Chapter 2

It is in this mystical hour that you will hear the most celestial and entrancing of all bird-notes, the songs of the thrushes,--the hermit, and the wood-thrush, and the veery. Sometimes, but not often, you will see the singers. I remember once, at the close of a beautiful day's fishing on the Swiftwater, I came out, just after sunset, into a little open space in an elbow of the stream. It was still early spring, and the leaves were tiny. On the top of a small sumac, not thirty feet away from me, sat a veery. I could see the pointed spots upon his breast, the swelling of his white throat, and the sparkle of his eyes, as he poured his whole heart into a long liquid chant, the clear notes rising and falling, echoing and interlacing in endless curves of sound,

"Orb within orb, intricate, wonderful."

Other bird-songs can be translated into words, but not this. There is no interpretation. It is music,--as Sidney Lanier defines it,--

"Love in search of a word."

But it is not only to the real life of birds and flowers that the little rivers introduce you. They lead you often into familiarity with human nature in undress, rejoicing in the liberty of old clothes, or of none at all. People do not mince along the banks of streams in patent-leather shoes or crepitating silks. Corduroy and home-spun and flannel are the stuffs that suit this region; and the frequenters of these paths go their natural gaits, in calf-skin or rubber boots, or bare-footed. The girdle of conventionality is laid aside, and the skirts rise with the spirits.

A stream that flows through a country of upland farms will show you many a pretty bit of genre painting. Here is the laundry-pool at the foot of the kitchen garden, and the tubs are set upon a few planks close to the water, and the farmer's daughters, with bare arms and gowns tucked up, are wringing out the clothes. Do you remember what happened to Ralph Peden in The Lilac Sunbonnet when he came on a scene like this? He tumbled at once into love with Winsome Charteris,--and far over his head.

And what a pleasant thing it is to see a little country lad riding one of the plough-horses to water, thumping his naked heels against the ribs of his stolid steed, and pulling hard on the halter as if it were the bridle of Bucephalus! Or perhaps it is a riotous company of boys that have come down to the old swimming-hole, and are now splashing and gambolling through the water like a drove of white seals very much sun-burned. You had hoped to catch a goodly trout in that hole, but what of that? The sight of a harmless hour of mirth is better than a fish, any day.

Possibly you will overtake another fisherman on the stream. It may be one of those fabulous countrymen, with long cedar poles and bed-cord lines, who are commonly reported to catch such enormous strings of fish, but who rarely, so far as my observation goes, do anything more than fill their pockets with fingerlings. The trained angler, who uses the finest tackle, and drops his fly on the water as accurately as Henry James places a word in a story, is the man who takes the most and the largest fish in the long run. Perhaps the fisherman ahead of you is such an one,--a man whom you have known in town as a lawyer or a doctor, a merchant or a preacher, going about his business in the hideous respectability of a high silk hat and a long black coat. How good it is to see him now in the freedom of a flannel shirt and a broad-brimmed gray felt with flies stuck around the band.

In Professor John Wilson's Essays Critical and Imaginative, there is a brilliant description of a bishop fishing, which I am sure is drawn from the life: "Thus a bishop, sans wig and petticoat, in a hairy cap, black jacket, corduroy breeches and leathern leggins, creel on back and rod in hand, sallying from his palace, impatient to reach a famous salmon-cast ere the sun leave his cloud, . . . appears not only a pillar of his church, but of his kind, and in such a costume is manifestly on the high road to Canterbury and the Kingdom-Come." I have had the good luck to see quite a number of bishops, parochial and diocesan, in that style, and the vision has always dissolved my doubts in regard to the validity of their claim to the true apostolic succession.

Men's "little ways" are usually more interesting, and often more instructive than their grand manners. When they are off guard, they frequently show to better advantage than when they are on parade. I get more pleasure out of Boswell's Johnson than I do out of Rasselas or The Rambler. The Little Flowers of St. Francis appear to me far more precious than the most learned German and French analyses of his character. There is a passage in Jonathan Edwards' Personal Narrative, about a certain walk that he took in the fields near his father's house, and the blossoming of the flowers in the spring, which I would not exchange for the whole of his dissertation On the Freedom of the Will. And the very best thing of Charles Darwin's that I know is a bit from a letter to his wife: "At last I fell asleep," says he, "on the grass, and awoke with a chorus of birds singing around me, and squirrels running up the tree, and some woodpeckers laughing; and it was as pleasant and rural a scene as ever I saw; and I did not care one penny how any of the birds or beasts had been formed."

Little rivers have small responsibilities. They are not expected to bear huge navies on their breast or supply a hundred-thousand horse-power to the factories of a monstrous town. Neither do you come to them hoping to draw out Leviathan with a hook. It is enough if they run a harmless, amiable course, and keep the groves and fields green and fresh along their banks, and offer a happy alternation of nimble rapids and quiet pools,

"With here and there a lusty trout, And here and there a grayling."

When you set out to explore one of these minor streams in your canoe, you have no intention of epoch-making discoveries, or thrilling and world-famous adventures. You float placidly down the long stillwaters, and make your way patiently through the tangle of fallen trees that block the stream, and run the smaller falls, and carry your boat around the larger ones, with no loftier ambition than to reach a good camp-ground before dark and to pass the intervening hours pleasantly, "without offence to God or man." It is an agreeable and advantageous frame of mind for one who has done his fair share of work in the world, and is not inclined to grumble at his wages. There are few moods in which we are more susceptible of gentle instruction; and I suspect there are many tempers and attitudes, often called virtuous, in which the human spirit appears to less advantage in the sight of Heaven.

It is not required of every man and woman to be, or to do, something great; most of us must content ourselves with taking small parts in the chorus. Shall we have no little lyrics because Homer and Dante have written epics? And because we have heard the great organ at Freiburg, shall the sound of Kathi's zither in the alpine hut please us no more? Even those who have greatness thrust upon them will do well to lay the burden down now and then, and congratulate themselves that they are not altogether answerable for the conduct of the universe, or at least not all the time. "I reckon," said a cowboy to me one day, as we were riding through the Bad Lands of Dakota, "there's some one bigger than me, running this outfit. He can 'tend to it well enough, while I smoke my pipe after the round-up."

There is such a thing as taking ourselves and the world too seriously, or at any rate too anxiously. Half of the secular unrest and dismal, profane sadness of modern society comes from the vain idea that every man is bound to be a critic of life, and to let no day pass without finding some fault with the general order of things, or projecting some plan for its improvement. And the other half comes from the greedy notion that a man's life does consist, after all, in the abundance of the things that he possesses, and that it is somehow or other more respectable and pious to be always at work making a larger living, than it is to lie on your back in the green pastures and beside the still waters, and thank God that you are alive.

Come, then, my gentle reader, (for by this time you have discovered that this chapter is only a preface in disguise,--a declaration of principles or the want of them, an apology or a defence, as you choose to take it,) and if we are agreed, let us walk together; but if not, let us part here with out ill-will.

You shall not be deceived in this book. It is nothing but a handful of rustic variations on the old tune of "Rest and be thankful," a record of unconventional travel, a pilgrim's scrip with a few bits of blue-sky philosophy in it. There is, so far as I know, very little useful information and absolutely no criticism of the universe to be found in this volume. So if you are what Izaak Walton calls "a severe, sour-complexioned man," you would better carry it back to the bookseller, and get your money again, if he will give it to you, and go your way rejoicing after your own melancholy fashion.

But if you care for plain pleasures, and informal company, and friendly observations on men and things, (and a few true fish-stories,) then perhaps you may find something here not unworthy your perusal. And so I wish that your winter fire may burn clear and bright while you read these pages; and that the summer days may be fair, and the fish may rise merrily to your fly, whenever you follow one of these little rivers.

1895.

A LEAF OF SPEARMINT

RECOLLECTIONS OF A BOY AND A ROD.

"It puzzles me now, that I remember all these young impressions so, because I took no heed of them at the time whatever; and yet they come upon me bright, when nothing else is evident in the gray fog of experience."--B. D. BLACKMORE: Lorna Doone.

Of all the faculties of the human mind, memory is the one that is most easily "led by the nose." There is a secret power in the sense of smell which draws the mind backward into the pleasant land of old times.

If you could paint a picture of Memory, in the symbolical manner of Quarles's Emblems, it should represent a man travelling the highway with a dusty pack upon his shoulders, and stooping to draw in a long, sweet breath from the small, deep-red, golden-hearted flowers of an old-fashioned rose-tree straggling through the fence of a neglected garden. Or perhaps, for a choice of emblems, you would better take a yet more homely and familiar scent: the cool fragrance of lilacs drifting through the June morning from the old bush that stands between the kitchen door and the well; the warm layer of pungent, aromatic air that floats over the tansy-bed in a still July noon; the drowsy dew of odour that falls from the big balm-of-Gilead tree by the roadside as you are driving homeward through the twilight of August; or, best of all, the clean, spicy, unexpected, unmistakable smell of a bed of spearmint--that is the bed whereon Memory loves to lie and dream!

Why not choose mint as the symbol of remembrance? It is the true spice-tree of our Northern clime, the myrrh and frankincense of the land of lingering snow. When its perfume rises, the shrines of the past are unveiled, and the magical rites of reminiscence begin.

I.

You are fishing down the Swiftwater in the early Spring. In a shallow pool, which the drought of summer will soon change into dry land, you see the pale-green shoots of a little plant thrusting themselves up between the pebbles, and just beginning to overtop the falling water. You pluck a leaf of it as you turn out of the stream to find a comfortable place for lunch, and, rolling it between your fingers to see whether it smells like a good salad for your bread and cheese, you discover suddenly that it is new mint. For the rest of that day you are bewitched; you follow a stream that runs through the country of Auld Lang Syne, and fill your creel with the recollections of a boy and a rod.

And yet, strangely enough, you cannot recall the boy himself at all distinctly. There is only the faintest image of him on the endless roll of films that has been wound through your mental camera: and in the very spots where his small figure should appear, it seems as if the pictures were always light-struck. Just a blur, and the dim outline of a new cap, or a well-beloved jacket with extra pockets, or a much-hated pair of copper-toed shoes--that is all you can see.

But the people that the boy saw, the companions who helped or hindered him in his adventures, the sublime and marvellous scenes among the Catskills and the Adirondacks and the Green Mountains, in the midst of which he lived and moved and had his summer holidays--all these stand out sharp and clear, as the "Bab Ballads" say,

"Photographically lined On the tablets of your mind."

And most vivid do these scenes and people become when the vague and irrecoverable boy who walks among them carries a rod over his shoulder, and you detect the soft bulginess of wet fish about his clothing, and perhaps the tail of a big one emerging from his pocket. Then it seems almost as if these were things that had really happened, and of which you yourself were a great part.

The rod was a reward, yet not exactly of merit. It was an instrument of education in the hand of a father less indiscriminate than Solomon, who chose to interpret the text in a new way, and preferred to educate his child by encouraging him in pursuits which were harmless and wholesome, rather than by chastising him for practices which would likely enough never have been thought of, if they had not been forbidden. The boy enjoyed this kind of father at the time, and later he came to understand, with a grateful heart, that there is no richer inheritance in all the treasury of unearned blessings. For, after all, the love, the patience, the kindly wisdom of a grown man who can enter into the perplexities and turbulent impulses of a boy's heart, and give him cheerful companionship, and lead him on by free and joyful ways to know and choose the things that are pure and lovely and of good report, make as fair an image as we can find of that loving, patient Wisdom which must be above us all if any good is to come out of our childish race.

Now this was the way in which the boy came into possession of his undreaded rod. He was by nature and heredity one of those predestined anglers whom Izaak Walton tersely describes as "born so." His earliest passion was fishing. His favourite passage in Holy Writ was that place where Simon Peter throws a line into the sea and pulls out a great fish at the first cast.

But hitherto his passion had been indulged under difficulties--with improvised apparatus of cut poles, and flabby pieces of string, and bent pins, which always failed to hold the biggest fish; or perhaps with borrowed tackle, dangling a fat worm in vain before the noses of the staring, supercilious sunfish that poised themselves in the clear water around the Lake house dock at Lake George; or, at best, on picnic parties across the lake, marred by the humiliating presence of nurses, and disturbed by the obstinate refusal of old Horace, the boatman, to believe that the boy could bait his own hook, but sometimes crowned with the delight of bringing home a whole basketful of yellow perch and goggle-eyes. Of nobler sport with game fish, like the vaulting salmon and the merry, pugnacious trout, as yet the boy had only dreamed. But he had heard that there were such fish in the streams that flowed down from the mountains around Lake George, and he was at the happy age when he could believe anything--if it was sufficiently interesting.

There was one little river, and only one, within his knowledge and the reach of his short legs. It was a tiny, lively rivulet that came out of the woods about half a mile away from the hotel, and ran down cater-cornered through a sloping meadow, crossing the road under a flat bridge of boards, just beyond the root-beer shop at the lower end of the village. It seemed large enough to the boy, and he had long had his eye upon it as a fitting theatre for the beginning of a real angler's life. Those rapids, those falls, those deep, whirling pools with beautiful foam on them like soft, white custard, were they not such places as the trout loved to hide in?

You can see the long hotel piazza, with the gossipy groups of wooden chairs standing vacant in the early afternoon; for the grown-up people are dallying with the ultimate nuts and raisins of their mid-day dinner. A villainous clatter of innumerable little vegetable-dishes comes from the open windows of the pantry as the boy steals past the kitchen end of the house, with Horace's lightest bamboo pole over his shoulder, and a little brother in skirts and short white stockings tagging along behind him.

When they come to the five-rail fence where the brook runs out of the field, the question is, Over or under? The lowlier method seems safer for the little brother, as well as less conspicuous for persons who desire to avoid publicity until their enterprise has achieved success. So they crawl beneath a bend in the lowest rail,--only tearing one tiny three-cornered hole in a jacket, and making some juicy green stains on the white stockings,--and emerge with suppressed excitement in the field of the cloth of buttercups and daisies.

What an afternoon--how endless and yet how swift! What perilous efforts to leap across the foaming stream at its narrowest points; what escapes from quagmires and possible quicksands; what stealthy creeping through the grass to the edge of a likely pool, and cautious dropping of the line into an unseen depth, and patient waiting for a bite, until the restless little brother, prowling about below, discovers that the hook is not in the water at all, but lying on top of a dry stone,--thereby proving that patience is not the only virtue--or, at least, that it does a better business when it has a small vice of impatience in partnership with it!

How tired the adventurers grow as the day wears away; and as yet they have taken nothing! But their strength and courage return as if by magic when there comes a surprising twitch at the line in a shallow, unpromising rapid, and with a jerk of the pole a small, wiggling fish is whirled through the air and landed thirty feet back in the meadow.

"For pity's sake, don't lose him! There he is among the roots of the blue flag."

"I've got him! How cold he is--how slippery--how pretty! Just like a piece of rainbow!"

"Do you see the red spots? Did you notice how gamy he was, little brother; how he played? It is a trout, for sure; a real trout, almost as long as your hand."

So the two lads tramp along up the stream, chattering as if there were no rubric of silence in the angler's code. Presently another simple-minded troutling falls a victim to their unpremeditated art; and they begin already, being human, to wish for something larger. In the very last pool that they dare attempt--a dark hole under a steep bank, where the brook issues from the woods--the boy drags out the hoped-for prize, a splendid trout, longer than a new lead-pencil. But he feels sure that there must be another, even larger, in the same place. He swings his line out carefully over the water, and just as he is about to drop it in, the little brother, perched on the sloping brink, slips on the smooth pine-needles, and goes sliddering down into the pool up to his waist. How he weeps with dismay, and how funnily his dress sticks to him as he crawls out! But his grief is soon assuaged by the privilege of carrying the trout strung on an alder twig; and it is a happy, muddy, proud pair of urchins that climb over the fence out of the field of triumph at the close of the day.

What does the father say, as he meets them in the road? Is he frowning or smiling under that big brown beard? You cannot be quite sure. But one thing is clear: he is as much elated over the capture of the real trout as any one. He is ready to deal mildly with a little irregularity for the sake of encouraging pluck and perseverance. Before the three comrades have reached the hotel, the boy has promised faithfully never to take his little brother off again without asking leave; and the father has promised that the boy shall have a real jointed fishing-rod of his own, so that he will not need to borrow old Horace's pole any more.

At breakfast the next morning the family are to have a private dish; not an every-day affair of vulgar, bony fish that nurses can catch, but trout--three of them! But the boy looks up from the table and sees the adored of his soul, Annie V----, sitting at the other end of the room, and faring on the common food of mortals. Shall she eat the ordinary breakfast while he feasts on dainties? Do not other sportsmen send their spoils to the ladies whom they admire? The waiter must bring a hot plate, and take this largest trout to Miss V---- (Miss Annie, not her sister--make no mistake about it).

The face of Augustus is as solemn as an ebony idol while he plays his part of Cupid's messenger. The fair Annie affects surprise; she accepts the offering rather indifferently; her curls drop down over her cheeks to cover some small confusion. But for an instant the corner of her eye catches the boy's sidelong glance, and she nods perceptibly, whereupon his mother very inconsiderately calls attention to the fact that yesterday's escapade has sun-burned his face dreadfully.

Beautiful Annie V----, who, among all the unripened nymphs that played at hide-and-seek among the maples on the hotel lawn, or waded with white feet along the yellow beach beyond the point of pines, flying with merry shrieks into the woods when a boat-load of boys appeared suddenly around the corner, or danced the lancers in the big, bare parlours before the grown-up ball began--who in all that joyous, innocent bevy could be compared with you for charm or daring? How your dark eyes sparkled, and how the long brown ringlets tossed around your small head, when you stood up that evening, slim and straight, and taller by half a head than your companions, in the lamp-lit room where the children were playing forfeits, and said, "There is not one boy here that DARES to kiss ME!" Then you ran out on the dark porch, where the honeysuckle vines grew up the tall, inane Corinthian pillars.

Did you blame the boy for following? And were you very angry, indeed, about what happened,--until you broke out laughing at his cravat, which had slipped around behind his ear? That was the first time he ever noticed how much sweeter the honeysuckle smells at night than in the day. It was his entrance examination in the school of nature--human and otherwise. He felt that there was a whole continent of newly discovered poetry within him, and worshipped his Columbus disguised in curls. Your boy is your true idealist, after all, although (or perhaps because) he is still uncivilised.

II.

The arrival of the rod, in four joints, with an extra tip, a brass reel, and the other luxuries for which a true angler would willingly exchange the necessaries of life, marked a new epoch in the boy's career. At the uplifting of that wand, as if it had been in the hand of another Moses, the waters of infancy rolled back, and the way was opened into the promised land, whither the tyrant nurses, with all their proud array of baby-chariots, could not follow. The way was open, but not by any means dry. One of the first events in the dispensation of the rod was the purchase of a pair of high rubber boots. Inserted in this armour of modern infantry, and transfigured with delight, the boy clumped through all the little rivers within a circuit of ten miles from Caldwell, and began to learn by parental example the yet unmastered art of complete angling.