Part 4

To do your work well to-day, is the certain preparation for something better to-morrow. The past has gone from us forever; the future we cannot reach; the present alone is ours. Each day's work is a preparation for the next day's duties.

Live in the present--the Day is here, the time is Now.

There is only one thing that is worth praying for--that we may be in the line of Evolution.

The Spirit of Man

Maybe I am all wrong about it, yet I cannot help believing that the spirit of man will live again in a better world than ours. Fenelon says: "Justice demands another life to make good the inequalities of this." Astronomers prophesy the existence of stars long before they can see them. They know where they ought to be, and training their telescopes in that direction they wait, knowing they shall find them.

Materially, no one can imagine anything more beautiful than this earth, for the simple reason that we cannot imagine anything we have not seen; we may make new combinations, but the whole is made up of parts of things with which we are familiar. This great green earth out of which we have sprung, of which we are a part, that supports our bodies which must return to it to repay the loan, is very, very beautiful.

But the spirit of man is not fully at home here; as we grow in soul and intellect, we hear, and hear again, a voice which says: "Arise and get thee hence, for this is not thy rest." And the greater and nobler and more sublime the spirit, the more constant is the discontent. Discontent may come from various causes, so it will not do to assume that the discontented ones are always the pure in heart, but it is a fact that the wise and excellent have all known the meaning of world-weariness. The more you study and appreciate this life, the more sure you are that this is not all. You pillow your head upon Mother Earth, listen to her heart-throb, and even as your spirit is filled with the love of her, your gladness is half pain and there comes to you a joy that hurts. To look upon the most exalted forms of beauty, such as sunset at sea, the coming of a storm on the prairie, or the sublime majesty of the mountains, begets a sense of sadness, an increasing loneliness. It is not enough to say that man encroaches on man so that we are really deprived of our freedom, that civilization is caused by a bacillus, and that from a natural condition we have gotten into a hurly-burly where rivalry is rife--all this may be true, but beyond and outside of all this there is no physical environment in way of plenty which earth can supply, that will give the tired soul peace. They are the happiest who have the least; and the fable of the stricken king and the shirtless beggar contains the germ of truth. The wise hold all earthly ties very lightly--they are stripping for eternity.

World-weariness is only a desire for a better spiritual condition. There is more to be written on this subject of world-pain--to exhaust the theme would require a book. And certain it is that I have no wish to say the final word on any topic. The gentle reader has certain rights, and among these is the privilege of summing up the case.

But the fact holds that world-pain is a form of desire. All desires are just, proper and right; and their gratification is the means by which nature supplies us that which we need.

Desire not only causes us to seek that which we need, but is a form of attraction by which the good is brought to us, just as the amoebae create a swirl in the waters that brings their food within reach.

Every desire in nature has a fixed and definite purpose in the Divine Economy, and every desire has its proper gratification. If we desire the close friendship of a certain person, it is because that person has certain soul-qualities that we do not possess, and which complement our own.

Through desire do we come into possession of our own; by submitting to its beckonings we add cubits to our stature; and we also give out to others our own attributes, without becoming poorer, for soul is not limited. All nature is a symbol of spirit, and so I am forced to believe that somewhere there must be a proper gratification for this mysterious nostalgia of the soul.

The Valhalla of the Norseman, the Nirvana of the Hindu, the Heaven of the Christian are natural hopes of beings whose cares and disappointments here are softened by belief that somewhere, Thor, Brahma or God gives compensation.

The Eternal Unities require a condition where men and women shall be permitted to love and not to sorrow; where the tyranny of things hated shall not prevail, nor that for which the heart yearns turn to ashes at our touch.

Art and Religion

While this seems true in the main, I am not sure it will hold in every case. Please think it out for yourself, and if I happen to be wrong, why, put me straight.

The proposition is this: the artist needs no religion beyond his work. That is to say, art is religion to the man who thinks beautiful thoughts and expresses them for others the best he can. Religion is an emotional excitement whereby the devotee rises into a state of spiritual sublimity, and for the moment is bathed in an atmosphere of rest, and peace, and love. All normal men and women crave such periods; and Bernard Shaw says that we reach them through strong tea, tobacco, whiskey, opium, love, art or religion.

I think Bernard Shaw a cynic, but there is a glimmer of truth in his idea that makes it worth repeating. But beyond the natural religion, which is a passion for oneness with the Whole, all formalized religions engraft the element of fear, and teach the necessity of placating a Supreme Being. Our idea of a Supreme Being is suggested to us by the political government under which we live. The situation was summed up by Carlyle, when he said that Deity to the average British mind was simply an infinite George IV. The thought of God as a terrible Supreme Tyrant first found form in an unlimited monarchy; but as governments have become more lenient so have the gods, until you get them down (or up) to a republic, where God is only a president, and we all approach Him in familiar prayer, on an absolute equality.

Then soon, for the first time, we find man saying, "I am God, and you are God, and we are all simply particles of Him," and this is where the president is done away with, and the referendum comes in. But the absence of a supreme governing head implies simplicity, honesty, justice, and sincerity. Wherever plottings, schemings and doubtful methods of life are employed, a ruler is necessary; and there, too, religion, with its idea of placating God has a firm hold. Men whose lives are doubtful feel the need of a strong government and a hot religion. Formal religion and sin go hand in hand. Formal religion and slavery go hand in hand. Formal religion and tyranny go hand in hand. Formal religion and ignorance go hand in hand.

And sin, slavery, tyranny and ignorance are one--they are never separated.

Formal religion is a scheme whereby man hopes to make peace with his Maker; and a formal religion also tends to satisfy the sense of sublimity where the man has failed to find satisfaction in his work. Voltaire says, "When woman no longer finds herself acceptable to man, she turns to God," When man is no longer acceptable to himself he goes to church. In order to keep this article from extending itself into a tome, I purposely omitted saying a single thing about the Protestant Church as a useful Social Club and have just assumed for argument's sake that the church is really a religious institution.

A formal religion is only a cut 'cross lots--an attempt to bring about the emotions and the sensations that come to a man by the practice of love, virtue, excellence and truth. When you do a splendid piece of work and express your best, there comes to you, as reward, an exaltation of soul, a sublimity of feeling that puts you for the time being in touch with the Infinite. A formal religion brings this feeling without your doing anything useful, therefore it is unnatural.

Formalized religion is the strongest where sin, slavery, tyranny and ignorance abound. Where men are free, enlightened and at work, they find all the gratification in their work that their souls demand--they cease to hunt outside themselves for something to give them rest. They are at peace with themselves, at peace with man and with God.

But any man chained to a hopeless task, whose daily work does not express himself, who is dogged by a boss, whenever he gets a moment of respite turns to drink or religion.

Men with an eye on Saturday night, who plot to supplant some one else, who can locate an employer any hour of the day, who use their wit to evade labor, who think only of their summer vacation when they will no longer be compelled to work, are apt to be sticklers for Sabbath-keeping and church-going.

Gentlemen in business who give eleven for a dozen, and count thirty-four inches a yard, who are quick to foreclose a mortgage, and who say "business is business," generally are vestrymen, deacons and church trustees. Look about you! Predaceous real estate dealers who set nets for all the unwary, lawyers who lie in wait for their prey, merchant princes who grind their clerks under the wheel, and oil magnates whose history was never written, nor could be written, often make peace with God, and find a gratification for their sense of sublimity by building churches, founding colleges, giving libraries, and holding firmly to a formalized religion. Look about you!

To recapitulate: if your life-work is doubtful, questionable or distasteful, you will hold the balance true by going outside your vocation for the gratification that is your due, but which your daily work denies, and you find it in religion, I do not say this is always so, but it is very often. Great sinners are apt to be very religious; and conversely, the best men who have ever lived have been at war with established religions. And further, the best men are never found in churches.

Men deeply immersed in their work, whose lives are consecrated to doing things, who are simple, honest and sincere, desire no formal religion, need no priest nor pastor, and seek no gratification outside their daily lives. All they ask is to be let alone--they wish only the privilege to work.

When Samuel Johnson, on his death bed, made Joshua Reynolds promise he would do no more work on Sunday, he of course had no conception of the truth that Reynolds reached through work the same condition of mind that he, Johnson, had reached by going to church. Johnson despised work and Reynolds loved it; Johnson considered one day in the week holy; to Reynolds all days were sacred--sacred to work; that is, to the expression of his best. Why should you cease to express your holiest and highest on Sunday? Ah, I know why you don't work on Sunday! It is because you think that work is degrading, and because your sale and barter is founded on fraud, and your goods are shoddy. Your week-day dealings lie like a pall upon your conscience, and you need a day in which to throw off the weariness of that slavery under which you live. You are not free yourself, and you insist that others shall not be free.

You have ceased to make work gladsome, and you toil and make others toil with you, and you all well nigh faint from weariness and disgust. You are slave and slave-owner, for to own slaves is to be one.

But the artist is free and he works in joy, and to him all things are good and all days are holy. The great inventors, thinkers, poets, musicians and artists have all been men of deep religious natures; but their religion has never been a formalized, restricted, ossified religion. They did not worship at set times and places. Their religion has been a natural and spontaneous blossoming of the intellect and emotions--they have worked in love, not only one day in the week, but all days, and to them the groves have always and ever been God's first temples.

Let us work to make men free! Am I bad because I want to give you freedom, and have you work in gladness instead of fear?

Do not hesitate to work on Sunday, just as you would think good thoughts if the spirit prompts you. For work is, at the last, only the expression of your thought, and there can be no better religion than good work.

Initiative

The world bestows its big prizes, both in money and honors, for but one thing. And that is Initiative. What is Initiative? I'll tell you: It is doing the right thing without being told. But next to doing the right thing without being told is to do it when you are told once. That is to say, carry the Message to Garcia! There are those who never do a thing until they are told twice: such get no honors and small pay. Next, there are those who do the right thing only when necessity kicks them from behind, and these get indifference instead of honors, and a pittance for pay. This kind spends most of its time polishing a bench with a hard-luck story. Then, still lower down in the scale than this, we find the fellow who will not do the right thing even when some one goes along to show him how, and stays to see that he does it; he is always out of a job, and receives the contempt he deserves, unless he has a rich Pa, in which case Destiny awaits near by with a stuffed club. To which class do you belong?

The Disagreeable Girl

England's most famous dramatist, George Bernard Shaw, has placed in the pillory of letters what he is pleased to call "The Disagreeable Girl."

And he has done it by a dry-plate, quick-shutter process in a manner that surely lays him liable for criminal libel in the assize of high society.

I say society's assize advisedly, because it is only in society that the Disagreeable Girl can play a prominent part, assuming the center of the stage. Society, in the society sense, is built upon vacuity; its favors being for those who reveal a fine capacity to waste and consume. Those who would write their names high on society's honor roll, need not be either useful or intelligent--they need only seem.

And this gives to the Disagreeable Girl her opportunity. In the paper box factory she would have to make good; Cluett, Coon & Co. ask for results; the stage demands at least a modicum of intellect, in addition to shape, but society asks for nothing but pretense, and the palm is awarded to palaver. But do not, if you please, imagine that the Disagreeable Girl does not wield an influence. That is the very point--her influence is so far-reaching in its effect that George Bernard Shaw, giving cross-sections of life in the form of dramas, cannot write a play and leave her out.

She is always with us, ubiquitous, omniscient and omnipresent--is the Disagreeable Girl. She is a disappointment to her father, a source of humiliation to her mother, a pest to her brothers and sisters, and when she finally marries, she slowly saps the inspiration of her husband and very often converts a proud and ambitious man into a weak and cowardly cur.

Only in society does the Disagreeable Girl shine--everywhere else she is an abject failure. The much-vaunted Gibson Girl is a kind of de luxe edition of Shaw's Disagreeable Girl. The Gibson Girl lolls, loafs, pouts, weeps, talks back, lies in wait, dreams, eats, drinks, sleeps and yawns. She rides in a coach in a red jacket, plays golf in a secondary sexual sweater, dawdles on a hotel veranda, and can tum-tum on a piano, but you never hear of her doing a useful thing or saying a wise one. She plays bridge whist, for "keeps" when she wins, and "owes" when she loses, and her picture in flattering half-tone often adorns a page of the Sunday Yellow.

She reveals a beautiful capacity for avoiding all useful effort.

Gibson gilds the Disagreeable Girl.

Shaw paints her as she is.

In the _Doll's House_ Henrik Ibsen has given us _Nora Hebler_, a Disagreeable Girl of mature age, who, beyond a doubt, first set George Bernard Shaw a-thinking. Then looking about, Shaw saw her at every turn in every stage of her moth-and-butterfly existence.

And the Disagreeable Girl being everywhere, Shaw, dealer in human character, cannot write a play and leave her out, any more than the artist Turner could paint a picture and leave man out, or Paul Veronese produce a canvas and omit the dog.

The Disagreeable Girl is a female of the genus homo persuasion, built around a digestive apparatus that possesses marked marshmallow proclivities. She is pretty, pug-nosed, pink, pert and poetical; and at first glance, to the unwary, she shows signs of gentleness and intelligence. Her age is anywhere from eighteen to twenty-eight. At twenty-eight she begins to evolve into something else, and her capacity for harm is largely curtailed, because by this time spirit has written itself in her form and features, and the grossness and animality which before were veiled are becoming apparent.

Habit writes itself on the face, and body is an automatic recording machine.

To have a beautiful old age, you must live a beautiful youth, for we ourselves are posterity, and every man is his own ancestor. I am to-day what I am because I was yesterday what I was. The Disagreeable Girl is always pretty, at least we have been told she is pretty, and she fully accepts the dictum.

She has also been told she is clever, and she thinks she is.

The actual fact is she is only "sassy."

The fine flaring up of youth has tended to set sex rampant, but she is not "immoral" save in her mind.

She has caution to the verge of cowardice, and so she is sans reproche. In public she pretends to be dainty; but alone, or with those for whose good opinion she does not care, she is gross, coarse and sensual in every feature of her life. She eats too much, does not exercise enough and considers it amusing to let other people wait on her and do for her the things she should do for herself. Her room is a jumble of disorder. The one gleam of hope for her lies in the fact that out of shame, she allows no visitor to enter her apartments if she can help it. Concrete selfishness is her chief mark. She will avoid responsibility, side-step every duty that calls for honest effort; is untruthful, secretive, indolent and dishonest.

"What are you eating?" asks Nora Hebler's husband as she enters the room, not expecting to see him.

"Nothing," is the answer, and she hides the box of bonbons behind her, and soon backs out of the room.

I think Mr. Hebler had no business to ask her what she was eating--no man should ask any woman such a question, and really it was no difference anyway. But Nora is always on the defensive and fabricates when it is necessary, and when it isn't, just through habit. She will hide a letter written by her grandmother as quickly and deftly as if it were a missive from a guilty lover. The habit of her life is one of suspicion, for being inwardly guilty herself, she suspects everybody although it is quite likely that crime with her has never broken through thought into deed. Nora will rifle her husband's pockets, read his note-book, examine his letters, and when he goes on a trip she spends the day checking up his desk, for her soul delights in duplicate keys.

At times she lets drop hints of knowledge concerning little nothings that are none of hers, just to mystify folks.

She does strange, annoying things simply to see what others will do.

In degree, Nora's husband fixed the vice of finesse in her nature, for when even a "good" woman is accused she parries by the use of trickery and wins her point by the artistry of the bagnio. Women and men are never really far apart anyway, and women are largely what men have made them.

We are all just getting rid of our shackles; listen closely, anywhere, even among honest and intellectual people, if such there be, and you can detect the rattle of chains.

The Disagreeable Girl's mind and soul have not kept pace with her body. Yesterday she was a slave, sold in a Circassian mart, and freedom to her is so new and strange that she is unfamiliar with her environment, and she does not know what to do with it.

The tragedy she works, according to George Bernard Shaw, is through the fact that very often good men, blinded by the glamour of sex, imagine they love the Disagreeable Girl, when what they love is their own ideal--an image born in their own minds.

Nature is both a trickster and a humorist, and ever sets the will of the species beyond the discernment of the individual. The picador has to blindfold his horse in order to get him into the bull-ring, and likewise, Dan Cupid does the myopic to a purpose.

For aught we know, the lovely Beatrice of Dante was only a Disagreeable Girl, clothed in a poet's fancy, and idealized by a dreamer. Fortunate was Dante that he worshipped her afar, that he never knew her well enough to be undeceived, and so walked through life in love with love, sensitive, saintly, sweetly sad and most divinely happy in his melancholy.

The Neutral

There is known to me a prominent business house that by the very force of its directness and worth has incurred the enmity of many rivals. In fact, there is a very general conspiracy on hand to put the institution down and out. In talking with a young man employed by this house, he yawned and said, "Oh, in this quarrel I am neutral."

"But you get your bread and butter from this firm, and in a matter where the very life of the institution is concerned, I do not see how you can be a neutral."

And he changed the subject.

I think that if I enlisted in the Japanese army I would not be a neutral.

Business is a fight--a continual struggle--just as life is. Man has reached his present degree of development through struggle. Struggle there must be and always will be. The struggle began as purely physical; as man evolved it shifted ground to the mental, psychic, and the spiritual, with a few dashes of cave-man proclivities still left. But depend upon it, the struggle will always be--life is activity. And when it gets to be a struggle in well-doing, it will still be a struggle. When inertia gets the better of you it is time to telephone to the undertaker.

The only real neutral in this game of life is a dead one.

Eternal vigilance is not only the price of liberty, but of every other good thing.

A business that is not safeguarded on every side by active, alert, attentive, vigilant men is gone. As oxygen is the disintegrating principle of life, working night and day to dissolve, separate, pull apart and dissipate, so there is something in business that continually tends to scatter, destroy and shift possession from this man to that. A million mice nibble eternally at every business venture.

The mice are not neutrals, and if enough employes in a business house are neutrals, the whole concern will eventually come tumbling about their ears.

I like that order of Field-Marshal Oyama: "Give every honorable neutral that you find in our lines the honorable jiu-jitsu hikerino."

Reflections on Progress

Renan has said that truth is always rejected when it comes to a man for the first time, its evolution being as follows:

First, we say the thing is rank heresy, and contrary to the Bible.

Second, we say the matter really amounts to nothing, anyway.

Third, we declare that we always believed it.