Chapter 4

Aunt Cyrilla did not worry over this. She believed matters of this kind were fore-ordained, and she slept calmly. But Lucy Rose got up three times in the night to see if it were storming, and when she did sleep had horrible nightmares of struggling through blinding snowstorms dragging Aunt Cyrilla's Christmas basket along with her.

It was not snowing in the early morning, and Uncle Leopold drove Aunt Cyrilla and Lucy Rose and the basket to the station, four miles off. When they reached there the air was thick with flying flakes. The stationmaster sold them their tickets with a grim face.

"If there's any more snow comes, the trains might as well keep Christmas too," he said. "There's been so much snow already that traffic is blocked half the time, and now there ain't no place to shovel the snow off onto."

Aunt Cyrilla said that if the train were to get to Pembroke in time for Christmas, it would get there; and she opened her basket and gave the stationmaster and three small boys an apple apiece.

"That's the beginning," groaned Lucy Rose to herself.

When their train came along Aunt Cyrilla established herself in one seat and her basket in another, and looked beamingly around her at her fellow travellers.

These were few in number--a delicate little woman at the end of the car, with a baby and four other children, a young girl across the aisle with a pale, pretty face, a sunburned lad three seats ahead in a khaki uniform, a very handsome, imposing old lady in a sealskin coat ahead of him, and a thin young man with spectacles opposite.

"A minister," reflected Aunt Cyrilla, beginning to classify, "who takes better care of other folks' souls than of his own body; and that woman in the sealskin is discontented and cross at something--got up too early to catch the train, maybe; and that young chap must be one of the boys not long out of the hospital. That woman's children look as if they hadn't enjoyed a square meal since they were born; and if that girl across from me has a mother, I'd like to know what the woman means, letting her daughter go from home in this weather in clothes like that."

Lucy Rose merely wondered uncomfortably what the others thought of Aunt Cyrilla's basket.

They expected to reach Pembroke that night, but as the day wore on the storm grew worse. Twice the train had to stop while the train hands dug it out. The third time it could not go on. It was dusk when the conductor came through the train, replying brusquely to the questions of the anxious passengers.

"A nice lookout for Christmas--no, impossible to go on or back--track blocked for miles--what's that, madam?--no, no station near--woods for miles. We're here for the night. These storms of late have played the mischief with everything."

"Oh, dear," groaned Lucy Rose.

Aunt Cyrilla looked at her basket complacently. "At any rate, we won't starve," she said.

The pale, pretty girl seemed indifferent. The sealskin lady looked crosser than ever. The khaki boy said, "Just my luck," and two of the children began to cry. Aunt Cyrilla took some apples and striped candy sticks from her basket and carried them to them. She lifted the oldest into her ample lap and soon had them all around her, laughing and contented.

The rest of the travellers straggled over to the corner and drifted into conversation. The khaki boy said it was hard lines not to get home for Christmas, after all.

"I was invalided from South Africa three months ago, and I've been in the hospital at Netley ever since. Reached Halifax three days ago and telegraphed the old folks I'd eat my Christmas dinner with them, and to have an extra-big turkey because I didn't have any last year. They'll be badly disappointed."

He looked disappointed too. One khaki sleeve hung empty by his side. Aunt Cyrilla passed him an apple.

"We were all going down to Grandpa's for Christmas," said the little mother's oldest boy dolefully. "We've never been there before, and it's just too bad."

He looked as if he wanted to cry but thought better of it and bit off a mouthful of candy.

"Will there be any Santa Claus on the train?" demanded his small sister tearfully. "Jack says there won't."

"I guess he'll find you out," said Aunt Cyrilla reassuringly.

The pale, pretty girl came up and took the baby from the tired mother. "What a dear little fellow," she said softly.

"Are you going home for Christmas too?" asked Aunt Cyrilla.

The girl shook her head. "I haven't any home. I'm just a shop girl out of work at present, and I'm going to Pembroke to look for some."

Aunt Cyrilla went to her basket and took out her box of cream candy. "I guess we might as well enjoy ourselves. Let's eat it all up and have a good time. Maybe we'll get down to Pembroke in the morning."

The little group grew cheerful as they nibbled, and even the pale girl brightened up. The little mother told Aunt Cyrilla her story aside. She had been long estranged from her family, who had disapproved of her marriage. Her husband had died the previous summer, leaving her in poor circumstances.

"Father wrote to me last week and asked me to let bygones be bygones and come home for Christmas. I was so glad. And the children's hearts were set on it. It seems too bad that we are not to get there. I have to be back at work the morning after Christmas."

The khaki boy came up again and shared the candy. He told amusing stories of campaigning in South Africa. The minister came too, and listened, and even the sealskin lady turned her head over her shoulder.

By and by the children fell asleep, one on Aunt Cyrilla's lap and one on Lucy Rose's, and two on the seat. Aunt Cyrilla and the pale girl helped the mother make up beds for them. The minister gave his overcoat and the sealskin lady came forward with a shawl.

"This will do for the baby," she said.

"We must get up some Santa Claus for these youngsters," said the khaki boy. "Let's hang their stockings on the wall and fill 'em up as best we can. I've nothing about me but some hard cash and a jack-knife. I'll give each of 'em a quarter and the boy can have the knife."

"I've nothing but money either," said the sealskin lady regretfully.

Aunt Cyrilla glanced at the little mother. She had fallen asleep with her head against the seat-back.

"I've got a basket over there," said Aunt Cyrilla firmly, "and I've some presents in it that I was taking to my nephew's children. I'm going to give 'em to these. As for the money, I think the mother is the one for it to go to. She's been telling me her story, and a pitiful one it is. Let's make up a little purse among us for a Christmas present."

The idea met with favour. The khaki boy passed his cap and everybody contributed. The sealskin lady put in a crumpled note. When Aunt Cyrilla straightened it out she saw that it was for twenty dollars.

Meanwhile, Lucy Rose had brought the basket. She smiled at Aunt Cyrilla as she lugged it down the aisle and Aunt Cyrilla smiled back. Lucy Rose had never touched that basket of her own accord before.

Ray's boat went to Jacky, and Daisy's doll to his oldest sister, the twins' lace handkerchiefs to the two smaller girls and the hood to the baby. Then the stockings were filled up with doughnuts and jelly cookies and the money was put in an envelope and pinned to the little mother's jacket.

"That baby is such a dear little fellow," said the sealskin lady gently. "He looks something like my little son. He died eighteen Christmases ago."

Aunt Cyrilla put her hand over the lady's kid glove. "So did mine," she said. Then the two women smiled tenderly at each other. Afterwards they rested from their labours and all had what Aunt Cyrilla called a "snack" of sandwiches and pound cake. The khaki boy said he hadn't tasted anything half so good since he left home.

"They didn't give us pound cake in South Africa," he said.

When morning came the storm was still raging. The children wakened and went wild with delight over their stockings. The little mother found her envelope and tried to utter thanks and broke down; and nobody knew what to say or do, when the conductor fortunately came in and made a diversion by telling them they might as well resign themselves to spending Christmas on the train.

"This is serious," said the khaki boy, "when you consider that we've no provisions. Don't mind for myself, used to half rations or no rations at all. But these kiddies will have tremendous appetites."

Then Aunt Cyrilla rose to the occasion.

"I've got some emergency rations here," she announced. "There's plenty for all and we'll have our Christmas dinner, although a cold one. Breakfast first thing. There's a sandwich apiece left and we must fill up on what is left of the cookies and doughnuts and save the rest for a real good spread at dinner time. The only thing is, I haven't any bread."

"I've a box of soda crackers," said the little mother eagerly.

Nobody in that car will ever forget that Christmas. To begin with, after breakfast they had a concert. The khaki boy gave two recitations, sang three songs, and gave a whistling solo. Lucy Rose gave three recitations and the minister a comic reading. The pale shop girl sang two songs. It was agreed that the khaki boy's whistling solo was the best number, and Aunt Cyrilla gave him the bouquet of everlastings as a reward of merit.

Then the conductor came in with the cheerful news that the storm was almost over and he thought the track would be cleared in a few hours.

"If we can get to the next station we'll be all right," he said. "The branch joins the main line there and the tracks will be clear."

At noon they had dinner. The train hands were invited in to share it. The minister carved the chicken with the brakeman's jack-knife and the khaki boy cut up the tongue and the mince pies, while the sealskin lady mixed the raspberry vinegar with its due proportion of water. Bits of paper served as plates. The train furnished a couple of glasses, a tin pint cup was discovered and given to the children, Aunt Cyrilla and Lucy Rose and the sealskin lady drank, turn about, from the latter's graduated medicine glass, the shop girl and the little mother shared one of the empty bottles, and the khaki boy, the minister, and the train men drank out of the other bottle.

Everybody declared they had never enjoyed a meal more in their lives. Certainly it was a merry one, and Aunt Cyrilla's cooking was never more appreciated; indeed, the bones of the chicken and the pot of preserves were all that was left. They could not eat the preserves because they had no spoons, so Aunt Cyrilla gave them to the little mother.

When all was over, a hearty vote of thanks was passed to Aunt Cyrilla and her basket. The sealskin lady wanted to know how she made her pound cake, and the khaki boy asked for her receipt for jelly cookies. And when two hours later the conductor came in and said the snowploughs had got along and they'd soon be starting, they all wondered if it could really be less than twenty-four hours since they met.

"I feel as if I'd been campaigning with you all my life," said the khaki boy.

At the next station they all parted. The little mother and the children had to take the next train back home. The minister stayed there, and the khaki boy and the sealskin lady changed trains. The sealskin lady shook Aunt Cyrilla's hand. She no longer looked discontented or cross.

"This has been the pleasantest Christmas I have ever spent," she said heartily. "I shall never forget that wonderful basket of yours. The little shop girl is going home with me. I've promised her a place in my husband's store."

When Aunt Cyrilla and Lucy Rose reached Pembroke there was nobody to meet them because everyone had given up expecting them. It was not far from the station to Edward's house and Aunt Cyrilla elected to walk.

"I'll carry the basket," said Lucy Rose.

Aunt Cyrilla relinquished it with a smile. Lucy Rose smiled too.

"It's a blessed old basket," said the latter, "and I love it. Please forget all the silly things I ever said about it, Aunt C'rilla."

Davenport's Story

It was a rainy afternoon, and we had been passing the time by telling ghost stories. That is a very good sort of thing for a rainy afternoon, and it is a much better time than after night. If you tell ghost stories after dark they are apt to make you nervous, whether you own up to it or not, and you sneak home and dodge upstairs in mortal terror, and undress with your back to the wall, so that you can't fancy there is anything behind you.

We had each told a story, and had had the usual assortment of mysterious noises and death warnings and sheeted spectres and so on, down through the whole catalogue of horrors--enough to satisfy any reasonable ghost-taster. But Jack, as usual, was dissatisfied. He said our stories were all second-hand stuff. There wasn't a man in the crowd who had ever seen or heard a ghost; all our so-called authentic stories had been told us by persons who had the story from other persons who saw the ghosts.

"One doesn't get any information from that," said Jack. "I never expect to get so far along as to see a real ghost myself, but I would like to see and talk to one who had."

Some persons appear to have the knack of getting their wishes granted. Jack is one of that ilk. Just as he made the remark, Davenport sauntered in and, finding out what was going on, volunteered to tell a ghost story himself--something that had happened to his grandmother, or maybe it was his great-aunt; I forget which. It was a very good ghost story as ghost stories go, and Davenport told it well. Even Jack admitted that, but he said:

"It's only second-hand too. Did you ever have a ghostly experience yourself, old man?"

Davenport put his finger tips critically together.

"Would you believe me if I said I had?" he asked.

"No," said Jack unblushingly.

"Then there would be no use in my saying it."

"But you don't mean that you ever really had, of course?"

"I don't know. Something queer happened once. I've never been able to explain it--from a practical point of view, that is. Want to hear about it?"

Of course we did. This was exciting. Nobody would ever have suspected Davenport of seeing ghosts.

"It's conventional enough," he began. "Ghosts don't seem to have much originality. But it's firsthand, Jack, if that's what you want. I don't suppose any of you have ever heard me speak of my brother, Charles. He was my senior by two years, and was a quiet, reserved sort of fellow--not at all demonstrative, but with very strong and deep affections.

"When he left college he became engaged to Dorothy Chester. She was very beautiful, and my brother idolized her. She died a short time before the date set for their marriage, and Charles never recovered from the blow.

"I married Dorothy's sister, Virginia. Virginia did not in the least resemble her sister, but our eldest daughter was strikingly like her dead aunt. We called her Dorothy, and Charles was devoted to her. Dolly, as we called her, was always 'Uncle Charley's girl.'

"When Dolly was twelve years old Charles went to New Orleans on business, and while there took yellow fever and died. He was buried there, and Dolly half broke her childish heart over his death.

"One day, five years later, when Dolly was seventeen, I was writing letters in my library. That very morning my wife and Dolly had gone to New York en route for Europe. Dolly was going to school in Paris for a year. Business prevented my accompanying them even as far as New York, but Gilbert Chester, my wife's brother, was going with them. They were to sail on the _Aragon_ the next morning.

"I had written steadily for about an hour. At last, growing tired, I threw down my pen and, leaning back in my chair, was on the point of lighting a cigar when an unaccountable impulse made me turn round. I dropped my cigar and sprang to my feet in amazement. There was only one door in the room and I had all along been facing it. I could have sworn nobody had entered, yet there, standing between me and the bookcase, was a man--and that man was my brother Charles!

"There was no mistaking him; I saw him as plainly as I see you. He was a tall, rather stout man, with curly hair and a fair, close-clipped beard. He wore the same light-grey suit which he had worn when bidding us good-bye on the morning of his departure for New Orleans. He had no hat on, but wore spectacles, and was standing in his old favourite attitude, with his hands behind him.

"I want you to understand that at this precise moment, although I was surprised beyond measure, I was not in the least frightened, because I did not for a moment suppose that what I saw was--well, a ghost or apparition of any sort. The thought that flashed across my bewildered brain was simply that there had been some absurd mistake somewhere, and that my brother had never died at all, but was here, alive and well. I took a hasty step towards him.

"'Good heavens, old fellow!' I exclaimed. 'Where on earth have you come from? Why, we all thought you were dead!'

"I was quite close to him when I stopped abruptly. Somehow I couldn't move another step. He made no motion, but his eyes looked straight into mine.

"'Do not let Dolly sail on the _Aragon_ tomorrow,' he said in slow, clear tones that I heard distinctly.

"And then he was gone--yes, Jack, I know it is a very conventional way of ending up a ghost story,| but I have to tell you just what occurred, or at least what I thought occurred. One moment he was there and the next moment he wasn't. He did not pass me or go out of the door.

"For a few moments I felt dazed. I was wide awake and in my right and proper senses so far as I could judge, and yet the whole thing seemed incredible. Scared? No, I wasn't conscious of being scared. I was simply bewildered.

"In my mental confusion one thought stood out sharply--Dolly was in danger of some kind, and if the warning was really from a supernatural source, it must not be disregarded. I rushed to the station and, having first wired to my wife not to sail on the _Aragon_, I found that I could connect with the five-fifteen train for New York. I took it with the comfortable consciousness that my friends would certainly think I had gone out of my mind.

"I arrived in New York at eight o'clock the next morning and at once drove to the hotel where my wife, daughter and brother-in-law were staying. I found them greatly mystified by my telegram. I suppose my explanation was a very lame one. I know I felt decidedly like a fool. Gilbert laughed at me and said I had dreamed the whole thing. Virginia was perplexed, but Dolly accepted the warning unhesitatingly.

"'Of course it was Uncle Charley,' she said confidently. 'We will not sail on the _Aragon_ now.'

"Gilbert had to give in to this decision with a very bad grace, and the _Aragon_ sailed that day minus three of her intended passengers.

"Well, you've all heard of the historic collision between the _Aragon_ and the _Astarte_ in a fog, and the fearful loss of life it involved. Gilbert didn't laugh when the news came, I assure you. Virginia and Dolly sailed a month later on the _Marseilles_, and reached the other side in safety. That's all the story, boys--the only experience of the kind I ever had," concluded Davenport.

We had many questions to ask and several theories to advance. Jack said Davenport had dreamed it and that the collision of the _Aragon_ and the _Astarte_ was simply a striking coincidence. But Davenport merely smiled at all our suggestions and, as it cleared up just about three, we told no more ghost stories.

Emily's Husband

Emily Fair got out of Hiram Jameson's waggon at the gate. She took her satchel and parasol and, in her clear, musical tones, thanked him for bringing her home. Emily had a very distinctive voice. It was very sweet always and very cold generally; sometimes it softened to tenderness with those she loved, but in it there was always an undertone of inflexibility and reserve. Nobody had ever heard Emily Fair's voice tremble.

"You are more than welcome, Mrs. Fair," said Hiram Jameson, with a glance of bold admiration. Emily met it with an unflinching indifference. She disliked Hiram Jameson. She had been furious under all her external composure because he had been at the station when she left the train.

Jameson perceived her scorn, but chose to disregard it.

"Proud as Lucifer," he thought as he drove away. "Well, she's none the worse of that. I don't like your weak women--they're always sly. If Stephen Fair don't get better she'll be free and then--"

He did not round out the thought, but he gloated over the memory of Emily, standing by the gate in the harsh, crude light of the autumn sunset, with her tawny, brown hair curling about her pale, oval face and the scornful glint in her large, dark-grey eyes.

Emily stood at the gate for some time after Jameson's waggon had disappeared. When the brief burst of sunset splendour had faded out she turned and went into the garden where late asters and chrysanthemums still bloomed. She gathered some of the more perfect ones here and there. She loved flowers, but to-night the asters seemed to hurt her, for she presently dropped those she had gathered and deliberately set her foot on them.

A sudden gust of wind came over the brown, sodden fields and the ragged maples around the garden writhed and wailed. The air was raw and chill. The rain that had threatened all day was very near. Emily shivered and went into the house.

Amelia Phillips was bending over the fire. She came forward and took Emily's parcels and wraps with a certain gentleness that sat oddly on her grim personality.

"Are you tired? I'm glad you're back. Did you walk from the station?"

"No. Hiram Jameson was there and offered to drive me home. I'd rather have walked. It's going to be a storm, I think. Where is John?"

"He went to the village after supper," answered Amelia, lighting a lamp. "We needed some things from the store."

The light flared up as she spoke and brought out her strong, almost harsh features and deep-set black eyes. Amelia Phillips looked like an overdone sketch in charcoal.

"Has anything happened in Woodford while I've been away?" asked Emily indifferently. Plainly she did not expect an affirmative answer. Woodford life was not eventful.

Amelia glanced at her sharply. So she had not heard! Amelia had expected that Hiram Jameson would have told her. She wished that he had, for she never felt sure of Emily. The older sister knew that beneath that surface reserve was a passionate nature, brooking no restraint when once it overleaped the bounds of her Puritan self-control. Amelia Phillips, with all her naturally keen insight and her acquired knowledge of Emily's character, had never been able to fathom the latter's attitude of mind towards her husband. From the time that Emily had come back to her girlhood's home, five years before, Stephen Fair's name had never crossed her lips.

"I suppose you haven't heard that Stephen is very ill," said Amelia slowly.

Not a feature of Emily's face changed. Only in her voice when she spoke was a curious jarring, as if a false note had been struck in a silver melody.

"What is the matter with him?"

"Typhoid," answered Amelia briefly. She felt relieved that Emily had taken it so calmly. Amelia hated Stephen Fair with all the intensity of her nature because she believed that he had treated Emily ill, but she had always been distrustful that Emily in her heart of hearts loved her husband still. That, in Amelia Phillips' opinion, would have betrayed a weakness not to be tolerated.

Emily looked at the lamp unwinkingly.

"That wick needs trimming," she said. Then, with a sudden recurrence of the untuneful note:

"Is he dangerously ill?"

"We haven't heard for three days. The doctors were not anxious about him Monday, though they said it was a pretty severe case."