Little Ferns For Fanny's Little Friends
Chapter 5
When Violetta came into the room, everybody looked uneasy. If her papa was writing, he'd lay one hand over his papers, and push his ink-stand as far as possible into the middle of the table; mamma would catch up her work-basket and put it in her lap; her little brothers and sisters would all scrabble up their playthings, and run; even the little baby would crawl on its hands and knees as fast as it could, and catch hold of its mother's gown.
You might be sure if you laid a thing out of your hand, you never would find it in the same spot where you left it, if Violetta were in the room. She would run off with your scissors, your bodkin, your needlebook, and your spool of cotton; she would stuff your handkerchief in her pocket by mistake; she'd break the strings of your bag, trying to open it; she'd try your spectacles on to her kitten, and tie your new tippet on the dog Ponto's neck.
Then she would run into the kitchen and dip her fingers into the preserves, and upset the egg-basket, and open the oven door and let the heat all out when the pies were baking, and leave the cover off the sugar bucket, and dip into the milk to feed her kitty, and disturb the cream, and nibble round a loaf of fresh cake, just like a little mouse.
Well, of course everybody disliked her, and hated to see her come where they were. She never got invited anywhere, because nothing was safe from her little Paul Pry fingers; and when company came she generally got sent out of the room. It was a great pity, because she was really a pretty little girl, and a very bright one, too.
"Oh, Miss Kizzy," said Luly, "I never will do so any more, I----"
Why, Luly, I didn't say _you_ did so; I was talking about Violetta.
"Oh, but it is just like _me_," said the honest little girl; "I have done all those things, Miss Kizzy--every one of them; but I didn't think it would make everybody hate me. I want to be loved, Miss Kizzy; but you don't know how dreadful hard it is for a little girl to 'keep still.'"
Yes I do, Luly; and you needn't "keep still," as you call it, but you mustn't meddle with what don't belong to you. I see how it is: you are a very active little girl, and want something to do all the time. I'll ask your mother to let you go to school--(Luly frowned)--to me, Luly!
"Oh, that's so nice," said Luly. "Don't get a bench--will you? Don't make me set up straight. Don't make me fold up my hands and keep my toes still, will you, Miss Kizzy?"
Well, Luly came to my school, and stood up or sat down, just as she liked. She was the only scholar I had, so I was not particular about that; but after she had learned to read, she would "keep still" for hours together without minding it, if you'd only give her a book.
Poor little Luly; she didn't _mean_ to be naughty; she only wanted something to do. She is one of the best little girls now that ever carried a satchel.
NEW-YORK IN SHADOW.
My dear little readers: But a step or two from the famous Broadway, in New-York, where one sees so much riches and splendor, is a place called the "Five Points," where the wicked poor live, huddled together in garrets and cellars, half starved, half naked, and dirty, and wretched, beyond what _you_, in your pure and happy homes, ever could dream of. They were recently so numerous, so strong, and so cunning, that even the police were afraid to go among them, for fear they should get killed.
A good man by the name of Mr. Pease heard of this dreadful place, and went down there to see what he could do to make the people better. I had heard how much good he had done, and to-day I went down to the Five Points to see for myself.
Oh, I couldn't tell you half the misery that stared me in the face, as I passed through those streets. Slatternly women, huddled round cellar doors; dirty children, half naked, playing in the muddy gutters, and hearing words that may never, never be written for you to read.
Then, there were drinking shops, with such shocking odors issuing from doors and windows; and red-faced, blear-eyed men, half drunk, leaning against the barrels, and sitting on the side-walks; and decayed fruit, in windows so thick with dirt that one could scarcely see through them; and second-hand, faded dresses and bonnets for sale, swinging from out the doorways; and girls with uncombed hair and bare feet and bold faces, fighting and swearing; and old, gray-haired men, smoking pipes and drinking. I was quite sick at heart, and was glad to get into Mr. Pease's house, and find _something_ doing to make things better.
Mr. Pease is a very sensible man, as well as a kind hearted one. Some people who had always had enough to eat, drink, and wear themselves, wished him only to pray for, and talk to these poor creatures, and give them tracts; but Mr. Pease knew that many of them were willing to work, and only stole because they could not get work to do, and must either steal or starve. So he knew it was no use to talk and tell them they must be good, so long as he didn't show them any way by which they could earn their living honestly.
So, like a sensible man, in the first place he took a shop, and got a great many coarse shirts to make, and told these poor women if they would come in and make them, he would pay them money, and then they needn't steal. And they came, too; for many of them were weary enough of such a wretched life. Nobody likes to be dirty, instead of clean; nobody likes to be despised, instead of loved; nobody likes a police-man's hand on his throat, instead of the twining arms of the good and pure.
No, indeed! Nobody _likes_ to be afraid to look up at the holy stars, lest their bright eyes should see into their dark souls; nobody likes to drink till they are senseless as a beast, to stifle the sweet voice of conscience; nobody likes to be hungry, or thirsty, or sick and diseased, or so miserable that death would be a blessing.
No, no--no, no! my dear children. So, these poor creatures came flocking to Mr. Pease's shop, _glad_ to work,--glad of a _chance to be honest_,--glad to see somebody, like Mr. Pease, who would reach out his hand and _pull_ them out of this SEA OF SIN, instead of standing on shore, with his hands folded, while they were drowning, reading them a tract. They saw that he was _in earnest_,--they saw that he didn't think himself too good to come right down and _live_ in that dreadful neighborhood, if he only could help them. And then, when he had shown them how to put honest bread in their mouths,--when he had found the way to their hearts, (for these wretched creatures _have_ hearts,)--_then_ he talked to them of God and Heaven, till the tears rained down their cheeks,--then he asked them to promise him to "go and sin no more;" and they have kept their word, too. Isn't that good?
Another good thing Mr. Pease has done: he opened a school in this house of his, for the children in the neighborhood, and I asked him to take me in to see them. So, he opened a door, and there sat the little creatures on low benches;--some black as "Topsy;" some white as you are; some barefoot; some with shoes; some so small that their little feet didn't touch the floor from the low benches; some sickly looking and pallid; some rosy and bright; but all with clean hands and clean faces.
At a signal from the lady teacher, they all began to sing, "A brighter day will dawn to-morrow." I had to cry. I couldn't help it.
Some of the children had such pure, sweet faces, that as they sat there singing, with their soft eyes looking upwards, I felt as if I had almost rather they would die there, than go home through those dreadful streets, into those wretched cellars, and hear the shocking words I had heard, as I passed along through them.
I was so glad to learn from Mr. Pease, that some of these little children, who had no parents, lived there in the house with him, and that he kept the others in the _day time_, giving them their dinners at noon. Poor, little innocent children! I looked at one little face after another, and I _couldn't make it right_ that they should have to live where they can't help sinning,--where they are _taught_ to be wicked,--where they are whipped and beaten for _not_ being wicked,--because rich people love silks and jewels too well, to give Mr. Pease money to find them bread and shelter, and take them away.
Oh, if the rich ladies and gentlemen who live in fine houses, had only seen those poor children as _I_ did, and heard their sweet voices, I can't believe that they would suffer them to remain in such a sinful and wretched condition. Some of them _have_ sent money, which has helped Mr. Pease to buy a place in the country, where he means to carry all the children he can get, away from that vile neighborhood.
Is not that nice? How I should like to see them running over the fields, when work is done; tumbling about under the trees, growing brown and rosy and healthy; listening, not to curses and oaths, but to the warble of some dear little bird, praising God in his own sweet way, for _his_ share of light and air and sunshine!
And now, as you sit in your happy homes, where you hear only kind, good, pure words,--where you never tremble at your father's footfall, or creep under the bed _for fear of your own mother_,--where you are never hungry, or thirsty, or cold,--where you meet only loving smiles, and go to sleep with the hand of blessing on your bright young head,--oh, remember the poor little outcast ones still forced to live at the Five Points; and if you cannot give them money to help them away, fold your hands and pray God every night to "keep them from the evil that is in the world."
HATTY'S MISTAKE.
"I am so glad it is Saturday afternoon!"--and little Hatty tossed off her bonnet, and shook out her hair, and skipped up to her mother, who sat making the baby's new red frock,--"I am glad it is Saturday; I don't see the use of going to school, and I wish I never had to look into a book again;" and down little Hatty jumped, two stairs at a time, into the kitchen, to ask Bridget for an apple.
Bridget's red arms were up to the elbows in flour, making pies, and Hatty said _she_ should like to help her. Bridget smiled at the idea of "_helping_" her. But she liked Hatty; so she tied a great check apron round her, tucked her curls behind her ears, and gave her a bit of paste, and a little cup-plate on which to make herself a pie. So Hatty rolled out the paste, keeping one eye all the while on Bridget, to see how she did hers; and then she greased her little plate so that the pie need not stick to it. When that was done, she filled up the inside with stewed apple, then she tucked it all in with a nice "top crust," then she worked it all round the edge with a tiny little key she had in her pocket: then she looked up and said,
"Bridget! I wish I were _you_; I should have such a good time tasting the apple-sauce, to see if it were sweet enough. I should like to go out to service, Bridget, and never see that hateful school any more."
Bridget didn't answer, but she turned away and took a long-handled shovel and poked her pies into the hot oven, and then Hatty heard her draw a great long sigh.
"What is the matter, Bridget?" said Hatty. "Is your crust heavy?"
"No," said Bridget,--"but my _heart is_. I was thinking how I wished I knew how to read and write. There's Patrick, my brother, way over in Ireland--the last time I saw him I wasn't taller than that butter firkin. Father and mother are dead, and Pat is just the pulse of my heart, Hatty! Well, when he writes me a letter, it's me that can't for the life of me read a word of it; and if I get Honora Donahue to read it, I'm not sure whether she gets the right sense of it; and then a body wants to read a letter more than once, you know; and so I take it up, my darlin', and turn it over and over, and it's nothing but Greek and Latin to poor Bridget. And so many's the time, Hatty, I've cried hours over Pat's letters, for reason of that. Then I can't answer them--cause you know I can't write--and in course I don't want to turn my heart inside out for anybody else to write it to Pat for me; and so you see, my darlin', it's a bother all round entirely,"--and Bridget shut to the oven door, and wiped her eyes with the corner of her check apron.
Hatty was a very warm-hearted little girl, and she couldn't bear to see Bridget cry, so she threw down the bit of paste in her hand; then starting to her feet, as if a sudden thought had struck her, ran quickly up stairs into the parlor, where her mother was sitting, talking with two ladies.
Hatty forgot that her face, and hands, and check apron, and even her curls, were all over flour, when she burst into the room, saying,
"Oh, Mamma!--Bridget and I have been talking, and Bridget--(_great big_ Bridget!)--don't know how to read and write! and she has nobody to love but Pat--and Pat is in Ireland; and when he writes her a letter she can't read it, and she can't answer him, because she don't know how to write; and she hasn't seen Pat since--since he was as little as a butter firkin--and she is so unhappy--and, Mamma, mayn't I have an A-B-C book, and teach Bridget how to read and how to write?" And little Hatty stopped--not because she had no more to say, but because she was out of breath.
Hatty's mamma smiled, and said, "There was a little girl just your size, in here about an hour ago, who 'didn't see the use of going to school, and wished she might never look into another book so long as she lived.' Have you seen anything of her?"
Hatty blushed and said, "Oh, Mamma, I never will be so foolish again. I see now how bad it is not to learn when one is a little girl."
Well, the A-B-C book was bought, and very funny it was to see little Miss Hatty looking so wise from under her curls, and pointing out the letters to Bridget with a long knitting needle. It was very slow work, to be sure; but then Hatty was patient, for she had a good, kind heart; and how proud she was when Bridget was able to read Pat's letters! and prouder yet when she learned to answer them! and you may be sure that Hatty never was heard to say again that "she didn't see _the use of going to school_."
MIN-YUNG.
Did you ever see a China-man? I used to know one. His head was quite shaved, except a long braid, which hung down below his waist behind. I suppose it wasn't all his own hair; but that's none of my business. He had as much right to tie on a false tail, if he liked, as the gentlemen in Broadway have to wear false whiskers, and false moustaches.
Perched on the top of his head was a little skull-cap, just about big enough to fit your little baby brother. On his feet were wooden shoes, curled up at the toes like the end of an Indian canoe. He also wore blue and white stockings, and a blue Canton-crape wrapper.
Min-Yung (that was his name) had not been a great while in the United States. He was coaxed away from China, with many others of his countrymen, by some Americans, who imagined that they could make money by exhibiting them over here, in their different Chinese dresses, and making them play tricks, like so many monkeys. When they got them here, they found "it didn't pay"; that is, people didn't care to give money to go to see them. So they ran off, and left the poor Chinese, without a cent, to take care of themselves in a strange country. Was not that very mean?
Poor Min-Yung had pawned one of his dresses after another to pay for things he needed, till they were all gone, and he looked quite worn out and miserable. He couldn't speak but a word or two of our language, and I couldn't speak Chinese; but I saw that he was sick and unhappy. So I shook hands with him, and pointed to his forehead, and looked as pitiful as I knew how; and then he nodded his head, and pulled up his sleeve, that I might feel his pulse, and leaned his head on one side, to show me how forlorn and weary he felt.
I thought that, perhaps, he might be faint, and need something to eat, or drink; so I said "_Tea?_" for I knew that a China-man would be sure to understand that word.
You should have seen what a horrid grimace he made, and how he lifted up both his hands, as if to wave off an imaginary cup of tea! I always thought that the tea sent over to this country from China was a miserable humbug; so poor Min-Yung's horror at being asked to drink a cup of it, quite upset me, and I laughed immoderately. Min-Yung laughed, too; and understood by the way I shook my fore-finger at him, just as well as if I had said, "You know very well, my dear Min-Yung, that your countrymen make us swallow and pay for any sort of a mess which they choose to baptize by the name of 'tea.'"
However, Min-Yung ate some nice jelly, without being poisoned, and pocketed some money which was given him by a gentleman present, and then he dropped on one knee very gracefully, and kissed first the gentleman's hand, and then mine; and his little huckleberry eyes twinkled, as much as to say, "You see, I'm very grateful."
With good, careful nursing, Min-Yung got better. I think it made him almost well to speak kindly to him, for he had a good, affectionate heart. When he got quite well and strong, he wanted to "be my servant." I liked Min-Yung, but I had nothing for him to do; beside, I like to be my own servant. It would make me as nervous as a cat in a china closet, to have anybody always standing behind my chair. So, the gentleman who gave him the money, said he was going to California soon, and would like to have Min-Yung go with him, to wait upon him. Wasn't that kind?
It did not take the poor China-man long to pack his trunk, for the very good reason that he had nothing to put in it. So, in less than a week's time, his wooden shoes walked on board the ship "Dolphin," and away he went to California, and I didn't hear of him again for many a long day.
It seems that after his master had got through all his business in California, he asked Min-Yung if he would like to go back to his own country and see his old father and mother, and his sisters, with the twinkling little feet;--and Min-Yung said yes. So the gentleman gave him some money, and he started off, in his little skull cap, for the "Celestial City."
I often used to think of him, and wonder if he found his old father and mother alive; and if they were glad to see him; and often, when I turned out a cup of tea, I laughed aloud to think of poor Min-Yung's horrid grimace, when I offered _him_ some.
One day a huge box came for me, directed "United States of America." I couldn't imagine what was in it. I thought of mummies, and stuffed monkeys, and "infernal machines;" and walked round the box at a respectful distance, with one eye on the door.
By and by the lid was knocked off; and now, what do you think I found in it?--a chest of "tea;" none of your sham doses, but tea that a Chinese Mandarin wouldn't have turned up his celestial nose at, and a lovely little Chinese work-box, and a pretty scarlet, Canton-crape scarf, all from that comical, good, affectionate Min-Yung.
Won't you and I call on him, when we go to China?
TOM, THE TAILOR.
Tell you another story, Charley? Bless your blue eyes, how many stories high do you suppose I am?
Who made that jacket for you, hey?
"A tailor."
Do you like to see a _man_ sewing, Charley? I don't. I don't believe that their great muscular arms were intended to wield a needle, especially when so many feminine fingers are forced to be idle for want of employment; so I never like to see a tailor.--Oh, yes, I do, too. I came very near forgetting Tom Willcut.
Who was _he_? I don't know, any more than you do. The first time I saw him, was in an old tumble-down building, where the wind played hide and go seek through the timbers; and where more men, women, dogs and children were huddled together, than four walls of the like size ever held before.
In one of the smallest of these rooms, I first saw Tom; sitting, with a white cotton cap upon his head, cross-legged on the floor, stitching away by the dim light of a tallow candle. A line stretched across the room, on which hung some coarse pea-jackets and trousers which he had finished, while at his side stood a rough table, with the remains of some supper, and two unwashed cups and saucers.
_Two_ cups and saucers, thought I: pray, who shares this little room with that poor, pale tailor?
Ah, I see! In yonder bed, which I had not noticed, lies a woman, and on her breast a little wee baby. Well may Tom sit drawing out his thread, hour after hour, by that dim candle.
1 coughed a little bit. Tom shaded his eyes with his hand, looked up, and invited me in. That was just what I wanted, you know. Then, he dusted off a chair with the tail of his coat, and I sat down.
"Is that your baby?" said I.
"It is _ours_," said he, looking over, with a proud smile, at his wife.
I liked Tom from that very minute. Of course, his wife wanted to own half of such a nice little baby--and the first one, too--and it was very gallant of tailor Tom, to say "_ours_," instead of "mine:" it showed he had a soul above buttons. Ask your mother if it didn't.
Then I asked Tom if he got good pay for making those jackets. He clipped off his thread with his great shears, and, shaking his head, said, "My boss is a Jew, Missis."
What did he mean by that? Why, "boss" means master, and Jew, I am sorry to say, is but another name for a person who gets all the work he can out of poor people, and pays them as little for it as possible.
Tom's answer made me feel very bad,--he said it in such a quiet, uncomplaining way, as if, hard as it was, he had quite made up his mind to it, for the sake of that new baby and its mother.
I wanted to jump right up and take him by the hand, and say, "Tom, you are a hero!" but, I dare say he wouldn't have understood that. Your father, Charley, would probably call him a "philosopher," but you and I, who can't afford to use up the dictionary that way, will say he is a clever, good-hearted fellow.
When Tom was first married, he had a little shop of his own, and was "quite before-hand," as he called it; but one unlucky night it caught on fire, and burned up all his coats, and trousers, and jackets, and all the stuff he had laid in to make them of; and then his wife was taken sick; and, what with doctoring, and one trouble and another, although poor Tom was honest, temperate and industrious, he came down to that poor, miserable little room, after all.
But Tom was not a man to whine about his bad luck. No; he looked at that new baby, and made his fingers fly faster than ever, and wore a cheerful smile for his sick wife, beside. That's why I called him "a hero;" for, Charley, anybody can be courageous and endure a great deal when all the world are looking on and clapping their hands, and admiring them; but it is another thing, in an obscure corner, without food, without friends, without hope, to struggle--struggle--struggle on, fighting off Temptation, fighting off grim Want, day after day, with none to say, "God speed you."
That's why I said the poor tailor had a good, _brave_ heart; that's why I honored him; that's why I prayed God a brighter day might dawn for him.
Did it? Yes! I tell you, Charley, _never despair!_ no matter how dark the cloud is overhead, work on, and look up; the sun will shine through, by and by;--it did for poor Tom.
One day a gentleman called to see him, and asked him to go with him and look at some cloth for making jackets. Tom thought it was very odd;--he didn't remember that anybody ever asked his opinion before;--he didn't know what to make of it. However, he dropped his shears, pulled off his cotton cap, kissed his little baby, and followed the gentleman.