Lippincott's Magazine, September, 1885
Chapter 7
Brent saw him enter the yard, and came to the door to meet him. The family had dispersed soon after breakfast, and, as there was no one in the house for him to see, Helfenstein declined going in, but stood on the door-step, describing his journeyings in the West.
"Well," said he at last, "are you ready to start with me for New York to-morrow morning, and for Liverpool next Monday?"
"My starting for any place out of sight of these mountains," answered Brent, "depends chiefly on the views of a certain young woman. At present the indications are that no such pilgrimage will ever begin."
"_Alle Wetter!_ Are you married?"
"No; but I expect to be in two weeks."
"Is it the maiden who dwells in this house?"
"The very same."
For a few moments the professor gazed in silence at the prospective bride-groom. Besides feeling a personal interest in the case, he considered it a good subject for psychic investigation.
"My good friend," he said, with judicial calmness, "why do you wish to espouse Miss Reinfelter?"
Brent knew this question was not meant to be offensive, but was propounded in a spirit of critical analysis. He was about to answer it with a pretence of deep gravity, when Casper came around the corner of the house and asked him where "Sister Rena" was.
"She has gone to the village," replied Brent.
As the boy turned away, his disappointment was so evident that Brent said, "Do you want her to do anything for you, Casper?"
"No, sir," said Casper dejectedly. "I just _want_ her."
Brent smiled, and turned to the professor again.
"I couldn't find a better answer to your question if I thought for a week," he said. "I just _want_ her."
W. W. CRANE.
MUSTER-DAY IN NEW ENGLAND.
Arms and the men we sing,--not those panoplied and helmeted according to Virgil, nor those of our own day, armed with repeating rifles and drum-majored into popular favor, but rather the heroes of the flint-lock and the priming-wire in the New England of two or three generations ago, the sturdy train-bands that have left scarce one John Gilpin to tell the tale of their valor.
"Train-bands are the trustiest and most proper strength of a free people," wrote Milton, and the colonists of Massachusetts Bay were of a like opinion, from Miles Standish down to the humbler men of prowess. By the law of 1666, all males in the colony were required to attend "military exercises and service." Companies were exercised six days yearly, prayer being offered by the captain at the beginning and at the end of every "training." A regimental training was ordered once in three years. Every company of foot was composed two-thirds of "musketeers" and one-third of "pikemen," the pike of Connecticut being two feet shorter than the rod-pike of England. Some of the lighter muskets were fired with a simple match, but the greater number were supported by "rests," forked at the top and stuck into the ground. They were fired by "match-locks," the "cock" being that part which held the burning match aloft before it was applied to the powder in the pan. Hence "to go off half cocked" originally meant that the burning fuse dropped into the powder pan before it was wanted. Single charges of powder were carried by the musketeers in wooden, tin, or copper boxes, and twelve of these boxes, fitted to a belt and slung over the left shoulder, made the "bandolier," which jingled like a band of sleigh-bells if the boxes were metallic. The belt also secured the "primer with priming-powder," the "bullet-bag," the "priming-wire," and the "match-cord." The soldier being thus a slave to his weapon, we are not surprised to note that his manual of arms was the following, from Elton's "Postures of the Musket:"
Stand to your arms. Take up your bandoliers. Put on your bandoliers. Take up your match. Take up your rest. Put the string of your rest about your left wrist. Take up your musket. Rest your musket. Poise your musket. Shoulder your musket. Unshoulder your musket and poise. Join your rest to the outside of your musket. Open your pan. Clear your pan. Prime your pan. Shut your pan. Cast off your loose corns. Blow off your loose corns, and bring about your musket to the left side. Trail your rest. Balance your musket in your left hand. Find out your charge. Open your charge. Charge with powder. Draw forth your scouring-stick. Turn and shorten him to an inch. Charge with bullet. Put your scouring-stick into your musket. Ram home your charge. Withdraw your scouring-stick. Turn and shorten him to a handful. Return your scouring-stick. Bring forward your musket and rest. Poise your musket and recover your rest. Join your rest to the outside of your musket. Draw forth your match. Blow your coal. Cock your match. Guard your pan. Blow the ashes from your coal. Open your pan. Present upon your rest. Give fire breast-high. Dismount your musket, joining the rest to the outside of your musket. Uncock and return your match. Clear your pan. Poise your musket. Rest your musket. Take your musket off the rest and set the butt end to the ground. Lay down your musket. Lay down your match. Take your rest into your right hand, clearing the string from your left wrist. Lay down your rest. Take off your bandoliers. Lay down your bandoliers. Here endeth the postures of the musket.
The "Postures of the Pike" gave these orders: "Handle, raise, charge, order, advance, shoulder, port, comport, check, trail, and lay down,"--the words "your pikes" being given with every order.
Elton's "Instructions to a Company of Horsemen" were as follows:
Horse,--_i.e._, mount your horse. Uncap your pistol-case. Draw your pistol. Order your pistol. Span your pistol. Prime your pistol. Shut your pan. Cast your pistol. Gage your flasque. Lode your pistol. Draw your rammer. Lode with bullet and ram home. Return your rammer. Pull down the cock. Recover your pistol. Present and give fire. Return your pistol.
Our fathers might have gone on in this lumbering way for many years if they had seen nothing worth imitating in the red men. The Indians of King Philip's War brought out their "snap-hances," or flint-locks, and the colonists were not slow to see the improvement. Experimentally at first, and afterward by a law of Massachusetts, the old pikes and heavy match-lock rifles were replaced with lighter muskets bearing the flint. The soldier ceased to be a slave to his weapon. Tactics were revolutionized; and the newly-developed military spirit was met by "The Complete Soldier," compiled from Elton, Bariff, and other authorities, and published by Nicholas Boone, of Boston, in 1701. This, the first military book in the British colonies, directed the soldiers to appear "with their hair, or periwigs, tied up in bags, and their hats briskly cocked." We hear also for the first time of the "powder-horn" and the "cartouch-box." The "bagnets" that are mentioned were of little use against the Indians, and they were scarcely known in America until the wars with France. But with the appearance of the bayonet came also the revival of the fife, which had been discarded in England in the time of Shakespeare. The military experiences gained in the French wars were of immense benefit when the Continentals and the volunteers formed themselves in line for the American Revolution. And yet the _esprit de corps_ was contemptible; for every movement contemplated and every order given by a superior officer had to be discussed, approved, or disapproved by the inferior officers and by the humblest privates. It was years before the army ceased to be a great debating-society with a sharp rivalry as to which regiment should have the handsomest silk banner. But Steuben--the great drill-master--brought order out of the turmoil with his "Regulations for the Discipline of the Troops of the United States," although the evolutions in the field did not go much beyond the old-time marching that clings to the Hartford Phalanx of to-day. An Englishman who lived in Massachusetts during the Revolution had this to say: "The females are fond of dress and love to rule. The men are fond of the military art. But in Connecticut the men are less so, while the women stay at home and spin."
The Revolution being over, the several States of the new republic enacted military laws of their own. In New York every able-bodied male between eighteen and forty-five was required to meet with his company four times in each year "for training and discipline,"--once by brigade, once by regiment, and twice by company,--for such length of time as the governor might direct. Similar laws were in force in the New-England States, and upon them was based the United States law of 1792 which sought to establish a uniform militia throughout the country. The attempt was a failure, because the President is commander-in-chief of the militia only when it is in the actual service of the United States. The several States, therefore, kept up their ununiformed militia until it became a laughing-stock,--an army with broom-sticks, to evade serving in which but fifty cents a year was required,--and then the present uniformed militia arose from the ruins. Our present inquiry concerns the militia of New England during the fifty years from 1790 to 1840. In those days the "military duty" consisted of two "company trainings" of half a day each in May and October, and one "general training" or "regimental muster" of one day in October. While no uniforms were required at the trainings, except to distinguish the officers, yet there were usually enough public-spirited people in every town to furnish uniforms to the crack company. The other company, the tatterdemalions of the town, was called "the flood-wood." The regiment consisted of one company each of artillery, grenadiers, light infantry, and riflemen from adjoining towns,--the cavalry being recruited wherever a farm-house could be found which was able to stand the shock of war. Then came the flood-wood companies, outnumbering the uniformed companies almost two to one.
The cavalry--it was before the days of Hackett and Poinsett and McClellan saddles and Solingen sabres--appeared to treasure up the memory of "Light-Horse Harry Lee" and Major Winston of the Legionary Cavalry that helped Mad Anthony Wayne against the Indians of the West. They had not heard of the valor of the elder Hampton or the daring rides of Major Davies, of Kentucky. "Tone's Tactics" was unknown to them. And yet they were admired in their black suits faced and corded with red (the militia repudiated the colors of the regular army), and they were a terror with their cutlasses and holsters for the brace of huge horse-pistols that they were required to carry. The uniform of the artillery and grenadiers differed little from that of the cavalry. The latter were topped off with helmets of red leather. Upon the hats of the flood-wood, tin or sheet-iron plates showed the name of the company,--the L. I. standing for "Light Infantry,"--just as you know the porter of your hotel by his badge. The riflemen wore gray spencers and gray pantaloons. Their hats were stiff black beavers, for the comfort of a soft felt hat had not yet been discovered. Most gorgeous of all were the men of the infantry, in their white pantaloons and blue coats, the latter covered by cross-belts of white, to which priming-wires, brushes, and extra flints were chained. A cap of black leather, sprung outward at the top, carried a black feather tipped with red. The musicians, when there were any, followed the uniform of the company which they attended, with some slight differences, like turned-over plates and tasselled ends, to show that they were non-combatants. Altogether, as one looked at the "fuss and feathers," the broad lapels, and the bob-tailed coats, he might well recall Thoreau's description of the manner in which the salt cod are spread out on the fish-flakes to dry: "They were everywhere lying on their backs, their collar-bones standing out like the lapels of a man-o'-war-man's jacket.... If you should wrap a large salt fish around a small boy, he would have a coat of such fashion as I have seen many a one wear at muster." Or, if we wish to go back still further, we might exclaim, with Falstaff, "You would think that I had a hundred and fifty tattered prodigals, lately come from swine-keeping, from eating draff and husks.... No eye hath seen such scarecrows."
We are at the training "in the fall of the year,"--a far more important occasion than that in the spring, because the annual "muster" is only a week or ten days ahead. It is a private show. The uniformed infantry and the flood-wood have met at Walton Centre, but they, and all the spectators too, are from "our town," with its various outlying settlements. Let the other towns boast, let Stormont show her grenadiers, Leicester her riflemen, and Acton her artillery, but when "muster-day" comes look out for Walton and her infantry. The law requires every soldier to have a musket or rifle,--flint-lock of course,--a bayonet, a priming-wire and brush, a knapsack, a cartridge-box, and two spare flints. The lack of any one of these may lead to a fine. The regular order of the manual is, open pan, tear cartridge, prime, shut pan, ram down cartridge, ready, aim, fire. But cartridges are not often to be had, and flasks must be used, with a pause in the manual to allow the measuring of a charge. The lack of cartridges leads also to the carrying of powder in bulk in the pantaloons pocket, so that the soldier may move quickly when the order is given to "load and fire as fast as possible." Still more quick in his movements will the soldier be when, led on by the excitement of the hour, he becomes careless of his pocket-magazine and allows it to explode, with a great wreckage of hair, whiskers, and eyebrows, though no one was ever known to lose his life thereby.
But the "evolutions" of the fall training-day make up its greatest worth. It is not enough that squads of "our company" advance, fire, and fall back, the drummer drumming his loudest all the while. It is mere boy's play to march in single and double files or in platoons. We are to meet the companies from the other towns at the muster, and they must be forced to admit our superiority in spite of themselves, or else our town will not come out ahead. Now, if there is any one manoeuvre on which the Walton infantry prides itself, the "lock-step and sit-down" is that one. The company is marched about in single file until a circle is formed, care being taken that the captain shall be in the inside and the musicians on the outside. Gradually drawing toward the centre, the circle contracts to slow music, until the whole company is in lock-step, like a gang of convicts. At the word of command, each man seats himself in the lap of the man behind him, and the whole company is in the attitude of frogs as they are ready to leap. The captain, raised aloft in the middle by some convenient mackerel-keg, draws his sword, and the tableau lasts while the music sounds the "three cheers."
Another "evolution," such as Darwin never dreamed of, is begun by facing the company to the front in a single rank. The left hand of each man resting on his next neighbor's right shoulder, space is taken until all the men are an arm's length apart. At a given signal they all face to the right. The captain, "with drawn sword," followed by the music, the drum beating vigorously, runs at double-quick time in and out of the spaces, like a very undignified performance of the Virginia Reel. As each man is passed, he joins the rapidly-increasing file, until the whole line expends its snake-like activity and marches off in "common time" on a straight course, like this:
Both of these "evolutions" are calculated to inspire the enemy with terror, but the latter especially so. On beholding it, the enemy cannot help giving applause, and in applauding he must necessarily drop his arms. The Walton Light Infantry, equal to any emergency, may now show their superior discipline by capturing the enemy before he can recover from his surprise and admiration. Even the very boys on a training-day seek to terrorize the enemy with broom-sticks and tin pans, until they become a nuisance to the older folk and are sent off to some field to play base-ball after the old method, the "Massachusetts game," which allows the "plunking" of a batter when he is not on his base. But the boys will claim their share of the extra cards of gingerbread that have been laid in at the stores, and they will be on hand to see the half-day's sport of training-day end before early tea-time with the flashing of powder and the departure of the "sojers" for their homes.
A very different affair is the "muster-day" of the early fall, before the cold days and nights have come to stay. The several adjoining towns, that furnish each its own company or its quota of cavalry, take care of the "regiment," by rotation, at such a time as this. No matter how centrally located the town may be, the grenadiers must come a long way over the hills from Stormont, and the riflemen must leave Acton soon after midnight in order to obey the signal of the seven-o'clock gun, which demands the presence of every company on the "parade-ground:" it goes by the name of "the common" every other day in the year. The night marches or rides are orderly, the more so in anticipation of what is to follow. The sun rises upon a gala-day for the men and youth: the boys had their time at the training. Now the crowd is greater, and there is no room for the boys, except those who live in the town where the muster is held. The field, at a respectful distance from the regimental line, is covered with auctioneers' stands, peddlers' wagons, refreshment-booths of rough boards, and planked platforms for dancing to the music of the violin. It is the picture of a college town on "commencement-day," magnified to ten times the proportions. As you stand,--no seats are allowed,--you can partake of sweet cider, lemonade, apples, gingerbread, and pies and buns of all kinds. If you call for it, you can have New-England rum, or its more popular substitute, "black-strap," one-half rum and the other half molasses. Awaiting the inspection, soldiers on leave of absence mingle with the commoners, partake of the refreshments, including the black-strap, and nod their plumes or rattle their swords while they dance the "double shuffle" or "cut a double pigeon-wing" on the platforms, to the great wonder of the crowd.
When the regiment gathers itself together it is a sight to behold. There are perhaps five hundred men, all told, in two ranks. A part of them rejoice in gayly-colored uniforms, but the majority are "the flood-wood," dressed in sheep's gray and blue jeans and armed with rifles, muskets, and fowling-pieces of every pattern. This motley band "toe the mark,"--a small trench that has been cut in the turf to save their reputation for alignment. Then they break into platoons, and are inspected, man by man, by the adjutant and his aides. The inspection being over about eleven o'clock, the colonel appears, all glorious in brass buttons, epaulets as large as tin plates, and a cocked hat of great proportions. Once more the regiment forms in double ranks, with presented arms. The colonel and his "staff" ride slowly down the line, turn back, and take their stand for review. The music, just as it came from every town contributing to the regiment, has been "pooled" and placed in the charge of a leader. It is a strange medley of snare-, kettle-, and bass drums, of fifes, clarionets, and piccolos, with an occasional "Kent bugle"--the predecessor of the cornet--or some other instrument of brass. It is poor music at the best, and it cannot go far beyond marking time for the marching. But is it not better than the simple drum and fife of a common training-day? The "full brass band," we must recollect, is too expensive a luxury except for the most extraordinary occasions, and even then we run the risk of hearing "Highland Mary" repeated all day long, so scant is the _répertoire_. The regiment, headed by the cavalry and the music, passes the colonel and his staff. The music wheels out of the line, gives "three cheers," and remains at the colonel's side till the regiment has returned to its place. A hollow square is formed, in imitation of the great Napoleon at Waterloo, and the colonel addresses his "brother-officers and fellow-soldiers" in a few fitting words, and retires from the field.
And now comes dinner,--a most important feature of muster-day. No one has had a bite since his breakfast at home by candle-light,--unless he has patronized the refreshment-booths. Even then he will not allow his appetite for the noonday meal to become impaired. By previous arrangement, each company dines by itself, or it joins forces with some friendly company and hires the services of a caterer. The hotel of the village cannot begin to accommodate the public, whether martial or civilian, and temporary sheds cover long lines of tables on which the feast is spread. It is a jolly company, and the scrambling for the viands and the vintages, if there are any, is done in a good-natured way. As the repast draws to a close and dessert is in order, the caterer appears at the end of one of the tables in shirt-sleeves that are more than wet with perspiration. Under his arm he holds a pile of plateless pies, just as the newsboy on the train secures a pile of magazines. The caterer marches down the length of the table with the half-inquiring, half-defiant announcement, "Pies, gentlemen! pies, gentlemen!" At every step he reaches for a pie, gives it a dexterous twirl between his thumb and finger, and sends it spinning to the recipient with a skill and accuracy of aim which would have done credit to the disk-thrower of the ancient Romans.
The "noon gun," fired after dinner, calls the regiment back to the parade-ground. The real work of the day is over; and now come recreation and amusement. The remarkable "evolutions" of the several companies are shown, each town striving to outdo the others. Of course the Walton Light Infantry will excel all the rest; but it may be no easy matter to make every one think as we do. The newest evolution--that of the snake on training-day--certainly "brings down the house," even if it fails to carry an admission of its superiority. When this friendly rivalry is over, the sham fight proceeds. A rough structure of boards and boughs has been prepared to represent a fort, and one of the companies is imprisoned therein, with little air or light, and with no means of defence except to discharge their guns upward. The advancing regiment fires by platoons, which wheel outward and retire to the rear to load. The artillery fires blank charges from a neighboring hill. The sweltering soldiers within the fort are only too glad to capitulate and let some other company take their place; the new company, in turn, to capitulate and march out with the honors of war. Meanwhile, the cavalry--whose horses are more used to the plough than to the din of battle--has retired to a distance, and indulges in a sham fight on its own account. And yet, in spite of all this preparation and in spite of the pains that have been taken to show the fancy movements of the soldiers, you will seldom see a company that is really well drilled in the most simple movements; for drill-masters are unknown.