following my sweeting through field and brake of thorn; The rain may beat, and fall the sleet, and ice chill to the bone, But they’re no stay to hold away the lover from his own.

My sweeting is no older than I that love her so: She’s scarce seventeen, her face is fair, her cheeks like roses glow. In her eyes there is a fire, sweetest speech her lips doth part; Her love it is a prison where I’ve locked up my heart.

Oh, to what shall I liken her, that a wrong it shall not be? To the pretty little white rose, that is called Rose-Marie? The pearl of girls; the lily when among the flowers it grows, The lily newly opened, among flowers about to close.

When I came to thee a-wooing, my sweet, my gentle May, I was as is the nightingale upon the hawthorn spray: When he would sleep the thorns they keep a-pricking in his breast, That he flies up perforce and sings upon the tree’s tall crest.

I am as is the nightingale, or as a soul must be That in the purgatory fires lies longing to be free, Waiting the blessèd time when I unto your house shall come, All with the marriage-messenger[32] bearing his branch of broom.

Ah, me! my stars are froward: ’gainst nature is my state; Since in this world I came I’ve dreed a dark and dismal fate: I have nor living kin nor friends, mother nor father dear, There is no Christian on earth to wish me happy here.

There lives no one hath had to bear so much of grief and shame For your sweet sake as I have, since in this world I came; And therefore on my bended knees, in God’s dear name I sue, Have pity on your own poor clerk, that loveth only you!

The Cross by the Way.

(Kroaz ann Hent.)

[Sidenote: MEDIÆVAL BRETON]

Sweet in the green-wood a birdie sings, Golden-yellow its two bright wings, Red its heartikin, blue its crest: Oh, but it sings with the sweetest breast!

Early, early it ’lighted down On the edge of my ingle-stone, As I prayed my morning prayer,-- “Tell me thy errand, birdie fair.”

Then sung it as many sweet things to me As there are roses on the rose-tree: “Take a sweetheart, lad, an’ you may; To gladden your heart both night and day.”

Past the cross by the way as I went, Monday, I saw her fair as a saint: Sunday, I will go to mass, There on the green I’ll see her pass.

Water poured in a beaker clear, Dimmer shows than the eyes of my dear; Pearls themselves are not more bright Than her little teeth, pure and white.

Then her hands and her cheek of snow, Whiter than milk in a black pail, show. Yes, if you could my sweetheart see, She would charm the heart from thee.

Had I as many crowns at my beck, As hath the Marquis of Poncalec; Had I a gold-mine at my door,-- Wanting my sweetheart, I were poor.

If on my door-sill up should come Golden flowers for furze and broom, Till my court were with gold piled high, Little I’d reck, but she were by.

Doves must have their close warm nest, Corpses must have the tomb for rest; Souls to Paradise must depart,-- And I, my love, must to thy heart.

Every Monday at dawn of day I’ll on my knees to the cross by the way; At the new cross by the way I’ll bend, In thy honour, my gentle friend!

The Secrets of the Clerk.

[Sidenote: LATER BRETON]

Each night, each night, as on my bed I lie, I do not sleep, but turn myself and cry.

I do not sleep, but turn myself and weep, When I think of her I love so deep.

Each day I seek the Wood of Love so dear, In hopes to see you at its streamlet clear.

When I see you come through the forest grove, On its leaves I write the secret of my love.

--But a fragile trust are the forest leaves, To hold the secrets close which their page receives.

When comes the storm of rain, and gusty air, Your secrets close are scattered everywhere.

’Twere safer far, young clerk, on my heart to write. Graven deep they’d rest, and never take their flight.

Love Song.

[Sidenote: MODERN BRETON]

In the white cabin at the foot of the mountain, Is my sweet, my love:

Is my love, is my desire, And all my happiness.

Before the night must I see her Or my little heart will break.

My little heart will not break, For my lovely dear I have seen.

Fifty nights I have been At the threshold of her door; she did not know it.

The rain and the wind whipped me, Until my garments dripped.

Nothing came to console me Except the sound of breathing from her bed.

Except the sound of breathing from her bed, Which came through the little hole of the key.

Three pairs of shoes I have worn out, Her thought I do not know.

The fourth pair I have begun to wear, Her thought I do not know.

Five pairs, alas, in good count, Her thought I do not know.

--If it is my thought you wish to know, It is not I who will make a mystery of it.

There are three roads on each side of my house, Choose one among them.

Choose whichever you like among them, Provided it will take you far from here.

[Sidenote: MODERN BRETON]

--More is worth love, since it pleases me, Than wealth with which I do not know what to do.

Wealth comes, and wealth it goes away, Wealth serves for nothing.

Wealth passes like the yellow pears: Love endures for ever.

More is worth a handful of love Than an oven full of gold and silver.

Hymn to Sleep.

[Sidenote: HERVÉ-NOËL LE BRETON]

Keeper of the keys of Heaven, Lingering near the starry Seven! Guardian of the gates of Hell, Hushed beneath thy drowsy spell! Fold thy wings and come to me, Sleep! thou soul’s euthanasy.