Chapter 4

So far as speed went, the children might as well have walked. The poor old horse, as miserable and starved-looking as his master, kept steadily on, with a sort of halting trot, varied every now and then by an awkward stumble, which was saved from being a fall by the man's prompt use of the reins.

It seemed as if they were hours on the road. The murky atmosphere, obscured by storm-clouds, made the evening grow dark earlier than is usual in northern latitudes. The heavy rumbling of the wretched vehicle, the cramped position in which they were obliged to sit, the fatigue of a long day's walking without rest or refreshment, the dreariness of the road and chill aspect of the weather, combined to make this journey as miserable a one as it well could be. Yet it was only the very beginning of the troubles Elsie had brought upon herself and Duncan.

She was not feeling in the best spirits just now, but she buoyed herself up by thinking of the future, and telling herself that every one who ever ran away from home had some adventures that seemed trying at the time, though they were quite interesting to hear of afterwards, and she tried to picture herself being put in a book as a heroine. And she was not in the least daunted, only inclined to feel very cross and snappish.

Duncan sat huddled up in a corner, with a face that might have served for a Dutch doll, it was so blank and wooden. He was not the sort of boy to cry, but down in his heart there was a very forlorn feeling, which he would not like Elsie to have known anything about.

Presently a drop of rain spattered on to Elsie's forehead--another, and another--and then, down it came in torrents. To Elsie's despair, the horse slackened his already slow pace, and finally stood still, trembling and snorting. They were on an open road, with not even a tree near by for shelter.

"Why don't he go on?" Elsie cried out.

"The rain blinds her. She can't see," the man replied.

"Then why don't you lead her?" Elsie cried, in her peremptory fashion.

Elsie was more inclined than ever to think that the man must be a little daft. He got down, and did as she had told him. It seemed as if he had not thought of it before. He was so dazed and muddle-headed, that he would have sat apathetically on his seat, waiting for the horse to go on, although he could certainly get no wetter than he was by walking.

The rain had added the last drop to their cup of discomfort. The children were wet through in a very short time, and they were far better clad than the man.

They went along in dismal procession, all reeking wet. It was now tolerably dark, and not a soul passed them. There was clearly nothing for it but to persuade the man to take them in at his cottage. Elsie began now to wonder what sort of a place so miserable-looking a creature lived in.

During this latter part of their journey, Duncan, too, had been wondering where they would sleep; but it was no good asking, he said to himself, for if Elsie didn't know she couldn't tell him, and he supposed she'd find out some place as soon as she could.

At last Elsie, straining her eyes through the gloom, could make out a twinkling light or two, and something like a cottage. The roadside was no longer open, but had the low stone walls so familiar to Scottish eyes. As they drew near Elsie could see that the tiny tenement was only some crofter's cottage, and that the walls enclosed his bit of land, not large enough to dignify with the name of farm. Then it suddenly dawned upon her that their friend of the cart was most likely one of these crofters, whose poverty and hardships she had often heard her mother and grandmother talk of.

They stopped at last before another of these tiny hovels, much farther up the road. A faint light struggled through the small thick panes of glass of a window little more than a half-yard square. The door opened as they drew up, and a woman came out, talking very fast and shrilly in the native Gaelic, which the children had often heard spoken, but understood scarcely at all. Elsie could make out that she was scolding very much, but that was all. As she came near her eyes fell upon the two children. She stood still for a moment, her voluble speech checked by amazement and dismay.

Elsie sprang out, and seized the moment. "We are wet through with the rain," she said; "and it is a long way yet to Killochrie. I have some pennies I will give you if you will let us stay to-night in your cottage."

The woman stood eyeing her cautiously. So little as Elsie could see of her, she was not a pleasant-looking individual. She seemed to be a big bony creature, with loose locks of hair hanging about her face, and great bare arms held a-kimbo.

"Show me the money," the woman said, holding out her hand greedily.

Elsie hesitated, for the incident with the bread made her afraid of letting her whole stock be seen, but the rain was still pouring down, and a night's shelter must be secured somehow. She drew her handkerchief out of her pocket, and untying the knots, tried to slip a few pennies out, and keep the others unobserved among the folds.

But the woman watched her fumbling movements very narrowly, and suddenly made a dart at the handkerchief, chinking the copper coins together, with a rattle that betrayed them at once.

"I will take care of them," the woman said, holding out her hand. "Go in, then--you can," she added, with a shrug of the shoulder which did not express a very warm welcome.

However, there was nothing else to be done, so the children, Elsie leading Duncan by the hand, made their way up to the cottage door, while the woman went off with her husband to some unknown region, either to assist him with the horse, or, what was much more likely, to talk to him about the strange load he had brought home with him.

Elsie thought she had never seen anything so horrible as the sight that greeted her when she pushed the door wide open, and stood on the threshold of the crofter's home.

The tiny place was dirty in the extreme. The floor, which had been of boards, had rotted away in several places, showing the bare ground beneath. A broken rickety table and a few dilapidated chairs and stools were the only furniture, with the exception of an old clock standing against one of the walls. A shelf in one corner displayed a few odd pieces of coarse crockery, for the most part chipped and cracked, and some pieces of bread.

Elsie perceiving a door, ventured to lift the latch and look in. It opened into a still smaller apartment, the principal part of which was occupied by something on the floor intended for a bed, where two children lay sleeping. The ceiling was very low, and had an open space at one end, with a ladder, which appeared to lead into a kind of loft, where onions seemed to be stored, by the odour coming from it. As far as she could discover, these comprised the whole accommodation of the crofter's cottage.

While Elsie was wondering where they would have to sleep, the man and woman came in. Elsie had stripped off her soaking jacket, and was standing near the smoky peat fire, endeavouring to dry her wet skirts and feet. Poor Duncan had no outer coat to protect him, and was consequently wet to the very skin. He was standing in his shirt-sleeves, shivering, by Elsie's side.

"What is your name?" the woman asked of Elsie, in the slow measured accents of one who speaks a language not perfectly familiar.

"Our name is Grosvenor," Elsie said, with a warning glance at Duncan, which, however, the woman's quick eyes noted.

"What for you are going to Killochrie by yourselves?"

"Our mother is dead, and we are going to find our father," Elsie replied. "We were living with some one who was unkind to us."

"Oh, Elsie!" Duncan whispered, under his breath; but Elsie checked him peremptorily. Poor Duncan had never felt so wretched in his life before.

"Where was that?" the woman asked.

"Oh! a long way off," Elsie replied. "We've come miles and miles."

"What you call the place you ran away from?" the woman asked, angrily.

"It hadn't got any particular name," Elsie replied. "It was out on the moor."

"You will know the way back?" the woman asked.

"But I am not going back," Elsie said, defiantly. "We are going to Killochrie to-morrow morning."

The woman only smiled grimly, and pointing to two stools, signified to the children that they might sit down.

"Will you give us something to eat?" Elsie asked. "We are hungry--he took our bread and cheese."

"Cheese?" the woman said, eagerly. "Where is it?"

"He ate it," Elsie replied.

"The pig! the greedy one!" the woman cried, angrily, as she reached down a plate of bread from the corner shelf.

It was coarse and stale, but the children were too hungry to be disdainful. At home they would have scorned such a supper with infinite disgust, but now they ate it readily.

Presently, however, the woman got some more plates, and taking the lid off an iron pot that stood beside the fire, she ladled out a mass of what proved to be boiled onions. Having served her husband and herself, she handed a small quantity to the children, which they found palatable and comfortable in their wet, cold condition.

When this frugal meal was ended, she signed to them to follow her, and taking them into the next apartment, led the way up the ladder. They found themselves presently in a tiny loft, where all sorts of rubbish was stored, together with a stack of onions. The woman cleared a space by piling the things together in a more huddled mass than they were already, and bringing several sacks out of the confusion, threw them down on the floor to form a bed.

"Is that where we are to sleep?" Elsie asked. "What are we to have over us?"

The woman pointed to one of the sacks.

"Look how wet my frock is!" Elsie cried, almost in despair. "Can't you give us something to put over us while our things are getting dry?"

The woman went rummaging among the lumber, and presently brought out a ragged, old gown of her own. Elsie took it from her almost with a shudder of loathing.

She took off her sopping frock, and gave it to the woman to hang up. Then she rolled Robbie up in one of the sacks as well as she could, and spread another for him to lie down upon, leaving herself one sack to serve as a bed, and only the old rags the woman had given her for a covering.

They lay down, not in the highest possible spirits. Elsie was so angry at being robbed of her food and of her money, that she dwelt more upon this grievance than the wretched discomfort they were enduring, until she heard a faint sound of sobbing emerging from the sack in which Duncan was encased.

That sound smote her with an uncomfortable sense of reproach. "Never mind, dear," she whispered softly; "it'll be all right to-morrow. Get to sleep and forget it."

"If it were not for being poked up in this loft, I'd slip out, without bidding them 'good-bye,' as soon as it is light to-morrow morning," Elsie said to herself, with an uneasy reflection of what disagreeable greedy people they seemed to be. "Any way, we won't stay a minute longer than we're obliged."

Fortunately for Elsie, she had no idea how long that was to be. Nance Ferguson knew what she was doing, and why she had put them up in the loft.

(_To be continued._)

HINTS ON CANVASINE PAINTING.

This is the art of colouring a photograph so as to imitate an oil-painting. Although we know that no imitation of this kind can ever reach the perfection of the real article, yet we can obtain very fair copies. The work, when well done, is really pretty, and it makes a good show on the walls. It is not at all difficult, and those who have a slight knowledge of painting can easily accomplish some creditable pieces that they will enjoy seeing in their rooms, and that their friends will consider welcome presents. The colours are unobjectionable as regards smell, for they have none, and the work is clean, and can be rapidly done.

The choice of the photograph is of importance, for it must be a good one, and suitable for the purpose. Those taken from the pictures in the Munich, Dresden, and Italian galleries will be found best to select from. The outlines of the subject should be well defined, and the whole photograph clear and distinct. It is advisable to begin on figure subjects, as they are easiest, and certainly the most effective. The picture should not contain many figures, or they must necessarily in that case be small, and some difficulty will, in consequence, be met with in colouring them. Young amateurs seem to think that small pieces are more within their province: they are afraid to attempt a larger size, but we assure them this is a fallacy. Minute details require great care, and it is more awkward to get small washes level than larger ones.

The first thing to be done is to buy our materials, and these we can get all neatly arranged in a box. The colours are: two flesh tints, light and golden yellow, vermilion and carmine, blue, violet, purple, light and wood brown, green, and black. All the colours are dry, except black; and ordinary Chinese white is used, as there is no white specially made for canvasine.

There are two bottles of medium, one adhesive and one preservative. Camel's-hair brushes of various sizes, canvas and stretchers, a roller, and a squeegee, or presser, are also requisite.

Having all our materials at hand, let us set to work. The stretcher has been bought to suit the size of the photograph, but probably the latter will have to be cut a little round the edges, to make it just about an eighth of an inch smaller than the former. Take some of the prepared canvas, and cut it an inch and a half larger than the photo; wet it thoroughly, and fasten it to a board with drawing-pins, the prepared side uppermost. The back of the photo will require to be rubbed with glass-paper, if it is a thick one; not otherwise, for fear of making holes in it. To manage this carefully is important.

A sheet of clean paper should be laid on a drawing-board, and the photo placed on it face downwards, and firmly secured with drawing-pins. Now rub it gently with the glass-paper, until the picture is rendered semi-transparent. Then take it from the board, and give it a bath in the solution. Lay it in a dish, and cover it entirely with the solution, letting it remain there for a few minutes; lift it out, and again lay it on the board face downwards, and with a small sponge dab off any superfluity of liquid. Pour that which is left in the dish back into the bottle.

The bottle of canvasine adhesive is next needed. With a brush well filled with it, lay a thick coating all over the back of the photo as evenly as possible, then take up the picture, and place it in exact position on the canvas which is stretched on the board, and now the face must be uppermost. Notice particularly that the photo lies straight with the threads of canvas; if it is crookedly placed it cannot be expected to look well; the perpendicular and horizontal threads should run perfectly level with the top and bottom and sides of the picture. Press down the photo with the hand, and then slightly roll it out.

Take another piece of canvas of the same size as the first: this has now to be pressed thoroughly, the roller being passed in every direction over the surface. Continue rolling it for five minutes or more, so that the canvas lines become indented in the paper and are distinctly visible. Watch it constantly during the process, and if it does not adhere quite firmly to the stretched canvas, put a little more adhesive solution round the edges, and pass the presser quickly up and down over the photo, still with the spare canvas between, to rid it of all air-bubbles; then repeat the rolling.

Not until every part of the photo adheres, and all the canvas lines are clearly marked, must the process of rolling be discontinued. After this, the photo must be allowed to dry gradually, still stretched on the board. No painting must be attempted until it is quite dry, which it will be in about three hours. Some prefer to paint it when it is so far prepared, and afterwards to fix it on the stretcher; others consider the better plan is to fix it first on the wooden stretcher and then to paint it; but this is a matter of choice, and workers may follow either plan with equal chances of success.

To stretch it, we must proceed in the following manner. Lay the canvas evenly on the frame and nail it over the back; when all four sides are thus secured, take the wedges, and hammer them into the holes made purposely for them until the canvas is sufficiently stretched. Be careful to place the board in a good light for painting; it takes much longer to do, and cannot be done half as well either, if the worker sits so that the shadow of her hand falls on the picture. A piece of clean writing-paper to place at times under the hand to prevent finger-marks may be found useful.

Now for the painting. We will begin with the face. In colouring photographs, the paints have to be constantly washed off, and it is a well-known fact that nothing does this so well as the tongue, because it acts on the photo so as to remove all grease better than anything else will: but some people will perhaps be somewhat afraid thus to wet the surface, on account of the nature of the paints. The tongue may, however, be used at any rate for the flesh parts, and a small wet sponge can be employed for the rest of the picture. Wet the complexion over with the tongue, then wash in the shadows with some flesh shadow mixture, to which a little canvasine medium and water have been added, and wipe it off again at once. Pay attention to the shadows that they are of the right tints: for fair children they will be of a slightly blue hue; for dark complexions a little wood brown must be added to the shadow colour. Now lay over the complexion a wash of flesh-tint No. 1, and wipe it off again directly; repeat the wash as often as necessary until a good colour is obtained. Sometimes as many as six applications are needed; the great point is to get a good even layer of colour. In rendering dark complexions, a trifle of wood brown may be added to flesh No. 2, and this will give the requisite depth of colour. Put in the warm complexion-tints with flesh No. 2. Place a drop of it, modified with No. 1, over the whole cheek, and wipe it off again immediately. Repeat until the right strength of colour is secured; deepen the tint as it nears the centre of the cheek, so as to preserve the rounded appearance that is one of the greatest charms that youth and beauty possess. Strengthen the shadows under eyes and eyebrows, round the nostrils, and on the chin.

Mixtures of blue and brown, and of green and brown, serve for the demi-tints which soften the deep shadows by gentle gradations into the local colouring. The tints may be effectually blended into one another by an occasional wash of flesh No. 1 being carried over the whole.

Between each operation the colour must be dabbed off as soon as it has had time to sink into the photograph; it must not in any case be allowed to rest long, or the wash will dry spotty, and when that happens it is exceedingly difficult to remedy. The draperies are washed in before the details of the face are begun, as when the latter are painted the colours must not be wiped off afterwards; they are not treated in the same way as the washes, but more as finishing-touches.

Draperies and backgrounds are laid in with a full brush in broad washes, the photograph being first damped slightly with canvasine medium; the colours are laid on freely with decisive strokes, and sponged off, the washes being continued until the tint is dark enough. Skies may be represented with blue tinged with green, and when dry, some light clouds may be dabbled in with Chinese white.

Now we return to the face. With flesh No. 2 touch in the lips carefully, and shade the tint off gently, for they must on no account look hard; also mark in the nostrils with a little of the same, but now the colour must not be washed off. For the eyes, use blue, brown, or grey, as requisite; grey is composed of a mixture of blue and brown. The pupil of the eye is put in with black, and the light with a touch of Chinese white. In the corner of the eye a trifle of flesh No. 2 will be needed. The eyebrows should be rather darker in colour than the hair, but they must not be too heavily painted; the best plan is to wash them in with a lighter tint first, working them up afterwards with a fine brush and almost dry colour of a darker shade. The eyelashes, too, must be washed in along the eyelid, and then a few hairs marked out with the point of the brush. It would never do to put them in entirely in thin fine strokes, for they would be sure to look hard. A little blue added to brown will make a tint dark enough for most purposes, and the use of black should be avoided whenever possible.

The hair will need our next consideration. For fair hair, golden brown must be employed; it is applied in washes, wiped off as before, and repeated until the desired depth of local colouring is obtained; the shadows are worked in with light brown, the lights with a little Chinese white. For dark hair, use wood-brown and sienna; and the darkest hair may be rendered with washes of blue, which must be applied before the sienna, with Chinese white used freely for the lights. Colour which has once been allowed to sink in cannot be removed, therefore we must be careful not to use a wrong one, or even too dark a shade. Then, again, colours dry darker than they appear when first laid on, so we must take the precaution to make our washes lighter than we intend them to be when finished.

Beautiful tints can be produced by the admixture of the colours, and charming effects by the juxtaposition of colours that form an agreeable contrast.

A RACE ON THE SANDS.

One cool and pleasant afternoon, Before the sun was set, A fox and other country folk Upon the beach had met. The creeping tide far out had ebb'd, And by the shelving strand There stretch'd a wide and level plain Of glist'ning yellow sand.

The hare, the hound, the neighing steed, The lowing ox, the deer, The sheep, the hog, the braying ass, The sea-gulls hovering near, With groups of various birds and beasts, Of sorts both tall and scrimp, Were gather'd there upon the sands; And thither came a shrimp.

Now Reynard, who was eager bent Upon some cunning wile, Did boldly challenge any beast To race with him a mile. But when nor horse, nor hare, nor hound His challenge would receive, Up started Shrimp, and cried, "Good sir, To race you give me leave."

A burst of merriment then brake From all the beasts around, The westward-sinking sun did smile, Though he utter'd not a sound. Then out spoke Reynard, red with rage, "Thou mak'st a mocking boast!" But near him whisper'd Master Hare, "Forget not how I lost."

The race anon was quickly plann'd, Eftsoons a judge was nam'd, And Fox and Shrimp quite ready stood, Though Shrimp seem'd half-asham'd. And now they start, one, two, away! See, Reynard darts ahead, Unconscious that sly Shrimp had jump'd Upon his tail outspread.

There snug he lay, so close and warm, While Reynard tore apace, And laugh'd, as only shrimps can laugh, In his comfortable place. At length, as Reynard near'd the goal, He slowly slacken'd speed, And stopping, ere he touch'd the post, He turn'd--he did indeed.

Then off hopp'd Shrimp, and stood at once Up at the winning-place; While Reynard still look'd back and cried, "How now, who wins the race! Where are you, villain? where are you? Not e'en in sight, I trow!" "Nay, pardon, sir," behind him cried That sly Shrimp with a bow.

Then Reynard, all abash'd, did stare To find himself outdone! While the jeering crowd, in high delight, Went wild at all the fun. But Reynard could not bear their gibes: He slunk in haste away; Nor ever guess'd how Shrimp contriv'd To win the race that day.

THE KING AND QUEEN'S QUARREL.

(NARRATED BY A DOLL).

I was very pleased indeed, when I first came into the world, to find that I was to become the property of a King and Queen. I had seen a great deal of life through my shop-window, and had come to the conclusion that I was formed for high society. So therefore, when my new mistress said to me, "Dolly, I am the Queen to-day, and Bertie is the King," I was not at all surprised, but held myself as firmly as before.

The King and Queen sat together on one chair, which I suppose is the constant habit of Kings and Queens. They were both very nice and neat, for the nurse had just brushed their hair. The Queen was four years old, and the King was six. And they were both the very prettiest children you could see.

The little Queen had a blue print frock, and a little round face. She had pretty shy eyes that looked out from beneath a shock of curly hair. The little King was very pretty too. And he liked to play with dolls, which I always think is a nice trait of character in a boy.

"Oh, what a lovely doll!" cried the Queen, when she first saw me. I may repeat it without vanity, for I suppose it was true. Anyway it is exactly what everybody said the moment they set eyes on me. People always praise dolls to their faces, and that is what makes us look so conceited. Even when we are old, and battered, and worn-out we still preserve a somewhat conceited air--we still look pleased and proud of ourselves so long as there is one little child who loves us, and who thinks us pretty still.

The King and Queen sat down together on their throne, and were as happy as happy could be. The little Queen's feet dangled a good way off the ground, but she did not mind that in the least. She put one chubby arm round her brother to keep her quite firm, and the other arm was round me.

When a nice little fat, dimpled arm holds me tightly against a loving heart, I feel very pleased and happy. If I were a pussy-cat I should purr, for I feel that I am in my right place.

"Now I am King and you are Queen," said the little boy; "and everybody that comes in must bow to us."

"Dolly shall be the Princess," said the little girl, in a voice like that of a cooing dove.

"Her name must be Sophonisba," said the little boy gravely. "That sounds something like a Princess."

"Topanithba," repeated the little girl, very much pleased; and she pressed me close to her heart.

Suddenly a cloud passed over the face of the little boy. He looked at me hard for a minute, and then he spoke.

"No, that won't do at all," he said; "I am an old French King, and we're under the old Salic law. She mustn't be a Princess, or she'll never come to the throne. We must pretend she is a Prince, and we'll call her Jack."

You should have seen the little girl's face at this. All the dimples went out of it, and she looked quite frightened.

"Oh, don't call her Jack, dear," she cried; "it's so ugly. And I'd rather she was a Princess."

"Then she'll never come to the throne," said the boy solemnly. "I read it lately in my history."

Here the little girl looked much inclined to cry.

"Oh, don't say she won't come to the throne!" she cried piteously. "I like my Princess Sophonisba so much."

"She'll never come to the throne," said the King, laying down the law with his fore-finger; "a Princess is no good at all. She's a stupid."

"Well, she shan't be called Jack," said the Queen, plucking up a little spirit.

"Then I shan't play," said the little King, at once jumping down off the chair.

The little Queen put her finger in her mouth, and looked as if she did not quite know what to do. She did not care to play without Bertie, but she wanted to have her own way. She glanced at Bertie out of the corner of her eye. He turned his back to her directly, and would not look her in the face. Yes, there was no doubt about it--she could tell it from the look of his shoulders--Bertie was in the sulks.

All their play was spoilt. The throne was deserted, the sceptre laid down. They did not care to be King or Queen by themselves.

"I shall go down to mamma, then," said the Queen, and she put me down on the chair, and went off.

For some time Bertie stood in the corner, looking very cross. Then he looked round, and began wondering when May would come back. Next he commenced to cry.

"Naughty girl! naughty girl! I don't want her to come back!" and he took a piece of string out of his pocket, and kept slashing it against his sleeve as he spoke.

Suddenly, in the midst of his temper, he caught sight of me.

"Nasty doll!" he cried; "we should never have quarrelled if it hadn't been for you! You shall be a boy," he added, sternly; "for I'll cut all your hair off!"

A shudder went through me. Unfortunately the nursery scissors were lying on the table--he took them up, and in a minute it was done. Clip, clip, went the scissors, as if they were pleased, and nearly the whole of my flaxen curls lay scattered on the floor. How I looked I don't know, but I think Bertie was a little frightened when he saw what he had done. I don't think he was anxious for his sister to see me, so he jumped up on the fender and put me on top of the mantel-piece.

Here I lay, with my feet dangling down off the side, about as uncomfortable as a doll could be. Nearly all my hair was cut short, my hat had fallen off in the fray, and I found myself in a position of much discomfort, and even danger. I could see nothing that went on in the room, and the heat of the stove was fast melting my beautiful complexion. I tried to look like a Princess, but it was hard.

The nursery-door opened, and the little girl came back. In a minute she ran up to the chair where she had left me, and then looked at her brother.

"Where's dolly?" she cried, and she looked anxiously round.

"I shan't tell you," said Bertie, beginning to look frightened.

"Oh, dolly, dolly; where is my dolly?" cried the little girl, and how I longed for a voice that could answer her. I could hear her going all round the room, pulling open drawers and cupboards, and hunting for me, but I never said a word.

Suddenly I heard a cry. She had come to the hearth-rug, where lay the scissors, and nearly all my beautiful flaxen curls on the floor.

"Oh, my dear dolly! my dear dolly! He's cut off her hair. Oh, you cruel boy!" cried the little Queen, and she sat down and cried as if her heart would break. Then she glanced up, and caught sight of where I lay, placidly reposing on the mantel-piece with my eyes turned up to the ceiling. In a moment she was upon a chair, and ready to fetch me down, when what with the chair being unsteady, and her eyes being full of tears, the chair slipped beneath her, and down she fell on the floor.

Poor little Queen, she was in a very bad way! Her head fell against the fender, and hurt her very much, she sobbed and cried both with the fright and the pain. Nurse came running up, and took her on her knee, and it was a long time before she could console her.

"My dolly, my dolly!" she cried between her tears, and the nurse took me down from the mantel-piece, and gave me to her. How she did cry over me! I felt dreadfully vexed, because tears are fatal to my complexion.

Bertie stood looking on frightened, and came up to look at his sister.

"Go away, you naughty boy," cried nurse; "it's all your doing, and your sister will make herself ill with crying."

When my little Queen heard Bertie being blamed she grew very quiet all at once. She gave her eyes a final wipe with her handkerchief, and she got off nurse's knee, and turned to Bertie. Bertie was crying too, and he had gone quite white with the fright that he got when he saw little May fall down.

"Oh, May, I am so sorry, dear," he said; "will you kiss me, dear, and make it up? Do, please."

No need to ask the little Queen twice; she threw her little arms round Bertie.

"I am so sorry, May," he said; "I didn't know you would have cared so much."

"Never mind, Bertie, dear," said the little Queen gently; and she tried to look cheerful, though I knew she was grieved to the heart. "Perhaps it's almost for the best," she whispered, softly; "for now she can be Prince or Princess, just whichever you like."

So they made it up, and cried and laughed again, as is the way with these inferior mortals. I had remained calm all the time, which is the correct frame of mind in which a doll should take all vicissitudes of fortune, but the poor little Queen had cried till she had washed nearly all the colour off my face.

I lived with the children for a long time after this, but I never saw them quarrel again. I took my part in many a game, and was sometimes a Princess to please the Queen, and sometimes a Prince because the King liked it best. I have even been dressed up as the Lord Chamberlain before now, and sometimes I have taken the part of the scullery-maid. But neither the King nor the Queen nor I have ever lost our temper again, and I flatter myself whatever part I have taken I have borne myself with dignity.

LUCIE COBBE.

THE KINGFISHER AND THE FISHES.

A Kingfisher sat on the edge of a boat that a young man had prepared for a fishing expedition. A box of bait and a bucket to hold the fish were on one of the benches, whilst a fishing-rod lay across the boat, and its long line had a float at the end of it.

"What a shame it is!" said the Kingfisher, casting his eye upon the float. "Why should this man be taking fish from this part of the river, close by the spot where I have built my nest? And what a preparation he has made! Hooks, and all kinds of cruelty are known to him. I should be very sorry to be a man with such a love for killing."

And the Kingfisher shook his head gravely, and looked into the water.

"Yes," said he, "fish are moving towards that decoy. What a number of them! I may as well make a pounce myself. Since the man has put it there, why shouldn't I take advantage of it."

So saying he gently rose and spread out his wings as softly as he could, but the movement scared the watchful fishes, who swam rapidly away towards the river-bank, whither the Kingfisher pursued them, perching on the bough of a tree and making a dart from it. He had almost succeeded in capturing one, but it escaped him. And then an old fish popping up her head for a minute said--

"People are very ready to condemn others for doing what they are constantly doing themselves. Here are you trying to catch us yourself and yet professing to be very angry with those who are wishing to do the same."

Thus saying she disappeared, leaving the Kingfisher to moralise upon her speech.

This he did, observing--

"There is something in what the fish says, and yet there's a difference between me and the young gentleman to whom the boat belongs. I am getting food for my family, whilst he is only amusing himself with angling for the fishes. His killing is sport, mine is necessity."

G.

OUR SUNDAY AFTERNOONS.

THE DREAM OF THE BARLEY CAKE.

The Israelites were wild with terror. With blanched faces and starting eyes, they gazed upon one another in unspeakable agony, unable to ask the question which was pressing so heavily upon each heart--What would the end be?

They had seen locusts coming in the distance, in swarms so dense as to darken the sky, more effectually than thickest, blackest clouds. They had watched them settle down on tree, bush, bright green meadow, and fields of waving corn. And they had trembled. For they knew that in an incredibly short time not a vestige of anything green would be left. For a swarm of locusts to visit the land they had thought one of the direst calamities that could come upon them. But now invaders as numerous and far more terrible had made their appearance.

Crossing the Jordan by the ford near Bethshean, and pouring, like a torrent of infuriated waters, through the Valley of Jezreel, properly so called, which was the central of the three eastern arms of the great Plain of Esdraelon, had come vast hordes of Midianites, Amalekites, and other children of the East, true sons of the desert, who, like the Arabs of the present day, lived by plunder.

Foremost amongst them rode their two great sheiks, or kings, whose haughty and lofty bearing bespoke their rank, and the obedience and submission which they were accustomed to receive. They were mounted on the finest of dromedaries, which seemed proud to carry their royal masters. Over the gay scarlet cloaks in which they were attired they wore chains of gold, with large drops, probably set with pearls; and their many moon-shaped ornaments and long bright spears glittered in the sunshine, as they rode proudly along.

By their side, and also mounted on dromedaries, and with long sharp spears dangling over their shoulders, rode two subordinate sheiks, or "princes," the dark complexion and jet black hair of the one having given him the name of Oreb, or the raven, whilst the fierce countenance of the other had gained for him the title of Zeeb, or the wolf. Thousands upon thousands of men followed them, with ruthless faces dreadful to behold.

On and on they went, through the Valley of Jezreel, across the smiling Plain of Esdraelon, along the banks of the Kishon, and into the fertile Plain of Akka, which lies round the Bay of Acre, and extends northwards for some distance along the shores of the Mediterranean Sea.

Their object was not to conquer, only to plunder. But what terrible ravages they made! Better, far better, if the most dreaded cloud of locusts that had ever been known had come, and devoured all before them! A few days, and the destructive insects would have disappeared; but as for these heartless plunderers, when would their wild depredations cease?

Before they entered the Plain of Esdraelon, fields of precious corn nodded in the breeze, and long grasses waved to and fro. Oxen, sheep, and asses grazed peacefully in rich green pastures; and the busy hum of populous cities and thriving villages might be heard afar. But as they went along, they destroyed or seized all that came in their way. The animals were slaughtered, the corn was reaped, and the green grass was trampled down by myriads of camels.

The inhabitants of the villages, and even of the walled cities, fled at their approach, leaving, in their hurry, all their goods behind them, and their homes, that had been so happy, were ransacked.

Never before had the verdant plains presented so desolate an appearance; and not an Israelite dared tarry behind to witness the destruction.

The scared Israelites fled to the mountains, there taking refuge in the holes or caves that were ready for them, or hewing out, in the hard rock, rough chambers in which to hide.

And still the mighty host went on; and still they were followed by fresh hordes as mighty and as reckless, till there seemed to be no end of them and their camels.

Killing, plundering, laying waste, as they poured along, they left the land a sorrowful wreck behind them, and having utterly spoiled the plain of Akka, they turned southwards, and continued their march as far as Gaza, the southern limit of the territory of Israel.

God was surely punishing them for their sins, the Israelites rightly thought; and they began to call to mind how they had forsaken His ways, and grieved Him with the blackness of their sins. What must become of them they scarcely dared think, as they huddled together in the dark holes in the rocks, their sunken-eyed wives wringing their hands in despair, and their hungry children crying for bread. No one would ever be able to drive out the terrible invaders. Not the boldest man in all Israel dared face them. Unopposed, they would continue their ravages; and the land that had flowed with milk and honey would soon be one vast ruin.

The wild men of the desert spread their black tents over the land, and for multitude they could only be compared to the sands of the sea-shore, or uncountable myriads of locusts.

All the Israelites together would but be as a handful, compared with the wild Arabs; and how could they hope ever to drive them out?

"O Israel, trust thou in the Lord: He is their help and their shield!" When the human arm fails, there is help in the Lord Jehovah; and He can drive out the most dreaded foe.

A solitary man, who was of the tribe of Manasseh, and who had got his name of Gideon, or _the hewer_, from his stature and his great strength, was threshing wheat by a winepress in Ophrah. His father had had a large farm, with smiling cornfields and sunny meadows; and Gideon had seen the day when he had ploughed with his yoked oxen, and when his patient animals had trodden out for him heaps of precious corn, and there was no sign of lack to any. But now, what a change had come! Instead of well-stored barns, he had only a little wheat, which he had contrived to conceal from the Arab invaders; and, instead of its being trodden out by plump oxen, he was glad to beat it with a stick, not possessing even the poor man's flail, and hiding in a winepress, where no one would expect to find him.

Striking only gentle blows lest he should be discovered, and sorrowfully contrasting the present with the past, his heart sank within him, when raising his head he was startled to find that he was no longer alone.

Close beside him, under an oak-tree, sat One who appeared to be a traveller resting, with his staff lying beside him. He was, however, no traveller, but that wondrous Being who in the Old Testament is so often called the _Angel of the Lord_; and He had come to the help of Israel.

"The Lord be with thee, thou mighty man of valour," he said, addressing Gideon. But Gideon's sad heart gave no responsive throb. Tall and powerful as he was, and strong as was his arm, he felt as he thought of the fierce Arab sheiks but like a puny dwarf, who must sit down helplessly and suffer.

"Thou shalt go in this thy might that I have sent thee," the heavenly visitant continued; "and thou shalt save Israel from the Midianites."

"But, my lord," remonstrated Gideon, in conscious weakness and deep humility, "how shall I ever be able to save Israel? I but belong to the tribe of Manasseh, that has never taken the lead amongst the Twelve, and even of my father's family I am not an important member."

Gideon thought that to overcome the terrible invader God must needs raise up some tall giant, big as Og, the King of Bashan. But he was soon to learn that the weak things of this world are used to confound the mighty.

"_I_ will be with thee," the Angel of the Lord said, "and thou shalt smite the hosts of Midian as one man."

The wondrous Being, in His great condescension, gave Gideon a sign that He would fulfil His word, and by his hands save Israel from the dreaded foe. He touched with his staff the rock on which Gideon had placed his offering; and fire came out and consumed both the flesh and the sweet cakes, and then He disappeared.

Then Gideon blew his trumpet, and the Israelites came out of their holes, and rallied round him in great numbers. But still his heart failed; for he could not recall his truant thoughts from the wolf-like Arab chiefs, nor help contrasting his half-starved men who had suffered so long from cruel oppression and famine with their strong sons of the desert.

In his self-distrust he asked for two signs more, and God gave them to him. First, a fleece of wool was saturated in the night with dew while the ground all around was dry; and the next night the fleece was dry while the ground was wet.

Thus re-assured, Gideon assembled his followers for the battle; but by God's directions their number was reduced to only three hundred.

"By these three hundred men," God said, "will I save Israel, and deliver the Midianites into thine hands."

Gideon encamped, with his three hundred men, by the spring of Jezreel, on the slope of Mount Gilboa; while, on the north side of the valley, but farther down the descent to the Jordan, was drawn up the host of Midian.

From the height on which he stood Gideon could see the Midianites below, spread over the land like countless grasshoppers. Only three hundred weak men to face the wild Arabs with whom the valley was teeming! Would his little handful of followers indeed be able to overcome them? he wondered within himself. For though he believed God, who had brought Israel through the Red Sea, still deep down in his heart, and unexpressed, was a misgiving. And God, who does not scorn the littleness of a sincere man's faith, but rather tries to increase it, gave him, unasked and unexpected, another sign.

"Go down to the host," God said to him in the night; "for I have delivered it into thine hand. But, if thou art afraid, go down first with Phurah, thy servant, and hear what they say; and then shall thine heart be strengthened for the battle."

So Gideon took Phurah, his servant, crept softly down the slope of the mountain, and went along, under cover of the darkness, till he came close enough to the outside of the Midianites' camp to hear any conversation that might be going on.

The Arab host lay wrapped in deep sleep, whilst, all around, their reposing camels were couched on the ground; and not a sound was to be heard.

Presently, in one of the tents, in which lay two Midianites, there was a slight movement. Gideon heard that one of them was waking the other, and he drew near to listen.

"I have had such a dream," the disturbed sleeper said to his companion, when he had roused him. "I dreamed that a cake of barley bread tumbled into the host of Midian, and, rolling against a tent, overturned it, so that it lay on the ground."

And his companion, who understood the dream better than himself, replied in low tones, that told how great was his fear:--"This is nothing else save the sword of Gideon; for into his hand hath God delivered Midian and all the host."

The two weary men turned over and fell asleep again, trying to forget the warning that they had received of the fate that awaited them. But Gideon brightened up. His faith waxed strong, and he grasped his sword tightly, feeling that whilst it was his sword it was pre-eminently "the sword of the Lord."

He knew well the meaning of the dream--that the small round cake of barley, which was inferior to wheat, and was a symbol of weakness, was his own weak, insignificant self; and that, just as this tiny cake upset a tent thousands of times bigger than itself and firmly fastened to the ground with strong cords and long pegs, so by his weak arm the mighty host, that now lay asleep, would be overthrown.

Re-ascending the valley he gave orders to his men, went down, and fell upon the unsuspecting host, and with his few followers gained one of the greatest victories ever won by the Israelites.

Before long, the proud kings, Zeba and Zalmunna, and their two fierce princes, the Raven and the Wolf, with all their followers, lay in the silence and helplessness of death; and the land, that had been so long and so cruelly oppressed was freed from the formidable Arab invaders.

H. D.

BIBLE EXERCISES FOR SUNDAY AFTERNOONS.

13. Where does Jesus tell us that those who do the will of God are to Him as brother, sister, and mother?

14. Where are we told that a brother is born for adversity?

15. Where is God said to be "slow to anger"?

16. From what passage in the New Testament is it seen that John the Baptist followed the custom of the Jewish rabbis in giving his disciples a form of prayer?

17. Where are we told that an angry man stirs up strife, while one who is slow to anger appeases it?

18. Where do we read that he who is slow to anger is better than the mighty?

19. Where in the Bible is Adam called "the son of God"?

20. From what passage in the New Testament do we see that Rahab became the mother of the line from which David sprang?

21. Where does God call the rainbow "My bow"?

22. Where are rainbows mentioned in the New Testament?

23. What women are mentioned as ministering, with others, to the temporal wants of Jesus?

24. Where are we assured that the Keeper of Israel neither slumbers nor sleeps?

ANSWERS TO BIBLE EXERCISES (1-12. _See p. 20_).

1. The Feeding of the Five Thousand (St. Matt, xiv. 15-21; St Mark vi. 35-44; Luke ix. 12-17; St. John vi. 5-14.)

2. Shechem (Judges ix. 34, 45).

3. Eleven; the leper healed on our Lord's descent from the Mount of Beatitudes (St. Matt. viii. 1-4; St. Mark 1. 40-45; St. Luke v. 12-15); and the ten lepers, on the borders of Samaria and Galilee (St. Luke xvii. 11-19).

4. It was given to him by David, who had received it from God (1 Chron. xxviii. 11-19).

5. In Ps. xlii. 11; and xliii. 5.

6. In the boat, on the rising of the storm, on the Sea of Galilee (St. Matt viii. 24; St. Mark. iv. 38; St. Luke viii. 23).

7. In Acts 1. 14.

8. In 2 Chron. 1. 3, 4; 1 Chron. xv. 1; 2 Sam. vi. 17.

9. At Gibeon (1 Chron. xvi. 39).

10. In 1 Kings iii. 4-15; 2 Chron. 1. 3-6.

11. In 2 Kings xiv. 25.

12. "And when _they_ were put to death," &c. (Acts xxvi. 10).

THE CHILDREN'S LIGHT BRIGADE.

Jack and Willie, and little maid May Went down to the summer sea; And it's merry and gay for a long holiday, But what is their game to be?

They were tired of building castles When serious Johnny said-- "Now what do you say, supposing we play The Charge of the Light Brigade?

"This old umbrella that's been our tent Will serve for a cannon--of course; You two must play the Light Brigade, And I'll be the Russian Force."

Willie and May ran up the beach, Then charged straight down on Jack; But Jack dropped cleverly on one knee, And drove the onset back.

Again and again the charge came on With a rush and a ringing cheer, But Jack and the old umbrella Stood firm, and knew no fear.

"Charge for the guns!" cried Willie once more, There's a crack, and a moment after The Russians (that's Jack) are rolled in the sand, Amid shouts of conquering laughter.

Said Jack as he rose, "This isn't quite According to the story; We'll have this play again some day We've done enough for glory."

ROBERT RICHARDSON.

SOME FAMOUS RAILWAY TRAINS AND THEIR STORY.

_By_ HENRY FRITH.

II.--THE "WILD IRISHMAN."

The "Wild Irishman" is the train which carries the Irish mails, the American letter-bags, from Holyhead to London, and _vice versâ_. There are four "Irishmen," two in the daytime and two at night. The morning Irish mail from London leaves Euston Square at a quarter-past seven, and it is by this train which we have elected to travel, as we shall see the country better.

Here we are at Euston. The engine is already attached to the train--a fine, rather elegant-looking locomotive, with its name on a neat brass plate on the great "driving" wheel. Perhaps we shall find it called the "Lady of the Lake," or "Rokeby." At any rate, it looks very neat and clean, though not such a giant as our friend the "Dutchman."

If your eyes are sharp and you are fond of engines, and like to "pat" them, as I do, you will notice that the cranks and piston-rods work outside the wheels, not between them, and underneath the boiler, as in the Great Western engines. You will have just time to look at the wheels and the name when the man on the platform will wave his flag, and the "Irishman" will start very gently. As we are quite invisible, we just step up beside the driver as the engine moves, and he knows nothing about us. Ha! ha! Mr. Driver; but we intend to know something about your "Wild Irishman!"

Our driver and fireman ("stoker," perhaps you call the latter) are very great men. They have a great deal done for them. Do you think they light the fire and polish the engine? Do you think they go and take in coal and water at Crewe, or elsewhere, while they wait for a "return" train? Oh dear no! Another pair of men are ready, and our "mail-men" go and sit in the drivers' "cabin" and have their tea, and chat till the train is ready to start again.

It is not at all a bad position, though a very responsible one, to be an engine-driver on the London and North-Western Railway, particularly when you have worked yourself up to the "top of the tree." I could tell you many anecdotes of this railway, on which I lived for many years; but we must not forget the "Wild Irishman" has run through Camden Town, and is even now in the Primrose Hill tunnel.

It is very unpleasant being in a tunnel for the first time on an engine. The noise is very great, and the smoke and water come down at times unpleasantly. The end of the tunnel looks so tiny in the sunlight beyond, and the opening gradually gets larger and larger till the engine rushes out into the pure air again!

On we go! Stopping for a few minutes at Willesden Junction, our Irish horse pulls harder, and bolts with us for Rugby and some intermediate stations. It is just half-past seven a.m., a beautiful day. There is Harrow on the left, we can see the well-known spire, and we recall the days when we came up for the cricket-match against Eton, and how we all went back in a body after the match.

Before we reach Watford, we come to the peculiar water arrangement by which the thirsty engines are enabled to have a drink as they rush along. Between the rails for a considerable distance is a tank, and into this tank a pipe is let down from the tender of the engine. The speed at which the train travels causes the water to be forced up the pipe, and the supply of steam is assured.

Watford, named from the Roman road "Watling Street," which ran from Dover through London northwards, is near St. Albans, renowned in English history. But the "Wild Irishman" will not wait for us; he rushes through the tunnel and by Berkhampstead to Bletchley, where he pauses for a minute or two. We have scarcely time to look about when we are off again, past Wolverton, where the North-Western Company make their railway carriages, and where they used to repair their engines. We run not very far from Naseby after a while, and think of the great battle between Charles and Cromwell's troops. What would they think of our "Wild Irishman"? I wonder.

Rugby is passed; Atherstone, near which was the great Battle of Bosworth Field, lies behind us now. The struggle for the crown between Richard and Richmond may be recalled, but we have no time to examine the field seven miles away. We have to get to Crewe at eleven o'clock, and so we shall. We run through Stafford-on-the-Sowe, a town celebrated as the birthplace of Izaak Walton. The castle was demolished, like many others, in the Civil War.

A long whistle warns us that Crewe is in sight, and before long we enter the station, through which more than 200 trains pass daily. Here are the celebrated Locomotive Works, which employ an army of workmen, for whose children there are schools and playgrounds, with church, library, and assembly-room for the whole railway working population.

A visit to Crewe to see the great engines will repay any little folk who like machinery.

From Crewe to Chester is half an hour's run, and as we approach the old city on the Dee we feel wrapped in history. Such a history has Chester that we are afraid to enter upon it for fear we should be carried away, and lose ourselves wandering around the dear old walls, towers, gates, and ramparts. The Danes came here; the Saxons made it a port. Hugh Lupus, at the Conquest, resided here. The city was made the starting-point for expeditions against the Welsh by Edward I. Besieged by the Parliament--but no more; the "Wild Irishman" whistles, and we must go to you, my lad.

Hawarden Castle is close by. It was at one time of importance as a fortress. It now derives its celebrity from its owner, Mr. Gladstone, for the castle itself has almost disappeared. We soon pass Holywell, so called from the holy well which sprang from the place where Princess Winifrede's head fell. Caradoc, a Welsh prince, wickedly cut it off, and it rolled down the hill. Where it stopped the spring burst forth; and the head being picked up was placed on Miss Winifrede's body again. It became fixed, and she lived for many years afterwards, a little red mark round her white throat being the only token of her decapitation! So the story goes.

We are now approaching Abergele, near which such a terrible accident happened to the Irish mail in 1868. Some trucks had been shunted from a train in front, and they, by some mistake, came running down the hill to meet the "Irishman." The driver saw them, and the shock was not severe, but unfortunately they were filled with oil barrels, which broke open, the petroleum caught fire, and in two minutes all the fore part of the train was enveloped in flames.

Nothing could be done; the poor people in the carriages--lords and ladies and gentlemen--were burned, and with difficulty any escaped. This was a fearful catastrophe, and quite puts aside any ordinary accidents which (not a few) have happened to the "Wild Irishman."

Let us leave the scene and come on to Llandudno Junction and Conway Castle, by which is the first "Tubular Bridge." We have all heard of Conway Castle, founded by Edward I. If you little folk ever go to Conway be sure and see the castle, and go all over the thick walls, which will afford you a pretty view.

But I have something else to tell you about Conway "Tube"--the bridge through which the railway runs over the river.

Once upon a time--a good many years ago--a lady and gentleman got permission to walk through the new tubular bridge, which was then a curiosity. A railway porter was with them and told them no train was expected on that line, so they went into the tube and darkness.

A strange gentleman who had joined them went on first because the lady could not go so quickly, and of course her husband remained to assist her over the rails, and stones, and the girders which support the sides.

But when the lady and gentleman had got halfway through, the first man was at the end, and saw the down Irish mail approaching on the very line on which his acquaintances were! He called out--

"Take care of yourselves, a train is coming!" and then he waved his hands to the engine-driver.

The lady and gentleman in the "tube" could not stand up at the side, and so they hurried back. It was a terrible race. The "Wild Irishman" whistling and roaring, hissing and straining at the brakes close behind; in front only a few yards to the station, but such long yards! On came the train, and just as the gentleman rushed from the "tube" and dragged the lady down, the express came out grinding and growling. They were only just saved by two yards from a terrible death.

Now let me tell you something else. The year after that nearly fatal accident, I--the writer of this anecdote--was visiting the "Britannia" Tubular Bridge which crosses the Menai Straits, and through which the "Wild Irishman" rushes on its way to Holyhead. I was with my parents, and we talked to the caretaker at the bridge.

"Yes, sir," he said, "it _is_ dangerous to go into the tubes. We do not allow it now. Last year a lady and gentleman were nearly killed in the Conway tube. I was the guard of the mail train; they had a very narrow escape."

"What became of the tipsy porter who guided them in?" asked my father.

"He lay flat down, and the train went over him--he was dismissed--but how did you know, sir?"

"Because this lady and myself were the two people who were in the tube," said my father. "I assure you we remember the incident very well indeed."

That is what most people would, call a "curious coincidence," and it is, moreover, quite true.

But we are nearing Holyhead. Our "Wild Irishman" has not far to run now. We are through the "Britannia" bridge, upon whose unfinished summit we have raced on slippery plates of iron, one hundred feet above the straits, and gazed down into the Menai waters beneath, as the ships went up almost touching the tube apparently. Ah! this was many years ago, and even now as we rattle on we can recall the scene and shiver.

Away by Llanfair--something--a long Welsh word--away by the lake and the river; over the marsh comes the scent of the sea, and then in ten minutes the "Wild Irishman" walks down the pier. Mail-bags are put on board the steamer; passengers hurry down; the carriage doors are shut. The paddle-wheels revolve; we quit the harbour of Holyhead, and lose sight of the "Wild Irishman."

MASTER TOM'S "RAINY WEATHER."

"Ettie," said Master Tom, "do you like to be naughty or good?"

"Naughty," replied Ettie promptly.

Ettie was five years old, and Master Tom nine.

Ettie and Master Tom were at the far end of the kitchen-garden, going through the gate that led into a small paddock, when Ettie suddenly said--

"Pigs."

"Where?" exclaimed Master Tom.

"Poor pigs in pen all shut up," answered Ettie.

"What a shame!" said Master Tom. "I say, Mrs. Pig, wouldn't you like your little piggies to have a run this fine day?

"There's grass around in plenty For the little ones to eat, And in the kitchen-garden There's cabbage for a treat.

Now, Ettie, get out of the way; I am going to open the door of the pigstye."

And Master Tom threw the door wide open, and out rushed not only the ten little pigs, but Mrs. Pig herself. They came with such a rush that Ettie, not getting out of the way quickly enough, was knocked down. But she did not cry; for she was used to falling in her expeditions with Tom.

Through the garden gate, into the garden, over the beds, went the pigs, and after them went Master Tom and Ettie, driving them until they went into the middle of the crisp early cabbages.

"Now then, eat to your hearts' content," said Master Tom. "Eat away, eat away! How they do enjoy themselves; there won't be a cabbage left. Won't Joseph be surprised. Let us get up into the great pear-tree and watch them. You can climb up if I push you."

"Yes," responded Ettie, grasping the trunk and putting her foot on a jutting-out knob.

"That's famous," said Master Tom, as he helped his little sister up until he landed her in one of the highest boughs.

"Isn't it nice?" said he.

And he began swaying the branches to and fro, whilst Ettie held on tightly and laughed with delight.

"Oh dear! oh dear! how can the pigs have got in?"

"Oh dear! oh dear!" cried Master Tom from the pear-tree, mimicking the gardener's voice.

"Oh dear! oh dear!" cried Ettie in her shrill voice.

"Oh dear! oh dear!" said Joseph in dismay; "the children up in the pear-tree such a height; they'll tumble down and break their necks. Oh, Master Tom, Master Tom, whatever did you go up there for, and take little Missy with you? What shall I do?--the pigs, the children, the children, the pigs! I daren't leave the children; and yet if I don't go after the pigs the garden will be ruined. Oh, my lettuces, my peas, my cauliflowers, my fine young cabbages!"

And then Joseph suddenly raised his voice and shouted as loud as he could--

"Help! help! help! Hallo! hallo! hallo!"

In a few seconds out came several of the servants, and amongst them was Nurse. "Oh! what is the matter?" she cried; "is it Master Tom again?"

"I should think it was," said Joseph; "he's in the pear-tree, and Miss Ettie's with him. Jack, get a ladder to get her out of the tree."

Jack, the boy, went off, and now the branches were seen to sway backwards and forwards, the two children chuckling with delight.

"And here I come first," said Master Tom, suddenly descending in so rapid a manner that he seemed to tumble down amongst the group, and, stumbling against Joseph, the gardener was tripped up and fell to the ground.

Nurse tried to seize upon Master Tom, who, however, shook himself free, leaving it to Joseph and the boy to get Ettie out of the pear-tree.

II.

When Nurse returned to the house with Ettie the first thing she saw was the turf beneath the nursery window strewn with every possible thing that Master Tom could find. He himself was looking out of the nursery window with an armful of Ettie's frocks and sashes, which he aimed at Nurse and her charge as they came nearer the house.

"Oh dear! shan't I be glad when you go back to school, Master Tom. Here's an hour's good work for me in carrying back all these things."

And Nurse wrathfully ascended to the nursery, but Master Tom was not there.

"Well," said Nurse, "it's a good thing he's gone off by himself, and not got Miss Ettie with him. You stay here and play with your dolls, and I'll run down and pick up your frocks and shoes."

So Nurse, having settled Ettie with her playthings, departed.

But she had not been gone a minute before Master Tom put his head in at the door.

"Ettie," said he, "come down into the drawing-room, and we'll have the greatest fun in the world. I've got a large umbrella and water-bottles, so we'll play at rainy weather."

Up jumped Ettie.

"Hush! don't make a noise, or some one will hear us. Come very softly."

And Ettie, on tiptoes, followed Tom to the drawing-room, where, having locked the door, he provided Ettie with a large umbrella.

"Now sit down on the floor," said he, "and hold it over you. You must pretend that it is a rainy day, and that you are obliged to shelter under it."

Down went Ettie on the floor, and up went the umbrella.

"Now," continued Master Tom (who had borrowed a pair of high boots so that, at least, _he_ should not get wet), "I shall pour water over the umbrella and it will splash down like rain. You must say, 'What a dreadful day! What a dreadful storm!'"

"Yes," answered Ettie. "Splash, splash, splash! what a storm! what a storm!"

And down came the water, splashing Ettie's velvet frock and wetting her shoes, and making pools on the drawing-room carpet. What fun it was! so Master Tom thought, and so did Ettie; and the more he emptied the water-bottles the more they both shouted with glee.

Guided by the noise, Nurse soon arrived at the door.

"Open the door! open the door!"

But Master Tom took no notice. Nurse might batter away as she liked; he was safe inside.

"What are you doing?"

"Playing at rain," cried Ettie; "my frock and my shoes all wet. It is rainy day, Nurse."

"The road is all of puddles," said Master Tom; "splash, splash; don't you hear it?"

Yes, Nurse _did_ hear it, and wondered what it was.

"I've finished the bottles," said Master Tom; "now for the watering-can, it's quite full. It will come down like a shower-bath, Ettie."

"Oh! oh! oh!" gasped Ettie, for the umbrella slipped from her hand and she received the contents of the watering-can on her head, neck, and arms. Then Ettie, for the first time, began to cry.

"You bad boy," cried Nurse in a state of despair; "open the door or I will have it broken open."

Master Tom unlocked the door, and then making a rapid retreat to one of the windows, he leaped through it almost before Nurse had opened the door.

Nurse held up her hands in dismay. The beautiful drawing-room carpet was soaked with water, and in the midst, crouched on the floor, sat Ettie, with her hair and her fine velvet frock dripping.

"Tom poured water," sobbed Ettie, as Nurse lifted her off the ground.

Nurse rang the bell lustily, and the housemaid came running to see what was the matter.

"What will the mistress say?" said Jane as she looked at the carpet; "I shouldn't wonder if it is spoiled altogether."

"I know what I should say, and what I shall say!" said Nurse; "I shall tell the mistress that if something isn't done to curb Master Tom, he'll be such a plague, that no one will care to see him. I've had such a day with him to-day as I don't intend to have again!"

And Nurse carried Ettie off to the nursery, where she took off her wet clothes, and put her into a warm bed. For Ettie was shivering, though it was a hot day, and Nurse gave out that she thought Master Tom would make his sister quite ill.

Which opinion reached Tom's ears; so he crept upstairs cautiously.

"Nurse, nurse," he said, "is Ettie very bad?"

"She's got a shivering and a shaking, and it may be an inflammation," said Nurse severely, "and what shall you say if, by your mischievous doings, you have hurt your sister!"

Master Tom's soul was filled with terror.

"I don't know how it may end," continued Nurse, "but the best thing you can do is to go downstairs and sit in the dining-room till master and mistress come home. Go away from here."

And Nurse shut the door and bolted it; and Tom, feeling more miserable than he had ever felt in his life, went away, but not to the dining-room.

He went to his own little room, where, with a white face, he watched, till his mother came home. He would tell her everything, and he knew that she would let him just look at Ettie before he went to bed. And he said to himself--

"I will never get into mischief again."

It was a good resolve; let us hope that he kept it.

THE MAIDS AND THE MAGPIE.

Three little maids and a magpie Went out one day for a walk; The little maids hunted for flowers, The magpie did nothing but talk.

"I've three little maidens to care for, Each one from dangers to save-- Wild dogs or runaway horses-- What a good thing I am brave!"

Soon they were laden with flowers-- Bunches of red, white, and blue; Great ox-eyed, snowy-leaved daisies, Harebells, and bright poppies too.

Then they turned homeward together, Magpie still hopping before, Passed through the wood and the village, Came to the rectory door.

There stood a quiet grey pussy-- Magpie flew off in a fright. So, after all his vain boasting, Proved himself coward--not knight!

FRANCES HAY.

CHILDREN'S GAMES IN DAYS OF OLD.

Both my little nieces had been unwell. They were not very ill, but they were shut up in one room for a time, and they found it rather difficult to amuse themselves all day long, without having their lessons to do or their brothers to play with. I told them a tale every afternoon, when the light was getting dim, and the fire was poked into a bright blaze; but I came to the end of my store at last.

"Oh, auntie! what shall we do now if you can't tell us any more stories?" said Maggie. "We read such a lot that we really don't want to be read to."

"Let us have a nice talk," I said.

"But what shall we talk about?" asked Edith, looking into the fire, as if she could read something there. "Oh, I know, auntie! tell us about the time when you were a little girl; tell us all about your pet toys."

"Auntie has told us that so often," said Maggie.

"Let us talk about something very old, and yet quite new to both of you," I said. "What do you think the children played with hundreds and hundreds of years ago?"

"Didn't they have dolls?" asked Maggie.

"Yes, they had dolls, but not like yours. They were small, and their arms and legs were fastened on with bits of wire or wood."

"What were they made of?" asked Edith.

"They were generally made of clay or terra-cotta, but sometimes of wood or wax. The hair was often ornamented with rows of beads, and sometimes the dolls were painted all over with very bright colours, to please the little ones to whom they were given. They used to make little toy animals, too, and in Greece they had those small dancing figures which we call marionets."

"Have they found anything besides dolls?"

"Yes; there are some little toys at the British Museum which were found in Greece and Turkey. One of them is a woman kneading bread; another is a black boy sitting on a pony, with a basket of fruit in front of him. If ever you see them, you will think you are very fortunate little children to have such beautiful toys."

"But I don't care about dolls," said Edith, blushing a little, for she had been grumbling because her mother would not buy her a new one. "I'd rather have a big ball. Did those old children play at ball, auntie?"

"Oh, yes! The very oldest we know of--the Egyptian children--had balls of leather and some of painted china."

"I shouldn't like that," remarked Edith. "Fancy Charlie with an earthenware ball! he'd break all the windows in the house."

"I don't suppose they let the children throw the hard balls about much. The Greeks in later times loved ball as much as you do, but they played it in a different way. They used to sing and dance at the same time. Can you think of any word that we have which means dancing, and yet sounds like a game?"

"Like a game of ball, auntie?" said Maggie.

"I know!" cried Edith clapping her hands; "you've just said it, Maggie--a _ball_. Don't you know people always dance at a ball."

The children were very much pleased to find out that the grown-up people's amusement took its name from one of their toys, and that the short songs, or _ballads_, which we sing came from the songs which the Greeks sang whilst they played ball.

"Did they play ball in any other way?" asked Maggie.

"Sometimes it was put on the middle line, between the two parties playing, and each party tried to seize it, and throw it over the adversary's goal-line."

"Why, that's like our own football, isn't it, auntie?"

"Yes; the Epikoinos, or common game of ball played by the Greek children, is really the great-great-great-grandfather of our football."

"Had those children any hoops?" asked Edith.

"The Romans had hoops, and even the same kind of hooked stick, but they played very differently from what we do. They tried to snatch the hoop from each other with the hook."

"I'm glad I am not a Roman, then," said Edith, "for I do love a good straight run with my hoop; and that must have been more like fighting than playing. But do tell us some more about those children's games. It seems so strange to think they had balls and hoops like us."

"They had whip-tops, too," I said. "And some people say that the great Emperor Augustus used to play at marbles when he was a boy. You have seen Charlie and Tom play with knucklebones; the Greek children had them too, and sometimes there were numbers on them, and each bone had a different name. Backgammon and draughts were played by the Greeks, and we see by some of the pictures on the tombs in Egypt that the game of draughts was very popular there."

"But hadn't they any nice romping games?" asked Maggie.

"Yes. Blind man's buff was a great favourite with the Greeks and Romans. And they were very fond of playing a game which was known as oyster-shell."

"Do you mean making grottoes? I don't call that romping."

"The children were divided into equal numbers on each side of a line drawn on the ground; one party would be called white, the other black. They then tossed an oyster-shell into the air, and whichever side came upwards, one of that party ran off. If it was the dark, one of the blacks ran away, and one of the whites dashed after him. As soon as Mr. Black was caught, he had to take Mr. White on his shoulders and carry him to the camp, where he remained till all the others were caught. This is the origin of our prisoner's base.'"

"But that is a boy's game," said Maggie. "I want to know about the girls'."

"They played blind man's buff, as I told you just now; then there was 'runaway,' or 'touch,' which was like our game. One girl would shut her eyes whilst the others hid. A place of refuge, or, as we call it, _home_, was fixed upon, and she had to try and touch some of the others before they could get safe there. Kiss-in-the-ring was very popular too, but the girl used to hold the boy by the ears as she kissed him, and this was called pitcher-fashion."

"Our pitchers have not two handles," remarked Edith.

"No, but they had a handle on each side in those days. Then the Greeks used to play a game like our follow-my-leader, called 'Commands,' and all sorts of funny things were ordered to be done by those who took part in it."

Just then the bell rang for me to go down to dinner.

"Oh, auntie, don't go yet!" cried both children; "we haven't heard half enough."

"I will just tell you one thing more, and then I must go," I said. "There was a very favourite game played hundreds of years ago in Asia, called 'Kings and Subjects.' One day a little boy named Cyrus was playing at it with the children of the village in which he lived. This little boy was about ten years old, and had been adopted by a shepherd. He was chosen king by the boys, and having appointed his ministers, he set each of his companions to do certain work. One boy refused, and Cyrus ordered him to be flogged. The boy was angry, and ran off to tell his father, who was one of the chief men in the place. This man was very indignant that his boy should be beaten by a common shepherd's son, and went to King Astyages to complain. The king sent for Cyrus, and asked him how he dared to treat the son of a great man in that way.

"Cyrus answered bravely that he had only done what was just; he had been chosen king, and he ought to have been obeyed. Astyages was very much surprised by this answer, and began to look more closely at the fearless boy; then he saw that he was very like himself. He sent for the shepherd, and after many questions, he found that this little Cyrus was his own grandson who was supposed to be dead. So the sham king really became the heir to the throne, and in time was a real king."

"Why, auntie, that's as good as a fairy tale!" said Edith.

"Better," I replied; "for it is true, and it teaches us that we ought always to try to do right, even in our games, and then we shall never be ashamed."

E. M. W.

THEIR ROAD TO FORTUNE.

THE STORY OF TWO BROTHERS.

_By the Author of "The Heir of Elmdale," &c. &c._