Chapter 22

This however was the acme of his prosperity. His system was extremely popular for one year; but then he lost himself by brutality and intemperance. He had drunk water only for the first five-and-twenty years of his life; but now indulged himself in beastly crapulence with the dregs of society, and scarcely ever took off his clothes by day or night. After one year therefore spent at Bale, he resumed his former vagabond life, and, having passed through many vicissitudes, some of them of the most abject poverty, he died at the age of forty-eight.

Paracelsus in fact exhibited in his person the union of a quack, a boastful and impudent pretender, with a considerable degree of natural sagacity and shrewdness. Such an union is not uncommon in the present day; but it was more properly in its place, when the cultivation of the faculties of the mind was more restricted than now, and the law of criticism of facts and evidence was nearly unknown. He took advantage of the credulity and love of wonder incident to the generality of our species; and, by dint of imposing on others, succeeded in no small degree in imposing on himself. His intemperance and arrogance of demeanour gave the suitable finish to his character. He therefore carefully cherished in those about him the idea that there was in him a kind of supernatural virtue, and that he had the agents of an invisible world at his command. In particular he gave out that he held conferences with a familiar or demon, whom for the convenience of consulting he was in the habit of carrying about with him in the hilt of his sword.

CARDAN.

Jerome Cardan, who was only a few years younger than Paracelsus, was a man of a very different character. He had considerable refinement and discrimination, and ranked among the first scholars of his day. He is however most of all distinguished for the Memoirs he has left us of his life, which are characterised by a frankness and unreserve which are almost without a parallel. He had undoubtedly a considerable spice of madness in his composition. He says of himself, that he was liable to extraordinary fits of abstraction and elevation of mind, which by their intenseness became so intolerable, that he gladly had recourse to very severe bodily pain by way of getting rid of them. That in such cases he would bite his lips till they bled, twist his fingers almost to dislocation, and whip his legs with rods, which he found a great relief to him. That he would talk purposely of subjects which he knew were particularly offensive to the company he was in; that he argued on any side of a subject, without caring whether he was right or wrong; and that he would spend whole nights in gaming, often venturing as the stake he played for, the furniture of his house, and his wife's jewels.

Cardan describes three things of himself, which he habitually experienced, but respecting which he had never unbosomed himself to any of his friends. The first was, a capacity which he felt in himself of abandoning his body in a sort of extacy whenever he pleased. He felt in these cases a sort of splitting of the heart, as if his soul was about to withdraw, the sensation spreading over his whole frame, like the opening of a door for the dismissal of its guest. His apprehension was, that he was out of his body, and that by an energetic exertion he still retained a small hold of his corporeal figure. The second of his peculiarities was, that he saw, when he pleased, whatever he desired to see, not through the force of imagination, but with his material organs: he saw groves, animals, orbs, as he willed. When he was a child, he saw these things, as they occurred, without any previous volition or anticipation that such a thing was about to happen. But, after he had arrived at years of maturity, he saw them only when he desired, and such things as he desired. These images were in perpetual succession, one after another. The thing incidental to him which he mentions in the third place was, that he could not recollect any thing that ever happened to him, whether good, ill, or indifferent, of which he had not been admonished, and that a very short time before, in a dream. These things serve to shew of what importance he was in his own eyes, and also, which is the matter he principally brings it to prove, the subtlety and delicacy of his animal nature.

Cardan speaks uncertainly and contradictorily as to his having a genius or demon perpetually attending him, advising him of what was to happen, and forewarning him of sinister events. He concludes however that he had no such attendant, but that it was the excellence of his nature, approaching to immortality. He was much addicted to the study of astrology, and laid claim to great skill as a physician. He visited the court of London, and calculated the nativity of king Edward VI. He was sent for as a physician by cardinal Beaton, archbishop of St Andrews, whom, according to Melvile, [208] he recovered to speech and health, and the historian appears to attribute the cure to magic. He calculated the nativity of Jesus Christ, which was imputed to him as an impious undertaking, inasmuch as it supposed the creator of the world to be subject to the influence of the stars. He also predicted his own death, and is supposed by some to have forwarded that event, by abstinence from food at the age of seventy-five, that he might not bely his prediction.

QUACKS, WHO IN COOL BLOOD UNDERTOOK TO OVERREACH MANKIND.

Hitherto we have principally passed such persons in review, as seem to have been in part at least the victims of their own delusions. But beside these there has always been a numerous class of men, who, with minds perfectly disengaged and free, have applied themselves to concert the means of overreaching the simplicity, or baffling the penetration, of those who were merely spectators, and uninitiated in the mystery of the arts that were practised upon them. Such was no doubt the case with the speaking heads and statues, which were sometimes exhibited in the ancient oracles. Such was the case with certain optical delusions, which were practised on the unsuspecting, and were contrived to produce on them the effect of supernatural revelations. Such is the story of Bel and the Dragon in the book of Apocrypha, where the priests daily placed before the idol twelve measures of flour, and forty sheep, and six vessels of wine, pretending that the idol consumed all these provisions, when in fact they entered the temple by night, by a door under the altar, and removed them.

BENVENUTO CELLINI.

We have a story minutely related by Benvenuto Cellini in his Life, which it is now known was produced by optical delusion, but which was imposed upon the artist and his companions as altogether supernatural. It occurred a very short time before the death of pope Clement the Seventh in 1534, and is thus detailed. It took place in the Coliseum at Rome.

"It came to pass through a variety of odd accidents, that I made acquaintance with a Sicilian priest, who was a man of genius, and well versed in the Greek and Latin languages. Happening one day to have some conversation with him, where the subject turned upon the art of necromancy, I, who had a great desire to know something of the matter, told him, that I had all my life had a curiosity to be acquainted with the mysteries of this art. The priest made answer, that the man must be of a resolute and steady temper, who entered on that study. I replied, that I had fortitude and resolution enough to desire to be initiated in it. The priest subjoined, 'If you think you have the heart to venture, I will give you all the satisfaction you can desire.' Thus we agreed to enter upon a scheme of necromancy.

"The priest one evening prepared to satisfy me, and desired me to look for a companion or two. I invited one Vincenzio Romoli, who was my intimate acquaintance, and he brought with him a native of Pistoia who cultivated the art of necromancy himself. We repaired to the Coliseum; and the priest, according to the custom of conjurors, began to draw circles on the ground, with the most impressive ceremonies imaginable. He likewise brought with him all sorts of precious perfumes and fire, with some compositions which diffused noisome and bad odours. As soon as he was in readiness, he made an opening to the circle, and took us by the hand, and ordered the other necromancer, his partner, to throw perfumes into the fire at a proper time, intrusting the care of the fire and the perfumes to the rest; and then he began his incantations.

"This ceremony lasted above an hour and a half, when there appeared several legions of devils, so that the amphitheatre was quite filled with them. I was busy about the perfumes, when the priest, who knew that there was a sufficient number of infernal spirits, turned about to me, and said, 'Benvenuto, ask them something.' I answered, 'Let them bring me into company with my Sicilian mistress, Angelica.' That night we obtained no answer of any sort; but I received great satisfaction in having my curiosity so far indulged.

"The necromancer told me that it was requisite we should go a second time, assuring me that I should be satisfied in whatever I asked; but that I must bring with me a boy that had never known woman. I took with me my apprentice, who was about twelve years of age; with the same Vincenzio Romoli, who had been my companion the first time, and one Agnolino Gaddi, an intimate acquaintance, whom I likewise prevailed on to assist at the ceremony. When we came to the place appointed, the priest, having made his preparations as before with the same and even more striking ceremonies, placed us within the circle, which he had drawn with a more wonderful art and in a more solemn manner, than at our former meeting. Thus having committed the care of the perfumes and the fire to my friend Vincenzio, who was assisted by Gaddi, he put into my hands a pintacolo, or magical chart, and bid me turn it towards the places to which he should direct me; and under the pintacolo I held my apprentice. The necromancer, having begun to make his most tremendous invocations, called by their names a multitude of demons who were the leaders of the several legions, and questioned them, by the virtue and power of the eternal, uncreated God, who lives for ever, in the Hebrew language, as also in Latin and Greek; insomuch that the amphitheatre was filled, almost in an instant, with demons a hundred times more numerous than at the former conjuration. Vincenzio meanwhile was busied in making a fire with the assistance of Gaddi, and burning a great quantity of precious perfumes. I, by the direction of the necromancer, again desired to be in company with my Angelica. He then turning upon me said, 'Know, they have declared that in the space of a month you shall be in her company.'

"He then requested me to stand by him resolutely, because the legions were now above a thousand more in number than he had designed; and besides these were the most dangerous; so that, after they had answered my question, it behoved him to be civil to them, and dismiss them quietly. At the same time the boy under the pintacolo was in a terrible fright, saying, that there were in the place a million of fierce men who threatened to destroy us; and that, besides, there were four armed giants of enormous stature, who endeavoured to break into our circle. During this time, while the necromancer, trembling with fear, endeavoured by mild means to dismiss them in the best way he could, Vincenzio, who quivered like an aspen leaf, took care of the perfumes. Though I was as much afraid as any of them, I did my utmost to conceal it; so that I greatly contributed to inspire the rest with resolution; but the truth is, I gave myself over for a dead man, seeing the horrid fright the necromancer was in.

"The boy had placed his head between his knees; and said, 'In this attitude will I die; for we shall all surely perish.' I told him that those demons were under us, and what he saw was smoke and shadow; so bid him hold up his head and take courage. No sooner did he look up, than he cried out, 'The whole amphitheatre is burning, and the fire is just falling on us.' So, covering his eyes with his hands, he again exclaimed, that destruction was inevitable, and he desired to see no more. The necromancer intreated me to have a good heart, and to take care to burn proper perfumes; upon which I turned to Vincenzio, and bade him burn all the most precious perfumes he had. At the same time I cast my eyes upon Gaddi, who was terrified to such a degree, that he could scarcely distinguish objects, and seemed to be half dead. Seeing him in this condition, I said to him, 'Gaddi, upon these occasions a man should not yield to fear, but stir about to give some assistance; so come directly, and put on more of these perfumes.' Gaddi accordingly attempted to move; but the effect was annoying both to our sense of hearing and smell, and overcame the perfumes.

"The boy perceiving this, once more ventured to raise his head, and, seeing me laugh, began to take courage, and said, 'The devils are flying away with a vengeance.' In this condition we staid, till the bell rang for morning prayers. The boy again told us, that there remained but few devils, and those were at a great distance. When the magician had performed the rest of his ceremonies, he stripped off his gown, and took up a wallet full of books, which he had brought with him. We all went out of the circle together, keeping as close to each other as we possibly could, especially the boy, who placed himself in the middle, holding the necromancer by the coat, and me by the cloak.

"As we were going to our houses in the quarter of Banchi, the boy told us, that two of the demons whom we had seen at the amphitheatre, went on before us leaping and skipping, sometimes running upon the roofs of the houses, and sometimes on the ground. The priest declared that, as often as he had entered magic circles, nothing so extraordinary had ever happened to him. As we went along, he would fain have persuaded me to assist at the consecrating a book, from which he said we should derive immense riches. We should then ask the demons to discover to us the various treasures with which the earth abounds, which would raise us to opulence and power; but that those love-affairs were mere follies from which no good could be expected. I made answer, that I would readily have accepted his proposal if I had understood Latin. He assured me that the knowledge of Latin was nowise material; but that he could never meet with a partner of resolution and intrepidity equal to mine, and that that would be to him an invaluable acquisition." Immediately subsequent to this scene, Cellini got into one of those scrapes, in which he was so frequently involved by his own violence and ferocity; and the connection was never again renewed.

The first remark that arises out of this narrative is, that nothing is actually done by the supernatural personages which are exhibited. The magician reports certain answers as given by the demons; but these answers do not appear to have been heard from any lips but those of him who was the creator or cause of the scene. The whole of the demons therefore were merely figures, produced by the magic lantern (which is said to have been invented by Roger Bacon), or by something of that nature. The burning of the perfumes served to produce a dense atmosphere, that was calculated to exaggerate, and render more formidable and terrific, the figures which were exhibited. The magic lantern, which is now the amusement only of servant-maids, and boys at school in their holidays, served at this remote period, and when the power of optical delusions was unknown, to terrify men of wisdom and penetration, and make them believe that legions of devils from the infernal regions were come among them, to produce the most horrible effects, and suspend and invert the laws of nature. It is probable, that the magician, who carried home with him a "wallet full of books," also carried at the same time the magic lantern or mirror, with its lights, which had served him for his exhibition, and that this was the cause of the phenomenon, that they observed two of the demons which they had seen at the amphitheatre, going before them on their return, "leaping and skipping, sometimes running on the roofs of the houses, and sometimes on the ground." [209]

NOSTRADAMUS.

Michael Nostradamus, a celebrated astrologer, was born at St. Remi in Provence in the year 1503. He published a Century of Prophecies in obscure and oracular terms and barbarous verse, and other works. In the period in which he lived the pretended art of astrological prediction was in the highest repute; and its professors were sought for by emperors and kings, and entertained with the greatest distinction and honour. Henry the Second of France, moved with his great renown, sent for Nostradamus to court, received much gratification from his visit, and afterward ordered him to Blois, that he might see the princes, his sons, calculate their horoscopes, and predict their future fortunes. He was no less in favour afterwards with Charles the Ninth. He died in the year 1566.

DOCTOR DEE.

Dr. John Dee was a man who made a conspicuous figure in the sixteenth century. He was born at London in the year 1527. He was an eminent mathematician, and an indefatigable scholar. He says of himself, that, having been sent to Cambridge when he was fifteen, he persisted for several years in allowing himself only four hours for sleep in the twenty-four, and two for food and refreshment, and that he constantly occupied the remaining eighteen (the time for divine service only excepted) in study. At Cambridge he superintended the exhibition of a Greek play of Aristophanes, among the machinery of which he introduced an artificial scarabaeus, or beetle, which flew up to the palace of Jupiter, with a man on his back, and a basket of provisions. The ignorant and astonished spectators ascribed this feat to the arts of the magician; and Dee, annoyed by these suspicions, found it expedient to withdraw to the continent. Here he resided first at the university of Louvaine, at which place, his acquaintance was courted by the dukes of Mantua and Medina, and from thence proceeded to Paris, where he gave lectures on Euclid with singular applause.

In 1551 he returned to England, and was received with distinction by sir John Check, and introduced to secretary Cecil, and even to king Edward, from whom he received a pension of one hundred crowns _per annum_, which he speedily after exchanged for a small living in the church. In the reign of queen Mary he was for some time kindly treated; but afterwards came into great trouble, and even into danger of his life. He entered into correspondence with several of the servants of queen Elizabeth at Woodstock, and was charged with practising against Mary's life by enchantments. Upon this accusation, he was seized and confined; and, being after several examinations discharged of the indictment, was turned over to bishop Bonner to see if any heresy could be found in him. After a tedious persecution he was set at liberty in 1555, and was so little subdued by what he had suffered, that in the following year he presented a petition to the queen, requesting her co-operation in a plan for preserving and recovering certain monuments of classical antiquity.

The principal study of Dee however at this time lay in astrology; and accordingly, upon the accession of Elizabeth, Robert Dudley, her chief favourite, was sent to consult the doctor as to the aspect of the stars, that they might fix on an auspicious day for celebrating her coronation. Some years after we find him again on the continent; and in 1571, being taken ill at Louvaine, we are told the queen sent over two physicians to accomplish his cure. Elizabeth afterwards visited him at his house at Mortlake, that she might view his magazine of mathematical instruments and curiosities; and about this time employed him to defend her title to countries discovered in different parts of the globe. He says of himself, that he received the most advantageous offers from Charles V, Ferdinand, Maximilian II, and Rodolph II, emperors of Germany, and from the czar of Muscovy an offer of L.2000 sterling _per annum_, upon condition that he would reside in his dominions. All these circumstances were solemnly attested by Dee in a Compendious Rehearsal of his Life and Studies for half-a-century, composed at a later period, and read by him at his house at Mortlake to two commissioners appointed by Elizabeth to enquire into his circumstances, accompanied with evidences and documents to establish the particulars. [210]

Had Dee gone no further than this, he would undoubtedly have ranked among the profoundest scholars and most eminent geniuses that adorned the reign of the maiden queen. But he was unfortunately cursed with an ambition that nothing could satisfy; and, having accustomed his mind to the wildest reveries, and wrought himself up to an extravagant pitch of enthusiasm, he pursued a course that involved him in much calamity, and clouded all his latter days with misery and ruin. He dreamed perpetually of the philosopher's stone, and was haunted with the belief of intercourse of a supramundane character. It is almost impossible to decide among these things, how much was illusion, and how much was forgery. Both were inextricably mixed in his proceedings; and this extraordinary victim probably could not in his most dispassionate moments precisely distinguish what belonged to the one, and what to the other.

As Dee was an enthusiast, so he perpetually interposed in his meditations prayers of the greatest emphasis and fervour. As he was one day in November 1582, engaged in these devout exercises, he says that there appeared to him the angel Uriel at the west window of his Museum, who gave him a translucent stone, or chrystal, of a convex form, that had the quality, when intently surveyed, of presenting apparitions, and even emitting sounds, in consequence of which the observer could hold conversations, ask questions and receive answers from the figures he saw in the mirror. It was often necessary that the stone should be turned one way and another in different positions, before the person who consulted it gained the right focus; and then the objects to be observed would sometimes shew themselves on the surface of the stone, and sometime in different parts of the room by virtue of the action of the stone. It had also this peculiarity, that only one person, having been named as seer, could see the figures exhibited, and hear the voices that spoke, though there might be various persons in the room. It appears that the person who discerned these visions must have his eyes and his ears uninterruptedly engaged in the affair, so that, as Dee experienced, to render the communication effectual, there must be two human beings concerned in the scene, one of them to describe what he saw, and to recite the dialogue that took place, and the other immediately to commit to paper all that his partner dictated. Dee for some reason chose for himself the part of the amanuensis, and had to seek for a companion, who was to watch the stone, and repeat to him whatever he saw and heard.

It happened opportunely that, a short time before Dee received this gift from on high, he contracted a familiar intercourse with one Edward Kelly of Worcestershire, whom he found specially qualified to perform the part which it was necessary to Dee to have adequately filled. Kelly was an extraordinary character, and in some respects exactly such a person as Dee wanted. He was just twenty-eight years younger than the memorable personage, who now received him as an inmate, and was engaged in his service at a stipulated salary of fifty pounds a year.