Part 2

The fact that Phil May is a prophet in his own country should alone clear Englishmen of the suspicion that they are slow to see fun. On an Englishman’s love of fair play and good sport no suspicion has ever rested. It is the most attractive thing about him, and it is only natural that the greatest assortment of good-natured people are to be found at the Derby. I had already met them in May’s drawings, and I was prepared to find the good-nature contagious. Last year a party on a coach opposite the Royal box and a policeman, who looked after that particular part of the course, drank champagne out of the same bottle. When the Prince of Wales came down to lead Persimmon off the track, short men stood on boxes and balanced themselves by holding on to whoever stood next to them. Gypsy fortune-tellers and painted-faced minstrels climbed on the backs of coaches. Everyone shouted together and probably wished that the Prince had been a little taller, so that they might all have seen him.

English-speaking people have been introduced to each other by a long line of clever draughtsmen. They have laughed together about the same people in the truest and sweetest-natured way in all the world. Above all others, one hand awakened the interest resulting in people knowing themselves and others better. The beautiful was safe in that gentle hand. Although the heart that guided it no longer beats, the human interest and kindly feeling that it awakened will live forever, and all the world has placed among the foremost men of his day the affectionately remembered name of George Du Maurier.

These drawings were made among the most hospitable people I ever met. When I have failed, it has not been owing to a lack of interest, but more likely on account of a consciousness that my results would fall short of my desires. The disappointments following the completion of a drawing made from a beautiful woman are many. In these portraits I have the most to regret.