Part 15
The ninth car, all silvered, of the Moon, drawn by two horses, one black and the other white, was seen passing in no less lovely fashion after the last; the Moon, draped, as is customary, in a white and delicate veil, guiding the silver reins with grace most gracious; and, like the others, it was seen adorned with no less beauty and pomp by four of her fables. For the first of these that most gentle Goddess, flying from the fury of Typhoeus, was seen constrained to transform herself into a cat; even as in the second she was seen fondly embracing and kissing beautiful Endymion as he lay asleep, and in the third she was seen, won over by a delicate fleece of white wool, making her way into a dark forest, there to lie with the enamoured Pan, the God of Shepherds. In the fourth was seen how the same Endymion named above, for the grace acquired with her, was given pasture for his white flock; and for a better representation of him who was so dear to the Moon, he was then seen walking first before the car, crowned with dittany, and in his company a fair-haired child, with a serpent in the hand, and also crowned with leaves of the plane, representing the Good Genius, and a great black man, awful in aspect, with the beard and hair all dishevelled and with an owl in the hand, representing the Evil Genius. These were followed by the God Vaticanus, who is believed to be able to bring succour to the wailing of little infants, robed in a handsome tawny habit, and with an infant in his arms; and with him was likewise seen coming, in a splendid and well-varied dress, with a key in the hand, the Goddess Egeria, who is also invoked in aid of pregnant women; and with them the other Goddess, Nundina, who likewise protects the names of little babes, in a venerable habit, with a branch of laurel and a sacrificial vase in the hands. Then after these Vitumnus was seen walking, who was reputed to breathe the soul into children at their birth, figured after the Egyptian custom, and with him Sentinus, who likewise was believed by the ancients to give to the newly-born the power of the senses, on which account, he himself being all white, there were seen in his head-dress the heads of those five animals that are believed to have the five senses more acute than any of the others; that of an ape, namely, that of a vulture, that of a wild-boar, that of a lynx, and that--or rather, the whole body--of a little spider. Then Edusa and Potina, who preside over the nourishment of those same infants, were seen riding in the same fashion as the others, in the habit of nymphs, but with breasts very long and very full, one holding a basin containing white bread, and the other a most beautiful vase that seemed to be full of water; and with them, concluding the last part of the company, was Fabulinus, who presides over the first speech of the same infants, robed in various colours, with the head all crowned with wagtails and singing chaffinches.
TENTH CAR, OF MINERVA.
Minerva, clad in armour, with the spear and the shield of the Gorgon, as she is generally figured, had the tenth car, composed in a triangular form and in the colour of bronze, and drawn by two very large and most bizarre owls, of which I cannot forbear to say that although it would be possible to relate singular and even incredible marvels of all the animals that drew the cars, yet these, beyond all the others, were figured so lifelike and so natural, and their feet, wings, and necks were made to move, and even the eyes to open and shut so well, and with a resemblance so close to the reality, that I know not how I could ever be able to convince of it those who never saw them. However, ceasing to speak of these, I must relate that of the three sides of which the triangular car was composed, there was seen painted in one the miraculous birth of the Goddess from the head of Jove, even as in the second Pandora was seen adorned by her with all those countless ornaments, and in the third, likewise, she was seen converting the hair of the wretched Medusa into snakes. Then on one part of the base there was painted the contest that she had with Neptune over the name that was to be given to Athenae (before she had such a name), when, he producing the fiery horse and she the fruitful olive, she was seen to win thereby a glorious and memorable victory; and on the other she was seen in the form of a little old woman, striving to persuade the overbold Arachne, before she had transformed her into the animal of that name, that she should consent, without putting the matter to the proof, to yield her the palm in the art of embroidery; even as in the third and last part, with a different aspect, she was seen valorously slaying the proud Typhon. Before the car was seen walking Virtue, in the form of a young and stalwart woman, with two great wings, and in an easy, chaste, and becoming habit, having as a worthy companion the venerable Honour, crowned with palm and resplendent in purple and gold, with the shield and spear in the hands, who was shown supporting two temples, into one of which (namely, that dedicated to the same Honour) it appeared impossible to pass save by way of that dedicated to Virtue; and to the end that a noble and worthy companion might be given to those masks, it seemed right that Victory, crowned with laurel and likewise with a branch of palm in the hand, should be added to the same line. These were followed by Good Fame, figured in the form of a young woman with two white wings, sounding a great trumpet, and after her, with a little white dog in her arms, came Faith, likewise all white, with a luminous veil that was seen covering her arms, head, and face; and with them Salvation, holding in the right hand a cup that she seemed to be seeking to offer to a serpent, and in the other a thin and straight wand. After these, then, was seen coming Nemesis, the daughter of Night, who rewards the good and chastises the wicked, virginal in aspect, and crowned with little stags and little victories, with a spear of ash and a similar cup in the hands; with whom appeared as her companion Peace, also a virgin, but of a kindly aspect, with a branch of olive in the hand and a blind boy, representing the God of riches, in the arms; and with them, carrying in the hand a drinking-vessel in the form of a lily, and in similar guise, was seen likewise coming ever-verdant Hope, followed by Clemency, who was riding upon a great lion, with a spear in one hand and in the other a thunderbolt, which she was making as if not to hurl furiously, but to throw away. Then were seen likewise coming Opportunity, who had a little behind her Penitence, by whom she seemed to be continually smitten, and Felicity, upon a commodious throne, with a caduceus in one hand and a horn of plenty in the other. And these were seen followed by the Goddess Pellonia, whose office it is to keep enemies at a distance, in full armour, with two great horns upon the head, and in the hand a vigilant crane, who was seen poised upon one foot, as is their custom, and holding in the other a stone; and with her, closing the last part of the glorious company, was Science, figured in the form of a young man, who was shown carrying in the hand a book and upon the head a gilded tripod, to denote his constancy and firmness.
ELEVENTH CAR, OF VULCAN.
Vulcan, the God of fire, old, ugly, and lame, with a cap of turquoise-blue upon the head, had the eleventh car, drawn by two great dogs; and in it was figured the Isle of Lemnos, where it is said that Vulcan, thrown down from Heaven, was nursed by Thetis, and began to fashion there the first thunderbolts for Jove. Before it were seen walking, as his ministers and servants, three Cyclopes, Brontes, Steropes, and Pyracmon, of whose aid he is said to have been wont to avail himself in making those thunderbolts. After them was seen coming Polyphemus, the lover of the beautiful Galatea and the first of all the Cyclopes, in the garb of a shepherd, with a great pipe hanging from his neck and a staff in the hand; and with him, crowned with seven stars, the deformed but ingenious Ericthonius, born with serpent's feet from Vulcan's attempt to violate Minerva, to conceal the ugliness of which it is believed that he invented the use of chariots, on which account he walked with one of these in the hand. He was seen followed by the savage Cacus, also the son of Vulcan, spouting a stream of sparks from the mouth and nose; and by Caeculus, likewise the son of Vulcan, and likewise in pastoral garb, but adorned with the royal diadem, and in one of his hands, in memory of the building of Praeneste, was seen a city placed upon a hill, and in the other a ruddy and burning flame. After these was seen coming Servius Tullius, King of Rome, who is also believed to have been born of Vulcan, and upon his head, even as in the hand of Caeculus, in token of his happy augury, a similar flame was seen to form in marvellous fashion a splendid and propitious garland. Then was seen the jealous Procris, daughter of the above-named Ericthonius, and wife of Cephalus, who, in memory of the ancient fable, seemed to have the breast transfixed by a javelin; and with her was seen Oreithyia, her sister, in a virginal and lovely habit, and in the centre between them was Pandion, King of Athens, born with them of the same father, adorned with the vestments of a Grecian King. After him came Procne and Philomela, his daughters, one dressed in the skin of a deer, with a spear in the hand and upon the head a little chattering swallow, and the other carrying in the same place a nightingale, and likewise having in the hand a woman's embroidered mantle, in allusion to her miserable fate; and she appeared to be following her beloved father all filled with sorrow, although adorned with a rich vestment. And with them, to conclude the last part of the company, was Caca, the sister of Cacus, adored by the ancients as a Goddess for the reason that, laying aside her love for her brother, she is said to have revealed to Hercules the secret of the stolen cattle.
TWELFTH CAR, OF JUNO.
When Vulcan had passed, Queen Juno, adorned with a rich, superb, and royal crown, and with vestments transparent and luminous, was seen coming in much majesty upon the twelfth car, which was not less pompous than any of the others, and drawn by two most lovely peacocks; and between the five little stories of her actions that were seen painted therein, were Lycorias, Beroe, and Deiopea, her most beautiful and most favoured Nymphs. For the first of these stories was seen the unhappy Callisto transformed by her into a bear, who was placed afterwards by compassionate Jove among the principal stars in the heavens; and in the second was seen how, having transformed herself into the likeness of Beroe, she persuaded the unsuspecting Semele to beseech Jove that he should deign in his grace to lie with her in the guise wherein he was wont to lie with his wife Juno; on which account the unhappy mortal, not being able to sustain the force of the celestial splendour, was consumed by fire, and Jove was seen to take Bacchus from her belly and place him in his own, preserving him for the full time of birth. In the third, likewise, she was seen praying AEolus that he should send his furious winds to scatter the fleet of Trojan AEneas; even as in the fourth she was seen in like manner, filled with jealousy, demanding from Jove the miserable Io transformed into a cow, and giving her, to the end that she might not be stolen from her by Jove, into the custody of the ever-vigilant Argus, who, as has been told elsewhere, was put to sleep and slain by Mercury; and in the fifth picture was seen Juno sending after most unhappy Io the pitiless gad-fly, to the end that he might keep her continually pricked and stung. At the foot of the car, then, were seen coming a good number of those phenomena that are formed in the air, among which could be seen as the first Iris, regarded by the ancients as the messenger of the Gods, and the daughter of Thaumas and Electra; all lissom and free, and dressed in vestments of red, yellow, blue, and green, signifying the rainbow, with two hawks' wings upon the head that denoted her swiftness. In her company, then, in a red habit, with the hair ruddy and dishevelled, was the Comet, figured as a young woman who had a large and shining star upon the brow; and with them came Clear Sky, in the aspect of a virgin, who was seen with the countenance of turquoise-blue, and turquoise-blue all the wide and ample dress, not without a white dove likewise upon the head, to signify the sky. After these were seen Snow and Mist, coupled together; the first dressed in tawny-coloured draperies, upon which were shown lying many trunks of trees all sprinkled with snow, and the other was seen walking, as if she had no shape, as it were in the semblance of a great white mass; having with them verdant Dew, figured in that same colour, to denote the green plants upon which she is generally seen, and having a round moon upon the head, signifying that in the time of the moon's fulness, above all, dew is wont to fall from the heavens upon green herbage. Then there followed Rain, dressed in a white but somewhat soiled habit, upon whose head seven stars, partly bright and partly dim, formed a garland representing the seven Pleiades, even as the seventeen that blazed upon her breast appeared to denote the sign of rainy Orion. There followed, likewise, three virgins of different ages, attired in white draperies and also crowned with olive, representing the three classes of virgins that used to run races in the ancient games of Juno; having with them, for the last, the Goddess Populonia in the rich habit of a matron, with a garland of pomegranate and balm-mint upon the head, and with a little table in the hand, by whom the airy company above described was seen graciously concluded.
THIRTEENTH CAR, OF NEPTUNE.
Fanciful, bizarre, and beautiful beyond all the others appeared the thirteenth car, of Neptune, which was composed of an immense crab, such as the Venetians are wont to call Grancevola, which rested upon four great dolphins, having about the base, which resembled a real and natural rock, a vast number of sea-shells, sponges, and corals, which rendered it most lovely and ornate, and being drawn by two sea-horses; and upon it was seen standing Neptune, in the customary form and with the customary trident, having at his feet, as a companion, his spouse Salacia, in the form of a snow-white nymph all covered with foam. Before the car, then, was seen walking the old and bearded Glaucus, all dripping and all covered with sea-weed and moss, whose person from the waist downwards was seen in the form of a swimming fish. About him circled many halcyon-birds, and with him was seen the much-changing and deceitful Proteus, likewise old, all dripping, and covered with sea-weed; and with them proud Phorcys, with a royal band of turquoise-blue about the head, and with beard and hair long and flowing beyond measure, and carrying in the hand the famous Pillars of Hercules, as a sign of the empire that he once had. Then followed two Tritons with the customary tails, sounding their trumpets, and in their company appeared old AEolus, likewise holding in the hands a royal sceptre and a sail, and having upon the head a burning flame of fire. And he was followed by four of his principal Winds; by young Zephyrus, with the locks and the varied wings adorned with various little flowers, by dark and parching Eurus, who had a radiant sun upon the head; by cold and snowy Boreas; and, finally, by the soft, cloudy, and proud Auster; all figured, according as they are generally painted, with swelling cheeks and with the large and swift wings that are customary. After these, in due place, were seen coming the two giants, Otus and Ephialtes, all wounded and transfixed by various arrows, in memory of their having been slain by Apollo and Diana; and with them, not less appropriately, were seen coming likewise two Harpies, with the customary maiden's face and the customary rapacious claws and most hideous belly. There was seen also the Egyptian God Canopus, in memory of the astuteness formerly used by the priest against the Chaldaeans, figured as very short, round, and fat; and likewise, young and lovely, winged Zetes and Calais, the sons of Boreas, by whose valour it is related that once upon a time those foul and ravenous Harpies were driven from the world. And with them were seen, at the last, the beautiful Nymph Amymone, beloved by Neptune, with a gilded vase, and the young Greek Neleus, son of the same Neptune, who, with royal sceptre and habit, was seen to conclude the last part of the company described above.
FOURTEENTH CAR, OF OCEANUS AND OF TETHYS.
There followed in the fourteenth company, with Tethys, the great Queen of the sea, the great father Oceanus, her husband, the son of Heaven, who was figured in the form of a tall and cerulean old man, with a great beard and long hair all wet and dishevelled, and covered all over with sea-weed and various sea-shells, with a horrible seal in the hand, while she was represented as a tall and masterful matron, resplendent, old, and white, and holding in the hand a great fish; and they were both seen upon a most fantastic car in the semblance of a rock, very strange and bizarre, drawn by two immense whales. At the foot of the car was seen walking Nereus, their son, old, venerable, and covered with foam, and with him Thetis, daughter of that Nereus and of Doris, and mother of great Achilles, who was shown riding upon a dolphin; and she was seen followed by three most beautiful Sirens figured in the usual manner, who had behind them two very beautiful, although white-haired, Nymphs of the sea, called Graeae, likewise daughters of the Sea-God Phorcys and of the Nymph Ceto, clothed most pleasingly in various graceful draperies. Behind these, then, were seen coming the three Gorgons with their snaky locks, daughters of the same father and mother, who made use of a single eye, with which alone, lending it to one another, they were all three able to see; and there was likewise seen coming the cruel Scylla, with the face and breast of a maiden and with the rest of the person in the form of a fish, and with her the old, ugly, and voracious Charybdis, transfixed by an arrow in memory of her well-deserved punishment. And behind these, in order to leave the last part of the company more gladsome in aspect, there was seen coming for the last, all nude, the beautiful and pure-white Galatea, beloved and gracious daughter of Nereus and Doris.
FIFTEENTH CAR, OF PAN.
In the fifteenth car, which had the natural and true appearance of a shady forest counterfeited with much artifice, and was drawn by two great white he-goats, was seen coming the rubicund Pan, the God of forests and of shepherds, in the form of an old and horned Satyr, crowned with foliage of the pine, with the spotted skin of a panther across the body, and in the hands a great pipe with seven reeds and a pastoral staff. At the foot of the car were seen walking some other Satyrs and some old Sylvan Gods, crowned with fennel and lilies, and holding some boughs of cypress in memory of the beloved Cyparissus. After these, likewise, were seen coming two Fauns crowned with laurel, and each with a cat upon the right shoulder; and behind them the wild and beautiful Syrinx, beloved by Pan, who, flying from him, is said to have been transformed by the Naiad sisters into a tremulous and musical reed. Syrinx had in her company the other Nymph, Pitys, likewise beloved by Pan; but since the wind Boreas was also and in like manner enamoured of her, it is believed that out of jealousy he hurled her over a most cruel rock, whereupon, being all shattered, it is said that out of pity she was transformed by Mother Earth into a beautiful pine, from the foliage of which her lover Pan used, as has been shown above, to make himself a gracious and well-beloved garland. Then after these was seen coming Pales, the revered custodian and protectress of flocks, dressed as a gentle shepherdess, with a great vessel of milk in the hands, and a garland of medicinal herbs; and with her the protectress of herds, by name Bubona, in a similar pastoral dress, with an ornate head of an ox that made a cap for her head; and Myiagrus, the God of flies, dressed in white, with an infinite multitude of those importunate little creatures about his head and his person, with a garland of spondyl, and with the club of Hercules in his hand; and Evander, who first taught men in Italy to make sacrifices to Pan, adorned with royal purple and the royal head-band, and with the royal sceptre in his hand, concluded with gracious pomp the last part of that pastoral, indeed, yet pleasing and most fair company.
SIXTEENTH CAR, OF PLUTO AND OF PROSERPINE.