Literary Shrines: The Haunts of Some Famous American Authors

Part 4

Chapter 43,908 wordsPublic domain

Some one has said, "Thoreau experienced Nature as other men experience religion." Certainly the life at Walden, which he depicted in one of the most fascinating of books, was in all its details--whether he was ecstatically hoeing beans in his field or dreaming on his door-step, floating on the lake or rambling in forest and field--that of an ascetic and devout worshipper of Nature in all her moods. Thoreau "built himself in Walden woods a den" in 1845,--after his return from tutoring in the family of Emerson's brother at Staten Island; here he wrote most of "Walden" and the "Week on the Concord and Merrimac Rivers," and much more that has been posthumously published; from here he went to jail for refusing to pay a tax on his poll, from here he made the excursion described in "The Maine Woods."

He finally removed from Walden in the autumn of 1847, to reside in the house of Emerson during that sage's absence in Europe. An old neighbor of Thoreau's, who had often watched his "stumpy" figure as he hoed the beans, and had even once or twice assisted him in that celestial agriculture, tells us that Thoreau's hut was removed by a gardener to the middle of the bean-field and there occupied for some years. Later it was purchased by a farmer, who set it upon wheels and conveyed it to his farm some miles distant, where it has decayed and gone to pieces.

In Concord it is not difficult to identify the personages associated with Thoreau's life at Walden Pond and referred to in his book. The "landlord and waterlord" of the domain, on which Thoreau was "a squatter," was Waldo Emerson; the owner of the axe which the hermit borrowed to hew the frame of his hut was Bronson Alcott; the "honorable raisers" of the structure were Emerson, Curtis the Nile "Howadji," Alcott, Hosmer, and others; the lady who made the sketch of the hermitage which appears on the title-page of "Walden" was the author's sister Sophia. Of the hermit's visitors here, "the one who came oftenest" was Emerson; "the one who came farthest" was also the poet whom the hermit "took to board for a fortnight," Ellery Channing; the "long-headed farmer," who had "donned a frock instead of a professor's gown," was Thoreau's neighbor and life-long friend Edmund Hosmer, who is celebrated in the poetry of Emerson and Channing; the "last of the philosophers," the "Great Looker--great Expecter," who "first peddled wares and then his own brains," was Bronson Alcott, who spent long evenings here in converse with the hermit, or in listening to chapters from his manuscript. Here came Hawthorne to talk with his "cast-iron man" about trees and arrow-heads; here came George Hilliard and James T. Fields, and others,--sometimes so many that the hut would scarce contain them; the only complaint heard from Thoreau anent the narrowness of his quarters being that there was not room for the words to ricochet between him and his guests. Here, too, came humbler visitors, hunted slaves, who were never denied the shelter of the hermitage nor the sympathy and aid of the hermit.

Another generation of visitors comes now to this spot,--pilgrims from far, like ourselves, to the shrine of a "stoic greater than Zeno or Xenophanes,"--a man whose "breath and core was conscience." We linger till the twilight, for the genius of this shrine seems very near us as we muse in the place where he dwelt incarnate alone with Nature, and there is for us a hint of his healthful spirit in the odor of his pines and of the wild flowers beside his path,--a vague whisper of his earnest, honest thought in the murmur of the clustering boughs and in the lapping of the wavelets upon the mimic strand.

We bring from the shore a stone--the whitest we can find--for his cairn, and place with it a bright leaf, like those his callers in other days left for visiting cards upon his door-step, and then, through the wondrous half-lights of the summer evening, we walk silently away.

VIII

THE HILL-TOP HEARSED WITH PINES

_Last Resting-Place of the Illustrious Concord Company--Their Graves beneath the Piny Boughs._

During Hawthorne's habitation of the "Old Manse" and his first residence at the Wayside, his favorite walk was to the "Sleepy Hollow," a beautifully diversified precinct of hill and vale which lies a little way eastward from the village. His habitual resting-place here was a pine-shaded hill-top where he often met Emerson, Thoreau, Bronson Alcott, Elizabeth Hoar, Mrs. Ripley, or Margaret Fuller,--for all that sublimated company loved and frequented this spot. More often Hawthorne lounged and mused or chatted here alone with his lovely wife. Their letters and journals of this period make frequent mention of the walks to this place and of "our castle,"--a fanciful structure which, in their happy converse here under the pines, they planned to erect for their habitation on this hill-top. In their pleasant conceit, the terraced path which skirts the verge of the hollow and thence ascends the ridge was the grand "chariot-road" to their castle. This park has become a cemetery,--at its dedication Emerson made an oration and Frank B. Sanborn read a beautiful ode,--and on their beloved hill-top nearly all the transcendent company whom Hawthorne used to meet there, save Margaret Fuller who rests beneath the sea, lie at last in "the dreamless sleep that lulls the dead."

First came Thoreau, to lie among his kindred under the wild flowers and the fallen needles of his dear pines, in a grave marked now by a simple stone graven with his name and age. Next came Hawthorne: with his "half-told tale" and a wreath of apple-blossoms from the "Old Manse" resting on his coffin, and with Emerson, Longfellow, Fields, Ellery Channing, Agassiz, Hoar, Lowell, Whipple, Alcott, Holmes, and George Hilliard walking mournfully by his side, he was borne, through the flowering orchards and up the hill-side path,--which was to have been his "chariot-road,"--to a grave on the site of the "castle" of his fancy; where his dearest friend Franklin Pierce covered him with flowers and James Freeman Clarke committed his mortal part to the lap of earth. Alas, that the beloved cohabitant of his dream-castle must lie in death a thousand leagues away! in no dream of his would such a separation from her have seemed possible. She tried to mark his tomb by a leafy monument of hawthorn shrubbery, but the rigorous climate prevented; now a low marble, inscribed with the one word "Hawthorne," stands at either extremity of his grave, and a glossy growth of periwinkle covers the spot where sleeps the great master of American romance. Some smaller graves are beside his: in one lies a child of Julian Hawthorne; in another, Rose--the daughter of Hawthorne's age--laid the son which her husband, Parsons Lathrop, commemorates in the lines of "The Flown Soul." Next Mrs. Ripley and Elizabeth Hoar were borne to this "God's acre," and then Emerson--followed by a vast concourse and mourned by all the world--was brought to "give his body back to earth again," in this loved retreat, near Hawthorne and his own "forest-seer" Thoreau. A gigantic pine towers above him here, and a massive triangular boulder of untooled pink quartz--already marred by the vandalism of relic-seekers--is placed to mark the grave of the great "King of Thought." It bore no inscription or device of any sort until a few months ago, when a bronze plate inscribed with his name and years and the lines--

"The passive master lent his hand To the vast soul that o'er him planned"--

was set in the rough surface of the stone. By Emerson lie his wife, his mother, two children of his son and biographer Dr. Emerson, and his own little child,--the "wondrous, deep-eyed boy" whom Emerson mourned in his matchless "Threnody."

"O child of paradise, Boy who made dear his father's home, In whose deep eyes Men read the welfare of the times to come,-- I am too much bereft."

Six years after Emerson, Bronson Alcott and his illustrious daughter Louisa were laid here, within a few yards of Hawthorne and the rest, on a spot selected by the "Beth" of the Alcott books who was herself the first to be interred in it. Now all the "Little Women" repose here with their parents and good "John Brooke,"--"Jo" being so placed as to suggest to her biographer that she is still to take care of parents and sisters "as she had done all her life."

No other spot of earth holds dust more precious than does this "hill-top hearsed with pines." We are pleased to find the native beauty of the place little disturbed,--the trees, the indigenous grasses, ferns, and flowers remaining for the most part as they were known and loved by those who sleep beneath them. The contour of the ground and the foliage which clusters upon the slopes measurably shut out the view of other portions of the enclosure from this secluded hill-top, and, as we sit by the graves under the moaning pines, we seem to be alone with these _our_ dead. Through the boughs we have glimpses of the motionless deeps of a summer sky; the patches of sunshine which illumine the graves about us are broken by foliate shadows sometimes as still as if painted upon the turf. No discordant sound from the haunts of men disturbs our meditations; the silence is unbroken save by the frequent sighs of the mourning pines.

As we linger, the pervading quiet becomes something more than mere silence, it acquires the air and sense of reserve: the impression is borne into our thought that these asleep here, who once freely gave us their richest and best, are withholding something from us now,--some newly-learned wisdom, some higher thought. Does "an awful spell bind them to silence," or are they vainly repeating to us in the tender monotone of the pines a message we cannot hear or cannot bear? Or have they ceased from all ken or care for earthly things? Do they no longer love this once beloved spot? Do they not rejoice in the beauty of this summer day and the sunshine that falls upon their windowless palace? Are they conscious of our reverent tread on the turf above them, of our low words of remembrance and affection? Do they care that we have come from far to bend over them here?

"For knowledge of all these things, we must"--as the greatest of this transcendent circle once said--"wait for to-morrow morning."

IN AND OUT OF LITERARY BOSTON

IN BOSTON

OUT OF BOSTON

I. Cambridge; Elmwood, etc. II. Belmont; Wayside Inn; Homes of Whittier III. The Salem of Hawthorne; Whittier's Oak Knoll IV. Webster's Marsh-field; Brook Farm and other Shrines

IN BOSTON

_A Golden Age of Letters--Literary Associations--Isms--Clubs--Where Hester Prynne and Silas Lapham lived--The Corner Book-store--Home of Fields--Sargent--Hilliard--Aldrich--Deland--Parkman--Holmes--Howells-- Moulton--Hale--Howe--Jane Austin, etc._

Of the cisatlantic cities our "modern Athens" is, to the literary pilgrim, the most interesting; for, whatever may be the claims of other cities to the present literary primacy, all must concede that Boston was long the intellectual capital of the continent and its centre of literary culture and achievement. If the pilgrim have attained to middle life and be loyal to the literary idols of his youth, his regard for the Boston of to-day must be largely reminiscential of a past that is rapidly becoming historic; for, of the constellation of brilliant authors and thinkers who first gained for the place its pre-eminence in letters, few or none remain alive. The requirements of labor and trade are transforming the old streets; the sedate and comfortable dwellings, once the abodes or the resorts of the _littérateurs_, are giving place to palatial shops or great factories; the neighborhood where Bancroft, Choate, Winthrop, Webster, and Edward Everett dwelt within a few rods of each other was long ago surrendered to merchandise and mammon; yet for us the busy scenes are haunted by memories and peopled by presences which the spirit of trade is powerless to exorcise.

To tread the streets which have daily echoed the foot-falls of the illustrious company who created here a golden age of learning and culture were alone a pleasure, but the city holds many closer and more personal mementos of her dead prophets, as well as the homes of a present generation who worthily strive to sustain her place and prestige.

Interwoven with the older Boston are literary associations hardly less memorable and enduring than its history: in the belfry of its historic holy of holies--Old South Church--was the study of the historian Dr. Belknap, and the dove that nested beneath the church-bell is preserved in the poetry of N. P. Willis; King's Chapel, the sanctuary where the beloved Dr. Holmes worshipped for so many years, and whence he was not long ago sadly borne to his burial, figures in the fiction of Fenimore Cooper; historic Copp's Hill is also a scene in a tale of the same novelist; the court-house occupies the site of the "beetle-browed" prison of Hester Prynne of "The Scarlet Letter;" the storied old State-house marked the place of her pillory; the theatre of the Boston Massacre is the scene of the thrilling episode of Hawthorne's "Gray Champion;" his "Legends of Province House" commemorate the ancient structure which stood nearly opposite the Old South Church; the Tremont House, where the "Jacobins' Club" used to assemble with Ripley, Channing, Theodore Parker, Bronson Alcott, Peabody, and the extreme reformers, was the resort of Hawthorne's "Miles Coverdale," as it was of the novelist himself, and on the street here he saw "ragamuffin Moodie" of "The Blithedale Romance." On the site of Bowdoin School, Charles Sumner was born; at one hundred and twenty Hancock Street he lived and composed the early orations which made his fame; at number one Exeter Place, Theodore Parker, the Vulcan of the New England pulpit, forged his bolts and wrote the "Discourses of Religion;" in Essex Street lived and wrote Wendell Phillips, at thirty-seven Common Street he died; at thirty-one Hollis Street the gifted Harriet Martineau was the guest of Francis Jackson; at the corner of Congress and Water Streets Lloyd Garrison wrote and published "The Liberator." In this older city, antedating the luxury of the Back Bay district of the new Boston, Mather wrote the "Magnalia," Paine sang his songs, Allston composed his tales, Buckminster wrote his homilies, Bowditch translated La Place's "_Mécanique céleste_." Here Emerson, Motley, Parkman, and Poe were born; here Bancroft lived, Combe wrote, Spurzheim died. Here Maffit, Channing, and Pierpont preached; Agassiz, Phillips, and Lyell lectured; Alcott, Elizabeth Peabody, and Fuller taught. Here Sargent wrote "Dealings with the Dead," Sprague his "Curiosity," Prescott his "Ferdinand and Isabella;" here Margaret Fuller held the "Conversations" which attracted and impressed the leading spirits of the time, and Bronson Alcott favored elect circles with his Orphic and oracular utterances; here lived Melvill, pictured in Holmes's "Last Leaf;" here Emerson preached Unitarianism "until he had carried it to the jumping-off-place," as one of his quondam parishioners avers, and here commenced his career as philosopher and lecturer. Here, besides those above mentioned, Dwight, Brisbane, Quincy, Ripley, Graham, Thompson, Hovey, Loring, Miller, Mrs. Folsom, and others of similar ability or zeal, discoursed and wrote in advocacy of the various reforms and "isms" in vogue half a century or more ago.

It has been said that, according to the local creed, whoso is born in Boston needs not to be born again, but some decades ago a literary prowler, like ourselves, discovered that "nobody is born in Boston," the people who have made its fame in letters and art being usually allured to it from other places. This is true in less degree of the present age, since Hale, Robert Grant, Ballou,--of "The Pearl of India,"--Bates, Guiney, Elizabeth Stuart Phelps, and others are "to the manor born;" but, if Boston has few birthplaces, she cherishes the homes and haunts of two generations of adult intellectual giants.

Prominent among the literary landmarks is the "Corner Book-store"--once the shop of the father of Dr. Clarke--at School and Washington Streets, which, like Murray's in London, has long been the rendezvous of the _littérateurs_. Here appeared the first American edition of "The Opium Eater" and of Tennyson's poems. Here was the early home of the "Atlantic," then edited by James T. Fields, who was the literary partner of the firm and the presiding genius of the old store. This lover of letters and sympathetic friend of literary men--always kind of heart and generous of hand--drew to him here the foremost of that galaxy who first achieved for America a place in the world of letters. To this literary Rialto, as familiar loungers, came in that golden age George Hilliard, Emerson, Ticknor, Saxe, Whipple, Longfellow, Hawthorne, Lowell, Agassiz, the "Autocrat," and the rest, to loiter among and discuss the new books, or, more often, to chat with their friend Fields at his desk, in the nook behind the green baize curtain. The store is altered some since Fields left it; the curtained back-corner, which was the domain of the Celtic urchin "Michael Angelo" and the trysting spot of the literary fraternity, has given place to shelves of shining books. The side entrance--used mostly by the authors because it brought them more directly to Fields's desk and den--is replaced by a window which looks out upon the spot where, as we remember with a thrill, Fields last shook Hawthorne's hand and stood looking after him as--faltering with weakness--he walked up this side street with Pierce to start upon the journey from which he never returned.

Literary tourists come to the store as to a shrine: thus in later years Matthew Arnold, Cable, Edmund Gosse, Professor Drummond, Dr. Doyle, and others like them, have visited the old corner. Nor is it deserted by the authors of the day; Holmes was often here up to the time of his death, and the visitor may still see, turning the glossy pages, some who are writers as well as readers of books: Thomas Bailey Aldrich, Scudder, Alger, Robert Grant,--whose "Reflections" and "Opinions" have been so widely read,--Miss Winthrop, Miss Jewett, Mrs. Louise Chandler Moulton, and Mrs. Coffin are among those who still come to the familiar place. Near by, in Washington Street, Hawthorne's first romance, "Fanshawe," was published in 1828. From Fields's famous store the transition to the staid old mansion which was long his home, and in which his widow still lives, is easy and natural. We find it pleasantly placed below the western slope of Beacon Hill, overlooking an enchanting prospect of blue waters and sunset skies. It is one of those dignified, substantial, and altogether comfortable dwellings--with spacious rooms, wide halls, easy stairways, and generous fireplaces--which we inherit from a previous generation. Here Fields, hardly less famed as an author than as the friend of authors, and his gifted wife--who is still a charming writer--created in their beautiful home an atmosphere which attracted to it the best and highest of their kind, and made it what it has been for more than forty years, a centre and ganglion of literary life and interest. The old-fashioned rooms are aglow with most precious memories and teem with artistic and literary treasures, many of them being _souvenirs_ of the illustrious authors whom the Fields have numbered among their friends and guests. The letters of Dickens, Hawthorne, Emerson, and others reveal the quality of the hospitality of this house and show how it was prized by its recipients. For years this was the Boston home of Hawthorne; to it came Emerson, Longfellow, and Whittier almost as freely as to their own abodes; here Holmes, Lowell, Charles Sumner, Greene, Bayard Taylor, Joseph Jefferson, were frequent guests; and here we see a quaintly furnished bedchamber which has at various times been occupied by Dickens, Trollope, Arthur Clough, Thackeray, Charles Kingsley, Matthew Arnold, Charlotte Cushman, and others of equal fame. Of the delights of familiar intercourse with the starry spirits who frequented this house, of their brilliant discussions of men and books, their scintillations of wit, their sage and sober words of wisdom, Mrs. Annie Fields affords but tantalizing hints in her reminiscences and the glimpses she occasionally allows us of her husband's diary and letters. Fields's library on the second floor--described as "My Friend's Library"--is a most alluring apartment, where we see, besides the "Shelf of Old Books" of which Mrs. Fields gives such a sympathetic account, other shelves containing numerous curious and uniquely precious volumes,--among them the few hundreds of worn and much annotated books which constituted the library of Leigh Hunt. In this room Emerson, while awaiting breakfast, wrote one of his poems, to which the hostess gave title.

In later years a younger generation of writers came to this mansion: Celia Thaxter was a frequent guest; the princess-like Sarah Orne Jewett, beloved by Whittier as a daughter, has made it her Boston home; Aldrich comes to see the widow of his friend; Miss Preston, Mrs. Ward, and other luminous spirits may be met among the company who assemble in these memory-haunted rooms. For several years Holmes lived in the same street, within a few doors of Fields's house.

At number fifty-four in quaint Pinckney Street, around the corner from Mrs. Fields's and near the former residence of Aldrich, we find the house in which the brilliant George Hilliard lived and died, scarcely changed since the time James Freeman Clarke here married Hawthorne to the lovely Sophia Peabody.

Upon the opposite side, at number eleven, dwells Mrs. E. P. Whipple, widow of the eminent author and critic,--herself a lady of refined critical tastes,--who keeps unchanged the home in which her husband died. In his lifetime a select circle of friends usually assembled here on Sunday evenings,--a circle in which Fields, Bronson Alcott, Lowell, Emerson, Longfellow, Holmes, Sumner, Clarke, Dr. Bartol, Ole Bull, Lucretia Hale, Edwin Booth, and others of similar eminence in letters or art were included. Just around the corner, in Louisburg Square, Bronson Alcott died in the house of his daughter Mrs. Pratt,--the "Meg" of Louisa Alcott's books.

On Beacon Hill, in the next--Mount Vernon--street, we find near the "hub of the Hub" a tall, deep-roomed dwelling, surmounted by an observatory which commands a charming view of the city and its environs, and this is the elegant city home of the poet, novelist, and prince of conversationalists, Thomas Bailey Aldrich. His library, full of treasures, is on a lower floor, but the study in which he pens his delightful compositions is high above the distractions of the world. As one sees the author of "Marjorie Daw" and the recent "Unguarded Gates" among his books, there is no hint of his sixty years in his fresh, ruddy face, with its carefully waxed moustache, nor in his sprightly speech and manner.

In the same street, the spacious mansion of ex-Governor Claflin was long a resort of a wise, earnest, and dazzling company of sublimated intellects. This house was in later years the usual haven of Whittier, the gentle Quaker bard, during his visits to Boston; and here, protected by the hostess from the eager kindness of his numerous friends, he spent many restful days when rest was most needed.