Lives of the most eminent literary and scientific men of France, Vol. 2 (of 2)
Part 17
Another circumstance concurred to raise him to the pinacle of fashion. This was the success of the "Divin du Village." He had before composed an opera; but the envy of Rameau had robbed him of the fame: the "Divin du Village" was all his own. It was represented at Versailles before the king and assembled court, and received with enthusiasm. It became the topic of conversation in Paris; he was invited to be presented to Louis XV.; and it was supposed that a pension would be conferred on him. Independence, pride, false shame, all concurred to make him renounce the intended honour and emolument: his friends reproved him severely, but he was not to be shaken. Still he made a few hundred louis by the piece, and was thus, with his frugal habits, placed above want for several years to come.
The academy of Dijon proposing another question--the Origin of Inequality among Men. Rousseau seized the opportunity of further developing his opinions, and of asserting still more boldly the superiority of what he termed the natural man over the nurslings of civilisation.
[Sidenote: 1754. Ætat. 42.]
He soon after visited his native town. He dwells slightly on the motives of this journey: a wish to revisit the scenes which he had quitted a penniless adventurer, and to enter Geneva attended by the celebrity he had already gained, were no doubt principal motives. Theresa and his friend Gauffecourt accompanied him. He saw madame de Warens sunk in a low abyss of poverty; he implored her to leave Savoy, and to take up her abode with him in Paris; she refused, and he left her, never to see her more. While at Geneva he abjured the Roman catholic religion, and entered again the protestant church. The pedantic clergy of Geneva were very desirous that he should make a speech on the occasion; Rousseau would not have been sorry to comply, but he broke down at the outset. He was treated with great distinction by the most distinguished of his fellow citizens, and the design soon suggested itself of his establishing himself entirely among them; a place of librarian, worth about 50_l_, a year, was offered him, to secure the respectability of his situation.
After some time spent in revisiting scenes dear through youthful association, and of entrancing beauty in themselves, he returned to Paris; and here he was assailed by many doubts as to his plans for the future. The idea of residing an honoured and distinguished citizen in his native town, so flattering at first, began to lose its charm. In his heart he doubtless felt that the sort of inquisitorial and pedantic tone that reigned in Geneva, clothed in the garb of virtue and reason, was more likely to shackle the free expression of his genius than the versatile society of Paris. Voltaire also had just taken up his residence at les Delices. Without any taint of envy, Rousseau might naturally shrink from living under his shadow. Older than him, rich, of established reputation, arrogant beneath all his playfulness, and so mischievously meddling, that even the king of Prussia found him a troublesome inmate, a very little knowledge of the world would have told Rousseau that they could only agree, when in vicinity, through continual deference on his part; and the views they took of the social system were so different, and both were by disposition so eager to disseminate their respective opinions, that deference was out of the question, and open hostilities must have been the consequence.
Still Rousseau doubted, and was disturbed. Madame d'Epinay relates the nature of his deliberations, which betray great foresight and prudence. "Rousseau is perplexed," she says; "nor am I less, with regard to the advice that he asks of me. He has received letters pressing him warmly to return and live in his native country. 'What ought I to do?' he said, 'I neither can nor will reside in Paris, I am too miserable. I should be glad to visit and to pass several months in my republic; but the propositions made me are of a nature to fix me there; and if I accept them, I must remain. I have some acquaintance, but no friends. These people scarcely know me, and they write to me as a brother; this I am aware is the result of the republican spirit, but I distrust such warm friends. On the other hand, my heart warms at the idea, that my country invites me; but how quit Grimm, Diderot, and yourself?'"
Madame d'Epinay was, when left to herself, a woman of generous impulses and an affectionate heart. She conceived a method of cutting the gordian knot, and acted on it at once. At the entrance of the forest of Montmorenci, there was a small house belonging to M. d'Epinay, called the Hermitage. M. d'Epinay was adding a new wing to the chateau; his wife persuaded him to allow some of the workmen to enlarge and fit up this house: all was executed with zealous speed. She then offered Rousseau the dwelling with all the grace a woman puts into an obligation she confers; she was desirous, at the same time, of adding to his income; but he at once refused the latter proposition, while he accepted the first. He could not help being deeply touched by so kind and tender a mark of affection. The active attention she paid to the details of his removal, when all was arranged, taking him and his two gouvernantes in her carriage, and herself giving them possession, were marks of real attachment and sympathy.
[Sidenote: 1756. Ætat. 44.]
Rousseau found the spot exactly calculated to please him: however much the society of Paris might be necessary at times to entertain, he had been bred in the country; his young and happy days had been passed there, and he could not view a secluded abode in the midst of forest glades, and the advance of spring, as it clothed the landscape with verdure, without a burst of transport. The house was small, but neat and comfortable; and that all was the gift of friendship rendered it inestimable in his eyes.
It is difficult not to dwell, as he has done, on the delight he experienced during the commencement of his abode at the Hermitage. At first he could only enjoy the woodland walks; the budding of the trees; the balmy winds of opening spring; the aspect of nature. He deliberated as to his occupations; he arranged his papers. He still considered copying music as the calling by which he was to gain his bread; but he revolved many literary projects. The editing the manuscripts of the Abbé de Saint Pierre; an original work he named "Les Institutions Politiques;" a metaphysical discussion on the effects of external circumstances on the human mind; and, to crown all, a system of education, on which he had been requested to occupy himself, by a lady to whose sons he had at one time acted as tutor;--such were his schemes--the subject of his meditations during his walks. These meditations were, however, soon merged into reveries and day-dreams, that absorbed his heart and soul. The long summer days passed beneath the shades of the forest, recalled the wanderings of his youth, and the passions that had warmed his young heart.--A settled life with Theresa; the cares and discontents he had endured in Paris, his literary occupations and theories, engrossing his thoughts, had banished love. Now, in his solitary rambles, as his memory reverted to the illusions of bygone years, his imagination fired, his heart swelled, his being became absorbed. No real object presenting itself, he created chimerical beings, on whom he exhausted the most passionate sentiments, the most brilliant imaginations. His day-dreams became extatic: he was drunk with an abstract love for one who lived only as he painted her, in the form most delightful to his thoughts: he charmed himself by figuring various situations--by addressing letters to her--by fancying those he received in return. He checked himself in his vague reveries, and gave a form and place, a name and a habitation to his creations: the lover and beloved, and the friend dear to both, were imaged and placed in a spot carefully selected as beautiful in itself, and associated with his fondest recollections. Julie, Claire, and Saint Preux, lived and loved at Vevay, beside his native lake, in the midst of the most majestic and lovely scenes that exist on earth.
The winter was passed tranquilly; he occupied himself by completing and copying the first two parts of the "Nouvelle Heloise." When spring returned he again delivered himself up to his entrancing reveries, and wandered in the woods, as he composed the latter parts of his work. In these there reigns a sort of paradisaical peace--a voluptuous yet innocent transport of acknowledged bliss, that charms the reader, as it inspired the writer. That to be thus engrossed by ideas of passionate love, however we may imagine that we can restrain them within proper bounds, leads at last to the errors of passion, cannot be doubted. Rousseau instinctively felt this truth when he made death the catastrophe of his novel; not so much to mar the scene, as to prevent sin and remorse from defacing it still more; he felt it in his own person, when his unguarded and softened heart was suddenly possessed by a passion the most vehement and unfortunate that ever caused a frail human being to thrill and mourn.
The countess d'Houdetot was the sister of M. d'Epinay, and was married to a young noble, who had been given her as a husband in her youth, in the way marriages were made in France, neither knowing nor caring for the other. He was an insignificant person, very fond of money, and totally neglectful of his wife. The usual course in such marriages was, that the wife should have a lover, and if the husband were content to shut his eyes, and she continued constant to one person, she was looked on as living respectably. Madame d'Houdetot was not even pretty; but she had a look of youth, preserved by the ingenuousness of her mind and the kindness of her heart. Every one loved her. Gay, gentle, full of tenderness, and admirably true and sincere; she added to these qualities a giddiness of disposition--a childish but bewitching frankness--a wit that never hurt, but always charmed, as springing from the natural gladness of an innocent heart; and, protected by these genuine virtues, she escaped the contamination of Parisian society. Her lover, M. de Saint Lambert, was a man distinguished for his talents, moving in the highest society, a gallant soldier, an admired poet, a handsome man; his attachment, according to the code of morals of the society to which they belonged, reflected honour on its object.
She came several times, at the desire of Saint Lambert, to visit Rousseau at the Hermitage. He had desired her to go, believing that the ties of friendship established between the three would be of mutual benefit; and Rousseau being aware of their attachment, the openness of heart that reigned in the intercourse was another attraction. She spoke of her lover with enthusiasm: Rousseau listened, and before he was aware, felt for her all that she expressed for another. When, after her departure, he turned his thoughts to Julie, hitherto the idol of his imagination, he found her image displaced by that of madame d'Houdetot, and with a pang recognised the new power that possessed him.
Sophist, as on many occasions Rousseau undoubtedly was, he reasoned on his feelings till the very causes that ought to have made him resolve to crush the nascent passion, were changed by him into motives for fostering it. He had enounced a severe code of morality, and called the permitted liaisons of Parisian society by the harsh name of adultery; and it would have been base indeed to have been tempted into forming such himself. There was no danger of this. Madame d'Houdetot loved another, superior to himself in all qualities that attract, with warmth and truth. He duped himself, therefore, by the vain sophism, that he only injured himself by nourishing an unreturned passion.
Could he have confined it to his own heart, the injury would have been great enough; disturbing his peace, wrecking the little of proud consolatory thoughts which he preserved. But from the first he avowed his love to its object, and continued to pour the fervent expressions it inspired into her ear; secure in the mistaken notion, that as he did not seek to win her, but only to unburden his heart, the indulgence was innocent. He says that he should blame madame d'Houdetot for listening, had he been young and good-looking: still he was not so very old; perhaps suffering added years to his appearance; but at all events the lady acted with great imprudence. Her artless noble character lifts her far above unworthy suspicion; but she was thoughtless and inexperienced; the dupe of mistaken compassion. She allowed Rousseau to visit her frequently; to write to her; to pour out the declarations of his love; never feeling inclined to participate in his sentiments, she yet wished to preserve his friendship and to enjoy his society. For four months they were continually together. He walked over to her house at Eaubonne--they met half-way--they rambled together in the neighbouring country. Such unguarded conduct excited remark. Madame d'Epinay, to say the least, was exceedingly annoyed that her sister-in-law should thus expose herself to calumny. We have two accounts of these unfortunate events, one by Rousseau, the other from her pen. She passes rather slightly over them, but expresses even disgust; she was aware, she says, of her sister's innocence, but pained by her imprudent conduct. Theresa became violently jealous; and while she tried to pacify her, she blamed those who so needlessly excited her jealousy. Rousseau, on the contrary, accuses her of the utmost baseness; of fostering remark; of writing to Saint Lambert a garbled and false statement of facts; of exciting Theresa's jealousy, and even instigating her to steal any letters she might find, and betray them to her. There is, probably, exaggeration in this; at the same time it is plain that the intercourse between Rousseau and madame d'Houdetot was the chief topic of conversation at the chateau of her sister-in-law; that they were greatly blamed; and it is certain that Saint Lambert received an anonymous letter, informing him of what was going on. Probably Therese or her mother wrote it; we can hardly suspect madame d'Epinay of so base and vulgar a proceeding. It is remarkable that these accounts not only differ materially in circumstances, but that the notes of madame d'Epinay, as given by her, are written in quite another tone from those quoted in the Confessions. As whenever Rousseau's copies have been collated with the originals, they have been found faithful, we suspect the lady of falsifying hers. In fact, while Rousseau gains our confidence, even while we perceive that he acted a highly blameable part, there is a studied, though apparently negligent, glozing of facts in madame d'Epinay's which excites suspicion.
Saint Lambert did not suspect madame d'Houdetot; but he thought that Rousseau was highly blameable for declaring love for her; and that she was very unwise in listening to him. He interfered, though with kindness and consideration for his unhappy rival; the intercourse was broken off. Rousseau, with a heart worn by passion, and bursting with the struggles that tormented it, was thrown back on himself, to find his friends alienated, his home disquieted, and sympathy nowhere.
Many other circumstances contributed to his unhappiness; circumstances which would scarcely enter into the history of any other man as eminent as Rousseau; apparently trifling, but rendered important through his sensitive and umbrageous disposition. He had two intimate male friends: Diderot, whom he had known many years, and to whom he was sincerely attached; and Grimm. Diderot was a singular man, and enjoyed during life more reputation than has afterwards fallen to his lot. He had great talents, joined to a sensibility, which was real in him, but which produced a style in France, that may be termed the ejaculatory, the most affected and tiresome in the world. His opinions became feelings; these feelings engrossed him; he was in a perpetual state of exaltation and enthusiasm about trifles. As an instance, we are told, that at one time he could not sleep at nights, because Virgil had not praised Lucretius, till at length he found a verse in the Georgies--
"Felix qui potuit rerum cognosccre causas;"
and interpreting it into an encomium on the great metaphysical poet of antiquity, he regained his tranquillity. He had a tender heart, but though he possessed some genius, he had not understanding enough to serve as an equilibrium. Rousseau was in very bad hands as regarded the _gouverneuses_, as he called them. The mother of Theresa was a grasping, artful, gossiping, selfish old woman. Rousseau was poor; she complained to his friends, and Diderot and Grimm thought it right to make her a small allowance. They did this unknown to their friend, and were certainly wrong; for there is nothing more improper than to interfere secretly with the household of others. Giving this money, they thought they had a right to interfere further. The le Vasseurs, mother and daughter, had no desire to pass the winter, away from their Parisian acquaintance, in the forest of Montmorenci. They complained bitterly, and Diderot wrote to remonstrate with Rousseau. To read his letter, you would imagine that his friend thought of wintering at the North Pole; his earnestness on stilts on such a petty occasion ought to have excited a smile; it gave birth to a storm in the breast of the sensitive philosopher--this was at last appeased--but still the thunder growled. The unfortunate passion of Rousseau for madame d'Houdetot at first made him solitary and abstracted--then miserable. Every demonstration of suffering was interpreted as springing from melancholy engendered by solitude.
His other friend, Grimm, was German, who had appeared in Paris in an obscure situation, as tutor to the children of the count de Schomberg. Rousseau was one of his first acquaintance; their common love of music brought them together. Grimm was a man of ambition as far as society went. His personal affectations did not stop at brushing his nails,--a mark of effeminacy indignantly related by Rousseau,--but by painting his cheeks white and red, which gained for him the nickname of Tyran le Blanc. Rousseau introduced him to madame d'Epinay. This lady was suffering bitterly from the infidelity of her lover Franceuil;--she permitted herself to be consoled by Grimm; who, while he became _l'ami de maison_, seems to have determined that he should be single in that character. He did all he could to undermine Rousseau with madame d'Epinay, inducing her to resent his faults, his sensitiveness, his imperious calls for sympathy and service, which she had hitherto regarded with affectionate indulgence. She was slow to submit to the law, and placed him in the Hermitage against Grimm's will;--to eject him from this abode was the aim of his false friend.
Of course, there are a thousand contradictions in the various accounts given of these quarrels; and we seek the truth rather from the letters written at the time, if these be not falsified. Grimm accused Rousseau of being in love with madame d'Epinay: he denies this; and at least, when he loved madame d'Houdetot, he no longer cared for her sister-in-law. Was she piqued by his coldness, as Rousseau insinuates; or was it merely that she yielded more and more to Grimm's representations that he was a dangerous person? The final cause of her quarrel, as she relates, was his speaking of her detractingly to Diderot, who refused to be acquainted with her. There seems some foundation for this accusation. She accuses him of speaking falsely; and there are certainly traces of his having spoken unreservedly. This was inexcusable, admitted as he was familiarly, and covered with benefits and kindness;--especially to one to whom she was a stranger. Grimm pushed things to extremities: he kept madame d'Epinay firm in her resentment; he embittered Diderot's feelings. The latter acted with his usual exaggerated and absurd sentimentality. Madame d'Epinay was very ill, and resolved on going to Geneva to consult the famous Tronchin. Diderot wrote a violent letter to Rousseau, insisting on his accompanying her, and saying, that, if his health did not allow him to bear the motion of a carriage, he ought to take his staff and follow her on foot. There is no trace that madame d'Epinay wished him to accompany her; on the contrary, she was doing all she could to throw him off. Rousseau felt himself outraged by this letter--he fell into a transport of rage--he complained to every body, and took the resolution of quitting the Hermitage. When it came to the point, winter setting in, he found this inconvenient; and wrote to madame d'Epinay, then at Geneva, to mention his intention of staying till spring. In her answer, she very decidedly tells him that he ought not to delay his departure so long. Why this abrupt and rude dismissal? Did it spring from Grimm's advice; or did she really feel resentment arising from the knowledge that he had either traduced her, or revealed her secrets to Diderot? On careful examination, we own, we incline to the latter opinion, and cannot exculpate Rousseau.
What a pitiful and wretched picture of society does all this present! People of refinement, of education, and genius,--Rousseau, a man so richly gifted with talent--Diderot, enthusiastic on the subject of every social duty--Grimm, a man of sense--madame d'Epinay, a woman of talent, whose disposition was injured by the state and opinions of society, but who was naturally generous, confiding, and friendly,--yet each and all acting with intolerance and bitterness. The passions were the sources of these dissensions,--Rousseau's for madame d'Houdetot--Grimm's for madame d'Epinay;--but why should not these feelings have inspired toleration and kindness? They were fostered unfortunately by temper and vanity. Each had microscopic eyes for the faults of the other--neither could perceive his own. Had they at once dismissed their mutual cavillings, reproaches, and explanations, and gone their own way in silence and toleration, they might have been unhappy,--for such must be the result of illicit love,--but they had not presented to all the world, and to posterity, so humbling a proof of the worthlessness of talent in directing the common concerns of life.