Chapter 4

Ah! a mother's love never dies out. That lady is Nettie's mother. She has something to work _for_;--she is trying to earn money enough (cent by cent) to bring home, and clothe and feed that poor little weeping, home-sick Nettie, who cried herself to sleep, with her mother's letter hugged to her bosom.

The old lady whom you saw burning Nettie's letter, was her grandmother. She was very jealous of Nettie's mother, because her son (Nettie's father,) loved her so well; and after he died she revenged herself upon her, by giving her all the pain she could. She promised if Nettie would come and live with her to be kind to her; and as Nettie's mother and little sister Ida hadn't enough to eat, Nettie had to go and live with the old lady. She cried very hard, and her mother cried too, and so did Nettie's little sister Ida; but the old lady promised that Nettie should come often and see them, and that they should come and see her. But she only said so to get Nettie away. After she got her she was very unkind to her, and used to tell her that her mother "was a foolish woman--not fit to bring her up"--and when Nettie got up to leave the room, because she couldn't bear to hear her talk against her dear mother, the old lady would shake her, and bring her back, and sit her down on the chair so hard as to make her cry with pain, and then force her to hear all she had to say.

You may be sure that all this made poor little Nettie feel very miserable. She had nothing to amuse her; she wasn't allowed to drive hoop, because it was "boy's play;" she wasn't allowed to go to walk, for fear she would "wear her shoes out;" she wasn't allowed to read story-books, for fear she "wouldn't study;" she wasn't allowed to play with dolls, because "it was silly;" she mustn't go visiting, because "it wasn't proper;" she mustn't have a playmate come to see her, because "it made a disturbance;" she couldn't have a kitten, because "animals were a nuisance;" she mustn't talk to her grandmother, because "little girls must be seen and not heard." So she sat there, like a little automaton, and watched the clock tick, and counted the times her grandmother put on and took off her spectacles, and thought of her mother and little sister till she bit her finger nails so that they bled.

Once in a great while, when Nettie had worried her self nearly sick, she got leave to go and see her mother. Then her grandmother always put on her worst clothes, to try to make her ashamed to go, and when she found that Nettie didn't care for her clothes, if she could only see her mother, she scolded and fretted and worried her, and gave her so many charges to come home at a particular hour, else she should be punished, that poor Nettie didn't enjoy her visit at all, but would start and turn pale every time she heard a clock strike, and get so nervous as to bring on a bad headache; and then, when she got home, the old lady would say that it was just like her mother to make her sick, and that she shouldn't go again.

Perhaps you'll ask if Nettie's mother never went to see her. You know it costs money to go in the cars, and Nettie's mother had no money, though she tried hard to earn it. Once in a while she could save up cents enough to carry her there; but she always had to carry something in her pocket for little Ida and herself to eat, for the old lady wouldn't offer them even a glass of water, because she didn't want them to come and see Nettie.

When they got there poor little Nettie would meet them at the door, with a troubled, frightened look upon her face; and without speaking a word, would lead them through the entry by the hand into her own little room; then she'd close the door, and after looking timidly about the room, jump into her mother's lap and kiss her hands and face, and cry and laugh, and hug little Ida; and Ida and her mother would cry too, and then Nettie would ask, sobbing, "if her mother hadn't earned money enough yet to take her away," and say that she'd rather starve with her mother, than live there, she was so wretched. And Nettie's mother would kiss her, and soothe her, and tell her how late she sat up toiling to get money; and then Nettie would cry for fear her mother would get sick, and then they'd all kiss each other, and almost _wish_ that God would let them die (then) just as they were--_together_.

* * *

Again the silver harvest-moon shines down upon the silent city. Through a curtained window its rays fall softly upon a bed, where lies a lady sleeping. See! she smiles! _What! Nettie's mother smile?_ Ah, yes; for _Nettie's_ golden head is pillowed on her breast. Nettie's loving arms are twined about her neck. God is good;--the "barrel of meal" does not fail, nor the "cruse of oil." Well may Nettie's mother smile, now that all she craves on earth is in her clasping arms.

SELFISH MATTHEW.

Such a selfish boy as Matthew was! You wouldn't have given a fig to play with him. He had carpenters' tools and books, and chequers and chess, and drawing materials, and balls and kites, and little ships and skates, and snow-shovels and sleds. Oh! I couldn't tell you _all_ he had, if I talked a week.

Well, if you went in of a Saturday afternoon to play with him, he'd watch all these things as closely as a cat would a mouse; and if you went within shooting distance of them, he'd sing out,--"D-o-n-'t; t-h-a-t-'s m-i-n-e!" Of course it wasn't much fun to go and see him. You'd got to play everything he wanted, or he'd pout and say he wouldn't play at all. He had slices of cake, that he had hoarded up till they were as hard as his heart; and cents, and dimes, and half dimes, that he used to handle and jingle and count over, like any little miser. All the beggars in the world couldn't have coaxed one out of his pocket had they been starving to death.

Then Matthew was such a cry-baby. I love a _brave_ boy. He'd go screaming to his mother if he got a scratch, as if a wild tiger were after him; and if you said anything to him about it, he'd pout, and stick out his lips so far that you might have hung your hat on 'em! It was like drawing teeth to get him to go across the room to hand you a newspaper. He ought to have had a little world all to himself, hadn't he?

Well, I used to pity him--there was nothing child-like about him. He always seemed to me like a little wizzled-up, miserly old man. He never tossed his cap up in the air, and laughed a good hearty laugh; he never sprang or ran, or climbed or shouted; no--he crawled round as if he had lead weights on his heels, and talked without scarce moving his lips, and wore a face as long as the horse's in your father's barn. _Such_ a boy as he was! Had he been mine I should have tried to get some life into him somehow.

When his mother was told of his faults, she'd say, "Oh, he'll out-grow them by and by." I knew better. I knew that his selfishness would grow as fast as he did; and that when he came to be a man, he would be unfeeling to the poor, and make hard bargains with them, and wring the last penny out of their poor, threadbare pockets.

Poor Matthew! he'll never be happy; no--he never'll know the luxury of making a sad face bright, or of drying up the tear of the despairing; and when he dies he can't carry his money _with_ him--he has got to leave it at the tomb door,--and who, do you suppose, will come there to mourn for him?

Oh, dear children, be _generous_--if you haven't but half a stick of candy, give _somebody_ a bite of it. Perhaps some child will say "But I haven't anything _to give_." That's a mistake; that boy or girl isn't living who has nothing to give. Give your sympathy--give pleasant words and beaming smiles to the sad and weary-hearted. If a little child goes to your school who is poorly clad, patched, darned; nay, even ragged;--if the tear starts to his eye when your schoolmates laugh, and shun, and refuse to play with him--just you go right up and put your arms round his neck; ask him to play with _you_. _Love him_;--love sometimes is meat and drink and clothing. You can all love the sad and sorrowful. Then never say you have "_nothing to give_."

CITY CHILDREN.

I wonder where all the little children are? I can't find any here in New-York. There are plenty of young gentlemen and ladies, with little high-heeled boots, and ruffled shirts, who step gingerly, carry perfumed handkerchiefs, use big words, talk about parties, but who would be quite at a loss how to use a hoop or a jump rope--little pale, candy-fed creatures, with lustreless eyes, flabby limbs, and no more life than a toad imbedded in a rock,--little tailor and milliner "lay figures," stiff, fine and artificial.

No; there are no little _children_ here. I'm very sorry;--I love little children. I used to know some once, with broad, full chests; plump, round limbs; feet that knew how to run, and hands that could venture to go through an entry without drawing on a kid glove,--blithe, merry little children, who got up and went to bed with the sun; who fed on fresh, new milk, and stepped on daisies, and knew more about butter-cups and clover blossoms, than parties and fashions,--little guileless children, who danced and jumped and laughed for the same reason the birds sing--_because they couldn't help it_,--who didn't care any more than the birds, whether their plumage was red, green, yellow or brown, so that they could dart and skim and hop where they liked, warble when they had a mind, and fold their wings where they pleased, when weary. But _these_ little city hot-house plants, shivering, shrinking, drooping--I had almost said _dying_, every time the wind blows--it quite makes my heart ache.

I think I must go hunt up their mammas, and beg them to give their little sensitive plants more air and sunshine, to make them hardy. Dear me! the mammas here are never at home. Some are in the great ladies' saloon (bright with gilding and mirrors,) in Broadway, sipping red "cordial," eating sugared wine drops and French cakes, and chattering with the gentlemen; some are at Madam Modeste's, planning a new ball dress, and talking about feathers and fashions; some are looking at a set of diamonds at the jewellers; and some are still in bed, although it is high noon, because they danced themselves so weary last night. So, poor little things, I suppose you must stay in your heated nurseries, bleaching like potato sprouts in a dark cellar, till Molly or Betty think best to let you out. Well, Aunt Fanny would be _so_ glad to tie a little sun-bonnet on your head, put on a dress loose enough to run in, and take you off into the country a while. She'd show you little cups and saucers, made of acorns, that would beat all they have in the Broadway toy-shops, (and cost you nothing, either); and soft, green seats of moss, embroidered with little golden flowers, much handsomer than any the upholsterer could put in your mamma's drawing room, (and which never fade in the sunlight); then she'd show you a pretty picture of bright green fields, where a silver stream goes dancing through, where little fish dart beneath, where the heated cattle come to drink, and the little birds dip their wings, then are off and away!

Oh, such merry times as we'd have! I know where the purple geranium grows; where the bright scarlet columbine blushes, and where the pale wax plant hides under its glossy green leaf. I know where the blue eyed anemone blossoms; I know where the bright lobelia nods its royal scarlet head; (I know how to pull off my shoes and wade in after it, too); and I know how to make a wreath of it for your pretty little head. Oh, I know how to make your eyes shine--and your little heart happy. So tie on your sun-bonnet, and come with me,--the more the merrier. I don't believe your mammas will ever know you, when I bring you back.

ROSALIE AND BETTY.

Everybody called Rosalie a beauty. Everybody was right. Her cheeks looked like a ripe peach; her hair waved over as fair a forehead as ever a zephyr kissed; her eyes and mouth were as perfect as eyes and mouth could be; no violet was softer or bluer than the one, no rose-bud sweeter than the other. All colors became Rosalie, and whatever she did was gracefully done.

Yes, everybody thought Rosalie was "a beauty." _Rosalie thought so herself._ So, she took no pains to be good, or amiable, or obliging. She never cared about learning anything, for she said to herself, I can afford to have my own way; I can afford to be a dunce if I like; I shall be always sought and admired for my pretty face.

So, Rosalie dressed as tastefully as she and the dress-maker knew how, and looked _up_ to show her fine eyes, and _down_ to show her long eye-lashes, and held up her dress and hopped over little imaginary puddles, to show her pretty feet; and smiled to show her white teeth; and danced to show her fine form--and was as brilliant and as brainless as a butterfly.

Now, I suppose you think that Rosalie was very happy. Not at all! She was in a perfect fidget lest she should not get all the admiration she wanted. She was torturing herself all the while, for fear some prettier face would come along, and eclipse hers. If she went to a party and every person in the room (but one) admired her, she would fret herself sick, because _that one_ didn't bow down and worship her.

Never having studied or read anything, Rosalie could talk nothing but nonsense; so, everybody who conversed with her, talked nonsense, too, and paid her silly compliments, and made her believe that all she needed to make her _quite_ an angel was a pair of wings; and then she would hold her pretty head on one side, and simper; and they would go away laughing in their sleeves, and saying, "What a vain little fool Rosalie is!"

Now, Rosalie's cousin Hetty was as plain as a chestnut-bur. She had not a single pretty feature in her face. Nobody ever thought of calling Hetty a beauty, and _she knew it_! She was used to being overlooked; but she didn't go whining round and making herself unhappy about it,--not she. She just put her mind on something else. She studied, and read books, and learned a great many useful things; so, she had a great deal in her mind to think of, and went singing about as happy as could be, without minding whether anybody noticed her or not.

So she grew up sweet-tempered, amiable, generous and happy. When she went into company, strangers would say, "What a plain little body Hetty is." If they could not find anybody else to talk to, they'd go speak to her. Then Hetty would look up at them with one of her quiet smiles, and commence talking. She would say a great many very sensible things, and some queer ones, and they would listen--and listen--and listen--and by and by look at their watch and wonder what _had_ made time fly so; and then go home, wondering to themselves _how they could ever call such an agreeable girl as Hetty "homely_."

So you see, everybody learned to love her when they found out what a _beautiful soul_ she had; and while Rosalie was pining and fretting herself sick because her beauty was fading, and her admirers were dropping off one by one, to flatter prettier faces, Hetty went quietly on her way, winning hearts and----_keeping them, too_.

THE CRYSTAL PALACE.

How many of my little readers have seen the Crystal Palace, in New-York? Those of you who have, can skip these pages, while I talk to some of your little bright-eyed country cousins, who have never been there.

You know, my dear little daisies, that poor city children, who have to walk on brick pavements, and breathe bad air, ought to have something by way of a sugar plum, now and then, to make up for it. So, you mustn't pout because _they_ have seen the Crystal Palace, and _you_ have not.

You know John Bull got up a Crystal Palace in England, some time since, to which people of all nations sent articles of their own making,--not to sell, but to show the great crowd who came to look at them what they could do when they tried. It was a grand thing, because it made them anxious to finish off everything in the best possible manner; and as many of the articles were very useful, it did a great deal of good. Then, it brought thousands of people to see it, and that made Adam's sons and daughters better acquainted, and more sociable, and happier; so, it was a very excellent thing on that account.

Well, you know that we Americans are a very smart people, (ask your grandfather if we are not,) and we made up our minds that we would show John Bull, and Sandy, and Pat, a Crystal Palace of our own; and when an American says he will do a thing--it is done!

So, I was not at all astonished at what I saw last night;--such a beautiful building,--such a splendid glass roof--such a blaze of light, (for it was evening) my eyes were almost put out! I couldn't begin to tell you all the pretty things there were in it, but if you wish to know what I wanted more than anything else, it was a little marble statue (I suppose you would call it "an image") of a sleeping child. It had the prettiest, plumpest little dimpled limbs, you ever saw, and such an innocent little cherub face; I wanted to catch it up and run away with it.

There were a great many very beautiful statues there, some of which would have made you cuddle very close up to your mother, and hold her hand very tight; for instance, one statue representing a dead mother with a live baby lying on her breast, and a great, strong eagle fastening its claws in the little baby to carry it off. And then, there was a statue of an enormous bear, giving a poor man _such_ a hugging--squeezing the very life out of him; he wouldn't have had to squeeze you at all to kill you, for the very sight of such a grizzly monster would have scared you to death in an instant.

Then there was a glass case full of swords, and dirks, and daggers, and all sorts of instruments to kill people; and you would have been as glad as I was, had you seen them hanging up there so harmlessly, instead of making widows and orphans, on the battlefield.

Then, there were beautiful pianos with silver keys, and rich sofas, and bedsteads, and chairs, and tables, and bureaus; and pretty, tempting work-boxes, full of all sorts of knick-knacks to tempt ladies to be industrious; and such dainty little writing desks!--oh, I can tell you, it was very hard work not to covet those.

Then the diamonds, and amethysts, and emeralds, and pearls, and rubies, fit for a queen's diadem;--they flashed in my eyes till I was almost blind--but I would rather have had that little image of the sleeping baby than the whole of them.

Then there were silks, and satins, and gauzes, and embroideries, and worsted jackets, and tippets, and gloves, and shoes fit for Cinderella.

Then there were dolls, (boys and girls) dressed up to show off the fashions. I should be sorry to see you finified up so. Then, there was a beautiful baby's cradle, lined with soft, white satin, with a rich lace curtain, fit for Queen Victoria's baby, or your mother's; and a tiny little robe and cap lying near it, delicate as a lily leaf.

Then there was a tall wax lady dressed in deep black, (black eyes too) to show off the mourning goods; and between you and me, I think she _mourned_ quite as much as a great many persons who put on black.

Then there was a pyramid of perfumery--done up in bottles--enough to sweeten the handkerchiefs and dispositions of all the young ladies in New-York.

Then there were silver and gold tea-sets, and dishes and trays, and knives and forks, for rich ladies who like to be tied to a bunch of keys, and sleep with one eye open.

Then there were beautiful pictures, which many a poor artist had toiled and sighed over, and which I should like to give him a good bag of money for, and then hang them up in my parlor. Pictures are such pleasant, quiet company.

Then there were a great many machines, and instruments, and engines, of much importance, which grown up people would be interested in, but which I will not describe to you.

Well, these pretty things I have told you about were not all on the lower floor of the Palace. No; part of them were in the galleries. You could sit there and look down below upon the great statue of General Washington on horseback; upon Daniel Webster; and then, upon the Lilliputians that were walking around looking at them; then, you could shut your eyes and listen to the music, and fancy you were in some enchanted region, for it was quite like a fairy tale, the whole of it.

KIZZY KRINGLE'S STORY.

I am an old maid. Perhaps I might have been married. Perhaps not. I don't know as that is anybody's business.

I have a little room I call my own. There's a bedstead in it covered with a patched quilt, made of as many colors as "Joseph's coat," and an old-fashioned bureau with great claw feet, and a chair whose cushion is stuffed with cotton batting; a wash-stand, a table, and a looking-glass over it. At the side of the looking-glass is a picture of Daniel Webster, which I look at oftener than in the looking-glass--for I am an ugly old maid, and Daniel was one of a thousand.

Old maids like to have a good time, as well as other folks; so, I don't shut myself up moping in my little salt-box of a room. When the four walls close too tight round me, there are four or five families where I go visiting, sometimes to breakfast, (for I'm an early riser,) sometimes to tea, sometimes to dinner, and sometimes to all three;--sometimes I stay all night.

Everybody is glad to see me, because I pay my way. If the baby has the colic, I tend it; if Johnny wants a new tail to his kite, I make it; if Susy has torn her best frock, I mend it; and if Papa comes slily up to me and slips a dicky into my hand, I sew the missing string on, and say nothing.

I have lately made the acquaintance of a new family, by the name of Tompkins; and very pleasant people they are, too. They have a whole house full of children,--not one too many, according to my way of thinking. Louisas and Jennys, and Marthas and Marys, and Tommys and Johnnys, besides a little baby that its mother has never had time to name.

I love to watch little children. I love to hear them talk when they don't think I am listening. I love to read to them and watch their eyes sparkle. I love to play with them, and walk with them. They are often much pleasanter company than grown people--at least, so Kizzy thinks. But that is only an old maid's opinion.

I hadn't visited at the Tompkins' long, before I noticed that little "Luly," as they called her, was one by herself; that is, she was not a favorite with the rest of the family. At first I didn't understand how it was, and I felt very much like saying I didn't like it; for Luly seemed to be a nice little girl, and playful as a little kitty. She was always laughing, singing, and dancing--now in at one door, and now out at the other, like a will-o'-the-wisp, or a jack-o'-lantern. Why on earth they didn't like Luly, I couldn't see. Being an old maid, of course I couldn't rest easy till I found out the reason of this; and I soon did it, as you'll see, if you read on to the end of my story.

One day Luly came to me saying, "Tell me a story, there's a good Kizzy, I am tired of running round."

Well, I knit to my seam needle, and then I took her up on my lap and began:

Once there was a little girl whose name was Violetta. She had never kept still five minutes since she was born, and I suppose the shoemakers were very glad of it. She was as much like a little squirrel as a little girl could be--nibbling and scampering, scampering and nibbling, from sunrise to sunset.